#Stick to the rules

[chloesimaginationthings]

The tamest Afton kids’ fight in FNAF history

[biggest-gaudiest-patronuses]

finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using

[poorly-drawn-mdzs]

Good Morning, World.

[First] Prev <–-> Next

[stealingpotatoes]

You know if Han can appear as a force ghost, then padme can appear as a force ghost, Luke needs a hug

PADME SHOULD ABSOLUTELY APPEAR AS A FORCE GHOST HEAR ME OUT HERE. okay first of all because #feminism SECOND OF ALL she was literally pregnant with TWO whole eldritch skywalkers before she died. that should TOTALLY give her enough force to show up as a ghost. anyway here's this bc lucasfilm r cowards and i'm not

[randomfoggytiger]

Nine people I’d like to get to know better

Thanks for the tag, @television-overload~!

Last Song: Walk Outside (theme? for Milo and Otis)

Favorite Color: Red! (Just switched my seasonal palette from True Winter to True Summer-- blew my mind-- and now I'm falling in love with greyer pinks, purples, and taupes.)

Currently Watching: Frasier!

Spicy/Savory/Sweet: Sweet. All day, every day. Sometimes I eat it with savory-- depends on the food, depends on the day.

Relationship Status: Single and not looking yet~

Current Obsession: X-Files always-- it's ability to burrow deep into my brain is unparalleled.

Tagging: @baronessblixen, @welsharcher, @agent-troi, @suitablyaggrieved, @amplifyme, @cecilysass, @spidey-is-tired, @two-microscopes~

[canisalbus]

can i write fanfiction about these silly dogs

I would love that. A couple of people have written about them before and I think of their fics on a regular basis.

[secretsimpleness]

I am so zen about this. Kallo, Female Ryder (custom) / Mass Effect Andromeda (c) Bioware

[cits-cookie-brainrot]

If pitaya didn’t have a height complex before they certainly do now.

[merverelli]

dec 2023 - jan 2019 - sept 2017

its a redraw of a redraw!

(psst: here's a speedpaint if you're interested! https://youtu.be/9nn73oxU7eg)

[omegalomania]

Wait why does everyone hate brendon urie again?

i was tempted to just say "google it" but honestly panic's pr team is working doubletime to sanitize this bastard so here's a quick primer for those who are out of the loop.

this got long so i’m putting it under a cut. as a warning, this is going to have discussions and screenshots of people saying and doing extremely morally reprehensible shit, including racist, homophobic, and transphobic language, sexual harassment of minors, and more. tread with caution.

i'm also going to top this off with the caveat that brendon has a history of saying generally stupid and casually shitty things that a lot of people have noticed and called attention to, but these were largely unremarkable in the sense that they were the sort of things that i was not surprised to hear a privileged cis dude say. so while that's definitely a factor - the guy has said very shitty, openly racist, gross things, etc., numerous times and on numerous platforms and i do not want to overlook that - i also don't want to pretend like that’s the only thing going on here because there is a lot of other heinous shit at work.

i’m also not going to go into the intricacies of song meanings or lyrics and the like aside from a couple touchstone examples. it’s pretty public knowledge by now that i don’t know how but they found me (henceforth referred to as idkhow, fronted by dallon weekes, who worked/toured with panic for a good eight years as its bassist) has quite a few numbers that take implicit and explicit aim at panic, most prominently the video for their single “do it all the time,” which featured dallon setting fire to all the suits he used to wear on tour with the band. it’s an open secret that dallon was not treated very well during his time with panic, but we’ll get to that. the point here is that i don’t want to focus on conjecture of speculation when we have a wealth of very hard evidence at our disposal.

so let’s get into it.

the real Poop started up late 2019 iirc, when numerous panic fans started passing around stories about zack hall, panic's bodyguard and security guy who had been with the band since the fever era. as the only person who had actually been with the band as long as brendon himself, zack had a fair amount of sway with the fans and was notably very very close with brendon. as more and more people spoke up, it became apparent that zack had done a whole lot of things that i would term as "incredibly fucked up" over the years with people being generally afraid to say anything. it’s been pointed out to me that these accusations only picked up traction around that time; fans have been raising flags about zack’s behavior for years without any reaction from panic’s management.

around this time, discussion began circulating that brendon himself had sexually harassed/assaulted multiple fans (many of them minors at the time). some of these accusations, such as his attempt to solicit nudes from fans, have proven to be way muddier to and harder to confirm, seeing as brendon was allegedly not in charge of his socials for some of this time and one of the people using his handles to solicit fans for nudes was reportedly a former stalker of his, chelsey lynn.

i think it is worth noting that brendon has brought up his history with “stage gay” with founding member, guitarist, composer, and lyricist ryan ross and mentioned that brendon’s attempts to get handsy on stage were not always taken kindly (emphasis mine):

For our first headline tour I would go up to Ryan our guitar player, and like kiss him on the neck or kiss him on the mouth and he would be so mad. I was like, I just want to kiss you bro.

(that’s also the interview where brendon tried to both-sides the issue of roseanne being a hideous fucking racist. so, fun stuff.)

in any case, it took brendon four months to respond to any of the accusations leveled at him and zack. he ended up doing so by filming a two-minute apology on his twitch account (which was locked to subscribers only, meaning it was essentially monetized) [twitter thread summary for those who can't stomach it], only to say that he was just too anxious to say anything and that while zack had been removed from his position, he and brendon would remain close friends. he did not respond to any of the allegations against himself, and proceeded to basically go completely radio silent on all social media until reemerging in 2022 to promote viva las vengeance.

(contrast to this to how speedily he fired touring guitarist kenny harris in 2018 when multiple allegations arose that he was soliciting underage girls. he was removed from the tour in less than twenty-four hours. while the expediency of this was praised at the time, it retroactively raises a lot of questions as to how much brendon and/or zack knew about this behavior beforehand and were simply waiting for a good PR call to do something about it.)

brendon seeing no issues with zack’s behavior and only doing something about it when backed into a corner is very much not a good look, and is suggestive of the possibility that he’s complicit in or at the very least tolerant of this kind of fuckery.

but wait. theres more.

beyond the genuine fucked up behavior, brendon also has a history of severely mistreating his bandmates. we could get into the politics of the infamous schism that split founding member ryan ross (along with bassist jon walker) from brendon and the band’s drummer, spencer smith, but that is its own bag of worms and this post is long enough already. that drama is very well-covered. however, i think it’s worth noting that out of every single member of the band that has come through it, both creative contributor and touring member, the only former member to depart the band amiably was spencer, who took his leave because of struggles with alcoholism. he’s the only one who remains on good terms with brendon to this day, but he’s also technically brendon’s boss at this point since he helps manage the label dcd2, of which panic at the disco is a part.

most apparent and well-documented of brendon’s spotty history with his own bandmates is his treatment of dallon weekes and his wife, breezy weekes, while the former was writing and touring with the band. in that little zack hall clusterfuck above you can see places where breezy talked about being repeatedly harassed but electing to keep quiet so that dallon wouldn't risk losing his job. reportedly they both went to panic's management to put a stop to it, but the bad behavior continued, with both zack hall and brendon’s wife, sarah urie, as propagators. there was public outcry as people insisted that dallon and breezy were making this up for attention. however, eventually former touring guitarist (from 2009-2012) ian crawford (along with his sister), both spoke up to corroborate that zack's behavior (and brendon's enabling of it) were very much recurring issues and were part of the reason that ian left panic in the first place. ian's twitter is no longer active, so all i have are screenshots on tumblr for this one.

dallon has not spoken of his time spent with panic with much fondness. he replaced bassist jon walker in 2009 and contributed creatively on both vices and virtues (2011) and too weird to live, too rare to die (2013). for the former, he was responsible for the concept and album art. for the latter, he got writing credit for all but two of the tracks (casual affair and end of all things), and you can even find an early version of "far too young to die" that was originally penned for one of dallon's earlier projects, the brobecks. the controversial track "girls/girls/boys" (as well as “all the boys”) from too weird was written for dallon's wife, breezy, as a celebration for her pansexuality. the finished product would end up being about an alleged threesome brendon had.

in 2015 dallon stated that he would no longer be involved in panic’s writing process but would continue to serve as touring bassist before departing officially in 2017 and focusing all his efforts on the aforementioned idkhow along with former falling in reverse drummer (and former fellow brobecks bandmate) ryan seaman. while dallon has remained relatively cagey about his time with panic (as is entirely within his rights), he has on occasion commented that he often felt bullied and belittled in the workplace, and once referred to zack hall as "the actual worst person [he had] ever met."

breezy has been more frank about what dallon had to deal with during his time with the band and over time, dallon has been more up front about this as well. turns out dallon was underpaid to the point where he had to take up a second job cleaning carpets while touring with panic, and working side jobs and donating plasma for gas money between tours. this continued well into 2010 and possibly for longer. the ratio was reportedly something like $400 a night compared to brendon's $15k paycheck, so take that as you will.

that's most of what i can remember. i tried to sauce everything i could but please let me know if i missed anything. i also tried to embed the images but doing so kept breaking the damn post cause this is a webbed site so you only get links SORRY

tldr brendon urie is self-absorbed prick who hoards credit, mistreats his musicians, shelters predators, and may very well be a predator himself. fuck him.

also, while i definitely don't want to downplay the severity of just how horrendous a lot of this shit is, in the interests of not wrapping this on a totally down note i do want to mention that people were writing brendon and panic out of the "emo trinity" legacy as early as mid-2019 because everyone hated pray for the wicked that fucking much. after having to endure the musical travesty that is high hopes innumerable times during every single 20-minute grocery store run i was ready to chalk up my dislike of him to sheer annoyance so you can imagine my surprise when i learned that not only was this annoyance justified i wasn't actually hating him nearly enough.

[lunamond]

Rhaenyra‘s sons‘ illegitamcy is actually such a fascinating topic to discuss. Because on one side, yes, she should be allowed to have children with the partner of her chosing. But on the other side, the way she handles the situation, she manages to upset almost every cultural norm surrounding this issue, further alienating potential allies.

According to the social and cultural norms of their world, Rhaenyra and her sons are being valued as lesser for the circumstances of their birth. This a result of westerosi male primogeniture, which has to police woman sexuality in order to ensure that wealth and power get passed through the male family line.

Bastards born from the affairs of male lords are tolerated because they do not endanger the system of power, while male bastards especially are still marginalised (as seen with Jon) the father isn‘t subjected to any form of social scorn.

On the flip side, a noblewoman fathering a bastard is a direct threat to the system of male primogeniture. A woman will always know her biological children by the simple fact that she gave birth to them.

Men, however, don’t have this certainty. To ensure that their heirs are their own biological offspring they need complete insurence that their wives are soley sexually active with them, hence the policing of female sexuality and the obsession with female virginity.

This tactic is obviously not foolproof. A clever wife might still manage to have a secret affair and pass off another man‘s child as her husband's. This anxiety and continued incertainty is reflected in the social censure woman receive for acting as sexual beings and the severe social and legal punishment a wife who has been judged as unfaithful can face.

What makes Rhaenyra‘s position unique, however, is the fact that she is Viserys‘ heir.

So if the crown is to pass down from Viserys to Rheanyra and through her to her own heirs, why does Jace‘s legitamacy even factor into all this? Some people in the fandom make that argument: If Rheanyra inherits in her own right, why does it matter who fathers her children?

The problem with this is that even the Lords can‘t declare their bastard heir without expressed permission from the king. So, firstly Rhaenyra would need to publicly aknowledge her sons as ilegitamte for Viserys to legitamise them.

Secondly, even if inheritance in the male linegage is important, marriages in Westeros are still utilised to forge political and economical ties. Any Lord, who wants to make their bastard heir instead of the children born by his legal wife, will at best destroy any goodwill given by her family or at worst start a generations long feud.

Rhaenyra‘s position isn't as simple as a mere reversal of the genders. She can't just take the role of the Lord, she is still a woman and society will continue to treat her as such. Laenor is still bringing his own inheritance of Driftmark to ther union, separate from any claims Rhaenyra holds.

While she is lucky enough not to lose the Velaryons as her allies, it does lead to tensions surrounding the succession of Driftmark.

Another argument then is, if Laenor and Corlys aknowledge Jace, Luce and Joffery as Velaryon their blood shouldn‘t matter.

However, that is also not how westerosi society works. Because to them, blood does matter. Laenor and Corlys can claim them as Velaryon as much as they want. But as Varys puts it: „Power resides where men believe it to reside“, and as long as the westerosi people believe that blood lines are vital to the right to rule, the boys‘ right to Driftmark will continue to be questioned. Family names and blood lines are super important (and not just socially, considering how many magic blood lines exist in this world).

And to me it seems pretty clear that Corlys is aware of this fact as well, because he never publicly anounces that their blood doesn‘t matter, in fact he claims them to be Velaryon as Laenor‘s sons.

And this is ultimately the issue at heart of all the vitrol thrown at Rhaenyra. The reason she faces so much push back isn’t just because she had bastards but specifcally because she tries to pass them off as legitemate. With this she triggers the deeply ingrained social anxiety about women duping their husband and disrupting the blood line with their own kuckucks child.

It doesn‘t truely matter that her position is slightly different, because for one Westeros is deeply misogynistic. Even as a female heir she is still subject to the misogynistic standards put on women, because no matter her personal circumstances, their society is still built to cater to male power.

But even more damming is the fact that she ends up proving all these fears true, because she does take Driftmark away from a true Velaryon heir and gives it to Luce.

I think it is really fascinating (in a very concerning way), how some fans are so ready to take these societal rules as hard facts. Instead of thinking how they might reflect on inherently flawed systems of power.

As viewers we should be capable to recognize that these cultural norms are wrong. Jace, Luce and Joffery might be bastards but this doesn't devalue them as human beings. Nor does it impact their capabilites as future rulers. Nor does Rhaenyra‘s gender impact her‘s. There is nothing that make a trueborn man more worthy of ruling than a bastard or a woman.

But important to remember is also that Rhaenyra isn‘t going to make a better ruler soley on the virtue of being the firstborn or chosen by Viserys. Nor are her sons going to make better heirs because they are her children.

[llitchilitchi]

Hello, I am opening Ko-Fi commissions

I am sticking to portrait/waist up in my usual black and white style with a very limited number of slots to test things out. In case you're interested, please read below

ToS:

Commission is for personal use only. Commissioner can reupload the image with credit, but not for commercial use.

The image is not to be used for AI training or as NFTs

I reserve the right to repost these images and use them later as examples of previous work

"First come, first serve"

Completion time about a week, depending on the number of people before you. I will inform you in case the delay being larger for other reasons.

Commission will be sent via email

Do's

OCs

Fanart

Light gore (bruising, blood)

Don'ts

Heavy gore

Mecha

Furry/Anthro

NSFW

I will not be doing heavy changes late into the commission! I will send you a light sketch which after being approved will be the form of the image that I'll finish with minimal subject to change.

When sending your commission, specify as many details as possible. That includes pose, expression, hairstyle, clothing, specific jewelry, or anything you'd like to have in your commission. If the character has more than one design, please specify which one you'd like me to draw, or, preferably, provide reference images. In case you have photographs that match the pose, send them along with your reference, or send a doodle of what you'd like to see (it can be very simple).

The process is done through ko-fi, where you can read further details and provide me with description and submit files. Upon clicking 'I Agree' to the terms, you will be directed to payment, which will be done through PayPal.

If you have further questions, feel free to send me a DM or an ask!

[magnusbae]

I mean, I can't NOT prompt "Emotions are a luxury I don't have time for." with Dreamling 👀

🤘 five-and-dimes

OKAY ADMITTEDLY it does fit Dreamling very well doesn't it—? I was going to give half an hour per piece and accidently digressed way too much with this one..... whoops...? Thank you for the prompt dear 🥰💖

Dreamling || 1,174w || lowkey hurt/comfort but with ~hope

▾▾▾

“Don’t you feel anythi— fuck.” Hob stops, forcing the words back down with a thick swallow. He cannot afford himself to speak in anger, no matter how badly it burns in his veins, no matter how scourged by Dream’s aloofness he is. It doesn’t matter that he should have the right for anger. Dream is simply not a being you could, or should, be angry with if you hope to keep him in your life.

Angry or not, justified or not. Hob wants him in his life, very much.

“Dream, listen.” Hob starts, running a hand over his own face, nails scratching uncomfortably over the side of his cheek. “I get it, okay.” He really doesn’t but this is not the point “but seriously, you do have feelings, I know that you have…” his voice wavers and he gestures at the space between them, unable to voice it lest Dream would flee again. “Please.” his voice strains with the burden of it all. Wanting so much, needing so much—being forbidden from even voicing it, let alone having it.

"Emotions are a luxury I don't have time for.” Dream’s voice is deep, booming, as aloof as it could possibly get. He sounds like he’s reading a ready-made script, like he’s following the lines long since prepared.

Hob recoils, physically takes a step back, wants a distance between himself and Dream’s rejection. He should have expected it, in fact, he assumed he might get worse and yet— “Bulshit.” The short silence that follows is pregnant with tension, both momentarily silenced by Hob’s boldness. Hob is as surprised by it as Dream, apparently is.

Dream comes around first, eyebrows knotting, storms cracking in the depths of his eyes. His lips thin, the corners tug down and then he opens his mouth to deliver what Hob is sure would be either a really bad reprimand or his final words to him.

He cannot have it. If only for the simple fact that he doesn’t only want Dream in his life, but factually needs him. He doesn’t know what’s life would be worth without knowing that in the end of every story there will be Dream to share it with, a confidant, a keeper of his journey.

“I think that you’re afraid—” the words rush out without a thought, he steps forward, hurrying to finish before this would blow out of proportion “—because I know that I am petrified.” The words burn true on his tongue, there’s a dull ache in his chest, his lungs feel too full and empty of air. “I am horrified that you might leave, I am terrified that you might not lo— accept this, I am…” he swallows, his throat is closing with the emotion of it all. He cannot stop, not now that he had finally started. “I get it Dream, I know that you are, that we are… different but…. “ His hand falls by his side, no amount of gesturing would express what he feels.

He runs out of words. He was so certain he had them all when this conversation started, now he can hardly even remember what brought it about. He didn’t prepare for it as well as he thought, he doesn’t know how to word it, how to phrase it in a way that would convince Dream to give this, them, a chance. Damn.

His chin drops and he stares at the ground, burning disappointment makes his hand tremor. He closes his fist.

He is no poet, no storyteller, no writer. He is no Dream to pick and choose the right words. He’s only a man. Only a man who loves a being beyond his comprehension, very, very much.

Fuck, fuck it all. Fuck. He is about to lose him, isn’t he?

The pain in his gut is a twisting thing, like a knife slicing through the guts. Shitty death, he’d know. He dares to glance up when Dream doesn’t speak, half expecting to see him gone. Instead, there’s something softer in Dream’s eyes when he meets them. For the first time, Hob’s attention is drawn to the unnatural void in those eyes, the glint of distant stats. This is…

“Am I…” his mind struggles through the spell of dizziness, his consciousness readjusting its grasp of the surroundings. The shadows are longer, the shapes are bent a little too far, the colors are not quite right.

“I am dreaming.” He understands when he finally sees the landscape for what it is, Dream, for who he is. “Oh shit.” His cheeks color red, he is aware of the incredibly uncomfortable material of the shirt he used to wear some few hundreds years ago.

“I yanked you into my dream, haven’t I.” This is, even more than before, not how he had hoped to confess. Not even close.

“Hob,” Dream’s voice bleeds to every fiber of the dream-scape, infusing it with power, making it feel tangible, more clear, in focus. “You dream very loudly.” There’s an odd note to his voice, if Hob was to attempt and pinpoint it, he’d have to admit it sounds like astonishment.

“Sorry,” he answers, abashed. “I, uh, suppose you can’t just…” he gestures at his own head with a motion that resembles wiping chalk off of a board. “Maybe…?” he adds, hopefully.

He doesn’t regrets his feelings. He would, though, like to at least be awake when Dream rejects him, It feels only proper.

The idea of simply not raising it up at all is one that had crossed his mind frequently, and yet he knows that sooner or later he’d slip again, that he wouldn’t be able to to continue pretending like this isn’t an integral part of who he is, like this isn’t something that he feels.

Sooner or later, he’d tell Dream of The Endless that he is helplessly, hopelessly, truly and deeply— in lov…

A finger again his lips distracts him from his thoughts. “Very loudly.” Dream scolds quietly, wistfully. He sighs then, the weight of it almost buckles Hob’s knees. Dream seems to ready himself, like he is expecting a great deal of suffering and is braving himself for it. He looks exhausted. Worn down. Won over.

Hob immediately dislikes that look, it speaks too much of Dream’s past. Too much of what had made Dream as closed off as he is. Too much of what hurt him so badly. Hob wants him to be…

“Very well, Hob Gadling.” Dream’s words distract Hob from his thoughts again “We shall speak of it further in the waking world, according to your wishes.” Dream looks away into the distance, his finger lingering on Hob’s lower lip, it’s cool. “I must go now, so long.”

He does not sat farewell. Hob’s mind centers around it. Between one eye blink and another, Dream is gone, golden sand scattering behind.

“What…?” Hob’s mind is already fuzzing into an incoherent haze of shapes and shadows, only distantly concerned with what just transpired.

Only vaguely he wonders if he should feel loss, or…not?

[laniidae-passerine]

the problem with Avenue 5 is that HBO was absolutely looking at the wrong demographic as the potential audience. bet you money they cancelled it because the 40-50 year old demographic wasn’t reacting to it like they did to Veep but that’s because Avenue 5 isn’t for them. it’s for the 18-30 year old demographic. because who else will see Hugh Laurie being the biggest lamest bisexual polyamorous weirdo fail guy in space and immediately want to see a billion episodes of him just eating metaphorical asphalt??? nobody. bring that loser and his crew of freaks and his insane wife and husband back to us!

[canisalbus]

are you okay with folks writing about your guys? i know they're very personal to you!

I'd consider it an honor! They are very personal to me that's true, but it always makes my day/week when people draw gift art of them, and I find written works comparable to that. If you end up writing something and posting it somewhere, please let me know, I'd love to take a look as well.

[sybill-the-seer]

Young ~3-y/o Harry following Petunia around the house while she does chores. Young Harry holding onto Petunia’s skirt and sucking his thumb while she does the dishes. Young Harry playing quietly in the grass near Petunia while she weeds the garden. Young Harry just wanting to be WITH someone at all times. Young Harry trotting along after Petunia all day being her little shadow until her patience wears thin and she sends him to his cupboard. Young Harry being a clingy child who desperately needs affection but never gets it.