#She's just over here like. Say what now?

[poorly-drawn-mdzs]

Council of lovefools.

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[seasicksilver]

so much chaeya on the tl, felt the urge to design fem!chaeya

[menciemeer]

Sometimes I think about Louise Hobbs for too long and start going a little crazy.

Garret Jacob gets all the attention on the show. Abigail gets it from fandom. The absence of Louise is almost invisible. She’s not there. We don’t think about her.

We don’t think about her, of course, because she’s not in canon in the first place. She has no lines. Her name is not mentioned in dialogue. She only barely appears on camera.

Here is Louise Hobbs alive and well. Striking about this bit, once I was looking at it: she doesn’t look towards the camera, she doesn’t look towards her family members, and her family doesn’t look towards her. They move around one another and don’t directly interact. Look at it: Abigail and Garret Jacob Hobbs are communicating, here, in a way that she’s entirely cut off from.

(And, ok, listen, I’ve gotta sidebar. Even before Abigail actually picks up the phone, GJH is keeping track of where she goes. There are no clear frames of this tiny interaction, but look:

he’s keeping tabs on her. The minute she moves, he’s checking over his shoulder to see what she’s up to. By contrast, he doesn’t look at his wife even once.)

(One other thing about this tiny little scene of them playing house. GJH has absolutely no chill. He is tense and intense even before he gets on the phone. It’s not really possible to tell what Abigail is thinking through all of this--we know from later that she’s a pretty good liar--but Garret Jacob Hobbs is not subtle. He’s jumpy as fuck, and he’s probably that way all the time.)

Continuing.

The next time we see Lousie, she’s being shoved out the front door. Think about that. GJH didn’t kill her immediately. He’s not interested in seeing her dead. He’s using her to buy time in the kitchen with Abigail because he knows he doesn’t have any left.

The way I remembered Louise dying was with a cut to her throat, but look at it. She’s got wounds on her arms, on her torso. He wasn’t careful, or quick. He didn’t hold out his hand to her and ask her to come closer. He attacked her, shoved her out the door, and slammed it behind her.

That is the end of Louise Hobbs.

Hobbs family dynamics just. Absolutely fascinate me. (Too much.) I so desperately want to know what it was like to be Louise Hobbs. I want to know how much she knew, how much she suspected, and how much she refused to let herself understand. She’s the cannibal the show cares about the least. She’s the one who dies so that someone else can have a little more time.

The show constantly returns to the idea of murder as a way to break or make families. Besides the Hobbs family, there’s the children and foster mother from Oeuf, Gideon killing his wife in backstory, Lawrence Wells who killed his own son, Margot and Mason, and of course Dolarhyde’s obsession with killing families together. Louise Hobbs’s is a murder to break a family. She is, very literally, cast out.

We do see her one last time:

It’s interesting that, when Abigail sees this, Alana is the one who becomes her mother. Whatever you want to say about the long-term feasibility of the Murder Family, it’s indisputable that Hannibal was never interested in planning a future with Alana. She’s there nearly by accident. Holding a place meant for Will. She is not part of the plan.

If Abigail mourns for Louise, she does it off-screen. We see flashbacks to her interactions with Garret Jacob, but, after this, Louise never returns. We’re left to wonder, or to forget, all on our own.

[iknowicanbutwhy]

Puyo/Madou, meet ISAT. ISAT, meet Puyo/Madou. I'm sure you have everything in common and this is not at all a completely random crossover of my two current interests

[bedlamsbard]

every day I am shocked the Midwest accent is real

[p1x1x]

what indeed…!

[ruvviks]

Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force. Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out. [SEASON ONE HERE]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[rexscanonwife]

Concept sketch of my new JJBA self insert and her stand, BellaDonna (who will eventually be known as Madonna). Inspired by the song 'Like a Prayer' by...well, Madonna! @sapphire-heart-tippy

(lore dump under the cut, TW for mentions of animal injury and religious trauma)

My self insert (who will also go by Jane) grew up in a deeply religious family and tried to be a good jehovah's witness child that made her parents proud.

One day, she comes up with the power to heal various injuries and ailments, almost to the point of being able to revive the dead. She figures she's given this power by the lord himself and vows to do good with it, but when she's found using them to heal a bird that had been wounded by a cat, her mother falls into hysterics thinking that she MUST be possessed by the devil to have such abilities.

She's punished and shunned by her community while her mother prays for a cure and though she tries to repent her power doesn't seem to go away, so eventually her mother snaps and drags her into the wilderness and attempts to throw her to the bottom of an old well.

Her Stand, which had previously not manifested physically, appears then to cushion her fall and eventually she manages to pull herself out of the well with her Stand's help, who she now believes to be a guardian angel. But not wanting to return home, she runs away to face the world alone, growing jaded and bitter over time. She loses all of her faith, and the power to heal inverts itself, becoming a sort of poison. Something that LEECHES life, rather than heal it.

When she's an adult (my age irl so 25 I guess) she's made her way by becomes a bounty hunter/assassin using her Stand and eventually catches the attention of Dio. Who takes her in and explains to her what her Stand REALLY is, promising to teach her how to properly wield those powers if she agrees to serve him. She reluctantly takes his offer, but starts to see him as a familial figure, since no one else had ever tried to nurture or even accept her gift. Dio is the one who giver her Stand the name BellaDonna, after the deadly plant!

[bunnieswithknives]

sorry if idk this but what do you think about Wordgirl now in 2024 do you still like it do you still want to make art or talk about it or are you just done with all of it forever and plus i seen that you haven't made art of it since 2022 so you just done with all of it oh yeah and what about The Magnus Archives + Wordgirl ao3 fic too like is that just going to be and i know that your working on 2 au's now just wanting to know that's all

My interests tend to come in intense bursts and then fade. Unless something like, big happens like it gets a reboot its unlikely I'll be coming back to it anytime soon. As for the fic I don't have any current plans to finish it unfortunately.

[ubejamjar]

Crown for a Queen Depressed Old Man

BEHOLD-- my 'emet-selch joined the party without her consent and ajisai is making it his problem' agenda. They're besties guys, trust.

[feline-evil]

Master Miller time

[skrunksthatwunk]

nishiki takes kiryu to the disco to pick up Hot Singles In Their Area and kiryu FINALLY takes an interest in someone. guess who it is lol

(click for better quality bc DAMN they got crunched)

pt 2

[spaciebabie]

shoutout 2 this person in my class who i can tell wants 2 talk 2 me really bad but instead of doing that whenever she has the chance she'll talk 2 whoever else is around and ignore me entirely unless im mentioned by name

[wickmitz]

How do you think about Frepper? I'm neutral about this ship, but the fans Frepper attitude towards confuses me, Ivy and Freckle have only been dating for a week and know each other superficially, but everyone already thinks that by the end of the comic they will get married, I think differently, I think that in the end they will break up with each other because they are too different personalities, I literally can't imagine that both of them will be happy with each other in marriage, Ivy is assertive and active, on the other hand Freckle is passive and just agrees with Ivy, this is not a guarantee of a healthy relationship where a partner completely dominates the other, plus to all that, I will not forget how their relationship started, Ivy just decided that they were dating, and without asking Freckle's permission, she just KISSED him, again without his permission, Frepper fans think that it's cute, but when I saw it, I thought "what the hell did I just see?", in general, it's strange for me that Frepper fans are okay with such things, of course later Freckle shows attraction to Ivy, showing that he likes her in some way too, but I still won't forget how their relationship started and how Freckle used to try to escape from Ivy when she squeezed his hand tightly and forced him to her …

I'm not against Frepper, but I don't understand his fans who don't see these issues and who treat other points of view on their relationship (like mine) as … um, as nonconformity? Fans from reddit are just obsessed with Frepper, I don't know about other networks but that's how it is on reddit, I think there are people who have my opinion but are afraid to say it because of fans, of course, I met Frepper fans there who normally accept such an opinion, but still there is a feeling that such a opinion cannot be told

Simply put, Ivy and Freckle are a couple that will eventually break up with each other unless there's an event between them in the comic that changes my opinion of this couple, but that's how I feel about Freckle for now. I didn't plan to express my opinion, but it happened that way, I hope you don't mind it

first and foremost, i don’t mind seeing someone express their opinion in my inbox! you and anyone else are free to do so, even if i may disagree. this blog’s entire existence was made for me to share my opinions ( and love! ) for lackadaisy, as well as engaging with other fans, because what else is the point of a fandom blog? and as far as i’m aware, this is unpopular opinion central! most of my thoughts aren’t exactly the ones with the most voice behind them i’ve found, so i welcome all manner of different views. every fan is entitled to their own perspectives and opinions, and should be allowed to share them as they please! but with that disclaimer out of the way, i’m more than willing to discuss frepper in its entirety.

for me, there’s little confusion i carry where it concerns this ship’s popularity amongst the fandom. freckle and ivy, if we are to strip them down to their bare essentials, are a rather stereotypically ‘cute’ relationship : people enjoy opposites ( see zibwick or vikdecai for example ) and there’s an endearing quality found in puppy love dynamics. seeing ivy wear the pants and drag a shy freckle around by his ankle makes for quality content in a way! think the ‘excuse me, but he asked for no pickles!’ meme … ivy and freckle very much fit that sort of mold, and it helps that most fans are too scared to ship them with other characters in the cast too, due to what they perceive to be a lack of options. thus, frepper is an extremely ‘safe’ ship! you cannot get in trouble for enjoying something that is not only canon, but is relatively adorable ; and so i don’t believe a lot of the fans are actually thinking too deeply about the likely endgame of it all. most don’t! it’s fun to ship, and that’s all they really need i think. it’s also very easy to dismiss ivy’s forwardness as a quirk of being a young girl who’s of her temperament, recklessly boycrazy although still carrying sweet intent. this behavior is easier to hand wave when neither ivy or freckle are experienced at the dating scene as well … freckle due to his extremely religious upbringing and hermit nature, and ivy because of viktor’s constant meddling, which would hold her back more than you’d think. with that said, i don’t think any of this is excessively complicated. some shippers are rather simple minded and do not care for details and characterization all too deeply. enjoying dynamics is, at its core, supposed to be fun -- which makes simple ships like frepper prime targets for a very vocal and tight knit fanbase. there are other things i could speculate about why these two may hit so pleasantly for others, like how there’s an underlying queer theme to it ( what with ivy being the pursuer and freckle the shy, blushing flower ) or that it’s tropey enough to hit the right spots for others … though it all boils back to mere speculation. perhaps they still have time to escape this gangster lifestyle and live happily ever after? and that appeals to the lackadaisy fans who still want some sort of happy ending? it’s all a combination of frepper being easy, i think, and containing two young cats who still haven’t done anything particularly ‘unforgivable’ yet action wise. this is a ship you can root for without an ounce of worry in your heart, and so on and so forth.

but although i understand why others are so vocal about them, i don’t exactly agree with fanon’s views either! while i heavily enjoy frepper, i enjoy them as they are, and that includes their looming flaws and inevitable tragedy. they are bound to break each other’s hearts a lot on their current path ; even if they were entirely perfect for one another, this lifestyle isn’t kind to anyone, meaning if they don’t separate, they could always be forced apart via bullets and such anyway. they are young and woefully inexperienced in a manner of things, the last thing they need is the stress of a rumrunner life driving their every action, you know? i know people see them getting out together, and that is likely on the table! i do see that in many ways, but i’m also of the opinion that ivy and freckle will diverge onto different paths at some point and temporarily call it quits. from where the comic currently stands and given my view on ivy’s arc, i see her growing disillusioned with where she is and the honor and fun she saw within it as a royal spectator will fade ; she will become wary, fearful, and her resilience will die … meanwhile freckle will embrace it, similar to his cousin, fully understanding what it is and what he’s getting into ( like rocky, again ) but being unable to leave his refuge. i know lots of people think freckle will leave the lackadaisy first, but given his old concepts and former title as one of mitzi’s ‘trouble boys’, i think he will become lost in the sauce for a myriad of reasons. frankly i enjoy that twist on their relationship! since i believe ivy’s character development will revolve around maturing, changing as time stretches forward, because her character is ever growing, what with her entire schtick being the fact she’s everything a 1920s girl was during those times. she embodies that unladylike youth and manipulative sweetness, so i’d imagine a lot of her path is falling from such naive thrill seeking and stumbling upon a harsh reality. she will mature, and the very thing that should make their relationship stronger will be what divides them indefinitely. everything they have is founded on this bloody, varnished soaked ground after all … they are young adults who are experiencing what closeness feels like outside of family or platonic friends for the first time, so naturally they will overindulge in their own amateur games ; find respite in the boogie and kiss like couples do on the silver screen, laugh about it, talk about everything and nothing at all … relish in each other’s warmth and stupidly loyal protection. i’m sure frepper will grow closer before any falling out, because as it stands, it’s one of the few things they have in such a scary situation that feels comforting and kind. they will impact each other in the fundamental ways first relationships do and, to move towards your biggest gripe, do things they’ll regret or allow things to happen to them that they’re not entirely okay with.

ivy is very forceful with freckle initially, albeit in her typical saturated way ; and i can see why that would be hard to parse! especially when freckle spends a majority of their first scenes together squirming away and hiding, trying to duck her affections and bolt for it. there is a lot of boundary crossing between them! but not in a necessarily malicious way … like most things with frepper, this circles back to their mutual inexperience and how, in a lot of ways, this is their first ‘serious’ romantic relationship ever. and it’s rather common for such firsts to involve gray areas, since neither party is entirely sure of what their own boundaries are just yet! while freckle did appear frightened by ivy at first, it’s important to note that tracy’s mentioned him having a flight response whenever girls flirt with him … he is prone to run away instinctively, which if you consider his extremely religious upbringing, isn’t exactly a surprise. nina would no doubt look down upon freckle engaging with girls his age due to what most girls his age are currently doing in the roaring 20s they’re living in. sneaking out and engaging in illegal activities, dancing in a way that would disgust most of the more traditional and older generation, casually engaging in any manner of sexual activity before marriage, etc etc. and this isn’t even listing freckle’s cagey nature due to an incident we know was bad enough to send rocky packing for years, and fundamentally changed freckle himself at such a young and impressionable age. he is … very troubled! and rather scared of himself and the world around him … at this stage in life, freckle is perpetually unable to make any progress towards anything he may want, and so i have little problem myself with ivy mostly taking the lead. when left to his own devices and allowed to choose outside of influence, freckle did in fact sneak out of his mother’s house to go to the lackadaisy, surely well aware that ivy’s intention had been romantically inclined. so, to me, he has always liked her ; perhaps found her cute, in a shallow way, saw her eccentric behavior as endearing and frightening in equal measure, and while he’s still wading into this whirlwind pool unsteady and shaken, he -- wouldn’t mind it if ivy pushed a little more, or moved him around to her ( and what she perceives to be, their ) liking. perhaps this dynamic is familiar enough to him that it becomes comforting, since rocky was very much the same way in their adolescence. tugging freckle around and pulling his tail for whatever rocky wanted them to do, with little care for whatever his baby cousin desired at the time, ignoring his protests and chasing him ; nobody’s at fault here either, kids are extremely self absorbed and this is a flaw they’ll usually mature past, and while ivy and freckle are adults during the comic, i don’t think ivy’s outgrown this linear view on things just yet. she is extremely entitled! she is used to being the apple of everyone’s eye at the speakeasy due to her jazz baby status as atlas may’s goddaughter, and this gangster connection excites and awes the ladies she attends classes with at her university too. ivy pepper is used to getting her way and this has only fueled her determined attitude, her ‘pull it up by the bootstraps’ mindset, and in many ways, this is something of a flaw for her. it’s not bad to be confident and headstrong, although when you add that into a dangerous mix of rumrunning and gunslinging, it may become a problem rather quickly. but i digress! point is, ivy and freckle are hardly at fault for the awkward way they handled the start of their relationship, when it’s so new and fresh to them both.

neither of them have boundaries at this moment, as they either have no clue what those are or simply haven’t realized they should set them. so, in turn, there are things that the other may do that could cause their partner discomfort … and it’s mostly done out of obliviousness and good intentions and your classic dose of intense affection. doesn’t mean it isn’t messed up to a degree, but i think it’s rather realistic, and is a hard truth that comes with many first relationships of that sort. sometimes you don’t know how to say ‘no,’ or you agree and regret agreeing later, or perhaps you simply don’t understand there’s certain things you aren’t ready for or genuinely just don’t like. again, it’s a very muddied area, and the two of them are vaguely navigating what is mostly foreign to them. they’re bound to mess up! so i ivy some slack here, and applaud tracy on the realistic writing more than anything usually. young love also happens to be a great device to use for inexperienced characters finding themselves, through the good and bad of their relationship, and frepper is all about that. maybe freckle will inevitably bring up how he feels like he would’ve preferred it had ivy asked him out properly, or gave him time to court her in a traditional fashion … and she will be surprised ( and a little wounded ) by this, since she had never considered it before … too used to her way of things to realize there’s another path they could take. i think this aspect of the relationship is important, and i can understand wishing that more frepper shippers would view it as such, or comment on it's morally gray nature without just calling it ‘cute’ and leaving it at that.

tldr : they will most certainly break up at some point, maybe even multiple times! tracy has said before that they both have some serious maturing to do if their relationship is to be long lasting, and i doubt that maturing will happen to them both at once … since they have different things to work on emotionally. but they will probably strongarm some major personal development within each other, as well as love one another with a fierceless abandon that most kids do. i could see them getting married, i could see them not, but i agree that if they were to be wed happily, they’d have significant hurdles to overcome. but personally, frepper is something i adore mostly due to the impact they’re bound to cause each other, and even if they are to separate and find someone new and more fitting, they’ll always remember one another -- perhaps fondly, and sadly, and with some anger. a time they’d like to forget, but a person they’d like to remember … which is my cup of tea overall! they much more interest me as they presently are anyway, where i can fiddle around with their budding romance and friendship bonding. and as lackadaisy grows in popularity, i do hope there’s more frepper fans who see their complexity and flaws and explore them with all of it in mind.

anyway! i hope this was coherent, and that it was obvious that i agreed with you for the most part. i haven’t really talked about frepper before with anyone so many of these thoughts sort of burst out of me! and i feel like i have more to elaborate upon, but for the sake of simplicity i kept this short. oh well! surely this is enjoyable and informative regardless.

[yashley]

But those markings on her skin appear to have just ever so slightly grown. Ever so slightly, a quarter of an inch, if.