#Thank you Paper <3< /div> Explore tagged Tumblr posts

[what-the-girlfriends]

jägerman

jägerman

does whatever a jäger can

play football

kill some nerds

be the biggest

babygirl

[xxcrumbxx]

Hello hello soo um im still workin on it ,ive been kinda burnt out from it an ik thers no real preshure and im wayyy past valintinse day but heres a wip of those silly lil valintines cards

Also today is my birth day im 22 now so .. Thats a thing. Anyway im planing on making like 3 alternet vershions of eclips 1 with the cannon tipical 2 arm pre decomishion desighn 1 with the 4 armed fannon /cannon design and 1 with the 4 armed ballone world desighn. Probly ganna take a bit but what ever it will be valintine in fuckin may who cares lol

[paperzest]

@kakyoin-daily

Origami Noriaki Kakyoin designed and folded by me. 1 uncut square for Kakyoin, props from separate papers like the clock model by Suke527779 found on crease patterns google drive. I ended up only using the new props I created a little. (Did also start folding a structure for Hierophant’s tentacles but found it to be distracting from the main focus of the photos when displayed, so I ended up not using it.) That said! I painted his earrings and I think they really stand out now. Normally I don’t paint origami after folding, but my view has changed after experiencing how much fun it was to paint and seeing how it enhances the piece! Also made linocut prints since people have been telling me to put a “signature” of some sort in, so...yeah, hope people don’t mind.

[froget-me-nots]

episode 200 is nearly upon us!! here's the cover art i made for this anticipatory playlist (and go check out the highlight reel on discord if you haven't already wink wink nudge nudge)

[whatifieatedpaperlol15]

Woah 222??? Like will- like will wood????

[carabinerdrawing]

He was dying, no matter what his visions had told him, and no slight tender kiss of blood could save him now.

[dataframe]

I’d love to see your su xiyan design

:D

[thepunkpanther]

i'm a mirrorball i can change everything about me to fit in you are not like the regulars the masquerade revelers drunk as they watch my shattered edges glisten‎‎‎‎‎‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎

[pigeonpalacade]

Maybe the seventeenth angel was the friends we made up in our heads

[jackslocket]

I GUESS THAT'S HOW ITS DONE!

[misiahasahardname]

II2 18 SPOILERS!!!!!!!!

i’m still INCREDIBLY normal after episode 18!!

made all of these within two days there is something horrendously wrong with me

FIRST OFF:

shippy screenshot redraws (obviously with my gijinka designs… i’ll draw them as objects some day!!)

my favourite little ghost family!! (i’m so normal about bow calling dough her brother I’VE ALWAYS BELEIVED SHE WOULD WARM UP TO HIM I’M SO HAPPY)

also I LOVE GHOST KNIFE!!!!!!!

and, finally…

shit quality cheesebomb

(cute and very romantic couple activity: kneeslap in front of a dead body! <3)

[petoskeystones]

"eurydice" by sarah ruhl // "finding franklin" by russell a. potter // henry peglar's papers (transcribed by russell potter) // "finding 'harry' peglar" by douglas r. stenton (king william island mapped by aaron arrowsmith)

[cosmichorrorlesbians]

what's your dissertation about? you mentioned it in the siltcord and i'm really interested

oh my god hey I'm so happy you're interested! broad strokes because I've only been working on it for a few weeks but: the current theme is 'resistant landscapes' (both man-made and natural) in the later writing of Shirley Jackson!

Essentially, my main thread is that Jackson had two parallel strands to her work, which as far as I can tell began kind of interrelated but then diverged quite significantly? She's probably best known now for The Haunting of Hill House and to a lesser extent We Have Always Lived In The Castle, which are these. weird surreal psychological horror novels, engaging explicitly or implicitly with the supernatural, and centred around introspective, strange and sometimes deeply misanthropic female characters from isolated social units with dysfunctional, possessive relationships to each other.

Aaaaand then on the other hand she was known for being a 'happy housewife' who wrote these whimsical, quasi-autobiographical stories about all her children and how hopeless her husband was. These were popular too. Betty Friedan called her out in landmark 1963 feminist manifesto The Feminine Mystique for essentially spreading patriarchal propaganda.

The interrelation between the two is really jarring, because in one family is a source of horror and tragedy and in the other it's a source of, like... laundry. And Jackson's home life wasn't everything those stories made it out to be-- her marriage was unfaithful, her mother could probably be fairly called emotionally abusive, and as I talked about on the siltcord, she developed severe agoraphobia which often left her housebound.

So, yeah. My plan is to explore the depiction of families as constructed social units in dialogue with the environments they are constructed in in that work. Obviously a lot of that is relation of house to family, in the context of which Hill House is especially rewarding to consider, but I also want to look at relationships with nature and urban environments (especially in the context of settler colonialism and how that has had an enduring legacy in Jackson's particular part of New England), xenophobia (largely in regard to class, though racism and anti-Semitism are presences in her writing), domesticity and the idea of the housewife, and how horror relates to All Of This. The ideal of making a home within a hostile environment and of that environment turning on you, essentially.

I don't yet have particular areas of focus within that broad umbrella, but I might update with bits and pieces about it as I work? I don't really talk about academic stuff on here but I am very much Critical Literary Analysis Guy and I do also post relentlessly about haunted houses as a concept so if people would be interested in it maybe I will

anyway if you've read this far I recommend Horror in Architecture: The Reanimated Edition (2024) by Joshua Comaroff and Ong Ker-Shing which is a book about how horror movie tropes can be mirrored in built environments! I'm reading it right now and it's conceptually fascinating plus fairlyyy comprehensible by academic standards (if a little dense) if you, like me, are a Fool who knows nothing of architecture. very good also for getting to look at pictures of some of the most Fucked Up Buildings (affectionate) you've ever seen.

[paperzest]

May have a new favorite intermediate fold...Latias/Latios designed by Hongyi Wan...

Tutorial linked below if anyone is interested

[infinitystation]

do you think it knows how pretty it is

[reddoll123]

Mamushi~ ☆