#Saturn Award for Best Actress | Explore Tumblr Posts and Blogs

rebeccalouisaferguson · 5 months

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The Saturns, which honor the best in genre entertainment across film and television, are organized by the Academy of Science Fiction, Fantasy and Horror. Winners will be announced February 4, 2024 in a ceremony at the LA Marriott Burbank Airport Hotel and will stream live on ElectricNow.

Best Action / Adventure Film

Bullet Train (Sony Pictures) The Equalizer 3 (Sony Pictures) Fast X (Universal Pictures) John Wick: Chapter 4 (Lionsgate Films) Mission: Impossible – Dead Reckoning Part One (Paramount Pictures) The Woman King (TriStar Pictures)

Best Film Screenwriting

Avatar: The Way of Water, James Cameron and Rick Jaffa & Amanda Silver (Walt Disney/Lightstorm) Barbie, Noah Baumbach & Greta Gerwig (Warner Bros. Pictures) The Menu, Seth Reiss & Will Tracy (Searchlight Films) Mission: Impossible – Dead Reckoning Part One, Erik Jendresen & Christopher McQuarrie (Paramount Pictures) Oppenheimer, Christopher Nolan (Universal Pictures) Pearl, Ti West & Mia Goth (A24)

Best Film Editing

Avatar: The Way of Water, Stephen Rivkin, David Brenner, John Refoua, James Cameron (Walt Disney/Lightstorm) Fast X, Dylan Highsmith, Kelly Matsumoto, Corbin Mehl, Laura Yanovich (Universal Pictures) Indiana Jones and the Dial of Destiny, Andrew Buckland, Michael McCusker, Dirk Westervelt (Lucasfilm/Paramount/Disney) John Wick: Chapter 4, Nathan Orloff (Lionsgate Films) Mission: Impossible – Dead Reckoning Part One, Eddie Hamilton (Paramount Pictures) Oppenheimer, Jennifer Lane (Universal Pictures)

Best Film Visual / Special Effects

Avatar: The Way of Water, Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett (Walt Disney/Lightstorm) The Creator, Jay Cooper, Ian Comley, Andrew Roberts, Neil Corbould (20th Century Studios) Guardians of the Galaxy-Vol. 3, Stephane Ceretti, Alexis Wajsbrot, Guy Williams, Dan Sudick (Marvel/Walt Disney Studios) Indiana Jones and the Dial of Destiny, Andrew Whitehurst, Kathy Siegel, Robert Weaver, Alistair Williams (Lucasfilm/Paramount/Disney) Mission: Impossible – Dead Reckoning Part One, Alex Wuttke, Simone Coco, Jeff Sutherland, Neil Corbould (Paramount Pictures) Oppenheimer, Andrew Jackson, Giacomo Mineo, Scott Fisher, Dave Drzewiecki (Universal Pictures)

Best Science Fiction Television Series

Andor (Lucasfilm/Disney+) Foundation (Apple TV+) The Mandalorian (Lucasfilm/Disney+) The Peripheral (Amazon) Silo (Apple TV+) Star Trek: Picard (Paramount+/CBS) Star Trek: Strange New Worlds (Paramount+/CBS)

Best New Genre Television Series

Andor (Lucasfilm/Disney+) The Ark (Electric Entertainment/Syfy) The Last of Us (HBO/Max) Lord of the Rings: Rings of Power (Amazon) Silo (Apple TV+) The Walking Dead: Dead City (AMC) Wednesday (Netflix)

Best Actress in a Television Series

Caitriona Balfe, Outlander (Starz) Lauren Cohan, The Walking Dead: Dead City (AMC) Emma D’Arcy, House of the Dragon (HBO/Max) Rebecca Ferguson, Silo (Apple TV+) Tatiana Maslany, She-Hulk: Attorney-at-Law (Marvel/Disney+) Rose McIver, Ghosts (CBS) Elizabeth Tulloch, Superman & Lois (Warner Bros. Television)

#rebecca ferguson #silo #silo apple tv #mission impossible #mission impossible dead reckoning part one #film #tv

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bala5 · 1 year

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Grace Jones

Grace Beverly Jones (born 19 May 1948??) is a model, singer and actress. Born in Jamaica, she and her family moved to Syracuse, New York, when she was a teenager. Jones began her modeling career in New York state, then in Paris, working for fashion houses such as Yves St. Laurent and Kenzo, and appearing on the covers of Elle and Vogue. She notably worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, and became known for her distinctive androgynous appearance and bold features.

Her grandfather, John Williams, was also a musician and played with Nat King Cole. Her father, Bishop Robert Winston Jones, moved the family to CNY and founded the Apostolic Church of Jesus Christ in Syracuse. Jones' brother is megachurch preacher Bishop Noel Jones, who starred on the 2013 reality show Preachers of LA.

Through her relationship with longtime collaborator Jean-Paul Goude, Jones has one son, Paulo. From Paulo, Jones has one granddaughter.

Jones attended Central High School in Syracuse. She claims she doesn't know how old she is. Although some sources say she was born in 1948, Jones says she graduated early from Central High School in Syracuse in 1967; she was around 15 years old, ahead of most of her peers due to more rigorous education at an early age in Jamaica. She also studied theater at Onondaga Community College.

Beginning in 1977, Jones embarked on a music career, securing a record deal with Island Records and initially becoming a high-profile figure of New York City's Studio 54-centered disco scene. In the early 1980s, she moved toward a new wave style that drew on reggae, funk, post-punk, and pop music, frequently collaborating with both the graphic designer Jean-Paul Goude and the musical duo Sly & Robbie. She scored Top 40 entries on the UK Singles Chart with "Private Life", "Pull Up to the Bumper", "I've Seen That Face Before", and "Slave to the Rhythm". In 1982, she released the music video collection A One Man Show, directed by Goude, which earned her a nomination for Best Video Album at the 26th Annual Grammy Awards. Her most popular albums include Warm Leatherette (1980), Nightclubbing (1981), and Slave to the Rhythm (1985).

As an actress, Jones appeared in several indie films prior to landing her first mainstream appearance as Zula in the fantasy-action film Conan the Destroyer (1984) alongside Arnold Schwarzenegger and Sarah Douglas, and subsequently appeared in the James Bond movie A View to a Kill (1985) as May Day, and starred as a vampire in Vamp (1986); all of which earned her nominations for the Saturn Award for Best Supporting Actress. In 1992, Jones acted in the Eddie Murphy film Boomerang, and contributed to the soundtrack. She also appeared alongside Tim Curry in the 2001 film Wolf Girl.

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courseyoulovemeyoudontknowme · 1 month

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Meet Joe Black (1998, Martin Brest)

09/04/2024

Meet Joe Black is a 1998 film directed by Martin Brest, a remake of the 1933 film Death Takes a Holiday, previously revived in 1971 with the same name as the original. The film is inspired by the theatrical comedy of the same name by Alberto Casella, which tells of the legends about his summer villa - Villa Josephine, nicknamed the "cursed villa" - in Rocchetta Cairo.

Death came to Earth because he was intrigued by the emotions regarding love praised by Bill, which he will take with him at the end of the journey.

Meanwhile, Bill is ousted from the board of directors of his company by Drew, Susan's ex-boyfriend, who wants to merge with another company.

Filming of the film took place mainly in New York, USA.

The film's soundtrack, whose main theme is Whisper of a Thrill, was composed by Thomas Newman.

The film was released in US cinemas on November 13, 1998 and in Italy on January 29, 1999.

In addition to the full version of the film lasting approximately three hours, a short version was made for television and airline. Because of this modification of the film, which did not involve the majority of Bill Parrish's business, the director, Martin Brest, became very furious, so much so that he signed this version of the feature film with the nickname often used by disgruntled directors, Alan Smithee.

Roger Ebert gave the film three stars, but disliked the marginal plot and overly forced ending. Peter Travers of Rolling Stone gave the film four stars, but criticized the lack of depth of most of the characters.

On the site Rotten Tomatoes the film obtained a 46% approval rating from critics based on 50 professional reviews, calling it "glacially slow and not at all eventful" (the site's critical consensus reads: "Meet Joe Black is beautiful to watch and benefits from a likable cast, but that's not enough to make up for the punishing three-hour running time of this sluggish drama."

On IMDb the film was received with 7.2/10.

With an estimated budget of $90,000,000, the film grossed $142,940,096 worldwide. In Italy the film grossed €6,000,000.

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janewaysevenalways · 3 months

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Jeri Ryan proudly holds her Saturn Award for best supporting actress in a television series/Captain Seven Star Trek Picard xx

#Jeri Ryan #Saturn Awards 2024

#Best Supporting Actress #Star Trek

#Captain Seven #Star Trek Picard

#jeri ryan #captain seven #saturn #awards season #2024 #star trek picard #best supporting actress

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thishadoscarbuzz · 6 months

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261 - Hereditary

Happy Halloween, listeners! Naturally, this week we are returning to the shallow well of horror films that made it into the Oscar hunt with a recent highly debated and lauded terrifier. In 2018, Ari Aster made his feature debut at Sundance with Hereditary, the story of a family invaded from within by a demon worshipping cult. Aster's bizarre vision quickly earned the film a reputation as one of the scariest ever made, but Toni Collette's performance as a terrified and grieving mother received some career-best notices and feverish hopes that she could crack the Best Actress lineup. As you might expect, Hereditary was simply too much for the Academy.

This episode, we talk about everything that makes the film so divisive and Ari Aster's whole thing. We also talk about Collette's career and our favorites in her filmography, the rise of character actress Ann Dowd, and what makes the conversation around "elevated horror" so frustrating.

Topics also include putting the Saturn Awards on notice, coin parties, and the Gotham Awards.

Links:

The 2018 Academy Awards

Vulture Movies Fantasy League

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#Ari Aster #horror movies #spooky season #Toni Collette #Gabriel Byrne #Ann Dowd #Alex Wolff #Independent Spirit Awards #Milly Shapiro #Best Actress #Best First Feature #Academy Awards #Oscars #movies #Critics Choice Awards #Gotham Awards

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brian-in-finance · 4 months

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Video 📹 from YouTube photo shoot BTS forJuly 2018 Irish Tatler

Instagram cover and contents video 📹

Facebook Watch fun Q&A video 📹

Outlander-Online Instagram Story screenshot 📸

Screenshots: Caitríona Balfe Fan

time for more

Caitríona Balfe talks to Shauna O'Halloran about time-travel, wedding plans and why women have had enough of Hollywood's shitty behaviour (her words, not ours).

A pair of stonewashed Levi's 501s, flat white converse and a little white T-shirt are all that Caitríona Balfe needs to rock up to a day's shooting in North London, and still have a full crew comment on how beautiful she is in real life. It's never something I like to lead with in interviews - we're here to discover the person, after all - but I do feel that to not mention it would be a shame, because she is quite stunning, even when off-duty. It's not that much of a surprise of course. The Monaghan native was once one of the most sought after runway models in the world, having been spotted by a Ford Models scout in Dublin. At 18, she was opening and closing shows in Paris for Chanel, Moschino, Givenchy and Louis Vuitton, to name a few. And this humble glossy is just one of many she's graced the cover of - with Vogue, Harper's Bazaar and Elle magazines all having starred Caitriona over the years. So no wonder there was literally not one bad shot to be found in the photographer's edit.

Today however, Caitríona Balfe is known best to most of the world as Claire Beauchamp Randall - Outlander's time travelling 1950s nurse who falls for a dashing highland warrior by the name of Jamie Fraser, played by her costar Sam Heughan. The show, now on series four, is based on a series of novels by Diana Gabaldon and to say it has mega fandom is an understatement. Having taken up acting after her modelling career, Outlander was Caitriona's first major role and has propelled her into a stratosphere with over five million viewers per episode. How, I wonder, is that?

"It's been such a wild ride!" She tells me as we sit down to interview. She's back filming in Scotland for her fourth season and we already know that seasons five and six are a go, so Claire is going to be part of Caitriona's life for some time to come. "I was cast late into the proceedings. I got cast on the 11th of September and I was in Scotland [for fittings and filming] on the 15th of September 2013. I guess I knew about two days before they announced it!" She says of the whirlwind entry into Outlander. It didn't take long, however, for Caitríona to realise the scope her new role was going to have.

"After we filmed about four episodes Sam and I were taken to LA and we did a fan event. Nobody had seen anything and there was over two thousand people at this fan event...having not seen one minute of footage. We came out on stage and everyone was just screaming!"

The core fan base has stuck with them as the seasons have gone on and Outlander has won multiple awards. Caitríona, too, has been widely recognised for her role with 20 plus nominations and a host of Best Actress wins from institutions like the People's Choice Awards, the Golden Globes, the Saturn Awards, IFTA and BAFTA.

One of the notable points of the drama series is the sparky on-screen chemistry between her and Heughan during their many steamy scenes together. So much so that people have had a hard time believing that they're not a couple in real life. No matter how much the actors insist.

"It's nice that people kind of see something in that, but you know, we've always just been friends. And I said it from the beginning but people didn't want to hear it!"

Even so, it must be hard after four years of filming sexy scenes with someone to not get embroiled in a romance of some description.

"We went for a walk," Caitríona explains on how the deal was cut early on. "Both of us had to go to London right before we had to start filming, I was getting my second perm of the week and he was getting his hair dyed, probably for the 15th time that month and we met down in Kensington and went on a big long walk in the park. I was there with my poodle perm and he was there with some kind of terrible ginger-red version of his hair and we were like, You know what, who knows what this is going to be but we're going to be in this together and we gotta have each other's backs.' And from that time on we always have." A sweet moment that has led to a lasting friendship and has probably been key to Outlander's success.

"The shows that have been successful - I think you always see that they stick together. The minute you let ego or your pride or all of that kind of stuff get in the way, I think that it can really sour things," she says with honesty. It has to be said, there is no ego about Caitríona Balfe and as the lead role in the show, it's easy to imagine that she sets the tone for all involved.

The atmosphere on set, she says is supportive and tight, although she's painfully aware that not all hit shows and Hollywood sets are so lucky.

"Our work is really tough and we're in tough conditions, like when you're out in the pissing rain or sideways snow, which happens! To have people be supportive of each other and care about each other, that makes such a huge difference.

"I know somebody who worked on a show as the lead male and he and the lead female never spoke, literally didn't speak to each other unless they were in a scene. I can't imagine ever wanting to be in a situation like that, I can't imagine waking up in the morning and feeling like I have to go to work with someone who won't even speak to me. That's horrible."

But the stories are rife; even before #MeToo broke, celebrities and bad behaviour on set seemed to go hand in hand. And it makes for great, salacious tabloid fodder. And women, notoriously, seem to get the raw end of the deal, in everything from respect standards to salaries.

"I think everybody's waking up to the fact that they can't get away with that stuff," Caitríona chips in. "I obviously came to this point of my life a bit later so I've always felt very comfortable about standing up for myself or speaking up for myself but there can be a bit of a double standard. But I don't think, I mean I will stress this, it's not always men enforcing that. We've had male directors or male producers who are so much more sensitive and supportive than sometimes the females can be. I don't necessarily think that it's a split line down the middle about sex; it's not all women supporting women because that's not my experience. I think it's really about people." And does it hurt more, when it's a woman being the unsupportive one?

"Yeah, I think you expect better. And I think sometimes they think because they're women they don't think they're being discriminatory, but if what you're asking is completely out of line..."

In the hierarchical worlds of modelling and acting, people entering the careers at the bottom rungs are more vulnerable to mistreatment.

Caitríona notes that she did experience it in particular as a young model and her first career left her with some healing to do.

"I remember one of my first ever photoshoots in Dublin. I was so young and I remember coming back from it and my sister was like 'Where have you been all day?' I was just being sent off with a strange photographer who was older and with no kind of knowledge about where I was going, what was expected, just sort of thrown out to the wolves at 18."

It was that age that she first began travelling too, to Paris and Milan, and with little to no support structure. "It's just incredible when I look back now at how I navigated all of that because you literally are just sent off on your own, traipsing around strange cities where you don't know the language. You are just expected to fend for yourself.

"It was the wild west and you were lucky if you had a job. There was a discrepancy of power - the agency was really supposed to be there protecting you, but it was almost like you needed to please them to get the jobs.

"I think that's why so many girls who have gone through that experience are as tough as nails," she adds, also referring to herself, although that toughness hasn't come without cost.

"When I left the business, I moved to LA and I am so grateful that I was able to take a year...a lot of that was just dismantling a lot of the mental issues I had taken from the business because your confidence and your self-esteem is in the toilet after you've been in that business for so long. Most models I know have terrible self-esteem which is the most crazy thing."

Thankfully, in both modelling and acting, the industries are changing.

As someone who is in the Hollywood stratosphere and has been in the company of the likes of Weinstein and more, Caitríona has first-hand experience of being with the people at the very centre of the #MeToo storm.

"A lot of my year in LA was just dismantling a lot of the mental issues I had taken from the business"

"A lot of the names that have come forward, it's strange because you kind of go 'Oh yeah, that's not surprising.' With someone like Morgan Freeman; I grew up watching him and he's been that voice that calms everyone. But I had previously heard rumours. Nobody is above the law and what I do hope is that all of these things go through a process because I think the worst thing is that we get into this situation where there is like a mob mentality and we start being judge, jury and executioner on social media because that's never the right way of doing things.

"But I think there has been a real shift and I think people aren't going to put up with shitty behaviour anymore. And they shouldn't."

The one thing that high profile and influence does afford people is the ability to shine a light on situations that deserve more attention. It's something that Caitríona’s very aware of and since her Outlander fans have always asked 'who can we support on your behalf', she went out of her way to discover a charity that she could be an ambassador for. As a result, she is now a patron of Wold Child Cancer and travelled to Ghana last year to see two of the hospitals the charity works at. "It's very humbling when you see the different kinds of care you can expect if anything ever goes wrong in your life just because of where you are born," she says of the experience but is equally quick to downplay her role as a patron versus that of the people working on the ground, despite using her own time and profile to raise awareness and funds for the charity. "I feel so grateful that I can, the people in the trenches are the people who do work day-to-day and it's super impressive because they don't get a lot of credit for it."

Check Caitríona’s Twitter and you'll see how impassioned she is about this, as well as being a big supporter of other issues: she was vocal on repeal, supports ethical fashion choices and promotes a meat and dairy-free lifestyle.

"I believe that no matter what you do you should be a responsible citizen of the world," she says, "I think a lot of my social media is promoting issues I believe in and causes that I believe in.

“As for my more private life, frankly I'm not interesting so I don't like doing selfies, my partner is super private so he isn't on any social media and doesn't want to be so nothing is said about him. So yeah, that's naturally how I am!"

It's clear as the conversation goes on how grounded Caitríona is. She's fiercely proud of her Irishness and uses it as a conversation starter worldwide (*We command goodwill - people genuinely like us!") and while she laments how badly her name gets 'butchered' she misses the fada which she dropped for ease some years ago. "I'm devastated about it!" she says, before also confessing that technology had some part to play in its demise.

"In the early days of computers I didn't know how to put it on! I just learnt a couple of months ago, like ohhh it's that button there. So I might bring the fada back."

And she hasn't ruled out an upcoming wedding in Ireland - the actress is recently engaged to intensely private music producer Tony McGill, but plans for the nuptials are still undecided. Would she consider coming back to Ireland to tie the knot?

"If you put a sun lamp over it, yeah I'd love to!" She laughs. Wedding planning is not really her thing however, and doesn't garner giddy chats and wishlists.

"I would just love to have all of my friends and family and have a great party," she clarifies when coming across as less than enthusiastic about planning her perfect day. "I think the production side of it is just too much like work!"

And finding time that suits both their schedules is also proving challenging, with Caitríona lined up to film in LA with Matt Damon and Christian Bale. It's a biopic of mechanic and driver Ken Miles (Bale) and the conflict between Ford and Ferrari during the 1960s. "I play Christian Bale's wife and James Mangold [Walk the Line, Logan, The Wolverine) is directing. It's set in the sixties, it's all about Le Mans, the 24-hour race so it's a lot of fast cars, hot men and me!" She laughs. "I've been watching loads of documentaries on Le Mans which is really cool."

And this is Caitríona: totally unfazed, seemingly, by the prospect of working with some of Hollywood's most famous actors and directors and yet, nerdily researching so she can be prepared on the day. Oh, and consciously enjoying it too. With more projects in the pipeline, that demand is only going to get higher, but of one thing I can be sure: to her own self, Caitríona Balfe will always be true.

Remember… we command goodwill - people genuinely like us! ☘️ — Caitríona Balfe

#Tait rhymes with hat #Good times #Irish Tatler #July 2018 #YouTube #My screenrecording

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madamlaydebug · 1 year

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Through her relationship with longtime collaborator Jean-Paul Goude, Jones has one son, Paulo. From Paulo, Jones has one granddaughter.

Jones has been cited as an inspiration for multiple artists, including Annie Lennox, Lady Gaga, Rihanna, Solange, Lorde, Róisín Murphy, Brazilian Girls, Nile Rodgers, Santigold, and Basement Jaxx. In 2016, Billboard ranked her as the 40th greatest dance club artist of all time.

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