#They both suck so much

[heynhay]

merry Christmas klancers 🎅

[boyquiet]

tell me now, how should I feel?

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[banchiedoingart]

theyre flirting

[payasita]

hi go read this

[buff-muffin]

There’s a pretty common ASL brothers headcanon that Sabo teaches his brothers things like reading and writing among other things and I do think this is true to a degree. Like of course the bandits taught Ace the basics but you know little Ace and his whole “raaaa don’t tell me what to do. If I stay out of the house I can’t be a bother to you” mindset. And I certainly think Makino and the Mayor TRIED to teach Luffy but he only has a grip on bare basics. So Sabo had to teach more complicated things like grammar, multiplication, division and other things.

And honestly I could see him being a pretty good teacher. He knows how his brothers brains work and how to phrase questions for them so that they would understand. And considering Ace and Sabo had known each other for years by this point I could imagine Ace is use to Sabo being a teacher.

But Sabo as Luffy’s teacher is a little different. Because Sabo watches Luffy struggle with so many things he did when he was little. Phonetic spelling, contractions, fractions even simple things like buttoning up his own shirt are hard for Luffy. And while Ace is quick to call him stupid because it’s easy don’t be a baby. Sabo is patient with him because his own parents never were. He buttons Luffy’s shirts in the winter when he struggles, he sounds out store signs for him and break down maths questions to the point of rocks for Luffy to count. While I doubt Luffy was ever fond of class time, he was almost always met with patience helping him to learn

When Sabo left, Ace would not coddle him the same Sabo did even if he tried to and that Winter after Sabo’s death Luffy learned to button his own shirt and was so proud. He chose to leave Dawn in a button up vest as if to prove to Sabo he was grown enough to survive on his own and he didn’t need to worry.

[iridescentmirrorsgenshin]

living for alhaitham's inherent curiosity about kaveh being the catalyst for an odd textual mystery...??

he already read the Very Bad novel in the house of daena before kaveh got hold of it? but then seeing it in their study and knowing kaveh must have checked it out, he... opened it anyway despite already knowing the contents?? 1) because he knew kaveh wouldn't mind, and 2) because he was curious what kaveh thought about it?? considering that he knows kaveh makes annotations in books??

he saw kaveh circle the killer's name in permanent ink, effectively spoiling the novel, no matter how terrible, and joined in by circling a name to create a red herring, but also because he thought circling names was funny <3

he put the book in the same place in the study and didn't say anything to kaveh when kaveh went to return it, and kaveh went about believing alhaitham knew nothing about it, until the quest comes full circle and kaveh returns to alhaitham to tell him the news, only to find out that he and alhaitham were jointly the instigators for the conspiracy.

the quest is THEIR fault!! but.. the conspiracy wouldn't have happened if alhaitham hadn't made the second circle,, so… if he hadn't been curious about something that occupied kaveh's time..., that’s so !!??

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[natalievoncatte]

Kara knew something was wrong from Lena’s heartbeat. That alone, the barely detectable change in rhythm and tempo, was enough, but her breathing was erratic and as Kara drew nearer, drifting through the afternoon air, she could hear the soft sobs.

A bad feeling had come over Kara. Things had been quiet between the two of them ever since the wedding; there had been a strange tension between them on that happy day and Kara couldn’t say why

(she knew what she wanted it to be but didn’t dare hope)

and with Alex and Kelly away on their honeymoon, Kara had mostly been on her own. Nia was spending most of her free time with Brainy and Kara sensed a proposal coming, and she was busy preparing for her public interview with Cat Grant. She was going to rip the bandages off and reveal her identity. There was a great deal of work involved, and Kara had spent a lot of time fretting over the details, and in the back of her head she was worried about the ramifications of years spent reporting on Supergirl and using “her” as a source. It was a massive ethical dilemma, and thought it always made sense at the time…

Right now all that mattered was the heartbeat. Kara had been giving Lena the space she sensed she needed, but Jess had called Kara from the Foundation and told her that Lena hadn’t come to work in three days, and no one had heard from her. It was uncharacteristic of someone who ran her life with almost military precision. Kara had even asked Alex to text Lena, but they’d gotten the same single word replies.

Kara pulled in a big breath, feeling her stomach churn as she lighted on the balcony and slid open the door, knowing it would be unlocked. She wished Lena would stop doing that, but also felt a little tilt in her chest from knowing Lena hadn’t locked her out.

She was on the sofa, curled up on her side and asleep. She’d probably had the same pajamas on for two days and there were empty bottles of wine in a neat row on the table in front of her. Her eyes were puffy from crying and her cheeks a little raw. Kara felt an instant pang and reached for her, before stopping to deactivate her suit.

Kneeling next to the sofa, Kara touched her fingers to Lena’s shoulders. Lena woke instantly with a start, head jolting up as she sucked in a reedy breath and her heart raced explosively, sending a shock of terror up Kara’s spine.

“Oh fuck,” Lena blurted, kicking out her legs as she bolted upright. “Oh God, Kara what…”

“Hey,” Kara said softly. “I was… I’m sorry. Are you okay? I came in through the balcony. I didn’t mean to scare you.”

Lena’s chest heaved as she gasped for breath, staring at Kara with watery eyes. “Are you real?”

“What? Yes, of course I’m real.”

“I must have been dreaming. It was a dream. Just a dream. I was dreaming,” Lena muttered.

Kara rose from her knees and sat down on the couch.

“Come here.”

Lena almost crashed into her, wrapping her arms tightly around Kara and squeezing hard. She smoothed her fingers over the soft dark waves of Lena’s hair and pulled her in as she began to sob into Kara’s shoulder.

“I dreamed he killed you,” Lena choked out. “He came back again and he killed you and I couldn’t stop it. It felt so real.”

“I’m fine. I’m right here.”

Lena continued to sob, her entire body shaking with the force of it. Kara wrapped her in a fierce hug, trembling as she did.

“Every time I close my eyes he’s there, and when I’m awake all I can think about is that I killed my brother.”

“That didn’t happen in this timeline.”

Lena choked out an angry, frustrated sob. “It happened for me. I aimed a gun at my own brother’s chest and I pulled the trigger. And he came back! He came back and he almost killed you two or three fucking times, I can’t count.”

“He’s gone. He’s not coming back.”

“You can’t just say that!” Lena screamed into Kara’s throat.

Stunned, Kara softened her grip on Lena, only for Lena to pull her in harder, like she was trying to climb inside her.

“Why can’t I stop mourning him? He ruined my life. He was the person I trusted most and he turned out to be a monster. He used me my whole life and my emotions were just a game to him. He tried to to kill the woman I… tortured you, took you away for months and I thought I’d never see you again. I just wanted to tell you how sorry I was and how much…”

Lena cut herself off with a sob.

“I know it’s not the same,” Kara murmured, “but when I was a little girl I worshipped my father. I wanted to grow up like him and do what he did. I was going to be a scientist too.”

“You’d have been a good one.”

Kara shook her head. “My father was responsible for the Medusa virus. A bioweapon designed to eradicate non-Kryptonian life. A weapon of genocide.”

Lena shuddered.

Kara swallowed, hard.

“My world wasn’t a paradise. It felt that way because it was simple for me. There wasn’t all the pain of learning alien ways and an alien language and controlling superpowers and everything else. My father taught and protected me and my mom maintained order. But it was wasn’t a paradise. My people were… Krypton was… I think in a lot of worlds out there, we were the bad guys. Okay, the Daxamites were slavers, but on Krypton people were born into the labor guild and did menial jobs their whole lives, while people like me were born into privilege. Is that much better?”

“I don’t understand.”

“I don’t judge you for mourning Lex, Lena. He was your protector and your friend, and it was real to you. If there’s anything I hate him for, it’s hurting you.” Kara swallowed. “The one thing I can’t abide is anyone hurting you. I’ll break all my rules to keep you safe.”

Lena’s breathing eased and Kara could feel her relax.

“I’ve been avoiding you.”

“I figured you needed space. I wasn’t sure why but I trusted you to tell me if you need to.”

There was a long, heavy pause, and then Lena said.

“Kara, I can’t do this. I can’t share you.”

“Share me?”

“When you reveal your identity,” Lena pulled back, “you’re going to be the most famous person in the word. Everyone is going to be all over you. The press, politicians, everybody, and everyone who has a grudge against you or your cousin is going to know exactly where to find you, all the time.”

“I’ll keep you safe, no one will…”

“I didn’t say anything about me. You, Kara. What about you?”

“I’m Supergirl. I’ll be fine.”

“And what about me?” said Lena.

“I told you…”

“No. What about me when I have to watch you getting beaten to a pulp by another alien? What about me when you’re in a coma on the sun bed? What about me when I see on the news that a bomb went off in your apartment and I have to wonder if it was laced with Kryptonite shrapnel? I’m not worried about people coming after me. I’m a billionaire with magic powers. I could put on a goofy costume and join the club if I wanted. I’ve already lost you so many times and I can’t do it again.”

Stunned, Kara sat with her eyes wide, not sure when exactly she’d lifted Lena into her lap.

“It’s so selfish of me,” Lena went on. “You don’t belong to me. I don’t get to make demands of you. But don’t want you to out yourself. I don’t want to lose you again. As soon as you do this you’re going to be hounded by the whole world and they’ll claw you away from me again.”

Kara’s own heart raced now, hammering in her chest. Lena sounded so desperate and so sure, clinging to a Kara like she might disappear.

“I’m so sorry.”

“It’s okay. It’s your choice and I have to respect it. It’s okay,” she was clearly telling herself.

“No,” Kara choked out, “no it’s not. I can’t believe how stupid I’ve been.”

“Kara,” said Lena.

“No. I have been. I can’t believe I said what I said to you at the wedding, about not being my authentic self. To you, of all people.”

Lena swallowed hard. Kara drew back and looked at her, really looked at her, drinking in the soft beauty of her eyes as she swept back a tear with a brush of her thumb. Lena’s eyes were huge, her lips trembling, and Kara felt an almost painful pang of sorrow and regret and a powerful stirring, long thrust down and buried and now clawing its way forth as Lena stared back, the deep sadness and loss in her own eyes tinged by a hint of forlorn hope.

“I can’t believe that I can see through walls and I’m so blind.”

“Kara?” Lena whispered.

“I’m calling it off. I’ll keep my secret.”

“You don’t have to do that just to please me.”

“I don’t need them. I need you. I’m yours, if you’ll have me.”

Lena’s heart raced so fast that Kara briefly thought she might have to fly her to the hospital. Instinctively, she slipped one arm under her knees and the other around her shoulders and stood, lifting Lena as if she weighed nothing.

Eyes wide, Lena bit her lip.

“What do you mean?”

“What do you mean when you say you’re mine? I need you to say it, Kara. I was too scared at the wedding. I can’t do this. I need you to.”

Oh.

Kara shifted her Lena’s weight in her arms, bring them closer together. She’d danced this dance before; she thought of the day she came back from the Phantom Zone, when she held Lena in her arms and felt the sun again and she almost did it, she almost just fucking did it…

And she did it.

She kissed Lena, already ready to sputter an apology and find a way out of this, but her words were lost when Lena’s soft lips met hers and Lena was ready to devour her, happily rocketing past chaste first kiss as she grabbed Kara with both hands and pulled her in.

Kara’s stomach flipped. She didn’t know what to do. She’d been kissed, she thought she’d been intimate, but she could see now that those things had been mere stimulation and nothing more. Something soared inside her as she had soared in the sky the very first time she flew. Joy unbridled swelled in her chest and she could feel Lena laughing exultantly into her mouth and even as tears mingled on her cheeks.

She wanted this. She wanted this. It was right here all along.

“Kara,” Lena whispered. “I…”

“Should I put you down?”

“On the bed.”

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[lemongogo]

i dont think im gna finish this but vol.13 elendira means everything 2 me 🤭

[alevolpe]

From the question of the century:

Would Ami wear a dress or a suit at her wedding?

[jakeperalta]

taylor calling out a nyt article about her sexuality is cool good for her I guess but I am begging her and her people to stop throwing "this wouldn't happen to a man" at literally everything... like sometimes that is.. not the point

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[rosso-scapegoat]

I hope Aogami knows how much he is loved and treasured too :”)

[bruciemilf]

As someone who works in customer service, it’s fucking abhorrent we’re not allowed to just tell customers refunds or services just aren’t possible sometimes.

like. Like. Sorry, you’re not gonna get what you want 100% of the time!! The more people get used to being denied when it’s okay, the more they’ll stop acting like they’re entitled all the time.