#Time Capsule

[inoankin]

my thoughts on the movie

[zombilenium]

"Stuck In Time"

Abandoned home in Connecticut

[badnewswhatsleft]

12 i don't care mv - commentary (full band)

[zegalba]

Janeth Davalos, Collage featuring Time Capsule by Mariko Mori (2019)

[delulu-sushi]

Future Y/N and Mikey visiting their childhood!!! Canon to Always By My Side. :D

~~~~~~~~~~~~~~~Enjoy!~~~~~~~~~~~~~~~~~

"Remember this place?" Mikey's words trigger your memories as he offers his hand to help you off the back of his motorcycle

Just like he did that day

He entwines his fingers into yours, as deep as one possibly could, as the two of you walk down Musashi Shrine.

You glimpse at him.

Now 25, Manjiro Sano was still as charming as ever. He left his playful appearance, his hairstyle now mimicking his older brother's and his clothes being less casual and more flaunting, but he was still you're Manjiro.

As you walked down Musashi Shrine, you noticed how just the aura of the place brought back his Toman demeanor, just as he would walk down all those years ago... ...the hundreds of heads bowing down as he walked past them, his cape endlessly flowing back as you watched him with a proud feeling that never went away. Watching the invincible Mikey, no, your invincible Mikey walk so confidently, and see so many people respect him...

Manjiro stood where his young self once stood, and you swear you saw the ghosts of the past. He turned to you as his smile grew bigger, and slowly walked towards you, who was leaning on a pole. His one hand reached for your face as he brought his forehead closer to yours, planting a soft kiss on your lips, before whispering his daily mantra, "I love you".

"You know you can't whisper those words without taking things farther" you tease him in between his soft kisses.

"Heh," he chuckles as he takes his hands in yours leading you down the shrine and on a path in the forest, "Don't worry dorayaki, I know what to keep private" he says with a snobbish wink as you roll your eyes at him, the two of you erupting in a series of giggles with your flirtatious talks.

"Are we going to that tree?" You ask Manjiro as you notice the surroundings around you. "Honestly, I didn't think you would remember, seeing how you forget your own birthday"

Mikey gives you a raised eyebrow as he starts giving a very irrelavant and made up list of all the things you forgot, which you give an eye roll and eventually erupt into giggles

He loves making you laugh

"Never stop laughing, m'kay?" He doesn't stare you straight in the eye, but moves his arm over your shoulder as you hug his side

"For you, I never will." You answer back as the two of you eventually stop at the tree.

Manjiro rolls his sleeves down and reaches his hand into a tree hole untouched for 15 years. He pulls out a rusty box, once golden and embroidered, now dusty. Still, Manjiro takes out a handkerchief and wipes the box, which, to your astonishment, is still as beautifully embroidered as it was all those years ago.

Jiro clears his voice and stands up tall, very evidently trying to hold back a childish smile as he begins a speech.

"MS. L/N, F/N, 15 YEARS AGO I FELL IN LOVE WITH YOU. 15 YEARS AGO I ASKED YOU TO PUT SOMETHING IN THIS BOX THAT REMINDED YOU OF ME. 15 YEARS AGO, I did the same" His voice calms down as he smiles lovingly. He can't stop. Manjiro opens the box and motions you to take out his letter, as he takes out the picture you drew.

"Dear dorayaki, " you start to read the letter and sneak a glance at Mikey, who freezes with a tomato-red face, suddenly remembering how much of an embarrassing love-struck 10 year old he was, "Jeez Jiro, I can't believe you made up that nickname when you were ten" you tease him.

"One day, you came to my grandpa's dojo, and I thought you were just another girl. Then we played together. You, me, Baji, and Sanzu, and all I wanted to do was make sure no one tagged you but me. Now I am ten and Shinichiro is always talking about the girls he gets rejected by. And sometimes, I get scared that you too, will reject me."

You pause to take a breath. Never in your life did you imagine that the 5th grade boy who acted so cool and chill in front of everyone was head over heels about you, going so far to write a whole letter.

"I think I'm in love with you. And if this is true, then I'll tell you. I'll look at your pretty E/C eyes all day long and we'll drink milkshakes together, and I'll even let you finish mine. But most importantly, if this is true, then I'll bring you back here and", you turn over the paper, anticipating what comes next... but its empty. Confused, you look back at Manjiro, whos

On his knees.

His hands on a small square case which you hope has what you think is inside.

He's staring at you, with love, because he knows what you're answer is going to be

"Marry me?"

No words come out of your mouth as you nod your head while tears slowly drop down your face as he takes your precious hand and slides a golden ring with the engraving Sano.

"Then I'll bring you back here and I'll make you a Sano" he finishes the last sentence of his letter and kisses your hand, while your still in shock about what happened.

"We're, WE'RE MARRIED NOW! We're married now? Oh my gosh, we are married Manji" Manjiro never thought you would be freaking out more then him. He looked straight in your eyes, picked you up, and twirled you around, "YEAH! You're a Sano now!" You've never seen him this happy before.

He then picks up the drawing you put in the time capsule,

A wedding reception. The Sano family, and all your friends surrounding the side. And in the middle?

You and Manjiro as bride and groom

[abandonedography]

A Well-Preserved Abandoned Time Capsule House

Along a scenic road lies this incredible time capsule house with everything left behind. This large home built in 1956 features interior design elements from the 70s including shag carpeting in the bedrooms, a carpeted wall in the primary bedroom, appliances from the same era, and even an Asian-themed tiki bar/room in the basement. There are several personal items left behind as well from clothing, to photos and even letters from the children to their father.

The Home was owned by a German man named Hans. He was born in 1923, and he married a woman named Emma at a relatively young age. Hans was a school teacher by profession, teaching at a nearby school. He was a hard worker and was always furthering his education, as seen in several certificates found throughout the home. I believe he also had a small business selling renewable energy sources such as solar panels and wind turbines which he operated out of a separate part of the home. In his spare time, he liked to build and maintain his elaborate model train display in the basement.

He and his wife Emma enjoyed travelling and did so often until finally deciding to settle down. They had two children, Adele and Michael. They led an idyllic life for a few years but as time went on cracks began to emerge in the marriage. Emma decided it was time to leave and she moved with their children a couple of hours away from Hans.

Hans moved on and met a woman named Ida. Michael would occasionally send letters to Hans and from what I read, they did not have the best relationship. Michael being very religious, was always optimistic they would see each other during the holidays but from the sounds of the letters, that likely didn't happen. He was also upset about the fact that his father did not call him regularly. In one of the letters Michael said that after a phone call with his father, he was scared to death of visiting him after speaking his mind. Emma did not get along well with her ex husband and this likely played a role in the ability for the children to visit with their father as well.

Life continued on for both families until Hans passed away in 1980, he was only 57. Ida lived in the home until at least 1983 as seen in a handwritten letter from Michael addressed to her. At some point after that, Ida moved to Pennsylvania since she likely had friends/family there. The house has sat abandoned ever since.

Emma passed away a few years ago but I have not been able to find out any information about Adele. Michael however spent a lot of time in school training to work in a religious-related field. He had inherited a strong work ethic from his father, reminiscing about how Saturdays were work days and how that impacted his life. He has since found a very rewarding and successful career in religion.

source - video of the house

[ocwonderland]

digital time capsule for ocs

This is a fun little idea I had, to make a digital time capsule of your ocs that you will not open until a year or later! The idea is to make and gather various media that pertains to your original character and store it away in a folder or drive, and you can’t look at it until at least a year has passed. That way you can see how much your OC has grown and developed over the year(s)!

Here are some ideas for what you can store in the digital time capsule:

most recent artwork of the oc (I would recommend making a new one if you can)

moodboards representing your oc

poems that remind you of your oc, or poems about them that you have written yourself

screenshots of nice comments people have given you about your ocs

drawings or photos of your oc’s favorite objects and possessions

color palettes that remind you of your oc (I like to use the website coolors)

links to songs that remind you of your oc (or songs you wrote for them!)

a doodle page for your oc

anything else you can think of!

there aren’t really any rules for this project, you can do it however you want. but if you need some guidance, here are some tips and suggestions for getting started with your time capsule:

put the date of when you completed your time capsule in the name of the main folder

if you’re making a single capsule for multiple ocs, make different subfolders for each oc. Or you can make separate capsules for each oc

have backups of your capsule somewhere, like on a cloud drive or flash drive, in case something happens to the original

set a reminder on your phone or computer for when you want to open your time capsule

remember to be creative, and more importantly, have fun!

[chaoticdesertdweller]

Troutdale, Virginia c.1910

[lumosecity]

put Hozier and Noah Kahan in a time capsule, the aliens need to hear this shit

[gear-project]

The Present meets the Past.

[moth-belly]

[snailchimera]

I don't really make my own posts on here very often anymore (for Reasons), but I'm hoping this somehow gets back to the person who made this time capsule in Subnautica.

I love him.

[badnewswhatsleft]

scanned the little patrick interview from kerrang winter 2023<3

transcript under cut:

Patrick Stump’s mum is a methodical accountant who likes to plan ahead and think things through. She would bestow this organisational wisdom upon her son when he was growing up. When his band Fall Out Boy got signed, however, thereby kick-starting one of the most exciting trajectories of the past 20 years, Mrs Stump quickly realised there were limits to what she could assist him with.

“She said to me, ‘I can’t help you anymore - you’re beyond my area of expertise,’” Patrick recalls with a laugh.

In the years since, there has been no end of through-the-looking-glass moments for Fall Out Boy, a litany of incredible achievements highlighted by the ever-growing shows the Chicago four-piece - completed by bassist Pete Wentz, guitarist Joe Trohman and drummer Andy Hurley - have played. It’s an upscaling Patrick admits he still can’t fully process.

“I’m probably never going to get used to it, and I think I’m at peace with that,” he admits, taking time out backstage at Hamburg’s Barclays Arena on the band’s epic So Much For (Tour) Dust jaunt, which recently visited the UK.

Thankfully, Fall Out Boy will be back on these shores next summer, having been announced as headliners for Download Festival 2024, alongside Queens Of The Stone Age and Avenged Sevenfold. The news has given Patrick cause to reflect upon the pivotal shows and tours that have made FOB the band they are today, with a self-deprecating appraisal of the good times and the bad, the tiny gigs and the Hella Mega ones.

“A lot of my life makes sense to me, where I understand the various points of what happened and why, but there are moments with the shows we’ve played that make no sense at all,” Patrick reflects. “You go to arenas and they have pictures in the hallway of all the big artists that have played there, then they’ll have pictures of us, which sticks out to me!”

THE BAND’S FIRST-EVER SHOW AT DEPAUL UNIVERSITY CAFETERIA, 2001 “We were playing with some pretty cool math-rock and emo bands. When we got out there, we were horrible - I mean really terrible - and there were about three or four people there. I can’t remember what our band name was at the time - it wasn’t Fall Out Boy, and we were tossing some names around. I remember suggesting one of the names we had in mind to the drummer in one of the other bands and him telling me it sucked. We had a guitar player who I’d only met the week before and I’ve never seen since. I hope he’s doing good things. I heard he became a bike messenger. I cannot imagine a humbler beginning for a first show!”

FALL OUT BOY’S FIRST GIG WITH ANDY HURLEY, 2003 “I think it was with Andy’s other band, The Kill Pill. Andy played in both bands that night. It was a bigger show for us, opening for [Florida melodic hardcore band] As Friends Rust, and we didn’t have a guitar player, so I was playing guitar. It was weird because we were playing some newer songs, which stood out, so it felt like we’d started to actualise the band. I’m a drummer originally, so I was picky about drummers. But when we played with Andy, it was the first time that it felt right. I remember saying to a friend of mine who was there at the time that we were still a bad band then, and she said, ‘You guys couldn’t see it, but even then, it felt like the beginning of something.’”

THE FIRST UK TOUR, 2004 “One thing I remember was going to a Mexican restaurant, ordering tacos, and being unable to describe the things that arrived at the table - and not in a good way. That first UK tour was with Mest, and it was surreal. I think that might have been the first time I’d ever left the States, so going to another country felt like a big deal. When I got there, I realised the UK is similar in a lot of ways - particularly thanks to our shared musical history. One difference was that the venues all felt so much more punk rock than those in the States, with an unhinged basement vibe, which surprised me but was also thrilling.”

HEADLINING DECAYDANCE FEST AT THE HAMMERSMITH APOLLO, 2007 “I look back on some moments and realise they were bigger than I noticed at the time. The other bands on that bill - Panic! At The Disco, Gym Class Heroes, The Academy Is…, Cobra Starship - were all bands we’d played with a lot before that and were friends with, so at the time I thought, ‘Every show we do is Decaydance Fest!’ Then that moment in time was gone and I soon realised that it was crazy that we were able to get all those people together to do that show. You don’t necessarily realise you’re part of a thing when you’re part of a thing, so when I think back now, I’m amazed.”

THE LAST GIG BEFORE GOING ON HIATUS AT MADISON SQUARE GARDEN, 2009 “It was such a strange show. I had checked out at the time, and was busy thinking about solo stuff, but really I just wanted to make lots of music. One of the things that was crippling was making a record and then going on the road for two years to promote the record. For me, making records is what’s important, so the grind of having to make them so slowly was killing me. I was therefore in a bad space with the band. I think we were out with +44, and I remember Mark [Hoppus] shaving Pete’s head onstage. Pete had the famous haircut and that was the end of it. It was kind of a joke to do that, but it ended up proving to be fairly symbolic, as it really was the end to that whole moment.”

FALL OUT BOY’S FIRST GIG BACK AT SUBTERRANEAN, CHICAGO, 2013 “The whole thing happened so fast and so suddenly! We had a meeting in New York. The four of us met at our manager’s apartment and we talked about maybe getting together and seeing what happened. It was tense, actually, as we hadn’t talked to each other in a long time and there were all these old grievances - but there was also this sense that we were older and wiser. We put together some songs, and one of them was My Songs Know What You Did In The Dark (Light Em Up). On the morning of the show, we appeared on a radio show and the whole station felt excited about the song. It felt like the beginning of a rollercoaster. That night, when we played Light Em Up, a song people could only have heard hours ago, the room exploded!”

CO-HEADLINING THE MONUMENTOUR WITH PARAMORE, 2014 “That was one of my favourite tours! Andy and I would do a drum-off, so we got to play together, which was a full-circle thing for me, as I had never got to play drums in front of people with the band before then - so that was fun! I remember thinking on that tour that we were really getting somewhere as a band. Our first show, we were a pretty bad band. For a while in the early days, we wrote better than we played, and we thought better than we wrote. But as time passed things really came together. That tour was a point where we felt that we were really getting somewhere. Plus, the audiences were great on that tour - incredibly excited and giving.”

HEADLINING WRIGLEY FIELD BASEBALL STADIUM IN CHICAGO, 2018 “When I was a kid, the height of my ambition was to play the [1,100-capacity] Metro in Chicago. I never thought in a million years that we’d get to play Wrigley Field - I didn’t even know that bands played there. It’s not a venue, it’s where the Cubs play. I’m still in disbelief that we’ve now played it three times! That doesn’t make any sense to me. The first time we did it was terrifying, but also familiar. We used to have an apartment in Roscoe Village, which is walking distance from Wrigley Field. I remember Pete and I writing [2003 single] Grand Theft Autumn/Where Is Your Boy together, then we went jogging around Wrigley, and a group of drunk Cubs fans shouted ‘Fucking losers!’ at us. Being inside that structure years later, singing that song, was therefore so surreal.”

HAVING A FREDDIE MERCURY EXPERIENCE HEADLINING READING & LEEDS FESTIVAL, 2018 “I think about that regularly. I’m not a natural performer. I used to act, so I could act as a character, but I couldn’t really be me and sing onstage - that never used to be comfortable for me. I have this very specific memory of This Ain’t A Scene, It’s An Arms Race. There was this part where I sling my guitar to the stage and I’m just singing and having the crowd sing with me. The way they responded at that point made me suddenly think, ‘Oh, I can do this!’ I remember running towards the audience with the microphone and the life that came back at me just blew me away. When you have an audience like that, you’re Freddie fucking Mercury! I think about that on an almost daily basis when we’re on tour. That song has a whole different life now because of my experiences at Reading & Leeds.”

PLAYING THE HELLA MEGA TOUR WITH GREEN DAY AND WEEZER, 2022 “I couldn’t have been more obsessed with a band than I was with Weezer in 1998-’99, when I was in high school. Then, years later, they’re your buddies and you’re playing with them and they’re playing some of your favourite songs ever. That is so strange. One of my musical origin stories was in fifth grade, when this kid in the middle of class beckoned me over. We snuck under a table, and he puts headphones on me and he plays Dookie. I was like, ‘What is this?!’ On that tour, Billie Joe Armstrong said I was a really good singer. I’m still recovering from that.”

[hestiasembrace]

Putters after hours

[Went for friends bday, the one in our town is definitely stuck in time]

[alex-sobolevsky]

"I was in school when I first read about the Talos Principle. I think it disturbed me at the time, made me hyper aware of... my body as a physical object. The material reality of the brain. Ideas that made me uncomfortable at first, but I think in the long run it helped me understand how frail human beings are, and how precious. It's not a comforting way of thinking about the world, but I'd rather face the truth than lie to myself."

— Alexandra Drennan. Time capsule 03, The Talos Principle

[abandonedography]

Astonishing Abandoned TIME CAPSULE House Stuck In The 1970s!!