#Sand Making Machine

[midseo]

Artificial Sand Making Machines, VSI Crushers, Jaw And Cone Crushers

We are Manufacturer, Supplier, Exporter of Artificial Sand Making Machines, Jaw And Cone Crushers, Finopactor, Special VSI Crushers from India.

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[moongothic]

You know I realize I forgot to mention this before in the Crocodile Power Level Speculation Post/Ask (btw I did go back to edit it so it's actually legible and has a point now lmao)

I really wanna know if Croc has any new tricks with his hook

Like in Alabasta the dude had a poison hook under his regular hook, which was also hiding a tiny blade beneath it as well. This is all fine and dandy, absolutely iconic etc etc

And then we never see him reuse either feature again.

Now to be fair, the only other time we could've seen Crocodile use them would've been in Marineford, but the dude just escaped from prison. Although people are quick to meme about the Marines being 'kind enough' to let Crocodile keep his gigantic fucking hook in prison-- If we're being realistic here, they probably let him keep the base of the hook simply because without a hand any shackle would just slide off his wrist and fall off. Of course he wouldn't still be able to escape or anything since he'd still have the Seastone cuff on his right, but if they wanted to keep him properly shackled then letting him keep even just the hook base would just be the easiest option for the Marines.

It's the fact that the Marines went out of their way to retrieve his missing hook attachment and gave it back to him that's a bit wild

But let's keep in mind that Luffy did break the poison hook back in Alabasta. Even if the Marines let Croc keep the hook attachment, I find it extremely unlikely they would've gone out of their way to fix/replaced the poison hook when the guy's going to jail anyways. If anything it'd make far more sense if they got rid of whatever poison might've still been left in the base and confiscated the blade. Like there's an argument to be made for the Marines letting Crocodile keep his hook due to disability reasons, but the poison and the purely stabby weapon? Not so much

So really, it's very likely the reason Crocodile never used his other weapons in Marineford might've just been that he literally didn't have them on him at the time, just the basic hook

But hey, it's been two whole whooping years. That would be plenty of time for him to replace the broken hook and blade and get some new poison into the hook base too while he's at it

Or

Are there any new weapons Crocodile could've gotten inserted into his hook base that he could whip out

Like just because he could get a new poison hook it doesn't mean he has to get a poison hook, same for the blade as well, right

To be fair, dude feels very old fashioned so I'm not expecting any Inspector Gadget kinda tech from him. Like I don't think Crocodile's knowledgeable about stuff like that himself, at least not enough to install any technically advanced weaponry into the hook on his own, and IDK if he'd trust his hook with anyone to "upgrade it" either for an extended period of time either

But could you imagine if Croc had gotten access to a busted ass Pacifista and stole a laser and had it built into his hook base. He just pulls of the hook and starts blasting people with the laser. How fucking funny would that be. Franky eat your heart out

[evadingreallife]

New untold heights of home crafting: tote bag edition. This was a white scrap piece of cloth (and A Lot of blue thread lol).

[dreadbornesaint-moved]

while I'm shitposting about Beryl. I also constantly think... of the inherent body horror in what she's forced to become. Maybe one day I will elaborate, but... for now... :)))

[victorluvsalice]

-->And then it was off to Desert Bloom Park in Oasis Springs! Where, to my delight, it was actually NOT FUCKING THUNDERSTORMING. (Yeah, I am still bitter about how I had to buy a weather machine to actually DO the sale in Windenburg, why do you ask?) Also to my delight, I discovered that the gang could hang around together and draw pictures in the sand – I had Smiler do a smiley face while Victor and Alice watched, then had Alice do a star while Smiler looked for the perfect spot to set up the food stand. I had them set up nice and close to the central plaza, by the chess tables, then dropped all the food Victor and Alice had made into the table’s inventory –

And set up the ice cream machine on one of the side slots! Because that is what I wanted it for – adding another treat option to the food stand! I set about having Smiler make some chocolate ice cream (after accidentally canceling the interaction once by moving the food stand slightly out of place – these “live drag” objects can be dangerous sometimes) –

-->And while that was going on, I set about having Victor and Alice wander around the neighborhood and gather metals and crystals from the collectible rocks! Because that was my other main reason for coming here – to get materials for future jewelry-making! Alice found some citrine, a time capsule (I forgot to open it up, though, so have no idea which MySim is inside) and some silver (ironic for a werewolf), while Victor got death metal, alabaster, orange topaz, and another citrine from his wanderings. Not too shabby! :) And it was nice to see how pretty the park is in late summer too.

-->While Victor and Alice were occupied with that, Smiler finished their ice cream – I had them set the garnish as banana slices and the topping as whipped cream (would you expect any different from them), then added it to the stocked food and started their food sale! As usual, things were slow to start, though their buddy Presley did show up to help cheer them on. Victor, done with his collecting and apparently eager to meet her, started over to do a “Howdy Greeting” (must be from Horse Ranch), but she left before he could get the chance. Aw. So I instead had him summon his familiar Darkwing, give himself a quick Scruberoo, then sent him to ponder moves at the chess board while Alice ran down from where she’d gotten the silver to make some BBQ ribs at one of the many available BBQs. Smiler, for their part, had finally gotten a customer and was doing their best to convince said customer, Roxana, to buy something –

[thormanick]

Crack thought of the hour: both Kaveh and King Deshret have mechanical helpers (that they both made themselves if my sources are correct), Mehrak and ASIMON respectively (Algorithm of Semi-Intransient Matrix of Overseer Network). Do with that as you will-

[beerbatteredbooty]

"silver production in create:astral is so painful" <-- girl that doesn't have any proper requisite infrastructure voice

[gotta-bail-my-quails]

college laundry room hell got me considering breaking into the apartment building im considering for next year to see if their laundry rooms are ass because i canNOT TAKE THIS ANYMORE

[jewelsystemandservices]

Sand Blasting Machine(Dull)

A sandblasting (dull) machine is essential in jewelry manufacturing for achieving matte finishes on metal surfaces. This specialized equipment uses compressed air to propel fine abrasive materials like sand or glass beads onto jewelry pieces, effectively removing imperfections and sandresidues. 

[jawcrushermanufacturers]

Jaw Crusher Manufacturer and Supplier in Indore Buy the best Stone Crusher Machine Plant, Vibrating Screen, Sand Making Machine, and more at the best price

[mustbealoosewire]

@randal-mcmandal

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[http-bee]

i love my corporate job nd i know i'm not supposed to but everyone is so nice and i manage myself and i leave as soon as i've finished my tasks and don't have to wait around pretending to do things until 5pm just for the sake of it,, i start early and i finish early and i work right across from a beautiful beach !!!! it's doing WONDERS for my mental health i feel so productive and so proud of myself for being productive and just generally super happy. admin is my one forever love 🩷

[grotesquevi]

ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ YOUR LOVE HAS GOT ME GOING ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤㅤ LIKE YOU COULDN'T IMAGINE.

cw  #  18+ mdni, stripper!reader + older and divorced!ellie getting all hot and bothered, dirty talk, contains metaphors to addiction and vices, fingering in the bonus side yikes. i'm sorry mutuals, i'm not usually like this but made this everything sean baker’s was dreaming of when he wrote anora with his dick.

ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ boycott tlou || check out my fic directory

side note  #  i went above and beyond to search for this two motherfuckers, they were not even in tumblr so i thank this to moya since i had to go to the dark places to get 'em aka the wayback machine on internet's archive. if you recognize this? or are you my pillar nonnie? you may be confused but its because tumblr deleted my old account thinking i was a fucking bot, i used to be under the name vicorices. bare. with. me — wonderful art bellow by @nramv

things would be different if you weren't blatantly pressing your ass against ellie's belt, cause those feelings she exhaustingly told herself not to have? — she suffering from all of them.

it may have to be with the outfit or the lack of it, the way your long, pointed nails scratch over her naked arms. but it's the perfect combination to make all this façade of having her life already sorted out fall apart to the ground when she recently signed up her divorce papers and she's there, getting a lap dance from this girl she really, really fucking likes, as if she wasn't slipping dollar bills beneath the thin strip of your underwear.

so she's been in a similar situation before, promising herself she wont ever step a fucking toe back in the club — she's not that kind of person anyway, the kind that salivates over strippers. the club's packed with men, and being the only girl there it's almost shameful as she has this need to go on and ask for a lap dance from you cause yeah she's greedy, greedy, spoiled, ravenous: ellie has now turned into a junkie trying to get more of their vices.

and in the secluded room, she forgets about previous inhibitions cause you're leaning against her, dancing along the sound of the music already sitting in her lap and her mind bubbles around this stupid rule, the one that forbids her to touch you under any sense of the word if she wants to keep her hands attached to her arms, but she's temped, tempted even when the security camera is pointing right in front of you two.

"yeah? that's what you'd like huh?" the sound of your voice is almost normal, a huge contrast when ellie's feeling like drowning, when the bass on the speaker’s so low it resonates in her damn heart, pouring all over her like ocean waves in the sand "want me to be your little spoiled slut? you'd buy me expensive gifts and get me out of this hellhole?"

ellie's glasses rest on the lower part of her nose, almost slipping as she looks up to you, cheeks blushed cause she's hella ashamed of it, hellhole. when she's in the club you almost rejoice in bliss happiness cause she has money, a pretty face, nice hands and more important — she's not a pervert guy.

there's a huge difference between a perverted guy and a perverted girl in your brain — cause while 50-years-old trying to hit on you disgust you, she's in her 30's and in the best fucking moment of her life and you’re struggling to not ask her to touch you.

"i- fuck. i really don't know why i'm here" ellie admitted the first time after seeing your pole routine of a much shorter version of bauhaus's 'bela lugosi's death', conflicted as you're pushed to talk to her because of your boss: business, it's fucking business "don't know how this works."

"you should ask me for a private dance," you reply, of course you want to dance for her, feel her closer and she won’t say no, no when your index finger trail down her collarbone "maybe you can start finding out by that."

there's something insanely hot about the idea of taking a woman so put together completely apart. ellie knows that, you do. so when she comes back again two nights after, and every-single-time after that, she makes sure to ask for you, name loud and clear in her lips as she enters and you know, just know it's going to be a good night — please, fucking pay for me the rest of the night.

wrong. sets back feminism at least 30 years, but ellie's there anyway, seated like she is during various times the week, letting you take control of her cause it's just what she needs, comfortably seated on a velvet couch with you on top; it seems like the cure to all her ruins — how is she not going to be infatuated with you? how is she not going to suffer from withdrawal when she don't see you for days?

"you know i can," she replies, and your skin shivers against the serious tone in her voice, almost recovered from her sore throat as she takes a sip from the heavy glass of neat whiskey in the table next to the seat "i can afford your lifestyle if that's what you're asking. let me take care of you."

she don't know what's so funny, what entertains you so much as you giggle on top of her, but ellie's distracted as she stares at the tiny underwear you're wearing, the friction between you and her as her fingers ache to reach and touch you, make the triangle on your ass to the damn side.

the sound of your laugh catches her off-guard, and she don’t think when her hand gently pushes you down, making you rest your weight against her legs and let yourself rub your thin underwear in her jeans: sin feels good when you do it right cause shit if it's not the best thing in the world when you're taking her hands in between yours, polished and soft, they guide ellie into your sides, allowing her to trail down your body before giving a sly look to the camera, almost afraid you're going to be caught.

leaving her hands in your thighs seems an invitation cause your movements get slower. fuck the song, if someone's looking, let the lucky bastard live enough to see ellie's hand rub circles in the skin of your inner leg, close to the little outfit you're pulling and barely manages to cover your cunt.

your back presses against her chest, resting against her frame as you move your hips in slow circles, making ellie feel the scent of your perfume in her nose, the way it lingers in the air surrounding the private room.

"ask me again," you whisper, and her gaze lingers in the front part of your body as you lay on top of her: the curves on your skin, the silver and glittery fabric that cover your tits — nipples hard beneath as she has the damn need to use her right hand to do something much better than just sweetly touching your fucking leg "i'll be your good new wife, let you whine about your important job, fuck the stress out of you, all domestic and shit."

it's the way you say it, how you move on top of her, the sparkles splattered in your skin that makes you seem almost ethereal, however it makes ellie moan as she's nodding already on an invisible leash you tied around her neck from the very first time she came, intoxicating, her right hand moves from your leg to your hip, back to your navel and up to your very ribs.

"they are going to see that," you said, the camera always a fucking reminder of her ripping need to have a bit of decency, self-control as ellie's cheeks turn red — "you cannot touch me, love."

"to be fair at this point club 976's alive thanks to me" draining her money cent by fucking cent, she’s sure she keeps the place rolling during the week "so let them be pissed, m'snatching their best worker and takin' her away from this dump anyway."

it must be evil, should be if it isn't, cause just like you landed on her lap you're swiftly turning to face her as you dance, dragging your nails across her chest as from this angle, she becomes aware of your barely covered pussy that grinds against her legs; yeah, she has a much better view of your fingers slipping beneath her belt, of you basking in bliss almost unaware of how stupid ellie’s left when you're around.

"you really mean that?" you ask almost like it's a secret, and she’s smashed with this need of pulling you into a kiss, get lost in the threads of your hair “don’t fuck with me ellie.”

"i'll pay for your nails," her words are warm, her breathing now heavier as her fingers toy with the hem of your underwear: one little tug and it will surely let ellie see your soaked folds, sure you're wet when she see's the splotch in your underwear, the darker hue right between your legs "your clothes, fuck. i'll take you to fancy restaurants anything you want, just- just say you let me."

she can’t pay for interest, that reaction you got when moving on top of her, that almost silent moan you make as you dance or grind to seek for more friction. fuck it, she really don’t know it at this point.

“that’s enough for fifteen minutes,” she’s not aware also of the other people in the room until you’re standing up and she’s going to whine about the lack of touch until you’re screaming at the guard that’s yanking her outside the club — “respect the girls or don’t fucking show up here, got it?”

“outside,” she manages to says to you as she’s being pulled away “ah fuck off man- i’ll wait for you outside!”

the biggest surprise of the night though? she was serious, dead fucking serious; so when you’re leaving the club at almost five in the morning, she’s smoking there, back against her black mercedes as she tilts her head satisfied you’re looking out for her.

yes, ellie williams’s leash is tied to this pretty stripper she has in her sheets, spread over her kitchen island, under the cascading water of her shower, wearing her shirt, eating her food, taking her life — hand-cuffed.

i totally envision it and i’m getting brainrot about rich and divorced!ellie whos ex wife hates you when noticing how fucked up you have her already, wrapped around your finger — ellie’s important to her clearly and you’re quickly becoming a distraction: too much weed, late nights talking, buying you clothes, not picking up the damn phone. shocking cause makes ellie miss up work one morning since you convinced her to call in sick: yeah she’s important to the company, but why can’t she spend just one little morning with you? just one. cross your heart cause you’ll make her time worth it.

she likes it even when you’re a danger to her lifestyle, when you’re slipping inside her office after your collage classes (same ones she’s already offering to pay), and you go there sitting on her lap as ellie tries to be concentrated in reading this paper about the growing insides of the economy for tomorrow, but you’re making it hard to keep her attention in her best behaviour when you’re leaning to see more of her work curious about it, and she has the best view she could ever ask from your bare back and those pajama shorts you use to roam around her penthouse.

so politely fuck work. ellie’s planting some wet kisses on your back, her fingers tug on your crop top and suddenly, you’re leaving wrinkles over her papers cause you’re gripping the wood desk too hard in hopes to hold onto anything, anything that connects you to earth and prevents you from spiraling. shit, shit, shit. how did it end up like that? how she’s so quick to make you stand between her legs? to bend so she can shove her fingers on your already wet pussy? it’s so easy for her to reduce you to this state, this plain mess. her gaze seems to burn holes in your skin, wanting to say something about you ruining her work, yet her mind does not function when she cannot say nothing more than, — “that’s it- can you bend for me? cheek against the desk baby.”

her free hand holds on the fabric of your short and your panties to the side, keeping them hooked in a finger as she uses it to make you move, a gentle pull that invites you to roll your hips back to meet her digits again before she’s slowly shoving a third finger inside and yeah, work can wait.

“faster,” you ask, a lewd sound filling the air when your arousal drips on her hand, coates her palm and makes your folds glisten in evidence of your needs, only gaining a needy sound in return when she’s compelled to follow your orders, keep you satisfied “fuck ellie- s’good you’re filling me so damn good.”

it’s dangerous cause she’s driven by your words, those sounds she loves to hear, the way you seem to suck her fingers deep inside until she’s curling them to rub on your velvety walls, that spot you overly enjoy and ellie discovered during the week: sure.

work can wait for an hour or two, she has better things to take care of now.

[beerbatteredbooty]

been playing create:astral recently and god mother fucking DAMN is factory-making in minecraft fun

[comatosebunny09]

and they were roommates | sylus

sum: sylus responds to an online ad for a roommate. you suddenly have this tall, well-spoken, handsome man living in the attic, playing classical music, tinkering with things he built, and humming off-key while he makes you pancakes in the morning before disappearing for weeks at a time. cw: modern au, roommate au, slice of life, mild language, mutual pining, reader is shorter than sylus, flirting, gendered terms (good girl), mild jealousy, 2.2k of self-indulgent dribble now playing: sweet time - raveena part 1 | part 3 | part 4

Coffee. 

Cuban, aromatic, sweet, bold. Nostalgic.

It’s the first thing to bring you to consciousness, followed by birds chirping outside, and the unbroken purr of a lawn mower.

You’re in your bed, swiping along the sheets in wide arcs as if chasing the remnants of sleep. Dreams of cerulean beach waves, sand caught in the interstices of your toes, the sun warming your cheeks.

Morning announces itself in the form of a golden strip cast over your eyes. 

You peek them open, throat dry, mouth sticky. A little sad to see you’re not at the beach, not tucked safe in your childhood home.

You push up with an unflattering yawn and crackling limbs. A glance at your phone reveals it’s a little past eight. It’s your day off. Still got some time to get ahead of the morning rush for grocery shopping.

The scent of coffee curls around you like a wispy shawl, and you’re warm inside. Smiling, lugging yourself off the bed to the window where you know he’ll be.

A glance outside and across the street reveals that familiar thatch of white, contrasting with the vibrant grass as Sylus pushes the lawn mower back and forth.

You’d almost forgotten he was back, kind of used to getting along without him. And of course, he’s up bright and early, helping your elderly neighbor tend to his yard. Made time to make you coffee on that expensive espresso machine he refuses to let you touch.

Funny. 

For someone who claims to abhor the sun, he’s best friends with it—the way it threads through his hair like he’s Atlas himself, bearing the sky on burly shoulders. How it highlights the rippling muscles in his back beneath a sweat-slicked tank, the tendons flexing in his legs as he works. 

You cross your arms and lean near the window, watching him push to a standstill when your neighbor approaches with water and a towel. Like clockwork, the old man draws him into conversation, nonsensical things in no particular order. And Sylus is always patient, letting your neighbor ramble like he’s got all the time in the world.

As if remembering yourself, you blink away your reverie. Shake it off. You sound like a lovesick fool. A secret admirer. Aren’t you? You’ve got better things to do than pine after your roomie.

So you strip down and crowd into the shower, the crisp spray a welcome reprieve for your stiff muscles. You slip into something that fits the heat—the kind that refracts light waves off the pavement, scorching enough to fry eggs outside and bring the mosquitoes out.

You sweep your hair into something passable, trotting down the stairs to the kitchen. The coffee’s still hot, warm in the mug between your palms and down your gullet. 

Not only is he a tolerable housemate, but he listens. Made it a point to stock your pantry with coffee that chased away your homesickness—imported—probably sick of you bitching about how much you missed it. Tired of asking why you’ll never go back.

A plate covered in a cheesecloth awaits you on the stove with a sad excuse for a cat scrawled onto a sticky note on top. You snort. Fish out a piece of bacon, pop a few blueberries strewn across your pancakes into your mouth. 

From the kitchen window, Sylus and your neighbor have moved to the old man’s porch. They’re seated on his rocking chairs, mouths moving, expressions easygoing beneath the flag fluttering in the balmy breeze. It’s infectious, that rare quirk to Sylus’ lips. Everything about him seems infectious these days. 

Swiping your keys from the counter and toeing on your sneakers, you push through the front door, and the humidity slaps you with zero remorse. 

Both men across the street perk up when you hit the remote start, your neighbor waving at you with a wrinkly, knowing smile.

You return his greeting, prickly when scarlet eyes track your every step as you round the car to the pooped-up trunk. 

You’re shuffling things around to make room for groceries when you feel him behind you—a tingly pressure between your shoulder blades, his shadow pressing into you and blotting out the sun.

“Going somewhere?” he asks, amused.

You jolt, a hand over your heart. You knew your roommate was back there, yet that voice is something lethal. Always manages to make you forget the world is a thing, breathing and thriving around you.

You turn, propping against the trunk’s edge, trying to play it cool over crossed arms. “God, warn me next time, will you? For your info, I’m going grocery shopping so my roomie doesn’t think I’m irresponsible and broke.”

There goes that lethal combo—that smirk, that chuckle. It’s not fair that he makes something as simple as roosting his hand on the edge of the trunk look cool, so close, you make out the veins and sinew jumping in his arm. Smell the sweat salting his skin, the grass staining his shorts.

“Irresponsible, yes.” Sylus pokes your forehead, and you sputter at how rough he pushes. “Broke, never. Not with me around.”

You huff, looking off to the side, pretending to be annoyed. Pretending like it wouldn’t take much to grab the front of his shirt and tug him down and—

Enough of that.

“Yeah, yeah. I’m assuming you’re done being a good Samaritan since you have time to talk.”

He straightens, that humor never leaving, that gaze sliding over you, stopping center mass, before finding your eyes again. He tugs on the towel around his neck, and you’re swallowing when his Adam’s apple bobs, chasing the sweat pouring down his throat. 

“Mostly. Want company?”

You jut your chin out defiantly, haughty, like you’re not giddy at the prospect of him tagging along. “Thought you didn’t like crowds.”

Something shifts in those lava fields. A glimmer of something burrowing deep before he’s back to his usual, smug self. Angles himself closer, making your heart skip a beat.

He’s all teeth when he says, “They’re bearable when I’m with you. Give me ten, and I’ll come with.”

You’re nodding like a lovelorn idiot, mouth halfway open, still processing what he said as he wanders into the house.

It’s hard to keep your walls up when he says shit like that. Chips away at those aged bricks you put up around your heart after you assumed he was seeing someone—the feminine name he’d say in hushed urgency, stepping out of earshot to take her call.

Whatever. 

It’s just a trip to the store. And he’s always been a tease. 

You brush it off, slamming the trunk shut, and slipping into the driver's seat to wait for this enigma of a man to clean up. 

—

Mornings have never been your forte. 

But you take advantage of them when it means getting a leg up on the housewives and boisterous teens who like to crowd the supermarket later on.

It’s eventless inside, a few customers scuttling about, music echoing from the speakers. The overhead lights compete with that of the sun bleeding through the windows, and your cart squeals and sticks.

One hand is tight around the buggy’s handle, the other pressing your phone to your chest. You’re tense, tight-lipped, pulse jackhammering in your throat. 

The source of your anxiety walks a comfortable distance behind and to the side, perusing the aisles with as much interest as someone out of their element. He’s not as close as he was before when he’d manipulated you into bringing him with you, but you’re still all prickly like he wrote sin into your bare skin with his fingers.

You always get like this when he’s gone for a while and comes back. Like meeting up with a stranger, sifting through the filing cabinet of your mind on what to say and how not to sound stupid saying it. 

You’re nestled between towering aisles of cereal when you glance over your shoulder, mouth moving, but nothing coming out. Sylus watches you, brow lifted, expectant. And your tongue’s suddenly too heavy for your mouth as you laugh it off, facing forward again.

You’ve never been this shy before. Never been this hesitant to fill the space between you with shit-talking and an interrogation on where he ran off to this time. Real estate conferences typically don’t last for most of the month. But you know your prodding won’t get you anywhere because he’s so good at diverting your questions and changing the subject.

“So,” you finally begin, attempting to break up the dense air between you. “We need milk, eggs, and bread. Maybe that bourgeois yogurt you like. Butter, oatmeal, and—ah, fuck. Forgot the plums.”

You stiffen, prepared to turn around, abandoning the cart in the middle of the aisle, but Sylus cuts you off. You almost run into him, that solid wall of strength, the heat of his skin overwhelming, the crisp notes of his cologne like chloroform. 

You look up to that knowing cant on his lips, and with a hand in his pocket, he tells you, “I’ll take care of it. You handle the rest.”

Nodding, you watch him walk off before venturing further down the aisle by yourself, grateful for the save.

At the end of the aisle, of course the oatmeal you want is on the top fucking shelf. And you’re straining on tippy-toe, fingers just barely grazing it. You purse your lips, contemplating stepping on the shelves for an assist, but it seems some higher being pities you today.

“I got you,” chimes a friendly voice from behind. 

His hand reaches over you before you put a face to a voice, plucking the tub of oats down for you. Almost close enough to crowd you against the shelves. You turn, following the stretch of his arm as he steps back, a nervous chuckle in your throat when he deposits the container into your hands.

“Hey, thanks,” you say, smile courteous, the container pressed to your bosom. “I owe you one.”

It’s awkward. Blinking. Staring. Averting your eyes. 

Your savior makes no move to leave, instead making himself comfortable, all teeth and confidence as he leans against a shelf. 

“Hard to believe a pretty thing like you shops all by herself. Come to think of it, I don’t think I’ve ever seen you in town. You live around here?”

You have this nasty habit of letting your face convey your emotions in place of your words. It’s instinctual. But this guy was nice enough to help, so you tamp down your discomfort, chuckling anxiously. Maybe if you entertain him a little, he’ll take the hint and leave you alone. 

“Um, yeah. Just out running errands. Trying to get my life together. You know.” 

Mr. Smug Smiles still doesn't budge, doesn’t pick up on your unease, instead taking you in like a starving wolf ogling skewered meat. 

“Maybe I could help you out. Grab anything else you can’t reach.” He steps closer, voice descending. “And maybe you could give me your number.”

Before you can work your mouth into a retort, you feel it—quiet, intimidating pressure behind you. Swallowing you whole, though the ire pouring off his skin isn’t directed at you. 

You nearly leap some fifty feet out of your body when a sizable hand falls to your back. The touch is light, but it’s hard not to sense the possessive flex of his fingers as he scorches you down to the bone.

You peer up as Sylus steps in, glare unrelenting on the man before you, and he drops a bag of plums into the cart like they’ve personally offended him. Your breath corks in your throat as his jaw pulls, the tendons in his throat twitching. If looks could kill, you’re sure he would’ve murdered this guy a thousand times over. It’s kind of…hot. And it convinces you just for a second that maybe your roomie’s into you, too.

Sylus’ demeanor shifts from murderous to sweet, giving you whiplash when he looks down at you. Asks, “Do you have everything you need, sweetheart?”

The way the name rolls off his tongue drips hot into your belly, and you’re nodding like a mindless little thing, lost in the soft stir of his irises. He reaches around you to grip the cart’s handle, trapping you between cool metal and sweltering strength. He turns you away from the sputtering man who had no idea you kept such company, walking you down the aisle into another.

Moments pass, and Sylus doesn’t let go. Doesn’t release you from the cage of his body, doesn’t loosen the clench of his jaw until you’re in the frozen section.

You start when he angles low, his hair tickling your neck, your cheek, lips a tease by your ear. It’s pleasant, satisfying, the way his voice drags like chalk against a smooth sidewalk, igniting a flurry of goosebumps across your skin.

“The next time you need assistance, don’t ask a stranger. Wait for me. Understood?”

You have this nagging feeling there’s more to his words than what’s at surface level. And you have half a mind to tell him you didn’t ask for anything. Yet you stutter out a quiet, “Ye-yeah,” absently nudging closer to his mouth.

You feel it curve against your ear—his sly smile. Watch his fingers tighten around the buggy’s handle, forearms just barely brushing your sides.

“Good girl.”

And you don’t realize you’re still clutching the damn oatmeal for dear life until you drop it on your foot.

tags: @pemhpredo, @bluesidez, @thirstblogforaparchedgirl, @freeprincesslove, @raginginferno267, @dyeinsomniadontwake