y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
329 notes
·
View notes
To all wanting an update: I am hoping to get chapter 29 of Carve My Name Into Your Skin out next month. I was really hoping to make it for January but I just haven't had the time.
To those who are unaware, I began my Masters Program at the start of Jan and that is literally all I've been doing. It doesn't leave my mind with much clarity afterward, so the writing has been incredibly slow.
Ironically the chapter is getting long despite this as I've been working on it when I can. I was hoping there would be a place to break it off, as I've done with the last few chapters concerning the scene with Thorfinn and Bjorn. Make it a 4 part, instead of my planned 3 part. But there has been no good spot to end the chapter, unless I did it mid-dialogue which isn't something I want to do.
Currently the chapter is sitting at 18k, very close to 19k honestly. I have a possible place I could break it off a bit further from where I am and end the chapter early since the conversation will be switching but . . . we shall see. That would be great.
Either way, thought I'd let you all know! Wishing you all a fantastic rest of your weekend and a good luck to the start of your week. You got this~
3 notes
·
View notes
talking abt wigfrid and critisism but the further you go the less coherent it becomes. no i will NOT simplify it. read my flop analysis boy.
Something very interesting about Wigfrid that I don't really see in characterizations a lot is the concept of her having... I don't really know what to call it. Not 'a thinner skin', but I suppose the concept of her being wary of how people perceive her.
A lot of interpretations of Wig that I see tend not to go beyond the surface of her persona, that being a confident and overzealous warrior. And to an extent, that is what she is. But I also feel as though it's very important to her character to consider how she got to embracing that persona the way she has to begin with.
'Wigfrid' the actress- whoever she may have been- was clearly incredibly concerned with how she was perceived by others... Most of them being complete strangers to her- people who she'll never meet or get to know, who will never know her in turn. Hell, the opinions of those strangers were the driving force to her accepting Maxwell's deal to begin with! Yes, she wanted her popularity back, but were it not for the people who tore her down with their words alone, she never would have lost it to begin with!
I think the snake motif in Curtain Calls was a very interesting choice for Klei, if only because to me it feels deliberate. The giant serpent she fought within her fantasies manifested itself from her newspapers... The term 'snake' is frequently used to describe individuals who are deceitful and dishonest. To me it doesn't really feel like a coincidence that- of all the beasts, that is the one they choose. A creature who's very title is a double meaning, used to represent the critics who so viciously tear her down, fangs dripping with venomous lies that she can only fight against within the safety of her mind.
"Oh, Savvy-" I can hear you cry, "-Savvy, I think you're reaching a little bit here". Normally I would be inclined to agree. Very frequently I find myself grasping for straws to prop up Klei's otherwise sparse characterizations. However, if the snakes = liars = critics theory isn't enough on its own, I would also like to remind you of what happens after Wigfrid defeats the snake in Curtain Calls. She falls back into reality at the sound of a disembodied voice, and from the newspapers manifests a silhouette of Maxwell. A direct parallel to her fantasy, the news has yet again taken the image of a 'snake'... Of a deceiver. To me, that seems incredibly intentional.
NOT TO MENTION that if the theory is true that MAXWELL MADE UP THE NEWSPAPERS TO BEGIN WITH in an attempt to emotionally manipulate her, then the snake metaphor would make EVEN MORE SENSE because he is LITERALLY making himself tangible out of HIS OWN lies. but i'm NOT GETTING INTO THAT RABBIT HOLE right now because i'm ALREADY DIGRESSING!!!!!
So, now that we can ALL AGREE that Wigfrid's hatred of snakes stems from a bit of self projecting, we can bring up Wigfrid's current, in game hatred of snakes, and perhaps draw a couple of conclusions about how criticism may be effecting her now, as opposed to how it was pre-Constant:
Her unabashed hatred is visibly obvious. She goes about engaging with snakes in a VERY unique way she does the rest of her quarry. She takes great pleasure in their destruction, and goes so far as to label them her enemies, specifically. I looked it up, and as far as I can glean this wouldn't be a pre-establised trait of her persona. This vitriolic snake hatred is entirely stemming from the person underneath.
So. With the context we previously gathered that implies that maybe the reason she sees snakes in such a way is due to the fact that they are practically synonymous with critics and 'liars' to her, I can safely conclude that. um. No, I really do not think she has grown any more of a hide against criticism than she had before accepting Maxwell's deal.
Wigfrid's hatred of snakes was a big part of her character from even before Curtain Calls (obviously, bc shipwreck released way before her refresh did), but I feel like them taking this specific facet of her character- one that's lesser known from her, buried behind her more stereotypical motifs- and adding such important context to it was a intentional act. I refuse to think otherwise.
Even outside of the whole. Snake Thing I spent two hours describing, though. To me it still seems plausible for Wigfrid to act all tough, but take insults very poorly. Yes, in a prideful sort of way- where she feels the need to actively defend herself and her 'honor'- but also just in a... regular way. I don't think it'd show up much in the Constant because. i mean, there's more important things for the survivors to do. but i really do feel like scathing insults would bite her more than someone would expect it to.
Also I just think it would be funny and help flesh out her nuance. Is that a crime. To want to give my girl some nuance. Is that a sin.
20 notes
·
View notes