#The Horror and The Wild werewolf series

[panicatthediaz]

The thing in front of them was unlike anything else he'd ever seen. And Steve had seen some shit since... Always, actually.

But for all this monster looked like an overgrown, overfed demogorgon, it also certainly wasn't just that.

Vines covered its body, looking almost like they were trying to make up for something; its torso was entirely covered, as well as its left shoulder and right leg. Its face looked like some type of wooden helmet that opened like a normal jaw should, hiding some very sharp teeth.

Every other part of its body looked like it was covered in the black goo that made these monsters' blood, with something stuck to its skin that Steve could not identify.

And it wasn't alone. There were a few demogorgons around, as well as copies of this thing made entirely of vines.

The big not-demogorgon was barely fighting, only tossing away the soldiers that dared approach it and the gate it was guarding. It moved with a sort of detachment that didn't match with what Owens had told them.

Steve was brought back to the present by a demogorgon rushing at him. He swung his bat, hitting its face and getting his arm clawed for his troubles. The howl of pain the demogorgon let out nearly deafened him.

Some of the other monsters let out noises of pain as well, but his attention was drawn by the low growl the big monster let out. It wasn't pain, Steve knew that much.

The creature stood on two legs, standing just a little taller than most demogorgons. The howl it let out was inhuman, but it also... wasn't.

Steve could hear the voice under the monster all the same.

Monster.

He wasn't a monster. Never had been. Under whatever Vecna had turned him into, Steve could hear Eddie. He was still there somewhere.

Holding himself back.

Owens said not one of the soldiers had died because of their injuries. They were maimed, sure, but they hadn't died.

Eddie was still there, under vines, and monster blood, and the Mindflayer.

It made sense, he thought as he batted one of the vine copies away, more weakly than he'd like to. Eddie was the most experienced of the four of them, even if he weren't the strongest. His senses alone would have made him more of an interesting target.

They should have known Vecna wouldn't kill a werewolf.

---

This is just something I couldn't get out of my head. This is gonna be set during the post season 4 era of a werewolf series rewrite, called The Horror and The Wild.

It's still in the planning stages, unfortunately. Trust me, no one wants to see this written more than myself. But I'm just painfully busy.

This was read through by @stobin-cryptid and @xocowilde because they are awesome like that, and I am the type of person unable to post anything unbetad.

[songoftrillium]

Meet The Art Team

Hello Kinfolks!

I've been really looking forward to this post for a while, and it's now time to unveil the art team I've assembled to put this project together! They're some heavy hitters that y'all ought to recognize, so without further ado let's meet them!

Mx. Morgan (They/Them)

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Mx. Morgan G Robles (they/them) is a freelance artist and illustrator based in Seattle, Washington. Their work is best known for its use of macabre themes, animals, and nature. They use these themes to explore mental illness, gender identity, or simply to make neat skulls.

They're known for producing book covers for several major publishers, and they've been brought in to design our book covers as well. In addition, they've developed a number of inside pieces as well!

Dogblud She/Her

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Dogblud (she/her), is a Midwestern cryptid working as a freelance artist and writer. Her work is near-exclusively sapphic, centering primarily around werewolves, werebeasts, and their strong thematic ties - horrific or otherwise - to all forms of womanhood.

A long-time fan of Werewolf: the Apocalypse, she's joined our team to produce all of the tribe artwork for the book, in addition to a number of other contributory pieces!

Meka (Any Pronouns)

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Meka is a Scottish comic artist with a flair for the dark and extremely bloody and a long-standing love of monsters and what they let us all explore-- for better and worse. Vehemently underground, they build stories about horror, grief, depersonalisation, and the isolation that comes with being just a little too weird and too angry to swallow whole. Art and catharsis go hand in hand, as far as she’s concerned.

In a throwback to the original game series, Meka has joined to produce a 22-page fully illustrated comic for the series entitled Cracking the Bone. A postgraduate in traditional comic artistry, we're extremely fortunate to have them on the team.

M.WolfhideWinter (He/Him)

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He is a part-time freelance illustrator from Scotland. His work is heavily inspired by the rugged terrain (and rain) of Scotland with a focus on werewolves inhabiting the wild landscapes both past and present. He explores themes of mental illness, societal stigma, dark folklore, and sad werewolves in the rain.

WolfhideWinter has joined our team as our monster-maker, dedicating their time towards depicting our primary antagonists of the garou: The Black Spiral Dancers, and the Wyrm's brood! We can hardly think of a body horror artist more fitting for the role.

----

As a final addendum, we have an additional writer that's joined the team at the last minute.

J.F. Sambrano (They/He)

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J. F. Sambrano is an author of horror and (urban/dark/depressing?) fantasy and an advocate for indigenous rights. He lives in Washington (the state) and is originally from Los Angeles (the city); the differences are staggering but the ocean and the I-5 are the same. He is Chiricahua Apache (Ndeh) and Cora Indian (Náayarite). He may or may not be a believer/practitioner of real world magic. If he were, he would not be interested in your hippy-dippy, crystal swinging, dream-catcher slinging garbage. But magic is real, let’s not fuck around.

Beloved Indigenous World of Darkness author J.F. Sambrano is joining our team to depict the Bastet in the Dawn Tribes! A friend and frequent topic of discussion on this blog, we are honored to have him on the team to bring the Werewolf: the Apocalypse he's long-felt the world deserves to life!

[neon-green-reagent]

50 Underrated Horror Films: Part 4

What in absolute hell. We made it to part 4? Well, here we go then! Oh, also, links to the other parts: One : Two : Three

Undead : Starting off with an absolute banger. This is an Australian zombie apocalypse film. If you're familiar with Ozploitation cinema, then you know how nutso it can get, and this is a perfect example of just that. The action sequences are wild crowd pleasers, and the plot twists until it nearly breaks off.

Werewolf in a Girl's Dormitory : I realize that sounds like porn. Just stay with me. It's a giallo! With a werewolf! For me, this was like finding the holy grail. Best of both worlds, truly. With... not the best looking werewolf, but this is an older movie, so cut it a little slack. It turns into a fun mystery with that special Italian flavor to it.

The Outwaters : Everyone was talking about Skinamarink. No one was talking about this. It has a similar conceit. To make a horror film that defies the idea of plot. It starts like your average found footage, then becomes a drug trip straight to the depths. It really does feel like witnessing a cosmic horror story where the horrors are, indeed, impossible to describe.

Tomie : This is the first of me cheating and actually recommending way more than one film. The Tomie film franchise is a series of loose adaptations of Junji Ito's manga of the same name, and there are nine at the moment. They get wild and weird, and they explore parts of Tomie that even the manga doesn't cover. Female monster! You need these in your life.

Murdercise : Low budget silliness trying to be throwback 80s and mostly just being hilarious and noticeably cheap. I love that. It's stupid and seems like the kind of movie that was a blast to make. I definitely felt like I was laughing with them and not at them, which made it feel really charming. A great one for a dumb movie night.

Zombie Death House : Zombies in jail! Directed by John Saxon who strangely didn't case himself in the lead like some vanity project. Rather he plays a character I have dubbed "Colonel Herbert West" if that sounds at all appealing. I mean, it clearly was to me.

Dead Birds : There aren't a ton of horror films that crossover with westerns, so this is a rare gem. A bunch of outlaws take refuge in a deeply disturbed location, and things get super dark.

Satan's Princess : A neo-noir detective story with supernatural evil at its core. Imagine if Angel Heart was dumber and way cheaper looking. With Robert Forster giving a really fun performance and an ending that had me laughing out loud.

Werewolf Bitches from Outer Space : Do you love Troma movies? Do you wish they were worse? Do I have the film for you! With scenes that were clearly filmed without permits. Random bystanders interfering with the production. Terrible werewolf masks. And pizza sex? It's a laugh riot.

Butterfly Kisses : A genuinely upsetting found footage movie that understands exactly how to use the urban legend format. There's a beastie out there that, if you stare at it, it will imprint on you like a baby duck. Then if you blink, it gets a little closer. Try to imagine how long you can go without blinking.

To Die For : Wanna watch a really shitty, late 80s Dracula? Here you go! It's dumber than a box of rocks. No one's motivations make any sense. Dracula seems like kind of a jerk despite being a romantic figure. But most of the actors are hotties and know the silly movie they're in, so it comes out fun in the end. Oh, and no one can agree when it came out. But rest assured I don't mean the one with Nicole Kidman.

Home for the Holidays : Made for TV Christmas slasher! Starring Sally Field. With a whole lot of family drama, which makes it feel authentically connected to the holiday. Merry Christmas! It's March. Ahem.

Welcome to Hell : Heavy metal horror strikes again. This time, a black metal band impregnates and kidnaps a groupie for their dark ritual. She escapes, but they're hot on her trail. The ending is nothing short of a religious experience. WINK.

Isolation : If Alien took place on a farm. With mutant cow fetuses. I swear, there is science that makes some sense of that. And it's not a comedy, I swear! It's actually very nasty with some wonderful body horror.

Dr. Crippen : Based on a real crime of passion and clearly cashing in on the Psycho craze. It's a strange one to recommend, because it's based on a true event, and the movie leans pretty hard in the bad doctor's favor. But it's worth it if you're a fan of Donald Pleasence. He gets to be his strange, little self and also be the star for once.

Tamara : What a mid-2000s romp this is. A good girl gets treated like garbage and goes bad in a witchy-demon-spell kinda way. Jenna Dewan as Tamara is perfect in every way. Gives me the gay.

Dark Harvest : Don't be like "oh, I've heard of that, didn't that just come out last year?" Yep, and everyone ignored it. When it was pretty fucking great. Set in a cursed town that openly sacrifices their kids to a fantastic monster by the name of Sawtooth Jack. His head is full of candy. Like. Go watch it.

Night Screams : Regional 80s slasher where a guy dies getting his face grilled. I'm pretty sure that shouldn't have killed him. And there are like three killers by the end? Did it before Scream, just saying. Enjoy the vibes on this one.

The Third Saturday in October Part Five and Part One : Speaking of slashers. These low budget gems came out last year, and there was a cute, little gimmick to it. You're supposed to watch five, then one. It simulates growing up pre-internet. You walk into the video store, and all they have is part five. You decide to rent it, even though you've never seen the first one. Then a week later, you find one. This really worked for me. Gave me nostalgic feelings. Please, if you watch them, try it this way.

The Vampire Doll : What if Japan made a Hammer film? Well, here it is. With one of my favorite tropes: a super cute couple investigates the horrors!

Night Feeder : Genuinely the best shot-on-video horror film I've ever seen. It actually fooled me. I thought I was watching a bad VHS rip, but no, this was not shot on film. It's stylish, clearly better than you'd expect, weird, dark, and has a really bad rock band in it.

Older Gods : Low budget and full of heart and also Lovecraftian horrors. If you're reading this and care, to me it felt as if someone wrote an original story around Azathoth. Which is cool, because no one ever uses him in anything. Also, if you're like, "so what does that mean?" It means that reality is up for debate in this one.

Cheerleader Camp : One of those that people clamor for when you talk about movies that still need a proper physical media release. I see why. It's extremely fun with its tongue lodged in its cheek. It uses every slasher trope and laughs hysterically while doing so.

Below : I love my underwater horror, and this delivers wonderfully. Haunted submarine, dude. But honestly, that wasn't the scariest part. The plot was cool, and I enjoyed the mystery, yeah yeah. But more to the point, everything that can go wrong... does. Imagine being trapped at the bottom of the ocean in a giant, metal coffin. BRR!

The Werewolf and the Yeti : How many werewolf movies are on this list? Uh, shut up. As I was saying, this is great. Paul Naschy brings a massively enjoyable werewolf flick our way again. With all his swashbuckling charm. By the time the yeti shows up, so much awesome shit had happened that I forgot he was supposed to fight a yeti. I mean...

Subspecies : And how many vampire movies are on this list? SHUT UP I SAID. Anyway. Another where I mean the whole series. All of them. Radu, the main villain, is a joy. Michelle's story arc is super dramatic and full of that Interview with the Vampire angst. Special mention to the second film, which goes all out with the gore effects.

The Hills Run Red : A horror movie about horror movies. A lost film has gained a cult following, and a bunch of dumb college kids decide to track it down. You can guess how that goes. William Sadler steals the entire movie when he shows up. Babyface also has iconic slasher energy.

Abby : This one's underrated because the filmmakers got sued by the guys that made The Exorcist and lost. This is essentially the black version of The Exorcist, and it's so good that I'm depressed we'll never get a great release of it. Carol Speed is amazing as Abby. William Marshall, Blacula himself, is in it. Track this down and get mad about it with me.

The Appointment : What the hell is this. Even I'm not sure. Edward Woodward crashes his car. I mean, I don't know what else to say about it. The film ramps up the tension and dread until a ridiculously Rube Goldberg thing happens, and you have to experience it.

Frostbiter : Another of those movies made with ten cents and a lot of gumption. A bunch of people wanted to make Evil Dead II, and so they did that. They even put an Evil Dead II poster in the cabin they filmed in, so that you wouldn't even wonder about what inspired it. Also, special mention to the chili song.

Hell's Highway : Have you ever seen a movie that was really cheap and goofy, but you could see EXACTLY how it would've looked if they'd just had the money? This is that movie. Every special effect fails. Everything's so awkward and odd. But you can tell what they MEANT for it to be. So bad it's good and then some.

Dance of the Damned : Vampire. Sorry. So this one is about a vampire who wishes he could stop living eternally, because it sucks to live that long and be so alone. He finds a sex worker who is also feeling like she wishes things would just end, and they share their pain with each other. Way better than it has any right to be, mullet and all.

The Werewolf of Washington : Werewolf. I really am sorry. Dean Stockwell plays a truly adorable werewolf. And nothing about it is meant to be taken seriously at all. Gives An American Werewolf in London a run for its money in the goober department.

The Curse of Kazuo Umezu : From the man who brought you The Drifting Classroom comes... this! It's a pair of strange tales. One about a vampire, fuck, I'm sorry. And one about a haunted house that even the narrator can't figure out what's going on. Horror anime!

Lo : A young man has recently lost his love. She was dragged to hell. That old chestnut. So he summons a demon named Lo to try to get her back. With a twist that'll make you go, wait, I thought this was a comedy?

The Spider Labyrinth : This one recently got a really nice release, and I'm so glad, because it's bonkers. A young fella is sent to Budapest to find a lost professor. Instead he finds a cult. Uh oh.

End of the Line : Apocalypse horror that turns your brain inside out just a bit. A religious cult has decided it's the end of the world, and they start executing innocents so they'll "go to heaven." Are they brainwashed or is the world actually ending? You decide!

Off Balance AKA Phantom of Death : Just barely a Phantom of the Opera riff. A pianist discovers he has a rare genetic disorder that threatens to cut his career short. Also, he's kinda losing it. Starring Michael York, Donald Pleasence, Edwige Fenech, directed by Ruggero Deodato, oh my GOD!

The Lure : Killer mermaids. Well, sirens. Kind of a mix. It's also a musical. And about how awful the entertainment industry is for young women. It's also super gory, and they eat people. Truly little else out there is like this.

Redneck Zombies : What do you want me to say? It's a Troma film. It's called... that. I'm pointing. I'm pointing at the title. That's the movie. Just... Right? Yeah?

The Killer Reserved Nine Seats : Another of those gialli that is really just And Then There Were None. But the nice part is that Italy likes to get more sexual, violent, and fucking awful than Agatha Christie ever dreamed. This one also takes place in an old theater, so the vibes are choice.

Mary Reilly : I always include at least one entry in these lists that begs the question, "how did this become underrated?" And obscure, that too. When it's a Jekyll and Hyde retelling with an emphasis on the gothic and lush, starring Julia Roberts and John Malkovich? By the way, I heard people hated it because of Roberts' terrible Irish accent. Damn, dude, I've heard way worse, fake accents than that. Anyway, this is fantastic. Watch it.

The Forest : One of those slashers where I thought I understood what I was getting into, but I did not. There's a man living in the woods who went postal on his cheating wife one day. The ghosts of his family are also haunting the woods. And he's a cannibal who feeds a guy his own girlfriend. I need other people to watch this so that I can be assured it was real.

Autopsy (2008) : I put a year, because there are around 800 horror films with that title. To further narrow it down, it's the one where Robert Patrick plays basically Herbert West fused with Mr. Freeze, and Jenette Goldstein is his nurse, and they chase a bunch of college kids around for science. Kind of a pitch black comedy with torture porn aspects, and I loved it.

Glorious : A guy gets trapped in a public restroom, which is horrifying enough. Then a cosmic horror god starts talking to him from a bathroom stall. He gives him the assignment of helping to stop the end of the world. The god is J.K. Simmons, and the whole thing is a delightful bottle movie.

Nightmare Detective : From the director that brought you Tetsuo: The Iron Man... Do I have your attention? Comes the Japanese Nightmare on Elm Street! That's oversimplifying, but that is my elevator pitch. It involves all sorts of dream powers and psychic battles that will blow your socks off.

House of Lost Souls : Directed by Umberto Lenzi, which means it feels as doobery as Ghosthouse. It's about a hotel desperate to decapitate you, and it has the silliest dialogue and acting known to man. Special mention to psychic powers being cited as a "rational explanation."

The Cleansing Hour : A priest who livestreams fake exorcisms has to rumble with a real demon. Super fun character piece where a conman has to look his sins dead in the eye. Truly obsessed with this one. Also, super fun demon effects. With Kyle Gallner, everyone's favorite scream king.

Deathrow Gameshow : What if Airplane was super violent? Or The Running Man was a dumb comedy? This hits the sweetest spot, where the humor is idiotic and the violence is cartoonishly nasty. This will speak to the sort of person, like myself, who wants their comedy to be indigestible for most audience goers.

Double Blind : This is a very recent release. A diverse group take part in a double blind drug test. Things go so extremely bad. I won't give anything away, because part of the fun is the unfolding chaos.

I can't believe I managed to do that again. Enjoy! I hope you find some new favorites from this list.

[msgexymunson]

Oh my, there’s far too much choice for that WIP ask game, how on earth am I supposed to choose?!?!

OF COURSE I want some FF goodness (best series ever), but I’m not going to, and I’ll wait it out like a good girl… So instead I’m going to ask for either Midwest Monster or Scream For Me (or both, if that’s even allowed 🤭🫣), and if they’re both already taken then Professor Quinn is hovering very close (extremely close) behind 😆

Kittie 💋

Full disclosure, I went to take a snippet of the fic and ended up reading it all and falling into a 'what next' hole.

Couldn't pick a best bit, I'm like 6k in and not near the smut yet. Its my werewolf Eddie fic, and this is the beginning...

Mid West Monster - Intro

Eddie doesn't know how he got out of the Upside Down. All he remembers are throbbing flashbacks of those weird bat creatures sinking their teeth into him and the blood bubbling in his chest. The wet feeling of his life essence as it drained through all the bites, and the tears falling from Dustin's cheeks as he stared down at him hopelessly. He knew he was going to die. 

Darkness.

The next thing he knew, he was naked, lying on the floor of his trailer. His trailer; not that frightening, vine infested dark mirror. The place looked like a hurricane had ripped through it. The furniture was in splinters in the living room, mugs had been smashed, and hats ripped off of hooks. There were huge gashes in the very walls of the trailer itself, some so deep he could see daylight shining through them. 

He remembered looking down at his body, expecting to see horror and mutilation, a deadly game of tic tac toe played on his torso; but instead what he saw made him gasp in shock. There was blood, yes, but it was dried and crusted, flaking away at a fingertip touch. Underneath, a few light scars were all that remained of his apparent near death encounter. They looked decades old. As he had showered the blood and grime away, he noticed his body looked different, felt different under his fingers. His physique was toned, broader and more defined. He had a six pack without even having to clench and really try. His er… his manhood was bigger, thicker and somehow heavier. And he was definitely hairier.

The scars had all but disappeared a couple of weeks later, same with the murder allegations. Since Vecna's defeat and Hopper's return, all the carnage had been explained away, leaving Eddie to live a normal life. 

The only problem was, he was anything but normal. 

His hearing was incredible, listening to conversations halfway across a noisy Summer school classroom with no difficulties. He was stronger, faster, and so aware of his surroundings sometimes it was just downright painful. Dustin had tried to get him to go to the arcade a few days ago but it was just too much input for his heightened senses and he had to high tail it out of there. 

The biggest change of all though? His sense of smell. 

It felt as if he'd lived his whole life breathing in a gas mask with a pillow across his face and it had suddenly been removed. They were luminous scents, filling his nose with such strength that it was almost better than seeing. The grass, flowers, the path of an unseen wild animal. And the people! Oh God, the people. Everyone was a trail of smell, an orchestra  of aromas, some more distinct than others but all unique in some way.

Yesterday he could smell Uncle Wayne so strongly; a thick cloud of cigarettes, oil and metal from the plant, sandalwood, and, well, the words did not exist for all the rest. It smelled like a comforting, hazy navy blue, which he knows would only make sense to him. He'd even said 'hey' over his shoulder whilst he was sitting on the couch. The crazy thing was, Wayne had walked into their new trailer a few minutes later. 

There was something else too. Eddie's head felt… full. Not of information, he only wished he could get some answers right about now, but another presence. Someone, something was there, other than him. He often wondered if he was just losing his mind, trauma coming out in weird and wacky ways, but as soon as those thoughts came he dismissed them. There was enough evidence to show that he had changed. 

Eddie shuffles into the Summer school classroom, hunched over. He's grown at least a couple inches; that and his broader frame as well as his trademark metalhead look basically made him a moving target. For once in his life, he's trying desperately to not draw attention to himself. 

Jock dickheads will always be jock dickheads though, even when they're retaking English classes. Some 'mouth breather', as Mike would say, a brute of a boy in a letterman jacket and a blonde buzzcut, sticks his foot out and trips him up. Eddie's new lightning reflexes stop him from crashing to the floor, grabbing the edge of the desk at the last minute. 

He's about to just drop it, let it go, until he hears "watch your step, Freak." 

Bite him. 

The thought rings loud and clear in his brain. It's more than a thought though, it's a voice. It's not his, the cadence is different, voice deeper and husky, almost a growl. 

Eddie is shaken to his core, frozen on the spot. Every hair on his body feels like it's standing on end, hackles raising. He blinks the thought away; he doesn't have hackles. 

Standing up, he releases his hold on the desk. Four deep fingernail patterns are etched into the wood. 

This is too much. He turns on his heel and practically jogs to the restroom to splash water in his face. 

What the fuck was that? 

Eddie stares in the mirror, water droplets in his bangs coalescing and mingling to drip down his nose and chin. There's stubble on his jaw even though he shaved this morning. 

He's staring into his own eyes, seeking answers. Then it happens again. 

We should have bit him. 

"What the- who are you? What are you?" 

The mysterious voice doesn't answer; but there's a growl deep in his skull. Squeezing his eyes shut, he pinches the bridge of his nose until it stops. 

Fuck this. 

Eddie leaves school, racing toward his van. Mrs O'Donnells class can wait.

[non-binary-laurie-strode]

Reflections on my Universal Horror marathon

It is November 1st, 2023. As anyone can tell after being around me for, I don't know, five minutes, I am a huge horror queen. For my birthday this year, I got a big book on Universal horror, filled with production photos, background, trivia, actor bios, etc. I decided to use this book as a sort of guided reading list, where I would marathon all of the movies discussed in the book and read along. When I was first seriously doing a deep dive into horror in 2018, the classic 30s horror franchises were some of the first that I chose to get into, and so it had been five years or so since I had seen some of my old monster friends. (And many of the movies on this list I had not seen before!) I was excited for this project and decided to start it at 99 days until Halloween; I had found a Sam (1) "Countdown to Halloween" clock that counted from 99 days to 0 days last year, at the Spirit Halloween clearence sale. (2) So, 99 days to do a book's worth of movies—how hard could it be?

(1) from Trick r Treat, 2007

(2) He's currently sitting on my bedside table, at 0 days left!

Turns out, it was rather difficult! I hadn't expected the book to have so many entries in it.

The entire list of films that I did is as follows, broken down by chapter:

Silent Era (5 films): The Hunchback of Notre Dame 1923, The Phantom of the Opera 1925, The Phantom of the Opera 1943, The Cat and the Canary 1927, The Man Who Laughs 1928

Dracula (5 films): Dracula 1931, Drácula 1931, Dracula's Daughter 1936, Son of Dracula 1943, House of Dracula 1945

Frankenstein (4): Frankenstein 1931, Bride of Frankenstein 1935, Son of Frankenstein 1939, Ghost of Frankenstein 1942

The Wolf Man (5): Werewolf of London 1935, The Wolf Man 1941, Frankenstein Meets The Wolf Man 1943, House of Frankenstein 1944, She-Wolf of London 1946

The Mummy (5): The Mummy, The Mummy's Hand, The Mummy's Tomb, The Mummy's Ghost, The Mummy's Curse

The Invisible Man (5): The Invisible Man 1933, The Invisible Man Returns 1940, The Invisible Woman 1941, Invisible Agent 1942, The Invisible Man's Revenge 1944

The Gill Man (3): Creature From the Black Lagoon 1954, Revenge of the Creature 1955, The Creature Walks Among Us 1955

"Universal's Lesser Known Monsters" (3+3+6): Paula the Ape Woman—Captive Wild Woman 1943, Jungle Woman 1944, The Jungle Captive 1945; The Creeper—Pearl of Death 1944, House of Horrors 1946, The Brute Man 1946; The Inner Sanctum Mystery Series—Calling Dr Death 1943, Weird Woman 1944, Dead Man's Eyes 1944, The Frozen Ghost 1944, Strange Confession 1945, Pillow of Death 1945

Non-serial horror (14): The Old Dark House 1932, Murders in the Rue Morgue 1932, The Black Cat 1934, The Raven 1935, Black Friday 1940, Man-Made Monster 1941, Horror Island 1941, Night Monster 1942, The Mad Ghoul 1943, The Strange Door 1951, The Black Castle 1952, Tarantula 1955, The Mole People 1956, Monster on the Campus 1958

That's 68 movies in 99 days by my reckoning. I also only did these on the nights that Mack worked or was dancing, which further tightened the number of days that I had. Good thing they were each about 60 minutes. I could never do this in the modern era where everyone bloats their movies to an absurd degree.

See, I thought it would be something small, with like... 30 movies in 99 days. I didn't expect all of this! Maybe I should have checked how many movies that would be before solidly deciding to do this challenge, eh? And it's not even allll of the Universal horror movies—Lugosi and Karloff did like six "duet" movies like The Raven and The Black Cat, but the book only focused on two and briefly name-dropped the others. By the mid-October, when I was in the final chapter, I was doing two or three movies per night, and it was quite a stressful thing, not knowing how I'd get it all to line up before Mack took his Halloweek vacation!

But I did it. I'm extremely proud that I stuck to it. And also, I will absolutely not do it again! Perhaps in another five years I'll have a craving for the Universal horror movies again, and I'll do my favourite 30 or so, but this insanity will not be repeated, or at least not with this time scale.

Anyway. Here are some things I wish to talk about:

Appreciating Silent Film

The silent era has always been one that I've wanted to get into, but I've never known how exactly to break into it. I've done a few silent movies before—if you're looking for a rec, Häxan from 1923 is a very disturbing and deeply effective look at medieval witchcraft—but I never felt like I had a sure footing in it.

And, well, the book starts at 1923 with Hunchback, no easing into it. And, turns out, it was mostly fine!

The 1925 Phantom was stunning. I love the tinted vibes of the silent era, and this film had a rare Technicolor sequence during the Masquerade bit where all the costumes were in colour, and it was amazing to see. There's a 19...29, I think?, scored version, which is what I watched, and the score pops off.

The 1927 Cat and the Canary ended up as one of my favourites of the whole marathon—there's no scoring option for this, but it's so fun I didn't care. The story revolves around a will reading on a dark and stormy night, a will reading, and a sudden heiress who has to prove her sanity as a condition of the will, all while an antagonistic family and a killer are loose in the mansion. It's a horror-comedy, and it is such a good time. I had rated it 5/5 on letterboxd years ago, but I had forgotten why, and I quickly rediscovered the reason!

So yeah, I got a couple silents to add to my résumé, next to stuff like Häxan and the typical Dr Caligari.

2. The Evolution of What Horror Is

One of my favourite things to think about and consider is what society's horror fixation is in a given era and how it all ties together in a sort of greater historiography.

This marathon covers the 20s through the late 50s, with most of it happening in the 30s and 40s. There's a pretty clear chain of where the focus goes in these—in the 20s, it's a lot of classic adaptations that have a gruesome element but which may not be yknow categorical Genre Horror as we recognise it and label it on a dvd box. The 30s explore the more typical folk myths and superstitions, such as vampires and werewolves; if there is science, it is either rather crude or primitive (Frankenstein using lightning bolts and sewing pieces of body together) or even has a mystical connection (Werewolf of London's Tibetan miracle flower—often this mysticism can unfortunately veer into Orientalist tropes :/). The 40s, and particularly around 1945 with the atomic bomb, the old superstitions lose steam and modern science begins to catch up, to the point that the 50s horror movies are, essentially, all a world away in terms of science—I mean, they try behavioural therapy on the Creature from the Black Lagoon in Revenge of the Creature! The later "Monster Mash" movies where all of the classic monsters join up have them turning to modern science to solve their problems—I believe it's in House of Dracula where the Wolf Man is legitimately ""cured"" by a cranial surgery based on some science, and Dracula gets cured by looking at the particulates in his blood and stuff. Anyway, continuing in the 50s, There's all this talk of atoms and radiation and such, and it's such a strong blend of science fiction and horror, such that the two genres are practically constant bedmates for this era. (Contrary to a popular tumblr post comparing Godzilla to 50s superhero comics, radiation actually did inspire a lot of monsters in America too; you just needed to know where to look, and it's here, in the giant Creature Features, where Godzilla would fit right in.)

I remember shortly after House of Dracula, I was talking to Mack, and I essentially launched into a ten minute lecture about this stuff, how it all ties into what was happening in society and whatnot. I have so much to say, but I won't word vomit it here.

3. These Movies Said, Continuity WHO?

One of the recurrent jokes I had while watching these movies is that the writers were clearly not interested in keeping continuity between films. There are two instances that I internally screamed at because of how insane they were—(1) In House of Frankenstein, Dracula is destroyed in the sunlight, The Wolf Man is shot by a silver bullet and dies, and the Frankenstein creature sinks into quicksand and disappears. Most of the plot of House of Frankenstein is quickly retold by the mad scientist character of House of Dracula; he leaves out the Wolf Man's death, probably because it would upset the Wolf Man, to whom he is speaking. Dracula is also back without explanation. (2) The Mummy's Ghost is set in Connecticut; they are very emphatic that they are in Connecticut. It is said over and over. At the end, the Mummy is chased into the swamp of Connecticut (yknow, the famous swamps of Connecticut) —at the very beginning of The Mummy's Curse, they point to a stretch of swampland, say that THIS is where Kharis sank all those years ago (it was 6 months in real time btw), and that he should still be there. This movie is set in the bayou of Louisiana, with a cheerful barkeep woman singing in French to evoke the whole "Cajun French" world. How Kharis went from Connecticut to "this is the exact spot where he fell" in Louisiana? Never mentioned.

Additionally, in one of the later Frankensteins, Ygor has his brain transplanted into the Frankenstein Monster in a scheme; Ygor-Frankenstein Monster triumphantly turns to the assembled characters and speaks to them, telling them how he tricked them and won. In the next movie, which I believe is Meets The Wolf Man, the Frankenstein Monster is a mute brute once more, and Ygor does not exist anymore. Now, the wildest thing is that this is not the writers cherrypicking what is canon and what is not—no, in the script the Frankenstein Monster-Ygor was to have deep conversations with the Wolf Man, and this was recorded. It was only in post-production that all of this was struck; all those scenes were either tossed or edited down. Apparently there are visuals of those scenes in the movie where you can watch the FM's mouth move, but the audio has been replaced with music or sound effects. Wild stuff.

There's more, plenty more, but you get the picture. I suppose in a world without home video, where your audience may not have seen the previous films or may not remember them well, you can convince them of anything and continuity matters less.

4. Some of these movies destroyed my will to go on (with the marathon)

Overall, I greatly enjoyed my time with this marathon. I found most of these movies to be very interesting and illuminating.

But there are two series in this that just crushed my spirit—The Mummy and Paula the Ape Woman. They were so awful that it made me not want to keep going.

The Mummy is just such a confused mess; the worst time I had was with The Mummy's Tomb. Tomb is the third movie in the series, so of course there's some catch-up that has to be done to get the audience up to speed. (They all do it, it's normal.) Now, this is a 60 minute movie. Tomb begins with a TWELVE MINUTE "recap" of the first two movies, using a flashback to show scenes from the old movies—all the while narrating them to construct a new story of what supposedly happened and wildly making up new stuff that directly contradicts what is visible on screen. TWELVE MINUTES out of SIXTY, one fifth of the movie, is just incredibly out of context scenes to do whatever the writers want.

And that's not even getting into the cultural sensitivity discussions around these movies, because girl........... girl. It's rough on that front, to say the least. (They reuse an Incan temple, if I remember right, as an Egyptian tomb in the last one, I think it was, and you can clearly see Mesoamerican imagery all over the walls, but they're yelling about pharoahs and stuff. And that's the tip of the iceberg.)

Paula the Ape Woman is about an ape who gets a brain and blood transplant and becomes a real woman, or at least temporarily. Now, audience, given that this an early 40s movie... do you think this uncontrollable, animalistic beast of a woman is going to be white or no? :////

The Paula movies just need to be forgotten. Not every Universal horror movie is a lost gem in the sands of time. Let's just say that.

5. James Whale, Lon Chaney Jr, and thoughts on recurring names and faces

With the studio system firmly in place for most of this marathon's concerned eras, there are many repeating names throughout the movies. It became something of a scavenger hunt to find "Gowns by Vera West" in the title credits of most movies—according to letterboxd, I think I hit 37 movies with her credited on wardrobe.

Some of these repeating names I grew to really like. James Whale really is among the greats, isn't he? Bride of Frankenstein is nothing short of a masterpiece, and his other work (especially The Old Dark House) is great. I would love to do a deeper dive just into his other works. He seems so fascinating! And he was gay, and apparently very very open about it.

A name I came to dislike, unexpectedly really, was Lon Chaney Jr, most known for The Wolf Man. I went in with a higher opinion of him, only knowing him from The Wolf Man; he eventually became a bit of a golden boy on the Universal horror sets, and so he got into a ton of different projects. And boy, did he ever only play one character across everything! He's extremely good at it, but he only ever played a sad, pathetic little man who is overwhelmed by the weight of the world! We get it, dude. Play a different character!

6. Conclusions

This is getting away from me, so I'll wrap this up. Thank you if you even skimmed this far!

I really did enjoy this marathon. It was stressful, a little, but a fun stress, all things considered.

Rapidshot overall favs: The Bride of Frankenstein, the Cat and the Canary, Revenge of the Creature, Dracula, The Old Dark House, Tarantula, 1925's Phantom of the Opera, the Raven.

Rapid boots: The Mummy franchise, Paula the Ape Woman series, She-Wolf of London, the Black Cat, Ghost of Frankenstein.

I love this era of horror: It's almost a cosy horror to me, with giant fog machines, goofy big analog science contraptions, and painted backdrops (you can see the painted backdrops and their flatness during the early 30s ones especially). I like that there are fewer cuts compared to the modern day: They hold the camera on the actors, and often the camera is not on a close-up, giving plenty of time for interesting physicality. It almost feels staged or traditionally theatrical in a way that modern movies do not. (Which makes sense, as the earlier writers and directors and actors all came from and routinely did theatre. Lugosi got Dracula after he did the stage version of it.) Many of them are very comfortable feeling, and they're short too!

I don't think I could do another grand tour like this again for years, at mininum,—and I won't revisit Paula and probably not The Mummy—but I do want to revisit it more than I have in the last few years. These monsters are my FRIENDS!

Anyway. Stan Boris Karloff, James Whale, and especially Elsa Lanchester

[ethanreedbooks]

Prepare for a Bloody Ride with Werewolf By Night!

Get ready for a wild ride as Werewolf By Night returns this August 2024, with a tale so intense and gruesome, it's exclusively told in Marvel’s new Red Band format!

Penned by Jason Loo and illustrated by Sergio Dávila, this series promises to take Jack Russell, aka Werewolf By Night, on a journey filled with blood-soaked battles and shocking transformations. Following the events of Blood Hunt, Jack's life is about to take a dark turn, leaving him facing enemies who seek to extract more than just flesh. As he grapples with his inner demons and struggles to trust old allies, Jack finds himself plunged into a fight for survival like never before.

Loo shared, “I give Jack Russell a taste of the life he wants before the Blood Hunt event rips it away and leaves blood on his hands. His new journey is to find redemption while figuring out his new lycanthropic transformation. No one is safe when the full moon is out. But luckily, Elsa Bloodstone is around to keep him in check.”

The creative team is pulling no punches, delivering a metal-infused, monster comic that will leave readers on the edge of their seats. Dávila added, “Jason Loo is writing a very wild Werewolf By Night, and I’m having a lot of fun with the character. Werewolf By Night is someone very much tormented by his inner self, so this is a book full of intense action and lots of blood!”

With a Parental Advisory label and polybagged for the faint of heart, Werewolf By Night #1 promises to redefine the character's storytelling history in a way that's never been seen before.

Don’t miss out on this blood-soaked adventure! Preorder your copy of Werewolf By Night #1 at your local comic shop today and brace yourself for a gripping tale of horror and redemption. Visit Marvel.com for more information.

WEREWOLF BY NIGHT #1

Written by JASON LOO

Art by SERGIO DÁVILA

Cover by E.M. GIST

On Sale 8/14

[adarkrainbow]

Fables: The Ultimate Catalogue! (A)

Here it is! A complete list of all the fairytale, nursery rhyme, mythical and literary references in Fables, both the main comic book series and its various spin-offs! This “catalogue” was created by me looking throughout the series and collected editions, adding to my personal knowledge quick Internet researches, and completing it all with the Fables Encyclopedia (which despite its official status has several things wrong in it). I didn’t get absolutely everything - some references I did not get, but I will keep a separate post for them. Enjoy!

SPOILERS AHEAD, SPOILERS AHEAD!

This post will cover the issues of Fables, the main series, 1 to 59 (from “Legends in Exile” to “Burning Questions”) + A Wolf in the Fold story + The Last Castle one-shot + 1001 Nights of Snowfall 

Note that I might have missed a few references, which I have placed in my series of posts “Searching for the reference” - if I ever find additional things, I will update this post.

The main characters

# Snow-White: The princess from “Little Snow-White” by the brothers Grimm, but also the sister of Rose-Red, from “Snow-White and Rose-Red” by the same brothers. She is the “civilized child”, “good sister”, “refined princess”, “order” to Rose-Red’s “wild child”, “disobedient sister”, “crude peasant”, “chaos”. 

# Rose-Red: The character from the brothers Grimm fairytale “Snow-White and Rose-Red”. She is Snow-White’s counterpart in many way. She is the peasant girl to her sister’s princess, she is the wild child to her sister’s obedient/civilized child, she is the ruler of the Farm and its animalistic realms where Snow-White governs Fabletown and the human Fables. 

# Bigby Wolf: The Big Bad Wolf. An “archetypal” character representing the “Western myth of the wolf as a voracious killer, man-eating, cunning, terrifying beast” - even tough real-life wolves are actually shy and do not attack men in normal circumstances He was the wolf from “Little Red Riding Hood” and from “The Three Little Pigs”. His original fairytale incarnation, as the giant, all-devouring wolf-son of the North Wind, was revealed by Willingham to have been inspired by the Fenris Wolf of Norse mythology (Willingham wanted his depictions of fairytales to have roots in ancient myths, the same way the “oldest Sleeping Beauty is Brunhilde’s circle of fire”. His human persona in today’s Fabletown is inspired by a bunch of detective and spy characters - most notably by the detectives of the “film noir” genre, though he has a disheveled Columbo-like appearance, coupled with a gruffness and inherent violence typical of a “wolf” like character: he has been described by people as “Dirty Harry meets Wolverine meets Humphrey Bogart’s detective roles”. His position as the love interest to the main female protagonist/Snow White-related woman is also clearly inspired by the character of “Wolf”, from “The 10th Kingdom”.

During his adventures in World War II he happened to become Fables’ equivalent of “The Wolf-Man” from the Universal Horror movies (he even lived through “Frankenstein meets the Wolf-Man” as he had to fight the creature of Frankenstein - Willingham confessed being a big fan of the Universal classics). In fact, we know he was the main source of the werewolf myth in our world (or maybe the reverse, it is unclear with Fables), since he is a shapeshifter able to turn into a giant wolf, a human being, or an in-between, he can only be killed by silver, and he had a friendship and alliance with Count Dracula (see below). We also learn from his backstory in “1001 Nights of Snowfall” that he used to be a twisted version of the “ugly little duckling” of his family, the runt of the litter mocked by his brothers, then turned into the biggest, baddest, most powerful of magical wolves.

# Boy Blue: Snow-White’s assistant comes from the nursery rhyme “Little Boy Blue”. On a play of him being tied to the color blue and playing the trumpet, he is also a talented musician of blues music. Also an expert in jazz, his favorite song is “Blue Skies”, and he apparently will always refuse to play “Tijuana Taxi”. When describing his tragic love story with Little Red Riding Hood, he calls it a parody of an “insipid O. Henry tale”. His adventures in the Homelands, with a mask on his face, the Witching Cloak and the Vorpal Blade, turned him into a legendary figure mixing various influences - his mask, cape and sword evokes the character of Zorro, he calls himself at one point the “Blue Avenger” (which seems to be a comic book nod, as Boy Blue is seen to be a big fan of comics), and he is called by many the “Black Knight” which, on top of being a reference to the archetype of the “Black Knight/Dark Knight” in typical Arthurian tales, might be a reference to Batman aka the “Dark Knight”, another dark super-hero with a half-mask and cloak that fights in the shadows of the night. Rose Red later describes this new persona of his as “the swashbuckler supreme”, “better than Errol Flynn” (the actor who played the most famous cinematic version of Robin Hood). 

# Jack: Of his full title “Jack of all Tales” (a pun on “Jack of all trades”). Jack is ALL the Jack of fairytales, or almost all of them. He starts out as the Jack from the English Jack tales (Jack and the Beanstalk, Jack the Giant Killer, Jack o’ Lantern) but he is also promptly revealed to be the Jack from nursery rhymes (Jack be nimble, Little Jack Horner, Jack and Jill). He is also the “Appalachian Jack”, or the “Mountain Jack of American folklore” - the Jack of those folktales carried from Europe over to the Appalachian mountains (the issue “Bag O’Bones” is a retelling of the Appalachian story “Soldier Jack” or “The Man who Caught Death in a Bag”). AND he is tied to the “Jacks” of card-games, aka the four Knaves, that he can summon in his hand during any card game (he even sings the gambling song “Jack O’Diamonds”). The Fables Encyclopedia notes that the oldest Jack tale would be “Jack and his Stepdame”, and mentions how Jack is the English version of the stock-character of fairytale known as Ivan un Russia, Hans in Germany and Juan in Spanish-speaking American countries. Willingham also mentions in the Encyclopedia that “Jack who jumped over a candlestick” is another one of the nursery rhymes part of the character. 

Jack is one of the tricksters of the Fables world - though he represents the “dark gray” kind of trickster. He is a chronical liar and thief, always acting out of selfishness and base desires (greed and lust), constantly throwing himself into “get-rich-quick” plans and not truly caring about anyone else but himself. This anti-hero is also constantly stuck into a cycle of failures and successes: while by essence he has luck on his side, as he is the very embodiment of the “designated hero” or the “non-heroic protagonist”, chance alway provides him the opportunities to fulfill his dreams and to escape his ordeals, his character however also means that every time he puts together a succesful scam or gets where he wants, he will lose everything and be forced to begin everything from scratch again. The Fables Encyclopedia does point out that this isn’t part of the traditional Jack character, who is usually an “unlikely hero”, the simpleton or the weakest of three brothers, who, with courage and resourcefulness (and luck) overcomes obstacles. But Willingham explained he wanted a “trickster without the charm, a bad boy who never learns despite his frequent comeuppance”. The only Jacks that aren’t him are Jack Sprat (from the nursery rhyme) and Jack Ketch (the executioner).

# The Black Forest Witch, or Frau Totenkinder: She is introduced as the witch from “Hansel and Gretel”, who survived being burned in her own oven, but she is revealed by “The March of the Wooden Soldiers” to have been in truth much more than that. She is an “archetypal” character who was the anonymous, unnamed or barely-mentioned witch of numerous other fairytales - and she even was involved in several stories where she did not appear as a character, since her desire was to keep herself hidden from the world. Her two titles are mere aliases: “The Black Forest Witch” refers to the deep, dark forest she lived in, the Black Forest of actual Germany, and the type of cake “Black Forest” all at once. Frau Totenkinder is a German name meaning “Miss Child-Killer”, formed of “Toten”, to kill, and “kinder”, “children”. In general, I also suspect she was influenced by the character of the Witch from “Into the Woods” (notably for reasons we will see in later parts of the series). 

We get her full backstory in “The Witch’s Tale” (1001 Nights of Snowfall) and we learn she has been  the witch from Rapunzel (though this version of Rapunzel is quite different from the one we know) and the witch who cursed the Frog Prince and the Beast into their monstrous shapes (it was a hobby of her to turn handsome, rich noblemen into various animals under the pretense of “helping” them finding their “true love”). She also participated in the creation of famous stories/characters, though she never appeared in them: she blessed Lancelot of the Lake with the ability to win any combat as long as he remained pure of heart, she created the Three Billy Goats Gruff to get rid of a bridge infested by trolls, and she gave the Pied Piper his enchanted flute to lure the children of Hamelin away as a personal revenge on the town.  She played the role of an haruspex in a city similar in design to Ancient Rome (before, she was a shaman for a Prehistoric tribe), though the prophecy she delivers through her gore-reading are biblical in nature (Joseph’s famous “seven years of plenty, seven years of famine”). And finally we learned that she caused one of the “good daughter rewarded, bad daughter punished” type of fairytale, in the likes of “Diamonds and Toads” or “Frau Holle” - except her “punishment” was killing the vain, mean sisters, cooking them into pies and feeding them to their mother. 

# Beauty and the Beast: A couple from the fairytale of the same name, first written by madame de Villeneuve, but rewritten and made famous by madame Leprince de Beaumont.

# Prince Charming: THE Prince Charming of various fairytales. He isn’t all the princes of fairytales, but he was (in chronological order), the prince-husband of Snow-White, who after his divorce with her became the prince-husband of Briar Rose, and after his divorce with her became the prince-husband of Cinderella. His womanizing ways lead him to be compared to the famous Casanova (though his modern behavior evokes mostly a nicer Don Giovani). I suspect he was inspired by the characters of the prince brothers from “Into the Woods”. He also technically makes an homage to the character of Harold Hill from “The Music Man”, as he uses some sentences from his song “Ya got trouble” during his campaign for mayor of Fabletown. 

Fabletown citizens and buildings

# King Cole: The mayor of Fabletown is Old King Cole, from the nursery rhyme of the same name.

# Bluebeard: From Charles Perrault’s “Bluebeard” fairytale. 

# Trusty John: He is Faithful John, from the same name fairytale of the brothers Grimm.

# Ambrose/Flycatcher is the Frog King, from the brothers Grimm fairytale of the same name. He usually sings various folk-songs and nursery rhymes tied to his frog state, such as “Frog Went A-Courting” and “The old lady who swallowed a fly”. Due to him being not pretty-looking, not very bright or intelligent, and usually dismissed and pushed into lower positions, he is also explicitely referred to in the story as “the village’s idiot” of Fabletown. The reason Willingham chose “Ambrose” as his name is revealed in the Fables Encyclopedia to be: Willingham simply likes the name Ambrose ever since he discovered that Merlin the wizard was sometimes called “Merlin Ambrosius”. (In fact, Willingham, by choosing this name, indirectly predicted Flycatcher’s future Arthurian character-arc). 

# Grimble, the troll security guard, is one of the several bridge trolls of “The Three Billy Goats Gruff”. I say several because, when Buckingham drew the “Animal Farm” arc, he kept putting in the background an orange-fur covered creature with a green hat - the Encyclopedia reveals that it was Buckingham’s reusing another of his designs of the “Bridge Troll”, taken from the “Merv Pumpkinhead” comic series, a spin-off of Neil Gaiman’s “The Sandman” that was the first collaboration of Willingham and Buckingham (Merv Pumpkinhead, Agent of D.R.E.A.M.). (Similarly, in Frau Totenkinder’s backstory she explains that when a bridge troll is killed, another soon takes his place, as they are an entire species). The Encyclopedia also reveals that Willingham originally envisioned Grimble as a big burly security guard, but Lan Medina (one of the artists working on Fables) rather drew him as a “Wally Cox, Barney Fife sort of fellow”, and Willingham adored the dichotomy of the glamour and true character. 

# Bufkin is one of the winged monkeys from “The Wonderful Wizard of Oz”, by L. Frank Baum.

# Cinderella is from Charles Perrault’s “Cinderella” (and not the Grimm version since her slippers are here of glass, not gold).It is in fact the name of her shoe-shop: The Glass Slipper.

# Pinocchio is from “The Adventures of Pinocchio” by Carlo Collodi. 

# Fabletown itself (and the Fables as a whole) are named after the genre known as “fable”. The Woodland Luxury Apartment, Fabletown’s unofficial town hall, refers in name the typical fairytale forest, and in role the main castle at the center of every fairytale kingdom. In its gardens we find statues of Alice with her kitten and white rabbit (from “Alice in Wonderland” AND “Alice Through the Looking-Glass”) and a statue of Humpty Dumpty (from the nursery rhyme of the same name, plus Alice in Wonderland). (My notes mention a statue of Dorothy and Toto from The Wizard of Oz, but I am not certain of it?)

# The streets of Fabletown are named after various authors. Bullfinch Street is named after Thomas Bullfinch who wrote the famous “Bullfinch’s Mythology”. Kipling Street is named after Rudyard Kipling who created classics such as “The Jungle Book” or the “Just so Stories”. Perrault Street is named after Charles Perrault, who wrote the famous “Mother Goose’s fairy tales”. Andersen Street is named after the fairytale author Hans Christian Andersen. 

# The “I Am The Eggman” diner, on top of being a pun due to being owned by Vulco, one of the crow-brothers, is a reference to the lyrics of the song “I am the Walrus” (itself a reference to “Alice through the Looking-Glass”). The Edward Bear’s Candies shop is a reference to the teddy bear that inspired the creation of Winnie-the-Pooh. The Branstock Tavern is a reference to the Barnstokkr tree appearing in the Völsung saga. 

# While not part of Fabletown, Gottfried’s Steak House seems to be a reference to Gottfried von Strauss, a poet famous for his work on “Tristan and Yseult”. The waitress there, Molly Greenbaum, serves as a reference to the folk song “Molly Malone”, that Prince Charming actually sings as he leaves her (I also mistook her for a nod the nursery rhyme “Miss Molly had a dolly”). 

# The Knights of Malta Hospital is a reference to the real-life Knights of Malta/Knights Hospitaller. Working in it, we find Doctor Swineheart (from the Grimms’ “The Three Army Surgeons”) and Nurse Sprat (actually Miss Sprat from the nursery rhyme “Jack Sprat”). Jack Sprat himself lives with his wife in Fabletown.

# The Forsworn Knight, the undead hanging knight haunting his rusty armor, has his identity secret up to this point - but the “Fables Encyclopedia” explained that his title was a reference to how the knights of the Arthurian mythos are only known by their nicknames: The Knight with Two Swords, the Dolorous Knight, the Green Knight, the Savage Knight... 

# Briar Rose is the character from the brothers Grimm’s version of the “Sleeping Beauty” story (though the fact she was blessed by fairies as a baby comes from Perrault’s “Sleeping Beauty”). 

# Bluebeard (and then Charming’s) goblin butler, Hobbes, has been identified by several as a nod to Thomas Hobbes. However I think it might rather simply be a reference to the “hobgoblins”.

# The Lewis Antiques shop seems to be a reference to C.S. Lewis, the inventor of Narnia (given it is “antiques”, an old wardrobe comes to mind), though it could be also a nod to Lewis Carroll. Nod’s Books has been identified as a reference to “The Book of Nods” by Jim Carroll. The Chateau d’If Fencing Academy is a reference to the real-life castle made mythical by Dumas’ “The Count of Monte-Cristo”: in fact Edmond Dantès himself runs the Academy. The Web ‘n Muffet Market is a reference to the nursery rhyme “Little Muss Muffet” (she lives now as Mrs. Web, having married the spider Mr. Web). The Yellow Brick Roadhouse is a reference to the Yellow Brick Road of Oz. 

# There are two shops seen in the comics but who’s true owners are only revealed later. One is “Ford Laundry” which is a laundromat runned by the Scottish bean nighe, Mrs. Ford (because she is “The Washer-Woman at the Ford”). The second is the Grand Green Florist shop, revealed in “A Wolf Among Us” to be the shop of Auntie Greenleaf, from Schlosser’s “Spooky New-York” anthology. 

# The 13th floor witches include (beyond Frau Totenkinder), the “Fairy Witch” or “Great Fairy Witch” (actually the witch from Andersen’s “Thumbelina”) and Mr. Grandours, the sorcerer-king from “The Wizard King” (Willingham took the translated version from Andrew Lang’s Yellow Fairy Book, though the fairytale origin is actually the knight of Mailly “Le Roi Magicien”, in his “Illustres fées” - the Illustrious Fairies of Le Chevalier de Mailly). When evoking Mr. Grandours in the Encyclopedia (which falsely refers to The Wizard King as having been invented by Lang), Willingham also said when designing his character he thought of all the various magical bears in fairy tales, good or wicked - and his human form is meant to evoke a “Leonid Brezhnev-kind of character”. 

# Thrushbeard is from “King Thrushbeard”, a fairytale of the brothers Grimm. Mark Buckingham designed him after comic book creator Alan Moore.

# Kay is a character from Andersen’s “The Snow Queen”. 

# The boy who cries wolf is from the Aesop fable of the same name (and lives on the seventh floor of the Woodland Luxury).

# Ichabod Crane is a character from Washington Irving’s “The Legend of Sleepy Hollow”. Willingham insists in the Fables Encyclopedia that he wanted to depict Crane as he perceived him when reading the original story, aka as “kind of an ass, of the prickly, pompously self-impressed sort”. 

# The Stone Soup restaurant is a reference to the very widespread and famous folktale “The Stone Soup”. The Andersen butcher shop is another nod to Hans Christian Andersen (here mixed with the word “Delicatessen”). The reparation team/company in charge of remaking Fabletown after the March of the Wooden Soldiers is called “N Rhyme” - aka Nursery Rhyme. 

# Gudrun is the goose that lays golden eggs - made famous by the “Jack and the beanstalk” fairytale, but finding her roots in one of Aesop’s fables “The goose that laid golden eggs”. As for her name, it is the one of the wife of the Germanic mythical hero Sigurd/Siegfried. 

# Barbara Allen, one of the victims of the rogue zephyr, is from the folk-song of the same name, “Bonny Barbara Allen”. 

# Mowgli is the main character of Kipling’ “The Jungle Book” (he is also explicitely compared in-universe to “Tarzan” (from “Tarzan of the Apes”), though Willingham in the Encyclopedia explains he prefers Mowgli over the other because he was “Tarzan before Tarzan”. 

# Rapunzel is the character from the brothers Grimm story of the same name. 

# Fair Katrinelje, Vulco’s part-time girlfriend, is from the brothers Grimm fairytale “Fair Katrinelje and Pif-Paf-Poltrie”.

The Farm residents and buildings

# The Farm plays various roles. In design it is described by Rose-Red as “Old Macdonald meets Walt Disney meets Munchkinland” - Old Macdonald had a farm being a traditional children song (later quoted to describe the Farm), the Disney reference being related to Disney Land the amusement park (the architecture of some buildings has been noted to be similar to the Neuschwanstein castle, which inspired Sleeping Beauty’s castle for Disney) , and Munchkinland being a reference to the colorful landscape of the MGM movie “The Wizard of Oz”. In terms of role it also fulfills the idea of the “farm” where pets are supposedly sent when they die and parents want to hide it to their children. In its first appearance, the “Animal Farm” arc, it plays the role of the titular “Animal Farm” from George Orwell’s book of the same name, and Goldilocks purposefully makes a gory reference to William Golding’s “Lord of the Flies”, comparing the Farm to the island of the story.

# Colin, Posey and Dun are the three pigs from “The Three Little Pigs” (Posey and Dun coupling as the pigs from Orwell’s “Animal Farm”). They are later replaced by three giant brothers turned into pigs, Johnny, Donny and Lonny. The giant brothers notably recite the iconic lines “Fee fi fo fum [...] I’ll grind his bones to make my bread!”, coming from “Jack and the Beanstalk”.

# The Farm hosts the Rhinoceros from “How the Rhinoceros got his skin” (Kipling’s “Just So Stories”), the Three Billy Goats Gruff (from the Norwegian fairytale of the same name), Henny Penny (from “Chicken Little/Henny Penny”), the Owl and the Pussycat (from the poem of the same name), the Hare and the Tortoise (from the Aesop fable of the same name), several flying monkeys (from “The Wonderful Wizard of Oz”), a red-cap (from English-Scottish folklore), and Puss in Boots (from Perrault’s fairytale of the same name).

# The buildings of the Farm include a pumpkin-house similar to the one of Jack Pumpkinhead in the “Oz” books ; mushroom-houses taken straight out of the “Smurfs” comic books and cartoons; the shoe-house of the “Old Woman who lived in a Shoe”, as well as Baba-Yaga’s chicken-legged house.

# Goldilocks and the Three Bears (Papa Bear, Mama Bear and Boo Bear) are from the fairytale of the same name.

# Weyland Smith, the original caretaker of the Farm before Rose-Red, is a character from Germanic legends, Anglo-Saxon folklore and Nordic sagas, present “from the Poetic Edda to Beowulf” to take back the words of the Encyclopedia.

# The B’rer Fables are animal fables taken out of Afro-American folktales (most famous through the “Uncle Remus” books): we have B’rer Rabbit, B’rer Bear, B’rer Gator. In “Sons of the Empire” we also find out B’rer Wolf is here. 

# The “Jungle Fables” or “Kipling Fables” are characters of Kipling’s The Jungle Book: Shere Kan the tiger, Bagherra the panther, Kaa the python, and Old King Louie (the latter was a mistake of Willingham who forgot King Louie was a character invented by Disney and not from the original story). We later learn Baloo the bear is also at the Farm. 

# The Farm hosts several characters briefly caricatured in the background to avoid the copyright of Disney, such as Winnie the Pooh and Piglet, or Bambi.

# All the birds of the nursery rhyme “The Death and Burial of Cock Robin” are present in the Farm - since the events of the nursery rhyme are enacted in “Animal Farm”. Cock Robin itself is actually a Fabletown bird - and the Fables Encyclopedia notes that he is actually the protagonist of a whole cycle of nursery rhymes, including “Cock Robin got up Early”. 

# The Farm hosts various characters from “Le Roman de Renart”, “The History of Reynart”, the Reynart stories of medieval France. Reynard the Fox and Noble the Lion are the most noticeable one, but we also see Brun the Bear in the Farm (identified by Buckingham’s sketch-notes). Ysengrim the wolf also appears in “Sons of the Empire”.  Reynard the fox is here notably much more pleasant and amiable than his medieval counterpart - in “Fables Encyclopedia”, Willingham explained that the first trickster of his childhoo was Bugs Bunny, a “monster of chaos”, and that for Reynard he wanted to create a “slyer, wiser and more subtle” form of trickster. 

# The Farm has numerous nursery rhymes characters. From “Hickory Dickory Dock” we have the mouse that ran down the clock. From “Hey Diddle Diddle” we have the cow who jumped over the moon, the dish and the spoon (plus in King Cole’s “Fair Share” backstory we learn there’s also the Little Dog who Laughed). We also have the Three Blind Mice (from the nursery rhyme of the same name). As well as “Mr. Sunflower”, from a nursery rhyme by R. André. 

# Three characters from “The Wind in the Willows” are here: Mr. Toad, Mr. Mole and Mr. Badger.

# Numerous small-sized humanoids live in the Farm: Tomb Thumb (an archetypal character of English fairytales), Thumbelina (from the fairytale of Andersen of the same name) and a community of Lilliputians (from Swift’s “The Travels of Gulliver”). The Lilliputians have created a “mounted police” riding “field mice” (which I believe to be some of the field mice from “The Wonderful Wizard of Oz”). In the Fables Encyclopedia, it is noted that the idea of the Mounted Police of Lilliputians, of tiny sergents riding on mice to do cop duty, actually comes from the song “And the Mouse Police never sleeps” from Jethro Thull’s “Heavy Horses” (even though the original song referred to a cat). 

# Several characters of the Alice books can be found here, most notably living playing cards, the Cheshire Cat (from “Alice in Wonderland”) and the Walrus (from “Alice Through the Looking-Glass”). 

# When the rebels have to be executed, the one called for the job is Jack Ketch, a historical figure turned “archetype/stereotype/common nickname” for executioners in England. He is also revealed to have been the executioner of Prince Charming’s realm, and the Fables Encyclopedia has Willingham explaining that, for him, Jack Ketch isn’t actually a citizen of Fabletown but rather the name given to whoever takes the role of the executioner of the Fables community - it is a job, a position. 

# John Barleycorn is from the folk-song of the same name.

# Mary and her little lamb are from the nursery rhyme “Mary had a little lamb”, while Miss Mousey and her frogs are from the folk-song “Frog Went-A Courting”.

# Peter Cottontail is present at the farm - “Cottontail” being the alternate name of the famous character known as “Peter Rabbit”. And while Peter Rabbit is most famous by Beatrix Potter’s writings, the character’s alias of “Peter Cottontail” comes from the novels of Thornton Burgess, such as “Old Mother West Wind” or “The Adventures of Peter Cottontail”.

# There are lot of little detail-characters that are here merely to evoke common sayings or beliefs. For example we see at one point a snail with a roof and chimney on its shell, evoking how it is said that snails carry their house on their back ; and at another point we see the duo of a snail with an umbrella and a ladybug, which is a reference to how the two animals are used to predict the weather to come (rainy weather for the snail, sunny weather for the ladybug).

The Adversary and his forces 

# The Adversary/The Emperor was designed to evoke the archetypal “evil overlord/dark lord” of epic/high fantasy. To be more precise, he draws a lot of inspiration from Sauron/Morgoth of “The Lord of the Rings”. A tall, dark, gigantic creature of darkness clad in a terrifying armor, whose plan is to conquer by blood and slaughter the entirety of the universe, whose armies are made of all sorts of awful monters (mostly goblins, with some trolls, giants and dragons thrown in the mix), and who enslaves evil sorcerers as top-agents... The reference is pretty obvious.

# The Adversary is also meant to have a devilish symbolism. The monsters creating his armies are noted to have been summoned from hellish dimensions or to be demonic in nature. He is served by sorcerers and witches. His name, the Adversary, can be translated as “Satan” (the Accuser, the Enemy). And in flashbacks he is depicted as a satyr-like entity, with one theory calling him a divine being cast out from heaven - a fallen god, or maybe fallen “angelic” entity.

# The last attack/invasion of the Adversary onto the European Fable-realms, the events of “The Last Castle”, are noted to coincide with the Napoleonian Wars over Europe - meaning the Adversary is also a fairytale version of Napoleon somehow. Though the way the Empire rules its conquered countries through the “illusion of freedom” and “puppet-kings”, the way they exist through a vast bureaucratic system confiscating all magical artefacts and enslaving or killing sorcers, their method of invading/annexing countries to their rule, imposing a strict list of permitted holidays and sending spies in the countries resisting them... It is all meant to evoke the Soviet Union and its Eastern Block during the Cold War. 

# The wooden soldiers sent by the Adversary to Fabletown are meant to evoke the “Men in black” from American urban legends/alien tales/ufology. The idea of an army of wooden soldiers created by an humble person that rose up to the rank of great evil is also an accidental parallel with “Urfin Jus and his Wooden Soldiers”, the second book of the “Tales of the Magic Land” series by Alexander Volkov (a Russian rip-off of the Oz books). 

# Baba-Yaga, the witch from Slavic folklore and Russian fairytales, is one of the top-agents and “right hands” of the Emperor. She oversees for him the land of the Rus (the Fable equivalent of Russia), and she has alongside her three magical knights - taken from the fairytale “Vasilisa the Beautiful”: Bright-Day the white horseman, rider of the dawn ; Radiant-Sun the red horseman, knight of midday, and Dark-Night the black horseman, rider under the stars. Willinghma noted that if he played into the most horrifying and frightening aspects of Baba Yaga, it was because she was his personal bogeyman and “nightmare monster” as a child. One of the rulers of the Rus lands, while under the Adversary’s control, is Ivan Tsarevich, a recurring character of Russian folktales. 

# The leader of the Adversary’s forces against Colonel Bearskin and the Last Keep at the End of the Known World is the Count Aucassin de Beaucaire, from the French medieval story “Aucassin et Nicolette”. 

# Chernomor, used to serve under Aucassin de Beaucaire (or alongside him) and became the governor of the “world of Kardan”, one of the frontier-worlds of the Empire. If you go to the Wikipedia article, Chernomor is listed as coming from the poem “Ruslan and Lyudmila” which is partially true - but the Fables Encyclopedia reveals that this version of Chernomor actually comes from the poem/fairytale “The Tale of Tsar Saltan” by Pushkine - in fact, it is this poem that Chernomor reads to himself during his first appearance. 

# In quite a twist from his Sauron-like appearance, the heart of the Empire isn’t some Mordor land. In fact, as it turns out the Empire is a vast thriving bureaucratic empire meant to evoke the Roman Empire (or Byzantine Empire, due to the very bureaucratic nature of the management of the empire). The land at the heart of the Empire shares the same name as the Capital City of the Emperor (or Imperial City): Calabri Anagni. This name is made up of “Calabri”, the name of the region of Italy forming the “point of the boot”, and “Anagni”, an ancient town of central Italy. It is indeed the Homeland equivalent of Italy, and in fact the Imperial City was drawn based on the sketches and illustrations of Ancient Rome by Piranesi. Plus, the situation of the Fables living in an “exile” and a “diaspora” because of the Adversary’s conquering Empire is meant to evoke the destruction wrecked by the Roman Empire against the Jews - more specifically the Jewish-Roman Wars. 

# Willingham takes some time to explore the life and day-to-day activities of the lower-ranked goblins and soldiers of the Empire, humanizing them in their usual duties (such as tax collecting). I first I thought it was just a reference to a similar thing Tolkien did with his orcs (see “The Return of the King”) but then it clicked when I realized the “day-to-day story from the point of view of lower-ranked members of the evil empire” +  the evil empire recruiting and enslaving sorcerers and wizards as its “new nobility” + Willingham’s love for military stories and dark, gory battles...  There is definitively here an influence of Glen Cook’s The Black Company. It would make the Adversary influenced by another famous duo of “evil overlords” of fantasy: The Lady and the Dominator.

# Buckingham explained that Ogren and Throk, the goblin duo of issue 36, were inspired by the numerous British humor comics he grew up with as a child.

# The Snow Queen from Hans Christian Andersen’s fairytale of the same name is another one of the “great ladies” and right hands of the Emperor, just like Baba Yaga. In this version of the tale however she seems to be heavily tied to the evil mirror of the tale - she has a mirror above her throne, Buckingham revealed that the fragments of the shattered mirror are ornating her queenly outfit, and it is because of her that Kay ended up with a shard of the mirror in his eyes. Willingham sneaked a “Song of Ice and Fire” reference in the comic as, when she arrives in the Imperial City, the guards keep shouting “Winter is coming!”. Her name, “Lumi”, is the Finnish word for snow. And in the Fables Encyclopedia, Willingham revealed that the reason she became such an evil character in “Fables” is because through her he wanted to evoke a famous fictional character he could not have the rights to: The White Witch of C. S. Lewis’ Narnia. 

# The true identity of the Adversary (the Sauron/Morgoth-like Emperor being merely a “puppet”) is revealed to be none other than Gepetto, from “The Adventures of Pinocchio” who, after being enroled in a “benevolent conspiracy” against the megalomania and stupidity of local lords, slowly climbed up the ranks and became corrupted into the machiavelic, bloodthirsty tyrant he is today. In the Encyclopedia, Willingham notably said he wanted to get as far away from the Disney’s version of Gepetto as possible, and return to the character as described by Collodi, as a “cantankerous old grump”. The situation of Gepetto, a little old man behind a fake, artificial all-powerful imperial figure, is also very reminiscent of Oscar Diggs/The Wizard of Oz’s situation from “The Wonderful Wizard of Oz” by L. Frank Baum. 

# Gepetto takes his powers from the Blue Fairy that he kidnapped and locked away - the Blue Fairy is Willingham’s strange mixture of the Fairy with the Turquoise Hair, from Collodi’s original tale, the Blue Fairy (Disney’s version of the previous) and the “original” folklore of fairies, aka the “fair folk” of the British Isles: Willingham insists on the fickle, capricious, strange and alien behavior and mindset of the Fairy. 

# The other two main agents of the Emperor, beyond Baba-Yaga and the Snow Queen, are the Nome King (a recurring antagonist from L. Frank Baum’s Oz books, now governor of Oz for the Emperor) and Hansel - the boy from “Hansel and Gretel”, who grew up into a witch-hunter and Great Inquisitor. He isn’t just designed after the Puritan witch-hunters of the “witch trials” of America: he actually was a key part of those trials. During his brief time in the Mundane World he participated in almost all of the witch-hunts throughout Europe and America. He did not start them, but he followed the witch madness everywhere it went, and took a key part in the trials and executions of the so-called witches. He is said to have been in France, Germany and Switzerland, with the Würzburg witch trials and the Salem witch trials being explicitely cited (in the latter case he was the one who encouraged the execution of Susannah Martn). Trieste is also said to have been one of the places Hansel dwelled (though I never heard of witch trials in Trieste? But there were so many I can’t possibly know them all...).

# The Snow Queen’s plan to invade Fabletown, relying on four steps being “Pestilence - Fire - Winter - Famine” is of course very reminiscent of the four Horsemen of the Apocalypse in Christian lore - Pestilence/Conquest, War, Famine and Death. The Snow Queen’s plan for an “eternal winter” are explicitely compared to “Fimbul” - aka the Norse winter predicted for Ragnarök. Among the creatures that serves her and that she plans to send in the world, she mentions the “ice giants”, which is actually a term designated a category of creatures in Norse mythology (the rest are however non-specific entities, not exact reference - frostlings, boreal spirits, fire imps...). The sorcer used to illustrate the “Pestilence” part of the plan, Tom Harrow, was actually designed after Neil Gaiman - it was Mark Buckingham’s gift to Gaiman, who had been the best man at his wedding. Finally, of the two fictional diseases the Snow Queen mentions (the Skold brownpox and the Red City Plague), the later seems to be a reference to the “red plague” from “The Masque of the Red Death” by Edgar Allan Poe.

# A last note, taken from the “Fables Encyclopedia”: the armor of Lieutenant Oakheart, a random character among the wooden soldiers of the Empire (seen in issue 52), was actually inspired by the cover of the album “Want One” by Rufus Wainwright. 

Magical artefacts:

# The Seven-League Boots, from Charles Perrault’s Little Thumbling, are kept by Fabletown.

# The Vorpal Blade from Lewis Carroll’s “Jabberwocky” poem (and “Alice Through the Looking Glass”) is in possession of Fabletown (and becomes Boy Blue’s weapon later).

# The magic beans, from Jack and the Beanstalk. Jack keeps trying to scam people by pretending he still has them, when in truth he lost them a long time ago. It is revealed in “Happily Ever After” that in truth Fabletown got hold of the last magic beans, which form the only way to reach the Cloud Kingdoms where the giants live. 

# Bluebeard keeps a hook in his office - it seems to be the hook of “Captain Hook”, from J.M. Barrie’s Peter Pan. 

# Snow-White’s office contains a sword in the stone (from the Arthurian myth), various Arabian oil lamps (a reference to “Aladdin”), as well as several Greco-Roman statues (a copy of the Venus de Milo, statues of Mars and Neptune...). 

# The Fairy Witch’s magical barley seeds from which little women are grown are from Andersen’s fairytale “Thumbelina”. 

# Bluebeard might have owned “The Portrait of Dorian Gray” - because there is the painted portrait of a man we keep seeing in his castle, that is not him, so... 

# The magic mirror of the evil queen from “Snow-White” is kept in Snow-White’s office, as well as the torn of head of the Frankenstein Creature (nicknamed “Frankie”). 

The Last Castle one-shot

# The titular “Last Castle”, of its full name the “Last Keep at the End of the Known Worlds”, is actually the castle from the Norwegian fairytale “East of the Sun and West of the Moon”, located by those directions, and beyond the “House of the Four Winds”.

# Little Red Riding Hood is from the fairytale of the same name (the brothers Grimm version, since in her story the wolf was defeated by a woodsman).

# Robin Loxley, or Robin Hood, is from British folklore and English literature. We also see two of his Merry Men: Friar Tuck and Small John. 

# Colonel Bearskin is a higher-ranked version of the titular character from the brothers Grimm fairytale “Bearskin”.

# We have two characters from Edmund Spenser’s “The Faerie Queene”: Lady Britomart, the “warrior damsel”, and the Red-Cross Knight (Saint George by another name). 

# The twelve crow-brothers are from the Grimm fairytale “The Twelve Brothers”.

# Old Pellinore is a king from the Arthurian legends.

# Tam Lin, the “lover of the fairy queen”, is a character of English folklore and folk-songs (the “Ballad of Tam Lin” is his most famous depictions).

# Herman von Starkenfaust is a character from Washington Irving’s “The Spectre Bridegroom”.

# The Little Tailor that “got seven at one stroke” is from the brothers Grimm’s “The Valiant Little Tailor”.

# The Kings of Madagao and Bornegascar are the rival kings from the piece of Ambrose Bierce “Two Kings”, from his “Fantastic Fables”.

# Beaucaire and Bearskin fought many battles against each other, two of which I got the reference of: the battle of Boxen is an homage to the fictional world created by C. S. Lewis as a child, while the battle of “Oakcourt” is a reference to the legend of wise, fair and just kings holding their courts under an oak. When Blue Boy confronts Chernomor in the beginning of the “Homelands” arc, he also mentions the “battle of Vesteri”, which is apparently the battle told in the poem “Tsar Saltan”, the one where Chernomor appeared with thirty-three warriors (though the events described in the poem are apparently a false retelling of the actual events, which were the invasion of the Adversary’s army, and unlike what the poem claims Chernomor lost the battle). 

# Possibles references I am not certain of: Among the refugees at the Last Keep, there is a white-bearded wizard with a pointy hat all dressed in grey, that I think might be an homage to Tolkien’s Gandalf. There is also a solidly built young man with a goat near him that I believe to be “Blockhead Hans” from the brothers Grimm fairytales. 

The Homelands:

# The Tin Woodman, Jack Pumpkinhead, The Scarecrow and a Munchkin, all from the Oz books of L. Frank Baum, are seen fleeing the invasion of the Adversary in the “Legends in Exile” flashbacks.

# The flashbacks of “Legends in Exile” also reveal Don Quixote and Pancho (from the novel “Don Quixote”), and a queen on a sleigh pulled by swans - which I believe to be a reference to Andersen’s “The Wild Swans “fairytale.

# The two first conquests of the Adversary (after his “native land”) were “The Emerald Land” (The Land of Oz, invented by L. Frank Baum) and “The Kingdom of the Great Lion” (Narnia, created by C.S. Lewis). We even see an unnamed version of Aslan, killed by the forces of the Adversary. 

# The world of the Rus is the Homeland equivalent of Russia, the land where Slavic folktales dwell. It is drawn in the style of Ivan Bilbin (a famous illustrators for fairytales such as “Vasilisa the Beautiful” or “Prince Ivan, the Fire-Bird and the Grey Wolf”). When Boy Blues travels through the Rus lands, he comes upon the “Mice Burying the Cat”, a recurring motif and scene in Russian lubok and folktales. 

# In the arc “Arabian Nights (and Days)”, the realm of Karse is name-dropped as one of the lands conquered by the Adversary. Some people think it might be a reference to the kingdom of Karse, from Mercedes Lackey’s books “The Heralds of Valdemar”. 

# The Cloud Kingdoms, located in the sky, populated by giants and only reachable through magic beanstalks, is a reference to “Jack and the Beanstalk”. Cinderella calls it mockingly “Cloud Cuckoo Land” - an insult to the absurdity of the kingdom itself, but a subtle literary nod to Aristophanes’ famous play “The Birds”, where Cloud Cuckoo Land is an utopian city in the city. The giant squirrel friend of Cinderella in this realm, Radiskop, is revealed in the Fables Encyclopedia to be Willingham’s version of Ratatosk, the squirrel of the Word-Tree from Norse mythology (the poem “The Saying of Grimnir” is evoked by the Encyclopedia). Cinderella also plays on the expression “castles in the sky” when describing the Cloud Kingdoms - an idiom meaning an unrealistic plan or impossible dream. 

# In “The Sons of the Empire”, we follow the side-quest of a group of Fables stealing food from the imperial table: these three Fables are the Gingerbread Man (from “The Gingerbread Man” fairytale), and Mr. Porky Pine with Chicken Ripple (characters actually coming from Neil Diamond’s song “Porkupine Pie”, from the Moods album). 

The Great Powers:

# The devil himself appears in “Bag O’Bones” in a “Southern USA folktale” incarnation, as an old, disheveled black man waiting in the bayou to play card games with souls as the final bet - he is called here “Slick Nick”, or “Mr. Nick”, but due to his old-looking appearance, he quickly is called “Old Nick”, a very traditional nickname of the devil in the English language.

# Death, aka the Grim Reaper, appears in “Bag O’bones”.

# The North Wind, father of Bigby, is of course the very embodiment of the North Wind. Personified winds pop up from time to time in fairytales, and the North Wind most notably appears in “East of the Sun and West of the Moon” (a fairytale already referenced by Willingham previously). But “Mr. North”’s depicton as an old man ruling over snow and coldness is also clearly meant to enter into the archetype of “Father Winter/Old Father Winter” or “Father Frost/Grandfather Frost”. Buckingham noted that while he originally drew him inspired by Peter Wyngarde playing Jason King (see the television series Department S/Jason King), he then decided to prefer the way the character was originally drawn by Mark Wheatley in “1001 Nights of Snowfall”, as more “Norse god-looking”.

The servants and affiliated creatures of the North Wind are called after different types of winds: Mistral is a violent wind of southern France, Squall is a sudden or violent gust of wind, Whiff is a puff of air, and the Zephyrs are light breezes.

# The d’jinns are here a very dark reinterpretaton of the djinn of Arabian folklore and fairytale, reinvented as amoral creatures of pure magic that have to be bound for the sake of the entire world. These d’jinns were purposefully designed as dark parodies of the Genie from Disney’s Aladdin: like him they have blue-skin, black hair, and a “tail of smoke” for legs. As per the common legend most carried on by “1001 Nights”, the d’jinns were trapped in magical bottles by “Sulymon the Wise”, aka King Solomon. However, unlike the tradition presented by the “Arabian Nights”, in the Fables world King Solomon co-worked with Daedalus (a genius-inventor of Greek mythology, reinterpreted as the “greatest sorcerer-scientist” of Sulymon’s time) to create the magical bottles. And, Sulymon had to trick the d’jinns into getting inside the bottle, by using the same ruse displayed in the fairytale “The Fisherman and the Jinni”.

# Santa Claus and Mrs. Claus, of the American Christmas lore, exist in the Fables world, and while it is strongly hinted in the main series, the Encyclopedia confirms they are “god-like” entities in the Fables verse, close to the other Great Powers.

The 1001 Nights of Snowfall one-shot

# “Be careful what you wish for” seems to have been loosely inspired by “The Little Mermaid”, or rather forming an ironic inversion of it (especially of the more modern retellings like Disney’s), since it is about a girl wishing to explore the world, and asking a witch to turn her into a mermaid to discover the sea. The Fables Encyclopedia mentions that the girl’s name, Mersley Dotes, is only similar to the song “Mairzy Doats” by pure coincidence.

# The seven dwarfs of the Grimm “Little Snow-White” are present in “The Fencing Lesson”, and their entire system of “being an underground realm digging constantly for ore and gems” is inspired by a very traditional depiction of dwarfs ranging from Norse mythology to Tolkien - the way John Bolton draws them as ugly; misshapen, bald beings with bulbous heads or strangely-proportioned limbs reminds me of the art of Brian Froud.

# In the “Diaspora” story, Snow-White says she bought a magical stone that makes soup - it is another reference to the folktale “Stone Soup”. 

# The “Christmas Pies” storyline takes place in the world from which Reynard hails from - a medieval-time valley filled with speaking animals (the setting of the Roman de Renart). I will not name all the characters we see here, but if you know your Roman de Renart, you will recognize several such as Brichemer the deer, Noble the lion, Fière his wife, Grimbert the badger, Couar the hare, etc etc... The legend of “the miracle of the Christmas pies” seems to have been invented by Willingham here - but not out of scratch. If you know your Christmas lore, you know that miracles happening during the “nights of Christmas” are very common, that pies are tied to Christmas in the English tradition, and that magical food or miracle-food in Christmas is also a staple of folklore. An interesting note is that you can see the version of Christmas celebrated in Reynard’s homeworld is not the one celebrated in our world, because they have “Seven Nights of Christmas” - whereas we have the “Twelve Nights”. Filling the pies with stones so that, after eating it, the animals will be too heavy to move is also a recurring motif in folktales and fairytales involving capturing or killing devouring monster or gluttonous animals (most famous of which being the Big Bad Wolf stories). 

#  Colonel Thunderfoot and the talking rabbits of the “Thrumbly Warrens”, in “A Mother’s Love”, have been revealed by Willingham to have been inspired by the rabbit-society of “Watership Down”. 

The Arabian Fables:

# The Arabian Fables are clearly all coming from the most famous collection of Arabian fairytales, “One Thousand and One Nights” - they notably have a very common use of flying carpets, items mostly found in this book (and the Arabian legends of king Solomon). They also have manticores - creatures of Greek folklore, but believed to have lived in Persia (another manticore, giant-sized this one, appears in the non-referential world of Skold in “Homelands”). 

# In “1001 Nights of Snowfall”, the frame-story is literaly the frame-story of “One Thousand and One Nights”, but with Snow-White taking Scheherazade’s place as the one trying to survive Sultan Shahryar. 

# The delegation arriving in Fabletown in “Arabian Nights (and Days)” is centered around Sinbad - the famous Sinbad the sailor whose stories are told in “1001 Nights”. He has two companions which I have yet to identify as references or pure invention - but one, Yusuf, is very clearly the embodiment of the archetype of the “evil vizir” of Arabian tales coupled with the “wicked, scheming sorcerer”. People online have identified him as a possible take on Disney’s character of Jafar from their version of Aladdin, but Buckingham revealed that his design of Yusuf was actually inspired by Doctor Who’s The Master, as played by Robert Delgado. 

# Aladdin and Ali Baba, two heroes of the most famous Arabian fairytales, are said to live in the Homeland version of Baghdad, where Sinbad also dwells.

# One of the co-conspirators and allies of Yusuf is Sid Nouman - aka, Sidi Nu’uman from “The Caliph’s Night Adventures” (sub-section “The History of Sidi Nu’uman”). The identity/appearance the d’jinn takes to reach out to him is the one of “The Fair Persian” - one of the two main characters of the 1001 Nights tale “Noureddin and the Fair Persian”. 

Other things:

# In “Legends in Exile”, Rose-Red forces Bluebeard to keep their engagement secret for a year. This evokes a common trope in fairytales where a character is asked to keep a secret, or a vow of silence, for a given period of time - or where a character has to hide their marriage for a given number of years. 

# “A Wolf in the Fold” reveals that, when Bigby first arrived in the human world, he stayed in the 17th century Carpathians, and became friend with a certain “undead count” - yes, Count Dracula, from Bram Stoker’s novel.

# Before Willingham decided to have the European Fables be Christian in religion, he seems to have considered a more fantasy-like religion for them, as the chapel seen in the Knights of Malta Hospital in “Animal Farm” doesn’t have any religious imagery. Instead, its stained glass depicts fabulous beasts: a dragon, a unicorn, an hydra and a phoenix.

# The desk of Grimble has two books inside of it which are references. One is titled “Shreck!”, a nod to the Shrek movies, while the other is literaly titled “Troll Bridge by Neil Gaiman”, a reference to Gaiman’s reinterpretation of “The Three Billy Goats Gruff” fairytale.

# During Bag O’Bones, Jack (as a Confederate soldier just out of the Civil War) sings the minstrel song “Gwine Run All Night”, aka “De Camptown Races”. 

# At one point, the trio formed by Flycatcher, Boy Blue and Pinocchio go buy a series of Fabletown-produced comics, which are all parodies of actual super-hero titles. The Uncanny Oz Men are “The Uncanny X-Men” for example, the Fairytale Four are the “Fantastic Four”, the Tin Man is “Iron Man”, and the Stalk Thing is the “Swamp Thing”. “Red Hood - Little Riding Returns” might be a reference to “The Dark Knight Returns”, while the Un-Mundy... Maybe it is “Superman”? 

# When John Barleycorn explores one of the Emperor’s towers, where stolen magical items are kept, we can see the head of Baphomet sculpted on a disc. During the same quest, the other Lilliputians left behind believe that John must be with “some elf-king’s daughter” by now: this is a reference to Lord Dunsany’s “The Elf-King’s Daughter”. Finally, as John Barleycorn goes searching for the old cottage of the Fairy Witch, he orders his mount to go “Straight ‘til morning” - a sentence lifted from “Peter Pan”. 

# Kevin Thorn is compared by his colleagues to agent Mulder, from the show “X-Files”, due to being the only Mundane immune to the Fables “do not notice us” spells.

# During the “War Stories”, the project of the Nazi scientists couple two references: on one side it is named Volsüng (after a character of Norse mythology, tied to the Volsunga Saga), on the other the topic of mass-producing artificial soldiers raises the fear of it being too similar to the golem of Jewish folktales.

# In-universe, Jack took an opportunity out of the great hype surrounding fantasy movies caused by the (then still new) release of the “Lord of the Rings” movie trilogy - in turn, he himself plans to do a “better” version of them, centered around his own tales. 

# The Witching Cloak does not come from a precise story, but gathers various elements and powers usually attributed to magical cloaks and capes. For example, its powers of invisibility are similar to the Germanic tarnkappe of Siegfried, while its teleportation powers can remind of the flying cloak of feathers of Freyja in Norse mythology, and its invulnerability can evoke Herakles’ famous Nemean Lion pelt. In a similar way, the Witching Well (which is the Fabletown equivalent of a cemetery AND afterlife) is not coming from a precise story, but is born of a general rule and belief in the world of fairytales and folktales that wells are gateways to the otherworld and the dwelling of supernatural beings - as well as closely associated to death and the afterlife. One famous fairytale that has a well perceived by theoricians as a gateway to the afterlife is the brothers Grimm “Frau Holle”. 

# Willingham loves to play around with the topic of numbers in fairytales. For example, Bigby was one of seven brothers, tried to kill his father seven times, and himself has seven children. Meanwhile, when Cinderella has to fulfill a mission in the Cloud Kingdoms, everybody involved in it forces her to wait three days for her services - much to her annoyance as she wonders exactly WHY everybody asks for three days. 

# In “The Sons of the Empire”, an annoyed Prince Charming calls ironically the Beast “Gunga Din”, after the character from Rudyard Kiplng’s poem (later adapted into a movie).

# In “Jiminy Christmas”/“Father and Son”, the children of Bigby mention numerous fictional equivalents of cartoons and toys - but one in particular was talked about in “Fables Encyclopedia”, “Ranger Danger”, aka “Ranger Mike Danger”, that Willingham explained to have been the Fables equivalent of real-world G.I. Joe or Action Man. 

# As a last note: the original plans of Willingham for the Adversary’s identity and origin story was to have him be Peter Pan. This is why the descriptions of the Adversary in “Legends in Exile” are so strange in retrospective: he is described as “wood sprite” that became something much more bigger or dangerous, or a fallen god cast away from divine realms, while being depicted in the flashback as a satyr-like being - it all points out to Pan of Greek mythology. Couple this with the fact the Adversary was said to come from “beyond the shores of Never”, aka Never Land, and you understand it is Peter Pan. Willingham’s plan was to have an evil, corrupted, demented version of Peter Pan that wanted to expand his Neverland/playing ground to all the worlds nearby, hence the creation of the Empire. The same way Peter Pan would have been the “big bad”, Captain Hook was also supposed to appear as a heroic figure fighting the Adversary - he notably would have had a plotline about saving the Lost Boys, who as it turns out are an army of children Peter Pan stolen away from the worlds he visited and conquered. However Willingham discovered that the characters were not in the public domain at the time, still under copyright, and so he had to change his plans - limiting himself to having them depicted in battle in the front page of “1001 Nights of Snowfall”. 

[thewapolls]

Quite understandably the English localization of various Wild Arms games have struggled with the monster "Buckbaird," which has been something of a staple of the series since WA2, never having been redesigned. It's typically just a normal enemy, but 4 opted to make it a relatively minor optional boss.

Apart from the name though, it's weird that it's this humanoid thing with 4 big scythe-like tentacles(?) considering the original Backbeard looks like...

The Backbeard is a character in the classic children's horror/occult manga and anime, GeGeGe no Kitaro, by the late, great Shigeru Mizuki. In it, Backbeard is the leader of an army of enemy "western yokai" who oppose the main cast of Japanese yokai. His army is very conspicuously made up of American movie monsters like Werewolf, Dracula, "Witch", Frankenstein, Zombie, etc.... So it's always been very curious that no one can pinpoint an actual monster behind Backbeard. A common theory is that it was a corruption of "Bugbear," which tends to fit the overall m.o. of things. But due to it being a made up Japanese word, there isn't really a "correct" or official romanized spelling, although people seem to have settled on "Backbeard."

Mizuki was a kind of modern Brothers Grimm for Japanese folklore in the 60s and laid the foundations of countless other yokai and occult centric anime and manga in the decades following. As a monumental force in pop culture his work has been consistently referenced over the years, not the least of which being the recurring appearance of Backbeard in other media.

The visual design itself however can be traced back to a piece of photo collage art, by Masatoshi Naito, called Shinjuku Genkei CHIMERA[新宿幻景・キメラ]: "Shinjuku Phantom Chimera" which was made around the same time as Backbeard's first appearance in the manga. Both Backbeard and Naito's Chimera itself are quite similar to French artist, Odilon Redon's 1878 charcoal sketch, "Œil-ballon," and/or his 1882 painitng, "L'Œil, comme un ballon bizarre se dirige vers l'infini."

[princeescaluswords]

I really enjoyed reading your thoughts about how teen wolf would be different if Scott was a born wolf. I can’t help but notice that, with your proposed thoughts, certain “criticisms” of Scott would no longer be applicable (in particular, I’m thinking about the claim that he was “rejecting the wolf,” though I’m honestly not sure what people really meant by that). How do you think fandom would’ve responded if this was the version of teen wolf that we got?

Well, to be quite honest, I think they would have to have found another way to express their racism, because the claim that Scott was inferior or immoral because he "rejected the wolf" is nonsense. That particular claim was just as mystifying to me as it is to you until I realized that what they meant when they said Scott "rejected his wolf" is that Scott rejected the "natural authority of the Hales, the white werewolf aristocracy."

To give context to this question, I speculated on Scott as a born werewolf here. I've also often talked before about the fundamental absence in parts of the Teen Wolf fandom: they don't see Scott as a victim who overcame what was done to him. They take Peter's and Derek's manipulative platitude "The Bite is a Gift" at face value because attractive white men said it. In fact, they accept it uncritically as a great truth because it absolutely serves to make Scott both unwise and ungrateful. Thus -- "rejecting the wolf."

They think he "rejects the wolf" because he sought a cure a Season 1 and in the webisodes "Search for a Cure." And they hold this against him because the rich white aristocratic Hales told him that how peachy-keen being a werewolf was, after they beat him, mind-controlled him, and threatened his loved ones. After Derek said "either you kill with him or he'll kill you." After Scott literally stalked his best friend and his girl friend with the intent to kill them. After he was told that he would have to give up everything he wanted out of life and dedicate what remained to resolving the war between werewolves and werewolf hunters. After all, only white men are allowed to react to horror and trauma, such as Derek not trusting anyone because Peter and Kate manipulated him into helping kill the people he loves, or Peter being burned alive and deciding to kill everyone responsible (and some people not responsible) for it, or Stiles's lack of self-esteem because his mother suffered from dementia.

They think he "rejects the wolf" because, to their eyes, he wasn't a very good werewolf in the beginning, though by the end of the series -- which is chronologically a span of time of approximately 32 months -- he's gone from an omega to a True Alpha who is called upon by the police to use his claws on a young victim (remember, a ritual that is done "mostly by alphas because it takes quite a bit of practice") and is able to dodge the supernatural bullets of the Ghost Riders and fight the both La Bête and the Anuk-Ite -- a creature so dangerous that it had to be imprisoned in the Wild Hunt by a hellhound who based his life around containing it -- by himself.

They think he "rejects the wolf" because he didn't want Derek to bite teenagers when Derek knew that Gerard Argent had declared war. They just forget that he was indeed willing to Bite people -- Stiles only six episodes after he became alpha to save him from Frontal-temporal dementia, to save Liam from falling to his death, and to save Hayden but only when he felt she could survive it -- Scott just wasn't willing to do it simply to increase his own power and achieve his own goals.

They think he "rejects the wolf" because he didn't want to kill people as a first resort the way that Peter and Derek, the white male aristocrats, loved to do, even though he did destroy La Bête and he was willing to kill both Gerard and Jennifer, if he had to. It's why they ignore the fact that Derek agreed not to kill Deucalion with him, or why they never accuse Satomi Ito of "rejecting the wolf."

That last example is, of course, key. Their arguments for "rejecting the wolf" can only arise from him rejecting the beliefs of the male Hales. Satomi Ito led her pack to hide or flee in the face of danger. Even Talia Hale was also a well-respected alpha, wasn't she? She didn't believe in pre-emptive murder as protection or lethal force as punishment. Did they "reject the wolf," too?

I really think that, for parts of the fandom, it would be irrelevant whether Scott was a born or bitten wolf. As long as he didn't do what white men told him, he would have been hated. As long as he didn't submit to Derek or Peter or Stiles, he would have been seen as a "bad friend" or a "bad alpha" or a "bad werewolf." We can't be sure, but I suspect that if he had been a born werewolf, they would have added another descriptor, most likely traitor or deviant.

[hawnks]

I recently read a lot of silly fantasy/ romcom books so here are a couple I have enjoyed quite a bit:

- Wolf Gone Wild by Juliette Cross (Werewolf x Witch, not a literary masterpiece but it was fun to read! also part 1 of a larger series but with different protagonists, also contains smut)

- Masters of Death by Olivia Blake (immortal creatures gambling against each other, it’s set in modern times, writing style gives me slight Neil Gaiman vibes, romance/ flirting involved but not the main theme, lots of twists & turns & a murder mystery too)

- and also read the mead mishaps series by Kimberly Lemming (black protagonists, contains smut, the storyline itself is a bit flat, but her writing style is super funny, most of books are quite short 200-300pages, read them just for funnsies to get my mind off the horrors)

👀📝

[sporadically-writing]

Critical Role OCs

Back on my critical role obsession at the moment. 

As a fun character creation exercise, and to stop myself from creating more DND characters then I already have (I have like two for each class and there is absolutely no way I will ever be able to play them all) I like to craft characters for each campaign and sort of put them in the world. Exandria is such a wild and rich world that Matt has created and I like to enjoy and research it this way while also doing some character and writing practice. And I thought I might tell you about them!

The Legend of Vox Machina/Vox Machina

I had not reached the Briarwood Arc in my watch of Vox Machina prior to the series coming out so I did not know all of the details. I watched the Mighty Nein first so the only thing I really knew about Whitestone was the basics of Percy’s backstory. I knew the name Anna Ripley but nothing really about her. I honestly thought, given that Delilah is a witch and Sylas is a vampire, that Ripley might have been a werewolf or something but I was wrong. I thought Whitestone was missing a werewolf so I made one.

Alexandria Briarwood is the daughter of the fabled Briarwoods. She has been turned into a werewolf against her will thanks to her disobedience to her parents following their arrival at Whitestone (and the horrors that followed). Alexandria is a young woman with a strong sense of morals at least when natural laws are concerned. She grieved her father when the time came sure, but what her mother did was wrong. She broke the laws of nature and Alexandria didn’t like it. Not to mention what her parents did when they arrived in Whitestone. She cannot hide her feelings from her parents after that and as punishment, Ripley is employed and Alexandria is infected with Lycanthropy.

One night after that, Alexandria escapes the palace, desperate to leave the city but she stops in the square. She sees the state of the city and the state of the (pre-you know, that) Sun Tree. She sees the leafless tree that was so gorgeous when they arrived and something shifts in her. She can’t leave with good conscious. She knows she needs to do something. Keeper Yennen finds her shortly after and Alexandria is recruited into the resistance. She wears a hood at all times both to hide herself from guards and to keep her identity a secret from those who are not aware of who she is. Not everyone in the resistance needs to know that a Briarwood is among their ranks.

The resistance has the name Kestrel to refer to Cassandra De Rolo, they refer to Alexandria as Heron. Kestrels symbolize nobility and might among other things and herons usually symbolize patience and good luck.

Class wise, Alexandria is a human Order of the Lycan Bloodhunter, possibly with a Path of the Beast Barbarian multiclass

The Mighty Nein

If there were another member of the Mighty Nein from the very beginning, I wanted it to be another member of the Fletching and Moondrop circus. I was thinking about classes of the party as well and I thought that Bard would be an interesting fit with this group. However, I did not want it to be a basic, music themed bard. This idea coupled with all the importance of swords in this campaign, I thought a College of Swords bard would be interesting.

Averie Silvervale, a high elven fencer, performer in the great circus, friend of Yasha Nydoorin and Mollymauk Tealeaf. She is the first daughter of a noble family in Bysaes Tyl who left home when her parents tried to force her into the heir box, living a life on the road in the circus instead.

Crown Keepers

I haven’t quite been able to figure this group out yet.

Bell’s Hells

Marquet being such an interesting continent with jungles and deserts I felt a ranger not being in this campaign would be a shame. I also wanted to add to the pair of genasi within the group.

Serafina Petrona is a fire genasi Beast Master Ranger with a little coyote/desert wolf companion named King. She looks partially like an elf, given that her father is one. She travelled the deserts and jungles outside of Jrusar for a time before she took to busking with King in the streets of Jrusar after that.

The Ring of Brass

This group particularly is a little difficult as their story is only one episode in and is so incredibly new but the world is so interesting that I find it very difficult to curb the excitement to create a character within it. 

I thought quite a bit about Deans of Magical Colleges. Only one of them is talked about within the first episode so as of right now I have an idea for another one. Evocation jumped out at me a little bit. I am unsure as of right now how these Deans operate, but I believe they may be in charge of those specific branches within the sorcerers university or some such school. 

I imagine a Dean of Evocation might hold themselves as a more militaristic figure as opposed to some of the other schools of magic and the idea was interesting.

If I were to go this route, I believe that Simona Nesk, Dean of the College of Evocation would be a human Evocation Wizard. She would be a very stern and stalwart person dressed mostly in robust red robes.

I also entertained the idea of the College of Illusion as well. If I were to go this way, Yavia Valcyne, Dean of the College of Illusion would be a fairy Illusion Wizard. Yavia is a respected mage for her mastery of illusory magic but she also is a very carefree soul. This due in part to her fey nature, but mostly due to the fact that she is an artist. She views magic, her magic especially, is an art form and that notion would color much of how she carries herself.

I like both of them quite a bit.

[monstersmutpeddler]

Dark Spirits Fairytales (and Spin Offs)

By: S.J. Sanders

Overly Simplified Summary

The world has experienced an apocalyptic event, and it turns out that all our myths/old gods/folklore is real and they’re back in our world. Chaos ensues. 

This series (or the spin offs, not 100% sure) is still ongoing, so the reviews that are linked here are what’s currently out. ALSO this series has some horror elements. I think the most ‘Holy shit, I came her for romance and got spooked’ was Havoc of Souls and Blooded Labyrinth.

Havoc Of Souls: Dark Spirits Book 01

Forest Of Spirits: Dark Spirits Book 02 *

Spin Off Series (Dark Spirit Fairytales and Dangerous Monsters):

Matchsticks: A Dark Spirits Fairytale (Takes place after Forests Of Spirits)

The Mirror: A Dark Spirits Fairytale (Takes place before Havoc of Souls, recommend reading after Forests Of Spirits)

The Lupercalia: A Dangerous Monster Romance (Same world, but a side story separate from everything)

Blooded Labyrinth: A Dangerous Monster Romance (Same world, but a side story separate from everything)

Monster Scale

Ranges from Level 02 to Level 04 on the Monster Scale. 

Let’s see, we’ve got Minotaur with extra claws/fangs, a mostly human man with a tail/antlers, a werewolf, and a dude that can make snakes come out of his skin. Shits wild. 

My Overall Rating For The Book Series

“I Bought The Ebook or Will Read On Kindle Unlimited”

Series is interesting, it has a lot of different stories and monsters in it. Some of the books I’d put in the “Not A Fan Personally, But Some Scenes Are Cool and I Know Other People Might Like It” because it’s just not my thing.

Exception being Forest of Spirits, that’s a “I Bought The Book/Series And Want Them Signed Please Holy Shit”. Love interest is a lil asshole and I loved it when he got his ass chewed out by the heroine. 

[songoftrillium]

Meet The (Updated) Art Team

Hello Kinfolks!

I've been really looking forward to this post for a while, and it's now time to unveil the art team I've assembled to put this project together! They're some heavy hitters that y'all ought to recognize, so without further ado let's meet them!

Bek Andrew Evans

Linktree

Mx. Bek Andrew Evans (he/they) is a freelance writer and illustrator from Jackson, Mississippi. He's been doing art since he was young and takes inspiration from comic books (particularly in the 90s), Jhonen Vasquez, grunge, and Carvagio. His favorite mediums are loose inks, watercolors, oil paints, and digital styles that replicate the looks of traditional mediums. He uses body horror and attention to expressions and lighting to convey stories through images, often queer in nature. He explores themes of mental illness, disability, abuse, poverty, and the many intersections of these statuses.

iezeradd (They/He)

Carrd

They are a mixed media artist and writer hailing from Quebec, Canada. They explore concepts of queerness, identity, generational trauma, and otherness through his illustrations of werewolves, often contrasting tenderness and violence in his works. They use transformations and inner conflict as a reflection of his own experiences as a queer individual.

iezeradd is joining the team to provide a myriad of art, ranging from props, to textures, and tribe artwork! We're very fortunate to have them on the team!

Dogblud She/Her

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Dogblud (she/her), is a Midwestern cryptid working as a freelance artist and writer. Her work is near-exclusively sapphic, centering primarily around werewolves, werebeasts, and their strong thematic ties - horrific or otherwise - to all forms of womanhood.

A long-time fan of Werewolf: the Apocalypse, she's joined our team to produce all of the tribe artwork for the book, in addition to a number of other contributory pieces!

Meka (Any Pronouns)

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Meka is a Scottish comic artist with a flair for the dark and extremely bloody and a long-standing love of monsters and what they let us all explore-- for better and worse. Vehemently underground, they build stories about horror, grief, depersonalisation, and the isolation that comes with being just a little too weird and too angry to swallow whole. Art and catharsis go hand in hand, as far as she’s concerned.

In a throwback to the original game series, Meka has joined to produce a 22-page fully illustrated comic for the series entitled Cracking the Bone. A postgraduate in traditional comic artistry, we're extremely fortunate to have them on the team.

Mx. Morgan (They/Them)

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Mx. Morgan G Robles (they/them) is a freelance artist and illustrator based in Seattle, Washington. Their work is best known for its use of macabre themes, animals, and nature. They use these themes to explore mental illness, gender identity, or simply to make neat skulls.

They're known for producing book covers for several major publishers, and they've been brought in to design our book covers as well. In addition, they've developed a number of inside pieces as well!

M.WolfhideWinter (He/Him)

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He is a part-time freelance illustrator from Scotland. His work is heavily inspired by the rugged terrain (and rain) of Scotland with a focus on werewolves inhabiting the wild landscapes both past and present. He explores themes of mental illness, societal stigma, dark folklore, and sad werewolves in the rain.

WolfhideWinter has joined our team as our monster-maker, dedicating their time towards depicting our primary antagonists of the garou: The Black Spiral Dancers, and the Wyrm's brood! We can hardly think of a body horror artist more fitting for the role.

[dateamonster]

first look at the monster high g3 animated series

alright rather than bombard u all with a series of posts im just gonna go in for a second watch and put a play by play of my impressions under the cut. reader beware: its going to be long and stupid as hell.

watch along with me

0:18 the new design for the school is kind of amazing. like part of me misses the more traditional spooky-gothic-castle but like i cant deny that the big lightning bolts look cool af and i do think it has more character than the g2 which imo just kind of looked like. a school.

0:33 new spectra is soo cute lol she wasnt anywhere near my fav in the old series but smth about the big flowy purple curls is rly charming me this time around

0:47 ghost ms frizzle??

1:10 i rly like a lot of these background monster designs. this zombie girl in particular is very cute and also i think i spied a werewolf boy in the back who i liked.

1:19 still obsessed with this cleo design. hope future dolls get better at capturing her charm and in general they stop being so weird abt her race and skin color. also for all that ive seen folks worry that this gens cutesier design will mean taking out the more horror-adjacent elements for the sake of better fitting the typical Girl Toy brand, im so happy to see mh3 doesnt shy away from a bit of tasteful gore <3

1:29 YUMMERS

2:01 BRITISH TORALEI LMAO?? idek why this is just killing me for some reason. its such a little thing but i feel like it gives her a totally different vibe. maybe its the anglophobe in me.

2:08 i wasnt sure where to put this part but im still sort of struggling with this concept of monsters hating witches, especially considering in this version witches arent like a separate monster-adjacent species (rip casta fierce) rather witchcraft just seems to be something anyone can learn to do? i dont entirely hate it i just dont get it i guess. i do think itd be fun if later there was like a witch high rival school. possible opening for the long awaited ever after high crossover event? anyone?

2:17 FUCK THE HATERS LAGOONA IS SOOOO CUTE i love that she immediately jumps to imagining a star-crossed monster x witch romance which is such a teen girl move imo. and that then she seems to like remember halfway in that we all hate witches for some reason and gets so immediately morbid with it i LOVE it go bestie go

2:45 i know its just a vampire joke but in before g1 purists get mad abt the idea of g3 draculaura actually biting ppl even though shes a vegan in g1. i mean i think theyll probably keep that trait since its a handy way to avoid blood in a kids show and its sorta quirky-endearing to boot but i think itd rule if they let draculaura bite some people this time around tbhhh.

3:00 choklat milk snake B)

3:20 ride or die ghoulies dont even question why their bud needs u to catch a living snack this is why frankie is a real one

3:55 im so obsessed with this frankie. i love that they found draculauras stash and were like neat :-) now to not mention this to anybody :-) iconic behavior

5:08 its just processing for me now that draculaura has this like huge portrait of her dad just in her room. i do think its cute that her character is more perfect-daddys-girl-but-with-a-secret (a trope i largely enjoy a Lot) this time around but thats still wild behavior.

5:11 ok i know i said this when the sneak peak came out but the idea that heath is an actual demon and son of the literal DEVIL this time around, confirming that hell is real in monster high lore, is making me insane. i genuinely love it. wish theyd given heath some cute lil horns or a tail.

5:15 THAT THING WITH THEIR EYES!!!! frankie is so damn cool.

5:37 dracula being this like celebrity in the monster world i think is an interesting take but i feel like im gonna get so annoyed if his character starts showing up a lot. idk i dont hate it its just a weird vibe.

6:05 it took a while to click since clawdeen doesnt talk a lot in this ep but it is kind of weird hearing her (and draculaura) without an accent. i kinda found g1 draculauras voice a little grating at times so i dont mind that and i do rly like how clawdeen sounds more like an actual kid but idk i miss the accent

6:28 theres not a whole lot to say on deuce since hes only here for side gags in this ep but just wanted to go on the record with: i think hes cute

6:42 weirdly super enamored with the food-creatures, especially the burger lol. reminds me of bugsnax. also this whole fight sequence rly displays how far mh animation has come from rigid flash animations of a handful of stock characters. its neat.

7:13 bat!draculaura is adorableeee

8:23 now i rly thought she was abt to say living foods go to hell in this nickolodeon kids cartoon ghjfdjhd

8:35 the headmistress is so cute too wtf it IS snack time snack time so tru bestie

8:56 fghjkjhgf sorry that resolution is ridiculous. im not complaining mind you i just. like. wow. also side note but i think the intercom being based on the monster high skull-with-bow logo is a cute throwback. didnt realize before but i feel like it hasnt been as central in the marketing in a while. its still def around but not as much i dont think.

9:08 lol ok i know its probably just another reference to dracula being bad with technology (cute trait for him tbh) but when i first saw this i couldnt help over-analyzing with my Lore Brain and wondering if it was also a reference to vampires not showing up on camera. but then i realized the kid he takes a pic with also has fangs and bat wings and shows up fine so thats probably not it, especially since drac canonically shows up fine in video.

9:50 the "bat out" reoccurring line is so incredibly cheesy it makes sense hes quoting it from some 70s b-movie he was in. but that doesnt make it any less cringey to me. also i know i said he kinda annoys me and he does but i do desperately wanna know how this bitch got into show business. drac backstory please. dracstory, if you will.

10:30 YOUR HONOR THEYRE JUST CUTIE BABIE BESTIES <333333

10:45 im reeeeally excited to see how this plot develops. i honestly assumed this series would be more like the web shorts except longer and more developed. as in, episodic and largely unrelated to one another, but im soo hype to see them doing something more serialized with overarching conflict and stakes. also we <3 classic troublemaking cant mind her own damn business toralei. like girl you have no reason for acting like this. she is simply a messy bitch.

final thoughts: really really liked it. love the visuals and the ways the new characterization plays with old beloved traits. love that this series has more of a familiar cartoon hijinks vibe rather than leaning too hard into it being like a Teen Girl Show just because the toys are first and foremost a fashion doll line. i dont know if im articulating that well i just mean i like that the girls are allowed to have like a full range of motion and action and emotion, and that they can be like gross and funny in addition to pretty. i think g1 had a good start in this regard but was definitely limited both by the animation and the expectation to follow that niche established by like barbie/bratz animated works (no hate to any of those either tho)

there are changes that ill need to get used to obviously, but i feel like the franchise is heading in a strong new direction. i saw some folks complaining that the bits about draculauras witchcraft and clawdeens half monster/half human felt like they were introduced as a means to employ annoying Fantasy Racism tropes, and thats a really valid criticism, but its also kind of something monster high has always done (with regards to monster/human conflict, certain monsters being discriminated against for certain traits, jackson jekylls entire character, etc).

i get the concern, but i feel like in a series so centered on embracing differences its kind of impossible to not include issues of discrimination, and it being a kids fantasy series, that does sometimes translate in a way that feels wonky or oversimplified at best. tho tbh monster highs execution regarding the subject always kind of felt to me like one of the better ones. idk. im just feeling good about this first look and excited to see how the show and the monster high franchise as a whole develops further as we move forward.

anyway stan g3 lagoona she deserves better than the g1 purists have been giving her.

[lovecanbesostrange]

red riding hood could have been a good movie, but that would require some changes. i just wish there were more werewolf films directed by women and more female-led ones too

Dear Anon, I'm very sorry I didn't reply and I don't know since when this ask has been sitting in my inbox. (Imagine tumblr would put up blue dots for that.) It's been a while since I mentioned that horrible (but not fun horrible) film in tags, guess that's when you send this. Anyway, I agree. Monsters in all the genders, please! But especially more cool lady werewolves, because if anybody nowadays deserves to shred what society expects them to be and behave feral and wild and maybe tear some dudes into shreds...

And oh, OH more women directors in horror. PLEASE! It absolutely does make a difference. The way how Revenge (aka Ouch, the Movie) is from the often discussed Rape'n'Revenge section, but it has such a very specific feel to it... Leigh Janiak did an awesome job with the Fear Street trilogy last year, how come there is no project lined up on IMDB next for her??

I'm looking forward to the end of the month when Guillermo del Toro's Cabinet of Curiosities is gonna drop on Netflix. Anthology series with some well known director/writer names. One of which is Jennifer Kent (The Babadook), but also weirdly Catherine Hardwick. I think she did the best she could with the first Twilight and I understand why she was hired to shoot that dreaded Red Riding Hood film, to capture a very specific vibe again and there were some nice looking shots. She's gonna do a Lovecraft story. I think she is capable of capturing stunning visuals and very good with fairytale motifs. So I'm hoping this time the script is better.

You know, it's really funny. When I saw the Red Riding Hood trailer, I thought this had to be that Red is the wolf herself. Because that's a dark and fun concept. But when I watched OUaT, I didn't think about that, I was busy focused on how the Huntsman had a wolf thing going on and waited for him to show up in that storyline to bring Snow and Red together or something and the wolf maybe not being that evil at all (because a wolf eating people seemed so dark, huh).

[nonspeakingkiku]

Hi Kiku, this is special interests anon! I would absolutely love to know more about your more morbid interests! I actually considered going into taxidermy for a time, though I decided to go into art and history instead. But please do talk more about those interests! Do you own any taxidermy, or hope to get any soon?

: D Hi special interest anon! Kiku doesn't currently, because space and money. Kiku isn't sure Kiku will ever make taxidermy kiku's self because of the smell (Kiku's hubby's nose is very sensitive and Kiku wouldn't want to come home smelling yucky (especially considering Kiku wouldn't be able to tell if was stinky because frankly Kiku's sense of smell sucks). But Kiku grew up with taxidermy (mostly deer) and used to help one of Kiku's brothers process deer he got. One of Kiku's favorite oddities are baculum, whic if you know what they are, awesome! And if not, can message Kiku lol.

Kiku has a migraine currently so this might not make sense/might be all over the place.

Kiku really wants a coffin to take naps in lol. Specifically a coffin, not a casket. Kiku loves vampires, although Kiku is a werewolf not a vampire. No necessarily morbid but Kiku loves the book series Vampire Kisses.

Kiku is having trouble thinking of things lol.

Kiku loves animals that are often considered gross, pests, or other similar things. Rats, mice, bats, possoums, ect.

One of Kiku's favorite bands is Korn and Kiku also really likes ICP(the insane clown posse) , Twiztid, Boondox, and Tech N9ne (nine), which Kiku thinks are all considered horror core rap and especially ICP and Twiztid cover very morbid topics 😅

Kiku likes learning about weapons, poisons, and other deadly things. And also the dark parts of history (wars, medical quackery (fake medicine), the often rediculous things that were used as remedys in the past, and the ways that humans unintentionally unalived themselves (the victorian era was wild).

Kiku is especially interested in the World Wars, oooh and nuclear science is so cool (although increadibly messed up to use as weapons) Serial killers are interesting, especially why they do what they do and the process to catch them (hense why Kiku likes Criminal Minds and Bones and similar shows so much).

Kiku grew up reading Nancy Drew and watching Scooby Doo. So 😅 Kiku loves mysteries and spooky stuff.

Kiku really likes adult cartoons like Futurama, Family Guy, American Dad, ect. And shooter video games like Gears of War, Fallout, and Borderlands.

Kiku can't think of anything else right now 😅