#Tbh I dislike how this looks

[italictext]

My dreams were shattered like a stained-glass window

[s-p-r-i-n-g-t-i-m-e]

mayhaps this is a hot take but I truly dislike “Loid gets murderous and overprotective of Anya dating Damian” content

like. there are sm reasons I dislike it

first off, just fundamentally, I hate that trope. I think parents being protective of children in general is cute, and even maybe protective against their partners to an extent, but it rlly feeds into the Western (esp American) notion of parents owning their children. it gets even grosser when it’s the dad and his daughter, it’s just a branch of ‘women and their purity having to be guarded until they’re properly married’ sexism

secondly, if this is pre-reveal (either Damian comes over/talks to Anya in front of Loid and it’s p obvious he has a crush, so Loid, of course, course notices, OR somehow, post-canon yet not revealed, they get together), Loid would absolutely use that to advance Operation Strix lol

obviously Loid is NOT a bad or uncaring father, he is absolutely not that, BUT he does also very vehemently care about achieving world peace thru his spy work, AND ANYA UNDERSTANDS AND EVEN AGREES WITH THIS (to the highest extent she can as a child, at least). he would never partake in extensive manipulation that’d harm Anya emotionally (or even Damian tbh, his whole goal is to create a world where no children have to cry) but he would DEFINITELY encourage their relationship in order to eventually, somehow get to Desmond the ghoul-eyed freak

thirdly, even if this is POST-reveal, I still don’t think Loid would be unreasonable. sure, he may apprehensive due to Damian’s family and more concrete examples of Anya growing up (MAYBE bc honestly I think Loid would be ecstatic with every milestone in Anya’s life considering how genuinely supportive and proud of her that he is) BUT. but

he, again, not only wants to create a world where no children have to cry, so he clearly values the youth and their quality of life, but ALSO KNOWS abt how shitty Damian’s father is. personally, I think he’d be GLAD that Damian has a safe place to come to, with ppl who’ll support him (unconsciously, bc Loid is very oblivious to his own emotions lmao)

anyways, tldr; the “Loid being super hostile to Damian dating Anya” trope is tired and sucks and we should move onto appreciating a trope that honours the CORE of sxf, more found family, where Damian joins the Forgers, even before he and Anya potentially marry (even before they date if possible tbh)

[freaky-flawless]

If you reblog, put in the notes what color you would call it.

[hephaestuscrew]

Pan-Pan, Boléro, and Minkowski's different responses to loss

I want to compare two key lines of Minkowski's which indicate very different responses to grief:

In Ep29 Pan-Pan, Minkowski breaks down and says "Doug Eiffel is gone! There was nothing we could do to save him. It wasn't anyone's fault. It's horrible, and pointless, and it just happened."

In contrast, after arriving at the funeral in Ep46 Boléro, she says "[Lovelace, Hilbert and Maxwell are dead] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here." 

TL;DR: In Pan-Pan, Minkowski expresses her unprocessed grief through despair and hopelessness. Whereas in Boléro, she is able to find hope in the loss and lead her crew in trying to move forward. I suggest a significant reason of the difference is the presence of Eiffel to force Minkowski to confront and process the sense of loss.

Pan-Pan: "It's horrible, and pointless, and it just happened"

In Pan-Pan, the whole episode is full of anger and despair, but Minkowski speaking about the horrible pointlessness of losing Eiffel is one of the most painful and hopeless moments. It doesn't feel like she's really speaking to the others. She's focused on her internal despair (as suggested by the fact that she goes on to talk about the cracks, which Lovelace and Hilbert aren't supposed to know about).

The only potentially positive thing Minkowski says here is her recognition that "it wasn't anyone's fault". When Hera and Hilbert have been blaming Lovelace, and Minkowski has been blaming herself, it's significant that she acknowledges that sometimes a horrible thing just happens without there being anyone to blame. 

But in this context, and in the tone of voice Minkowski uses, even the lack of blame doesn't really feel like a positive thing. If Eiffel becoming stranded was just pointless and random, if there was nothing any of them could have done to save him, then the next tragedy might be just as unpredictable and unpreventable. Minkowski strikes me as the kind of person who can sometimes fall into the trap of subconsciously wishing that the awful thing is her fault because then at least she'd have control over something. In her train of thought here, the lack of blame is followed by focusing on how horrible and pointless what happened to Eiffel was. The only conclusion she can draw is "it just happened". There's no sense of hope in those lines. Eiffel being stranded just happened, and so do the cracks, and the crew are at the whims of brutal fortune with no meaning to any of it.

Boléro: "They're gone... so that we never forget how important it is that we're still here"

In Boléro, Minkowski can't even say that the tragedy wasn't anyone's fault. For each of the deaths, someone pulled a trigger. There is blame, and some of it lies at her feet. She didn't want to come to the funeral because at first she didn't know what she could say about the deaths she feels responsible for.

Yet even so, this time she finds something reassuring she can say to her crew, a grain of hope she can provide without attempting to diminish the loss: "[they're gone] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here."

In another show, or another context, this kind of line might have had an 'everything happens for a reason' tone, which is something I deeply dislike as a response to other people's loss. But it doesn't feel like that's what Minkowski is saying here at all. She isn't trying to make any grand philosophical statement about the ultimate beneficence of the universe, or about how mortality gives meaning to human life. What she says here is working on a much more personal level. It's more about finding something other than despair that the crew can take from what has happened. This tragedy may still be horrible, but it provides a reminder that they are still alive in a context where that's far from guaranteed. Minkowski emphasises that the fact the survivors are alive matters - her crew matters. I'd argue that this contrasts with the 'it just happened' outlook discussed above. 

I don't know how much Minkowski fully feels the importance of them still being there in the moment, but it's something that she can offer her crew, something that she can say in a situation that words can't grasp. I think the moment when she joins the funeral is such a key moment of her leadership. In the end, despite her doubts and struggles, she's there for her crew. Eiffel brought them together for a funeral, but he doesn't know what to say when Hera asks why they have to be gone. Minkowski enters just at the right moment to support her crew and she provides an answer to Hera's question. It's not a perfect answer, but it allows the funeral to move forward. It allows the crew to move forward (even if that emotional movement is somewhat thrown off by a dramatic change in the circumstances). Minkowski starts off the eulogies; she leads her crew in the acknowledgement of what's been lost.

Why such a difference in responses?

There's lots of ways you could interpret the difference between the outlook of these two moments, and there's probably more to say about it though the lens of Minkowski's character development than I'm going to say here. But for me, the main difference between these moments is that, in Pan-Pan, it feels like no processing or recognition of grief has really occurred. When Minkowski says "Doug Eiffel is gone!", it almost feels like the first time that Minkowski has fully confronted and acknowledged the loss. Eiffel has been lost in space for 116 days, but it's only at the end of this episode that Minkowski brings herself to say in her distress calls that he is "presumed dead". Whereas in Boléro, she's already eulogising the dead and thinking about what can be learned from the loss, not even a full day after the mutiny.

Obviously there is much less ambiguity to a body bag (or least there would be, if not for alien interference). But I can't help thinking that the difference between the attitudes towards loss which Minkowski displays in these two quotes is less about the difference in the kind of loss, and more about a situation that prompted and enabled the processing of emotions in Boléro: namely, the funeral. After Eiffel was stranded in space, I think Minkowski probably went months without looking her grief in the eye. But after the deaths of Lovelace, Hilbert, and Maxwell, Eiffel's suggestion of a funeral forces Minkowski to confront her complicated emotions and provides a space in which she can offer direction to her grieving crew.

This is a good illustration of how I think Minkowski and Eiffel complement and support each other in a really valuable way. On his own, Eiffel couldn't provide the leadership that the crew needed for the funeral to work. But without Eiffel, and his determination to recognise the emotional weight of the three deaths, the funeral would never have happened and Minkowski would never have been in a position to provide hope and direction to her crew. When Eiffel was the one the Hephaestus crew were grieving, Minkowski couldn't offer much emotional direction to her crew beyond despair. But when Eiffel is beside her in the grief, saying that the grief deserves to be felt, then Minkowski can find a way for them to move forward emotionally. It's not the deaths that remind them how important it is that they are still here. It's the grief. It's the ability to confront that grief together.

[dailykugisaki]

Day 106 | id in alt

Kugisaki Nobara, the Biggest Okkotsu Yuta hater.

[maypersonne]

OK don't mind me this is just me trying to cope with white hair Mobei Jun

So like modern au-ish but young Mobei Jun bleaching and dying blue streaks in his hair to rebel againsthis family. And Shang Qinghua gets obsessed with a big titty white haired anime elf woman or something and Mobei Jun suddenly goes platinum.

And then he... just like that version of himself a bit unhuman kinda ethereal so he continues with the platinum and experiment a bit with his hair every now and then

[nonokoko13]

Call me Mahoro because I also think her brother is hot af Btw the plot twist in this series is that Arajin is going take his crush last name but not because of her. Sorry for the spoilers peace and love in the planet Earth

And could somebody make this Marito teddy bear real? It's a basic and essential need atp

[sskk-manifesto]

Ep 5!!!

[hirokiyuu]

Heddwyn "Wyn" Caldera is a freshman from Diasomnia. He's well known in alchemical circles for multiple revolutionary breakthroughs in the world of potions, the first of which he discovered at eight years old. Though invited to NRC last year at age thirteen, he waited a year before accepting a position at the school.

here he is my baby boy......!!!! been tossing this kid around in my head a lot lately and wanted to make a profile card for him to show him off to the world. imagine me as a proud parent and ive pulled this out of my wallet.

based off the black cauldron. both the movie and like. the cauldron itself. naturally he is good at potions. since the cauldron is essentially a mcguffin wanted by everyone the idea is that he's extremely good at what he does but is also pretty vulnerable to being used. he's also very stone-faced bc he's...... made of stone............ get it.............

template is from here!

[oh-cramity-its-amity]

hmm... are you sure?

[tojisun]

hi sorry I'm stupid but are you rooting for the oilers or not in your last two posts I legit cannot tell (they're my hometown team and I'm not into hockey but I am into your writing and honestly I'm just wondering)

hi omg no sweat and ur not stupid, the fault’s entirely mine bc my hockey lb is extremely confusing! i am rooting for the oilers yea!! im first and foremost a canucks fan (theyre my hometown team) but i kept watching the playoffs and began to like the oilers seriously (its just. davo is so endearing. its kinda difficult to dislike a guy whose love for the sport is just so honest). that said, ive also been watching the eastern conference games so my awe for the panthers is tremendous bc theyre legit beasts

i rambled again but tl;dr is yea im rooting for the oilers 😭

take care my love and smooches <33

[cassmouse]

Me, walking out of the cinema after watching Frozen Empire: Well that was terrible and forgettable and disappointing and I didn't like it at all.

Me, over a month later: I have LITERALLY not thought of anything but Phoebe and Melody and the other silly little characters in this film for like five weeks straight it's becoming a slight problem- What? Oh yeah, I didn't like the film at all. anyway here's my Checkmatch playlist and all the fanfic I've read-

[fly-sky-high-arts]

Hello! As for the animal+theme suggestion, how about bat+ice?

Or Dragon+dream

Have fun!

Supreme Dreamwyrm is a dragon that resides within dreams, feasting on them as well as creating them.

It endlessly floats through them and watches what develops within sleeper's minds, sometimes shifting the contents of it for its amusement. When it devours a dream, the sleeper will have difficulties recalling it once they are awake.

Each head is its own individual entity but all heads share the same mind. The heads (and some of the neck) are what has consistent look of its form, the "masks" keeping their expression even if the stars shift and change but the body (and especially the "tail) can become what ever dreamwyrm wishes it to be.

(The colors were inspired by the CMYK)

---

Link to the ko-fi for this adopt coming right up in the reblog~

[deus-ex-mona]

series i’m gatekeeping from my family vs series i’m ✨ok✨ with my family knowing i’m into:

[fragmentedblade]

Boothill's presentation being entirely on the twitter post makes me think he will be irrelevant in the story in the long(ish) run, and that the game itself won't dwell on him almost at all

[heavy-lobster]

Hate it when I see people say shit like "the Violet paradox mons are so stupid and lame, they're all just robots!" like uhmmmmm yea they are and it OWNS ok. blasts you with my beam attack