#The Guggenheim Museum

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Propitious Moment by Jean Dubuffet

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Solomon R. Guggenheim Museum  

Jenny Holzer is renowned for her thought-provoking and impactful art installations. Holzer gained fame in the 1980s for her innovative use of text-based works, employing powerful phrases and statements to challenge societal norms and explore themes of politics, feminism, and human rights. Often using LED signs, billboards, and projections as her canvas, her art captures the attention of passersby, forcing them to confront issues they might otherwise overlook. 

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Dennis Stock, Guggenheim Museum, NYC, 1959

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Guggenheim - NYC

April 2023

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Frank Lloyd Wright beside a model of the new Solomon R. Guggenheim Museum, October 25, 1953. This became the only Wright building in the city.

Photo: CF for the AP via the Denver Post

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 Guggenheim Interior II -   Jessica Brilli , 2023.

American , b. 1977 - 

Acrylic and oil on canvas , 16 x 16 in.

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Wassily Kandinsky (Russian, 1866-1944) • Composition 8 • 1923 • Guggenheim Museum, New York City

Composition VIII was the artist’s first methodical application of his ideas about the relationship between colour and form and his understanding of their spiritual and psychological effects. This painting also marks the beginning of Kandinsky’s long connection with the circle. – Alix Rule, Britannica

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Vasily Kandinsky, “Black Lines (Schwarze Linien),” December 1913,

Oil on canvas, 51 3/8 x 51 5/8 inches (130.5 x 131.1 cm),

Image courtesy the Solomon R. Guggenheim Museum, New York

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Guggenheim Museum, Frank Lloyd Wright, New York, NY, 1959.

Ezra Stoller. Gelatin silver print.

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Untitled by Ruth Asawa

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Richard Serra, Strike: To Roberta and Rudy, (hot-rolled steel), 1969-1971 [Gagosian, New York, NY. Solomon R. Guggenheim Museum, New York, NY. © Richard Serra / ARS, New York]

Bibl.: Rosalind E. Krauss, Richard Serra / Sculpture, Edited and with an introduction by Laura Rosenstock, Essay by Douglas Crimp, The Museum of Modern Art, New York, NY, 1986, p. 44 (pdf here). Published on the occasion of an exhibition at The Museum of Modern Art, New York, NY, February 27 – May 13, 1986

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Now, I learned that this was an April Fool’s joke. Assholes. But, I’m glad b/c I hate it red.

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Valerio Adami (Italian, 1935), The Guggenheim, 1968. Oil on canvas, 97 x 130 cm.

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The Guggenheim Museum opened its doors on October 21, 1959.

Photo: Robert Mates via the Solomon R. Guggenheim Foundation