#The Little ABC Book

[uwmspeccoll]

A Goncharov Typography Tuesday

This is one of the official typefaces used for Martin Scorsese’s iconic 1973 film Goncharov, arguably one of the finest Mafia movies ever made. The font first appeared as a calligraphic page in German type designer Rudolf Koch’s 1934 book Das ABC Büchlein published in Leipzig by Insel-Verlag. While other fonts were eventually used for titling and poster design, Scorsese was especially drawn to the chunky rawness of Koch’s design and found ways to incorporate the lettering into the film.

Our sample is from a 1976 facsimile The Little ABC Book of Rudolf Koch, published in America by David R. Godiine in an edition of 1000 copies designed and with a preface by Warren Chappell, a memoir by Koch’s colleague Fritz Kredel, and printed by the Meriden Gravure Company.

View another post on Koch’s Little ABC Book.

View more Typography Tuesday posts.

[mikereads]

“Of course, there is the person you come back to: his face and body and voice and scent and touch, his way of waiting until you finish whatever you’re saying, no matter how lengthy, before he speaks, the way his smile moves so slowly across his face that it reminds you of moonrise, how clearly he has missed you and how clearly happy he is to have you back.”

[andthebeanstalk]

You're either in the Les Mis fandom for the revolutionary twinks or the repressed old men. I am here for the old men. And so

[autumnalmess]

Reposting a slide from the last thread ↓ because I think it is all of us

[rhomaa2]

Shockingly, i didn't actually hate the Taylor Kelly bit in last nights episode. It genuinely felt like the most in character thing for her since "dosed".

This is what she should have been the entire time before they tried to shape her personality into someone fit to be a love interest.

Antagonistic Taylor Kelly is fun, LI TK is boring and was just weirdly written - look i'm all for people being allowed to change and grow but that's not what happened.

Also, the fact that the episode Buck didn't trust her to not be there writing a story on Eddie is the exact same episode they got together? Never sat right.

Honestly it was such a fun "interruption" to choose and so on brand for the character as we met her

[heywoodsays]

Documentary Short: Book Bans, Band Instruments, and Grandmas

The nominees are:

The ABCs of Book Banning

The Barber of Little Rock

Island in Between

The Last Repair Shop

Nǎi Nai & Wài Pó

Another one of the really exciting categories, this year’s documentary shorts feature some of the most compelling stories.

The Last Repair Shop is the slight favorite in this category, and I wholeheartedly agree with that status. I can’t discount my bias as a former music teacher here, but the storytelling and film making is quite excellent. The performance over the final credits is the cherry on top of the sundae.

On its coattails may be The ABCs of Book Banning which is sure to garner a lot of attention in the wake of decisions being made at school boards across the United States. But this is a case of the subject matter doing most of the heavy lifting. It doesn’t quite match up to its competitors in terms of creativity and expression.

The Barber of Little Rock and Island in Between both pack a political punch as well, the former looking at overcoming socioeconomic equities in historically Black areas and the latter exploring a unique island stuck in between mainland China and Taiwan both physically and politically.

The charming Nǎi Nai & Wài Pó about two aging relatives may be a sleeper favorite here. It’s charming, uplifting, quirky, and funny, making it a standout in this category. And Academy voters may be enticed by the possibility of the film’s two subjects appearing on stage for a special Oscar moment.

Who will win: The Last Repair Shop

But look out for: Nǎi Nai & Wài Pó

Who I’d vote for: The Last Repair Shop

If I could add one more: Last Song from Kabul

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2024 OSCAR PICKS | FEATURES AND SHORTS: International Feature | Animated Feature | Documentary Feature | Live Action Short | Animated Short | Documentary Short | TRADE CRAFTS: Cinematography | Film Editing | Production Design | Costume Design | Makeup and Hairstyling | Sound | Visual Effects | Original Score | Original Song | TOP CATEGORIES: Original Screenplay | Adapted Screenplay | Supporting Actor | Supporting Actress | Actor | Actress | Director | Picture | TOP 10 FILMS OF 2023

[dweemeister]

Best Documentary Short Film Nominees for the 96th Academy Awards (2024, listed in order of appearance in the shorts package)

This blog, since 2013, has been the site of my write-ups to the Oscar-nominated short film packages – a personal tradition for myself and for this blog. This omnibus write-up goes with my thanks to the Regency South Coast Village in Santa Ana, California for providing all three Oscar-nominated short film packages. 

If you are an American or Canadian resident interested in supporting the short film filmmakers in theaters (and you should, as very few of those who work in short films are as affluent as your big-name directors and actors), check your local participating theaters here.

Without further ado, here are the nominees for the Best Documentary Short Film at this year’s Oscars. The write-ups for the Live Action and Animated Short categories are coming soon. Non-American films predominantly in a language other than English are listed with their nation(s) of origin.

Năi Nai & Wài Pó (2023)

Rarely do both sides of one’s family ever meet. You might expect them to mingle at weddings and funerals. But cohabitation? Such is the case with Taiwanese American director Sean Wang’s two grandmothers in Năi Nai & Wài Pó (paternal and maternal grandmother, respectively), available worldwide on Disney+ and Hulu. Wishing to live closer to family, Wang moved in with his grandmothers Yi Yan Fuei (Năi Nai) and Chang Li Hua (Wài Pó) in their California household during the height of the COVID-19 pandemic. His grandmothers rarely leave the house, even for groceries, and keep their heavy curtains drawn at all hours. As thin beams of sunlight barely stream through the interior’s earthy colors, both grandmothers continue to read the newspaper, sing traditional Chinese music, do their own cooking (I assume someone drops off groceries for them), tease each other about farting in bed, and reflect on their families and their pasts. They know that there are fewer tomorrows remaining, but that will not stop them from living joyously and with love for their grandson, who, though off-screen, they converse with throughout the shoot.

Qualifying for the Academy Awards by wining Best Documentary Short at SXSW in 2023 (in addition to the equivalent prize at AFI Fest), Năi Nai & Wài Pó freely admits that its subjects are playing up their act for their grandson. Observational cinema this is not. But in their sense of exaggerated play there exists a twofold acknowledgement. First, as Năi Nai states, “the days we spend feeling pain and the days we spend feeling joy are the same days spent. So, I’m going to choose joy.” And perhaps most meaningfully to Wang, their playing for the camera is one of many ways they express their love for their grandson. It is an elevated home video, a loving portrait, and a reminder to cherish those who loved us into being.

My rating: 7.5/10

The Barber of Little Rock (2023)

People Trust in Little Rock, Arkansas is a Community Development Financial Institution (CDFI). In other words, it is a non-profit – partially funded by the American federal government – to address issues in creating economic growth and opportunities in some of the most underserved communities in the nation through loans, emergency financial assistance, and housing subsidies. People Trust and its President, Arlo Washington, are the subjects of The Barber of Little Rock (available for free online through The New Yorker), directed by John Hoffman (2021’s Fauci) and Christine Turner (2021’s Lynching Postcards: 'Token of A Great Day'). The film, Oscar-qualified by winning the Grand Prize for Documentary Short at Indy Shorts International Film Festival (Indiana), requires a wealth of context to the issues that it raises, but does not always provide enough – especially how municipal, state, and regional history impacts racism in banking, and vice versa.

Arlo Washington is a fascinating, wonderfully-intentioned person, but the movie spends too much time with him directly stating the piece’s thesis about financial equality and generational poverty to the camera. Most compelling of all were some of the individual appointments at People Trust of regular people simply looking for financial relief or a loan to kickstart a business or make their rent payments. So too Washington's barbering training school – especially a scene when two students are asked to look intently at the other’s faces, to understand the other’s struggles simply through quiet observation. Arlo Washington figures in many of these scenes as well, and those scenes reveal as much, if not more, about the lives of People Trust’s clients than any of his brief lectures can accomplish. Hoffman and Turner clearly had deeply cinematic material to work with that could empower their messaging, and it is a shame they are unable to fully utilize it.

My rating: 7/10

Island in Between (2023, Taiwan)

Ten kilometers away from the Chinese city of Xiamen lies Kinmen, a group of islands under control of Taiwan (the island of Taiwan is 187 kilometers away). Directed and narrated by S. Leo Chiang and distributed by The New York Times, Island in Between is Chiang’s meditation on not only Kinmen’s precarious geography and its political status, but his own identity of being American, Chinese, and Taiwanese – three separate identities that interconnect, but are forever distinct. Like many viewers, I was unaware of Kinmen’s existence before viewing Island in Between. This film is most valuable in introducing audiences to a place in some ways frozen in the mid-twentieth century, not so much capturing the spirit of the place and understanding its history.

During visits to mainland China in the late 2000s, Chiang, Taiwanese-born and American-raised, was struck by how vibrant the mainland was – something unrecognizable from “the communist wasteland [he] learned about in school.” In the years since, the crackdown on Hong Kong’s democracy, the COVID-19 pandemic, and increased political tensions between China and Taiwan have complicated his feelings towards the mainland. As a Vietnamese American, I easily saw parallels between how the younger diaspora views our so-called “motherland”, what we are taught, and how older generations perceive their original home. Even among generations, there are divisions in how we feel about the motherland. But Chiang has the additional complication of being caught between three nations important to his being. If anything, his mentions about his parents and their views feels far too cursory, as they are the ones most responsible for shaping his views about American/Chinese/Taiwanese tensions. One hopes this film is not a harbinger of things to come, as beached tanks rust on the placid Kinmen shore.

My rating: 7/10

The ABCs of Book Banning (2023)

As of the publication of this omnibus write-up, bans and challenges to books in libraries and schools have spiked since 2021. These book challenges, often taken up by parents and certain religious organizations, have disproportionately targeted books by and/or about LGBTQ+ and non-white (especially black) people. Stepping into the debate is MTV Documentary Films’ The ABCs of Book Banning (available on Paramount+), directed by Sheila Nevins, Trish Adlesic, and Nazenet Habtezgh. Unfortunately, the film advocates against book challenges in the most stultifyingly artless way. Early on, a title card reveals that the filmmakers will ask about book banning and restrictions from a group that we have heard little from: children. An honorable approach, but the interview snippets found in The ABCs of Book Banning are repetitive and seem rehearsed – children, aghast at the notion that a selected book is a target, offer reasons why book banning is a terrible idea. Nothing Americans have not heard before. Breaking up their interviews are images of book covers, followed by a brief quotation from said book, and an amateurish “BANNED” or “CHALLENGED” banner in red over the book. Sometimes, cheap animation depicting that book’s passage appears; the placement of these animated sequences has no rhyme or reason.

Damningly, this is a film in search of a structure. A handful of authors whose books have been banned from libraries or schools show up to introduce themselves over what appears to be an interview over Zoom. They say a few sentences about why book banning is terrible and we never hear from them again in the film – a complete waste. I suspect these authors recorded longer interviews, but there is almost nothing that remains of those interviews in the final product. This is a film for those who agree with its premise, have no cinematic taste, and are tediously self-satisfied in how they express their political views.

My rating: 4/10

The Last Repair Shop (2023)

The Los Angeles Unified School District (LAUSD) is the last major city school district in the United States to offer free musical instrument repair to its students. From the Los Angeles Times and Searchlight Pictures comes Ben Proudfoot and Kris Bowers’ The Last Repair Shop (also available on Disney+ and Hulu), which takes us to LAUSD’s repair shop. Just short of the 40-minute limit for short films, The Last Repair Shop curiously tells the viewer preciously little about the shop itself (what are the challenges it is facing, and why is the last of its kind?). Proudfoot and Bowers – both previously nominated in this category for A Concerto Is a Conversation (2021; also available online thanks to The New York Times) – adopt much of the same style as their previous nominee. Both films share talking heads in shallow focus and snappy editing. These aspects sometimes made A Concerto Is a Conversation incohesive, but they work immensely better for The Last Repair Shop. It also helps that The Last Repair Shop, which slowly reveals itself to also be a portrait of a rarely-seen side to L.A., has a clear structure that the viewer can discern early on.

What carries The Last Repair Shop are the life-affirming conversations we have with the four principal interview subjects, all of whom work in a different department at the shop – Dana Atkinson (strings), Paty Moreno (brass), Duane Michaels (woodwinds), and Steve Bagmanyan (pianos; also the shop supervisor, and who inspired the film as he tuned pianos at Bowers’ high school). Whether they play an instrument or not, all four recognize music’s ability to better understand ourselves and others, and as “one of the best things that humans do.” The addition of student voices to the film – especially when one realizes that the repair shop employees almost never hear back from the children whose instruments they repair – strengthens a connection, however distant, through music. The Last Repair Shop’s final minutes provide it that final cinematic touch you might have anticipated, an affirmation of why those who speak the language of music hold it so dear.

My rating: 8.5/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

From previous years: 88th Academy Awards (2016) 89th (2017) 90th (2018) 91st (2019) 92nd (2020) 93rd (2021) 94th (2022) 95th (2023)

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

[moviemosaics]

All Short Films Nominated at The 96th Academy Awards

[ijustkindalikebooks]

As you may know recently I have been reading all the Agatha Christie books, and I've finally begun coming to the end of the Poirot mystery series, so I wanted to share with you my favourite stories that feature the Belgian detective with the little grey cells.

Christie was so good at creating characters that you love and loathe and invented a structure to her stories that would work for her in every mystery she created. Maybe a big country house was needed alot of the time, but honestly, I'm not mad about it as she uses different characters and motives to make plots that keep you gripped! Here are my recommendations.

Five Little Pigs - Five Little Pigs is the story of a supposedly open and shut case, a philandering artist husband is murdered by his wife some years before, however a letter left with her daughter makes it clear she didn't commit the crime, Poirot is here to look for the truth. This story twists and turns and goes in unexpected ways. I appreciate the setting as well and honestly it kept me guessing until the end. This is one of her bests.

Death On The Nile - I've of course seen adaptations of this and worried this would effect my reading experience, however, it did not! I was still as gripped and into this story as if I had never read it before. An incredible setting plays host to a story that twists and turns and makes for a finale that is impossible to forget. I loved reading this book and I think anyone who loves a mystery will do so too.

The ABC Murders - I really enjoyed the plot of this story. Unique, interesting and gripping, this story sees Poirot trying to find a murderer who is killing people with the same letter name and hometown and how he does that. Incredibly paced and with an interesting premise and collection of characters, this book is definitely one of Poirot's best books in my humble opinion.

Appointment With Death - Set in Petra, Jordan, this book is the story of Mrs Boynton - a not very pleasant woman who is poisoned and Poirot is tasked to find out why especially after overhearing some things on his travels that raise his suspicions. A fantastic setting, an incredible plot and a story that keeps you guessing until the very end, I really enjoyed this book.

The Hollow - A story that leads Poirot to a country house for a murder mystery weekend, things take a turn when an actual murder mystery begins. One of the first stories starring Ariadne Oliver, who is a recurring character in Poirot stories which is in my opinion a self-insert of the author somewhat, she adds to the charm of the story and allows for a deeper and better plot for the mystery. A great read.

What are your favourite books by Agatha Christie? Let me know!

Vee xo

[enbeemagical]

please look at this gorgeous little book I found at B&N today

[reefdestro]

IG ReefDestro

[chicago-geniza]

Stefania says this too and she connects it to fashion history, saying the lush, elaborate, curve-exaggerating and almost baroque-rococco styles that inhibited movement were impractical for anything but posing for portraits and appearing decorative--the End of Empire styles--were one form of objectification (pure passivity and sexual receptivity, a tabula rasa onto which fantasies can be projected), while the androgynous, shapeless fashions of the ‘20s that favored a lanky, emaciated silhouette sans secondary sex characteristics were not as liberatory as they purported to be. If you imagine the binary as “madonna/whore,” sure, at first they look like an escape from the paradigm, but they’re not--it’s just asexuality and denial of femininity in order to achieve one’s desired ends, i.e., emancipation, the franchise, “pelne zycie,” the whole equality-equity civil rights shebang, under the law and under contract and under one’s household roof and under the sheets, so to speak. But of COURSE Stefania would have been reading Weininger too, and I can’t believe I didn’t make this connection--!!!

[shadowwingtronix]

Saturday Night Showcase> Here Come The Littles

BW Media Spotlight's Saturday Night Showcase> Here Come The Littles

Based on the book series by John Peterson, The Littles aired for three seasons on ABC’s Saturday morning lineup. Young Henry Bigg has a secret living in his walls, tiny humanoids with rodent features called Littles. Similar to something like The Borrowers, the Littles have made things based on stuff they find. The youngest Littles, siblings Tom and Lucy, make friends with Henry as the three have…

[greensparty]

Green's Party Guide to the 2024 Oscar Nominated Short Films

Anyone who knows me knows I am a longtime champion of the Short Film categories for Animation, Live Action and Documentary at the Academy Awards, mainly because I have made short films and I know how hard it can be to tell a story in a short amount of time. I am very excited to continue my annual tradition of showcasing the Oscar Nominated Short Films (read the  2017, 2018, 2019, 2020, 2021, 2022 and 2023 guides). 

2024 movie poster

This year’s nominated short films are available from ShortsTV both in theaters and online. I’ve watched all of them and here are my thoughts and predictions:

Best Live Action Short Film:

This year's Live Action Short Film nominees is one of the strongest collection of nominees in years! The After (U.K.) was produced by Neon Films and distributed by Netflix. In this heavy drama, after a traumatic experience with his family Dayo (played by David Oyelowo) becomes a rideshare driver and one of his jobs helps him to confront the past. Oyelowo (who also produced this film) has been excellent in a number of films including Selma and The Butler, and this is truly a showcase for him! Red, White and Blue (U.S.) was produced by Samantha Bee. In this drama, a single mother (played by Brittany Snow, another notable actress) bring her young daughter with her as she crosses state lines to get an abortion. Without getting into spoilers, it goes from a sobering to even more sobering and has a lot to say about the need for reproductive rights in all states. Knight of Fortune (Denmark) is about a man who's at a morgue to say goodbye to his suddenly deceased wife and he forms an unlikely friendship with another widower. In a category filled with heavy dramas, this one is among the heaviest, but there's also a humanity to it in showing in a very fragile state how a total strange can lend a helping hand. Invincible (Canada) is based on a true story of the last 48 hours of a 14-year-old boy's life while he's in a juvenile center. While there are some powerful moments, it does feel like at times like it's a feature being squeezed into a short. Netflix's The Wonderful Story of Henry Sugar (U.S. / U.K.) is the most high-profile as it's from director Wes Anderson adapting from Roald Dahl and it was released on Netflix in September. Anderson had previously adapted Dahl's The Fantastic Mr. Fox and this time he's adapted a 37 min. film but with the same scale as a feature. The film explores a variety of stories narrated by Dahl (played by Ralph Fiennes), the main story being about Henry Sugar (Benedict Cumberbatch), who is able to predict the future and see through objects thanks to a book he stole. This one is easily the biggest budget, most star-studded and most visually impressive.

Will Win: The Wonderful Story of Henry Sugar is the clear frontrunner. Wes Anderson has been Oscar-nominated in a number of other categories (Screenwriting both Original and Adapted, Animated Feature director, Directing, and producing Best Picture) and yet he has never won even though he is one of the most critically acclaimed and innovative directors working today. In some ways it is kind of unfair that an A-list director makes a short film on the scale of a feature when so many Live Action Shorts are low budget and trying to make something impressive in a short amount of time and don't have nearly the resources Anderson does to be able to get this cast, the production design and to adapt Dahl. On the other hand there's no rule that says Live Action Shorts are meant for newcomers and directors early in their career...so survival of the fittest. But something that needs to be said about this year's crop of nominees is that there's a lot of heavy drama, and this one is charming and lighter in contrast, which could steal the thunder.

Should Win: I'm going to have to say a tie. Henry Sugar is highly impressive, but Red, White and Blue stayed with me and had a twist that was devastating.

Best Animated Short Film:

This is also a great year for animated short nominees: Our Uniform (Iran) is about an Iranian girl unleashing her memories of school as she looks at her old uniform. The animation style and aesthetic is very unique. Letter to a Pig (Israel / France) is about a Holocaust survivor speaking to a classroom about how a pig saved his life and a student goes into a dream about it. This is very heavy and intense. But I do feel like animation purists are going to have an issue with the fact that is also used some live action footage interspersed with the animation. But either way, this is a very innovative approach to the subject matter. Pachyderme (France) looks at a young girl visiting her grandparents in the Summer countryside. A young female protagonist and/or a woman looking back at her younger self is a common theme in this year's nominees, but this one has some gothic and horror elements to it. Ninety-Five Senses (U.S.) is directed by Jared Hess (yes the director of Napoleon Dynamite is an Oscar-nominee) and his wife Jerusha Hess (writer with Jared on several films and Austenland). An old cowboy (played by actor/director Tim Blake Nelson) reflects on the body's five senses in his lifetime as he's about to run out of time. Let me just say I was not into Napoleon Dynamite at all, but what got my attention more than the directors was Tim Blake Nelson, an underrated actor who shines in everything he's in. I kind of liked how the animation changes within each sense Coy describes and also how it has a sense of nostalgia about the pre-digital era. WAR IS OVER! Inspired by the Music of John and Yoko (U.S.) got my attention immediately as I am a lifelong Beatle / John Lennon fanatic. It was co-written by Sean Ono Lennon, who also co-produced with his mom Yoko Ono. Director Dave Mullins was previously nominated in this category for Pixar's 2017 short Lou. Set during a World War I front, a pigeon carries messages between two soldiers playing chess, unaware they are on opposite sides. There is no dialogue and the music score of Pixar veteran Thomas Newman enhances the powerful anti-war message of this colorful visual feat!

In addition to the official nominees, ShortsTV is including two additional films in the Best Animated Short Film program, both of which were on the short list but did not get nominated. Wild Summon (U.K.) is narrated by Marianne Faithfull and it was produced by Oscar-winner Adam McKay. It looks at the lifecycle of the wild salmon as it looks in human form. While it is a bit long, there is a strong environmental message to it. I'm Hip (U.S.) was directed by animation veteran John Musker, who was nominated for two Oscars for Animated Feature for The Princess and the Frog and Moana. This is about a hip cat who sings a song about how hip he is to the world around him...who don't agree.

Should Win: WAR IS OVER! is the best of this year's strong crop. With the state of the world what it is right now, an anti-war message anchored by a John and Yoko's "Happy Xmas" made a very strong statement. I'm a huge fan of Sean Lennon and it'd be awesome to see him accept!

Will Win: WAR IS OVER! Not only is there the name recognition of John Lennon and Yoko Ono, but the World War I setting completely driven by visuals and no dialogue will go a long way.

Best Documentary Short Film:

This is a great year for Short Docs: Nai Nai & Wài Pó (U.S. with Mandarin subtitles) was a festival hit acquired by Disney+. Director Sean Wang makes a touching and personal profile of his grandmothers who live together and dance, exercise and joke together. There is a sadness about mortality, but there's also a sense of humor to this that makes the subjects seem funnier than it would in another director's hands. The Barber of Little Rock (U.S.) is produced by Liz Garbus (a two-time Oscar nominee for Best Documentary Feature) and the New Yorker. In Little Rock, AR a local barber Arlo Washington has founded People Trust, a non-profit community bank fostering economic progress for underserved and underbanked residents. This doc looks at a number of people who have collaborated with People Trust (each of whom could easily be the subject of their own doc), but the through line is very much Arlo who is fighting the good fight to provide opportunities a lot of banks are not and to help the community as a whole. Island in Between  (Taiwan) is produced by the New York Times. The doc's director S. Leo Chiang reflects on his own relationship with Taiwan, United States and China from the islands of Kinmen, just off of mainland China. The cinematography is breathtaking to say the least! The ABCs of Book Banning (U.S.) was produced by MTV Documentary Films. It was co-directed by Sheila Nevins (a big doc producer and executive who is just now directing) and was co-directed by Trish Adams (a previous Oscar nominee for Best Doc Feature for GasLand) and Nazenet Habtezghi (a producer on American Experience). This looks at the topical issue of banned books from school districts in recent years. Instead of just documenting the battles and the politicians who campaigned for book banning, this doc talks with children and in some cases the authors of some of the banned books. This is very thought-provoking and lends itself to a longer conversation after the film is over. The act of saying a book cannot be read in a school district raises bigger issues and concerns about intent and prejudice. By the end of the film, I truly wished we could force Desantis and his staff to watch this! The Last Repair Shop  (U.S.) was produced by L.A. Times and distributed by Disney+ and it was co-directed by Kris Bowers and Ben Proudfoot, who are veterans in this category having been nominated A Concerto is a Conversation at the 2021 Oscars and Ben won for last year's The Queen of Basketball. Here Proudfoot and Bowers (an accomplished music composer for numerous films) look at Los Angeles, one of the few cities that offer to repair music instruments for the public school students at no cost. The doc looks at the repair shop, but more specifically the four craftspeople who specialize in these instruments as well as the students who play them. This is very much a doc that pulls at the heartstrings. But what I loved about this is that it is really an analogy about how music can be something that brings people of all walks of life together to make something beautiful.

Should Win: Some highly impressive docs in this category this year, but The ABC's of Book Banning made the strongest statement. But do not discount The Last Repair Shop, also about the need for art in our society.

Will Win: This could go any number of ways, but the fact that The Last Repair Shop is now on Disney+ and was broadcast on ABC-TV, definitely raises its profile significantly. The fact that it was a bigger budget doc with a sweet message is going to go a long way too!

This year's Oscar Nominated Short Films can be seen online from ShortsTV as well as select movie theaters including programs at Coolidge Corner Theatre and Landmark Kendall Square Cinema.

[awardseasonblog]

(via Previsioni Oscar 2024: Miglior cortometraggio documentario)

[trendfilmsetter]

2024 Oscar Nominations for Best Documentary Short Film