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cooking256 · 4 months

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もみじ饅頭広島のお菓子

もみじ饅頭は、日本の広島県の鞆の浦地域で有名な銘菓の一つです。もみじの形をした饅頭（まんじゅう）で、ほのかな甘みともっちりした食感が特徴です。 1. 形状もみじの葉の形を模した饅頭であり、その形状が特徴的です。普通の饅頭よりも小ぶりで、もみじの模様が刻まれています。 2. 餡子の種類通常はあんこ（餡子）が詰まっていますが、白あんやクリーム、果物など、さまざまな種類の餡子を詰めたものもあります。 3. 観光土産広島県の観光地、特に鞆の浦周辺でよく見かける土産物です。地元のお土産として人気があります。もみじ饅頭は、その可愛らしい形状と風味の良さから、広島を訪れた観光客に人気があります。地元の鞆の浦周辺の土産物屋や和菓子屋、観光スポットのお土産コーナーなどで購入することができます。

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Momiji Manju Hiroshima sweets

Momiji Manju is one of the famous sweets from the Tomonoura region of Hiroshima Prefecture, Japan. It is a manju in the shape of a maple leaf, and is characterized by its subtle sweetness and chewy texture. 1. Shape This manju is shaped like a maple leaf, and its shape is distinctive. It is smaller than a regular manju and has a maple leaf pattern engraved on it. 2. Types of bean paste They are usually filled with anko (red bean paste), but they can also be filled with various types of bean paste, such as white bean paste, cream, or fruit. 3. Tourist souvenirs This souvenir is often seen in tourist spots in Hiroshima Prefecture, especially around Tomonoura. It is popular as a local souvenir. Momiji Manju is popular among tourists visiting Hiroshima due to its cute shape and delicious flavor. You can purchase them at local souvenir shops and Japanese confectionery shops around Tomonoura, as well as souvenir corners at tourist spots.

#もみじ饅頭 #広島のお菓子 #Momiji Manju #Hiroshima sweets #料理トリビア #JapaneseCooking

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killdeercheer · 10 months

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Studio Ghibli Reviews: Ponyo (2008)

Ponyo was another creation of the mind of Hayao Miyazaki, who derived inspiration from a number of sources, including The Little Mermaid (the original Hans Christian Andersen story), Millais' 1852 painting Ophelia, the coastal town of Tomonoura, and the young daughter of Studio Ghibli animation director Katsuya Kondō. Needless to say, the end-result is a stunningly animated and heartfelt story with a simple premise: a magical girl meets a human boy and the two fall in love.

Plot: Set in modern-day Japan, the human boy in question, Sōsuke, lives with his mother Lisa on a cliff by the sea. Deep in the ocean, the magical girl (whose original form is a small red fish with a human face) lives with her menagerie of sisters, and are the children of a human-turned-sea wizard named Fujimoto and the Mother of the Ocean herself (or Granmamare). Ponyo's father resents the human world for its incessant pollution and disrespect for marine life, but Ponyo's curiosity and frustration lead her to escape one day, coming to the surface and meeting Sōsuke. The two immediately hit it off but are unfortunately separated. After Ponyo gets into her father's elixirs, she gains a burst of magical energy and dramatically overturns the balance of nature to reunite with the boy she adores. Only then does the real test of love begin: can the children navigate their new-found relationship and truly love one another as they are, magic or no?

- this review will be mainly spoiler-free -

Ponyo is my second favorite of the Ghibli films. I adore this movie. It's probably the one Ghibli film (next to My Neighbor Totoro) that is mainly geared to very young audiences. As a general rule, the minimum target audience for any one Ghibli film is the age of the youngest main character. Ponyo and Sōsuke are 5-years-old, so 5-year-olds would (and seemingly do) enjoy this. But, here's the thing, these movies are so timeless and universal that just about anyone at any age can enjoy it. I took my Madre to see the Ghibli Fest theatrical re-release recently and she considered it one of her favorite movies she's seen. She was in tears. Sometimes a simple movie mainly geared for children brings out those feelings in you. That's how I feel about this movie.

One thing that really stands out about Ponyo is the animation and art direction. The entire film was traditionally animated, absolutely no CGI for even the boats, and the backgrounds are mainly watercolors and pastels. The character designs, in contrast, are relatively simple with defined outlines and not a lot of intricate patterning on clothing. In a sense, I find the vibes of this movie somewhere in the ballpark of WDAS films like Dumbo or Lilo & Stitch, though unlike the former this was certainly not because of costs (Ponyo had a budget of ¥3.4 billion compared to Howl's Moving Castle's ¥2.4 billion) but instead to showcase what traditional animation methods were capable of. And it shows. The scenes of Ponyo riding the stormy, fishy waves or those shots that are just covered in marine organisms are absolutely mesmerizing. And the style also works to bring a "story book feel" to the film, which, considering the type of story being told, absolutely works.

The story itself and how it plays out is very sweet and charming. Much of the time is spent with the two leads who, remember, are 5-year-olds just... enjoying life! Ponyo is an excitable and mischievous kid and Sōsuke is definitely more simmered-down (the result of navigating life as "the man of the house", as his father, Kōichi, is a captain and away very often). But Sōsuke is no less adventurous and playful, so when the two interact you can just feel their mutual affection and joy for each other. This is a love story, but it's not treated as romantic (thankfully, these are children afterall).

The rest of the main cast consist of the different adult guardians to our young leads. Ponyo's father Fujimoto is a curious mix of flamboyant and awkward with a hardened and stern interior that perfectly fits a magical sea-wizard with desires to return the oceans to their glory days (this also means ending "the age of humans", and considering the historical details I've been reading in Callum Roberts' book The Unnatural History of the Sea, he should really focus on ending the medieval-age institutions that actually got us to this point). However, Fujimoto is not a traditional villain and (in Ghibli fashion) is at least sympathetic when it comes to his role as father and protector of his children. Granmamare, in contrast, is an almost polar opposite based on the few scenes we have of her: she carries herself with such grace and elegance and holds no ill-will towards humans - she is also the Goddess of Mercy - openly challenging her husband's ideals in an attempt to bring happiness to her daughter. She is also stunningly animated and I never fail to glue my eyes to the screen whenever she shows up (what does this say about me? None of your business). Speaking of mothers, Lisa (Sōsuke's mom) is also a ton of fun and steals every scene she's in, whether it's her perilous driving skills or her patience with Ponyo's antics.

All of this is supported by a great voice cast (as per all my reviews, this is based on the English dub). Props to the Walt Disney Studios for getting actual children to voice these child characters (and not 30-year-old women doing kid voices...). Noah Cyrus (Ponyo) and Frankie Jonas (Sōsuke) do a phenomenal job and bring a lot of energy fitting to the characters on screen. Liam "I have a particular set of skills" Neeson is Fujimoto and if you think that his voice doesn't match his character than you are sorely mistaken. I find the contrast so hilarious and perfect. Cate Blanchett is Granmamare and I mean come on that just makes me love this character even more. We also have Tina Fey as Lisa who adds a lot of motherly-charm, Matt Damon as Kōichi who, for the few scenes he's in does very well. I have failed to mention a whole gaggle of elderly ladies also features in the film (residents of the retirement home Lisa works at) who are just great. One of them (Yoshie) is voiced by the late Betty White and if that doesn't just eat me up every time I watch this movie.

The musical score is once again courtesy of Joe Hisaishi and it's definitely one of those Ghibli soundtracks that just sucks me into the film. It's just so majestic and otherworldly and this totally fits with the ocean setting. The opening number Mother of the Sea is a lovely operatic piece that (and I just now realized this) translates into a recollection of Granmamare's past with Fujimoto under the waves. Oof. My heart. But the highlight of the film is the end-credits song Gake no Ue no Ponyo sung by the main leads, which is just adorable and ear-wormy in the best way. No, I don't care for the remix version. No one does.

Overall, Ponyo is one of those movies that never fails to put a smile on my face. I can't be upset watching it. It's so cathartic. This is a movie to watch after you've had a bad day or you just need a pick-me-up. The charming characters, gorgeous scenery, and simple plot (in which several parts of the film are just the characters having a chance to breathe) are like medicine in a world of films that are nothing but rapid-fire scenes, big complicated plots, and cynical humor. It is that fact that makes me return to this movie over and over again. Having these two adorable kids as main leads also helps.

#Studio Ghibli Reviews #Ponyo

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dummy-kanji · 2 years

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Kimono: Tomonoura Western Honshu Japan por Kangaroobie... Por Flickr: Exif_JPEG_PICTURE

#Black & White Photos #flickr

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writingwhimsey · 2 years

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Lady of Azuchi Ch. 16

Chapter 16

Nobunaga had gathered his inner circle together for a council. They were discussing further details Mitsuhide was finding in regards to who attempted to poison Ava. "I have tracked the poison to a port in the south." Mitsuhide said. "There have also been whisperings of movement from Tomonoura."

Nobunaga bristled at the mention of Tomonoura. "Do you believe that defanged shogun has something to do with this?" He asked.

"I can't say for certain, my lord, but it is suspicious that there is increased activity around his exiled home at this same time." Mitsuhide answered.

"Hideyoshi, do you still have that contact in the south? The one you used to negotiate with the Mouri?" Nobunaga asked.

Hideyoshi nodded. "Yes, I can reach out to him."

Nobunaga nodded. "See that you do. Perhaps he will have contacts that will be able to help us track the assassin better."

The council went on for a while longer, the warlords discussing other matters before Nobunaga was dismissing everyone. He called out to Masamune before the man left. "Masamune."

"You need something?" Masamune asked.

"Yes, I have an important matter…and you are the only one I can entrust with it." Nobunaga replied.

"Do I get the vanguard for the next battle?" Masamune asked, intrigued.

"No, this is far more important." Nobunaga answered. "Ava's sister will be leaving and returning home in a few months. She plans to spend that time trying to convince Ava to come back with her."

Masamune blinked in surprise. "You can't tell me you're actually worried that the lass might leave? I'm pretty sure there's nothing that could get her to leave your side."

"Still, I can't take any chances." Nobunaga replied. "I need you to help keep Suki distracted…perhaps show her around and show her what makes life here good."

Masamune grinned. "I think I can do that. Though I was hoping for a fight, this just might be even more fun."

Ava and Suki…

I was walking through the castle town, Suki, Asuna, and my handful of guards (including Hideyoshi) with me. It was the first time we had ventured out since the attempted poisoning…and Suki’s arrival. But it was something that needed to be done. Plus, I had some deliveries to make as well as a need to stock up on some new fabrics for myself and the castle seamstresses.

We made our way to a local inn that a visiting daimyo was staying in. I presented him with his new haori and the kimono he had ordered for his wife. They were excited over my work and quite pleased with their commissions. His wife couldn’t stop going on about how beautiful her new kimono was.

Afterwards, we made our way to my favorite fabric merchant. He greeted me with a smile. “Lady Ava, it is wonderful to see you again.” Kenji, the merchant greeted me.

I smiled. “It’s good to see you, too.”

“I am glad you came, I just got in this new fabric that I think you would like very much, my lady.” He said. “When I got it in, I set it aside knowing you would probably love it.” He was then disappearing in the back and coming back out with three bolts of fabric.

I walked closer and looked at the beautiful dyes. They were techniques, that in my time were lost to time. I had only seen scraps of these types of fabric in museums and no one could figure out how to replicate this. “Oh my! Oh, this is exquisite!” I gushed, as I ran my hands over the delicate patterns. My mind was already coming up with ideas for clothing for these gorgeous pieces of fabric.

Kenji smiled. “I am glad to see that you like it.”

“Oh, I adore it.” I replied. “I’ll take all of these.”

Kenji smiled. “I will get these packaged up for you.”

Once we had made the purchase, Hideyoshi was taking it. “You know I can carry that.” I told him.

“You’re already carrying enough.” Hideyoshi replied, gesturing to my swollen belly. “Besides, I am here to protect you. That includes keeping you from overworking yourself…which you tend to do.”

I sighed, but then happened to catch my sister’s face. “What?” I asked her.

“Just thinking I was surprised by how well Hideyoshi here knows you.” She answered.

“It is a theme amongst all of the warlords.” Asuna told Suki. “Everyone very much keeps an eye on La…Ava and will do what they can to keep her from overworking herself.”

“What? Now all of you are ganging up on me?” I asked. “You know, I was missing you Suki, but I’m starting to not be so happy to see you.”

“Oh, you know you love me.” Suki replied, pulling me into a hug.

“Only because I have to.” I teased.

She then mussed my hair and I swatted her hands away.

It was then that my stomach was letting out a growl. “I think it might be time to take a snack break.” I said, sheepishly.

We were all then making our way to one of my favorite tea houses. I sat on one of the benches with Suki and my guards as Asuna and Hideyoshi went to grab some tea and snacks for us. “So, what do you think so far?” I asked Suki.

“Well…the townspeople do seem to like you for sure…and I saw the way your face lit up at that fabric.” She admitted. “Still think the better medical care and you know; no threat of death and relative peace would be reason enough for you to want to come back home with me though.”

“But I am happy here.” I replied. “Home doesn’t have Nobunaga or he direct client relations I have with my customers.”

“That daimyo and his wife did seem happy with those pieces you did for them.” Suki admitted. “But you know, what’s more important? Your work or the safety of you and your unborn baby?”

“I can have both.” I told her.

It was then that Asuna and Hideyoshi were returning, carrying the tea and some mochi. We were all settling in to enjoy the sweet treats, when Masamune suddenly appeared. “Ah, there you are.” He said, grinning at us all.

“Were you looking for us?” Hideyoshi asked.

“Just the lasses.” Masamune answered. “Of course, with all of the guards around you’re hard to miss.”

“Were you needing something, Masamune?” I asked.

“Just wanted to head out for a bit and realized I needed some company.” He answered. That one blue eye then came to rest on my sister. “Pretty sure Nobunaga would have an issue if I took Ava as my company, so I think you’ll have to do lass.”

Suki actually looked a bit nervous. “Uhm, excuse me?”

Masamune was then reaching for Suki, taking her by the hand. “Come on and let me show you a good time.”

“But I was spending time with my sister.” Suki protested.

“Yeah, Masamune…and maybe you know ask before just taking her.” I added.

“Masamune…” Hideyoshi managed to get out, his scold face on, but then Masamune was already dragging Suki away. Hideyoshi sighed. He was then standing up, ready to go after them, when a deep commanding voice spoke up.

“Hideyoshi, leave them be.”

We all turned to see Nobunaga had shown up. He was walking towards us.

Hideyoshi looked up at him confused. “My lord?”

“Masamune will do as he pleases, but Suki will be safe with him.” He said. He was then coming over to sit beside me, taking my hand and lacing our fingers together. The look in his eyes gentled as his gaze settled on me.

I smiled up at him. “Well, yeah Masamune wouldn’t let anything happen to her…of course depending on what they do, I could see him being the reason something happens to her.” I said, thinking of all the shenanigans Masamune was known for.

Nobunaga chuckled. He then looked towards Hideyoshi and my guards. “I am here now, you are all dismissed.” He informed them.

“Yes…my lord.” Hideyoshi replied. “We will put your fabric purchases in your sewing room, Ava.”

“You don’t have to do that.” I countered.

“Ava, just let them handle it.” Nobunaga told me. “It is not often we get to spend time alone together in town like this.”

“Well…when you put it like that.” I agreed.

Hideyoshi, Asuna, and the guards were then leaving Nobunaga and I alone. Nobunaga brought our joined hands to his lips, placing a kiss on the back of mine. “I knew you would see things my way.” He said, wearing that smug grin I loved so much.

It was then that the pieces were falling together. “You…you put Masamune up to taking Suki out?”

“How else am I to get alone time with my wife?” He asked. “Suki has been here for a week and she has joined us for dinner every night.”

I smiled as I looked at Nobunaga. He looked so cute when he was sulking. “Well, she is only here for a limited time.” I told him. “And how else is she supposed to get to know you?”

“Is that to say you haven’t been missing me as much as I have you?” Nobunaga asked.

“Of course not!” I exclaimed. “It has been a while since we’ve been able to just relax on a date like this.”

Nobunaga smiled at me. “That is better.”

I was leaning my head over on his shoulder and then reaching over to pick up a bite of mochi. “So, what should we do on this date?” I asked.

Nobunaga smiled and I felt his lips brush the top of my head. “Whatever you wish.” He answered.

“You really know how to spoil a girl, Nobunaga.” I told him, turning my head so that I could look at him.

Nobunaga reached a hand up, his thumb brushing some flour from my lower lip. His fingers were then sliding beneath my chin and tilting my head back farther so he could lean in and place a gentle kiss on my lips. “I am happy so long as I am with you.” He told me.

I smiled, warming inside at his words. “Good thing I feel the same way about being with you, Nobunaga.”

#ikesen #ikesen nobunaga #ikemen sengoku #ikemen sengoku nobunaga #nobunaga oda #cybird otome #ikemen series #cybird ikemen #otome boys #cybird #fanfic #fanfiction

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