#Scaffolding Tags

[esquareloto]

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[raayllum]

spark notes edition but:

For Rayla, Runaan, and Soren, a job is a sacred calling. It is something (or was something, in Runaan's case) something you strive towards upholding even when it goes against your sense of self or personal desires ("part of me wishes I hadn't seen you," "all of us pledged a part of ourselves," "to carry out my dark work") , and it ripples down and effects all that you are. For Soren and Runaan, there seems to be less separation between job as a part of who they are vs all that they are; Soren in particular scaffolds his identity almost entirely, therefore, on who he is/has become in relation to Ezran as an internalized feedback loop ("I can't do that, I'm sworn to King Ezran" / "I am a crownguard, and he is the true king!"). Rayla, meanwhile, has a hard cognitive dissonance of your job (i.e. the actions you take while operating under parameters) being entirely separate from who you are ("assassins aren't evil, they're doing a job" which also loops around to not holding Runaan's against her against him when he was operating as an assassin) when they align with that specific calling, except when it comes to her being bad at it, which does get internalized as something that is fundamental to her as a person ("I'm not good enough and I never will be") rather than a bad fit for that particular occupation. All of their jobs, notably, also centre around fitting into a collective whole (assassins, crownguards) that serve — conceptually in their own minds — as protectors of Something Bigger Than Themselves (their monarchs/kingdom, their people, etc): "[Soren] told [Corvus] that the young king was not only Katolis’ hope, but all of Xadia’s" / "for all of Xadia" / "I had convinced myself I was a peacemaker".

For Viren, his job is intrinsically tied to his search for self-esteem and self-importance. Given that Viren wants to find external sources to prop up his internal sense of self ("I thought you were going to be something special, something important"), he pursues jobs/actions that will make him important, largely in proximity to power ("the Dragon King and Queen kept this closest to where they slept; it must be important"). It is unsurprising therefore that being High Mage was always going to make him at least a little deranged, being that close to power ("it is an honour to serve him") while still be constantly reminded that you matter less than the person at the very top, hence his desire to eventually be king when his loop of validation with Harrow is irreparably broken. Viren sees his job as high mage (and as king) as being a protector, but in a less genuine way than the prior 3 discussed above do: this may be what he tells himself, but there's still prickles of self-awareness, especially when he coins Kpp'Ar: "Without dark magic, you're just a frail old man. You're no one. I am the High Mage of Katolis. I have power, purpose—" (dying for Harrow would've given him purpose, proved that he'd mattered). His job doesn't justify his actions so much as give him wider reach in which to make 'uniquely good decisions for the greater good of everybody himself', and therefore makes himself somebody.

For Callum, your job is a restriction and/or entirely separate from who you are and what you/he wants. He finds his title as high mage stuffy, he's decently inconsistent in the post, it's something he does find some pride (5x07) in, but that's still mostly tied to being a primal mage at all ("I'm the first human to do primal magic") which is tied to his desire for agency and to have his agency recognized (power, external) > internalized pursuit of self worth the way it might've been in earlier seasons (s1, maybe s2). We see him emotionally toss the job away with very little fanfare (consistently leaving the castle without hesitation; trying to leave the meeting; being distracted at the meeting to the point of barely paying attention) even before he does so directly. While this could be a fit of "right guy wrong occupation," Callum is someone pretty defined by 1) not letting anyone put him in a box (so much of s2) and 2) not listening, by proxy, to anyone else around him. He consistently goes against people's expressed wishes — right or wrong — and only takes up Viren's staff (something passed down between high mages) after he's abandoned the job. Callum is a wild card who will not let anything restrain him, taking only mage as an identifier and leaving most other things (except "Ezran's brother" and "Rayla's partner") entirely out to dry if it gets in his way.

[lawyerscar]

okay but the architecture style bdubs is using for the nether hub????? pop off????????

[loganremade]

i love being a teacher because it gives me hope for the future

[6flyingosprey6]

Hey does anyone else remember when Bad was alone and went batshit crazy?

[thegrimreaperisanerd]

month-long chronic insomnia flareup got me acting a BIT too HDB-esk so I drew myself some Kims. I have cracked it! (The case of 'how to draw this MF')

feat one Harry, ECHEM, and Kineema that I fucking made up from memory because im not studying that beast

[d8tl55c]

d8, your works! they are many! is there a place i can traverse their timelines and AUs and subject matters more easily?

haha! well

[tu-es-gegg]

my favourite codeflippa thing is the fuckign scaffolding, she could bridge liek a normal minecraft player in this decade no she has an obsession with JUSt scaffolding towers at any given moment

liek its just her stim toy at this point

[esquareloto]

Explore the Wide Range of High-Quality Scaffolding Tags and Holders

[raayllum]

now that we got Lissa in S6 and the full(ish) backstory there, did we ever revisit Lissa's complete absence from Viren's dreams in 5x02-5x03 or??

[saragossa-wanderer]

Which door do you choose

[fideidefenswhore]

sure, dude.

[valeriehalla]

(a realization about dialogue formatting, from a comic artist turned novelist.)

One of the first things a novice writer learns about speech tags is that they’re part of the “scaffolding” of prose. They should be largely invisible to the reader: use them when necessary, omit them when not, and be sparing in the application of verbs other than “said”. They serve only the function of clarifying who is speaking when it is necessary to do so.

Except:

Sometimes you might want to use a speech tag in spite of the redundancy. The fact that the reader’s eyes slide right over them is an exploitable property. By slicing a line of dialogue in half with a speech tag, you can force the reader to perceive a meaningful pause between two utterances—and the effect is much stronger than you might get out of an ellipsis or an em dash. Developing an intuition for when and how to do this is a huge part of learning to write dialogue, I think.

(And yes: if you ever wondered, this is exactly same the reason why comic artists sometimes “double bubble” their speech bubbles. Same end, different means!)

[boyswillbebutch]

ME WHEN. ough i have new ocs. srry janette and gang ya’ll will get content later i have new guys to obsess over augh,,,