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maneskinwh0re · 16 hours

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“one more word.” ~ butch!wolverine x ladypool!reader this is just a wlw honda odyssey scene bc i need butch wolverine to be real. i also aimed to write them in character! give feedback babes plsssss

cw: outdated cultural references, fourth wall breaking, nsfw, blood, f!ngering, strap!sex, idk just lotta gay shit xx

wc: 4.3k...👁️👁️

"get. in the fucking. car."

"it'll get you there safe and sound!" nicepool reassures with a loving pat to the top of the grey honda odyssey. "lil betsy always does." his eyes then fall to dogpool, who is held tightly in your arms. "you're gonna have to give me my dog back, though..."

"i know," you reply matter-of-factly. "listen-" you start before mary puppins places a paw on your hand. "yes, child... if you ever want to give her up or if she needs a new home, or if something should happen to you, i'd love to be her mama."

nicepool only wheezes at your remark. "what would ever happen to me?"

"lots of stuff," you reply with a shrug, smiling innocently under your red mask.

as soon as he realizes your seriousness, his smile fades and looks to the older woman standing to his right in an ask for help. the wolverine lets out a huff as she pushes herself off the honda and moves to grab the dog from your grasp.

"n-no! we're running away- agh- the corn was too dense, girl!" you say in apologies to mary puppins and watch sadly as laura hands the you-variant over to the other, nicer-you-variant.

you begrudgingly get in the passenger seat of the shitty car, waving goodbye to dogpool. the obnoxious sound of you singing "we'll meet again" is muffled by the car windows as laura drives you both away.

time passes. maybe 15 minutes, maybe an hour. doesn't matter, reader— don't worry about it. you haven’t been paying attention to the time because you’ve been sneaking quick gazes at the wolverine in the driver’s seat to your left. the way her brown hair curls up on either sides of her head looks so cute. yet the way her large, gloved hands grip the steering wheel causes your mind to wander other places. all you know now is there’s been a lingering thought poking at your brain since you picked this wolverine up from that bar in her universe.

"okay i'm just gonna ask. what's with the suit? first thing i did when i flamed out: i took mine off."

"drop it." laura mutters.

"it's not that ugly..."

"stop talkin about my suit."

"did you make it yourself? been there!"

"quit. now." the tension in her voice is rising.

"the x-men make you wear it? those sons of fuckin bitches. they are not your friends, i'll tell ya that. friends don't let friends leave the house looking like they fight crime for the los angeles rams-"

"shut the fuck up about the suit," she snaps.

"woahwoahwoah watch your frown lines, angel baby." you back off, lifting your hands in a motion of surrender. "i'm just trying to bond a little bit-"

"yeah? well then talk about something else."

"fine!"

there's an uncomfortable silence between you two, only for a moment before you play around, making spiderman web motions with your gloved hands. you just can’t help but annoy the woman next to you, it’s too much fun. it’s like your duty as passenger princess.

"stop it," she snaps again soon enough.

"why? don't wanna get distracted seeing my fingers in this motion?" you tease, moving your middle and ring finger back and forth. laura only scoffs at the sexual innuendo. "ahh, the natural hand position of the sapphics." you turn to look out the car window and make eye contact with the reader. "is that why so many masc lesbians are obsessed with spiderman? i guess only earth-616 knows the correlation..."

and wait- if i'm supposedly you, the reader, but as ladypool-- then how am i breaking the fourth wall? gasp! a fourth wall break inside a fourth wall break... that's like- sixteen walls... am i talking to myself? or talking to myself? whatever. anyway i know why you're here, you slut. let's make conversation by pushing wolvie's buttons some more, yeah?

"if they could fix your world, what's the first thing you're gonna do when you get outta here? some rubbing alcohol shots? maybe a wiper fluid chaser?"

laura's gaze slowly turns to you. "what did you say?"

"i said when you get back, what's the first thing you're gonna do-"

"no no, before that."

"if-" you catch yourself. shit. "-they can fix your world?"

with an aggressive slam on the break, your seatbelt doesn't even have time to prevent your head from colliding with the dashboard. and as the car stops, you know there's nothing that can save you from the rage behind wolverine's tone.

"what do you mean if?" she asks through gritted teeth, body fully turned to face you.

"i mean-"

"you lied to me. you don't have a fucking clue if they could help me fix things. do you?"

"no, but i mean-" you start to defend yourself before three metal claws impale your thigh, and probably extend under you all the way through to your seat. "agh- fuck! fuck! i didn't lie!"

"you lied!"

"no! i made an educated wish!"

laura only tilts her head at your defense, eyebrows furrowing.

"because i need you," you continue as you unfold the photo that was in your pocket and hold it up for her to see. "this is why. right here. cause if we don't do something, they die. i don't know anything about saving worlds, and why would i even care? cause my entire world is right here in this picture. it's only nine people, and i have no idea how to save it alone. i know how to fuck people up for money but you- YOU know how to save them... at least the other wolverine did-" at that last comment, laura twists her claws in your thigh, striking enough pain for more curses to escape your mouth. "f-fuck! ah- i guess i'm stuck with the worst one-"

"did you just say you made an educated... fucking wish?"

"they call me the merc with the mouth. they don't call me truthful timmy the blowjob queen of sass catoo-"

the three metal blades are quickly removed from your thigh only to be brought up next to your face. laura's shaky breath exercises seem to be the only thing keeping her from slicing you apart.

"one more word... please, give me one." her guttural voice is a low warning. you wait a moment as if thinking to a random word generator in your brain.

"~gubernatorial~" you say simply before cowaring behind flailing arms when laura prepares to stab you in the face, only fake you out. her breaths are deeper, more steady as if she's trying to calm herself.

"you know what? you're a fucking joke... no wonder the avengers didn't take you, or the x-men or fuckin anyone. i mean you are a ridiculous, immature, half-wit moron. i have never met a sadder, more attention-starved, jabbering, little prick in my entire life. and that says a lot 'cause i've been alive for over two hundred fucking years." the volume in her voice begins to rise with each word, striking your emotions further and further as you sit there speechless, yet her anger keeps rising. "and i'll tell ya- that villain chick was right about one thing: you will NEVER save the world. you couldn't even save a relationship with a goddamn stripper! and motherfucker i wish i could say you'd die alone, but it's one of GOD'S best jokes that you can't die! except that's all on all of US!"

she hits nerve after nerve. the pain in your chest hurts too fucking bad. you are not only speechless, you never want to speak again. you have millions of words to say yet none at all.

how fucking dare she bring up vanessa like that? who does laura think she is? no fucking hero, that's for goddamn sure.

"you got nothing to say, mouth?" she asks, almost out of breath from yelling accusations.

all you can manage to say is one sentence. and she doesn’t even fucking deserve the warning too. "i'm gonna fight you now."

wolverine only snorts, a pitiful laugh towards your remark. "oh, are you?"

you take note how a quick punch to her nose shuts her right up, and watch in satisfaction how blood trickles out her nostril down to her upper lip. your small victory is cut short by her fist colliding to the same spot on your own nose. she pushes you to the window and grabs the back of your mask, then slams your face down onto the center head unit multiple times. different radio stations flick back and forth as you make contact with the buttons and nozzles, eventually landing on a song from the original 'grease' soundtrack.

♡ last gore x nsfw warning !! :3 ♡

you lift your hand to grab one of your swords but another punch to the cheek causes your vision to cloud. by the time you come to your senses, laura has buckled your seatbelt and is digging her left claw into your stomach, twisting her hand slowly.

“not talkin’ now, are ya?” she growls before withdrawing her claws and moving to stab you again. pulling the lever on the side of your car seat, you fall backwards to quickly dodge her blow. you kick your foot against her shoulder to keep her back, and then tightly wrap your legs around her head. another three blades enter your side in a sudden motion, causing you to release your chokehold.

“agh! you dirty bitch!” you shout before kicking her out the front windshield of the honda. you laugh and point as she rolls and tumbles through the leaves and dirt. as soon as she gets up, you unsheathe your swords while she sprints back to you. she’s a fucking animal—ramming herself into the front of the car, causing the airbag to go off on your stomach and send you flying back into the reclined seat.

laura jumps through the broken windshield and lands claws first on top of your already bloodied body. slash after slash, you both further each others’ injuries until you flip laura over and pin her down to the seat. there is surprise in her eyes with a hint of something else that you can’t quite pinpoint. trying to catch your breath, she only looks up at you with a ratted smile, as if amused to see you attempting to kill her. blood stains her face and fanged teeth, and her short hair is tangled and damp with sweat. fuck—it’s a sight. with your elbow against her chest, you’re still close enough to smell her alcohol-tainted breath.

“need a mint, you preening slut?” you ask before you are flying through the sunroof of the honda and falling to the ground outside the car. after kicking yourself up, your little wolvie gestures for you to come back with a simple hand wave behind the window. who are you to keep her waiting? throwing the swords over your shoulders, you take out your baby knives before running back to the car and jumping through the window.

broken glass and blood is everywhere, but neither of you care. you’re both having too much fun trying to murder the other as you take turns regenerating. it’s a pointless waste of time and energy. a total meaningless circle of fighting and healing.

you pin laura through the broken windshield and onto the front hood of the car, stabbing her shoulder and arms repeatedly with a knife. the sleeves of her suit eventually fall apart, fabric scattering and leaving her muscular arms to your gaze. so clearly you’re distracted. she grabs your wrist behind her and heaves your arm over her head to hold you in her place for a moment to catch her breath.

she then drags you by the belt from across the car and holds you down with her body in the back seat. her claws sink through the red fabric and into your sides. again. and again. the repetitive motions of the sharp metal soon causes a big tear in the fabric of your suit, exposing the skin under your breast. it seems as if neither of you notice at first, continuously fighting until another stretch from her pinning your arms above your head causes a terrible ripping sound. you both stop and look down, unsure on who has the decency to yield the fight first.

wolverine pauses for a moment, hovering over your bare tit before suddenly attacking your nipple with her mouth. there is nothing gentle about it, and you can’t tell if her actions are still a way of fighting with the harsh ways her sharp teeth nip and bite.

you lay there for a moment in shock, chest heaving up and down in short spurts as you try to breathe. your hands drop the knives to the car floor behind you, yet your wrists are still trapped in the wolverine’s grip. before you can think to stop it, a breathy whimper escapes your lips. the sound pricks laura to come to her senses and looks up at you with a flushed expression.

fucking hell. if you weren’t okay with what’s happening, you would’ve said something by now. even laura knows that—considering how fucking chatty you are.

“were ya hungry, peanut? needed a mid-fight snack?” you tease, tilting your head with a raised brow.

“i didn’t say i was finished.” she smirks before lowering her head to your chest again. her tongue circles and flicks at your nipple, treating it oh so lovingly before biting and pulling at it so fucking roughly. you chew on your bottom lip to muffle your own moans—all because you’re too stubborn to let her know how fucking good it feels.

she’s holding herself back, yet you kick her chest and propel her weight backwards onto the head unit, while the momentum pushes you the opposite direction into the third row of seats. as she falls, the grease song playing from the radio is muted, leaving you two to a short-lived silence.

"i was wrong—the honda odyssey fucks hard,” you say, rolling your head back and cracking your neck in the process. looking back to laura, you usher her to you with a teasing two-finger motion. “too bad you don't, needle dick.”

“oh, we’re just getting started, bub,” she replies, eyeing your manspread position before lunging to you again.

calling her an animal is to say the fucking least. but you’re no better. she rips and tears your suit, not giving a single fuck in the world that you may need to keep it in tact for later in the plot line. she pulls the tough fabric apart, exposing your tits to her lingering eyes. it’s like a switch is flipped. all of a sudden she can’t get enough, wanting- needing to see more of you. for a moment, you just let her. your belt is removed followed by your pants all while you just lay back and watch her do the work. soon you’re only in your black underwear, smirking under your red and black mask at how fucking needy she looks. her callused hands grip your waist, easily pulling you up to her as her mouth finds your other nipple.

“you’re not you when your hungry. and clearly, you always seem incredibly hungry, wolvie.”

“shuh du phvck uh.” is what you make of her boob-drunk gibberish and assume she’s simply cussing you out.

“huh? couldn’t quite catch that. y’ know you really shouldn’t talk with your mouth full-”

a large, gloved hand muffles your masked mouth before her lips release your tit with a pop.

“off,” she says. you furrow your eyebrows in confusion and she must be able to tell by your silence, causing her to elaborate quickly while her free hand lingers on the black lace of your underwear. “i don’t want a damn word out of your filthy mouth until you’ve taken these off. if you want me to fuck you, you’re gonna have to let me.”

fucking hell. panties are soaking wet right now.

you slowly nod your head in her restrictive grip, and lift your hips to remove the damp fabric from your body. damp from blood or sweat or something else… who fucking knows and who fucking cares. you toss them to the side and immediately pull laura closer to you. her harsh kisses mark your neck and collarbone before she wets her middle finger with her tongue and starts to rub quick circles on your clit. you almost push her away, her starting speed too overstimulating at first, but you soon get used to it, bucking your hips in a physical ask to move faster.

“keep still, sweetheart. that’s it,” fuck even her praise is still low and demanding somehow. you wrap your hands around her hairy forearm, hissing curses as you feel yourself grow closer and closer to the edge.

“fuck- you know, i bet you’re a pretty good dj in some other univers- oh my god!” your silly quip is cut short by her pushing one finger into you. then another. and before you know it, you’re a blubbering mess as you soak her hand as well as the car seat beneath you. her mouth is against your masked ear, shushing your witticism. white rings of cum coat up to her knuckles while her thumb resumes a quick pace on your clit.

banter is over as quiet whimpers replace your usual chatterbox routine. her large fingers feel so much better than your own, and then that’s where she leaves you—fingers curling inside your cunt causing your brain to see stars. your orgasm hits you hard, but not as hard as she does—a rough slap to your face intensifies every sensation, leaving you pained like putty in her grasp as you come down from your high. “don’t got much to say now, huh?”

your eyes focus on her hair and how it twirls up on both sides—the classic hairstyle for any and all wolverine’s across the multiverse. “why do~you style~your hair like that?” your voice slurs with dizzy haze, and laura only looks down at your drunken state quizzically. “were ya going f’ wolf? ‘cause it makes ya look more like a cat. like my little meow meow~”

a growl creeps from the back of her throat before three claws find a home—digging into the flesh on your shoulder.

“shit! you angry ‘bout it, mama?” you ask teasingly before watching her slowly remove her belt. “no- not the belt! i won’t be a naughty girl, i swear!”

“don’t be dramatic,” she scoffs as she tosses the belt aside and straddles you again.

“that’s kinda my job. hashtag drama queen. hashtag full-time. ‘round the clock. just like how your full time job is hiding a fully comic accurate superhero suit under your clothes for when its use comes once every twenty fucking years.”

that switched something in her. she yanks your mask off your head and glares down into your eyes. then a smirk sneaks its way onto her lips. fuck. what does she know that you don’t?

“you think this suit is the only thing i keep under my clothes?” your jaw tenses when laura unzips her pants and allows her strap to spring out to your view. it has to be at least eight to nine inches, the color matches her skin tone and the base of it connects to the black harness buckled around her boxers.

“marvel jesus h. christ! where did you even get that thing? the prop table from the set of alien?!"

you half-expect an answer, but she only lifts your mask and forces a mouthful of the red fabric down your throat, leaving your fear-factored size question hanging in the air. “there… silence is nice. isn’t it?” you’ve lost your voice, but you don’t protest. your frustrated whimpers are muffled and shaky breaths escape through your nose as laura traces her dick up and down your wetted lips. “just relax, beautiful,” she whispers as she slips the tip into you. the tone of her voice is teasing, clearly loving how much power she so easily has over you. pushing in deeper, her pace stays agonizingly slow, as if she’s having to think about controlling every thrust. your eyes follow the grinding movements of her hips and your legs instinctively wrap around her waist. as laura starts to speed up, your backside rubs against the car seat. trying to find a sense of stability, your hands scatter up the butch’s clothed torso and eventually grip her broad shoulders. you can’t help but buck your hips again, no longer ashamed of how fucking needy you look doing so. one of her hands claw at the shoulder of the seat behind you while the other has a strong hold on your hip, guiding your body with hers. guiding soon turns to holding and holding soon turns to pinning. not only is she now chasing her high, but she will do whatever she needs to get to it.

“agh~ fuck. is this what you wanted? to be wrapped around me like this? you’re so pathetic, it’s adorable.”

when all you can do is moan in reply, laura knows she’s fucked you stupid, but still long ways away from being done with you. she suddenly stops altogether and pulls out of you, chuckling quietly when you groan due to your pleasure being delayed. she turns you over and props you up on your knees, then holds you down by the back of the neck with one hand and finds a firm grip on your ass with the other. her relentless thrusts continue, causing a repetitive sound of her hips slamming into the backs of your thighs. every time she pulls back, you follow her dick—leaning to her to chase that friction.

she hits nerve after nerve. the pain hurts too fucking good. your words are still muffled against your ladypool mask, the fabric now damp with saliva and drool. maybe tears as well.

“speak up, princess. ‘s hard to hear you,” laura instructs as she removes the piece from your mouth.

“i… i’m… gonna-” you start before trailing off, finding it hard to focus on words as laura speeds up her pace.

“what, pretty thing? y’ gonna cum?”

“tha-that’s what she said!” of course. of-fucking-course those are the words you can get to leave your stuttering mouth.

“god—do you ever shut the fuck up?” laura groans before tossing your mask to the side and holding your hips steady. when she notices your silence, she leans forward, a hand massaging your tit and her teeth taking a harsh bite at your earlobe. “or maybe you just need to be fucked speechless, don’t you?”

yes. a million times yes.

quiet whimpers leave your lips, the smell of cigars and alcohol mixed with the stench of blood and sex is almost overwhelming. laura slows her pace again, taking her sweet time watching, playing, torturing you for pleasure. that sadistic fuck.

“i do love these cute little noises you’re making, yeh? tell me how good it feels. i know it feels good but i wanna hear you say it—come on. spit it out,” she says into your ear. her lips have gone dry from breathing heavily and sweat trickles down her forehead and nose. the torn fabric of her yellow and navy blue suit rug-burns against your skin from all the excessive movement, but you don’t care. laura pulls your arms behind your back before yanking a seat belt out of its buckles to wrap tightly around your wrists. the rough material hurts, but it’s a good-hurt. when you only let out a porn-styled moan (half-exaggerating to poke fun at her), the wolverine behind you reaches under your neck and grabs your jaw. “you’ not gonna use that mouth?”

“fuck- okay! yes, it feels good. you feel so fucking good. just- please, let me- let me cum!”

and your begs get so easily rewarded. laura must have a soft spot for you because her thrusts speed up again, and this time hit hard with no intention of stopping.

what has little wolvie turned you into, hm? you, ladypool, a beggar? breaking out of character many would argue, but maybe that’s her goal: finding what breaks you.

“not yet. shit- wait ‘til i say.”

the hilt of her strap hits her clit just right as she continues to drive herself into your pretty cunt. as minutes pass and breaths quicken, her metal claws unsheathe and dig themselves into the seat beneath you two. she’s close.

with clamped hands still tied behind your back, you sense that knot in your stomach growing. guttural sounds from the back of the throat slip from laura’s lips, filling your ears as she hits your g-spot again and again, pushing you so quickly towards your release for the second time.

“right there! plea- please, please! i’m… gonna-”

“go on, sweetheart. fucking cum~”

at her words, her command—you feel yourself tighten around her. and your moans must’ve been what did it for her because immediately after—husky groans are heard from behind your bare, trembling body. the heavy weight of a wolverine falls against you, breathing hard onto your skin as her sweat-coated face buries itself into the nape of your neck. a trail of little bite marks, enhanced by her small fangs, are left scattered across your shoulders and upper back.

her middle finger finds your clit again to draw little circles, bringing out pitiful whimpers and post-sex muscle spasms from your worn out body.

“ca- canada…”

your contorted face and senselessness brings her to hum—which is her version of a laugh in this dizzy state. she broke you. and it didn’t take very much, did it?

she turns your chin to look up at her, her face reflecting that drunken haze with the ghost of a smile across her lips. her focus falls to your parted mouth for a moment before finally connecting her lips with yours. the kiss is softer than you expect, as if her hunger’s satisfied, yet the warm taste of cigars and alcohol linger.

“y’ did good, sweetheart.”

just good? must she always be so condescending?

♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡ ♡

spent way too long on this lol comment/repost if you like it, loves !!

this is so gonna flop but idc i wrote it for me and bookie 👩‍❤️‍💋‍👩

taglist: @pr1ncessjo <3

#poolverine #deadpool and wolverine #ladypool #butch wolverine #butch wolverine x ladypool #butch lesbian #wlw smut #wlw ns/fw #lesbian #dykeposting #i just wanted an excuse to write a wlw honda odyssey scene #bee #maneskinwh0re #Spotify

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mariberrycake6058 · 3 days

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Hiii, I present to you my Gravity Falls AU: We'll Meet Again AU (I'm still thinking about whether to change the name or leave it as is)

To tell the truth, the lore is very long, so I hope that whoever is interested reads it completely and can let me know if they like it, I may make a comic about this.

If there are any mistakes, I completely apologize, my English is not very good and I used Google Translate for this, anyway, you can correct me if I'm wrong about something! I hope you like it and that someone sees it :]

⚠️TW: Mental disorder/problems mentioned!

CHARACTER DESIGNS:

WE'LL MEET AGAIN - A GRAVITY FALLS AU

In this alternate universe of Gravity Falls, Bill returns to town in a physic form after a long time of being in some therapies, but now with some changes in it, the most notable being their great loss of many of their powers, among them is the difficulty of to be able to levitate in the air, wanting recover this little by little. Seeking revenge within, returns to the village to put an end to what it started, but due to a fault "unknown" ends up reaching a Gravity Falls very similar to where he comes, but feels that there is something different.

Someone shakes hands with a triangular statue with only one eye in the middle of the forest, hoping to see it again, but there is nothing. He sighs and when he is about to give up, the atmosphere begins to get heavy, the breeze of the wind becomes strong and slight tremors begin on the ground, some small animals run around, and what he thought would never happen, finally gives results.

The one-eyed triangular entity appears in front of him, at first wondering what is going on, and upon recognizing that place, he begins to laugh and look around, he had finally been freed again, all thanks to... Stanford!?

But this was not the Stanford he knew, this one looked more tired and worn out than the one he had seen last time, how long had it been since he had done his job? Something was wrong!

Stanford, for his part, couldn't believe that the creature he hadn't seen in years had finally appeared before him, but... More different than he remembered.

—

STORY

In the past, at the age of 19, Stanford suffered an accident (which remains unknown) along with his family, in which only he and his brother, Shermy, were the only survivors. This caused him to suffer from post-traumatic stress disorder, leading him to live with guilt for the rest of his years.

Stanford, seeing that only he, along with his brother, decided that better, according to him, was to get away for a while time since he was not in a good state after what happened, also with the excuse that he did not want to be a annoyance for him and that it was time for become independent. Despite the Shermy's insistence, finally he understood what his brother wanted, being so they never saw each other again after that his family's funeral.

Stanford tried to continue with his normal life in a town called Gravity Falls, where many types of anomalies occurred, which were of complete interest to him since he was seen as a phenomenon due to his extra fingers on both hands, and these creatures connected well with him.

He met Bill after seeing a stone engraving during one of his investigations and, not believing enough in the existence of a certain creature, that same night it appeared in his dreams, it transmitted a lot of confidence, it was very kind and flattered him in a certain way, the nights continued like that and both came to have a very great friendship.

Until one night, Ford in one of his many crises for remembering his traumas from that accident, Bill appeared before him, letting him know that in the same way that he had also lost his family in an accident in his dimension. For this, Bill offered him his help to be able to create something unmatched that could "bring his family back alive", as if it were a time machine to avoid everything and be able to save his family, and this could also "bring Bill's family back", Ford who was still very naive, desperately accepted the deal to remedy everything and leave behind the guilt that gnawed at him daily, without knowing that what Bill really planned was to create a portal to be able to take over that dimension. (The canon thing)

Stanford worked with Fiddleford on the project, however, McGucket did not know very well what the purpose of this was, but he did not hesitate to help his friend. But the pleasure did not last long, because months after so much work, the truth came to light, although Fiddleford did not say anything at first, with the passage of time he reflected on the project and how dangerous it could become if it altered time, so in the end he ended up facing Stanford, telling him that he was so obsessed with his family and Bill, that he should give up and accept that they had died, and that he felt that this Bill was not trustworthy. After that, Fiddleford abandoned the project and they never saw each other again. Stanford finished the project by himself and as he could.

Having everything finished, he was ready to tell Bill about this, but as he approached him he could hear a conversation that he was having with other creatures which were laughing out loud and calling Ford insults and humiliations, in which Bill also participated, this being the way in which Stanford would have found out about Bill's true intentions, going immediately to close the portal and get rid of anything that could activate it, however, Bill had noticed his presence before, making himself present later to confront him and tell him the truth about everything, betraying Ford in the cruelest way with illusions and promises so he could see his family back. Full of anger, confusion, disappointment and even some hope that it was all a very heavy joke on Bill's part, Ford refused to believe what was happening, but in the end Fiddleford was right in that Bill was really not to be trusted.

Ford closed the portal before anything else could happen, Bill for his part became upset and cursed him, promising to return one day to accomplish his plan, he left leaving Ford alone, and he quickly got rid of most of the things that gave power to the portal.

Stanford fell into a slight depression because of Bill's abandonment, since he was the only one who could make him feel special and feed his ego. In a certain way he was still obsessed with Bill and with his promise that of course, would never come true. He made a stone statue in the shape of Bill and abandoned it in the middle of the forest, with an engraving on one side of the statue where you could read the lyrics of the song that Bill used to sing to it (We'll Meet Again), from time to time he would visit it and take the hand of the statue, hoping to be able to see him again, for what? Even he didn't know, despite the fact that Bill had betrayed him, he still felt that need to keep seeing him, he was going crazy.

Years later, Dipper and Mabel come to visit, they are under Stanford's care for the entire summer and have some adventures with the town's anomalies.

Some time later things happen and Bill from another dimension arrives in this different one.

Stanford has knowledge about the multiverses, and he knows very well that this Bill what has appeared there is not the Bill that he knew, and vice versa, this Bill knows perfectly that this Stanford is not the that he knew, however, he knows nothing about this one's past, and seeing it in that somewhat vulnerable state, "takes pity" slightly from it and gives the opportunity to meet him again, even if it is someone different but similar at the same time, in addition to the fact that by Axolotl's obligation, is obliged to improve his conduct and act for the good.

Stanford doesn't know what this Bill's intentions are, but seeing that he doesn't have many powers, he doesn't care, which makes him invite him to stay with them at his cabin. Bill initially refuses, but then agrees when he sees how useless he has become without powers, and sees the advantage of taking advantage of it to find out how to return to his "original" universe and plan his revenge against the other Pines (something that won't be possible for him), but of course, he doesn't say anything about this to these different Pines, although Ford has his small suspicions.

FUN FACTS

Here, Dipper and Mabel are already 13 years old.

This Pines family does not know what Bill has done in the dimension he comes from, that is, wanting to get rid of his-selves, them- from that dimension (The Weirdmageddon).

Dipper has had free access to Ford's journals, even reading the pages Bill had written before the whole conflict happened, so this Dipper doesn't trust Bill very much, but tries to live with him (forcibly).

This Bill is nicknamed "Dori" (from Dorito) or "Chip" by Mabel, she is more relaxed than Dipper and is even the one who spends the most time with Bill, she sees him as so dumb and vulnerable that she doesn't believe that one-eyed thing is evil, but Dipper still insists that she doesn't trust him too much. Mabel makes mini sweaters for Bill, she even usually puts band-aids of different designs and colors on the cracks/scars he has, so that they don't look so horrible, in her words.

Bill is bitter, but he tolerates the twins a little since they don't spend their time yelling at him. His only question is where Stanley is, however, when he asks about him, he doesn't get an answer from anyone.

Bill takes on human form from time to time, at Mabel's request because she thinks he looks less silly that way.

Bill gives Ford cute/embarrassing nicknames, and of course he also calls him Fordsy/Sixer, the first one leaving Mabel curious.

In a certain part of the AU, Ford sends Bill away because it's not free to stay at the shack and because the positions there are taken (he tried to fight with Wendy for her place but ended up losing). So here Waiter!Bill is born, as in that Gravity Falls the Weirdmageddon never happened, nobody knows Bill and they just take him for one more creature of the town, so it's normal for them and it wasn't difficult to get hired by Lazy Susan, although his attitude isn't the best, he tries to do well so they don't fire him and Ford doesn't get upset with him. (Last photo at The beggining)

Another fact that I didn't mention is that yes, the Mystery Shack does exist as such and is also a tourist place, but Ford is the one who usually gives the exhibitions of the things that are there, and when he can't attend, Soos is the one who helps him (only there are no scams here)

WHAT IS BILL'S RELATIONSHIP WITH THIS PINES FAMILY?

Dipper Pines.

A 50/50 between the two, Dipper prefers not to get directly involved in anything Bill is present at, he doesn't trust him, but he has to live with him at least a little, he tolerates him, although he thinks Bill has a very high ego and is kind of conceited, despite not having powers. He prefers to stay away from him at certain times. Bill also prefers to be away from him.

Mabel Pines.

What can you say? Bill, aka Dori/Chip is like a pet for Mabel, she likes to do it small outfits, their coexistence is good, but there are times when she should also moderate her personality with him, at Dipper's request, so that her wouldn't trust him so much. Bill likes him Mabel's creativity is like a very colorful chaos, but it is embarrassing to wear the outfits that he does it, but he has to agree so as not to hurt their feelings and to try to gain trust of others (which seems to be the case which will not be achieved at 100%)

Stanford Pines.

Their relationship is good but not at all 100%, because Ford has matured from all the events from the past with his original Bill, so which in any case tries to don't trust this Bill so much that appeared. He usually does investigations with this Bill and his human form that it usually adopts, making theories and expanding their knowledge. Bill gives himself the opportunity to listen whatever Ford tells him about his past to get to know him better. They may both have a better and good relationship after.

Wendy Corduroy

They both have a certain respect for each other, but they are not directly related.

Soos

They are not directly related, but Soos spends his time making theories about Bill that he only tells Dipper. Even so, he has a certain respect for him. Bill, for his part, notes that Soos is a bit dumb, but what else can he say if not having powers also makes him a dumb person.

#gravity falls au #gravity falls fandom #gravity falls #gravity falls bill #bill cipher #mabel pines #dipper pines #stanford pines #we'll meet again AU #bill cipher human #au #billford

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thevalleyisjolly · 15 hours

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I think part of the reason why Ten and Donna's relationship is so compelling to me is that they share the same main character flaw. In RTD's memoir, he described how he created each of the main companions with a central character flaw. Rose was selfish, Martha was selfless to the point of self-denial, and Donna was self-absorbed. And while all of those flaws were mirrored in Ten in different ways, I think Ten's central flaw was, like Donna, being incredibly self-absorbed.

While I don't dispute that Ten could be arrogant and vain, I think the degree to which he was those things sometimes get exaggerated. Every Doctor has had instances where they behaved arrogantly, as if they were the ultimate authority in the room and were owed everyone's attention and even unquestioned obedience. Many Doctors have preened over their looks or boasted about their intelligence and their achievements, whether as a strategic move or (more often) just because they felt like reminding everyone they were the smartest person around. Arrogance and vanity are recurring character traits across many of the Doctor's regenerations, and while Ten has displayed them more loudly and infamously than other Doctors, I think the unique flaw that better defines this regeneration's character was his propensity for getting completely caught up in himself.

Consistently throughout this regeneration, he ignored or just failed to recognize other people's needs because he was so preoccupied with his own issues. Infamously with Martha, but also with most of his companions past and present at some point (Sarah Jane, Mickey, Jack, Donna) and certainly with countless ordinary people that got caught up in the danger around him. The thing that makes this self-absorption rather than callousness or deliberate cruelty is that it wasn't because he considered unimportant. Ten frequently affirmed how important every life was and how valuable the most ordinary life was, and he really believed it. But as much as he believed it, he constantly struggled with the practice, with prioritizing ordinary people when he himself was embroiled in turmoil (whether active danger or his own personal issues). He believed fundamentally that each life had value and importance; he just saw whatever he was going through or doing at the moment as having even more value and more importance.

Ten didn't lack compassion for others. Indeed, he felt very strongly for people who were in distress and regularly put himself at risk to try and help them. But he often struggled to look beyond himself - his own concerns and demons and ego and fears. If someone's needs or feelings align with his own or seem to be relevant to the issue at hand? Good! He'll try to help if he can. But if someone's needs clash with his own, or their opinions challenge his own view, or their feelings push uncomfortably against his own emotional state? All of a sudden, he's very busy, he becomes rude and dismissive, he clams down, he acts ignorant, and if all else fails, he runs away.

The Chamelon arch storyline in "Human Nature"/"Family of Blood" is incredibly fascinating because John Smith embodied the Doctor's self-absorption on a much more recognizable, human scale. He was happy to be benevolent and kind when people acted within the sphere of what he knew. As a teacher, he recognized when a brilliant student was downplaying his intelligence to avoid attention from school bullies, and he tried to encourage Timothy within the bounds of what a teacher could do. But when people started disrupting his own little world of happiness -particularly Martha or his students interrupting romantic moments with Joan- then he became curt and dismissive and even more obstinate about his preferred way of things. All things that the Doctor also does, but which we notice less because he's usually the perspective we're rooting for to solve everything and save the day so is it really a big deal if he's rude towards another character? And then there's the original act of self-interest that Joan calls the Doctor out on at the end - he brought death and destruction to this village that he chose on a whim, without thinking of anyone else, all because he personally didn't want to confront the Family even though he was capable of stopping them.

All this to say that this flaw is part of what makes his relationship with Donna so compelling to watch. You have these two fundamentally self-absorbed characters on a journey together and they inspire each other to start doing better than they were before. They're growing together in the same direction with each other and because of each other. Donna, seeing the whole wide universe with all the good and the bad of it, realizing not only how small her worldview has been until now but then reaching out to make connections with people she wouldn't have given the time of day to before. The Doctor, absorbed with all his own burdens and traumas and memories and promises, being furiously and desperately shouted at by his best friend to do something. Save someone. It doesn't matter how small the act or how insignificant they are in the greater scheme of things. Never mind the greater scheme. Never mind us, never mind you. Just look at the person suffering in front of you now and help them.

#doctor who #tenth doctor #donna noble #there's a recurring theme in the show of companions becoming the doctor #but i think there's also something there about the doctor being like their companions #and for ten; the way each of those flaws is explored in the specials leading up to his regeneration #and how his regeneration speech encapsulates his character journey with selfishness and selflessness and self-absorption #the selfish (if understandable) wish to not die; to do what it is in his personal interests instead of anyone else's #the furious self-absorbed speech about how important he is and how much more he could go on to do #and then the selfless sacrifice done not in denial of his self-interest but in full knowledge of it and still making that choice in the end

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olderthannetfic · 8 hours

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This NaNoWriMo stuff with AI is largely unsurprising to me. I don't know how many people have gone beyond reading the viral clipped out bit about classism and ableism, but there was a follow up statement on that, in which they claim to take a very neutral stance. That their initial intent was apparently trying to curtail harassment of those who are using AI and they at least apologized for their confusing and unthoughtful wording of their original statement. Which seems legitimate enough to me. I'm sure they are sorry, considering the swift and unforgiving backlash they received. What I find kind of bizarre about this whole thing is, like, if you are running an event surrounding writing and making guidelines for what is and isn't okay in general-- then wouldn't it be a perfectly reasonable addition, to set out some level of encouraged practices for how one should or shouldn't use AI for during said event. Guidelines that are encouraged, that follow what everyone believes to be the spirit of the event (sitting down and actually writing a little every day for a month) would seem like a perfectly reasonable thing to do, to me. Like, am I off base here? With the rise in AI this seems like the natural progression. Even if only in spirit, not allowing generated works specifically seems like it would be a completely understandable guideline that keeps the event fair to those trying to do it the way it's meant to be done. And if you wanted to be neutral about it, it could be presented alongside a more lax policy around using AI to say, generate a plot bunny when experiencing writers block or create names for places/characters. People have been using tools like that for ages so there's precedent to allow "thoughtful" use of AI for these purposes. Anything at all, even if it can't be completely enforced, seems like it would have been better. The random endorsement of AI for people in certain circumstances from their follow up statement, and how it can be life changing, if one were to take their meaning in the most charitable way possible, does not feel like it's on topic here. Like, all this effort to be "neutral" on their part is not really coming across that way it's all just so damn clumsy. I try to always assume positive intent, not attributing to maliciousness (such as capital gain at the expense of creatives, which is one of the major problems with AI generated work) what can be better explained by ignorance, but even taking all that they've said in such a fashion, it largely feels like they didn't want people arguing about AI but also didn't want to have to make rules around AI that they would then have to, even if only in spirit, enforce. I can sort of understand that, considering it would be (most likely) impossible for them to differentiate between generated work and stuff that was written by a person. But again. They could have just said that it wouldn't be possible for them to police AI usage, blah blah blah, honor system (which again is already part of how NaNo works-- an honor system) but that targeted harassment campaigns of individuals for any reason would not be allowed within these spaces, up to and including suspected use of AI. Like there were so many different ways this could have been approached to accomplish what their stated goal was. Without??? Accidentally taking a very strange and not well thought out direct stance on AI that they later had to halfway walk back and apologize for. I don't think NaNoWriMo ever intended the message to be "We allow AI generated works now" (unless there's something I missed) -- That's not explicitly something they said, but rather the at large and reactionary interpretation of it. Now, I just have to wonder, what the hell happened to their September update post from last week, that was apparently addressing other issues. One thing I'll say for this whole mess, is it's at least amusing to watch the absurdity of their slow motion collapse hitting the speedrun stage toward total implosion. The org has had major internal problems for years now.

Honestly, I think the reaction is at least as much about longstanding issues with the organization as about people's fears of AI. Poorly thought out corporate idiocy feels in-character.

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thatagenderfreak · 10 months

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Man, I love love interests with magic mothers who weaponize them and artificer dads. Just really sets up an angsty backstory for when you need more than "they're cute." The trauma also makes for a character who needs to prove themselves constantly, which makes excellent plot fodder.

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aroaceleovaldez · 9 months

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i mean it when i say we've gotta bring back askblogs. bring back making character chat posts with poor choice text colors over random backgrounds. bring back blogs dedicated to what outfits you think characters would wear.

fandom is an ecosystem, not a numbers game. these types of blogs/posts/etc still exist in concept, because people still want to make them and they're a great way to get your thoughts of an idea out in a simple format, but most people make them on like tiktok or instagram reels and that's where the problem lies. Those videos don't go anywhere. The format doesn't allow for the discussion to spread through the community and they're less likely to be engaged with in general. And to make them most people have to either show their face or figure out editing software, so the barrier to entry is higher (editing) and/or they have to forfeit an amount of privacy.

those types of posts/blogs are the first rung of the ecosystem. they're the perfect environment for younger members of the fandom to begin safely interacting with the larger community and putting their own thoughts and ideas out there. roleplay is the other major spot for that and those communities are diminishing as well, honestly (if you know of an rp forum board site, cherish it. and if you can make one, make one). they allow younger fans to begin engaging with the source material on a different/deeper level, but still at a very low barrier to entry, and begin conversations with other fans, which also helps them build skills which in turn may encourage them to pursue other avenues within the fandom (fic writing, other formats of askblog - which itself usually leads to art, cosplay, also fic writing, etc). Without those places to build those skills, they might feel discouraged from trying to begin when surrounded by curated people who have built their skills up for years.

And those conversations they foster also in turn help the community, by offering ideas to artists or fic writers to extrapolate on or building community jokes. And that text/blog format specifically is extremely beneficial, because it allows younger members of the fandom to remain anonymous and keep their privacy without concerning themselves with having any platform or having anything attached to them (very important for young fans figuring themselves out and navigating online community spaces for the first time, since they can remove themselves from spaces easily if they decide they don't like it and they're protected, rather than PUTTING THEIR FACE ON THE INTERNET). And those posts they make will spread a lot more into the community since they're in a significantly easier format to be reposted (few people are gonna be reposting tons of random short-form videos versus spamming their instagrams with reposts of 10 random fandom images yoinked from tumblr, or reposting to pinterest or something). Like, don't repost art, at the VERY least don't repost without credit, but also I am not ignorant to the fact that my art is not just the first google image result for "pjo pride" and related searches, but also the 4th, the 6th, the 9th, the 10th, the 11th, etc etc., and pops up in the search results before the official ReadRiordan does simply because people reposted my work more (most with credit, thankfully).

For fandom to be a community, it needs to perpetuate itself. There needs to be engagement with one another and conversation. If that bottom rung is cut off, then new fans won't be able to grow into the other niches of the fandom, and the fandom will be solely reliant on the source material and die out extremely quickly, and there won't be a community. There's no conversation! There's no reason to stay beyond the original material! But if you don't have points of entry for new fans, they won't have any way to build the skills needed to move into those niches, or engage with the community in a healthy way.

tl;dr: Bring back askblogs and character-based text post blogs. They are vital to fandom ecosystem.

#fandom #long post //#i know many people jest about tumblr posts being reposted often to other social media #but there's a reason for that! because few other social media these days are primarily text-based! and tumblr is a BLOGGING website!#we're built for sharing random essays! which means we have a LOT of word-heavy stuff #that other platforms can really only have in a different format - usually either image or video - due to character limits #and videos - even short form video - is far less engaged with because it takes more time to interact with #and short form videos of this nature ^ are usually only reposted in like. long-form video format compilations #which are pretty equally if not even less frequently interacted with #because most of those other social media platforms dont have good ways to easily share posts en mass like tumblr's reblog function #so even if those posts do get shared they rarely go far and even if they do they dont stick around #i also personally dont think it's coincidental that general fandom attitude shifts occurred circa 2016-2018 #around the same time as the major shift away from tumblr due to the bans #anyways if you run one of those types of blogs i respect you immensely #you are underappreciated but you fulfill an important ecological niche #also i know rp blogs are still a thing but theyre much more scarce and rp communities in general are drying up

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