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#WB Board result 2020
travelbeing-blog · 2 months
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Promoting Responsible Tourism in Pakistan’s North West
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Growing up, Muhammad Numan saw a cleaner, more natural environment in Khyber Pakhtunkhwa’s tourist destinations. But as time passed and tourism surged, the local landscape he once knew began to change. The influx of tourists resulted in a growing pile of litter across the otherwise scenic sites in the north. The travel and tourism sector’s total contribution to Pakistan’s GDP was 5.9 percent in 2022 and 4.2 million jobs. This is sub-optimal considering the diverse tourist sites located across the country. Pakistan attracted ~US$ 16 billion in visitor spending in 2022 which is projected to touch ~US$ 30 billion in 2033. Pakistan experienced an unprecedented surge in domestic tourism immediately after the Covid induced travel restrictions were lifted: For instance, in 2021 and 2022, over 1.2 million domestic and international tourists visited the country’s Khyber Pakhtunkhwa province alone.
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To manage this increasing all-season footfall of visitors while harnessing its understated economic potential, the local authorities, communities, and private sector require resources, equipment and training without losing focus on green and inclusive tourism. Determined to make a change, Numan, who now works as a manager at a local hotel in Swat district of Khyber Pakhtunkhwa, sought ways to mitigate the negative impact of the tourism industry on the ecosystem. That is when he came across the “Travel Responsibly for Experiencing Eco-tourism in Khyber Pakhtunkhwa” (TREK) initiative – a partnership between the Government of Khyber Pakhtunkhwa, World Bank (WB) and Nestlé Pakistan to promote and support responsible tourism initiatives. TREK complements the ongoing activities of Khyber Pakhtunkhwa Integrated Tourism Development Project (KITE) project for heritage preservation and tourism infrastructure development. Since 2020, it has completed awareness campaigns for tourists, and training of local communities and hospitality businesses on waste management. TREK has trained over 650 participants from more than 150 hotels and restaurants in Khyber Pakhtunkhwa’s tourist areas. The beneficiaries also included local communities, local authorities and academia of Peshawar, Nathiagali, Abbottabad, Swat, Naran and Chitral districts. These trainings concentrated on solid waste minimization, segregation, management, and recycling techniques. Public service messages on responsible tourism were also launched through social media and radio campaigns in Khyber Pakhtunkhwa and cities of Islamabad and Lahore. Most country’s domestic tourists are concentrated in these geographies and were thus able to receive communication on tourist helplines on the importance of keeping the sites litter-free. 10,000 reusable bags were distributed to tourists and the hotel association in tourist hotspots aiming to encourage their use and minimize littering. In parallel, the IDA-financed KITE project provided waste bins, garbage collection and compacting machinery to the local authorities in Nathiagali, Naran, Chitral and Kumrat districts of Khyber Pakhtunkhwa, and a few locations in Punjab province, and installed 50 tourist information signboards to complement the awareness campaigns. TREK-November-2023-3.jpg Tourist information sign boards in Galiyat, Pakistan TREK-November-2023-2-Training-in-Abbottabad.jpg TREK Awareness Workshop for Community and Local Government Participants Incorporating the knowledge from these sessions, like several other participants, Numan introduced eco-friendly practices at his hotel. He also spearheads a community-funded clean-up initiative in his hometown of Mardan district. This initiative has transformed into a community-driven effort, with residents actively participating in regular clean-up drives. Such sustainable transformations encapsulate the very essence of what TREK envisions for communities throughout the province and beyond. TREK has propelled its partners towards impactful activities by encouraging collaboration with the private sector. Its partner in the initiative, Nestlé Pakistan, is taking concrete actions to create circular systems that make it easier to collect, recycle and reuse products that use plastic. It is committed to designing 100 percent of its plastic packaging for recycling and expects to achieve a 95 percent target by 2025. The Government of Khyber Pakhtunkhwa has allocated resources and supports its teams to ensure green and inclusive destination management in partnership with the private sector. The project has also provided machinery for snow removal and solid waste management to local authorities to improve accessibility, traffic flow and promote sustainable tourism in the province. TREK's inclusivity stands out, inviting participants from diverse backgrounds, including women, youth, and the transgender community. Zareen Akhtar, a social worker, and human rights activist who underwent TREK training, testified to the program's transformative impact. She acknowledged the newfound knowledge she gained, eager to share it with others. She emphasized that she’s one of the many women in this region who have had the opportunity to attend these trainings. “Inclusion of women not only has a wider social impact but also a major mindset shift in the region, allowing for a cohesive awareness within the social fabric of the community.” Initiatives like TREK have the power to transform the tourism landscape in some of Pakistan's most pristine destinations and ensure that future generations continue to enjoy these in years to come. In its next phase, TREK will integrate additional players from the private and financial sectors of the country to launch activities that support community empowerment and investment mobilization for job creation. By Kiran Afzal, Senior Private Sector Specialist, World Bank Pakistan, Touseef Khalid, Project Director, Khyber Pakhtunkhwa Integrated Tourism Development (KITE) Project, and Sheikh Waqar Ahmad, Head of Corporate Affairs and Sustainability, Nestlé Pakistan. Read the full article
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HS Result 2020 LIVE Updates: WB Board 12th Results to be Released at 3:30pm; Get Scores at 4pm at wbchse.nic.in
HS Result 2020 LIVE Updates: WB Board 12th Results to be Released at 3:30pm; Get Scores at 4pm at wbchse.nic.in
The West Bengal Board students can check their Uccha Madhyamik result or HS results online on these websites: wbresults.nic.in, exametc.com, results.shiksha, westbengal.shiksha, westbengalonline.in, fastresults.in, and news18bangla.com.
West Bengal Board 12th Result 2020: When to check
“While the results would be declared at 3:30 pm on July 17, students would be able to check their results…
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hulnews · 4 years
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HS Result 2020 LIVE Updates: WB Board 12th Results to be Released at 3:30pm; Get Scores at 4pm at wbchse.nic.in
HS Result 2020 LIVE Updates: WB Board 12th Results to be Released at 3:30pm; Get Scores at 4pm at wbchse.nic.in
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The West Bengal Board students can check their Uccha Madhyamik result or HS results online on these websites: wbresults.nic.in, exametc.com, results.shiksha, westbengal.shiksha, westbengalonline.in, fastresults.in, and news18bangla.com.
West Bengal Board 12th Result 2020: When to check
“While the results would be declared at 3:30 pm on July 17, students would be able to check their…
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few-favorite-things · 4 years
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madhyamik: সব ঠিকঠাক থাকলে অগস্টে HS-এর রেজাল্ট, মাধ্যমিকের কবে? জানালেন শিক্ষামন্ত্রী – west bengal madhyamik result 2020: wb madhyamik 2020 result to be declared soon, says state education minister partha chatterjee এই সময় ডিজিটাল ডেস্ক: করোনাভাইরাস মহামারির জেরে মাঝপথে বন্ধ হয়ে গিয়েছিল রাজ্যের উচ্চমাধ্যমিক পরীক্ষা। বাকি পরীক্ষাগুলি কবে হবে, সেই তারিখ ইতোমধ্যে ঘোষণা করা হয়েছে। আগামী ২৯ জুন, ২ ও ৬ জুলাই উচ্চমাধ্যমিকের বাকি পরীক্ষা হওয়ার কথা। এর মধ্যে ঘূর্ণিঝড় উম্পুন এসে সব লণ্ডভণ্ড করে দিয়েছে। তবে সমস্ত প্রতিকূলতাকে জয় করে পূর্ব নির্ধারিত ঘোষণা অনুসারে ৬ জুলাই উচ্চমাধ্যমিক পরীক্ষা শেষ করতে পারলে এক মাসের মধ্যে ফল প্রকাশে বদ্ধপরিকর রাজ্য সরকার। বৃহস্পতিবার এমনই আশ্বাস দিয়েছেন শিক্ষামন্ত্রী পার্থ চট্টোপাধ্যায়।
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scholarshipportal · 4 years
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The West Bengal board has two conducting bodies to regulate the tasks in the education system of the state, i.e. WBBSE and WBCHSE. The West Bengal Council of Higher Secondary Education (WBCHSE) was established under the West Bengal Council of Higher Secondary Education, Act 1975. Whereas, on the other hand, the West Bengal Board of Secondary Education (WBBSE) was established under the West Bengal Secondary Education Act, 1950, and started functioning around 1951. WBBSE looks after the secondary education system and WBCHSE works for the higher secondary system.
WB Board 10th Class Result 2020 – Date of declaration
The result for WB board madhyamik 2020 exams is expected to be announced in the month of May, 2020. But, as discussed above, as the whole nation is going through a pandemic, which has resulted in slow down of all the functionalities in the education sector. Thus, the declaration of WB board class 10th result 2020 may get delayed. As soon as any official notification is released regarding the announcement of result, we will notify on this page. Below we have given the tabular representation of the dates for the reference of the students.
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incarnateirony · 3 years
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Pre-Rewatch Notes
So since I’m going to be doing a mix of in-timeline and full retrospective text value of the canon, one of the things I’d like to actually get out of the way is the Key Concepts of the eras, most explicitly Kripke and Dabb as the start and end.
The Key concepts are the single most important framework in media studies. They have evolved as a means of understanding a text by using a critical framework, rather than just making unconnected and meaningless observations. Throughout the course, you will need to refer to the Key Concepts and use the terms you learn when analysing media texts. One way to remember the Key Concepts is to use the mnemonic "RAILING". Representations, Audiences, Institutions, (Media) Language, Ideology, Narrative, Genre.
(also sometimes called MIGRAIN if using Media Language to clarify rather than spoken language)
With this as my note in front of the cut, I’m going to drop the rest behind one while I try to sort out the RAILING of the show before I even try to start establishing long term collective rewatch arguments on the canon. I do also invite some discussion on these, as in, if you feel my markers are off, or if I’m missing anything that I could probably negotiate the text.
Pulling, for my sanity, from here [x]
SO FIRST TO DEFINE:
Media Language This is how media producers communicate their ideas to the audience. Below are some examples to think about when considering media language:
Images used
Words used
Use of colour
Signs and signifiers
Connotative meaning
Use of sound
Iconography
Camera angles and picture composition
Institutions The companies who produce the media. Fox, Disney, CNN, the BBC, Warner Brothers etc will have a set of Institutional Values; beliefs on aspects of life e.g. their political stance or moral beliefs etc. Also, whether they have to make large profits for a board of directors. These institutional values will guide what their media products include. You should consider who made a particular media product and what impact this has on that product.
Genre The style of the media form.
A film could be Horror or Action.
A book could be Fantasy or Thriller.
A computer game could be RPG or Sports Simulation.
A website could be News or Social Networking.
Representation How media producers show a thing, person or group of people.
May be positive or negative.
Why have they chosen to show them in this way?
Think about the 5 w’s: who, what, where, when and why?
Audience
The people who buy and consume media.
Who are they?
What do they want from the media product?
How does the media product fulfill these wants?
Use theories such as Uses and Gratification theory.
Ideology Ties in with Institution.
What values and beliefs underpin the product?
How does this fit with the values of society?
Narrative How is the text structured?
Use Todorov’s Theory of Narrative Structure.
Use Propp’s Character Theory.
Use Strauss’ Theory of Binary Opposition
I’m going to use VERY shorthand notes on these moving forward.
So here’s what I see off the cuff:
KRIPKE ERA
Media Language Faded film stock to denote horror; darkness; emphasis on SFX like footsteps. Grim cinematic. Eventual christian imagery overlapping urban myth icons. Faded color palettes. Fairly classic color use (pink or white for femininity or purity, etc). Nostalgic classic rock/music. Nostalgia, general. Muscle cars. "Classic american masculinity." Hopelessness seeking hope.
Institutions WB, CW, and the timeline of 2005-2009. Kripke, Singer. Manners. McGee. Sgriccia.
Genre Horror, survival, drama
Representation Americana, working class america, "american masculinity", fraternity; Sam and Dean vs the world with occasional help from other friends or family in the life. Metanarrative hostility to issues like queerness reflective of both time and institution at the time.
Audience Originally targeted at young/teen men (to “not be like other girl shows on the network”), became split demographic. Split conservative and liberal demographic. Discussion on how these are handled will come up over the study.
Ideology Fraternal bonds. Arguably, family. Hero's sacrifice for the greater good.
Narrative Campbell, Hero's Journey; Rule of Cool; Christendom; Man vs Divine
GAMBLE
Media Language Film stock, brightness, saturation at fairly standard media level -- sometimes unstable. Standard cinematics. Residual christian imagery overlapping lovecraft. Decline in classic music from Kripke. Unclear or unreliable interpersonal messaging. Arguably southern gothic. Hopelessness.
Institutions WB, CW, and the timeline of 2010-2011. Gamble, Singer. McGee. Sgriccia. Norman Bee. Edlund.
Genre Teen Drama, Adventure
Representation Established characters Sam and Dean. Fraternity. Sam and Dean vs the world.
Audience Originally targeted at young women, became split demographic. Split conservative and liberal demographic. Discussion on how these are handled will come up over the study.
Ideology Brothers quarreling; fight monsters; I don't know. Did she know? "Everything is tragic but have some dick jokes"
Narrative Lovecraft. Does anyone know. "I need to make more episodes"
CARVER
Media Language Brightened film stock with increased saturation establishes fantasy setting. Smash cut interruptions to former grim cinematics offset more hopeful visuals. Fairly media standard lighting and color use in related fantasy cinema. Found family. Hope against hopeless odds.
Institutions WB, CW, and the timeline of 2012-2014 (arguably 2015). Carver, Singer. Glass. Sgriccia.
Genre Fantasy, Adventure, drama
Representation Widened character base. Widened hero's journey arcs (castiel). Masculinity messaging of the past has not vanished, but has dampened and become less hostile to the LGBTQ and woman audience. Regular Cast widened (Crowley, Castiel)
Audience Split gender demographic. Split conservative and liberal demographic. Split age demographic from targeting vs duration. Increasingly digital demographic and marketing; begins increasing queer, poc and other audience. International boom (Netflix deal, digital 2012+). Discussion on how these are handled will come up over the study.
Ideology Found Family, Hope against odds. Free Will highlighted.  Destructive or harmful relationships. Humanity. The human journey.
Narrative Self-established TV episodical, largely internal lore, residual christianized mythos or christendom. Castiel acquires first proper hero’s journey personal arc/lens. Multiple relationships vs world, man vs world
DABB
Media Language Carries from carver; largely identical but more close-up shots and interaction shots for drama focus. Internal color pallate unique to its own while still interacting with Carver standard media pallate.
Institutions WB, CW, and the timeline of 2015-2020. Dabb, Singer. Sgriccia. Buckner, Leming. S15: Berens. CW has begun rebranding into a “queer friendly” platform with unreliable results.
Genre High-fantasy, drama, arguably soap.
Representation Carries heavily from Carver, plus. Expansion of queer creatives adds queer voice to the text. Queer text manifests over time into show's canon text. Lack of metanarrative hostility has become space for queer text. Attempted routine inclusion of women, queer characters. While not a queer piece, establishes queer narrative with roots as far back as Kripke. While still maintaining strong leads, Regular Cast and other leading cast has expanded (Crowley, Castiel, Jack, other major recognizeable faces: Rowena, Wayward). It flirts with ensemble presentation without ever landing on it wholly.
Audience Split gender demographic skewing towards women. Split conservative and liberal demographic skewing towards liberal. Multiple generations of demographic from longevity. Primarily digital demographic and marketing (top 99.9% digital but a bottom live ratings performer on live TV outside of the CW); primarily queer, poc and other audience. International boom. Discussion on how these are handled will come up over the study.
Ideology Found family. hope against odds/defining the odds. Free Will vs authoritative power. Psychological rebuilding*. The family journey. The family unit. Non-nuclear families. (finale not withstanding)
Narrative Self-established TV episodical, largely internal lore, subverting christendom and authority with alchemy or gnosticism. Optimism vs Nihilism. Contrasting ending (see: Nihilism) Campbell. Other characters, like Jack, begin claiming narrative presence like Carver era Castiel, whereas Castiel maintains or expands on his. Man vs Divine vs Man IS Divine
These will be used to address the text during the large scale rewatch.
Each era has its own parameters to best address its showrunners’ visions in. Each era will receive snapshots unto itself, or snapshots also only in regards to how it adapts to the previous text. On the other hand, as half the goal is also a full retrospective to address the complete body of the text since the show stands as a complete body of word and I shouldn’t change my tools over and over again throughout for the complete-text study the same way I will by showrunner era.
I’m going to make a PITCH on the most likely way to give this a strong reading through to prepare what targets to keep an eye on as they evolve. This may change along the way if at any point I realize the first-glance overview was wrong, but
OVERVIEW MIGRAIN
Media Language The growth from hopeless dark into vivid potential; the lost heroes still oblivious to the world, their vision distant and dark to begin. Contrast faded dark to vivid and bright as much over timeline as Carver did between shots. Consider addressing the increased interpersonal camera work that blooms in later seasons for commentary in regards to the increased interpersonal complexity and growth of the cast.
Institutions WB, CW, and the timeline of 2005-2009 as the holdover of some audience being maintained with inevitable pressures from the outside world of 2020 forcing change.
Genre Survival, drama, fantasy
Representation Americana, fraternity, family; Split Hero's Journey Narratives. Late-end queer story affirmation demands a look at the body of the text for its queer journey throughout, though the work itself should not be expected to perform as an LGBT genre work but rather a Survival-Drama-Fantasy work with queer characters. Loved ones versus external forces.
Audience Too shifting to consider in the target read anymore.
Ideology Expanding knowledge. Growing expansion of the world first to find, then surpass and subvert God--or at least their intention. The growth out of expectations of work or behavior into passions and dreams. Finding and pursuing hope. Fraternal bonds. Family, Found Family. Queerness. Hero's sacrifice for the greater good, but to find and define what that greater good is, one must know the self through the family. Free Will vs authoritative power. Psychological rebuilding*. The family journey. The family unit. Non-nuclear families.
Narrative Campbell, Hero's Journey; Occasional intertext (On the Road, Vonnegut, Lovecraft). Varied mythos, best collected and then addressed and subverted through gnostic thoughtform per the ending.
Comments, critiques, criticisms, ideas to add, things I may be missing? 
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Madhyamik Result 2020 LIVE Updates: WB 10th Results to be Released by WBBSE Bengal Board Today at wbbse.org
Madhyamik Result 2020 LIVE Updates: WB 10th Results to be Released by WBBSE Bengal Board Today at wbbse.org
“Result of Class 10 exams will be out tomorrow, while Class 12 results will be announced on 17th July,” mentioned Banerjee.
Result of Class 10 exams will be out tomorrow, whereas Class 12 outcomes will be introduced on 17th July: West Bengal CM Mamata Banerjee pic.twitter.com/DCgEQlx07S
— ANI (@ANI) July 14, 2020
This yr, over 10.15 lakh college students await the outcomes of WBBSE…
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hulnews · 4 years
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Madhyamik Result 2020 LIVE Updates: WB 10th Results to be Released by WBBSE Bengal Board Today at wbbse.org
Madhyamik Result 2020 LIVE Updates: WB 10th Results to be Released by WBBSE Bengal Board Today at wbbse.org
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“Result of Class 10 exams will be out tomorrow, while Class 12 results will be announced on 17th July,” said Banerjee.
Result of Class 10 exams will be out tomorrow, while Class 12 results will be announced on 17th July: West Bengal CM Mamata Banerjee pic.twitter.com/DCgEQlx07S
— ANI (@ANI) July 14, 2020
This year, over 10.15 lakh students await the results of WBBSE Madhyamik exams.
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gretonew · 3 years
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West Bengal Board of Secondary Education (WBBSE) has announced the result of the Madhyamik or Class 10 board for the year 2020-21. Students can check their results online at the official websites – wbresults.nic.in and wbbse.wb.gov.in.
As per reports, 10.7 lakh students had registered for board exams in the state and all eligible students have been declared pass.
The WB Madhyamik board exams had to be cancelled this year in view of the Covid-19 pandemic. The result has been prepared based on the alternative assessment scheme of the board. As per the evaluation scheme of the board, 50% weightage has been given to the Class 9 final exam and the remaining 50% to the Class 10 internal assessments.
The WBBSE has said it will allow students dissatisfied with their results to appear for the written exam once the Covid-19 situation improves.
Steps to check WB Madhyamik result 2021:
Visit official website wbresults.nic.in
Click on the Madhyamik result link
Enter Registration No and date of birth and submit
The WB Madhyamik result 2021 will appear on screen
Download scorecard and take a printout.
Here’s direct link to check WB Madhyamik result 2021.
...
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scholarshipportal · 4 years
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As you know, the exam process has been slowed down. The board exams for WB 12th class 2020 were scheduled to be conducted from March 12, 2020 to March 27, 2020, and the WBCHSE result 2020 was expected to be declared by June 10, 2020. Since, the exams have been postponed; the result will also get delayed. Soon after the successful conduct of the exam, the West Bengal Council of Higher Secondary Education will announce the result for the same. As soon as the official notification is released, we will notify the updated dates on this page.
WB Board 12th Class Result – Important Points
The students will be able to check their result for WB 12th class 2020 board exams on the official website of the board (wbchse.nic.in). In order to access their results on the official website, the students will be required to login the result portal using their WB board roll numbers.
Also, in case of high traffic on the official website on the day of declaration, as many students will be trying to check their result at the same time, the students can check their WBCHSE 2020 result through SMS facility.
The West Bengal Council of Higher Secondary Education also has an android application with the name of WBCHSE Results 2020. Students can download this application from the play store to check their results.
Board will conduct the theory exam for 90 marks out of 100, and the rest 10 marks will be awarded as the internal evaluation. The exam for students from open schools will be of 100 marks.
Students will be required to score minimum 30% marks in all the compulsory subjects to qualify their board exams.
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jobadsupdates · 3 years
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Avail And Check The Latest Recruitment Jobs 2021
Are you looking for some new job alerts and notifications? If you are concerned about this data, then there is no need to worry. Jobads is a well-known website that aims to provide job seekers with all the latest updates and current details about work. On this website, all the comprehensive information for their questions is accessible to users who are looking for jobs according to their interest in any field. The website will satisfy all user requirements about job specifics, such as syllabus, exam dates, eligibility, vacancies, qualifications, examination process, etc. If you want to know the exact details of the job notifications, Admit Cards, Results, and more then get attached to this site regularly.
Are you preparing for any Competitive exams like Bank Exams, SSC, RRB? One of the key topics for these tests is current affairs. Getting daily Current Affairs from newspapers is a demanding job these days. For your preparation, anything in the newspapers will not be helpful. So, by referencing all the news sources and highlighting the relevant points, Jobads offers Day-to-day Current Affairs.
GSERC Sikshan Sahayak Recruitment 2021:
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The notification for 5689 Sikshan Sahayak posts was announced by Gujarat Education Staff Recruitment Board. The officials have announced the GSERC Sikshan Sahayak Notification 2021 date which is on 18th January 2021. The eligible candidates who are interested in this GSERC Sikshan Sahayak posts can submit their application form before the closing date which is on 15th January 2021. The selection process for this Gujarat SERC Sikshan Sahayak Vacancies 2021 will be a written test and interview. Hence, the candidates check the clear details of GSERC Recruitment and apply for it before the closing date.
Gujarat Postal GDS Circle Jobs 2021:
Gujarat Postal Circle authority members have issued the Gujarat Postal Circle Notification for 1826 vacancies f. You can apply for Gujarat Postal Circle GDS Vacancies from 21st December 2020 to 23rd January 2021. For the candidates who applied for this Gujarat Postal Circle Branch Postmaster (BPM), Assistant Branch Postmaster (ABPM), Dak Sevak posts, the selection process will be in written test and interview.
West Bengal Police Constable Jobs 2021:
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Recently the officials of the West Bengal Police Department have announced the latest recruitment for Constable, and Lady Constable posts. The starting date to apply for this WB Police Constable Notification 2021 is on 22nd January 2021. Before the closing date, the candidates need to complete their application process for this West Bengal Police Constable Recruitment 2021 which is on 20th February 2021. So, candidates who are waiting for this WB Police Constable Jobs, utilize this opportunity.
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rkalert · 3 years
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WB Pollution Control Board Result 2021 WBPCB AEE, JEE, JEA, Laboratory Assistant Cut off | Merit List
WB Pollution Control Board Result 2021 WBPCB AEE, JEE, JEA, Laboratory Assistant Cut off | Merit List
WBPCB Result 2020-21 West Bengal Pollution Control Board (WBPCB) Declare AEE, JEE, JEA, AC, LA, SAC, EA Result 2021 Date, Cut off Merit List: West Bengal Pollution Control Board CBT Exam Result 2021 to be Declare on wbpcb.gov.in. Check Here the WBPCB Result 2021 Date for the Recruitment of Assistant Environment Engineer, Junior Environment Engineer, Environment Analyst, Accounts Clerks,…
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