#Studio Koba

[gamelpar]

Caesar and Koba in Planet of the Apes: The Simian Age comic (2019) and Dawn of the Planet of the Apes comic (2014) published by BOOM! Studios

[hellogrinbearfilms]

REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.

Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio  - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally

Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet

INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah

Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze

Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian

Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze

Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani

Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze

Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili

Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas

Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira

Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani

Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel

Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]

1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira

Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves

Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf

Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]

[g-dvalle]

REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.

Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio  - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally

Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet

INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah

Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze

Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian

Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze

Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani

Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze

Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili

Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas

Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira

Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani

Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel

Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]

1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira

Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves

Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf

Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]

[fygmo]

REPORTERS WITHOUT BORDERS / The First Speech (DC) from Giordano Maestrelli on Vimeo.

Production Company - Stink Films, Berlin Director - Giordano Maestrelli Director of Photography - Konrad Losch Managing Director - Justin Stiebel Executive Producer - Moritz Merkel Executive Producer - Florian Hülbig Producer - Melody Micmacher Creative Assistant - Bruno Beserra Editor - Simon Klinkertz Colorist - Joseph Bicknell @ Company 3 Color Producer - Cassidy Conway Music & Sound Design - Satelite Audio Music Direction - Hurso Ambrifi Client Service - Fernanda Costa Post Production & Mixing - Carla Cornea, Andre Giannini, Vithor Moraes, Arthur Dossa Production Coordinator: Camila Guedes, Leticia Oliveira, Bea Vieira Sound Studio  - Studio Funk Berlin Executive Producer - Uta Wittchen & Katharina Knieling Sound Engineer / Audio & Music - Marius Wiechmann Storyboard Artist - Eilis Scally

Reporters Without Borders Germany (RSF): Head of Communications - Sylvie Ahrens-Urbanek Public Relations Officer - Prisca Martaguet

INNOCEAN Berlin: CCO - Gabriel Mattar ECD - Ricardo Wolff Head of Art - Maso Correa Heck Associate Design Director - Will Cega Art Director - Leon Celay Copywriter - Juan Andrés Kebork Motion Designers - Carlos Suárez and Alexander Aleksidze Head of Capacity Management - Paulina Gonzalez Producer / Head of Production - Fabian Barz Post Production Producer - Jan Scholz Strategy Director - Jörn Ballentin Sr. Strategist - Odile Breffa Senior Media Manager - Maja Lah

Service Production Georgia - Metro Productions Executive Producer - Aleksandre Gabilaia Head of Production - Maia Gurabanidze Head of Bidding - Mariam Tevdorashvili 1st AD - Sopio Parjiani 2nd AD - Mariami Gugushvili Production Manager - Tato Pantsulaia Production Coordinator - Nino Megrelishvili Unit Manager - Merab Rostomashvili Location manager - Natia Chomakhidze Location manager assistant - Zaza Chigladze Transportation Manager - Davit Peradze Transportation Manager - David Maghlakelidze PA / Chaperone - Mariam Tsiklauri PA - Irakli Kakabadze

Set Manager - Konstantine Chkhaidze Set helpers - Buba Kupatazde Set helpers - Lasha Kupatadze Set helpers - Saba Sagrishvili Cleaner - Svetlana Bagdasarian

Art Director - Sopo Bazghadze Set Dresser - Shota Bagalishvili Production Designer Assistant - Achiko Shamakhia Art Assistant - Nina Jandieri Art Assistant: MURAL - Giorgi Khavelashvili Art Assistant: MURAL - Erekle Gordeladze

Stylist - Ketevan Kalandadze Stylist Assistant - Nino Chkoidze MUA - Veriko Bedeladze HAIR - Nino Dashniani

Focus Puller - Irakli Jgenti Camera AC - Guram Mosikashvili Camera AC - Khatia Khalvashi Playback Assistant - Koba Rostiashvili DIT - Gosha Tabidze Gaffer - Shalva Leluashvili Key Grip - Tengo Kasradze Grip / Light - Mikheil Gvalia Grip / Light - Giorgi Gogbaidze Grip / Light - Davit Eremadze Grip / Light - Gia Guluashvili Grip / Light - Davit Gogichaishvili Grip / Light - Vako Leluashvili Grip / Light - Giorgi Eremadze Dolly Crew - Giorgi Zakaidze Dolly Crew - Lasha Gugushvili Dolly Crew - Teimuraz Kupradze

Driver - Gia Tetrazde Driver - Avto Ugulava Driver - Gigo Lomtatidze Driver - Zaza Magaldadze Driver - David Odishelidze Driver - Roland Gogokhia Driver - Giorgi Koshadze Driver - Anatoli Kliushnichenko Driver - Ramaz Davitiani Driver - Giorgi Gogashvili

Service Production Brazil - Stink Saõ Paulo / Yatta Films Executive Producer - Rafa Rocha Production Manager - Maria Eduarda Caldeira Brino Production Manager - Daniel Lombardi Production Assistant - Sofia Lombardi Production Assistant - Victoria Valenti Chaperone - Nahaiana Vieira Cardoso 1st AD - Jan Monczka 2nd AD - Juliana Dias Caldas

Set Manager - Marcelo de Menezes Cachapuz Set Manager Assist - Marcelo Pasin Set Manager Assist - Jones silva de Oliveira Set Manager Assist - Adriano Pereira

Location Manager - Bruno De Souza Palaoro Location Manager Assist - Marcelo Araujo Frangipani

Production Designer - Martino Piccinini Art Assistant - Alice Goulart Furtado Art Producer - Soraia De Matia Props Coordinator - Camila Vettorazi Franzen Set Decorator - Julia Perez Paiva Melgarejo Props Master - Andre Luiz Micael Valli Castilho Props master Assist - Rafael Serpa Gerchmann Props master Assist - Victoria Perez Paiva Melgarejo Props master Assist - Lucas Rodrigues Do Amaral Props master Assist - Joabel Fontoura De Azevedo [Biel] Props master Assist - Maria Vitória Reimundo Varante Props master Assist - João Vitor Copetti Teixeira Helper - Maurício Ignácio Silveira Helper - Alisson Barboza Maciel

Costume Designer - Isadora Bertolucci Costume Assist - Samara Raquel Pereira Da Silva Costumer - Adriana Talaveira [Mana] HMU - Luana Ramos Zinn HMU - Gabrielle Ávila de Oliveira HMU - Eduarda Lombardi Pellenz Brum [Dudinha]

1st AC - Marcelo Ostrovski Bevilacqua 2nd AC - Gabriela Bortolon De Oliveira Video Assist - Laurie Braatz DIT - Juliano Rodrigues Moreira

Gaffer - Roberto Ramos Best Boy - Flavio Pinheiro De Souza [Cabeça] Electrician - Frederico Barbosa Ramos Electrician - Jefferson dos Santos Oliveira Helper - Vinícius Rojas Lopes Helper - Filipe Rodrigues Alves

Key Grip - Andre Luis Da Cunha Campanhol Best Boy Grip - Fabio Da Silva Dias Grip - Rodrigo Lopes Espíndola Grip - Ismael Borges Santos Helper - Josué Da Costa Celaro Helper - Nicolas Gabriel Luciano Huf

Casting Producer - Amanda Michelini Schmitz Casting Assistant - Pedro Alberto Santana Sanhudo [Pepa]

[gmlocg]

3,311.) Narita Boy

Release: March 30th, 2021 | GGF: Action-Adventure, Platformer, Mystery, Exploration, Story Rich, Hack and Slash | Developer(s): Studio Koba | Publisher(s): Team17 Digital Limited | Platform(s): Luna (2021), Macintosh (2021), Nintendo Switch (2021), PlayStation 4 (2021), Windows (2021), Windows Apps (2021), Xbox Cloud Gaming (2021), Xbox One (2021), Xbox Series (2021)

[dr-iphone]

【限時免費】點陣動作冒險遊戲《Narita Boy 成田男孩》放送中，2022 年 11 月 25 日 22:00 截止

【限時免費】點陣動作冒險遊戲《Narita Boy 成田男孩》放送中，2022 年 11 月 25 日 22:00 截止

《Narita Boy》（成田男孩）是西班牙遊戲團隊 Studio Koba 開發、Team17 發行的 2021 年版動作冒險平台遊戲，在 GOG 平台有 3.9 顆星的評價，在 Steam 平台則是獲得極度好評。這次 GOG 限時免費時間只到 2022 年 11 月 25 日 22:00 前截止，大家快點領起來吧！ (more…)

[emotionalmultimediaride]

GOG free game: "Narita Boy"

GOG free game: “Narita Boy”

Black Friday has arrived on GOG with a special sale as well as Studio Koba and Team17‘s sci-fi action-adventure Narita Boy as a giveaway. Narita Boy was already featured in this game release news and it’s a nice gesture from the DRM-free store, as it promotes the 80ies with some nostalgic gameplay. For those who grew up with the Tron movie, the story about a man who made a videogame console and…

[blisscast]

[Narita Boy ✅] More at my blog blisscast.wordpress.com, link in bio. ℹ My Journal Page 12 is about Narita Boy, and you read it at the link in bio! . I'm a huge fan of Narita Boy ☺️. It's a Metroidvania-like game that I played this summer, about a kid entering a videogame looking for its creator's memories in order to save that world, traveling through a variety of neon soaked landscapes, deserts and peaceful archipelagos. One of the aspects I love the most about this game is the soundtrack! It's perfectly Retrowave / Synthwave, and it channels that 80s feeling into the game. It's so addictive to listen to, that I admit I've listened to it quite a lot. I'm currently listening to one of the songs, Trichroma Sunset (Extended), while writing this. If you want to have a listen to it, it's by Salvinsky, who's also part of Studio Koba, the developer team behind the game. . They're currently planning a spin-off game, Haneda Girl, and I'm immensely excited about it! I'm looking forward to playing it, especially because I loved Narita Boy so much. . 🇮🇹 Oltre alla lettura della mia Journal Page dedicata (link in bio) consiglio l'ascolto dello Speciale Vacanze di Atariteca Podcast, che parla proprio di Narita Boy! Lo raggiungete sempre tramite il link in bio. . #naritaboy #naritaboyfanart #salvinsky #studiokoba #hanedagirl #synthwave #retrowave #80s #retrogamer #retrogaming #gamergirls #gamergirl #nintendoswitch #videogamevinyl #vinylsoundsbetter #vinylsoundtrack #playstation4 #steam #indiegame #neon #neonaesthetic #80saesthetic #80smusic #80ssynth https://www.instagram.com/p/ClCTL_qIiIH/?igshid=NGJjMDIxMWI=

[greysod]

Narita boy select symbol

#NARITA BOY SELECT SYMBOL CODE#

The narrative keeps introducing complex terminology and blocks of text that players have to read through, which can add length to the game if a player isn't a particularly fast reader. Him has returned and deleted The Creator’s memories. Meanwhile, inside the binary code, the digital realm connects with reality. Within weeks Narita Boy is the best-selling video game of all time, critically acclaimed for its power-fantasy wielding the Techno-sword and taking players on a journey like no other. The teen that gets sucked into the Digital Kingdom not only has to stave off the incoming Stallion army but retrieve the lost memories of The Creator of "Narita Boy." As many reviewers have pointed out, Narita Boy is hyper-fixed on explaining the lore of the game to players. Copies of cartridges are flying off physical shelves worldwide.

#NARITA BOY SELECT SYMBOL CODE#

Narita Boy takes place within the Digital Kingdom in the "Narita Boy" game once the binary code of its digital realm connects with the real world. RELATED: Retro Arcade-Inspired Game Arcade Paradise Announced The following table shows the name and meaning of the box symbol along with the HTML code (hexadecimal and decimal) and Unicode. The box symbol is a text symbol that can easily copy and paste into any social media, website, and emails. With a game-within-a-game overarching story, a random teen gets pulled into a digital world and is tasked with defeating a great evil. Copy And Paste Box Symbol With Dec Code, Hex Code & Unicode. Review Neo Geo Pocket Color Selection Vol.1 - SNKs Handheld Classics Come To. Though unique in its own way, the story of Narita Boy will strike a familiar chord. Review Narita Boy - Pay Homage To The 80s In This Marvellous Metroidvania. MORE: Atari 2600: 10 Weirdest Facts No One Knew About This Retro Console Owlboy Developer Announces New Co-Op. Team17 and Studio Koba have revealed the international games label is joining forces to publish the Spanish studio’s debut title, Narita Boy. Its inspirations are immediately apparent as well, drawing from titles such as TRON, Ready Player One, and others. Narita Boy is available now on PC, PS4, Switch, Xbox One, and through Xbox Game Pass. Developed by Studio Koba and published by Team17, Narita Boy is a love letter to the aesthetics and visuals of the 1980s. Team17 and Studio Koba have revealed the international games label is joining forces to publish the Spanish studio’s debut title, Narita Boy.

[fancypantsrecords]

Salvinsky - Narita Boy Original Game Soundtrack | Studio Koba | 2021 | Black

[robertomakoto]

The silent eclipse... The Creator has forgotten... HIM has returned.

Activate the Narita Boy protocol!!!

[gamelpar]

Koba in Dawn of the Planet of the Apes comic (2014), Planet of the Apes: The Simian Age comic (2019) published by BOOM! Studios, and Planet of the Apes comic (2023) published by Marvel Studios

[unproductive-software-blog]

Every 2021 Video Game I Played Other Than My Favorite One (from best to worst)

Get In The Car, Loser!:

Yet another winner from Christine Love. She’s a personal hero of mine and one of the most interesting and underrated creators in the indie scene, doing something new and insightful every time. It’s aggressively political, and wears its heart proudly on its sleeve. I highly recommend this to anyone who cares about the real world on the other side of the screen. It’s pc game nearly anyone with a laptop can run, it’s short, and it’s free, so you’ve no reason to not at least check it out on itch. My biggest complaint with this game is that, while very socially concious about human issues, the characters are all proud meat eaters, and there’s no option to play the game as a vegan. Seems like a weird choice in a game that takes such an overtly progressive stance on so many other issues.

Deltarune Chapter 2:

This hardly counts, seeing as it’s but a chapter of an unfinished project. Nevertheless, this was, like chapter 1 before it, a real treat. I love seeing a genre known for mindless padding condensed so thoroughly into its essential elements, all while delivering Toby Fox’s special brand of humor. While It no longer feels as novel as his two games before it, this game also marks the first time I’ve cared to locate and defeat a Toby Fox superboss. It arised naturally from my playing the game as I wanted to, and ended up being a seemless extension of the story while also being the best part. Spamton is my dad and his story was everything I want from Toby Fox. I hope more of Deltarune will have the edgier and more frightening tone that this portion of Deltarune Chapter 2 proved he is still very capable of nailing 100%.

Narita Boy:

I’m still playing this game. Your enjoyment is all up to how much you appreciate the aesthetic. Big ups for taking early video game culture, and depicting it as a kind of digital religion.

Shin Megami Tensei V

Demons or no, this game is stanic by nature. A well-balanced game with beautiful aesthetics, fun controls, and a severe lack of variety. 30 hours in and you’ll still be running around re-colors of the first level, with the body count inflating regardless of any actual development in the game’s overarching plot and themes. There’s a serious lack of direction and agonizingly slow pace to the game, but the mechanics are so addictive they might have you thoughtlessly dedicating all your free time to it until finally realizing that there “ain’t no point to the game”. They should have just remade Nocturne with this visual style and traded in the overworld for V’s free-roaming sections, and they’d have had a much better game. I still recommend those interested in V check out the Shin Megami Tensei Nocturne remaster, as it was pretty darn good.

Oh, I guess i also played Monster Hunter Rise. Didn’t really like it much except as a way to kill time with old friends. More thoughts on that here.

More Importantly,

Merry Christmas, everyone.

[gholafrombelowah]

let’s test out that whole, “if you die in the game, you die in real life” theory, shall we?

[hardcoregamer]

Narita Boy is a Lovably Self-Aware if Occasionally Clumsy Trip into Cyberspace

It’s less a lack of foresight on the basics, more the slightest of distraction by way of a world that, to its credit, Narita Boy is wanting to draw you into. Much like its lone hero — now a similar aberration of pixels in a richly-pixelated realm trying to be both mythical and a touch comical at times.

Read more!

https://hardcoregamer.com/2021/02/19/narita-boy-is-a-lovably-self-aware-if-occasionally-clumsy-trip-into-cyberspace/397426/

[abyx]

Narita Boy

Análisis de Narita Boy. #abyx_es #studiokobagame #team17ltd #naritaboy

El estudio independiente Studio Koba afincado en Barcelona, ha trabajado muy duro en Narita Boy. Un proyecto que lleva varios años en desarrollo, para el que se pidió la ayuda de los fans para su financiación. Si algo ha marcado al equipo es la admiración hacia los programadores de los 80, profesionales que se sumergían en códigos de programación y que realizaban magia para disfrute de los…