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#Tour Plan Organizer in Manhattan
rrlexchange · 7 months
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Ralph Lauren Takes His Line on the Road
By Stephanie Strom Sept. 23, 1993 (Originally published in the NYT)
While other retailers are taking their acts to television's home shopping networks, Ralph Lauren is taking his new line of jeans and rugged clothing on the road in an 18-wheeler.
A team of nine young salespeople yesterday started selling the designer's RRL, or Double RL collection out of a Peterbilt semitractor trailer truck parked on the campus of New York University in Manhattan. The trailer, painted with mustangs running across one side and pulled by a cherry red cab, plans to visit college campuses across the country cultivating customers who might otherwise miss the company's more traditional marketing efforts.
"It's a traveling billboard," Mr. Lauren, who looked as if he had just stepped out of one of the on-board dressing rooms in full RRL attire, said in a truckside interview at N.Y.U.
But it goes beyond that. The truck gives the designer, who is as much a savvy marketer as he is a fashion maven, and his retail empire reach beyond the fashion magazines and department store shops that feature RRL clothes. College students do not necessarily look to the ads in Esquire and Vogue for wardrobe ideas, Mr. Lauren reasons, or spend money in department and specialty stores.
Ralph had challenged us to come up with a new way of reaching young people because they don't read magazines as much," said Mary Randolph Carter, vice president of advertising for the Polo Ralph Lauren Corporation.
Peter Strom, the company's to-the-point President, explained that the traveling store was not about making a profit but, rather, about making a statement. The truck is scheduled to stop on college campuses through the first week of December, but Mr. Strom said he would be willing to finance a spring tour if the one this fall won the company exposure.
That sales are a secondary goal is not surprising, since $68 blue jeans and $78 flannel shirts may not fit into the average college student's budget. But Mr. Lauren is not worried about prices. "All the prices are very competitive," he said. "My products are really good products, high quality, and people will pay for that." Thrift-Shop Ambience.
The shop inside the truck, which has a sort of a Salvation-Army-thrift-shop-meets-general-store atmosphere, opens onto a tented area where clothes are stacked on battered industrial work tables, tossed into baskets or hung on mobile pipe racks. The collection is heavy on items like roomy barn jackets, tooled belts, faded flannel shirts and worn jeans
To handle logistics and campus politics, the company teams up at each campus it plans to visit with a student group, which then makes arrangements for the truck's arrival. In exchange, the traveling RRL shop donates 10 percent of its profits to the sponsoring organization.
Ads in campus newspapers and an "800" telephone number help herald the arrival of the truck, which stays two days at each campus. After leaving N.Y.U. it will head for the University of Connecticut at Storrs and then the University of Massachusetts at Lowell.
Said Sam Hamilton, the 29-year-old road manager who is leading the team, "I figure I can write a memoir when it's all over."
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visit-new-york · 2 years
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The Williamsburg Bridge continues to serve as a symbol of progress, connectivity, and resilience in the heart of New York City. Its enduring presence and multifaceted importance make it a cherished and celebrated landmark in the city's history and culture.
Commemorative Events: Periodically, the Williamsburg Bridge is the focal point for events commemorating significant milestones, historical anniversaries, or community celebrations. These events bring together residents, visitors, and local organizations to celebrate the bridge's significance.
Sustainability Initiatives: In alignment with broader sustainability efforts in New York City, there has been a growing emphasis on making the Williamsburg Bridge more environmentally friendly. This includes exploring ways to reduce energy consumption for lighting and implementing eco-friendly practices in maintenance and construction.
Connecting Communities: The bridge serves as more than just a physical connection; it also connects the people and communities on either side of the East River. It has played a role in shaping the identities and cultural exchanges between Manhattan's Lower East Side and Brooklyn's Williamsburg neighborhood.
Educational Tours: Educational tours and programs often feature the Williamsburg Bridge as a case study in civil engineering and architectural history. Students and enthusiasts can learn about its construction, design, and ongoing maintenance.
Transportation Innovation: As transportation technology evolves, discussions have arisen about how the Williamsburg Bridge can adapt to accommodate new forms of mobility, such as electric scooters and shared transportation services, to meet the changing needs of city residents.
Civic Engagement: The bridge has been a platform for civic engagement and public demonstrations. Throughout its history, it has been the site of protests, marches, and gatherings where people come together to advocate for various causes and express their views.
Architectural Photography: The bridge's striking architectural features, including its towers, suspension cables, and intricate details, have made it a subject of interest for architectural photographers and enthusiasts.
Resilience Planning: In the face of climate change and extreme weather events, city planners are increasingly focused on ensuring the resilience of critical infrastructure like the Williamsburg Bridge. Measures are being explored to fortify it against rising sea levels and potential storm surges.
Continued Innovation: Engineers and architects continue to explore innovative methods and materials to extend the lifespan of the Williamsburg Bridge and ensure its safety for generations to come.
Artistic Inspiration: Beyond being a subject for photographers, the Williamsburg Bridge has also inspired artists and writers. It has appeared in literature, paintings, and other creative works, often serving as a symbol of urban life and aspiration.
Historical Preservation Efforts: Preservationists and historians have worked diligently to ensure the bridge's historical integrity is maintained. This includes efforts to protect and restore the bridge's architectural features, which are essential for its designation as a historic landmark.
Economic Benefits: The Williamsburg Bridge has played a significant role in facilitating commerce and trade between Brooklyn and Manhattan. It has supported businesses, industries, and economic growth in both boroughs, contributing to the overall prosperity of the city.
Educational Resources: The bridge serves as an educational resource for schools, universities, and institutions interested in studying urban infrastructure, transportation systems, and architectural history. It offers valuable insights into engineering and design principles.
Public Art Installations: Occasionally, the bridge has hosted public art installations that interact with its architecture and surroundings. These installations often engage the public in unique ways and spark discussions about art and urban spaces.
Ceremonial and Parades: The Williamsburg Bridge has been a route for various parades, processions, and ceremonial events, including the annual New York City Marathon, which crosses the bridge as part of its course.
Bridging Communities: The bridge has been a symbol of unity and connection between Manhattan and Brooklyn, fostering cultural exchanges and collaborations between the two boroughs.
Film and Television: The Williamsburg Bridge has appeared in numerous films and television shows, contributing to its recognition worldwide. It has been featured in a range of genres, from dramas to action movies.
International Recognition: The Williamsburg Bridge's iconic design and historical significance have led to its recognition on the international stage, with tourists from around the world coming to see and photograph the bridge.
Transportation Network Integration: As part of New York City's extensive transportation network, the Williamsburg Bridge connects to a vast network of roads, highways, subways, and buses, enabling easy access to various parts of the city and the metropolitan area.
The Williamsburg Bridge remains a cherished icon of New York City, symbolizing its history, diversity, and unwavering spirit. Its enduring presence and cultural significance continue to shape the city's landscape and the lives of those who call it home.
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beardedmrbean · 6 months
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The MTA’s latest congestion pricing scheme: Charge runners for crossing the Verrazzano-Narrows Bridge.
The transit agency is waging war against the organizers of the New York City Marathon, demanding $750,000 to make up for toll revenue lost during the iconic race.
And if New York Road Runners doesn’t pay up, the agency is threatening to restrict use of the bridge, potentially reducing the number of runners who can compete in the wildly popular event each November, the New York Times reported Wednesday, citing internal memos.
During hardball negotiations, the MTA initially said runners — who start the marathon on Staten Island — would only be allowed to use the darker lower deck of the bridge for the 26.2-mile race if organizers don’t pay up.
Officials backtracked slightly, though, in recent weeks by saying marathon organizers could have their pick of the upper or lower level for the race — but not both, according to the memos.
The marathon, which is expected to draw 50,000 entrants for this year’s race, has used both decks of the Verrazzano Bridge for the past 36 years.
New York Road Runners isn’t caving to the MTA’s demands.
They have argued they’ll have to likely restrict the number of entries going forward if runners are banned from using both levels. Otherwise, the race’s duration will have to be extended — meaning the bridge and local streets will be shuttered for longer to allow all runners to complete the race, according to the memos.
“New Yorkers love Marathon Sunday, but taxpayers cannot be expected to subsidize a wealthy nongovernment organization like the New York Road Runners to the tune of $750,000,” the president of MTA Bridges and Tunnels, Catherine Sheridan, said in a statement.
“The MTA is prepared to continue working toward a final agreement with the NYRR, provided it leads, over time, to full reimbursement for the lost revenue.”
In 2021, New York Road Runners started paying some personal costs tied to shutting down the bridge for the marathon. For last year’s race, the group said it forked over $150,000.
Separately, the MTA has also demanded Bike New York — an organization that uses the bridge’s bottom level during its annual Five Boro Bike Tour each May — to cough up, too.
It wasn’t immediately clear how much Bike New York has been ordered to pay, but the transit agency threatened to ban the group from using the bridge if it doesn’t agree, the Times reported.
News of the negotiations emerged a week after the MTA’s board approved the controversial congestion pricing plan to slap drivers with a $15 toll to enter Midtown Manhattan below 60th Street.
The MTA has long argued the increased tolls will generate billions for much-needed transit and railroad upgrades for the cash-strapped system.
The tolls on the Verrazzano Bridge, too, subsidize the Big Apple’s subway and bus system.
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omegaremix · 3 months
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Captured Tracks, 2022.
What makes Omega WUSB great is how we create tributes as part of what we play on air. They allow us to get to know our favorite labels better and gives our listeners a nicer surprise from our usual spinning-wheel craziness. Most of them we previously featured are from New York City such as Sacred Bones, Hospital Productions, Wharf Cat, and Mexican Summer. Just recently, Captured Tracks joined that list of labels that deserved it. Do a little due diligence (say that three times fast) and you’ll see that Mike Sniper has had his hands in plenty of things. He owns the umbrella Omnian Group, does illustration for other artists, made music as Blank Dogs, and was part of other bands, too. And he’s owned a couple of record stores, too. Sideman Records was up for a couple of years until the y recently closed down, but his other store named after his Captured Tracks label, is still up. That’s good because I’ve been meaning to visit.
After Amityville’s High Fidelity wiped me out like no other (two visits cost me $893.00 in total), I had one more stop I was planning to visit and call it quits. That was Innersleeve Records until I took a better look at their sticker prices posted on social media. Right then and there I declared my island-wide record store victory tour finally over and any city-wide visit to other stores were treated as “bonus rounds”, which two visits to Academy’s Brooklyn and Manhattan locations already counted. Captured Tracks just posted some nice pics- of their stock and I’ve been meaning to go, so let’s give a proper end to a great expensive run.
I arrived at the Central Islip station, sweltering in the low 80’s and as bright as bright can be. The train took off westbound to Penn Station for a 75-minute ride. I told myself it was going to be a great day. When I did, I noticed something somewhat disappointing. Nothing said there was going to be pending thunderstorms for the next few days, but here they come as I looked to my right. Surely enough daylight went dark and it came down hard from Jamaica all the way to Penn Station. I didn’t come above and out to 34th Street to experience it because I went under to catch the ‘E’ line. Everyone waiting for the alphabet lines were baking and drenched in sweat from all the unbearable post-rain humidity filling the platforms beneath. Thank the Lord for air-conditioned transit. I got off at 23rd and Court Square to the ‘G’ and finally came up at the Greenpoint Ave. stop. It was all clear, as if the horrible weather never happened. You wouldn’t even noticed, either.
Down Manhattan Ave., I turn left on Calyer St. and look for #195. Where the hell is it? I look up and there was the wooden Captured Tracks sign nailed above the window. I wouldn’t have realized that I walked past it as it was perfectly blended in the residential buildings. How cute. I walk up the stairs only to be confronted by a closed door and push-button lock. It can’t fucking be. I look below and there was a flight of concrete steps leading to the basement entrance. Immediately I felt an amazing spell, as if I just discovered a well-hidden secret that almost no one knew. I never entered a music-store this way. That’s what made it magical.
I walk through the front door to find not that many people lurking for new finds. There were only three staffers: one behind the counter checking their Discogs store online, another restocking the vinyl bins, and the last sitting behind the desk in the back corner observing Lord knows what. None of them were Mike Sniper. I walk around the narrow space which was mostly nice and neatly organized; a cellar space adorned with chipped paint on the walls, pipes and valves that would make Super Mario and Luigi gladly pay their 100 coins a month each to live in. I reminded myself why I was here in the first place: to see if their selection matches that of what their label offered.
Captured Tracks were the kings of organization. Everything organized by genre, label, and artist name. Sure, they had the standard classic rock, psych-, and metal LPs. But walk around and they had a full selection of jazz, soul, and R&B to start. They carried several bins of classic disco and dance classified right down to the label. Salsoul, Motown, Casablanca - they weren’t handwritten but instead their tabs and dividers were logo’ed. Want classic motion picture soundtracks from the Eighties-on backward? Pre-war jazz and vocals? Reggae and Bollywood? Greek, Israeli, Brazilian, French, Italian, and Latin artists? They specialize what the other stores don’t. Almost nothing where it shouldn’t be.
First order of business was the cassette section nailed right next to the entrance. They had way less on the shelves than they posted and nothing got to me. In the middle of the store were…eight-tracks? Fifteen of them were posted on a board in the middle of the store. That’s all they had. If I had a player, then no doubt I would be even consider spending $30.00 for either Lonnie Liston Smith’s Expansions and Roy Ayers’ Red Black And Green for $35.00. Adjacent to them were a small pot of CDs, maybe no more that a hundred. So what did I say about how hard it was finding Suicide albums? For $7.00 I was able to get Alan Vega’s Mutator. What tasteless muppet who knows nothing about art and culture sold his copy back to the store? Which other labelmate of his was also in the pot? Marissa Nadler, of course. Her latest full-length The Path Of The Clouds cost $12.00, the highest-priced purchase of the day.
No record-store excursion would be complete without getting a crack at some jazz and fusion. Same to be said about what Roy Ayers records they had. Still no A Tear To A Smile, but instead Let’s Do It sitting in which I already had. But, going across I did find plenty familiar artists with albums I never seen before in the wild from Ron Carter, Ramsay Lewis, Jeff Lorber Fusion, Herbie Mann, and Hank Crawford. I had a chance to pick up two Kool & The Gang records: Wild And Peaceful and The Force. I held off because off of Wild And Peaceful there was “Hollywood Swingin’” and “Jungle Boogie”, and I wouldn’t have been happy if the entire record went in that direction. The Force reminded me that I wasn’t familiar with -The Gang aside from those two, “Summer Madness”, and Love And Understanding. Going a little bit to the right to Hubert Laws’ divider and I find found it: How To Beat The High Cost Of Living with Earl Klugh. That was a huge personal win for me. That motion-picture soundtrack was part of last year’s impeccable, memorable, golden Spring.
Captured Tracks had a small section for hip-hop / rap LPs and 12” singles. Nothing piqued my interest as I wouldn’t spent more than a few dollars on a piece of wax with one or two songs. Their selection of those artists jumped around ranging from Eighties mainstays to Nineties unknowns. The only thing I took with me from those bins was Kool Moe Dee’s Knowledge Is King and that was it.
I figured to give the soul bins a shot and I win another Blackbyrds record, a tattered copy of Bootsy Collins Rubber Band, and The Olympic Runners’ Don’t Let Up - one which would sound so familiar if you’re a Planet Asia & Talib Kweli fan.
Across from the front desk were two stations with four bins each of new arrivals with lots of rare, unknown, and obscure jazz, rock, soul, and soundtracks. Of the fifteen minutes it took me to thumb through it all, the only thing I saw of interest was Blank Stare’s self-titled. It may have been their only hardcore / punk title in the entire store Captured Tracks had as they weren’t known to carry much of it. During that time of lurking through their new arrivals did the staff bring up how much of a psychotic asshole Drew Carey was in real life, and speculated if his Hollywood personality was the reason why his then-wife took her own life. Their words, not mine.
But do give them lots of points as possible for having a straight, organized, and in-reach section of 45’s and 7” records (take that, High Fidelity!). I counted at least 50 categorized white boxes labeled with jukebox hits, punk, new-wave, jazz, country, rock, decades, and more. They had more than enough of reggae and soul with new arrivals of 45’s up for grabs as well with dedicated boxes of legendary artists (Elvis) and others divided and categorized. Good thing I’m still thirsty for Eighties’ hits from my Atari childhood and I bought plenty of them. Simple Minds, Janet Jackson, Kim Carnes, Thomspon Twins. No shame here, and neither should anyone feel it when they practice self-care.
Displayed were many top-dollar records on the wall and over the bins. Those carried the heaviest prices. A copy of Fear’s debut clocked in for $30.00 and The Dictators Go Girl Crazy goes for $40.00. Buzzcocks’ In A Different Kitchen and Sex Pistols’ Never Mind The Bullocks were stickered for $45.00. The Smiths’ The Queen Is Dead went for $50.00 and their self-titled for $55.00. The 7” records on the wall were just a criminal. $25.00 got you Merzbow & Gore Beyond Necropsy’s Rectal Grinder on blue vinyl. Another blue (transparent) 7” was posted which was KRS-One’s “Sound Of The Police” remix which went for $50.00 ($70.00 on Discogs at the time of posting). Two Pharcyde singles were also pinned to the wall: “Otha Fish” sold for $25.00 while “Passin’ Me By” was asking for $60.00. For a piece of wax? That’s insanity, but Brooklyn��s residents need to pony up that rent money, don’t they?
On the floor were many crates of $3.00 records which never occurred to me to burrow through, and they had tons of shelves of LPs under the bins but were marked ‘not for sale’. Might be for the better. It would’ve eaten up another hour-and-a-half of my time and maybe more of my wallet. On the other side was the usual classic rock every store needs to sell in order to stay in business. The most amusing? All the Eric Clapton records were under the ‘Craptonia’ section. (Either they hate his anti-masking stance or have a thing with loved ones falling to their deaths.) I looked through all I could and something didn’t add up: where were all those indie and post-punk / d.i.y. I was looking forward to find? I didn’t see any. I assumed Captured Tracks would carry that kind of stuff because they have Mac Demarco, Beach Fossils, DIIV, Molly Burch, and Wild Nothing on their label. And they’re from Brooklyn. How could they not have stuff like Yard Act’s debut release, Special Interest, Gong Gong Gong, Guerilla Toss, or anything from Wharf Cat? Which was why I had a field day at Rough Trade (before moving out of Williamsburg) and both of Academy’s locations. But at least they had a Thee Oh Sees record somewhere. That qualifies, right?
I’m about five minutes away from declaring an end to this year’s record-store victory tour. I took my pile of finds to the front counter to be added up. I asked the guy with the blonde hair and glasses if those records marked ‘not for sale’ were really off-limits. He explained that they were Discogs stock for the store and need to keep tabs on their stock, which was fine by me. Pain alleviated. He gave me a couple of titles for free and everything came out to $118.00 including New York State (vampire) tax. Good thing I brought two totes with me because I wasn’t taking any chances having my purchase melt in this 90* July heat. Not happening now, not happening ever. I thanked him for everything, walked upstairs and out on Calyer St. with my stash to a bright, clear, glorious Greenpoint sky.
**********
It’s over. It’s finally over. With me leaving Captured Tracks, the record-store victory tour has come to an official close. I did all that I wanted to do and then more. Almost two months of intensive free-spending without worry and practicing self-care and individualism to the fullest. I was the sun which everything else revolved around - the ventures to Queens and Brooklyn, Easter with my Italian Coney Island family, Roman connections, an ambitious Summer broadcasting season at WUSB, the spirit of Sacred Bones’ 15th Anniversary showcase permanently swirling around me, visits to the retro video arcade down the road from me, seeing friends from the Brentwood era, dinner in Calverton, and a small but all-essential conversation with my #1 favorite ginger. I’ve been spinning up some good spaces on the wheel with no signs of losing.
While walking up to Manhattan Ave. to catch the ‘G’ line, I noticed that a curious point of interest had its doors open. That place was Sunshine Laundromat, a locale I’ve read all about but been meaning to visit for the longest time. It’s an actual laundromat with a concealed backdoor that opens up to reveal a backroom pinball arcade. I never noticed it being there until now but finally I found it! It was only 5:45PM and I had all the time in the world to spare. So why not go in? I have nothing to lose.
I enter the laundromat and I slowly look around. It’s a very narrow space to maneuver around with only two or three pinball tables present and a wall of built-in washing machines and dryers. I notice a lady in the back sorting out a mound of clothes. Behind her is that door that leads to (multiball) paradise. I peer right behind her as she looks up and notices me.
“Hi! How can I help you?” she greets me with a smile. I told her that with genuine interest that I read about the laundromat and asked her if the backroom is open. She told me that they’re under renovations but also are awaiting to have their permit approved by the city. She also said that most likely if all goes to plan, then the arcade will re-open for business in a few weeks. It was alleviating news that made me feel good on the inside and made me walk out a more hopeful being.
It was a mood experiencing two crowded subway cars sharing cramped space with everyone imaginable. It wasn’t an eternal wait for the Central Islip line to arrive which the big ride out east was symbolic in itself. Not many people boarded the car I was riding. I sat facing away in the opposite direction. The 7PM sun in its intense beaming yellow glory was all alone in the sky with no clouds or miserable humidity to share it with. Both The Offset: Spectacles followed by Daniel Johnston’s “In A Lifetime” play along with the air conditioner’s cold snap on the way home as I think about what August and September will have in store for me.
The wheel landed on ‘DOUBLE YOUR MONEY’. I told myself it was going to be a great day. And I was right.
Jon Lucien: Premonition LP
Ron Carter: Peg Leg LP
Ramsey Lewis: Love Notes LP
Hubert Laws & Earl Klugh: How To Beat The High Cost Of Living LP
Weather Report: Tale Spinnin’ LP
Olympic Runners: Don’t Let Up LP
Bootsy’s Rubber Band: Stretchin’ It Out In… LP
Jeff Lorber Fusion, The: self-titled LP
Blackbyrds: Unfinished Business LP
Herbie Mann: Sunbelt LP
Hank Crawford: Cajun Sunrise LP
Kool Moe Dee: Knowledge Is King LP
Blank Stare: self-titled LP
Police, The: “Every Breath You Take” 7”
Simple Minds: “Don’t You Forget About Me” 7”
Bangles, The: “In Your Room” 7”
Thompson Twins: “Hold Me Now” 7”
Janet Jackson: “Let’s Wait A While” 7”
Kim Carnes: “Bette Davis Eyes” b/w “Miss You Tonight” 7”
Alan Vega: Mutator CD
Marissa Nadler: The Path Of The Clouds CD
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A collection of radical right figures including white nationalists and ultranationalist European leaders gathered in Manhattan for the New York Young Republicans Club’s (NYYRC) annual gala Saturday night, where that group’s president declared “total war” on perceived enemies.
“We want to cross the Rubicon. We want total war. We must be prepared to do battle in every arena. In the media. In the courtroom. At the ballot box. And in the streets,” NYYRC President Gavin Wax declared to a room full of supporters at 583 Park Ave., an event venue on New York’s Upper East side.
“This is the only language the left understands. The language of pure and unadulterated power,” Wax added.
At the five-hour event, which Hatewatch reporters attended, white nationalists Peter and Lydia Brimelow of VDARE hobnobbed with Steve Bannon, a former Trump adviser and White House official. Donald Trump Jr. was also in attendance.
Republicans publicly lauded members of an Austrian political party founded by World War II-era German Nazi party members. Racist political operative Jack Posobiec shared jokes across a table with Josh Hammer, the opinion editor of Newsweek. Multiple recently elected GOP congresspeople applauded Marjorie Taylor Greene, who told the NYYRC crowd in the event’s closing remarks that the Jan. 6, 2021, attack on the U.S. Capitol would have succeeded if she had planned it and that the insurrectionists would have been armed.
“Then Jan. 6 happened. And next thing you know, I organized the whole thing, along with Steve Bannon,” Greene said, referring to allegations that she had led reconnaissance tours of the Capitol for soon-to-be insurrectionists in the days prior to the violence.
“I will tell you something, if Steve Bannon and I organized that, we would have won,” she said, as attendees erupted in cheers and applause. “Not to mention, it would’ve been armed.”
WHITE NATIONALISTS AND NEOFASCISTS IN THE REPUBLICAN PARTY
Republican speakers repeatedly voiced an anti-democracy, authoritarian ideology, and extremists in the audience cheered wildly. White nationalists such as the Brimelows of VDARE and leaders from extreme far right European parties like Alternative for Germany (Alternative für Deutschland, AfD), whom German officials placed under surveillance for their ties to extremism, and Austrian Freedom Party (Freiheitliche Partei Österreichs, FPÖ), ate and drank in the same room as newly elected Republican congresspeople, such as Long Island and Queens-based George Santos, Georgia-based Mike Collins and Florida-based Cory Mills.
Hatewatch reached out to Santos and Mills by email before the event about their willingness to appear in a global collection of radical right, anti-democracy activists. They did not reply. Hatewatch reached out to Collins on Sunday morning but had not received a response at press time.
A STEVE BANNON SELFIE FOR VDARE
Bannon, the former Trump adviser, physically embraced the white nationalist Brimelows at NYYRC, spoke to the couple for several minutes and took a selfie with them. VDARE traffics in the great replacement conspiracy theory and has published defenses of writings that a terrorist who gunned down 24 people in an El Paso Wal-Mart in 2019 allegedly authored. Peter Brimelow attended the white supremacist American Renaissance conference in November, whose host has portrayed Black people as being subhuman. The Brimelows publish writing authored by Jason Kessler, who helped organize the deadly 2017 “Unite the Right” rally in Charlottesville, Virginia.
When Hatewatch attempted to speak to Lydia Brimelow after her conversation with Bannon to inquire about it, she walked away. Hatewatch did not get close enough to Bannon to ask him about the encounter with Peter and Lydia Brimelow.
‘PIZZAGATE’ JACK DESCENDS ON NEW YORK CITY
Posobiec, a radical right political operative, resides with his wife Tanya Posobiec in Hanover, Maryland. The couple took Amtrak Northeast Regional train 88 into New York’s Penn Station Moynihan Hall on Saturday afternoon to get to the NYYRC gala. Train 88 pulled in at around 3:45 PM ET, and a Hatewatch reporter observed Posobiec and his wife deboard and enter New York City.
“Antifa, don’t even think about it tonight,” Posobiec posted to Twitter three hours later, at 6:39 PM ET, with the location of the tweet marked Manhattan, NY.
NYYRC gave Posobiec a speaking slot and an Allen W. Dulles award, named after the former head of the CIA. NYYRC said in its December bulletin that the award is given to “an individual who embodies the virulent anti-Marxist spirit of [Dulles].”
Like the Brimelows, Posobiec has a well-documented history of radical right activism. He has boasted of his ties to the antigovernment Oath Keepers, fraternized with the Proud Boys, and at least twice, filmed propaganda videos with a pair of neo-Nazi brothers. He is primarily known for pushing the #Pizzagate disinformation campaign, which falsely suggested that Democrats ran a pedophile dungeon in the basement of a Washington, D.C., pizzeria.
Hatewatch spoke with Posobiec around midnight at the NYYRC event and asked him about his involvement in pushing the #StoptheSteal hashtag onto Twitter during the runup to the 2020 election. Although “Stop the Steal” became synonymous with the Jan. 6, 2021, attack on the U.S. Capitol building, Posobiec started tweeting the hashtag from his over-1-million-follower account as early as Sept. 7, 2020, two full months before anyone tallied any votes.
While responding to Hatewatch at NYYRC, Posobiec first attempted to associate the hashtag with Roger Stone and then with Ali Alexander, two of his collaborators. Then he called it “a meme.” He never explained why he abruptly started posting the hashtag in September 2020.
While answering questions, Posobiec grew testy with a Hatewatch reporter and described SPLC as a “domestic terror organization.” Posobiec called that reporter a “scumbag” and a “troll.” After Posobiec’s speaking tone became palpably agitated, a crowd formed and NYYRC executive secretary Viswanag “Vish” Burra escorted both Hatewatch reporters to the exit, physically shoving one of them.
NEWSWEEK FLAUNTS ITS RADICAL-RIGHT CREDENTIALS
Starting in May 2020, after editor Nancy Cooper and chief content officer Dayan Candappa brought political activist Josh Hammer to run Newsweek’s opinion section, the 90-year-old publication has emerged as a hub for opinion pieces authored by radical right activists. Newsweek has published the extremist Posobiec as well as 2020 election-lie pusher Raheem Kassam in recent years, and Hammer has also hosted both of them on his Newsweek-branded podcast. The three men sat together talking and laughing at table #6 during the NYYRC event, near the stage.
When QAnon influencer-turned-congressperson Marjorie Taylor Greene took the stage, Hammer stood up and applauded. When she endorsed former President Trump as her 2024 presidential candidate of choice, Posobiec turned to Hammer and grinned. In January, Florida Gov. Ron DeSantis invited Hammer on a tour of his office, and the Florida-based Newsweek editor has since hyped DeSantis as a potential presidential candidate.
“You gonna go up there, Josh?” Posobiec chided Hammer about Greene’s endorsement of Trump, eliciting laughter from the table.
A Hatewatch reporter approached Hammer after Greene’s speech, made an introduction and asked if he knew Peter Brimelow of VDARE.
“He’s right here, right now?” Hammer asked with excitement.
“I didn’t even know he was here!” Hammer said of the infamous white nationalist publisher. “I’m going to say Hi.”
The Hatewatch reporter asked Hammer how he got his job at Newsweek, and the opinion editor abruptly stopped talking. He asked the reporter to identify himself again. When the reporter did, Hammer’s expression slackened. He quickly claimed he did not know Peter Brimelow and left.
‘WHAT’S RACIST ABOUT PROJECT VERITAS?’
Multiple figures associated with Project Veritas, the hard-right propaganda group that engages in sting operations, attended the NYYRC gala. The group’s founder James O’Keefe and Project Veritas board member Matthew Tyrmand hobnobbed with NYYRC guests Saturday.
Legal trouble has entangled Project Veritas in recent months. Former associates sued Project Veritas in August, citing the creation of a “highly sexualized” work environment, which they claim included substance abuse and unpaid labor. (The group has denied these allegations.) In September, a jury in a civil case found that Project Veritas had “violated wiretapping laws and fraudulently misrepresented itself” during a sting operation targeting a group called Democracy Partners. The FBI raided O’Keefe’s home in November 2021 as part of an investigation into the alleged theft of a diary belonging to President Joe Biden’s daughter Ashley. (The group has claimed that they acted lawfully in obtaining the diary.)
Outside of the building on 583 Park Ave., O’Keefe argued with antifascist protesters, according to footage reviewed by Hatewatch. A different, self-described “independent video journalist” posted a series of clips to Twitter at 8:15 p.m., showing O’Keefe asking antifascist protesters on the corner of Park Avenue and 62nd Street, “What’s racist about Project Veritas?”
The same social media user posted a video to Twitter at 9:12 p.m. In it, O’Keefe could be seen standing on the street outside the venue alongside several other men, including Newsweek’s Hammer.
“Would you like to make a tax-deductible donation to Project Veritas?” O’Keefe asked the protesters.
Hatewatch observed Project Veritas’ Tyrmand sitting at table #4, the one closest to the center of the stage, alongside Trump-world power players Steve Bannon and former New York City mayor Rudy Giuliani. A recent New York Times report named Tyrmand and Bannon as key U.S. figures in an effort to depict Brazil’s November presidential elections as being fraudulent, after voters in that country pushed hard-right favorite Jair Bolsonaro out of office. Tyrmand, who is known for his ties to the global radical right, took the stage and lauded the ultranationalist European leaders in attendance.
“This is an all-star room, and I urge all of you to meet everybody here and continue to spend time together, getting to know each other, so we can fight the battle, arm in arm,” Tyrmand said of the European extremists, including the contingents from Austria and Germany.
ALMOST MIDNIGHT
Speakers including Trump Jr. and Greene sought to downplay the Republicans’ failure to secure a so-called “red wave” victory in the 2022 midterms by attacking such familiar right-wing targets as Joe Biden’s son Hunter Biden and LGBTQ+ people.
“The party is in a pretty good spot, but America may not be getting it. We have a party right now that is actually delivering for the American people. But what we don’t have [is] our same people in Washington, who can make those things happen,” Donald Trump Jr. told the crowd after he came on stage.
Greene suggested eliminating Democrat members of House committees in her closing speech, as a way of shifting the tide of power in Washington. She also told the audience Americans it was “almost midnight,” meaning they risked losing their country to perceived enemies.
Greene praised a Project Veritas video focused on LGBTQ+ education published by the group, saying it shows that teachers “pass around dildos, buttplugs and lube.” (The school issued a statement claiming “[Project] Veritas deceptively edited the video with malicious intent.”)
Greene expressed her gratitude to Project Veritas for their work.
“Thank you very much. We appreciate that,” she said to scattered applause.
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bee-in-motion · 3 months
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Plan Kid's Birthday Parties in NYC: A Complete Guide to an Unforgettable Celebration
The city offers a plethora of options, from unique venues to engaging activities, ensuring a memorable experience for your child and their friends. This guide will walk you through the advantages of planning a kid's birthday party in NYC and provide helpful tips to make the process smooth and enjoyable.
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Diverse and Unique Venues
One of the biggest advantages of planning kid’s birthday parties in NYC is the diverse and unique venues available. From traditional party spaces to unconventional spots, NYC has something to suit every child's interests. You can choose from indoor playgrounds, museums, zoos, and even adventure parks. Each venue offers a different kind of experience, allowing you to tailor the party to your child's preferences.
Museums and Cultural Centers
For a more educational and interactive experience, consider hosting the party at a museum or cultural center. The American Museum of Natural History and the Children's Museum of Manhattan offer themed birthday parties that combine fun with learning. Kids can enjoy interactive exhibits, hands-on activities, and guided tours tailored to their age group.
Professional Party Planning Services
Another significant advantage of hosting a kid's birthday party in NYC is the availability of professional party planning services. These services can take the stress out of organizing the event, allowing you to enjoy the celebration with your child. Party planners can handle everything from invitations and decorations to entertainment and catering, ensuring a seamless and enjoyable experience.
Customized Party Packages
Planning kid’s birthday parties in NYC offers customized packages that cater to your child's interests and your budget. Whether you want a superhero-themed party, a princess tea party, or a science-themed extravaganza, professional planners can bring your vision to life.
Convenience and Accessibility
Planning a kid's birthday party in NYC also offers the advantage of convenience and accessibility. With a well-connected transportation system, it's easy for guests to travel to the party venue, whether they are coming from within the city or the surrounding areas. Additionally, the city's diverse neighborhoods provide a range of options for party supplies, catering, and entertainment, making it easy to find everything you need for the celebration.
Easy Access to Party Supplies
Whether you're looking for themed decorations, party favors, or custom cakes, NYC has numerous stores and vendors that specialize in party supplies. You can find everything you need to create a festive atmosphere and ensure that every detail of the party is perfect.
Planning kid’s birthday parties in NYC offers numerous advantages, from diverse and unique venues to professional planning services and convenient accessibility. By leveraging these benefits, you can create a memorable and enjoyable celebration that your child and their friends will cherish. With careful planning and attention to detail, your child's birthday party in the city that never sleeps will be an unforgettable experience for everyone involved.
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omegaplus · 2 years
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# 4,110
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Captured Tracks, 2022.
What makes Omega WUSB great is how we create tributes as part of what we play on air. They allow us to get to know our favorite labels better and gives our listeners a nicer surprise from our usual spinning-wheel craziness. Most of them we previously featured are from New York City such as Sacred Bones, Hospital Productions, Wharf Cat, and Mexican Summer. Just recently, Captured Tracks joined that list of labels that deserved it. Do a little due diligence (say that three times fast) and you’ll see that Mike Sniper has had his hands in plenty of things. He owns the umbrella Omnian Group, does illustration for other artists, made music as Blank Dogs, and was part of other bands, too. And he’s owned a couple of record stores, too. Sideman Records was up for a couple of years until the y recently closed down, but his other store named after his Captured Tracks label, is still up. That’s good because I’ve been meaning to visit.
After Amityville’s High Fidelity wiped me out like no other (two visits cost me $893.00 in total), I had one more stop I was planning to visit and call it quits. That was Innersleeve Records until I took a better look at their sticker prices posted on social media. Right then and there I declared my island-wide record store victory tour finally over and any city-wide visit to other stores were treated as “bonus rounds”, which two visits to Academy’s Brooklyn and Manhattan locations already counted. Captured Tracks just posted some nice pics- of their stock and I’ve been meaning to go, so let’s give a proper end to a great expensive run.
I arrived at the Central Islip station, sweltering in the low 80’s and as bright as bright can be. The train took off westbound to Penn Station for a 75-minute ride. I told myself it was going to be a great day. When I did, I noticed something somewhat disappointing. Nothing said there was going to be pending thunderstorms for the next few days, but here they come as I looked to my right. Surely enough daylight went dark and it came down hard from Jamaica all the way to Penn Station. I didn’t come above and out to 34th Street to experience it because I went under to catch the ‘E’ line. Everyone waiting for the alphabet lines were baking and drenched in sweat from all the unbearable post-rain humidity filling the platforms beneath. Thank the Lord for air-conditioned transit. I got off at 23rd and Court Square to the ‘G’ and finally came up at the Greenpoint Ave. stop. It was all clear, as if the horrible weather never happened. You wouldn’t even noticed, either.
Down Manhattan Ave., I turn left on Calyer St. and look for #195. Where the hell is it? I look up and there was the wooden Captured Tracks sign nailed above the window. I wouldn’t have realized that I walked past it as it was perfectly blended in the residential buildings. How cute. I walk up the stairs only to be confronted by a closed door and push-button lock. It can’t fucking be. I look below and there was a flight of concrete steps leading to the basement entrance. Immediately I felt an amazing spell, as if I just discovered a well-hidden secret that almost no one knew. I never entered a music-store this way. That’s what made it magical.
I walk through the front door to find not that many people lurking for new finds. There were only three staffers: one behind the counter checking their Discogs store online, another restocking the vinyl bins, and the last sitting behind the desk in the back corner observing Lord knows what. None of them were Mike Sniper. I walk around the narrow space which was mostly nice and neatly organized; a cellar space adorned with chipped paint on the walls, pipes and valves that would make Super Mario and Luigi gladly pay their 100 coins a month each to live in. I reminded myself why I was here in the first place: to see if their selection matches that of what their label offered.
Captured Tracks were the kings of organization. Everything organized by genre, label, and artist name. Sure, they had the standard classic rock, psych-, and metal LPs. But walk around and they had a full selection of jazz, soul, and R&B to start. They carried several bins of classic disco and dance classified right down to the label. Salsoul, Motown, Casablanca - they weren’t handwritten but instead their tabs and dividers were logo’ed. Want classic motion picture soundtracks from the Eighties-on backward? Pre-war jazz and vocals? Reggae and Bollywood? Greek, Israeli, Brazilian, French, Italian, and Latin artists? They specialize what the other stores don’t. Almost nothing where it shouldn’t be.
First order of business was the cassette section nailed right next to the entrance. They had way less on the shelves than they posted and nothing got to me. In the middle of the store were…eight-tracks? Fifteen of them were posted on a board in the middle of the store. That’s all they had. If I had a player, then no doubt I would be even consider spending $30.00 for either Lonnie Liston Smith’s Expansions and Roy Ayers’ Red Black And Green for $35.00. Adjacent to them were a small pot of CDs, maybe no more that a hundred. So what did I say about how hard it was finding Suicide albums? For $7.00 I was able to get Alan Vega’s Mutator. What tasteless muppet who knows nothing about art and culture sold his copy back to the store? Which other labelmate of his was also in the pot? Marissa Nadler, of course. Her latest full-length The Path Of The Clouds cost $12.00, the highest-priced purchase of the day.
No record-store excursion would be complete without getting a crack at some jazz and fusion. Same to be said about what Roy Ayers records they had. Still no A Tear To A Smile, but instead Let’s Do It sitting in which I already had. But, going across I did find plenty familiar artists with albums I never seen before in the wild from Ron Carter, Ramsay Lewis, Jeff Lorber Fusion, Herbie Mann, and Hank Crawford. I had a chance to pick up two Kool & The Gang records: Wild And Peaceful and The Force. I held off because off of Wild And Peaceful there was “Hollywood Swingin’” and “Jungle Boogie”, and I wouldn’t have been happy if the entire record went in that direction. The Force reminded me that I wasn’t familiar with -The Gang aside from those two, “Summer Madness”, and Love And Understanding. Going a little bit to the right to Hubert Laws’ divider and I find found it: How To Beat The High Cost Of Living with Earl Klugh. That was a huge personal win for me. That motion-picture soundtrack was part of last year’s impeccable, memorable, golden Spring.
Captured Tracks had a small section for hip-hop / rap LPs and 12” singles. Nothing piqued my interest as I wouldn’t spent more than a few dollars on a piece of wax with one or two songs. Their selection of those artists jumped around ranging from Eighties mainstays to Nineties unknowns. The only thing I took with me from those bins was Kool Moe Dee’s Knowledge Is King and that was it.
I figured to give the soul bins a shot and I win another Blackbyrds record, a tattered copy of Bootsy Collins Rubber Band, and The Olympic Runners’ Don’t Let Up - one which would sound so familiar if you’re a Planet Asia & Talib Kweli fan.
Across from the front desk were two stations with four bins each of new arrivals with lots of rare, unknown, and obscure jazz, rock, soul, and soundtracks. Of the fifteen minutes it took me to thumb through it all, the only thing I saw of interest was Blank Stare’s self-titled. It may have been their only hardcore / punk title in the entire store Captured Tracks had as they weren’t known to carry much of it. During that time of lurking through their new arrivals did the staff bring up how much of a psychotic asshole Drew Carey was in real life, and speculated if his Hollywood personality was the reason why his then-wife took her own life. Their words, not mine.
But do give them lots of points as possible for having a straight, organized, and in-reach section of 45’s and 7” records (take that, High Fidelity!). I counted at least 50 categorized white boxes labeled with jukebox hits, punk, new-wave, jazz, country, rock, decades, and more. They had more than enough of reggae and soul with new arrivals of 45’s up for grabs as well with dedicated boxes of legendary artists (Elvis) and others divided and categorized. Good thing I’m still thirsty for Eighties’ hits from my Atari childhood and I bought plenty of them. Simple Minds, Janet Jackson, Kim Carnes, Thomspon Twins. No shame here, and neither should anyone feel it when they practice self-care.
Displayed were many top-dollar records on the wall and over the bins. Those carried the heaviest prices. A copy of Fear’s debut clocked in for $30.00 and The Dictators Go Girl Crazy goes for $40.00. Buzzcocks’ In A Different Kitchen and Sex Pistols’ Never Mind The Bullocks were stickered for $45.00. The Smiths’ The Queen Is Dead went for $50.00 and their self-titled for $55.00. The 7” records on the wall were just a criminal. $25.00 got you Merzbow & Gore Beyond Necropsy’s Rectal Grinder on blue vinyl. Another blue (transparent) 7” was posted which was KRS-One’s “Sound Of The Police” remix which went for $50.00 ($70.00 on Discogs at the time of posting). Two Pharcyde singles were also pinned to the wall: “Otha Fish” sold for $25.00 while “Passin’ Me By” was asking for $60.00. For a piece of wax? That’s insanity, but Brooklyn’s residents need to pony up that rent money, don’t they?
On the floor were many crates of $3.00 records which never occurred to me to burrow through, and they had tons of shelves of LPs under the bins but were marked ‘not for sale’. Might be for the better. It would’ve eaten up another hour-and-a-half of my time and maybe more of my wallet. On the other side was the usual classic rock every store needs to sell in order to stay in business. The most amusing? All the Eric Clapton records were under the ‘Craptonia’ section. (Either they hate his anti-masking stance or have a thing with loved ones falling to their deaths.) I looked through all I could and something didn’t add up: where were all those indie and post-punk / d.i.y. I was looking forward to find? I didn’t see any. I assumed Captured Tracks would carry that kind of stuff because they have Mac Demarco, Beach Fossils, DIIV, Molly Burch, and Wild Nothing on their label. And they’re from Brooklyn. How could they not have stuff like Yard Act’s debut release, Special Interest, Gong Gong Gong, Guerilla Toss, or anything from Wharf Cat? Which was why I had a field day at Rough Trade (before moving out of Williamsburg) and both of Academy’s locations. But at least they had a Thee Oh Sees record somewhere. That qualifies, right?
I’m about five minutes away from declaring an end to this year’s record-store victory tour. I took my pile of finds to the front counter to be added up. I asked the guy with the blonde hair and glasses if those records marked ‘not for sale’ were really off-limits. He explained that they were Discogs stock for the store and need to keep tabs on their stock, which was fine by me. Pain alleviated. He gave me a couple of titles for free and everything came out to $118.00 including New York State (vampire) tax. Good thing I brought two totes with me because I wasn’t taking any chances having my purchase melt in this 90* July heat. Not happening now, not happening ever. I thanked him for everything, walked upstairs and out on Calyer St. with my stash to a bright, clear, glorious Greenpoint sky.
**********
It’s over. It’s finally over. With me leaving Captured Tracks, the record-store victory tour has come to an official close. I did all that I wanted to do and then more. Almost two months of intensive free-spending without worry and practicing self-care and individualism to the fullest. I was the sun which everything else revolved around - the ventures to Queens and Brooklyn, Easter with my Italian Coney Island family, Roman connections, an ambitious Summer broadcasting season at WUSB, the spirit of Sacred Bones’ 15th Anniversary showcase permanently swirling around me, visits to the retro video arcade down the road from me, seeing friends from the Brentwood era, dinner in Calverton, and a small but all-essential conversation with my #1 favorite ginger. I’ve been spinning up some good spaces on the wheel with no signs of losing.
While walking up to Manhattan Ave. to catch the ‘G’ line, I noticed that a curious point of interest had its doors open. That place was Sunshine Laundromat, a locale I’ve read all about but been meaning to visit for the longest time. It’s an actual laundromat with a concealed backdoor that opens up to reveal a backroom pinball arcade. I never noticed it being there until now but finally I found it! It was only 5:45PM and I had all the time in the world to spare. So why not go in? I have nothing to lose.
I enter the laundromat and I slowly look around. It’s a very narrow space to maneuver around with only two or three pinball tables present and a wall of built-in washing machines and dryers. I notice a lady in the back sorting out a mound of clothes. Behind her is that door that leads to (multiball) paradise. I peer right behind her as she looks up and notices me.
“Hi! How can I help you?” she greets me with a smile. I told her that with genuine interest that I read about the laundromat and asked her if the backroom is open. She told me that they’re under renovations but also are awaiting to have their permit approved by the city. She also said that most likely if all goes to plan, then the arcade will re-open for business in a few weeks. It was alleviating news that made me feel good on the inside and made me walk out a more hopeful being.
It was a mood experiencing two crowded subway cars sharing cramped space with everyone imaginable. It wasn’t an eternal wait for the Central Islip line to arrive which the big ride out east was symbolic in itself. Not many people boarded the car I was riding. I sat facing away in the opposite direction. The 7PM sun in its intense beaming yellow glory was all alone in the sky with no clouds or miserable humidity to share it with. Both The Offset: Spectacles followed by Daniel Johnston’s “In A Lifetime” play along with the air conditioner’s cold snap on the way home as I think about what August and September will have in store for me.
The wheel landed on ‘DOUBLE YOUR MONEY’. I told myself it was going to be a great day. And I was right.
Jon Lucien: Premonition LP
Ron Carter: Peg Leg LP
Ramsey Lewis: Love Notes LP
Hubert Laws & Earl Klugh: How To Beat The High Cost Of Living LP
Weather Report: Tale Spinnin’ LP
Olympic Runners: Don’t Let Up LP
Bootsy’s Rubber Band: Stretchin’ It Out In… LP
Jeff Lorber Fusion, The: self-titled LP
Blackbyrds: Unfinished Business LP
Herbie Mann: Sunbelt LP
Hank Crawford: Cajun Sunrise LP
Kool Moe Dee: Knowledge Is King LP
Blank Stare: self-titled LP
Police, The: “Every Breath You Take” 7”
Simple Minds: “Don’t You Forget About Me” 7”
Bangles, The: “In Your Room” 7”
Thompson Twins: “Hold Me Now” 7”
Janet Jackson: “Let’s Wait A While” 7”
Kim Carnes: “Bette Davis Eyes” b/w “Miss You Tonight” 7”
Alan Vega: Mutator CD
Marissa Nadler: The Path Of The Clouds CD
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jessicajonesrp · 4 years
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He’s backkkk
 It took some careful planning, but eventually, Rikarah had what she needed to be able to bring Kilgrave back to life.
 She already had a safe and secure location where she would be uninterrupted during times of needed concentration- her open rented home, just outside of Manhattan. She had never bothered to inform Phillip that she had a rental house; it seemed a better bet to keep the information of her multiple living quarters, unused for most of the year, to herself, just in case. Phillip had been far from discreet, and there was a reason Rikarah had chosen a secondary lodging outside of the business of cities such as NYC, Hell’s Kitchen, Harlem, or Manhattan itself. She was a loner at heart, but her interest and her focus tended to be on others, and it was necessary to spend most of her time among them in order to know them and their lives. This distant secondary home was to be used only when necessary, to recharge, or for specific situations such as this.
 It hadn’t been difficult to obtain a picture of Kilgrave. After the incident on the dock, he and Jessica and Patricia Walker had been all over the covers of newspapers everywhere, so it was a simple matter of a few clicks on a smart phone to find and save a picture of the  man in question. It had taken more time to obtain something with Kilgrave’s DNA. Rikarah had attempted to trace the location of his body- somehow she suspected he had been neither traditionally buried nor cremated, and it was her guess that he was likely being used for scientific experimentation or study, legally or otherwise,  within the government or whoever else had been the highest bidder of access.
 With some creative thought, she had been able to trace back several of Kilgrave’s last known addresses, including the childhood home of Jessica Jones, which was unfortunately no longer standing after its bombing. Nevertheless, Rikarah had discovered that the “Kilgrave survivors” group Jessica had formed over a year ago, with the intention of drawing out Kilgrave and gaining information on him, was still active and meeting regularly.
 It hadn’t been difficult to insinuate herself into the group for a few weeks as a new member, pretending to be one of the traumatized survivors of the incident of Kilgrave-directed violence on the dock the evening he himself had died. Rikarah had enough research information to be able to nod along and briefly and tearfully provide her own version of events. Meanwhile she took note of the people who had spent prolonged time with Kilgrave- being his driver for a week, forced to let him live in their home for longer, or forced to wait on him as a cook, bartender, or masseuse.  
 Those were the ones that may possess something that would carry Kilgrave’s DNA, even now. Those were the ones that she made the effort to befriend, to offer a shoulder and a listening ear. And a few episodes of feigned attraction and friendship had been enough for one clearly still traumatized older man to allow her into his home and his bed, and with minimal encouragement from Rikarah, to lead her in a tour of the house Kilgrave had made his lodging for a time- the house the man still lived in.
 “It was terrible,” the man told her, actually tearful as he shook his head, eyes cloudy as though reliving what he spoke of. “I couldn’t leave the house, I couldn’t speak or even move without him giving me the okay to. He used my house as though it were his, and then one day he just left and didn’t come back. I was terrified that he might return, any moment, and I couldn’t predict when or do anything to stop him. He didn’t even take all of his things with him, and I was afraid to do anything to get rid of them, or even move them, in case it made him angry if he did come back. I know he’s dead now, but even now I’m afraid to touch his things. That’s pathetic, I know, but it’s the truth.”
 It was pathetic, in Rikarah’s view, but it was also fortunate for her. Because among Kilgrave’s “left behind things” were a comb, toothbrush, and some clothing including socks and underwear. All certain to contain Kilgrave’s DNA.
 She had charmed the man with sympathetic words and touches, assuring him of his bravery, lying without a flicker of remorse about her own supposed fear. It hadn’t taken more than twenty minutes for him to be convinced that he was now strong and brave enough to let some of those items go, “just a few to start with, the ones most associated with him personally”- and that she, Rikarah, in spite of her own fear, cared enough about his healing to be the one to take them away to make sure they were disposed of.
 She still couldn’t believe the man was gullible enough to fall for such nonsense. But he had actually leaked tears and hugged her, thanking her for her empathy and giving him the chance to start a new life.
 Ironic, and amusing, really, that in all actuality, she was bringing back what he feared the very most, all in the name of helping him put it behind him.
  So armed in her remote rented home with the personal objects of Kilgrave’s and a clear picture of his face, Rikarah sat cross legged on her bed and emptied her mind of all thoughts but those of her intention. She stared at Kilgrave’s picture, her hands stroking over each object containing his DNA, and pictured him awake, alive, and whole before her. She imagined the beating of his heart, the rhythm of his breathing, every synapse and nerve once more sharp with activity and use. She envisioned the blood running through his veins, and as her own small body grew taut and gave off fevered heat with the effort of her actions, she reached out for the knife beside her knee. Grasping it in her left hand, she slashed a shallow x over each of her palms, and then at the surface of each of her feet. Hands shaking slightly, she smeared the blood over the comb, the toothbrush, and the clothing, combining their DNA.
 With a final shudder of effortful focus, Rikarah spoke aloud Kilgrave’s name. She could feel the air grow thick and strained, as though holding something moving and living and shifting in shape, and she slumped back, exhausted, against the bed, watching with satisfaction as a human form began to slowly knit itself into view in front of her.
 It wasn’t a pretty sight. The revived bodies started first with skeletons, then filled up with internal organs and muscles and sinew, before finally being knit over with skin and hair and the other details normally seen on the outside. It was no different with Kilgrave, and eventually, there he stood, naked, panting, and wide-eyed at her bedside.
 Rikarah smiled, more in self-satisfaction at the accomplished task than at the sight of the man’s naked body. She didn’t consider him overly impressive in his physique, but he would do. It was the man and his mind, not his body, that mattered. She more than anyone knew it was a mistake to overlook people for their physicality.
 “Where the bloody hell am I?” Kilgrave sputtered, disoriented, seeming to struggle to draw in breaths. His lungs, being new again, were likely still adjusting to breathing. “What’s the matter with me? And who the fuck are you?”
 When Rikarah didn’t immediately answer, too tired to bother, Kilgrave straightened, pointing a finger at her, and took a menacing step forward, raising his voice. “I asked you a question, are you deaf? Answer me!”
  “I’m sorry, Kevin, but I don’t take orders from anyone if it doesn’t suit me, and certainly not from you,” Rikarah said coolly, lifting an eyebrow from her supine position on the bed. “As you quite literally owe your life to me, I would expect a little more respect and gratitude, but I’m a patient woman. I’ll assume you’re rather in shock at the moment, given you’ve just gone from bones and brain mush to a living body again, and let the rudeness slide.”
 Kilgrave’s eyes bulged, and he recoiled, alarmed as much by the nonchalant response he had just received as the strange situation he had found himself in. To speak an order and have it not obeyed immediately was beyond his comprehension.
 “But I told you to do it!” he almost whined, staring down at the small and clearly unintimidated woman resting on her side in the bed. “I told you to, and you just- the only person who could ignore me was Jessica, and-“
 He stiffened, his face paling, as he pointed an accusing finger at Rikarah again.
 “Jessica did this, Jessica used that sedative thing on me, didn’t she?! You’re with her, you’re one of her people!”
 “Certainly not,” Rikarah corrected him, exhaling with a weary and somewhat impatient sigh. “Jessica knows nothing of this- yet. As far as she believes, you are long dead, and she is glad of it. After all, she was the cause.”
 She sat up, watching wryly as the realization and the memory of his own last few moments of life, just before Jessica snapped his neck, came back into the forefront of his thoughts. Rikarah gave him a few more moments to process this against the obvious reality of his current status of being alive before addressing him again.
 “Yes, Kevin, you were dead, and for over a year now, too. You would have stayed that way, if not for myself and my own unique abilities. Some gratitude and a certain level of loyalty is not unwarranted.”
 “I was dead,” Kilgrave repeated, the words stunned, almost disbelieving. “And you’re saying- what, that you resurrected me? You?” He snorted, looking Rikarah up and down dismissively. “No  offense, love, but you hardly look the type to have that sort of power.”
 “And Jessica does?” Rikarah countered. “I’ll grant you that she has the advantage in height, but she’s of a smaller frame even than myself, and what she may have over me in physical strength, I can outdo in the sheer enormity of my ability. She may be able to kill someone with a punch, but I’m the one who can bring them back from the dead. If you ask me, I have the greater power, and therefore, the greater true strength.”
 Kilgrave looked her over again, more carefully this time, assessing rather than dismissing her. He took a step closer, still seeming not to care for his nakedness as he narrowed his eyes at Rikarah, anger losing out to eagerness in his eyes.
 “You know Jessica,” he asserted. “Where is she?”
 Rikarah wagged a finger at him playfully, a small smile curving her lips.
 “Am I really so uninteresting, that I bring you out of death, and you would forgo all details to chase after another woman? Perhaps I was wrong in my interest in you. Perhaps someone else is more deserving, and you can simply go back to where you were before.”
 “Wait, no, that isn’t it, love,” Kilgrave backpedaled, his smile at Rikarah forced at first as he raked a hand through his hair, then more genuine. “Of course I want to know how you managed this, and of course I’m glad for it. And I certainly want to know how it is you don’t listen to a thing I tell you to do,” he muttered, more to himself than to Rikarah, before addressing her again. “But if you know Jessica, then you must know something of our history, and why I would want to know where she is. She’s the one who killed me, you know. She’s the one-“
   “That,” Rikarah interrupted, to Kilgrave’s barely contained outrage, “is in the past. The present is right here, with me, in this moment. Choose wisely, Kevin Kilgrave, and choose now, while you still have the choice before you. You can realize that I am no ordinary woman you’re dealing with here, that you owe me your life and your loyalty, and I owe you nothing and cannot be ordered into anything you may want from me. Believe me, I hold no liking for Jessica Jones, and as long as I am the woman who comes first and foremost in your world, I care little for how you choose to play with her. And I am certainly not opposed to letting you know every detail of what you have missed knowing of her life over the past year that you’ve been dust and bones.”
 She paused, tilting her head, and gave him a moment to consider, before concluding, “Or you can choose to be foolish, ungrateful, and quite frankly, a bumbling, pathetic corpse, stumbling off on your own in a world that has moved on without you. You would have none of my help or my connections, none of my knowledge, and you would displease me greatly. When and if Jessica Jones kills you again- and she would, you know, if you just pop up on her in her new life without my assistance- then you can be certain I would not lift a finger to bring you back. So, then. What shall it be? I would think the decision obvious, but perhaps you’re not as intelligent as I believed.”
 For a moment Kilgrave stood there, motionless, perhaps still in shock, or perhaps genuinely weighing out his obsession with Jessica and his desire for revenge against the logical reasoning of Rikarah’s words. But then he nodded slowly, reaching forward to take hold of Rikarah’s hand in his.
 “Well, it would indeed be a fool’s errand to let a woman like you slip out of my grasp. Why don’t we start over with introductions, and perhaps something in the way of an explanation.”
 And as Rikarah began to speak, giving Kilgrave some if not all of the answers he craved, she noticed his body relax further, his expression growing more and more fascinated as he came to understand more of the extent of her actions and her power. It wasn’t quite the way, she was sure, that he had looked at Jessica, but for now, it was enough.
 It was enough, in fact, that after he had dressed in some of his old clothing and taken time to familiarize himself with Rikarah and her home, that Rikarah was willing to give him the phone number, if not the address, of Jessica’s new workplace, Heroes for Hire. And she sat back, interested and indulgent, as he placed a call, from a cheap prepaid phone she had bought in anticipation of his need for one.
 It was Trish who answered, her voice bright and cheerful as the company’s head. “Heroes for Hire, we provide help, heroism, and honorable services for those in need in a time where true heroism is more needed than ever. How can we help you today?”
 “Ah, Patsy,” Kilgrave purred, snickering to himself when he heard Trish suck in a sharp breath, immediately recognizing his British accent and self-satisfied tone. “So good to hear a familiar voice, but unfortunately, yours has never been the one I wanted to hear, and you prattle on enough as it is on that bloody talk show of yours. Give the phone to Jessica. Tell her she has a message from an old friend, would you?”
 “This isn’t funny,” Trish said tightly, her voice controlled but barely keeping back anger. “Whoever you are, pretending to be that man is not a joke, it’s cruel, and-“
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 “Ah, but this is no joke, Patsy, can’t you recognize your own  would be lover?” Kilgrave asked rhetorically. “Have you had so many men now you can’t remember the voice of all the ones whose throat you stuck your tongue inside of? Let me help you out, then. I’m the one who told you to put a bullet in your head. Fortunately enough for you, that doesn’t appear to have worked out, I never did find out why. Care to explain it to me, Patsy?”
 He and Rikarah both heard Trish suck in her breath on the other side of the line. He doubted that this incident in the bunker was something anyone but she, Kilgrave, Simpson, and Jessica were aware of- and out of the four of them, both men were dead. Or supposed to be.
 “Who are you?” she asked, her voice softer than before. “What do you want?”
 “Unfortunately, Patsy, for me to really make you do what I’d like to make you do, you’d have to be a good bit closer to me than a phone call, something about pheromones,” Kilgrave said casually. “But I do have other ways of making you do as I’d like you to. Put Jessica on the phone, or I will have six people show up at her doorstep and  cut your name into their own foreheads. If she tries to stop them, they will cut her as well. Is that something you want to have on your conscience, Patsy? For a simple conversation?”
 The line went silent for a few moments. When Jessica came onto the line, her voice was hard and cold as steel.
 “Who the fuck are you, and just what the fuck do you think you’re doing, playing this kind of sick joke?”
 “And hello to you too, Jessie,” Kilgrave exclaimed, putting an exaggerated bounce to his voice. “No joke, you never did have much of a sense of humor to waste any on. I won’t say it’s good to hear from you, since I had to get murdered,  raised from the dead, and then still call your sister first and threaten her for you to speak to me, and I must say that hurts a man’s feelings.”
 “You’re not him. You can’t be, you’re just some sick asshole who needs to fucking go put his dick in a-“
 “Oh, Jessie, I can see your language is as filthy as ever, every bit as appalling as your fashion sense. Let’s cut off all the protests of my supposed death and just check your office email, shall we?”
 Five minutes before the phone call, Rikarah had shot a quick video of him smiling and waving into the camera, with the date and time of the video clearly time stamped at its bottom. With a few clicks, he sent the video to the public Heroes for Hire email address, cutting off the call.
 “But don’t worry, sweetheart, you’ll hear from me again soon. If you miss me before we meet again, you have the video for comfort’s sake.”
 As Kilgrave hung up, glowing with renewed feelings of power over the fear, rage, and helplessness he had stirred anew in the two women he had just spoken to, he sent a genuine smile in Rikarah’s direction, who returned it in kind.
 “You know what, I like you, Rikarah Pallaton. I think we’ll get along just fine after all.”
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conncrfms · 4 years
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𝐧𝐞𝐰 𝐲𝐨𝐫𝐤’𝐬 𝐯𝐞𝐫𝐲 𝐨𝐰𝐧 𝐂𝐎𝐍𝐍𝐎𝐑 𝐋𝐈𝐕𝐈𝐍𝐆𝐒𝐓𝐎𝐍 𝐰𝐚𝐬 𝐬𝐩𝐨𝐭𝐭𝐞𝐝 𝐨𝐧 𝐛𝐫𝐨𝐚𝐝𝐰𝐚𝐲 𝐬𝐭𝐫𝐞𝐞𝐭 , 𝐰𝐢𝐭𝐡 𝐚 𝐬𝐭𝐫𝐢𝐤𝐢𝐧𝐠 𝐬𝐞𝐦𝐛𝐥𝐚𝐧𝐜𝐞 𝐭𝐨 𝐉𝐀𝐂𝐎𝐁 𝐄𝐋𝐎𝐑𝐃𝐈  ! 𝐲𝐨𝐮 𝐦𝐚𝐲 𝐤𝐧𝐨𝐰 𝐭𝐡𝐞𝐦 𝐚𝐬 @𝐥𝐢𝐯𝐥𝐢𝐤𝐞𝐜𝐨𝐧𝐧𝐨𝐫 𝐨𝐫 𝐡𝐢𝐭𝐭𝐢𝐧𝐠 𝐭𝐡𝐞 𝐟𝐫𝐨𝐧𝐭 𝐩𝐚𝐠𝐞 𝐨𝐟 𝐭𝐦𝐳 𝐚𝐬 𝐬𝐨𝐧 𝐨𝐟 𝐩𝐫𝐞𝐬𝐢𝐝𝐞𝐧𝐭𝐢𝐚𝐥 𝐜𝐚𝐧𝐝𝐢𝐝𝐚𝐭𝐞 𝐜𝐨𝐥𝐢𝐧 𝐥𝐢𝐯𝐢𝐧𝐠𝐬𝐭𝐨𝐧 𝐬𝐩𝐨𝐭𝐭𝐞𝐝 𝐨𝐮𝐭𝐬𝐢𝐝𝐞 𝐦𝐚𝐧𝐡𝐚𝐭𝐭𝐚𝐧 𝐛𝐚𝐫 𝐰𝐢𝐭𝐡 𝐍𝐄𝐖 𝐰𝐨𝐦𝐚𝐧 . 𝐚𝐜𝐜𝐨𝐫𝐝𝐢𝐧𝐠 𝐭𝐨 𝐭𝐦𝐳 , 𝐲𝐨𝐮 𝐣𝐮𝐬𝐭 𝐡𝐚𝐝 𝐲𝐨𝐮𝐫 𝐭𝐰𝐞𝐧𝐭𝐲 𝐭𝐡𝐢𝐫𝐝 𝐛𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐛𝐚𝐬𝐡 . 𝐰𝐡𝐢𝐥𝐞 𝐥𝐢𝐯𝐢𝐧𝐠 𝐢𝐧 𝐧𝐲𝐜 , 𝐲𝐨𝐮’𝐯𝐞 𝐛𝐞𝐞𝐧 𝐥𝐚𝐛𝐞𝐥𝐞𝐝 𝐚𝐬 𝐛𝐞𝐢𝐧𝐠 𝐚𝐮𝐭𝐡𝐨𝐫𝐢𝐭𝐚𝐭𝐢𝐯𝐞, 𝐛𝐮𝐭 𝐚𝐥𝐬𝐨 𝐚𝐦𝐛𝐢𝐭𝐢𝐨𝐮𝐬 . 𝐭𝐡𝐢𝐧𝐠𝐬 𝐭𝐡𝐚𝐭 𝐰𝐨𝐮𝐥𝐝 𝐩𝐚𝐢𝐧𝐭 𝐚 𝐛𝐞𝐭𝐭𝐞𝐫 𝐩𝐢𝐜𝐭𝐮𝐫𝐞 𝐨𝐟 𝐲𝐨𝐮 𝐰𝐨𝐮𝐥𝐝 𝐛𝐞 𝐚𝐭𝐞 𝐧𝐢𝐠𝐡𝐭 𝐩𝐚𝐫𝐭𝐢𝐞𝐬, 𝐡𝐨𝐥𝐞𝐬 𝐢𝐧 𝐰𝐚𝐥𝐥𝐬, 𝐚𝐧𝐝 𝐥𝐞𝐚𝐭𝐡𝐞𝐫 𝐣𝐚𝐜𝐤𝐞𝐭𝐬 . ( 𝐜𝐢𝐬 𝐦𝐚𝐥𝐞 + 𝐡𝐞/𝐡𝐢𝐦 ) + ( 𝐦𝐲𝐚 , 𝟏𝟗 , 𝐬𝐡𝐞/𝐡𝐞𝐫 , 𝐩𝐬𝐭 ) 
hi lovelies! allow me to introduce myself! my name is mya, you can reach me on discord for plots at ˗ˏˋ 𝐦𝐲𝐚 ˎˊ˗#8406 and i have never had a single cohesive thought in my life! now that that’s out of the way let me introduce you to my demon child connor! i spent literal hours on his intro and it’s still not good but that’s besides the point but for your best viewing experience you may wanna see it through his blog for the ~aesthetics~ anyways on with the intro!
triggers will be tagged and marked accordingly as they come up but here’s what to look out for: cheating tw, death tw, cancer tw, and alcohol tw
𝐒𝐓𝐀𝐓𝐒
𝐅𝐔𝐋𝐋 𝐍𝐀𝐌𝐄
bellamy connor livingston
𝐍𝐈𝐂𝐊𝐍𝐀𝐌𝐄𝐒
bells
𝐁𝐈𝐑𝐓𝐇𝐃𝐀𝐘
october 26th, 1997
𝐇𝐄𝐈𝐆𝐇𝐓
6″0′
𝐀𝐆𝐄
23 years old
𝐆𝐄𝐍𝐃𝐄𝐑
male
𝐏𝐑𝐎𝐍𝐎𝐔𝐍𝐒
he/him
𝐎𝐂𝐂𝐔𝐏𝐀𝐓𝐈𝐎𝐍
ceo of premier event manangement / event planner
𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄𝐒
english
𝐎𝐑𝐈𝐄𝐍𝐓𝐀𝐓𝐈𝐎𝐍
bisexual
𝐅𝐀𝐂𝐄𝐂𝐋𝐀𝐈𝐌
alex fitzalan
here is his childhood home, family vacation home, and his current home
𝐁𝐀𝐂𝐊𝐒𝐓𝐎𝐑𝐘
bellamy connor livingston was born in MANHATTAN NEW YORK on an unusually cold october day 
his father was voted as the SENATOR of new york and his mother was a LUXURY REAL ESTATE AGENT who sold a majority of the penthouses on the upper east side, it wasn’t easy living in new york and NOT knowing who the livingston’s were, whether you saw their names on billboards on heard it in passing on television you knew who they were
but the livingston LEGACY precedes connor’s successful parents and goes way back to his ancestors who made their fortune, specifically one of his GREAT grandfathers who was granted 160,000 acres along the Hudson and was an OFFICIAL FUR TRADER AND BUSINESSMAN who earned the family a whopping $35 BILLION DOLLARS and the wealth continues to grow RICH  KEEP GETTING RICHER
in short connor is a total TRUST FUND BABY.
while a family like this is usually drowning with TURMOIL the livingston’s lived a fairly scandal free life, even when you did MASSIVE DIGGING, no signs of infedlity, their four kids got along great, and they were BIG on philanthropy and giving to charity 
𝐂𝐇𝐄𝐀𝐓𝐈𝐍𝐆 𝐓𝐖 
this is until you stepped behind CLOSED DOORS which is were the livingston’s liked their SKELETONS to remain, connor’s dad, was a SERIAL CHEATER and the only reason no one ever spoke up is the livingston family INFLUENCE no one dared to cross them 
𝐄𝐍𝐃 𝐂𝐇𝐄𝐀𝐓𝐈𝐍𝐆 𝐓𝐖
despite growing up in such a TOXIC ENVIROMENT connor was actually a really good kid, his grades were nothing to write home about, and he was definitely a CLASS CLOWN but he did what he was supposed to, and stayed out of trouble for the MOST PART
he was the ELDEST of four children so he felt the need to be a good influence on what would prove to be a BUMPY ROAD for the family 
connor’s high school experience was not what you would expect from someone of his  CALIBER, well at least not ALL of it 
for starters he had the tendency to be a bit ARROGANT due to who his parents were and because he knew the scope of their influence, and he used this to his advantage, he was definitively a “DO YOU KNOW  WHO MY FATHER IS?” ass bitch, partly due to the fact people had always treated him differently and thus it went straight to his already empty head
and he PARTIED a lot, whether it was throwing parties in a penthouse his mother rented SPECIFICALLY for him, attending LAVISH parties, or jetting off to THE HAMPTON’S   “for lunch”, school became a DISTANT PRIORITY
so distant in fact his parents ended up hiring a TUTOR to help him with his studies, and you wouldn’t believe me when i say connor FELL and he fell HARD
so hard in fact i’d say he CRASHED, two planets colliding into each other that was although a CATASTROPHE was ENCHANTING to see, but i’m getting ahead of myself
BEATRICE or BEA as connor and nearly everyone else called her, was connor’s opposite in almost EVERY WAY, she was a straight a student, and connor could hold a c average if he made the effort to CHEAT, she went to their private school on a SCHOLARSHIP, his parents had enough money to buy the ENTIRE SCHOOL, but they were IN LOVE
and i mean the kind of love you see in ROMCOMS the kind of SICKENINGLY SWEET love that others will tell you is IMPOSSIBLE, but they made it work, bea made connor more serious but his studies, and he in turn fell COMPLETELY and EFFORTLESSLY in love. see BEA was already WHOLE so think of this story less of two halves COMPLETING each other, and more so two wholes COMPLEMENTING each other 
they continued to date throughout the rest of high school, and BEA became apart of his family, his mother referred to BEA as her DAUGHTER IN LAW, it was cemented in everyone’s minds that one day the two of them would be MARRIED
oddly enough connor NEVER met BEA’S parents no matter how much he BEGGED and PLEADED, all it took was BEA telling him her family life was something she was UNCOMFORTABLE with and he dropped the subject COMPLETELY 
due to BEA’S influence, connor applied to university, COLUMBIA UNIVERSITY, to be exact and got ACCEPTED into the school of BUSINESS, of course BEA also applied an got ACCEPTED into the school of SOCIAL SCIENCES
connor didn’t HESITATE to PROPOSE to BEA and to no one’s surprise she immediately said YES and the plan was to get married IMMEDIATELY and so the date was set for JULY 17TH 2017, the theme to be WINTER WONDERLAND, it was BEA’S idea a winter wedding in summer, and seeing the way it made her absolutely BEAM it was worth it
the MONTH of the wedding was a tense one, GRADUATION, PREPARING FOR COLLEGE, and a WEDDING
however TRAGEDY would strike, BEA was LATE to the WEDDING and anyone who knew BEA knew that she wasn’t LATE to anything, that’s when connor got a call that would change his life FOREVER
𝐃𝐄𝐀𝐓𝐇 𝐀𝐍𝐃 𝐂𝐀𝐍𝐂𝐄𝐑 𝐓𝐖
remember how i told you BEA never wanted connor to meet her parents? that’s because BEA was sick, CANCER to be exact, and didn’t want connor to find out. her parents tried to rationalize that she didn’t want to seem him HURT, and that she told them EVERYTHING about him, she DIED with connor right by her side, and what was supposed to be the HAPPIEST moment of his life became the SADDEST
𝐄𝐍𝐃 𝐃𝐄𝐀𝐓𝐇 𝐀𝐍𝐃 𝐂𝐀𝐍𝐂𝐄𝐑 𝐓𝐖                 
that was THREE YEARS AGO and to this day he hasn’t recovered since
𝐀𝐋𝐂𝐎𝐇𝐎𝐋 𝐓𝐖
since then he has gotten two new vices DRINKING and HOOKING UP, it’s not unusual to see him at a bar drinking his FIFTH or TENTH shot of vodka and taking home his SECOND or TENTH girl of the night
𝐄𝐍𝐃 𝐀𝐋𝐂𝐎𝐇𝐎𝐋 𝐓𝐖      
he has been CLOSED OFF to the idea of love ever since, and hasn’t held a STABLE relationship since then, he simply can’t see himself COMMITTING to anyone as he did with BEA
in LIGHTER news, he graduated from COLUMBIA with his associate’s in BUSINESS and is now a ceo of his own EVENT PLANNNG company, which has been extremely successful in putting on TOURS, CHARITY BANQUETS, CONVENTIONS, CONCERTS, and the like, they specialize in everything except WEDDINGS
and his father 𝐂𝐎𝐋𝐈𝐍 𝐋𝐈𝐕𝐈𝐍𝐆𝐒𝐓𝐎𝐍 has started his presidential campaign, that connor has somehow managed to rope himself into
𝐒𝐄𝐂𝐑𝐄𝐓
he fights in an underground fighting ring.
it started innocently enough, after BEA passed away he wanted an outlet something where he didn’t have to think about the GUILT and could let out his ANGER, really he wanted something to distract from the SADNESS 
BOXING seemed like a good idea until he couldn’t harness the anger and nearly KILLED his opponent 
that’s when things fell into place, his “ FRIEND ” who witnessed the fight first hand told him about this fighting ring that him and a couple of other people were involved in and connor decided WHY THE HELL NOT, he felt as he had NOTHING else to LOSE
and thus began the cycle of showing up to work in shade to hide BLACK EYES and surprisingly enough BRUISES are easy to hide behind three piece suits
and now current day it’s become THERAPY for him, since a lot of the guys are just like him, looking to ESCAPE from something in their PAST
𝐏𝐄𝐑𝐒𝐎𝐍𝐀𝐋𝐈𝐓𝐘
𝐙𝐎𝐃𝐈𝐀𝐂 
scorpio sun, scorpio rising, virgo moon
𝐀𝐋𝐈𝐆𝐍𝐌𝐄𝐍𝐓 
chaotic good
𝐌𝐁𝐓𝐈 
estp-a
𝐄𝐍𝐍𝐄𝐀𝐆𝐑𝐀𝐌 
type 7w8
𝐓𝐄𝐌𝐏𝐄𝐑𝐀𝐌𝐄𝐍𝐓 
choleric
𝐇𝐎𝐔𝐒𝐄 
slytherin
𝐋𝐎𝐕𝐄 𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄𝐒 
in order: physical touch, quality time, receiving gifts, acts of service, and words of affirmation
𝐏𝐎𝐒𝐈𝐓𝐈𝐕𝐄 𝐓𝐑𝐀𝐈𝐓𝐒 
adaptable, adventurous, affable, affectionate, ambitious, amusing, attentive, brave, bright, calm, caring, charismatic, charming, committed, courageous, creative, decisive, dependable, determined, diligent, determined, direct, driven, easy-going, efficient, engaging, enthusiastic, extroverted, flirtatious, forthright, frank, fun-loving, funny, gregarious, intelligent, knowledgeable, lively, logical, loyal, mischievous, neat, objective, observant, open-minded, organized, outgoing, passionate, persistent, playful, practical, pragmatic, protective, quick-witted, rational, realistic, reliable, responsible, romantic, self-confident, sociable, strong-willed, and trustworthy
𝐍𝐄𝐆𝐀𝐓𝐈𝐕𝐄 𝐓𝐑𝐀𝐈𝐓𝐒 
abrasive, aggressive, aloof, analytical, argumentative, arrogant, assertive, avoidant, belligerent, blunt, bossy, calculating, callous, cautious, competitive, condescending, confrontational, critical, cynical, deceitful, defiant, destructive, detached, discreet, dishonest, dramatic, evasive, explosive, foolhardy, grumpy, guarded, harsh, headstrong, impatient, impulsive, insensitive, intimidating, irrational, judgmental, melancholic, narcissistic, negative, opinionated, outspoken, perfectionist, pretentious, private, quick-tempered, rebellious, reckless, rude, secretive, stubborn, temperamental, thoughtless, unemotional, vain, and violent
𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐈𝐍𝐒𝐏𝐎
i’d like to say he’s a weird amalgamation of characters i liked in media i’ve consumed, and although he relates more to some characters than others this is an incomplete list of my influences
p.s. you can click on the names of a character to see a gifset of them that reminds me of connor <3 
𝑺𝑪𝑶𝑻𝑻 𝑳𝑨𝑵𝑮 ( 𝐀𝐍𝐓-𝐌𝐀𝐍 ) , 𝑬𝑳𝑬𝑨𝑵𝑶𝑹 𝑺𝑯𝑬𝑳𝑳𝑺𝑻𝑹𝑶𝑷 ( 𝐓𝐇𝐄 𝐆𝐎𝐎𝐃 𝐏𝐋𝐀𝐂𝐄 ) , 𝑹𝑰𝑮𝑩𝒀 ( 𝐑𝐄𝐆𝐔𝐋𝐀𝐑 𝐒𝐇𝐎𝐖 ) , 𝑫𝑨𝑴𝑶𝑵 𝑺𝑨𝑳𝑽𝑨𝑻𝑶𝑹𝑬 ( 𝐓𝐕𝐃 ) , 𝑹𝒀𝑨𝑵 𝑯𝑶𝑾𝑨𝑹𝑫  ( 𝐓𝐇𝐄 𝐎𝐅𝐅𝐈𝐂𝐄 ) , 𝑱𝑶𝑯𝑵𝑵𝒀 𝑩𝑹𝑨𝑽𝑶 ( 𝐉𝐎𝐇𝐍𝐍𝐘 𝐁𝐑𝐀𝐕𝐎 ) , 𝑫𝑼𝑵𝑪𝑨𝑵 ( 𝐓𝐎𝐓𝐀𝐋 𝐃𝐑𝐀𝐌𝐀 𝐈𝐒𝐋𝐀𝐍𝐃 ) , 𝑨𝑳𝑬𝑿 𝑹𝑼𝑺𝑺𝑶 ( 𝐖𝐈𝐙𝐀𝐑𝐃𝐒 𝐎𝐅 𝐖𝐀𝐕𝐄𝐑𝐋𝐘 𝐏𝐋𝐀𝐂𝐄 ) , 𝑪𝑯𝑼𝑪𝑲 𝑩𝑨𝑺𝑺 ( 𝐆𝐎𝐒𝐒𝐈𝐏 𝐆𝐈𝐑𝐋 ) , 𝑪𝑨𝑺𝑬𝒀 𝑮𝑨𝑹𝑫𝑵𝑬𝑹 ( 𝐀𝐓𝐘𝐏𝐈𝐂𝐀𝐋 ) , 𝑳𝑼𝑲𝑬 𝑫𝑼𝑵𝑷𝑯𝒀 ( 𝐌𝐎𝐃𝐄𝐑𝐍 𝐅𝐀𝐌𝐈𝐋𝐘 ) , 𝑨𝑵𝑫 𝑫𝑬𝑹𝑬𝑲 𝑴𝑶𝑹𝑮𝑨𝑵 ( 𝐂𝐑𝐈𝐌𝐈𝐍𝐀𝐋 𝐌𝐈𝐍𝐃𝐒 )
𝐖𝐀𝐍𝐓𝐄𝐃 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍𝐒
𝑹𝑶𝑴𝑨𝑵𝑻𝑰𝑪
𝑪𝑯𝑬𝑨𝑻𝑰𝑵𝑮. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐎𝐑 𝐓𝐇𝐑𝐄𝐄, 𝐅𝐎𝐔𝐑.
𝑬𝑿𝑬𝑺 𝑶𝑵 𝑮𝑶𝑶𝑫 𝑻𝑬𝑹𝑴𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑬𝑿𝑬𝑺 𝑶𝑵 𝑩𝑨𝑫 𝑻𝑬𝑹𝑴𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑭𝑹𝑰𝑬𝑵𝑫𝑺 𝑻𝑶 𝑳𝑶𝑽𝑬𝑹𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑭𝑹𝑰𝑬𝑵𝑫𝑺 𝑾𝑰𝑻𝑯 𝑩𝑬𝑵𝑬𝑭𝑰𝑻𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐅𝐎𝐔𝐑, 𝐀𝐍𝐃 𝐅𝐈𝐕𝐄.   
𝑺𝑲𝑰𝑵𝑵𝒀 𝑳𝑶𝑽𝑬. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑺𝑳𝑶𝑾 𝑩𝑼𝑹𝑵. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑷𝑹 𝑹𝑬𝑳𝑨𝑻𝑰𝑶𝑵𝑺𝑯𝑰𝑷. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.   
𝑻𝑶𝑿𝑰𝑪 𝑹𝑬𝑳𝑨𝑻𝑰𝑶𝑵𝑺𝑯𝑰𝑷. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.   
𝑼𝑵𝑹𝑬𝑸𝑼𝑰𝑻𝑬𝑫 𝑳𝑶𝑽𝑬. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑷𝑳𝑨𝑻𝑶𝑵𝑰𝑪
𝑺𝑸𝑼𝑨𝑫. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑹𝑶𝑶𝑴𝑴𝑨𝑻𝑬𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.      
𝑮𝑶𝑶𝑫 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.   
𝑩𝑨𝑫 𝑰𝑵𝑭𝑳𝑼𝑬𝑵𝑪𝑬. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑩𝑬𝑺𝑻 𝑭𝑹𝑰𝑬𝑵𝑫. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑪𝑯𝑰𝑳𝑫𝑯𝑶𝑶𝑫 𝑭𝑹𝑰𝑬𝑵𝑫. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑. 
𝑵𝑬𝑮𝑨𝑻𝑰𝑽𝑬
𝑭𝑹𝑰𝑬𝑵𝑫𝑺 𝑻𝑼𝑹𝑵𝑬𝑫 𝑬𝑵𝑬𝑴𝑰𝑬𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑬𝑵𝑬𝑴𝑰𝑬𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
𝑭𝑹𝑬𝑵𝑬𝑴𝑰𝑬𝑺. 𝐎𝐍𝐄, 𝐓𝐖𝐎, 𝐓𝐇𝐑𝐄𝐄, 𝐀𝐍𝐃 𝐅𝐎𝐔𝐑.
if any of these interest you feel free to message me! i have ideas for all of them that i’m always ready to share! also feel free to mix and match any of the plots above a good influence who has an unrequited crush but is also his roommate? sounds like content to me, a friend with benefits turned best friend turned exes on bad terms we love to see it! and if none of these seem interesting to you fill free to check out connor’s wanted connections page!
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homeremodelinguue · 3 years
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Creating A Great Home Remodeling Priority List
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aion-rsa · 3 years
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Clark Gable and His WW2 Death Wish
https://ift.tt/3oDIaDK
Clark Gable did not intend to see action when World War II came to America. Which is not to say he ignored the war. Gable was there that day in 1940 when President Franklin Roosevelt gave his famous “Arsenal of Democracy” speech from the Oval Office. And, indeed, the first thing the movie star did when he heard about the Pearl Harbor attack was cable FDR to offer his full support—and, tellingly, the besieged president promptly answered right back.
But then in the 1930s and early ‘40s, Gable was “the King of Hollywood;” the reigning movie star who could sell more tickets than anybody this side of Shirley Temple, and he didn’t have to sing or dance to do it either. He was a mustachioed and muscular alpha who appealed to everybody, even presidents, and was one of the few leading men who would tell Louis B. Mayer no (at least until casting for Gone with the Wind came along). The government saw the value in that kind of celebrity when the dark storm clouds of war gathered over Europe and the South Pacific, and so did Gable. Still, he was practically 41 when the bombs fell in Hawaii and more than happy to support the war from afar.
As he told fellow MGM stablemate Jimmy Stewart at the latter’s going away party in 1940—Stewart had just happily joined the Army—“You know you’re throwing away your career, don’t you?” When Stewart answered yes, Gable added, “You won’t catch me doing that, but I wish you godspeed.”
Gable had success, Gable had power, and for the first time in his four decades on this earth, Gable had something approaching peace thanks to his marriage to Carole Lombard, the firecracker screwball star. Yet in less than a year, all of those things turned to ash following Lombard’s violent death. When her plane went down in a fiery blaze, it was treated as a national tragedy around the country, and for her husband it was the beginning of the end.
The King became broken, despondent, and finally disillusioned enough to enlist in the U.S. Army Air Corps. To this day, some say he went to Europe with a death wish, and on at least one bombing raid, Capt. Gable almost had it granted as a Luftwaffe shell passed right between his feet.
Clark Gable and Carole Lombard posing for photographers shortly after their marriage in 1939.
The King and Queen of Hollywood
Women were always easy for Clark Gable, and for a time so were wives. The first Mrs. Gable was Josephine Dillon, 17 years his senior, and she was introduced to him as an acting coach by another woman who was his then-fiancée. As a handsome, if unrefined son of an Ohioan farmer, the 23-year-old Gable was perfect clay for Dillon. She turned him into her greatest student, teaching him how to lower his voice and hold your attention. As his patron and wife, Dillon also introduced Gable to all her Broadway connections and the adjacent stock companies. It was even as the star of one of those companies that he met Maria Langham, a wealthy widow and oil heiress who was also 17 years his senior. 
As the second Mrs. Gable, Ria introduced Gable to Manhattan’s high society and exquisite living, teaching him social etiquette and the value of a finely tailored tuxedo. One wife taught him how to play at being an actor, and the other taught him how to play at being a gentleman. They served their purposes and they were both brushed off.
But Lombard? He couldn’t brush her off ever.
The first time Clark met Carole, it was a surprisingly chaste affair. The two were cast as the leads of 1932’s No Man of Her Own. Unlike many of his leading ladies in the 1930s, Gable made no passes at Lombard, who was married to movie star William Powell at the time and intended to remain that way. Nevertheless, they hit it off, as the breathlessly quick-witted Lombard did with almost everyone.
Gable wasn’t yet “the King of Hollywood” then, but he was well on his way. Two years later, he’d star in the film that popularized screwball comedies, It Happened One Night (1934), which won him an Oscar for Best Actor, and two years after that he would lead the granddaddy of all disaster movies, San Francisco (1936). By ’38, he was already Tinseltown royalty when then-gossip columnist Ed Sullivan overheard Gable’s drinking buddy and sometime-rival, Spencer Tracy, affectionately refer to him as “King.” Sullivan immediately lit upon the idea of holding a national poll for the “King and Queen of Hollywood.”
More than 20 million people voted and, by a huge majority, Gable was crowned “King” for the rest of his career. Meanwhile, Myrna Loy was elected “Queen of Hollywood.” The fact they were then filming MGM’s Test Pilot (with Tracy) certainly suggests the results might’ve been tampered with. It also likely struck Loy as ironic since her first encounter with Gable ended with her pushing him into a hedge bush after he drunkenly bit the back of her neck while his second wife, Ria, was sitting in a nearby car. Gable refused for years to talk to Loy socially after that rejection, including between takes on film sets.
So yes, the King was a womanizer—complete with a secret baby born out of wedlock to co-star Loretta Young—in a sham marriage at the beginning of his reign. But things began changing when he finally ran into Lombard again, and at last he found his matching monarch.
It was at the White Ball in 1936 that the pair’s paths crossed a second time. By now, Clark was fully estranged from Ria, and the two lived in separate houses. Lombard, meanwhile, had risen to her own stardom by bringing her transgressive life-of-the-party persona to recent screwball comedies directed by Howard Hawks and Ernst Lubitsch. Vivacious, whip smart, and an eventual inspiration for Marion Ravenwood in Raiders of the Lost Ark, Lombard was a hard-drinking and giddy star with her own orbit.
According to Clark Gable: A Biography by Warren G. Harris, when Gable saw Lombard on the dance floor, he went up and said, “I go for you, Ma.” After a moment’s confusion, Lombard realized he was quoting their characters’ nicknames for each other in No Man of Her Own from four years earlier. She responded, “I go for you too, Pa.”
For the rest of their lives, they’d always refer to each other as “Ma” and “Pa.”
Clark Gable and Carole Lombard play with horses at the Encino ranch in 1939.
The Love of His Life
That first night on the dance floor actually ended in the pair’s first of many fights. But in a trick that would come to define the pattern of their relationship, Gable woke up the next morning in his hotel room with two doves sitting on his chest. They’d been secreted there with a note on one’s leg: “How about it? Carole.” 
Unlike Gable’s other romantic entanglements, Lombard always controlled the tone and tempo of their courtship while Gable offered Lombard an escape from the glamour goddess, society girl image she’d molded herself to in Hollywood. She was an athlete growing up and, alongside Pa, she picked up outdoor-living again.
Clark taught Carole rifling, skeet-shooting, and camping. In ’38, she joined what had up to that point been Gable’s all-male hunting club with fellow actors and Hollywood talent. When the other men complained about a woman being present and sharing their bathroom, she brought along her own trailer with a private bathroom—taunting Clark and the others by then keeping him out. She crawled in the mud next to the dudes, and would soon be on all of the Gables’ hunting trips.
The pair eloped in ’39 after three years of courtship. This occurred in large part because Photoplay magazine revealed the two were living in sin (Gable was still married and too chintzy to get a divorce). Shortly after the embarrassment, however, Gable paid off his second wife and Lombard became the third Mrs. Gable.
“I just think of that husband of mine all the time,” Lombard once said with her usual candor. “I’m really stuck on the bastard. And it isn’t all that great lover crap, because if you want to know the truth, I’ve had better. No, I’m nuts about him and not just about his nuts.”
When the two moved into their Encino ranch, Gable made his gun collection the centerpiece when you walked in the front door, and Lombard began raising chickens and cattle. It was about as far from Beverly Hills as you could get, or as Lombard enthused, “The best little shit house in the San Fernando Valley.”
It was here that Lombard planned to soon retire, beginning with a one-year sabbatical in an effort to have children. Yet after a year of trying, they only had two miscarriages to show for it. They agreed to keep trying, but they’d soon run out of chances.
Clark Gable and wife Carole Lombard circa 1940.
The Loss of His Life
When the bombs fell in Pearl Harbor, it was Carole who urged Clark to telegraph Roosevelt as soon as possible. She was also in the White House for the president’s fireside chat in 1940. And unlike Gable, she was furious when the president responded, “You are needed where you are.”
With the war finally here, Lombard urged Gable to join the Army in December 1941 while she hoped to join the Red Cross. For Christmas, instead of her usual lavish presents she sent all her friends engravings announcing she’d made a donation to the Red Cross in their name. And when she got wind of MGM publicity chief Howard Strickling trying to position Gable for a safe desk job in Washington D.C. for the course of the war, she told both men, “The last thing I want for Pappy is one of those phony commissions!”
Gable preferred helping the war where FDR told him he should—from the comfort of Hollywood. On Dec. 22, 1941, he presided over the first meeting of the Screen Actors Division of the Hollywood Victory Committee as its newly appointed chairman. The committee functioned as a way for Hollywood stars and leaders to organize all activities in support of the war effort. His wife was the first at the meeting to pledge her cooperation in donations, bond rallies, and touring the troops.
When a request came from the Treasury Department for the Victory Committee to launch Indiana’s participation in the national campaign of selling war bonds on Jan. 15, 1942, Gable recognized his Indiana-born wife as the perfect talent to send along. Carole was thrilled to go, although apprehensive about leaving Clark behind.
Gable couldn’t join his wife on her journey by train because he was about to start work on Somewhere I’ll Find You: his second film with Lana Turner. Up until then, Carole had been very open-minded about Gable’s continued infidelities and little affairs, even after they were married. She turned a blind eye to more than one rumor of him sleeping with a co-star here, or a starstruck journalist there, because she assumed you had to let Clark Gable be Clark Gable. But she drew the line over rumors about Clark and Lana, the latter of whom was infamously dubbed the “Sweater Girl” when she was discovered at a soda fountain at age 16. Blonde and buxom, Turner was 20-years-old when she first worked with the 40-year-old Gable. These stories did get to Lombard.
The evening before she left for Indiana, the couple had a huge blowout during which Clark failed to convince his wife he never slept with Lana Turner. The last night Gable and Lombard were under the same roof, they slept in different beds. The next morning, he did not see his wife off to the train station.
As with many of their fights, things cooled almost immediately. Before she left, Lombard still delivered a pack of handwritten love letters to her live-in secretary Jean Garceau to deliver to Clark, one at a time, everyday she was away. She also had the prank she planned before their fight still be delivered, so when Gable returned home from work that night he found a naked blonde dummy in his bed with a note. “So you won’t be lonely.” Gable reportedly laughed until he had tears in his eyes.
According to Garceau when the two talked by phone the next night, they sounded like “lovebirds” again. And according to the You Must Remember This podcast, Gable had Carole’s hotel room in Indianapolis be covered in red roses when she got in. But before even then, Lombard’s train stopped in Salt Lake City where she saw the troops marching and immediately telegraphed her husband, “HEY PAPPY, YOU’D BETTER GET INTO THIS MAN’S ARMY.”
On Jan. 15, Lombard intended to raise $500,000 in war bonds. Instead, she raised over $2 million. Afterward, she was so eager to get home to Gable following their fight that she decided she’d fly back to California instead of returning by train. This was expressly forbidden by the Treasury Department. Commercial travel was still relatively dicey, and they feared she’d be a target for Nazi saboteurs. Additionally, she was traveling with her mother Elizabeth Peters, a superstitious woman who’d never flown and was deathly afraid to start now. She was also there with Otto Winkler, Gable’s publicist and buddy who was best man at their wedding.
The morning their flight was to leave Indianapolis, Otto got Carole to at least agree to a coin toss. Heads they fly, tails they take the train. Carole won. From Indianapolis, they would make multiple stops, including Wichita, Albuquerque, and Las Vegas. TWA Flight Number 3 never reached Burbank.
That night Gable arranged a surprise party to welcome the three heroes back—as well as a surprise male dummy with an erection waiting for Carole upstairs. He was reportedly giddy waiting for the phone call from limo driver Larry Barbier, who was supposed to report when they landed. Instead, Clark got a call from MGM fixer Eddie Mannix.
“Can I get back to you?” Gable asked. “I’m expecting word on Ma’s arrival any minute.”
Mannix cut him off. “King, that’s why I’m calling. Larry Barbier just phoned from the airport. Carole’s plane went down just a few minutes after it left Las Vegas.” She was gone.
Clark Gable stands next to co-pilot Lt. Col. Robert W Burns beneath B-17 “The Duchess” after bombing raid in September 1943.
Clark Gable Goes to War
The fallout from the literal wreckage of Lombard’s flight was national news. A bewildered Gable joined Mannix and other MGM brass for their own chartered flight to Vegas. He could see the burning debris that Lombard’s flight smeared across Table Rock Mountain from the air. Locals in the city described it as “apocalyptic” and like an “inferno.”
Mannix refused to let Gable go on the rescue party climbing the mountain—convincing him Carole, Otto, and Bettie might have survived and were now walking to the city. So the star stayed behind and drank. The next morning, he received a cable from Mannix. “NO SURVIVORS. ALL KILLED INSTANTLY.”
In truth, the bodies of Lombard and everyone else on board had been more or less cremated by the fire after impact. And while Mannix couldn’t be certain, he believed he found what was left of Carole: a decapitated, charred body with a few blonde strands of hair and the remnants of a ruby and diamond pin Gable had given his wife the year before. He never told Clark about what he saw, but brought back the hairs and piece of ruby.
The next day, FDR sent Gable private condolences and publicly awarded Lombard a medal as “the first woman to be killed in action in the defense of her country in its war against the Axis powers.”
The official and (likely) reason for that flight’s crash is it was overloaded with servicemen and movie star luggage, and the pilot failed to see the mountain in front of him, on which all lights had been turned off to preserve wartime power. Although, according to Orson Welles (as per You Must Remember This), Hollywood and government insiders all knew Nazi saboteurs did in fact bring down the plane, and Roosevelt covered it up to prevent a nationwide panic.
In the months that followed, Gable grew quiet and despondent, losing 20 pounds despite drinking untold amounts of Scotch every day. He dined alone for all meals and began wearing a locket with Carole’s hair and ruby remnants within. According to household staff, he rarely slept and stayed up all hours of the night watching 16mm prints of Lombard’s old movies he had sent over (she’d given him the projector as a Christmas present). Now he had time for no woman except the one he lost.
When he discovered MGM was still trying to keep him from being drafted—with the age range now being raised to 45—Gable grew furious. A scriptwriter pal put him in touch with Col. Luke Smith of the Army Air Corps, who told Gable he should consider applying for training as an aerial gunner since it’s one of those jobs no one seems interested in.
“Everybody wants to be a pilot,” Smith told Gable. “Your becoming a gunner would help to glorify the plane crews and the grease monkeys.” Gable made up his mind to enlist in spite of the wrath of MGM head Louis B. Mayer. He also defied the constraints of his age of 41 by passing the physical—save for the need of getting triplicates of his new dentures (Gable had false teeth his whole career).
On Aug. 12, 1942, Gable enlisted into the Army air force. Right beforehand he told Jill Winkler, Otto’s widow, “I’m going in, and I don’t expect to come back, and I don’t really give a hoot whether I do or not.”
Capt. Gable posing for the press with a gunner’s weapon in June 1943.
The Aerial Gunner with a Death Wish
There is still much speculation over whether Gable actually wanted to die in World War II. His superiors eventually reached that conclusion based on his cavalier attitude, and he at least seemed ambivalent about the whole affair. However, it is interesting he joined the air force considering that, after Lombard’s death, he developed a fear of flying for the rest of his life. Following the war, he would always prefer to make his transatlantic crossings by ocean liners instead of planes.
But during the war? Frankly, he didn’t seem to give a damn one way or the other.
Gable’s biggest fear during the whole conflict was his struggle to pass officer’s training in a 90-day course stateside. A high school dropout, Gable was challenged by the academic course work, which he ultimately got around by treating each textbook like a script he needed to memorize.
Once he was an officer (and allowed to grow back his trademark mustache), he seemed in relatively good spirits for the first time in months. Before going overseas, he told Garceau, “I have everything in the world anyone could want, but for one thing. All I really need and want is Ma.”
In April 1943, Gable was shipped off to join the 351st Heavy Bombardment Group in Peterborough, England, about 80 miles north of London. Gable also received an automatic promotion to the rank of captain, although this had as much to do with the heavy losses of Allied officers as it did with Gable’s leadership.
In truth, Gable likely enjoyed playing the part of officer more than he entirely became it. The military loved letting him pose for the press as a gunner with a bombardier’s bullets wrapped around his neck, but that wasn’t his actual job. While Gable did on at least two occasions take on the role of aerial gunner in combat, his official role was as an observational gunner—he was there to pick up the weapons in the side or rear of a B-17 if the gunner operating it was injured or killed (which did happen).
Otherwise, Gable was there because the Army wanted him to film footage they could use as propaganda, glorifying the role of gunners. While in officer’s school, the Army reunited Gable with cinematographer Andy McIntyre, who would become his sidekick and cameraman in the air. And after his graduation, Gable arranged the transfer of his scriptwriting buddy John Lee Mahin, then a lieutenant serving as an instructor in Combat Intelligence, to join them. In all, Gable and McIntyre built a film crew of six men to film the other fliers on B-17 missions. They were called “the Little Hollywood Group.”
More than twice the age of many of the pilots and gunners he flew with, Gable found himself facing heavy skepticism in his early training.
“None of the kids believed he was going to do anything at all,” Mahin recalled in Warren’s Clark Gable biography. “They never thought he was going to expose himself to any kind of danger. They said it was all a lot of bullshit. It really killed Clark that the kids shunned him.”
The brass, however, loved Gable at first. Many of his superiors invited him nearly every night to dinner, an annoyance he’d soon relegate to one evening a week. And while he welcomed the press to photograph him at the planes, he also refused the special treatment of having private quarters set up, which earned him more respect from the young fliers.
He’d also soon prove himself as a member of Col. William Hatcher’s Chickens (a nickname for his bombing group) when he went up in the air on May 4, 1943. Hatcher was onboard the same B-17 that day as group commander and co-pilot; the 351st were tasked with taking out several factories in Nazi-occupied Antwerp, Belgium.
During Gable’s first combat mission, flak from ground defenses took out one of the plane’s four engines and its stabilizer. More unnervingly, after delivering the plane’s payload, a German’s 20mm shell pierced the center of the plane, with the corner of the shell passing through the heel of Gable’s boot—lifting it clean off—and then exiting the aircraft inches above Gable’s head.
On another mission, Gable took over for gunners who were wounded or killed (there was at least one of each that day). Fifteen holes were found in the fuselage. For Gable, such horrors were also a vindication, as he fully won the respect of the kids around him.
“They adored him,” Mahin recalled. “They couldn’t stay away from him. And he was proud that they accepted him.”
Portrait of Capt. Gable after arriving in England in 1943 as part of the the 351st Bombardment Group.
Hitler’s Prize
At Peterborough, Gable grew increasingly chummy with the other fliers serving. He bought a used motorcycle and would make small talk on trips around the base. And on more than a few weekends, he would head to London to screen at MGM offices some of the footage he shot in the air. He also would meet with his pre-war Hollywood chum, David Niven, who was serving as an instructor for British Commandos and had recently married and had a son.
“From then on our cottage became Clark’s refuge from military life,” Niven recalled. “With Carole’s death, he had been dealt the cruelest of blows, but on the surface at least, he was making the best of it. In his own deep misery, he found it possible to rejoice over the great happiness that had come my way, and he became devoted to my little family.”
Niven added, “Clark’s personal wounds seemed to be healing, but Carole was never far from him, and the very happiness of our little group would sometimes overwhelm him. [My wife] found him one evening on an upturned wheelbarrow in the garden, his head in his hands, weeping uncontrollably.”
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Still, Gable seemed to be settling into a new happy rhythm of camaraderie on the base, frequent trips to London, and even playing the field. He renewed an affair with a pre-Lombard paramour in London, the English (and now married with children) Elizabeth Allan. Nonetheless, he may have been enjoying himself too much for his superiors’ liking.
Robert Matzen, author of Mission: Jimmy Stewart and the Fight for Europe and Fireball: Carole Lombard and the Mystery of Flight 3, told me he believed Gable had a death wish.
“Carole Lombard, his wife, wanted him to go fight and she’s killed,” Matzen said. “So he then decides, ‘Alright, I’ll go fight and hopefully I’ll be killed too.’ That’s why he wanted to be in the Eighth Air Force, because he wanted to die in a plane crash.” Also, unlike Stewart, Matzen stressed, Gable never fully adapted to military culture.
Said Matzen, “Gable was much more interested in being Clark Gable in England than Jim Stewart was interested in being Jimmy Stewart in England.” This weighed on the mind of Col. Hatcher, as did the growing understanding that every B-17 Gable was on became a prize for Nazi Germany.
The day the 351st arrived in England, Nazi radio propagandist William Joyce, aka “Lord Haw Haw,” broadcast from Berlin the following: “Welcome to England, Hatcher’s Chickens. Among whom is famous American cinema star, Clark Gable. We’ll be seeing you soon in Germany, Clark. You will be welcome there too.”
Adolf Hitler apparently adored Clark Gable, considering him his favorite American actor. A movie nut with a love for British and Hollywood cinema, Hitler even allegedly smuggled a film print of Gone with the Wind before it opened in the UK. Hitler therefore marked Gable as one of the most prized “war criminals” in the Allied Forces, offering a handsome reward to any German soldiers who can bring Gable to him alive.
The actor was terrified of being paraded through Berlin like King Kong and was only half-joking when he told a friend, “If Hitler catches me, the sonofabitch will put me in a cage like a gorilla and send me on a tour of Germany. If a plane that I’m in ever gets hit, I’m not bailing out.”
While his superiors might’ve appreciated the sentiment, they feared the humiliating spectacle of one of their gunners becoming a Nazi political tool—or the actor putting a bigger target on their bombing group. Additionally, Gable didn’t follow protocol as intended, at one point threatening a military doctor after the physician apparently said nonchalantly that Gable’s pal had hours to live while the young man was awake and listening. And, again, the opinion became that he wanted to be shot down.
So it was in October 1943, after only five combat missions, Capt. Gable was awarded the Distinguished Flying Cross and the Air Medal for “exceptionally meritorious achievement while participating in five separate bomber combat missions.” Hatcher apparently pulled the strings to get Gable out.
Clark Gable in 1960 on the set of his last film, The Misfits, with Marilyn Monroe and Montgomery Clift.
The End
Even though Gable’s time in combat ended in October of ’43, he still wound up with 50,000 feet of film at his disposal. He was apparently shocked when he learned the air force really didn’t care what he did with the footage since gunner recruitment was up. So he returned to Los Angeles, having been reassigned to the city’s photographic division. Allowed to cut the film at MGM, Gable put together five short films that could be used for instruction on operating B-17s. But by the time it made its way through the Pentagon’s chain of command… the war was over. The footage mostly still lies unused in government archives.
After finishing the films, Gable had expected to be assigned to a new bombing division in the Pacific Theater. As he waited months for the orders to come in, he found out on the news about the D-Day landing in Europe on June 6, 1944. Feeling forgotten and discarded by the Air Corps, he requested to be discharged on June 12, which was his right as a volunteer over the age of 42. A captain named Ronald Reagan granted Gable his discharge after 670 days of service.
Clark eventually re-acclimated to Hollywood and restarted his career, but by 1945 his days as “the King” were waning, and he saw more flops accompany his diminishing hits. He also had many more affairs with leading ladies, extras, and socialites. But for years he refused to marry, telling friends, “It wouldn’t be fair. I have nothing left to give.”
For the rest of his life, Clark mourned Carole, including on Jan. 15, 1944 when he was on hand for the launch of the SS Carole Lombard. Gable was supposed to speak at the event. Instead, he mostly cried.
Eventually he did remarry, twice, and finally had one child who wasn’t disowned in secret. But after the star died of a heart attack at age 59 in 1960, his fifth wife, Kay Williams, honored his final wishes: Gable was interred at Glendale’s Forest Lawn Memorial Park. Next to Ma.
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tonysttank · 4 years
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Fine Line Series |b.b.| Prologue
I haven’t posted writing on here in ages, and I’ve been planning to write this series for a while now. I have this planned as a 12 part series, not including this prologue. Hopefully you all enjoy reading it as much as I have enjoyed writing it!
Constructive and/or general feedback is always welcome!
Bucky Barnes x female reader
Summary: Sam Wilson’s adopted sister thought she finally had everything the way she wanted it after he left D.C. to help Captain America. Little did she know that her world was about to get turned upside down when she is forced to move out of the country for her own protection. But maybe living in this new place wouldn’t be so bad...
Word Count: 1.5k
Prologue
It had been a strange few years for everyone, but especially Y/N and Sam. It was almost as bad as when he was on tour over seas… Sam Wilson and Y/N had been attached at the hip since, well, forever. The girl was raised in his household. Y/N’s parents weren’t the best by any means. In fact, they were pretty shitty, if she was being honest. Her mother had left her and her father when she was still in diapers, and the only memories she had of her father were him coming after her in a drunken rage. She ran away for days at a time fairly often, but he never really noticed. She’d spent many nights on the streets, stealing food and sleeping under porches just to get away from him, all before the age of 9. That’s how Sam had found her. She had snuck under the Wilson’s porch, and was munching on a stolen bag of chips. It was pouring rain and she was absolutely drenched and freezing.
“Is someone there?” The young boy, aged about 13 at the time, had asked, his footsteps stalling on the stairs when he heard the rustling of the bag of chips. Y/N froze, and hoped he would just go away. A few moments later, Sam was on his belly, poking his head underneath the steps. “Who are you?” He asked, an eyebrow quirked in confusion.
Y/N didn’t say anything… She didn’t know what to say.
“Oh! I know you! You’ go to West Elementary. I’ve seen you on the bus...” Sam said, his voice slightly prideful as he had recognized the girl. “Why are you all wet and eating chips under my porch like a mouse?”
Y/N stuttered for a moment, unsure of what to say. “Your house was the closest one when it started raining.” She said, her voice small. Sam climbed down off the steps and crouched next to her under the porch.
“Well, where’s your house?” He asked slowly, now noticing how dirty she was.
Y/N shook her head fervently. “I don’t want to go home.”
Sam looked at her with confusion written all over his features. Why didn’t she want to go home? Home was warm, and soft, and where family was… “Why not?”
“I just don’t.” Y/N said, a bit more sternly now. Why was this kid asking so many questions?
Sam sat there quietly for a few moments, thinking carefully about what he should do. He couldn’t just leave this girl here out in the rain… “I’ll be right back.” He said suddenly, and bounded off up the porch stairs. Y/N heard the front door close and relaxed again, quickly considering if she should run away or stay put… Her choice was made for her when Sam came out a few minutes later, and she was just about to bolt. “Do you want to come inside? My mom has something for you.” He asked, now crouched in front of her on the ground.
Y/N shook her head no, shoving her now empty bag of chips in her pocket. She would find a trashcan later. “I don’t like moms.” The girl said softly, wiping away a bit of water that had dripped from her hair and onto her forehead.
“Don’t like moms? Never heard of anyone who didn’t like moms...” He said, considering her statement for a long moment. “You’ll like mine. C’mon,” He insisted, holding his hand out for her to take.
The rest was history. Darlene Wilson had cared for the girl like she was her own, and Y/N had no need to return home to her abusive father. After some time, Darlene was able to receive full legal custody of Y/N, and the little girl was insistent she change her name. She was a Wilson through and through, and nothing could ever change that. 
But now, Y/N missed her brother like the plague. He’d left her in D.C. after going on the run with some guy named Steve, who was great, but him stealing Sam away left a bad taste in her mouth. It had been an absolute whirlwind. All Y/N knew was that this was some guy from the VA, and then next thing she knew Sam was an international criminal and working with the internationally famed Avengers team.
It had been close to a year now since she had seen Sam, or even Steve for that matter. Y/N had sold the condo they shared in D.C., and relocated to Manhattan for a job opportunity at Stark Industries. It was just a typical personal assistant job, but it was leaps and bounds better than working retail in the nations capital, at least now she was surrounded by some decent culture. Y/N was 25 now, and taking this job at Stark Industries was her attempt at trying to make a name for herself, since now she’d be living under the shadow of The Falcon. The girl was smart, that’s for sure, and graduated college with honors in biomechanical engineering. The only problem was the shitty job market, hence the working retail and the new P.A. job.
Y/N went about her week as usual, and had no plans for her Friday evening other than drowning herself in blankets while watching the newest true crime documentary on Netflix. To say that she was caught off guard when she walked into her apartment to see Sam, Steve Rogers, and Natasha Romanoff sitting on her couch was the understatement of the year; the girl nearly had a heart attack. Her first instinct was to punch Sam in his stupid face for literally dropping off the face of the earth for the better part of a year, but all she could really do was cry. It was quite embarrassing to cry in front of three of the most powerful people in the country, but Y/N didn’t give a damn at the moment. It was a reunion like you see in the movies, all tears and hugs and half assed explanations. The three intruders gave Y/N some time to shower and change before they dropped the bomb on her.
“You have to leave New York.” Sam told her as the two sat on the couch. Steve had perched himself on the arm of her unused recliner while Natasha sat in the seat.
“Excuse me?” Y/N bit back, an eyebrow quirked in question and indignation.
Steve spoke up, which was his first mistake. “It’s too dangerous for you to stay here without any of us to watch over you. Your close ties with Sam make you too much of a target.”
           “Sorry, but I don’t know what the hell you’re talking about. You guys disappear for a year, break into my apartment, and are now telling me I have to leave?” Y/N spoke in disbelief. Her attitude was all heat, the words flying out of her mouth red hot and angry. Steve was a little taken aback by her fiery response, not used to anyone other than Tony talking to him like that.
“We’ve been on the run all this time,Y/N, and the last thing I want is some power crazed assholes to come after you.” Sam told her, trying to keep his tone even and calm. He knew she wasn’t going down without a fight, but this was the best thing for her. With all the events he had been involved in during the last year she was a target, and he wasn’t taking any chances in losing her or putting her in danger.
           “Look, I know this is a lot, and trust us, we don’t want to do this anymore than you do.” Natasha chimed in. “But these are really, really bad people that we’re talking about, and they won’t hesitate to involve you. The last thing we want is for you to end up hurt or dead.”
Y/N didn’t know what to say. She’d kept up with the whole “fall of HYDRA” thing in the news and online, but this was all too much. “So, what exactly are you proposing? If you guys are hiding then what the hell am I supposed to do? I’m well aware of what you all and HYDRA are capable of. I read the files.”
           “We’re sending you to Wakanda. It’s all been organized already. All you’ll have to do is pack your things and get on a plane.” Steve told her.
“You’re sending me to a fucking third world country? Hell no. At least let me live in Europe or something.” Y/N scoffed, crossing her arms and shaking her head in disagreement.
           “It’s not a third world country. Just trust me, okay? It’ll be fine. I promise.” Sam’s voice spoke, even and sincere. Y/N looked over at him, skepticism and confusion clear in her gaze. He’d never led her astray, and she knew that he would never put her somewhere unsafe, especially if she was already in potential danger.
“What about my job?” Y/N asked, her defiant attitude being replaced with fear and timid body language now.
           Natasha nodded. “We’ve arranged for you to work there. Not much will change, but you’ll be with a different company. You’ll actually get to use your degree because there’s a project we need you to work on.”
Once again, Y/N was essentially speechless. There wasn’t much she felt like she could say, and she didn’t even know how she felt. She’d worked hard to get this life in Manhattan, and the thought of being forced to leave it all behind did not sit well with her… But Sam wouldn’t make her go through any of this if he didn’t think it was worth it, right?
           “So when am I leaving?” She asked after several minutes of quiet consideration.
“That’s my girl.” Sam said with a grin and threw his arm around her shoulders. “The sooner the better. Can you be ready in two days? I’ll take care of getting all your furniture sent over.
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hammondcast · 3 years
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Hammond Report May 15 2021 From Pandemic Quarantino Jon Hammond
#WATCHMOVIE HERE: Hammond Report May 15 2021 From Pandemic Quarantino Jon Hammond
Jon's archive https://archive.org/details/hammond-report-may-15-2021-from-pandemic-quarantino-jon-hammond 
Youtube https://youtu.be/LWbt0wSdAbY 
FB https://www.facebook.com/jonhammondband/videos/217728069866272 
Hammond Report May 15 2021 From Pandemic Quarantino Jon Hammond
by
 Jon Hammond 
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Hammond Report May 15 2021 From Pandemic Quarantino Jon Hammond - Daily Music and Stories from the organist & accordionist Jon Hammond, today's music story about playing with the NDR.de horns on the band, Jon Hammond Bandin Hamburg, Germany at the Auster Bar - on the band: the late great Lutz Büchner, Fiete Felsch, Michael Leuschner, Joe Berger, Heinz Lichius and yours truly Jon Hammond at the organ - camera by Nicolai Ditsch dankeschön Nicolai! My tune No X-Cess Baggage Blues - on my mind because I'm planning to start traveling again, and will be checking some excess oversize baggage for sho'!
I'll be back tomorrow with another Hammond Report, thanks for tuning in folks, Jon Hammond 
#HammondReport
#15May2021
#Oversize
#ExcessBaggage
#hamburg
#ndrhamburg
#jazz
#blues
#musician
#stories
#JonHammond
#byebyenow 
#podcast 
Publication date
 2021-05-15
Usage
 Attribution-NonCommercial-NoDerivs 4.0 International
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Topics
 Hammond Report, 15 May 2021, NDR Jazz, Hamburg, Horn Section, Jazz, Blues, Baggage, Oversize, Stories, Jon Hammond, bye bye now
Language
 English 
Addeddate
 2021-05-15 21:57:48
Identifier
 hammond-report-may-15-2021-from-pandemic-quarantino-jon-hammond 
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https://hammondorganco.com/artists/organ-and-leslie-artists/jon-hammond/
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 Hammond USA  Artists  The Hammond Family  Jon Hammond
Jon Hammond
Recording and Touring Artist
Jon plays the SkPRO and Sk1
Jon began his musical career at age 12 in the San Francisco Bay Area playing organ and accordion in bands and solo engagements, first recording studio dates 1968 when he met Robert Moog who personally delivered the Moog III to San Francisco Radical Laboratories where Jon was working at the time and jamming daily with members of Quicksilver Messenger Service, he next joined original rock band Hades with which he played until moving East to attend Berklee.
Playing 7 nights a week in Boston’s notorious Combat Zone next lead to touring with successful show band Easy Living and then became house organist at the exclusive Wychmere Harbor Club Cape Cod MA where he played private parties for Tip O’Neill Speaker of The House. Returning to SF for a reunion concert in 1980 with Eddie Money and members of Tower of Power, next Jon moved to Europe where he lived and played for a number of years, still playing annually where he has an enthusiastic following. Jon began hosting his own TV show “The Jon Hammond Show” in 1984 and is now in 27th year on cable TV in Manhattan and heard daily on KYOU Radio HammondCast Show with regular appearances at international trade shows.
https://hammondorganco.com/artists/organ-and-leslie-artists/jon-hammond/ Hammond Report, 15 May 2021, NDR Jazz, Hamburg, Horn Section, Jazz, Blues, Baggage, Oversize, Stories, Jon Hammond, bye bye now
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buckysbest · 4 years
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CHAPTER TWO: NO SHAME PAIRING: ex!Bucky barnes x reader Warnings: Swearing Series Summary: Bucky realizes one can only run from their problems for so long before they must returns home but he sure as hell wasn't expecting her to be there when he did. Word count: 1.2k A/N: This Series is based off the Album “Calm” by 5sos. If you want to follow along in the album, listen to No Shame while reading this!
Series masterlist // Masterlist Coming soon
New York provided no shade from the bright lights of fame despite your relocation from LA. Every time your foot exited your new apartment building in Manhattan, camera flashing swarmed your vision like bloodthirsty hornets. Equally unrelenting were the men holding them, often shouting crude and vicious rumors to get a reaction. It came with the life you were gifted. Being as close to Tony as you were, fame crept behind you constantly, hiding in the deep recesses of alleys and buildings you passed. It wasn't anything you chose, far from it actually. Somehow you went from humble uni student to famous confidant of Tony Stark. 
It is true he took you under his wing, but it wasn't your fault he viewed you as his own daughter. Yet despite this, you were the one who had to deal with the fallout of it. The paparazzi, the vicious fans, the lack of privacy. A bit of you reveled in it because occasionally, it was nice to be the center of attention. Occasionally. You were lucky that Tony set you up with a lovely PR team, predicting the outcome of the growing friendship between the two of you. This meant you were trained for these things. The paps, the interviews, the tours. It is what came with the life. At least that's what you kept repeating to yourself as you put on a brave face and walked through the crowd with a gracious confidence and a kind smile, surrounded by brute security who did not mirror your compassion for those around you. As soon as you collapsed in the car, the smile fell from your face faster than Icarus fell from the sky. Fittingly too. It wasn't too long ago you had true happiness. Being lifted from a less than glamorous life and shoved into the spotlight had its perks. Having a team with you wherever you went meant you were never hungry or worrying about paying rent or struggling to pay off student loans. But when you fly too close to the sun….
“Hey Max, would you mind turning on some music?” 
“Of course Miss. Y/N” His hand momentarily left the wheel to turn on the radio and returned just as quickly. Swells of some band you didn't quite know filled the all-to-empty compartment of a vehicle meant for 6. Opening your phone, you swiped through social media until you arrived at the compound. Max opening his front door triggered a fake smile upon your face as he wrapped around the car to let you out. Your hand was taken by Max and your Sophia Webster heel graced the pavement of the compound driveway as you exited the car, poise dripping from your every movement. This facade was dropped immediately when you entered the safety of the compound doors. Immediately taking off your heels, you quickly lost Max at the door and quickly moved to the safety of your room to avoid any unnecessary interactions. Collapsing into your prestigiously decorated room, you found a pair of leggings and a loose tank top to change into. You were home momentarily but you couldn't let that make you lazy and unpracticed according to the schedule your PR team sent you.
5:45am - Arrive at Compound
6:00am - Yoga in Training Studio
7:00am - Breakfast
7:25am - Meeting with Mr. Stark to Review notes 
8:45am - Nail fill
And the list droned on and on until too late in the evening for your taste. You groaned, grabbing your yoga mat at its designated corner and burying your head in your phone, looking for a playlist to suit your next hour.  Sliding in your headphones and clicking on the closet album, your bare feet quickly and quietly pattered down the hallway before you collided with someone significantly taller than you causing your phone and yoga mat to drop rather dramatically on the floor. Removing your ear buds, you froze reaching for your belongings as a laugh rang in your ears. “Here, let me help you wi-... Y/N?”His blue eyes pierced your heart as they met yours, at a distance too close for your liking. You could feel the color draining from your face like paint peeling from a wall. A wash of nausea hit you at full force, almost knocking you off your feet. Your eyes searched for an escape plan as time slowed around you and there it was in, its full body guard glory. 
“Max! I’m over here!” The suit-clad man popped his head out from the crowd of identically dressed cronies and a look of relief washed across his middle-aged face. He quickly rushed toward your position, parting Bucky from you like Moses had the red sea. The same relief grabbed hold of your face as his little squad surrounded you, escorting you to the studio.
“Miss. Y/N, You know you're not supposed to leave my sight! I’m supposed to make sure you stick to your schedule and you don't make it very easy” You pushed a chuckle from your lips as you peered over your shoulder to the super soldier frozen in the middle of the hallway. 
“If it was easy, everyone would do it Max,” you once again tried to play along, struggling to gain any sort of emotional footing under you.
                                                        •••
You could feel them looking at you despite you being the only one in the studio. The downside to the plan you had concocted was you couldn't escape the gaggle of security placed on you. It was infuriating that you were an adult and yet, you still found yourself surrounded by babysitters. To be fair, you weren’t known to handle stress very well and seeing he was back, you now understand why you had Max and his friends glued to your side this morning. 
You exited the studio a tad more relaxed than when you entered. Your shoulders dropped a bit lower and a small smile found itself upon your face. “Alright Max, whats next?” 
“Miss. Y/N, your breakfast has been prepared downstairs. You only have 25 min-”
“Max, I’ve told you… I can fend for myself ok?” you sighed, a small smile still on your face because you knew he was well-intentioned. You were welcomed to the sight of a large, hearty breakfast consisting of an assortment of organic and nutritious delights. While you would have rather sported a doughnut this morning, you were thankful you had people who cared for you this much. “Ok Max, I need you to get lost and let me enjoy myself while I’m home ok? I know it's your job so how about you walk me to where I’m supposed to be? Fair?”
“Miss. Y/N, You know I’m not supp-”
“Come onnnnn, Max! Please!” 
The exasperated whine apparently struck a chord on his heartstrings because he agreed to your terms if his team watched you on the cameras.You took your bowl full of fruit back to your room and collapsed on your wonderful, wonderful bed. Your phone vibrated in your pocket as you flipped on the tv.
Bucky: I didn't know you were going to be here...We should talk?
Your heart dropped into your stomach and even the small amount of fruit you consumed seemed to spoil in your stomach.
Well Fuck.
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outweek30 · 5 years
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AIDS Activists Storm Stock Exchange, Halting Trading High Price of Burroughs' AZT Under Fire
NEW YORK [September 24, 1989] — For the first time in history, trading at the New York Stock Exchange was interrupted by protesters last Thursday, when seven AIDS activists slipped past security guards and delayed the start of trading by five minutes with a loud and vibrant demonstration.
Shortly after the seven were arrested and taken into custody, at approximately 11:10 am, a crowd — at one point swelling to over 1500 people — began arriving for a raucous, ear-splitting demonstration in front of the Exchange at 30 Broad Street in Manhattan's Financial District.
The protest, organized by ACT UP, targeted the drug company Burroughs Wellcome, maker of Actified, Sudafed, Neosporin and a host of other over-the-counter drugs. Burroughs holds an exclusive patent on the anti-viral drug AZT, which costs individuals an average of $8000 per year, making it the most expensive drug in history. It remains the only federally-approved AIDS treatment proven significantly effective in slowing the progression of AIDS.
Activists demanded the drug be made available free to the millions of people in the U.S. who are now infected with HIV, the virus associated with AIDS.
"There is a myth out there that we're robber barons, ripping people off," David Barry, vice president, research development and medical affairs for Burroughs Wellcome told the Wall Street Journal. "It would be theoretically possible for us to give away all our drug," he continued. "Everyone would get it for a while, and then we'd go bankrupt."
Fake Name Tags
At approximately 9:25 a.m. seven men, all dressed in suits, entered the Stock Exchange using fake Bears Stearns name tags. According to former bond trader Peter Staley, who is the chair of ACT UP's fundraising committee, he and four others then quickly went up to the VIP balcony which overlooks the trading floor, immediately chaining themselves to a bannister and handcuffing themselves to each other. Staley says he looked at the clock at that moment and noticed that it was 9:29:45.
The Exchange opens precisely at 9:30 am, when there is usually a surge of trading. Staley said the five unfurled a banner which read "Sell Wellcome" and hung it from the balcony. They then used loud emergency marine fog horns, attempting to make hearing anything else impossible. Although the trading boards and ticker machines did not stop, it was impossible to verbally communicate and, therefore, most transactions were halted, according to several traders who were on the floor. The Stock Exchange, however, reported that trading was not interrupted.
Times: No Story
Two of the seven protestors had positioned themselves below the balcony and immediately began taking photographs (using cameras which they had smuggled in) when the banner was unfurled. They then quickly walked outside and gave the film to other activists who brought it to the Associated Press, which sent the photo and the story across the country. Reports of the demonstration appeared in all of New York's dailies, except The New York Times, which has come under attack recently for what activists have called its spotty, inaccurate AIDS coverage. The story ran on the front page of the Wall Street Journal; it was also covered by national television networks and most local network affiliates.
Staley said that the chained, hand-cuffed group on the balcony began throwing fake dollar bills out onto the floor, imitating a demonstration by Abbie Hoffman nearly 20 years ago (Hoffman had used real money). The bills were reportedly printed with the slogan, "Fuck your profiteering, we're dying while you play business."
While security guards tried to remove the protestors, traders and brokers surged toward the balcony in large numbers, booing and jeering, according to Staley. "They were angry. They were screaming things like 'Mace the faggots!' and they were throwing wads of paper at us," he told OutWeek.
"You've Seen Faggots Before"
Eva Andersen, a Swedish tourist who was on a tour of the Exchange, said there was a panic on the trading floor at that moment. "It was a bit frightening," she said. "They [the traders] were rushing at them [the protestors]." There was lots of anger and booing." Andersen said the visitors were immediately hurried out by guards. Robert Hilferty, one of the activists who had taken photographs and then walked back into the Exchange, described the traders as “an angry, mobilized mob."
"They were waving their fists, while one trader was yelling to the others: ‘you've seen faggots before, get back to trading!'"
The guards eventually removed the protesters from the Exchange. But at that point, a "witch hunt" ensued, according to Hilferty. "Some traders were looking on the floor for outsiders." Hilferty said a trader looked at him and yelled, "Who the fuck are you!" and ran for him. Within seconds, Hilferty claims, he was being chased by dozens of "blood-thirsty and violent" traders.
Hilferty, a filmmaker, and performance artist Richard Elovich, the other demonstrator who had remained on the Stock Exchange floor, were eventually arrested.
Ear Plugs and Cotton
The other five arrested were: Lee Arsenault, a clothing importer and a self-identified person with AIDS; Gregg Bordowitz, a video producer with the Gay Men's Health Crisis, who has AIDS Related Complex; Scott Robbe, a film producer; James McGrath, a bar owner; and Staley. They were each charged with a Class B misdemeanor for criminal trespass, a Class A misdemeanor for criminal possession of a forged instrument and Class A misdemeanor for criminal impersonation. The seven were held by police for several hours before being released.
About an hour after the men were taken away, a planned demonstration organized by ACT UP took place outside the Stock Exchange. The group, which grew from several hundred to over 1500, set off hundreds of fog horns which echoed through the narrow streets of lower Manhattan, drawing people as high up as the 30th floors of buildings to their windows. Protestors came prepared with ear plugs and cotton, which they also provided to members of the press.
Inside the Exchange, dozens of workers were pressed against the glass doors watching the activities. Some workers later said they didn't leave for lunch for fear that the crowd, which had taken up the entire street, might attack them.
The demonstration was planned to coincide with similar demonstrations in London, where Burroughs' parent company is based, and where the company's stock is traded, and in San Francisco, where the company's major U.S. warehouse is located.
— Michelangelo Signorile, OutWeek Magazine No. 14, September 24, 1989, p. 10.
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blackkudos · 4 years
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Afrika Bambaataa
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Afrika Bambaataa (born Lance Taylor; April 17, 1957) is an American disc jockey, rapper, songwriter and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing and is respectfully known as "The Godfather" and "Amen Ra of Hip Hop Kulture", as well as the father of electro-funk. Through his co-opting of the street gang the Black Spades into the music and culture-oriented Universal Zulu Nation, he has helped spread hip hop culture throughout the world.On May 6, 2016, Bambaataa left his position as head of The Zulu Nation due to multiple child sexual abuse allegations dating as far back as the 1970s.
Early life
Born as Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in The Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement, and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. He was exposed to his mother's extensive and eclectic record collection. Gangs in the area became the law, clearing their turf of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf. Bambaataa was a member of the Black Spades. He quickly rose to the position of warlord of one of the divisions. As warlord, it was his job to build ranks and expand the turf of the young Spades. He was not afraid to cross turfs to forge relationships with other gang members, and with other gangs. As a result, the Spades became the biggest gang in the city in terms of both membership and turf.
After Bambaataa won an essay contest that earned him a trip to Africa, his worldview shifted. He had seen the movie Zulu and was impressed with the solidarity exhibited by the Zulu in that film. During his trip to Africa, the communities he visited inspired him to create one in his own neighborhood. He changed his name to Afrika Bambaataa Aasim, adopting the name of the Zulu chief Bhambatha, who led an armed rebellion against unfair economic practices in early 20th century South Africa. He told people that his name was Zulu for "affectionate leader." Bambaataa formed The "Bronx River Organization" as an alternative to the Black Spades.
Career
Inspired by DJ Kool Herc and Kool DJ Dee, Bambaataa began hosting hip-hop parties beginning in 1977. He vowed to use hip-hop to draw angry kids out of gangs and form the Universal Zulu Nation. Robert Keith Wiggins, a.k.a. "Cowboy" of Grandmaster Flash and the Furious Five, is credited with naming hip-hop; the term became a common phrase used by MCs as part of a scat-inspired style of rhyming. Writer Steven Hager claims that the first time "hip-hop" was used in print was in his Village Voice article where he was quoting Bambaataa, who had called the culture "hip-hop" in an interview.
In 1982, Bambaataa and his followers - a group of dancers, artists, and DJs - went outside the United States on the first hip-hop tour. He saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. He brought peace to the gangs; many artists and gang members say that "hip hop saved a lot of lives." His influence inspired many overseas artists like the French rapper MC Solaar. He was a popular DJ in The South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records." He established two rap crews: the Jazzy 5 including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as Soulsonic Force including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E.
In 1982, Taylor, who was inspired by Kraftwerk's futuristic electronic music, debuted at The Roxy a test cassette of EBN-OZN's ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y". It was the first commercially released American single ever made on a computer, a Fairlight CMI, ushering in the era of music computer sampling. In that same year, Bambaataa and Soulsonic Force stopped performing with a live band, and began to use only technology. Bambaataa credited the pioneering Japanese electropop group Yellow Magic Orchestra, whose work he sampled, as an inspiration. He also borrowed a keyboard hook from German electronic pioneers Kraftwerk and was provided the electronic Roland TR-808 "beat-box" by producer Arthur Baker and synthesizer player John Robie. That resulted in "Planet Rock," which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release the Time Zone Compilation. He created "turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late 1990s.
Birth of the Zulu Nation
In the late 1970s, Bambaataa formed what became known as the Universal Zulu Nation, a group of socially and politically aware rappers, B-boys, graffiti artists and other people involved in hip hop culture. By 1977, inspired by DJ Kool Herc and DJ Dee, and after Disco King Mario loaned him his first equipment, Bambaataa began organizing block parties all around The South Bronx. He even faced his long-time friend, Disco King Mario in a DJ battle. He then began performing at Adlai E. Stevenson High School and formed the Bronx River Organization, then later simply "The Organization." Bambaataa had deejayed with his own sound system at The Bronx River Houses' Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established Army party crowd drawn from former members of the gang. Hip hop culture was spreading through the streets via house parties, block parties, gym dances and mix tapes.
About a year later Bambaataa reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Specifically, Bambaataa watched the 1964 film Zulu, which sparked the name for the group. Five b-boys (break dancers) joined him, whom he called the Zulu Kings, and later formed the Zulu Queens, and the Shaka Zulu Kings and Queens. As he continued deejaying, more DJs, rappers, b-boys, b-girls, graffiti writers, and artists followed him, and he took them under his wing and made them all members of his Zulu Nation. He was also the founder of the Soulsonic Force, which originally consisted of approximately 20 Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy Soulsonic Force (#2), Pow Wow, G.L.0.B.E. (creator of the "MC popping" rap style), DJ Jazzy Jay, Cosmic Force, Queen Lisa Lee, Prince Ikey C, Ice Ice (#1), Chubby Chub; Jazzy Five-DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), Charlie Choo, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and Raheim. The personnel for the Soulsonic Force were groups within groups with whom he would perform and make records.
In 1980, Taylor's groups made Death Mix, their first recording with Paul Winley Records. According to Bambaata, this was an unauthorized release. Winley recorded two versions of Soulsonic Force's landmark single, "Zulu Nation Throwdown," with authorization from the musicians. Disappointed with the results of the single, Bambaataa left the company. The arranger credit on these recordings is correctly attributed to Harlem Underground Band leader, Kevin Donovan. This led to the false assumption that Bambaataa's real name was Kevin Donovan, which was widely accepted by the hip hop community until recently, following sexual abuse allegations, when Bronx River residents spoke out and revealed in oral testimonies that Bambaataa's real name was in fact Lance Taylor.
The Zulu Nation was the first hip-hop organization, with an official birth date of November 12, 1977. Bambaataa's plan with the Universal Zulu Nation was to build a movement out of the creativity of a new generation of outcast youths with an authentic, liberating worldview.
Recognition
In 1981, hip hop artist Fab Five Freddy was putting together music packages in the largely white downtown Manhattan new wave clubs, and invited Bambaataa to perform at one of them, the Mudd Club. It was the first time Bambaataa had performed before a predominantly white crowd. Attendance for his parties downtown became so large that he had to move to larger venues, first to the Ritz, in a show organized by hip hop pioneer, Michael Holman, with Malcolm McLaren's group Bow Wow Wow, then to the Peppermint Lounge, The Jefferson, Negril, Danceteria and the Roxy. "Planet Rock," a popular single produced by Arthur Baker and the keyboardist John Robie, came out that June under the name Afrika Bambaataa and the Soulsonic Force. The song borrowed musical motifs from German electronic music, funk, and rock. Different elements and musical styles were used together. The song became an immediate hit and stormed the music charts worldwide. The song melded the main melody from Kraftwerk's "Trans-Europe Express" with electronic beats based on their track "Numbers" as well as portions from records by Babe Ruth and Captain Sky, thus creating a new style of music altogether, electro funk.
Afrika Bambaataa was booked on the first ever European hip hop tour presented by Europe One and Fnac France. Along with himself were rapper and graffiti artist Rammellzee, Zulu Nation DJ Grand Mixer DXT (formerly Grand Mixer D.St), B-boy and B-girl crews the Rock Steady Crew, and the Double Dutch Girls, as well as legendary graffiti artists Fab 5 Freddy, PHASE 2, Futura 2000, and Dondi.
Bambaataa's second release around 1983 was "Looking for the Perfect Beat," then later, "Renegades of Funk," both with the same Soulsonic Force. He began working with producer Bill Laswell at Jean Karakos's Celluloid Records, where he developed and placed two groups on the label: Time Zone and Shango. Bambaataa recorded "Wildstyle" with Time Zone, and he recorded a collaboration with punk rocker John Lydon and Time Zone in 1984, titled "World Destruction." Shango's album, Shango Funk Theology, was released by the label in 1984. That same year, Bambaataa and other hip hop celebrities appeared in the movie Beat Street. He also made a landmark recording with James Brown, titled "Unity." It was billed in music industry circles as "the Godfather of Soul meets the Godfather of Hip Hop."
Around October 1985, Bambaataa and other music stars worked on the anti-apartheid album Sun City with Little Steven Van Zandt, Joey Ramone, Run–D.M.C., Lou Reed, U2, and others. During 1988, he recorded "Afrika Bambaataa and Family" for Capitol Records, titled The Light, featuring Nona Hendryx, UB40, Boy George, George Clinton, Bootsy Collins, and Yellowman. He had recorded a few other works with Family three years earlier, one titled "Funk You" in 1985, and the other titled "Beware (The Funk Is Everywhere)" in 1986. In 1986 he discovered an artist in Atlanta. (Through MC SHY D) by the name of Kenya Miler a.k.a. MC Harmony (Known producer now as Kenya Fame Flames Miller), that was later signed to Criminal Records and Arthur Baker. The group was Harmony and LG. The first single, 1987's "Dance To The Drums/No Joke," was produced by Bambaataa and Baker with musicians Keith LeBlanc and Doug Wimbish. Bambaataa was involved in the Stop the Violence Movement, and with other hip hop artists recorded "Self Destruction", a 12" single which hit number one on the Hot Rap Singles Chart in March 1989. The single went gold and raised $400,000 for the National Urban League to be used for community anti-violence education programs.
In 1990, Bambaataa made Life magazine's "Most Important Americans of the 20th Century" issue. He was also involved in the anti-apartheid work "Hip Hop Artists Against Apartheid" for Warlock Records. He teamed with the Jungle Brothers to record the album Return to Planet Rock (The Second Coming).
Gee Street Records, Bambaataa and John Baker organized a concert at Wembley Stadium in London in 1990 for the African National Congress (ANC), in honor of Nelson Mandela's release from prison. The concert brought together performances by British and American rappers, and also introduced both Nelson and Winnie Mandela and the ANC to hip hop audiences. In relation to the event, the recording Ndodemnyama (Free South Africa) helped raise approximately $30,000 for the ANC.
From the mid-1990s, Bambaataa returned to his electro roots. In 1998, he produced a remix of "Planet Rock" combining electro and house music elements, called "Planet Rock '98," which is regarded as an early example of the electro house genre. In 2000, Rage Against the Machine covered his song "Renegades of Funk" for their album, Renegades. The same year, he collaborated with Leftfield on the song "Afrika Shox," the first single from Leftfield's Rhythm and Stealth. "Afrika Shox" also appeared on soundtrack to Vanilla Sky. In 2004, he collaborated with WestBam, a group that was named after him, on the 2004 album Dark Matter Moving at the Speed of Light which also featured Gary Numan. In 2006, he was featured on the British singer Jamelia's album Walk With Me on a song called "Do Me Right," and on Mekon's album Some Thing Came Up, on the track "D-Funktional." He performed the lyrics on the track "Is There Anybody Out There" by The Bassheads (Desa Basshead). As an actor, he has played a variety of voice-over character roles on Kung Faux.
Bambaataa was a judge for the 6th annual Independent Music Awards to support independent artists' careers. On September 27, 2007, it was announced that Afrika Bambaataa was one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions. On December 22, 2007, he made a surprise appearance performing at the First Annual Tribute Fit For the King of King Records, Mr. Dynamite James Brown in Covington, Kentucky.
On August 14, 2012, Bambaataa was given a three-year appointment as a visiting scholar at Cornell University. The appointment was made in collaboration between Cornell University Library's Hip Hop Collection, the largest collection of historical hip hop music in North America, and the University's department of Music. His archives, including his vinyl collection, original audio and video recordings, manuscripts, books, and papers arrived at the Cornell University Hip Hop Collection in December 2013.
Child molestation allegations
In April 2016, Bronx political activist Ronald Savage accused Bambaataa of molesting him in 1980, when Savage was 15. Following Savage's allegations, three more men accused Bambaataa of sexual abuse. Bambaataa issued a statement to Rolling Stone denying the allegations. In early May 2016, the Universal Zulu Nation disassociated themselves from Bambaataa as part of an organizational restructuring that saw the group removing "all accused parties and those accused of covering up the current allegations of child molestation" from their current roles in the organization.
On May 6, 2016, Bambaataa left his position as head of The Zulu Nation.
In June 2016, The Universal Zulu Nation issued an open letter apologizing to the alleged victims of sexual abuse perpetrated by Bambaataa.
"On behalf of the members of the Universal Zulu Nation worldwide, who have made their voices heard through their chapter leaders, we extend our deepest and most sincere apologies to the many people who have been hurt by the actions of Afrika Bambaataa and the subsequent poor response of our organization to allegations levelled against him," the Zulu Nation said in a statement signed by dozens of UZN chapter leaders worldwide.
"To the survivors of apparent sexual molestation by Bambaataa, both those who have come forward and others who have not, we are sorry for what you endured and extend our thanks to those who have spoken out for your bravery in bringing to light that which most of us were sadly unaware of, and others chose not to disclose."
The apology was signed by nearly three dozen members of the Zulu Nation, including leaders from as far as New Zealand. The organization also apologized to Ronald "Bee Stinger" Savage and Hassan "Poppy" Campbell, two of Bambaataa's accusers, who they said were "subjected to unjust and inexcusable attacks on their characters in official statements by our organization when they chose to speak their truths. ... We hear you, we believe you, and we stand with you."
In October 2016, Vice published an in-depth article titled "Afrika Bambaataa Allegedly Molested Young Men For Decades" and reported the stories and testimonies of the alleged victims and witnesses. The article stated the accusers "claim that these accounts of alleged abuse have been common knowledge in the Bronx River community and beyond since the early 1980s, including among many of Bambaataa's closest friends and Zulu soldiers."
Despite the multiple allegations and testimonies of victims and witnesses, to date no charges have been brought upon Afrika Bambaataa and he has not been prosecuted for these alleged crimes. This is due to New York state statute of limitations, which provide that actions for civil damages for defined sexual crimes, including sexual abuse of a minor, must be brought within five years of the acts constituting the sexual offense.
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