Content warning: Sukunaxreader smut, penetration, multiple positions, dominant Sukuna! , unprotected sex (Wrap it up!), pet names, Sexual theme, Adult theme, talking her through it, although it is sometimes not mentioned <READER IS BLACK FEMALE CODED>, BUT ALL ARE WELCOME TO ENJOY! ❤️
Authur's Note→ 18 and Under, GET TA STEPPIN! I know for sure this will be broken into parts, however I'm not sure how many parts will be to this. I just decided to get back into writing little dabbles here and there so I'm honestly just testing the waters with this. Slightly proofread (English is my first language, but even the baddest of Bitches still make mistakes! ¯\_(ツ)_/¯) ) I do hope you guys enjoy! 🤎
Synopsis: You’ve decided that you would begin your fitness journey. Accompanying your best friend, today’s the day where you’ll being taking working out and going to the gym seriously (well kind of). Lacking motivation and ready to go back home to lounge around to watch some TV and pig out, that all changes when suddenly you meet this drop dead gorgeous as hell man. Will he be the inspiration you need to continue your new lifestyle?
Part 1 found here →→ GYM RAT: PART 1
w.c» 2.1 K
It was Tuesday night, and you found yourself pacing back and forth in your apartment bedroom, forgetting that you had Jade on Facetime to help you pick an workout outfit to wear to the gym with Sukuna tomorrow.
“Girl I don’t know why you’re stressing over an outfit, ya’ll going to the gym not Ruth’s Chris.” Jade rolled her eyes at you jokingly. She thought it was cute how you were trying to make sure you were prepared for your gym date with Sukuna, but she also knew how bad you can overthink things, causing you to freak-out and panic.
“I know, I know but I still want to look like I’ve been to the gym before.” You stated back desperately. You know it sounds silly, but you wanted to make a good impression, even if it was just a workout session.
“Honestly Y/n, I swear you set unrealistic goals. You could show up in a trash bag and that man would still be into you.” Jade tried convincing you but to no avail. You were dead set on having the perfect workout attire to flaunt in for Sukuna.
“Well what about this, oh no wait what about this one?” You had two different sets in both of your hands, shoving one after the other in-front of the screen for Jade to critique.
Realizing that nothing she was saying was going to help the situation she caved in and took a good look at both outfits. The first was a high-waisted leggings and sport bra set in a rich, deep brown color and the other was an all into one, low cut design with a low scoop back and cross-body straps in all black. Remembering how Sukuna was looking at you as if he was going to devour you, she figured the later would surely set him over the edge.
“Let’s go with the all black, give my man something to work with.” Jade cackled out while wiggling her eyebrows up and down at you. You laughed nervously because you knew she was going to pick that one. To be honest, you wasn’t sure why you grabbed that one in the first place when you set out to go to your local department store shopping for gym attire. When you seen it you knew it was something that was going to turn heads and demand attention, more importantly Sukuna’s attention, prompting you to hurry up and toss it inside your shopping cart before deciding against it. But now you wish you did change your mind. You knew you could pull it off, but you couldn’t help but wonder if you would be coming off too strong, or desperate, by wearing it.
“You asked for my opinion and I gave it to you. You’re going to look amazing in it Y/n. You’ll definitely get worked out- uh I mean get a good work out in it.” Jade said quickly before you caught her statement. Noticing you were still too wrapped up in choosing between the two outfits, she blew out a breathe of relief at you not catching what she said. That most definitely would’ve sent you in a frenzy and make you not want to go to the gym at all.
“I know, but are you sure? Like really, really sure.” You asked again. You knew you were too much inside of your head about the matter, but you needed reassurance. Looking back up to Jade you caught the look she was giving you and knew she was about to give you a piece of her mind when all of a sudden you squealed in shock from the incoming call flashing on your screen.
“Y/n what the hell is wrong with you?” Jade asked bewildered. She watched as you hurried and ran to your vanity looking over your appearance before rushing back to her wide eyed.
“It’s him, he’s Face timing me!” You stated, looking back at Jade in shock. It took her a moment to figure out who it was you were talking about before she smiled devilishly and wiggled her eyebrows once more.
“Well what are you doing still on the phone with me? Answer him! Oh and show him your choices for tomorrow and see what he thinks.” She proclaimed. Before you could argue, she hung up the call leaving you to fend for yourself.
Shaking your head and exhaling out a deep breath, you answered Sukuna’s face time call with a small smile.
“Heyyy you.” You answered shyly. You mentally slapped yourself for how you answered the call.
“What am I, 12?” You thought to yourself.
Sukuna’s deep laugh pulled you out of your head, making you look at him and his surroundings. He was obviously at the gym, you heard the clanking of weights and the gym’s music in the background. He was staring back at you, looking like sex himself. His hair pushed back with sweat, making you just now notice how it was dyed pink, and a hue of pink across his cheeks signaling that he must have just wrapped up his workout session.
“What’s up ma?” His raspy, deep voice sounded off into your phone’s speaker. The sound stirring up a feeling deep inside your stomach, making you want to record his voice to be played over and over.
“Uh nothing much, I was just on the phone with Jade. You know, nothing too crazy.” You replied with a small smile. You kept your gaze transfixed on Sukuna, taking in his handsome features.
“God this man is so fine.”
“Mh, what was that mama?” He asked while he placed his phone down. He was now in the guy’s locker room, checking himself out in the mirror.
“Shit”, you whispered to yourself, “Nothing, I didn’t say anything.” You answered, half stuck on the fact he heard you and also the new nickname he’d given you. Your brain was short fusing at the sight of him now peeling off his sweat drench compression shirt, revealing his abs to you once again. Your mouth watered at the sight while you unconsciously clenched your thighs together. If he pulled the stunt in-front of you tomorrow there was no way in hell you were going to make it through the workouts.
“Oh yeah, what ya’ll were talking about?” Sukuna asked, trying to hold in his smirk. He most definitely heard your remarks and he knew exactly what he was doing by taking off his shirt, soaking up your reaction. He felt he dick come to life by the sight of you clenching your thighs together. How he wished he was over your place right now, seating comfortably in between them.
“Well.. she was uh-she was helping me pick a outfit for tomorrow.” You answered quietly. You’re not sure why you gave out the information, thinking he might think you’re crazy for discussing something as ridiculous as that.
“Oh yeah? Let me see what you came up with.” He replied while shuffling through his gym bag.
Caught off-guard by his response, you were certain he would have just questioned why you would go to great lengths as that. You watched him for a little bit as he looked around in his gym back, thinking he must’ve have been joking until he turns around to look at you with his brows shot up in curiosity.
“Well ma, you ‘gon show me what you got?” He asked with a chuckle. He found you cute with your shy girl expression. He turned back to his bag, finally finding his towel so he could prepare for his shower.
You blew out a breath you didn’t even realizing you were holding and thought the hell with it, he was going to see you in it regardless, what’s the harm of you showing it to him now?
“Well okay, if you insist.” You said while holding up the gym set Jade picked out. You waited anxiously until Sukuna turned back around to gauge for his reaction.
“I’m sure it’ll be fine mam-” Sukuna stopped, sucking in a breathe. He took in the black set you had selected and fought with himself to keep in the low growl threatening to come out. Taking it in, he found it hard to keep out the thoughts of how your body would look in it. The way the front would hug your tits, or the way your sweat would be cascading down into the dips of your back, or how the way it would mold around your plump ass. He closed his eyes, trying to stop himself while he was ahead, but it didn’t stop the rush of blood going to his dick, making his gym shorts uncomfortably tight.
“So- what do you think?” You asked timidly, you were still too wrapped up in overthinking your outfit choice you didn’t catch the internal battle Sukuna was having with himself over it.
Trying to be nonchalant about it, he shook his head slightly while offering a small smile.
“I think it’s good Y/n, whatever you’re comfortable in, that’s all that matters.” He said in a low tone. You looked at him curiously, wondering why the sudden formal change. Not trying to let it get to you, you offered a small smile back at his input.
“Okay, if you say so.” You replied back. There was a beat of silence between you to before you let out a giggle at how intense he was staring at you.
“So you called just for me to look at you flex?” You asked, lightening the mood again. He blinked wide eyed before chuckling.
“Nah ma, just making sure you don’t flake on me tomorrow is all.” You sighed in relief at him going back to his nickname for you, helping quiet your nerves a little bit.
You smiled at him while shaking your head no.
“Nah, I’m locked in. I wouldn’t bail on you.” You respond back. That causes him to smirk before replying back.
“Good, wouldn’t want a good outfit like that to go to waste.” He joked back, causing you to put your head down shyly.
“Ha, nah we wouldn’t want that.” You giggled out. You looked up, catching him watching you with the same smirk etched on his face.
“What?” You asked, having him watch you the way he was, was doing something to you.
“Nothing ma, Ima see you tomorrow, alright?” He stated while throwing his towel over his shoulder.
Shaking your head yes, you both said your goodbyes before hanging up the phone. Placing your outfit back across your vanity, you plopped on-top of your bed still smiling like a fool at your phone.
Sukuana’s POV
He groaned lowly as he placed his hands around his dick, slowly stroking it up and down. He tried desperately to get the thought of you out of his head as he took his shower, but nothing he did was working. Every time he tried to think of something else, his thoughts always came back to you.
Drawing in a breath, he threw his head back as the water from the shower head caressed his skin and helped lubricate his motions as he picked up pace. Flashes of you entered his mind. Seeing how you would look in the gym outfit you flashed in-front him not to long ago or the way he imaged how you plush, thick lips would feel wrapped around his dick, or how well your pussy would mold around his dick as he thrusted relentlessly into your velvety walls. His thoughts ran wild with all the things he would do to you and with a flick of his wrist over his swollen tip it was all that it took to send him over the edge.
“Y/n.” He moaned out, forgetting his surroundings but ultimately not caring if anyone heard. He continued with his lights strokes, watching as ropes of cum shot down the shower drain.
“Shit.” He cursed under his breath as he tried to regulate his breathing back to normal. He could only hope he doesn’t act this way around you tomorrow or he wasn’t sure how things would end.
Before he could stop himself, thoughts of you came rushing at him again and he silently cursed at himself as he felt his dick harden again. Knowing it wouldn’t go away on it’s own, he began to slowly stroke himself again to ease the relief.
You were going to be the death of him.
© 2024 Amyrahrose. Please do not translate, copy, plagiarize, or repost (sharing links is fine 🤎) without my permission. You will only find my entries/content on tumblr!
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molly is such a fascinating character to me. and surprisingly, not because of her content in the show. but her lack of content. molly really felt like to me she was supposed to be the break-out star of the HiT era. let me explain why.
in short, it's all down to marketing and merchandise. i'm a massive HiT era apologist, mostly because it's the era of ttte i grew up with, but as i was looking through my catalogue of merch, i noticed something...molly was popping up. a lot. weirdly so.
i have a good amount of those briarpatch ttte board games, and typically they were for 4 players, and as such 4 engines were provided to play as: thomas, percy, james, and...molly? at first it seems weird, but when you think about it, it makes sense. molly rounds out a quartet themed around red, green, blue, and yellow, and also adds in a female character. i think that last bit is important, but i'll get to it later.
so i went digging, and the 4 player briarpatch games pre-molly usually had mavis in her place, likely also to add female representation, just swapping yellow for black. there are a few exceptions, i recall seeing toby and harvey instead, but again, it was mostly mavis.
looking at more merchandise outside of board games in this era, molly got quite a bit of focus. she was part of a set of 4 bath squirters along with thomas, percy, and james, and what i find most shocking, she was one of VERY few engines to receive a trackmaster remote control engine. molly also was featured on a 2008 great discovery trading card, even though she only had one line in the entire movie.
after this, i went digging deeper into the world of the thomas microsites and online games, where molly also had a strong presence. the quartet of thomas, percy, james, and molly continued in the simon-says type memory game (i think it's called 'peep peep!'?) and molly also appeared in the emotions game, but this game featured 5 engines, and the fifth...was emily. remember my point theorizing that molly was focused on because she was a girl? here's where it's important.
this five engine ensemble of thomas, percy, james, molly, and emily is repeated again in the plug n' play game 'right on time', a game that i own and remember fondly. emily was chosen again to fill the fifth slot, and i think it's because HiT wanted to have a gender-equal ensemble a la bwba. and i think molly was chosen specifically not only because her yellow paint is unique and for her gender, but because she is probably the girl character at the time that had the most opposing personality to emily. as we all know during this time, emily was interesting and had flaws unlike SOME OTHER ERAS- portrayed as having a very strong and opinionated personality, which would easily contrast towards molly's more shy and sensitive personality. both have also been described as having sisterly attitudes towards other engines. i think HiT wanted to prove in this 5 engine ensemble that they had varied writing for their female characters.
for all of this, i think that molly WAS supposed to be a much more important character than she turned out to be, mostly because she was marketed so heavily and disproportionately than her screen time would lead you to believe. molly also appeared more often than the other HiT newbies (bar rosie), but that isn't really saying much with how little other characters like neville or billy appeared. i don't know why molly was dropped so suddenly when the set up for her seemed to be there? only thing i can think of is that emily had just been moved to tidmouth sheds right before series 9, and that they didn't want to repeat that process?? idk i'm just spitballing because i've been thinking about molly a lot recently. on a small related note, her basis is also very specific and her design is SUCH a standout compared to other new characters at this time, so clearly effort was put into her. i wonder how different the series would have been if molly was elevated to prominent secondary character status like salty or mavis, or even main character status!
tl;dr i think molly was originally going to be important but then she wasn't :(
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Homemaking, gardening, and self-sufficiency resources that won't radicalize you into a hate group
It seems like self-sufficiency and homemaking skills are blowing up right now. With the COVID-19 pandemic and the current economic crisis, a lot of folks, especially young people, are looking to develop skills that will help them be a little bit less dependent on our consumerist economy. And I think that's generally a good thing. I think more of us should know how to cook a meal from scratch, grow our own vegetables, and mend our own clothes. Those are good skills to have.
Unfortunately, these "self-sufficiency" skills are often used as a recruiting tactic by white supremacists, TERFs, and other hate groups. They become a way to reconnect to or relive the "good old days," a romanticized (false) past before modern society and civil rights. And for a lot of people, these skills are inseparably connected to their politics and may even be used as a tool to indoctrinate new people.
In the spirit of building safe communities, here's a complete list of the safe resources I've found for learning homemaking, gardening, and related skills. Safe for me means queer- and trans-friendly, inclusive of different races and cultures, does not contain Christian preaching, and does not contain white supremacist or TERF dog whistles.
Homemaking/Housekeeping/Caring for your home:
Making It by Kelly Coyne and Erik Knutzen [book] (The big crunchy household DIY book; includes every level of self-sufficiency from making your own toothpaste and laundry soap to setting up raised beds to butchering a chicken. Authors are explicitly left-leaning.)
Safe and Sound: A Renter-Friendly Guide to Home Repair by Mercury Stardust [book] (A guide to simple home repair tasks, written with rentals in mind; very compassionate and accessible language.)
How To Keep House While Drowning by KC Davis [book] (The book about cleaning and housework for people who get overwhelmed by cleaning and housework, based on the premise that messiness is not a moral failing; disability and neurodivergence friendly; genuinely changed how I approach cleaning tasks.)
Gardening
Rebel Gardening by Alessandro Vitale [book] (Really great introduction to urban gardening; explicitly discusses renter-friendly garden designs in small spaces; lots of DIY solutions using recycled materials; note that the author lives in England, so check if plants are invasive in your area before putting them in the ground.)
Country/Rural Living:
Woodsqueer by Gretchen Legler [book] (Memoir of a lesbian who lives and works on a rural farm in Maine with her wife; does a good job of showing what it's like to be queer in a rural space; CW for mentions of domestic violence, infidelity/cheating, and internalized homophobia)
"Debunking the Off-Grid Fantasy" by Maggie Mae Fish [video essay] (Deconstructs the off-grid lifestyle and the myth of self-reliance)
Sewing/Mending:
Annika Victoria [YouTube channel] (No longer active, but their videos are still a great resource for anyone learning to sew; check out the beginner project playlist to start. This is where I learned a lot of what I know about sewing.)
Make, Sew, and Mend by Bernadette Banner [book] (A very thorough written introduction to hand-sewing, written by a clothing historian; lots of fun garment history facts; explicitly inclusive of BIPOC, queer, and trans sewists.)
Sustainability/Land Stewardship
Braiding Sweetgrass by Robin Wall Kimmerer [book] (Most of you have probably already read this one or had it recommended to you, but it really is that good; excellent example of how traditional animist beliefs -- in this case, indigenous American beliefs -- can exist in healthy symbiosis with science; more philosophy than how-to, but a great foundational resource.)
Wild Witchcraft by Rebecca Beyer [book] (This one is for my fellow witches; one of my favorite witchcraft books, and an excellent example of a place-based practice deeply rooted in the land.)
Avoiding the "Crunchy to Alt Right Pipeline"
Note: the "crunchy to alt-right pipeline" is a term used to describe how white supremacists and other far right groups use "crunchy" spaces (i.e., spaces dedicated to farming, homemaking, alternative medicine, simple living/slow living, etc.) to recruit and indoctrinate people into their movements. Knowing how this recruitment works can help you recognize it when you do encounter it and avoid being influenced by it.
"The Crunchy-to-Alt-Right Pipeline" by Kathleen Belew [magazine article] (Good, short introduction to this issue and its history.)
Sisters in Hate by Seyward Darby (I feel like I need to give a content warning: this book contains explicit descriptions of racism, white supremacy, and Neo Nazis, and it's a very difficult read, but it really is a great, in-depth breakdown of the role women play in the alt-right; also explicitly addresses the crunchy to alt-right pipeline.)
These are just the resources I've personally found helpful, so if anyone else has any they want to add, please, please do!
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I think in this new age of A.I. the general public is going to need to increase their photography and lighting literacy. The response to this photo has just been a shit show.
There are people pointing out perfectly normal edge lighting and misunderstanding how reflections work.
First the plane is parked at an angle. The tail is farther back than the nose. But also that is a curved surface and it tapers. It's reflecting the area to the right of the photo.
And the bottom of the plane is reflecting what is directly underneath. Which is the tarmac, not the crowd.
It should also be noted that photo was shot with a very telephoto lens and everything is super compressed. The crowd appears much closer to the airplane than they actually are.
But then someone who should have good understanding of lighting said this...
And now I'm worried for her clients. Because that's very... wrong.
Well, wrong-ish.
First, let's try to understand why this photo is setting off some alarm bells.
The crowd toward the rear is in shadow, but they are still very well exposed. But then there is also a bright light source creating a strong edge light on them. Looking at this photo with just the context of what is in it, there are some things that seem uncanny.
The information we do not have is the people in the shadow area are inside a very brightly lit airplane hangar.
So they have artificial light blasting them from the top.
But that light is still much dimmer than the sunlit areas outside so they appear in shade. But we are used to shade being much darker than areas in direct sun. So the balance seems off in our brain. We expect the people to be darker because we don't have the context of the bright hangar lights above them.
But the other issue is that the photo was post processed. It wasn't manipulated. The pixels weren't changed. But the exposure balance was altered.
If I were to guess, the original photo looked more like this...
But newer digital cameras can have 13 to 15 stops of dynamic range. And if you shoot in RAW, you can easily lift shadows and bring down highlights. You can balance the exposure so the dark parts aren't as dark and the bright parts aren't as bright. This photographer might have overdone it a bit in this case, but this is a fairly standard edit used to bring balance to photos.
And lastly, where does the edge light come from?
Edge lighting or backlighting or rim lighting (all the same) should probably be called wrap-around lighting if you want to be more accurate.
It comes from a homogenous light source that is larger than the subject being lit. So with my knife photo, I placed it on a large LED panel light.
The light source was bigger than the subject so it wrapped around the edges.
And I'm afraid the airplane is not nearly large enough to create a light source to wrap around everyone in the crowd. It isn't even reflecting direct sunlight. So I'm sorry to say that lighting designer was mostly mistaken despite the confidence.
The light source is... everything.
That entire red area I highlighted is the light source.
As well as everything above and everything to the sides.
And the biggest aspect of that light source would be the sky above. I think people always forget the sky is a light source. If you are seeing blue, you are seeing light. And I guess the plane is included in that, but that entire highlighted red area is so bright, and so filled with sunlight bouncing around, that it creates basically a giant softbox. It becomes a huge single light source for the people in the hangar.
If you look at footage taken from way inside the hangar, you can see the camera adjusting exposure for the crowd inside, but look at what happens to the sunlit area outside.
What does that look like?
A giant softbox.
A single homogenous light source blasting light inside the hangar.
The sun is so incredibly bright that even when it is not directly lighting something, the light just bouncing around outside is enough to overpower the very bright hangar lights.
So, what have we learned from this?
Perhaps people should hire me to be their lighting designer.
Though I'm sure she is actually very talented. She seems to work with stage lights and this is more physics and photography.
Phystography.
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One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.
From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.
Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.
Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.
When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.
You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.
Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.
Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?
Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.
And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.
The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.
So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!
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