If I had a nickel for every time that Alastor looked like that and wasn't able to finish his song I'd have two nickels.
Which isn't a lot, but it's funny he was interrupted twice like that.
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Tmagp 22 actually makes the whole "you can listen to protocol without having listened to archives" thing so much funnier. Girl you just namedropped the main characters. First AND last name.
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new guyyy whom i love from a design trade
he's a demigod cimera knight who was brutally defeated and then spared by a tyrant queen, with the caveat that she cut off his goat head and uses it as a hostage to keep him loyal to her. unfortunate but what are you gonna do
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i love being a self shipper but half of the time it feels like this
PROSHIPPERS PLEASE DNI
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realised yesterday just how often hozier actually used to sing about being not quite alive, not feeling like a person, about loving someone in a way that defies death and made him more alive, about suffering death for love. it's like he was constantly being buried underground and unearthed by love, over and over, which, while romantic in a way, is also incredibly sad. but i think it's interesting how his latest album (literally called 'unreal unearth') takes this idea and makes it its central theme. that's what this album is, one man's descent into the underworld. except, crucially, he makes it to the other side, and ends the album saying the darkness will come again, but this time he is "never going back [to hell] again." it feels like such a full-circle moment considering the rest of his discography and i'm so very excited to see what comes after this
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The crack tiger lives in my head and haunts me as I cook
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SOONA, THE PROGRAMMER -- “What are your radiocomputer specs?”
1. “My what?”
2. [Logic - Challenging] Tell her the Fortress Accident specs.
[CHECK FAILURE]
YOU -- “Oh, uh- he/him? Thank you for asking.”
SOONA, THE PROGRAMMER -- She does not respond immediately.
EMPATHY -- She is confused. She thinks she has misjudged the situation.
KIM KITSURAGI -- Beside you, the lieutenant struggles not to smile.
SOONA, THE PROGRAMMER -- She turns to the lieutenant. He, at least, is capable of coherency, she thinks. “So... What are your pronouns?”
KIM KITSURAGI -- A moment of hesitation- he’s thinking. Then:
KIM KITSURAGI -- “Coupris Kineema twelve-cylinder rear-mounted V12 KR13.5HU four speed manual.”
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Coach Beard has a secret Traitors Club. It consists of himself, Nate and Jamie, ie people who have (at least in the opinion of one Willis Beard) betrayed Ted Lasso – but who have also learned the error of their ways through the goodness of Ted’s gentle heart.
(Yes, yes, you might argue that Jamie’s insulting remarks about Ted in 1x10 is a reasonable reaction to what, from Jamie’s POV, looks like Ted unreasonably dumping him, but a, I’m not sure that Beard knows that, and b, I’m not sure that Beard cares about that. You might also argue that Nate and Jamie have both learned a lot of stuff from people other than Ted, but: see the a and b of the previous sentence. And anyway, this is Beard’s club and you don’t get a say in his absurd selection criteria.)
Beard doesn’t inform anyone of the club’s existence. That includes the other members, Nate and Jamie, who just suddenly finds themselves regularly invited out for drinks with the most mysterious man either of them have ever met.
There are a lot of weird but oddly good talks about feelings. There are silences neither Jamie nor Nate know what to do with. And then there’s the football strategy chatter, which unites them all in a wild and eager frenzy, and an unexpected but pleasant sense of shared understanding.
Nate think it’s nice that Beard wants to hang and he’s not one to look a gift horse in the mouth anyway, so he doesn’t question the set-up. Jamie generally assumes that given the choice anyone would always choose to hang with him always, so. He’ll indulge his coach. They have a shared love of trivia.
Eventually Beard learns of Rebecca’s early transgressions, and (secretely) inducts her into the secret club. Club meetings get a whole lot more interesting from there on out.
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