I did something silly….. I made QL guess who!
About a year and a half ago I had the idea for a custom ql guess who game but I had no one to play it with so I just put it to the side until I (hopefully) would. Fortunately that day came this weekend when @pondphuwin and I got to play a few rounds (they beat me 4:5 actually lmao)!
Some of the questions we asked were stuff like “is it from gmmtv,” “does your show have a branded pair,” “is there a love triangle,” “is there a debate over whether your show is a bl or not,” and more personal ones like “am I crazy over one of the main actors,” “do we have beef with the way this bl went,” “did we watch this live together,” and so on. Rlly fun stuff!
Since this is a custom guess who I had to make all the pieces manually. At first it seems fine and easy bc there’s already official posters right? But the difficulty is that almost every poster is a different size. So I figured out how to get the proper guess who face piece measurements and manually resized each poster to fit, with a slight gradient in the background where the remaining space isn’t covered by the poster. You can see those gradient bars on the top and bottom in the closeup of the last twilight piece, for example. Also it’s just really funny to hold mini posters of qls lmao (using my hand as a reference)
There’s 190 ql poster pieces in total (based on approx. how many I’d seen as of the time of printing) (yes I will add more as time goes on) and they were all put on one big google doc that covered about 10 pages and looked like this!
After I had them all set I printed them out on cardstock so they were thicker & more sturdy and then I did a lot of cutting. And since both players need the same posters I had to cut it all twice
Are there easier ways to do this? Maybe. I’m not sure. Honestly I just did whatever like this is my own gay little art project lol
Once I had them all cut and held them in my hand I felt quite proud of my work and now that I’ve actually played it I really do
Here’s just like a pic I took when we were playing a round. Since there were so many, after every round we took out the two qls we just selected and replaced them with new ones and we never ran out lmao. It took quite a bit of effort but it was totally worth it hehe
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Update
Sooooo since Nuzi week starts on the 16th, I am holding off on the Doll and Lizzy comic as well as the V/Lizzy comic until I get my Nuzi week pics done.
FUN FACT, I INKED EVERY SINGLE PIC FOR NUZI WEEK TODAY LIKE WOW.....These will be all new and original nuzi pics so stay tuned on the 16th when it starts. There, hopefully, will be a ton of updates from me. As long as I'm able to color all these in time >_>
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this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?
this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).
the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.
and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.
not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!
back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.
but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.
I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!
anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.
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[heavy mota spoilers]
if the rumors are true (the rumors being facts that people know about curt’s fate because he was a real life human being who lived and uh. died.) and curt’s death is happening this early on in the series, then literally the only thing that will get me to keep watching is if episode three ends with bucky realizing that curt is dead and staring off into space with the same empty longing that he stared at curt with when he rode away in the back of that truck, which is the same stare that he gave him when he first saw him alive after the mission, and will now be the stare that he gives whenever curt’s name is mentioned and he’s reminded that he’s lost the only person in the world that could get him to feel something.
and then, and this is important, i need episode four in its entirety to be a flashback of their time at bootcamp in walla walla. for curt’s death to matter, i need to see whatever earned curt such a tender spot in bucky’s heart. i need to see their shenanigans and get to know their inside jokes and i need to see all of their time spent together (how many other times have they snuck off on their own? when was the first?)
if they want to give curt’s death the weight that it deserves, i need to watch bucky fall in love with him. and then i need to see it brought to the present. show us the kiss they shared after curt threw that punch and knocked feeling back into bucky. show us the lighthearted drunken kisses that bucky left on curt’s cheek after giving those british bastards what they asked for. show us the tiny moment of intimacy that they got to share before this final mission. show us a last kiss that they don’t know is their last kiss, softened by curt joking, always joking, that he’ll be bucky’s guardian angel when this is all over.
and then, and only then, we can return to bucky in the present, learning what it means for it to be all over.
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