Nobody asked for it but here is Snufkin’s Spring Tune played by me on the recorder (which isn’t even my primary instrument). The expectations are low and the quality is even lower.
Enjoy! :)
I was going to send this to my friends but then I decided not to as I still want them to still be my friends after all.
A silly lil doodle I made back when I used Medibang as my main platform. I made this to test out their timelapse feature when it was still new! So here's that!
Volume warning for the beginning of the video :) might wanna turn the player vol down
Song - (Excerpt from) Cherry Blossom - Paolo Nutini.
The sketch I'm tracing is even older, it's from when I first read Tales from Moominvalley, The Spring Tune! Which the Moominvalley episode is inspired by! I'm getting infodumpy now I need to stop.
I wish something more people understood about Moomin and Snufkin's relationship is that the pining is mutual. Snufkin keeps coming back to Moominvalley every spring for a reason. He also admires Moomin and wants his approval, that's where his inner conflict comes from. And Moomin isn't nearly as clingy as people think. In fact, he tries his best to avoid showing Snufkin how much he misses him, even though Snufkin can tell, and never asks him to stay. Also saying that their relationship could never work completely ignores the character development they got in the last two books which would've led to a healthier relationship between them had they reunited.
“Suddenly Moomintroll lifted his nose and listened! Far away Snufkin was playing his gayest song: ‘All small beasts should have bows in their tails.’ And Moomintroll began to run towards the music."
Down by the river he came upon Snufkin who was sitting on the bridge with his legs dangling over the water, his old hat pulled down over his ears.
Hello,’ said Moomintroll sitting down beside him. ‘Hello to you,’ said Snufkin, and went on playing. The sun was up now and shone straight into their eyes, making them blink. They sat swinging their legs over the running water, feeling happy and carefree.”
It’s been a longstanding headcanon of mine for Piano Man’s real name to be Saburo Moroi, after the famous pianist/composer who was a close friend of the poet Chuuya Nakahara.
But when I started researching Moroi a bit deeper for the sake of my Flags backstory fic (which I am still writing, shockingly) I learned a new piece of info that added some fuel to my cracked-out fire:
“During his third year at university, Moroi formed a music group “Surya” (the “sun god” in Sanskrit) with his friends. It served as an organization for performing his own works, and by 1931 seven concerts had been given there. His activities with “Surya” brought wider recognition, and it also became a society for young literary men and artists, including Tetsutaro Kawakami, Hideo Kobayashi, Chuya Nakahara, Tatsuji Miyoshi, Hidemi Kon, Shohei O’oka and Kenzo Nakajima, many of whom were later to become renowned literary critics, poets and novelists.”
So not only were Moroi and Chuuya friends and collaborators, they were also part of the same coterie of up-and-coming young men founded by Moroi himself, with a catchy symbolic name and everything.
So now I’m a little more convinced I was on the right track with the whole "Piano Man is Moroi” thing, and my crack theory has evolved into believing that the Flags are a sort of callback to Surya.
Anyway here’s the musical booklet I gleaned this from: https://www.chandos.net/chanimages/Booklets/NA7162.pdf
P.S. The recording is on Spotify and I highly recommend the last three movements. They are Moroi’s magnum opus and they go HARD