"... unless you were to let me know that you do not wish to be disturbed in your rural quietness."
Moritz Schlick's correspondence with Ludwig Wittgenstein 🤍
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so humid i can walk outside and im wet
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Source:
The Isekai Returnee is Too OP for the Modern World
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»All dies habe mit höheren Temperaturen zu tun.«
»All dies habe mit höheren Temperaturen zu tun.«
» […] Schiffe auf dem Trockenen, immer mehr Seegras und viele Algen: Am Bodensee ist der Pegel so niedrig wie lange nicht. […] Mit einem spontanen Sprung ins kühle Nass wird es nichts werden. Dazu ist der Wasserstand im Bodensee einfach viel zu niedrig. […] „Man sieht es auch hier: üppige Seegrasfelder. Der ganze Hafen, die ganze Steganlage ist teilweise mit Seegras zugedeckt. Ich vermute, das…
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YM, September 1998.
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✨The Glowflies Festival ✨
whenever i play dnd w my friends i have to doodle while we play so i end up with my notes being drawings of events that happened, and i spent some time making this one look rly nice :3c
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Hubert Feigl, Moritz Schlick's favourite student.
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old and new (and the secret third thing)
a bit of ramblings under the cut
ooooh i can't believe it's finally finished!
long story short, i got really into vampire clans storyline of bridgeport and decided i wanted to do cool big-ass complicated piece about it. it was 9 months ago :.D
sadly, my first wave of sims 3 interest didn't last long enough for this work to get completed, but thankfully i got the spark again and spent last week or so gnawing at it frantically in fear it'll get abandoned again.. guess lady luck smiled at me this time :D
i really wish i could fit every single bridgeport vampire premade here but alas, brigit hemlock and flo-flo chique simply couldn't fit into the composition :( on the bright side they are probably sippin their bloody marys somewhere away from all the drama and enjoy their city lives. good for them (and yeah, lotta isn't a vampire but i swear i have a good reason to put her here. i should probably make a separate post about it)
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catching denki jacking off in the shower
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This chapter opens by comparing Bergson’s and Schlick’s biological epistemologies. Both philosophers agree with Spencer, Mach, and the Pragmatists in seeing the emergence of perception as biologically explainable by reference to practical goals. Both disagree with their evolutionist predecessors, endeavouring to set a limit to biologism, though in each case the limit is set differently. While Bergson finds a source of disinterested knowledge in intuition, Schlick sees intuition as a type of disinterested aesthetic attitude that cannot pertain to knowledge. Contrary to Bergson’s pragmatic account of scientific knowledge as a ‘system of images’, Schlick develops an account of theoretical knowledge (Wissenschaft) in which images are replaced by exact concepts. On this basis, Schlick objects against the thesis that intuition is a form of knowledge.
Might be worth tracking down sometime?
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EVERYONE SHUT THE FUCK UP, HE'S TRYING TO DRINK HIS TEA
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"Well... that was certainly... unfulfilling. Honestly, who gets a girl worked up like and just leaves her..."
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