#The Big Green

[disneyprint]

The Big Green

1995 soundtrack CD

[bonniehooper]

Endless List of My Favorite Movies

The Big Green (1995)

[thunderoussupremephoneixtornado]

Do not know who came up with idea, but I love that pigeons are involved in one of my favourite childhood movie scenes

[heartbreakfeelsgoodinablog]

The biggest kick of the year!

[akascow]

hey uh not for nothing but uhhHHHH

blue... and red ? alrighty

[hedonistbyheart]

The brothers Green being cute.

[addamii]

Happy earth day! Here’s a Nona to celebrate! (Don’t look at the day shhh shhhh it’s earth day shhh)

This is up in my print store now :)

[melonnabar]

The gang!!

[thegabitype]

You know

[awakefor48hours]

I just want to know how much these audiences overlap

Please consider reblogging for a larger sample size.

*If you don't know what qualifies as "watching" (ie you're not done or have given up on the show), if you've watched season 1 to completion, then consider it as you’ve watched it.

Edit/clarification: If your definition of "watching" doesn't align with mine, that's fine. Use your own definition if you want, the definition I added was just for the people who I knew were going to comment under this with "OP, define 'watch'"

[silentaddict]

Eva Green is mommy.

[horrorhick]

"There is something... and I think I can take it from you."

The Green Knight (2021)

[heartnosekid]

the atlas moth (attacus atlas) | diana_murguta on ig

[fashionsfromhistory]

Brooch

Marcus & Co. (New York City, New York)

c.1900

This exquisite brooch is one of the few extant examples of plique-à-jour jewelry made by the New York firm of Marcus & Co., whose reputation at its prime rivaled that of Tiffany & Co. Herman Marcus (1828–99), a German–born and Dresden–trained jeweler, arrived in New York in 1850 and worked for a number of prestigious firms before establishing Marcus & Co. in 1892. Following his death, the company continued under the direction of his two sons, George Elder Marcus and William Marcus.

The brooch is a superb example of Marcus & Co.’s work in plique-à-jour enameling, in which the "cells" of color have no backing, allowing light to shine through the transparent enamel, thereby creating the effect of stained glass. One of the only jewelry firms of its day to succeed at this challenging technique, Marcus & Co. followed the lead of such innovative French designers as René Lalique. The sensitive 3-dimensional sculpting of the sweet pea blossoms and leaves, as well as the naturalistic coloring of the enamels, reflects the Art Nouveau aesthetic that prevailed at the turn of the century. Indeed, close parallels can be drawn with the brilliant naturalistic work of Louis Comfort Tiffany, whose oeuvre is so well represented in the Met’s collection.

The MET (Accession Number: Accession Number: 2016.107)

[splashtail]

i love big city greens so much please give it a chance.