#Why the whole song can't be like the intro :(

[hyunebear]

my top 3 rn are: collision, get lit, & hall of fame

[airenyah]

I JUST THREW MY LAPTOP WHY ARE THEY USING THE BAD BUDDY INTRO VERSION OF OUR SONG AS BACKGROUND MUSIC AT THE END OF EP3 [2/4] IN MY SCHOOL PRESIDENT LITERALLY THAT'S ILLEGAL????????

[keravnous]

desperado! ; tangerine/fem!reader (smut 18+)

read pt. 1 here | read pt. 3 here | read pt. 4 here

The Twins are laying low in Amsterdam. Growing bored of being stuck in the hideout all day, Tangerine decides to explore what the shifty parts of the city have to offer at night.

word count: 12,9k

warnings: i mean if atj can dance then tangerine can too, tango dancing bc it's very sexy and steamy ok; car sex, head while driving, oral (male receiving), masturbation (female), fingering, rough and passionate sex, undernegotiated kinks: (light) spanking, daddy kink (once or twice), unprotected sex, choking, pet names, dirty talk, name calling, hotel sex; they steal a car bc why not, short intro from tangerine's pov, small glimpses into his dysfunctionality, rather slow story development at the beginning, i still have very strong feelings about this angry man so please, have this

title is from the song of the same name, desperado by rihanna

the songs they're dancing to are esta noche en vivo by carlos libedinsky and otra luna by narcotango

mel said: kinda sad we didnt get to suck his dick in bathroom b!tch and I said: same

The air is still warm and a little humid despite the late hour, filled with laughter and the sweet, sweet smell of alcohol and marihuana, sweat and summer. Tangerine takes another drag from his cigarette, watches how the smoke curls into the dark sky, illuminated by the colourful lights of the city. He takes a deep breath.

He sighs, relishes in the way his shoulders relax. He feels alive -- again; finally. It's a real relief, has his limbs going a little slack. He had felt anger clawing at his chest for the past week now, the beast inside ripping his skin to shreds and lashing out with its razor-sharp claws - mostly at his brother. But since he had left the flat about an hour ago it has been curled up rather peacefully in his chest, with a satisfied purr in sync with his heartbeat.

Next to him, the water in the canals lays calmly, reflecting the city's lights and echoing the clinking of glasses and music that wafts through the streets. Tangerine passes by a restaurant, people sitting outside under string lights, drinking, chatting, eating and he watches them as he strolls by. They radiate happiness and it catches onto him like a wave, has him smiling at the sight. He takes another drag of his cigarette, enjoys the way the smoke burns in his throat. Jesus Christ, how he had missed this.

There just aren't enough books, good books, that can keep him holed up in a small flat for a whole fucking month. And thus, he had decided to break - well, bend - the rules a little tonight.

Their contact, Henk, had told him about that one spot where one could get anything: from alcohol to various drugs and weapons, maybe even a hitman. If one's lucky. And Tangerine does feel a whole lot of fucking luck pumping through his veins tonight, making him feel a little light-headed, stardust at the heels of his shoes.

His chest feels light and his feet are practically flying over the cobblestones, a smile toying with the corners of his mouth as he lays his head back, watches the illuminated sky above - exhales smoke, inhales the night.

A group of students staggers by, laughing and cheering, passing a bottle of liquor around. His gaze follows them, nostalgia tearing at his heartstrings as he remembers the times when Lemon and him were just that - young and without a care in the world.

Now, their hands are sticky with blood - metaphorically, he had washed his well and thoroughly after last month's job went wrong - and they are both in hiding. Again.

Lemon insisted it would be careless to go out at night, at any time of the day really - "That's bollocks, mate. You can't just go out, can ya? What if they sent someone after us?" -, but especially if it was just to have some fun. Because fuck fun, right?

But, there is nothing else to do anyways, with the way his brain always, always finds a way back to his own recent failure and how it was linked to Bolivia.

Bolivia -- it still leaves him sleepless and shaking sometimes, just like tonight.

Tangerine had been pacing the living room craving a drink until Lemon fell asleep, and then decided that he needed a change of scenery, something to take his mind of the carnage and its debris.

"Yeah, let's just all go fuckin' insane in that flat, huh", Tangerine huffs to himself, looking at his phone. It beeps, signalling him that he is getting closer to his destination. His feet carry him through the streets of Amsterdam, a warm summer breeze rustles his silk shirt and cools his warm skin as he passes by restaurants, bars and closed book and flower shops.

Eventually, he comes to a halt in front of a launderette: Wassen bij Muriel.

The neon lights inside are on, illuminating the sidewalk in a cold white. He blinks. There is no one inside but an old lady behind the counter and a grimly looking man sitting on a plastic stool in the back corner. He can hear faint music coming from behind the glass door.

To an unsuspecting tourist it would look like a rancid shop but to him, it doesn't. Tangerine knows better, has been to a lot of places like this.

"Alright", he says - lets his neck crack once, twice and throws his cigarette away - before pushing the door open, the bell above ringing.

***

You watch your friend leaning down towards the young woman, sitting in a darkened corner. Your father never wanted you to befriend any of his third or fourth row dealers but you never were one to follow rules, always going for the next thrill, the next rush of adrenaline. But tonight, there's been no rush so far, no tingling of your veins - just pure and blank boredom.

You had picked out your favourite dress in the prospect of being offered to dance with a handsome stranger, even ditched on the underwear to make sure the thin fabric hugged your curves nicely, but the men in here are mostly uninteresting, ordinary - simple dealers or lowlife thugs, street criminals that steal money from unwary tourists.

You watch how your friend, with a quick sleight of hand, exchanges cocaine for money, laughing at the woman like she is an old friend and then makes his way back to the bar. He winks at you and squeezes past a young couple, orders himself a drink.

You swirl your glass between your fingers, watching the remaining puddle of wine running up and down its walls - dripping down like blood - and then bring it up to your lips, emptying it in one sip. The taste is warm and full, rich and you close your eyes for a moment, allowing yourself to get lost in the strumming of the band's contrabass and the red wine on your tongue. It reminds you of that one time in Bogotá, when you and your father had visited his suppliers - wine and music melting together with the summer heat, having you dream of the jungle, old villages, and the beaches of private islands off the coast.

Your father had dragged you along once more, this time to Amsterdam, despite your pleas not to - "You will have to take over one day and I want you to be prepared" - and you were gladly sneaking away when your friend invited you to spend the night at his favourite bar.

It is a tango joint and a beautiful place, an old basement with low ceilings and a small bar, people and furniture bathed in colourful neon lights. Purple and red are dancing across faces and sweaty bodies - swirling over the dance floor or pressed against the cold walls, tongues shoved into mouths - reflecting off glasses and expensive jewellery.

It is a place where people like you and your friends get together: the upcoming generation of an international crime elite, sons and daughters throwing away their parents’ blood or drug money, getting high and drunk hidden by the shadows of the night, staying awake until the sun rises again. It's a place where people like you mix and mingle with those working for your families, a welcome change to a certain hierarchy at something a civilian would naively call a safe space.

You open your eyes again, as the band starts to play a new song, blinking while your eyes adjust to the dim, colourful lights. There still are couples swirling across the dance floor to the sensual rhythm of the tango, that the small band in the back is playing. You let out a sigh at both, the loneliness and the boredom creeping in on you, and turn around on your barstool to order yourself another drink as --

Your shoulder suddenly connects heavily with something firm and warm - triggering a muttered Fuckin' hell - and a second later the man, who you just bumped into, turns around. He looks pissed, left eye twitching.

"'M sorry", you say quickly, a little taken aback by both: his anger and his beauty. The former doesn't seem to last very long, with his lips tilting up a little, eyes gleaming mischievously while they dance over your frame.

"Apology accepted, love", he has a strong northern British accent, like some of your father's business partners do.

But he is arguably a lot more handsome than any of them are. Dark, combed, and slicked back hair that curls right over his shoulders building a nice contrast to his light blue, short-sleeved silk shirt, unbuttoned down to his belly - exposing golden jewellery. The necklace shines warmly against his pale skin, glimmering purple in the dim lights.

It might be the alcohol and the loneliness but you really, really want to just dart one hand out, run it over his chest and his neck, feeling his warmth and the few locks of chest hair, smelling and tasting the scent of summer on his skin.

You wonder what he does, what his profession is. The 70s porn-stache, vintage Rolex and golden rings scream Miami and you can't help but imagine him in the hot sun, bare chested, blood on his hands - red red red - cutting open bricks of cocaine -

"May I get you a drink, love?", his voice pulls you out of your daydreams and you blink. He must've caught you staring.

You know, that men like him usually mean trouble. And yet, you can hear yourself say: "That'd be very nice, thank you."

He lifts two fingers up, signalling the man behind the bar that he wants to order something and you notice that his knuckles are bruised. Blue and green mixing with the red of the scab, partially healed. There are scars on his forearm, meandering between his tattoos and up up up his arm below the soft, expensive silk of his shirt.

The goosebumps that erupt on your skin are nothing but pleasant as you immediately know what type of man he is. Everyone in here is on the market for something: drugs, love, sex, guns - but rarely does one sell murder. Real, cold-blooded murder. Ruthless, fast, dirty.

He's trying to hide it but watching him as he discusses the menu with the bartender, it sticks out like a sore thumb: the well-mannered gestures crash with his fucked-up hands, the way he's dressed like a drug-selling pimp refuses to fit in with his sugar-coated talk and the way he moves can't hide a lingering anger, like a raging beast pacing in a cage.

It is a carefully put together façade, but it's no use against you. You know men like him and you know them well. They don't scare you - quite the opposite, and thus the pure and utter danger he emits has excitement tingling in your stomach. As fucked up as it is: it makes you want him - adrenaline kicking in, shooting a tingle right between your legs.

He turns around again and you lean forward a little, deciding to make your move soon.

"'S a Mezcal Margarita alright with you, love?", he asks and you throw him your most charming smile, nodding.

"We'll take two then, mate", he nods and slides a few bucks over the counter, watches the bartender pouring liquid into a cocktail tumbler.

"Sooo", the man turns around towards you and grins, shows some teeth as his hand vanishes in the pocket of his linen trousers, pulls out a cigarette and lights it up. He's taking a looong deliberate drag, puffing out the smoke, "What's your name, sweetie?"

"Y/N", you reply, gaze dropping to his lips and back up, where his gaze catches yours. He has beautiful eyes, blue like the fucking sea and the purple neon lights make them glow with mischief and smugness - dark and oddly promising, inviting - framed by long lashes.

One of your fingers brushes over his hand, that is resting on the counter. The wooden surface is sticky with half-dried alcohol. His gaze holds yours while he takes another drag of his cigarette. You just might lose yourself in the hue that dances over his eyes.

"And you are?", you say, just loud enough to be audible over the music.

His gaze drops to your fingers that are brushing over his golden rings and he chuckles: "Don't ya try stealing those, sugar, I know that fuckin' trick", and you smile innocently, as he leans in a little, "Name's Tangerine, love." There are cheers erupting from the dancefloor, the rhythm of the music picking up.

You pout playfully and his eyes dance over your face, glimmering mischievously. "Oh", you sigh, "And here I was, thinking you'd may even give me your real name."

"Can't, love, m'sorry."

"Mh pity -- who did you kill?"

"Who said I killed someone?", he's dangerously close now, voice a low rumble.

"Your hands", your fingers dance over the crust of his knuckles and his eyes gleam. For a moment he says nothing and then, towering over your sitting form, voice low and rough:

"Aren't ya afraid o'me, love?"

"Terribly", and he grins at that, his eyes holding yours captive.

"Bet you are", Tangerine hums, barely audible and sticks his cigarette between his lips, one hand darting up, has his thumb gently grazing over your chin.

The touch is nice, soft and gentle but firm, in full control. It makes your chest tingle, sends a wave of pleasure through your body. His eyes flick over your face and you find yourself growing a little hot under his gaze. You wonder is he's going to lean in, ditch his cigarette and --

The bartender places two glasses in front of you and it makes you snap out of it for a second, noticing how close Tangerine got. His thighs are touching your knees and his face is so so close to yours, noses mere inches apart.

"Thanks, mate", Tangerine says, pulls the glasses closer. You watch him - slender fingers getting a little wet with condensed water, cigarette between his lips, chain and bracelet rustling with the sudden movement. There's a thin film of sweat glistening on his chest and it has your thighs clench with raw and utter want, wanting to put your lips onto the firm the muscles, licking his skin clean.

The way his body still presses against your knees, is electrifying and you decide to invite him in more. You let your knees fall apart, making way for him. His gaze drops down and he chuckles to himself but moves in nonetheless, one of his hands gently coming to a rest on your thigh, holding you close and in place. The touch shoves the soft, flowy silk of your cowl dress aside, the slit in the fabric exposing your thigh. Tangerine's hand is warm on your skin, rings pressing cooly against your hot flesh, as he starts groping you - thumb digging into your thigh and you gasp quietly.

"Been wantin' to ask -- what's a pretty girl like you doin' in a place like this, huh?", he says, cigarette bobbing up and down in the corner of his mouth.

"My friend sells blow here", you say truthfully - not a full lie and yet not the complete truth, but you know better than to trust a stranger with your ties to your family's business - and piqued interest flickers through his gaze.

Tangerine then, very languidly, takes another looong drag from his cigarette and taps some of the ash on the counter, holding your gaze with his own. "D'you sell yourself, love?"

You laugh at that, violently shaking your head. "Hell, no."

He chuckles, eyes roaming over your face. "Well, looks like I got myself a good girl, then eh?", he knows what he is doing, voice low and deep and you swallow.

"I wouldn't say so", you whisper, "But why don't you come a bit closer and find out?"

Tangerine flashes a grin, shows his bright bright teeth, one of his hands coming up and stroking his moustache while he shakes his head in disbelief.

It's stupid. Very fucking stupid. He shouldn't. He should get the fuck out of here - quickly. This is dangerous. She might be, too.

Instead, he looks up again. Ah, fuck it - fuck the rules. Lemon will get it - maybe. Ultimately, he will, simply has to - with the beast inside rattling the cage.

Tangerine leans in, his hand on your thigh sneaking up, making its way over your hip, your side and then cups your body, thumb digging into your flesh underneath your tit. Your heartbeat picks up as he pulls you close and you nearly yelp, scooting forward on the barstool, your hand coming up and grasping his forearm, holding on to him. "Well, why don't we fuckin' drink to that then, love?", he rasps, the hand resting on the bar pulls your glass in.

With a shaking hand you take it, fingers closing in around the cool glass and you watch him raising his, bud of cigarette nearly touching it. He is exhilarating, demanding and firm underneath the attire of a gentleman and it has your head swimming, wetness pooling between your legs. Excitement bubbles up in your chest, wondering where the night may, will lead.

"Cheers, love", Tangerine smirks and winks at you, both your glasses clink. He is still so so close, your knees still hitting his hips and his tongue runs over the edge, licks the salt away slowly, playfully until he downs half the Margarita in one go, like it's water.

You raise one brow, carefully taking a sip. The salt on the edge of the glass tingles on your lips and the liquor burns nicely in your throat as you take another. It's a hellishly strong cocktail and you wonder if he's a regular drinker. A lot of people like him - call them what you like, assassins, killers, hitmen - are.

Tangerine eyes the glass in his hand, weighs it from left to right a little, then nods to himself in approval while you take another sip. He instead downs the other half of the cocktail and puts the glass back on the counter. It's a quick, routinely movement and you come to realize that you may be right. You decide to not give it too much thought, because he's hot and he freed you from the boredom threatening to swallow you whole tonight and because everything about him has your blood singing with the gleeful promise of adrenaline. You put your glass next to his and look up at him through your lashes. He catches the invitation.

Tangerine throws his cigarette into his empty glass and then leans in again. The tip of his nose brushing over yours, the sensual music entangling both of you as his gaze flicks over your face.

You hook one leg around his waist and he moves in closer, pressing yourself against him, one hand on his arm - to anyone looking over you might even seem like an actual couple, enjoying the night out - and hunger burns in his eyes. His lips brush over yours and you know he's toying with you, keen on him leaning in to fucking kiss you already --

The music stops.

There's sudden silence as the band passes a bottle of whiskey around and the two of you freeze, blinking dumbfoundedly. The silence is odd, stalling both of you but you can't help it, feeling like drowning in the dark dark blue of his eyes, shimmering with green in the purple light. You can hear Tangerine breathe quietly with him being so utterly close to you and it's nice, comfortingly human and you can't help but smile against his lips still hovering over yours, a gentle gesture that is being reciprocated by him.

You're a little dizzy with it too, the alcohol, lack of fresh air and his body warmth mixing together, making you a little unsteady. He has pure and raw want tingling in your belly, your hand on his upper arm clenching around the firm muscles a little, thumb brushing over the soft material. And then, just as the music picks up again, his lips brush against yours: "You don't happen to wanna dance, do ya, love?"

"Fuck yes, thought you'd never ask", and Tangerine laughs, a deep, pleasant sound that rumbles in his chest and offers you his hand.

Yours runs down down down his arm and closes around his, while he's making some room for you to slip off of the barstool and then he's pulling you close again - your body pressing smack against his side as he's dragging you along to the makeshift dance floor.

The crowd still cheers, applauds the band and the bandoneon plays the few first chords of a new song. Tangerine gently takes your hand in his, thumb cupping your index and middle finger as your palm rests against his. His other hand sneaks around your waist and rests and the small of your back, holding you close. He looks at you and you feel like drowning in his eyes, pupils blown wide and you wonder when he'll show first signs of being drunk, with the way you already feel a little warm, light-headed. In a few minutes, maybe an hour you'll learn that he holds his liquor way better than you hold your own.

He is even closer to you now than before at the bar and now you can smell his perfume through the thick cloud of smoke that wavers through the basement's air - he smells nice, deep and rich of citrus and a little of vanilla and cigarettes, reminds you of the summer you've spent in Palermo once.

Tangerine gently places one hand below your shoulder and yours comes up, rests on his shoulder, just as he starts to move to the music. He takes a step backwards, guiding your forward and gently guides you through the crowd - a steady back and forth in rhythm with the tango.

Tangerine's hand still holds yours, guides your arm until it is stretched out and then it abandons your hand, runs down down down your arm very gently, pads of his fingers brushing over your soft skin, hairs on your arms rising. A shiver runs down your spine as his fingers cradle back between yours, a smile tugging at his lips.

One of his legs pushes between yours while he manoeuvres you backwards, hand on your waist holding you close. Tangerine presses himself against you, heat radiating off of his body with both your arms still stretched out and you grip his hand tightly, leaning back. You arch your back, raising one leg and hooking it around his waist as his gaze locks with yours. You can feel his crotch pressing against yours, with the way the skirt of your dress hikes up your legs. He is warm and a little hard already, has the breath hitching in your throat and arousal igniting your loins.

Tangerine leans down a little, lips still curled up in smile and then pulls you up like you weigh nothing and you stretch your legs in a delicate, slight split as he twirls you around, your chest firmly resting against his.

His arm presses onto your back, holds you close until your feet touch the ground once more and he immediately guides you sideways with a few long and slow strides until he comes to a halt. One of your arms wraps around his shoulders as he holds you close and you stretch your leg out, your heel gliding forward over the concrete floor of the basement, stretching your leg out in front of you and then gently sliding it backwards into a deep lunge, your body following the movement. You lean back and Tangerine follows, leans down and towers over your body.

He holds you there for a moment, chest rising and falling, brows furrowed a little before he carefully helps you back up - immediately embracing your body once more.

The music speeds up and so does he while guiding you over the dancefloor, face close to yours with unbreaking eye contact as you swirl over the concrete.

At the next strum of the contrabass, you take a step back, arching your back. Very playfully you sway your hips, shoulders loosely following while one of hands rests on his forearm, the other lays in his hand, feet tapping the floor rhythmically with the movement of your hips.

You know that he has a perfect view of your body, your hard nipples being visible through the thin fabric of your dress. His gaze drops down, watches how the silk plays with your curves, eyes growing a little darker. You move in and Tangerine pulls you close, your hand intertwined with his resting on his chest and his lips ghost over the shell of your ear, moustache tingling. "No underwear, I reckon, love?", he hums, the fingers of his other hand brushing over your waist.

And you shake your head, whispering: "No, none", and it has his eyebrows shooting up in surprise, a low chuckle escaping his throat. "Fuck me", he breathes and holds you close while moving over the dancefloor, one hand gently but firmly resting on your ass cheek, hiking the hem of your dress up a little.

The touch ignites you and you press against him, leaning in, nose brushing over his jaw, eyelids fluttering. You are pressed against each other, movements slowing down and blooming into a languid sensuality in dance: long strides, toying with him a little - turning your head away, stretching your arm out, only for his hand to gently caress it - feet wrapping around his calf, leg pushing between his. Tangerine is patient with the little game you are playing, unerringly keeping the lead and you in your place.

You wonder if he fucks like he dances. It makes your skin going hot, imagination running wild and breath hitching.

The song ebbs and the crowd applauds and the two of you come to a halt as well, but not parting, not partaking in the celebration of the band. You are clawing to him, breath going fast and heavy and so does his, a thin layer of sweat on his forehead. His hand momentarily rejects your waist to brush through his hair and then returns. His touch is firm, a little rough and you sigh contently.

Some people are looking your way, intrigued by what got over the two of you, enticed by each other and oblivious to the surrounding world. It's a dangerous thing - letting your guard down, for both of you - but you couldn't care less.

Tangerine smirks down at you and licks his lips. "D'ya know what ya do to me, dove?", he says quietly and you know but you feel the same, and thus, your hand brushes over his shoulder to his neck and you nestle your bods against his.

You wonder if he can feel your raising heartbeat, smell the lust and the excitement spreading in your body. You look up at him, fingers burying themselves in his locks.

"Mhm - do you?", you reply just as quietly and Tangerine chuckles, eyes falling shut.

Your bodies stay like that, closely pressing against each other with the music picking back up. You gently rest your forehead on his temple, leaning onto him as he holds you close. You can't help it, you just want to fucking touch him and your hand runs over his shoulder to the front, gently moves up his throat and then cups his jaw, fingers brushing over the clean-shaven skin. It's soft and warm and you can feel, hear him take a deep breath.

Moving across the floor slowly, Tangerine's body turns into an anchor for your long, ardent strides; his strong arms holding you up during each turn, muscles twitching beneath your touch. He is so so close to you, so warm - each one of his steps lingering with desire and it washes over you like a wave, has the hairs on your body standing up.

You sink against him, falling into his embrace, arms clinging around his neck and his hand is pressed on your shoulder, the other remains in the air uselessly as he looks down in surprise, brows furrowed. He can see, feel your chest heaving, a quiet whimper escaping your mouth.

Then, his lips curl into a smug grin.

Tangerine carefully twirls you around, hands gripping your waist and pulling you closer. Your back rests against his chest and you can feel the tip of his nose brushing through your hair as his hands move over your body - one resting on your belly, the other gently cupping you below your breast, feeling the way your heart races against your ribcage, and his touch sends shivers down your spine, has arousal shooting right between your legs. You remain this way for a few beats, the blood in your veins pumping with the rhythm of the music, feeling his strong frame pressing against you - his breath on your temple and his cologne wrapping you in. His body radiates warmth and you can feel his chest rising against your back, his hardening dick pressing against your ass.

Lust tingles in your stomach looking up at him and, at the next strum of the contrabass, you take his hand and twirl out of his embrace. Tangerine follows and pulls you back in and your hand crawls up his arm, another one resting on his neck. His gaze locks with yours as he leans down, tip of his nose brushing against yours.

The hands on your back keeps you close, a dark shadow resting over his eyes, turning them into a deep deep sea. He slowly guides you forward with two long strides and then firmly hooks one arm around you, lunges backward a little and you follow his movement, bending your leg and resting it against his groin. His hard cock presses against your thigh, and he leans in, lips brushing over yours before straightening both of you back up, heels of your shoes connecting firmly with the ground. Tangerine swirls you over the floor and manoeuvres you through the dancing couples, until he eventually, when the space arises, grabs your hips once more. You let yourself fall, upper body leaning back delicately, enthralled by his strength and the way he guides you through the dance, and he pulls you back up.

Your hand runs up his chest, fingers clawing at the silk as your gazes lock once more. You suck in a few breaths, his scent clouding up your mind, hand running higher and higher, thumb cupping his cheek and fingers resting in his hair behind his ear, earring pressing cooly against your skin.

His lips are slightly agape, eyes you up and down, while his hand presses you close. "Yeah, fuck, you wanna take this elsewhere, love?", he rasps and you nod, eyelids fluttering with the hidden promise.

All the while Tangerine navigates you through the crowd, he holds you close, blood pumping in your ears with the way the music makes your chest vibrate, his scent clouding up your mind - only him him him.

As soon as you are out on the street Tangerine is onto you again, pulls you close in the bright lights of the laundrette and kisses you like a starving man. His arms wrap around your waist, pressing you against him, tits flush against his chest, as his tongue licks into your mouth. Your hands run up his arms, one of them curling his neck and the other cupping his jaw. You can feel his hard dick through his linen slacks and it makes you hot all over, wetness pooling between your legs. You break the kiss, heaving against his lips.

"Fuck", Tangerine huffs, hand on your waist wandering down, cupping one of your ass cheeks. You mewl, eyelids fluttering. You're desperate to touch him, for him to fuck you.

"My hotel's nearby", you whisper and it sounds so fucking needy, "We could take the tram?"

"Yeah sure, lead the way", and you do, stealing another long and sloppy, hungry kiss from him and then he's pulling you close, holds you by his side as the two of you rush down the streets of Amsterdam - heels clicking, sweet nothings on the tip of your tongues. Some people turn their heads, voyeurism kicking in at the oddly hot couple with the air around them cracking with their energy, watching how the two of you rush by - the woman giggling and clearly a little drunk, hands roaming all over the man's chest, while he holds her close, thick British accent wrapping her in.

That is, until he stops dead in his tracks next to an alley on a rather empty street.

"Oi, wait a bloody minute, love -- would'ya look at that", Tangerine looks down an alleyway and you lean in closer, trying to get a look at what he's seeing, peaking over his shoulder on the tip of your toes. His hand is still resting on your waist, fingers splayed out.

"What?", there's nothing. Just cars parked beneath a warmly glowing streetlight in a dark alley.

"That", his finger darts out and points at a beige convertible.

"I -- that's a car?"

He looks a you, a little offended.

"That's not just a car, love. That's a 1966 Cadillac Coupe DeVille."

You blink, watching him while he eyes the vehicle, fingers brushing over his stache absent-mindedly.

"What are you thinking 'bout?", and it doesn't even take him a second to reply: "I wanna steal it."

Well, that's a surprise. "You wanna steal the car?"

"Yeah, I got this fuckin' thing -- 's kinda like compulsion, innit?"

You raise your eyebrows and he looks at you, lips curling up in an amused smile that's looks an awful lot like Sugar I can't change it, now can I? and before he can come up with something witty to go along with it, you say: "Yeah fuck, alright. Let's do it."

He laughs, eyes you up and down. "Ya naughty little girl, eh."

You can feel your skin growing hot, hand brushing over his forearm, leaning in a little. His eyes gleam. "Show me what you can do, babe", and he does, wraps one arm around your hips and strolls over to the car, carefully eyeing the alley.

The windows are rolled down and he grins. "That's an easy one, love, watch it", his hand brushes over your hip and the touch has goosebumps erupting on your arms, running down down your back and you nod - fuck yes, you'll watch.

Tangerine leans against the driver side's door and reaches inside through the rolled down window. You don't know what exactly he's doing but you can see the way his muscles work underneath the blue silk, as he grabs the handle and then, suddenly lifts the door a little out of its frame. The lock bursts, and for a second your muscles tense, body anticipating alarms going off and reading to flee.

Nothing happens; no sirens erupting - just the door swinging open lazily.

Apparently; obviously this is not his first time stealing a car. The thought of him just taking what he wants does something funny to your stomach.

You peak inside. It is an old-timer, with one large seating bench in the front, instead of two seats. Tangerine is holding the door open for you.

"After you, Lady", and he fucking winks at you.

Crawling onto the seats you make sure to make a little show out of it. You can feel his gaze roaming over your body as you bend down, until you eventually sit down in the middle of the front row seat. Tangerine sits down next to you and you immediately close the distance between the two of you, pulling one leg up, knee resting firmly on the soft beige leather and pressing against his thigh. The fabric of your dress hikes up, the slit exposing your leg up up up to your groin.

The sight distracts him for second, as you throw a look over your shoulder and out of the rear window, into the night. The alley still lays silent and deserted - but for how much longer? Tangerine watches you tensing up next to him.

"Easy, love, just a minute", he huffs and pulls an envelope out of his pocket, takes out a set of lockpicks.

"Oh, so you just carry that around with you?", you blurt out, blinking.

"Yeah", he says casually, bends down a little, trying to get a good look beneath the steering wheel.

If you were to be more of a thief and less of a drug lord's lazy daughter, you'd be able to identify his choice as a Lishi lockpick.

You watch him as he carefully sticks it into the keyhole of the ignition, slooowly starts to move the tool forward and feeling for the contact of the wafer. Quiet clicking sounds fill the humid air.

You can tell, that Tangerine is showing off a little, trying to impress you with speed and precision. He squints his eyes a little, brows furrowing and eyeing the small lock while carefully turning it clockwise.

It jams.

"Bastard", Tangerine curses underneath, pulls the reader of the lockpick back and carefully feels for the missing contact, tuuurns it --

The engine jolts alive, purrs lowly and the headlights snap on.

"There ya go", he mutters, "Piece 'o piss, eh?"

You snort at his vulgar cockney but you must agree - it did not take him more than two to three minutes, from breaking the lock to starting the engine. It shouldn't, but it does turn you on a little.

Tangerine is slamming the door shut and whips out his phone, handing it over to you. "Type in the address, love, would ya?"

You do and then quickly discard it into the cupholder - you want him and your fingertips tingle with it, wanting to touch him and being touched by him. The female voice - uncanny valley personified - of the google maps assistant pipes up and if you weren't so very fucking intoxicated by him you would laugh.

Instead, a fresh wave of desperate lust takes over you and your hands are onto him again in no time, one crawling up his arm, the other resting on his thigh and feeling his muscles work as he backs the Cadillac up. Tangerine chuckles, throws you a quick look before he is steering the car out of the alley.

You are aching for him to touch you, to be closer to you, hand tugging at his shirt a little while you lean in, nose brushing over the side of his throat.

"Jesus, love", he huffs, "Can't keep ya'self together, can ya?"

And you mewl, shake your head and then your lips are closing in around the exposed crook of his neck. Your tongue laps over the sweaty, hot skin, tasting him - his cologne mixing bitterly with his sweat and you hum, gently sucking at his soft skin.

"Fuckin' hell", Tangerine's right hand abandons the steering wheel, coming to a rest on your exposed thigh brushing over your skin. The tone of his voice has your head swimming, spurring you on, encouraging you. Your eyelids flutter as your tongue comes loose:

"Want me to suck your cock while driving?", you say, looking at him - the tips of your fingers are playfully brushing over his shoulder, silk of his shirt rustling under the feather-light touch.

He snorts, shakes his head a little with disbelief, before looking back at you. It seems to click.

"Bloody hell, you're serious, aren't ya?", and you blush a little. You can see the way his Adam’s apple bops as he swallows, eyes aimlessly darting over the road, considering.

The google maps assistant pipes up again, chirps out the directions and then falls silent again.

"Yeah, no, that's a very lovely idea", he rasps, and then: "C'mon love, get to it."

And you do, mouth watering at the same time your sight drops down to his linen slacks, the fabric wrapping around his muscular thighs nicely and pressing firmly to his crotch, exposing the outlines of his hard dick straining it.

Your hand wanders up his leg - feeling his muscles twitch as he hammers down the gas pedal, racing by the light switching from yellow to green - and then sour fingers close in around his cock. It is large and hot through the fabric and just feeling it has fresh arousal pooling between your legs, making you hum, before rubbing his bulge through his trousers. Tangerine's right hand leaves your thigh and comes to a rest on your neck, thumb rubbing over your warm skin and making way for you, giving you some space and encouraging you further.

It's a nice, somewhat patronizing touch that is pushing all the right buttons, has you quivering with excitement.

You make quick work of his slacks, pulling the zipper down - already bowing down a little, stretching your lower leg out on the seat behind you - until you open the fly up. There's a damp stain on his dark silk boxers and your mouth fucking waters, before you pull the hem down. His cock springs free lazily and your breath hitches.

Tangerine's cock is large, cut and a little curved, resting between neatly trimmed pubic hair - vein at the bottom pulsing and the tip already flushed, precum glistening in the low light of the passing street lamps.

You can't wait to suck it, taste it, feel it inside of you -- you are fucking hungry for it, spit pooling around your tongue and heart beating in your chest. Arching your back while bowing down between his lower body and the steering wheel, you put your lips onto his dick, kissing from the base to the top, his musky scent wrapping you in, clouding your mind. You can hear him hum, a nice and deep sound, and the city rushing by through the rolled down window.

Your tongue flicks over the head of his dick, lapping at the precum, circling it. The way he tastes - salt and musk - has your head swimming a little, wetness pooling between your legs.

It makes your brain go mushy, hazy and one of your hands brushes over his thigh, desperate to being closer tohim, to make it feel good for him, caressing the warm skin beneath your touch before you blink up at him.

"Fuck, you got a nice cock", you nearly moan as your tongue betrays your brain, impatiently opening your mouth and letting him slide in a little, feeling him pressing hard and hot against your tongue.

"Shit", Tangerine laughs roughly, hand grabbing your neck as his dick twitches against your tongue, "D'ya even hear yourself speak, girl? Fuck."

You smile to yourself, a little coy, and you start to move your hand up up up his muscular thigh, palming his balls through the linen and then grabbing the base of his cock, slowly jerking him. Tangerine groans, breathing loudly, the city passing by.

Spit runs down his dick over taking him in deeper, pools between your fingers and you flick your wrist, moving your hand in rhythm with your tongue.

The car comes to a halt at the next red light, as Tangerine hits the brakes carefully. Your eyelids flutter and then your gaze darts up, meets his while you are releasing his dick from your mouth a little.

Tangerine moans deeply as tongue swirling around the thick head of his dick once more, his gaze boring into yours. "Isn't that just a lovely sight", he groans, right hand brushing through your hair, while the left grabs the steering wheel hard.

Tangerine watches you, traffic light long forgotten, how your tongue licks over his cock, your eyes looking up at him through your lashes. "You fuckin' minx -- ya do like behavin' like a slut, don't ya", and you smile against his cock, a quiet Uh-huh leaving your lips, before they close in around the tip of his dick.

His eyelids flutter as you start to suck, bobbing your head a little, tongue rubbing over the tip of his cock. "Fuckin' hell", he puffs his cheeks and throws his head back a little, exhales theatrically. The traffic light switches from yellow to green and you let him sink deeper into your mouth - the engine roars. You are certain he's close to breaking the speed limit, veins bursting with adrenaline and testosterone but you couldn't care less, the musky taste of his cock hazing your mind, lust taking over.

You feel yourself growing wet, cunt aching and you surrender to yourself, complying to your body's wishes, as one of your hands slooowly dips between your legs and underneath the hem of your dress. Your fingers brush up your thighs and over your slick folds, mentally thanking yourself for not putting any underwear on, mostly due to the unbearable heat and your skin-tight dress - but it sure does come in handy now, too. Your index finger flicks over your clit, just as his cock slides deeper into your mouth.

It feels fucking nice, the way Tangerine's dick is hard and heavy and hot on your tongue, his taste and scent engulfing you, the way you rub your clit has lust spreading through your body, moaning around his cock.

And then suddenly, Tangerine hits the breaks, hand hammering down on the horn. One of your hands darts out, barely catching onto the dashboard as you are thrown forward. Blood rushes in your ears, hastily sucking in a few breaths through your nose while you sputter around his cock.

The maps assistant chimes up in that second, reminding the driver that he will need to go right at the next intersection but --

"Ya fuckin' prick, imma fuckin' shoot ya in the fuckin' head ya stupid twat -", Tangerine yells and your head immediately pipes up, abandoning his dick and looking out of the windshield. Tangerine is just speeding up, passing by the car in front of him, angrily looking inside. "Ya dirty fuckin' chav, I got a right fuckin' lady with me 'ere, ya git", he spits and the man slowly turns his head. First, he looks at Tangerine, a cascade of insults flying his way and then he looks at you, smudged mascara and spit on your chin, your lips wet with it. You can see the wheels in his head turning, eyes growing wide as they drop down to one of your hands - the one that is still holding Tangerine's cock - vanishing between his legs. The man blinks and Tangerine flashes him the finger, before speeding by.

"Fuck about -- that fuckin' arsehole, love, could've killed ya drivin' like that", he grumbles, throws him one last look in the mirror, "Seriously, where did that prick get his license, the bloody fuckin' lottery?"

Tangerine's eye twitches and you can see his pulse speeding up, aorta pressing thickly against his neck, pumping. He is like a force of nature and a mental image of him, covered in bruises, blood and sweat flashes before your eyes - chest heaving and knuckles bruised, hair curling and framing his face like a halo, dripping with blood.

"You're so fuckin' hot when you're angry", you mumble and then you're bending down again, tongue licking over his cock, from the base all the way up the top, flicking around its head and then gliiiding back down.

A growl, a real fucking growl, leaves his chest, hand on your neck tightening. "You better get fuckin' back to it, love, Jesus fuckin' Christ", his voice is coarse and it gets you going, makes you wet wet wet and has your head diving back in, tongue lolling out of your mouth as his dick slides back in.

"Atta girl, fuck", he groans and then his hips jolt up, pushing his dick deep into your mouth and you hum around it. You start to bob your head up and down, meeting his thrusts - your hand abandons the dashboard to clutch his thigh, nails digging into the flesh a little.

Tangerine moans at both, your hot and wet mouth sucking him off and the slight pain that blooms in his thigh, dangerously mixing with the anger pulsing in his chest and he throws his head back.

"Just like that, fuckin' hell love", his hips buck, shoving himself deeper into your mouth. The sudden intrusion has you choking a little as he hits the back of your throat, spit gathering around the corners of your mouth while you sputter around his dick - jaw going slack and his hand finding its way into your hair, fisting it as he starts to fuck into your mouth.

Holding your head in place his cock hits the back of your throat, steals your breath. Your nose is buried in his pubes, inhaling his scent - sweat and musk - more saliva pooling at the corners of his mouth, wetting his locks. You relax your throat and whimper around his dick, the way he uses you has fresh wetness spreading between your folds, squelching sounds filling the air as your finger is joined by a second, rubbing tight circles over your clit.

You moan around his cock, strangled noises escaping your throat while your rock back against your fingers, choking around the head of his cock hitting your throat.

"Shh, shh shh", he tuts, a little breathless, "Daddy's got ya, mh pretty girl? Lemme just--"

Tangerine's right hand lets go off your hair and then you can feel it sneak past your back, a feather-light touch brushing over the silk of your dress. It travels further and then grabs your ass, the sudden rough touch has you moaning around his dick once more. Your eyelids flutter as he pulls the fabric up up up, fists it and exposes you to whoever or whatever may rush past the passenger side's window. Your fingers speed up at the thought while his hand kneads the flesh of your cheeks.

"Fuckin' pretty", he hums, taking another quick look at the way your head bobs up and down his cock, "All over my cock like that, pretty fuckin' slut."

His hand wanders further down and before you can process it, one of his fingers circles your hole, feeling your slick and your plump folds. "Jesus Christ", he nearly groans, "You just love sucking cock, don't ya?"

That you do, whining around his base as the thick head of his dick hits the back of your throat again, with your fingers still working your clit. "Let me help you with that, love", and with that he pushes one finger in, up to his golden onyx ring, nestles it snugly between your hot walls. They clench around him and the sensation - the lingering promise of more - has you squirming a little.

Tangerine gives you what you want, need - finger curling a little, digits brushing over your spongy hot walls, before he slooowly pulls it back out. It circles your hole once more, quickly joined by a second, before he pushes them in again, starting to fuck you fast.

You moan, feet kicking a little and eyes tearing up at the sensation, with his dick pushing further into your throat and your fingers rubbing your clit, quickly has your muscles clench and cunt squirting.

"Yeah, just right 'ere, love, huh? Gettin'ya all loose 'n wet f'me? Such a good girl, aren't ya?", obscene sounds fill the air as he fucks your slick back into you, bottoms his fingers out, rubbing over the spot that has you seeing stars.

Tangerine moans deep in his chest as his cock starts to fuck into your mouth again and you let him use your throat gladly while his fingers pump in and out of your cunt, accompanied by the way your fingers flick over your clit rapidly.

The lack of fresh oxygen has you bucking against his hand, choking and sputtering around his cock that rams deeply in your throat but your stomach still flutters with it, lust igniting your loins and limbs tingling with it.

You can feel the muscles in your abdomen clenching, heart racing in your chest. Your fucking close and he seems to notice, too, his moans barely reaching your ears through the blood pumping and engine roaring. Tangerine nestles his fingers deep deep inside of you, rubbing over your walls and the spot that has you seeing stars, eyes falling shut and moaning against his cock.

It is all too much and your chest heaves as you finally cum, muscles clenching around his fingers, hips stuttering. His dick pulls back a little, tip resting hot and heavy against your tongue and then, his movements still.

"Open up your pretty mouth, doll, lemme see", he rasps, barely keeps an eye out to the street and you comply, fucked out mind making everything a little hazy, a little slow. Your jaw goes slack as you open your mouth, giving him a perfect view of his dick resting on your tongue.

Tangerine looks at you: mascara pooling beneath your eyes, lips swollen and red and jaw wet with spit and then comes too, shoots ropes of hot cum into your mouth. He watches the way it paints your tongue white, some of it landing on your upper lip, slooowly dripping down, running over your chin.

You swallow and then your tongue darts out, licks over your lips and then darts out, licks his cock clean, too.

Slowly, with your mind still foggy and limbs a little heavy already, you get back up. Your fingers brush through his remaining cum on your chin, wiping it away and letting them slip into your mouth, licking them clean. "Jesus, love", Tangerine's voice is a little coarse, gaze darting back and forth between your mouth and the street, as he carefully pulls his fingers out of you and your body closer instead.

You yelp, pressing yourself onto him, of your knees resting between his spread legs. None of you fucking care anymore, lust tugging at your brains dangerously, daringly. His hand, fingers still wet with your juices, brushes over your waist, grabs your ass and you lean in, lick over his throat, tasting his sweat and cologne.

"Can't wait for you to fuck me", you rasp, hands brushing over his chest, his necklace jingling, down down down, hand brushing over his cock and carefully putting it away, his clothing back in place.

Tangerine huffs, google assistant chiming out a direction, indicator clicking loudly as he sets it and then his hand comes up quickly, grabs your chin hard and holds your head in place. You look at him, deer in the headlights, holding your breath and then he's pulling you close, locks his lips with yours. He can taste himself on your tongue licking into your mouth, pulls you close.

You don't know how you made it to the fucking hotel alive, with Tangerine's hands roaming over your body, lips locking occasionally while he was speeding down the streets, cutting corners and red lights.

The two of you barely make it through the lobby and into the elevator, until Tangerine is onto you once more, presses your back flat against the cold, bronze metal. "I'll fuck ya so good, love", his dick is already hard again, pressing against you through the linen of his trousers and the satin of your dress, "'S gon' be all you'll be thinkin'bout for the next weeks." In a little more than an hour you will come to realize that he is right. You will be thinking about it for weeks. But now, there are only his lips roaming over your throat, occupying your mind and letting you drift back to a hazy, lustful state, with his hands feeling up your hips, your waist.

Eventually, the elevator piiings lazily and the two of you rush out it, like you are on the run from your own lust, hand clutching his as you quickly make your way down the hall to your suite. You unlock the door and turn the dimmed lights on inside. The room's just like you left it, guns and cash on the coffee table, soft light coming from the bedroom on the left. The window there is still opened, a soft breeze rolling in through the light curtains.

Tangerine throws the door shut behind himself and immediately grabs you by your waist, pulls you onto him, hand on your back on your ass as he leans down, devours you with a kiss. His tongue pushes into your mouth while he manoeuvres you backwards through your suite. Your hands dart out, catching the doorframe of the bedroom and you grab it hard, using it as leverage as you push back against him, your crotch rubbing against his. Tangerine grins against your lips and grabs your hips hard, makes you moan into the kiss.

He breaks it, chest heaving a little. "Fuck, love, imma ruin ya." Your breath hitches at that and your hands let go of the doorframe, wrapping around his neck instead like you're on some sort of fucking autopilot. "Yeah fuck, please", you whisper.

It takes Tangerine a moment, gaze growing a little soft before the beast takes over again, a gleaming dark hue turning the blue into an endless ocean and he hoists you up, carries you over to the bed.

He is carrying you like a caveman would his bagged prey and he tears at your dress just the same, one hand shoving the straps down your shoulders. Then he's onto the zipper, sliiides it down and throws you onto the bed.

You land onto the duvet with a soft thud, tits bouncing a little and his gaze follows the movement hungrily, before he tugs at the hem of your dress, pulls it down and throws it to the ground carelessly.

Tangerine just watches, gaze hungrily moving over your naked form, slooowly starts to undress himself. His slender fingers unbutton the silky shirt, button by button in an agonizingly slow speed. You know he's deliberately taking his time with you and it works, has your body quivering with anticipation and lust, one of your own hands running up your body, cupping your tit. He lifts a brow as he watches you tweaking your nipple and the haughty disdain has your head swimming, legs falling apart. "Please", you whisper, pussy aching for his touch, "--Need you."

The silk falls open, still hugging his shoulder and Tangerine continues watching you, playing with a ring on his finger, just like he's playing with you. It's cruel but it has lust building up in your belly, shooting arousal down between your legs and making fresh wetness pool between your folds in a way that you just know, that his touch will be heavenly.

And yet, impatience taking over, you mewl and in a desperate attempt for any sort of attention - for him to just fucking touch you again - you scramble to your knees, stretching out on the mattress and pressing your body flat onto it, ass high in the air. You know that he'll see it: your wet cunt, glistening in the dim light, hole clenching desperately around nothing. You feel exposed and at his mercy alone, and the degradation and danger of being unarmed like this in the presence of a killer, has your heart racing, thighs rubbing together for any sort of fucking friction.

Tangerine bellows out a laugh, surprised and dark, can't really hide either how turned on he is, and then his hand comes down on your ass. The sound bounces off the walls and has your bods jolting forward, first a gasp and then a moan falling from your lips, hands fisting the sheets. "Ya dirty fuckin' whore", he groans, hand groping your already reddening flesh. You can hear the silk flowing down to the ground and then he is pressing his crotch against you, fine linen against your wet cunt.

It's electrifying, the rather rough material pressing against your soft skin, your slick immediately wetting the fabric as your start to roll your hips against it, rutting over his clothed dick. Tangerine's cock is so so hard, hotly pulsing through the linen and you can feel its curve pressing against your pussy. You whimper, hips stuttering.

"Jesus Christ, love, can feel ya through my fucking pants -- lemme see", Tangerine groans and then grabs your hips hard, stalling your desperate movement, shoving them forward a little. You can feel his gaze dancing over your cunt, hear him whistle lowly, hands spreading your ass cheeks, assessing your slick. One of them comes loose and then --

He gives your cunt a light slap - the slight pain and degradation making your head swim - has you squirming on the mattress, a whiny Daddy, please escaping your lips. Your mind fogs up, all hazy with lust and his perfume, aching your back for him, pressing your chest flat against the sheets.

Tangerine pouts at you, eyes gleaming playfully. "D'you wan'it that bad, love?", and you nod nod nod, wiggling your hips as you chant - a desperate Yes yes yes escaping your lips, muffled by the mattress - hands uselessly darting out for any leverage.

His middle finger runs through your folds and you tremble, goosebumps erupting on your arms, spreading all over your body. He spreads your slick and his other hand comes up, kneads the flesh of your ass, spreading your cheeks further apart. "Always fuckin' wet f'me, innit? Picture perfect cunt ya got, love."

You mewl, throwing a glance over your shoulder to see him watching your hole clench around nothing. His eyes gleam. "Shit", you huff out as his finger brushes over your clit, feet curling a little and he grins smugly - Bastard - and gives your ass another sharp slap. You groan and then his hands are off you, making work of his trousers.

You watch him get fully undressed and your mouth waters at the sight. Tangerine's body is covered in scars, smaller round ones from bullets and larger, longer ones from knives and nasty fist fights and you want to crawl to him on your knees, kiss and lick them, worship them and him - his body, his tool of death - like he's your very personal reincarnation of Ares.

His dick springs free as he drops his boxers, completely exposing his muscular body to you, dusted on body hair and tattoos and scars scars scars and in the moment, that you can see precum glistening on the tip of his cock, you realize that you had already missed it. You fucking missed his dick. The thought has warmth spreading on your cheeks.

There's a light pat on your hip. "C'mon love, turn around. Wanna see your face while I fuck you nice and proper", he hums and your eyelids flutter, humming deeply in your throat at the proposition, turning around and laying on your back.

The mattress dips as he sinks down on his knees, chest flushed a little - the golden necklace dangling between your bodies - and then he's onto you, crawls over your body like an animal, leaves sloppy kisses on your skin, tongue licking over your nipples, stache tickling.

"Oh fuck", you huff, hands darting out and finding his hair, gently tugging at it. Tangerine's lips move over your throat and he sucks, makingyou gasp, throwing your head back as he marks you up.

"Spread ya legs f'me, sweetie", he rasps against your jaw and you do, knees falling apart. He grabs his dick with one hand, the other one supporting his own weight next to your head, rubs himself along your folds, using your slick as lube. "There ya fuckin' go", he huffs and then the thick head of his cock presses against your hole.

"Fuck, yes", you whimper, hot with anticipation, one hand leaving his hair and clutching around his shoulder. And then, he finally - fucking finally - puuushes in, your hole stretching around his girth a little, dull pain spreading excitement across your body.

Tangerine groans. It's a low and honest sound, has his chest vibrating against yours while he looks down to where your bodies meet. "Shit, fuckin' hell", he says, hand abandoning his dick as he slowly slides into you, fills you up and spreads your walls, grabbing your inner thigh instead. The way he spreads your legs is delicious and you hum, his dick is completely seated inside of you.

He lifts his gaze once more, looks at you. His eyes are dark, a stormy stormy sea, a few loose strands falling into his face, curls of his hair freeing themselves from the hair gel. He looks like a fucking god. "Fuck", you say, lowly, hole fluttering around him, stomach tingling at the sight.

"Ya cunt's so fuckin' tight, love", he growls and you can hear, feel it on your skin, that he is having a hard time holding back, "'S perfect, Jesus Christ."

Tangerine rolls his hips, once, twice and you moan, fingers digging into the flesh of his shoulder. "'S good for ya, too, love?", his nose brushes over yours, lips ghosting over your cheek. "Yeah, fuck", you huff, and then he's onto you, licks over your lips with his tongue and shoves it into your mouth, invites himself in. You lick over it, lips locking with his, stealing the air from both of your lungs. It is a sloppy kiss charged with energy and lust, your hands tugging at his curls, making the thrusts of his dick more feral, as he forces himself in deeper, groaning into your mouth. In return you moan, chest heaving against his, tits rubbing over the muscular skin.

His lips brush over the corner of your mouth, breathes against it, stache tingling a little as they move down to your throat, kissing and nibbling at the skin, marking you up.

"Fuck", you gasp at the stinging sensation, pulling his hair and he groans.

It feels nice; the way he is fucking you - you push away the thought that it's dangerously close to actually making love - the way he feels inside of you, how his body feels against yours, but it's also not enough. You need more.

A whine escapes your mouth, all desperate and needy and breathless and his movements still for a second.

Then, Tangerine looks up at you, dark blue eyes meeting yours. "Tell me what you want", he whispers, hand groping your thigh and dick buried deep deep inside of you. You can feel it twitch inside of you and your breath hitches. "Want -- want you to fuck me", you say quietly, "Like - hard."

"Aint' ya just a fuckin' dream, poppet", he growls and then his lips are unto you once more, licking into your mouth, teeth catching your lower lip; licking and kissing your lips until their sore while picking up a faster rhythm, pounding into you.

Tangerine eventually breaks away from you, leaves you panting and straightens up until he's kneeling between your legs - rolls his hips into you with his dick fucking in and out your hole, accompanied by an obscene squelching sound. One of his hands grabs your thigh hard, rings digging into the flesh, and then he's hoisting it up, resting your ankle on his shoulder and you moan at both: how deep his cock now pushes into you and the way Tangerine looks.

A thin layer of sweat covers his cheeks and his upper body, chest and cheeks flushed, a few strands of hair falling into his face as his brows are furrowed, lips slightly parted. You can hear him breathe heavily, occasionally moaning when your walls clench around his cock, squeezing him. He looks like a fucking porn star, with his defined muscles working beneath the skin and the golden jewellery, a soft summer breeze rolling in through the opened window, toying with his hair. Tangerine's gaze is glued to his dick that rhythmically pumps in and out of you, watches the way your juices squelch around the base of his cock, balls slapping against your wet skin.

His free hand runs up your belly and cups one of your tits, squeezes it, rolls the nipple between his fingers - the bracelet around his wrist jingles and the rings are cold against your skin. You hum deeply, breath ragged and fingers clawing at the sheets desperate for any leverage, while his deep thrusts throw you back and forth like a fucking ragdoll, tits bouncing and gasps falling from your lips.

Your mouth falls agape, watching Tangerine through hooded eyes and dark lashes and his gaze crawls up up up your body until it meets yours. It is accompanied by his hand, ditching your tit, and brushing up your neck, cupping your jaw and then falling in the crook beneath it, pressing down. The sudden lack of air has the muscles in your legs tensing and he feels it, too, mischief illuminating his face, his eyes, as you gasp for air. You know he could kill you then and there, watch you as your lights fade out and as fucked up as it is, it has your rutting your hips against him, spurring him on.

Tangerine furrows his brows and picks up a quicker rhythm, hand closing in tighter around your throat, rings pressing down onto your windpipe, and you lay your head back, feeling the stretch as he's choking you. The lack of fresh oxygen has your chest heaving, body surrendering to him and the way his cock pumps into your hole fast and deep, lust igniting your nerves. Tangerine can feel you clenching around his dick, wetting his trimmed pubic hair as you squirt, slick dripping down his balls and staining the sheets below. The beast inside him roars, thrums against the bars of its cage, his ribs and he sees your eyelids fluttering, cheeks prettily reddened.

"Atta girl", he groans, fingers giving in a little and you suck in a few deep breaths, before he presses them back down again. It's too soon and your hands dart up, clutching in around his wrist, bracelet jostling and clinking under your touch.

The cage breaks.

Suddenly, quickly, with the force and speed of a predatory animal, Tangerine lets go off your throat and flicks his wrist, catches both of yours in an iron grip and pins them above your head, down onto the mattress. His body follows the stretch of yours, bending over you, holding his own weight up with a hand that crashes down next to your chest. He is feral and it should scare you, especially as air floods your system again, lifts your mind out of your foggy state just a little, but it just doesn't no fight or flight kicking in. The way Tangerine hovers over you now has your leg on his shoulder bend, too, allowing his dick to fuck into you deeper, delicate pain from the stretch of your back igniting your loins.

Ragged breaths escape his throat while he pounds, ruts into you and you lose yourself in both, the sound of his utter pleasure and the way your body feels: on fire, chest tight with your approaching orgasm and raw lust, pure want, that chews up the ends of your nerves, has your limbs tingling.

Tangerine's hand keeps your wrists in that iron grip of his as he rolls his hips into you, dick hitting your cervix, his fingers digging into the flesh of your wrists. You throw your head back, gasping with each of his thrusts and his eyes follow your movement hungrily, groans as your eyes roll back. There's a strong pull in your abdomen and your hole flutters around his cock, his balls slap against your wet skin.

"Fuck fuck fuck", you whine, high pitched moans falling from your hips as he ruts into you, "I'm gonna cum, oh shit --"

Tangerine's eyes fall shut, a throaty moan erupting deep from his chest when your muscles tighten around him. "Yeah, shit love -- that's it, fuckin' cum f'me", he rasps, forehead coming down to a rest on your shoulder.

And you do after a few more of his deep thrusts, whining and legs kicking a little, shakes erupting in your chest as you press against him. Everything goes white as you ride your orgasm out on his dick, moaning and gasping as he does, too, shoots thick and hot ropes of cum into you, painting your walls and pulsing deep inside of you.

Tangerine moans, coarse and raw and his chest heaves, presses his nose into the crook of your neck - but you barely notice it, too far gone, mouth agape and legs shaking.

It takes you a while to come down again, eyelids fluttering open lazily. There's a hand on your cheek, a deep hum near your ear. "Welcome back, love", Tangerine says quietly and then, "Ya did so good for me, eh?" You mewl, stretching your legs a little. Your whole body feels sore, his cum leaking out of you and into the sheets. All you want to so is to get up and clean yourself up, but your legs are so so heavy and you just feel so so tired. Tangerine seems to notice, too.

"You stay here, darlin', imma get you something to clean you up", Tangerine says, voice coarse but soft and he gets up, just as a fresh breeze rolls in through the curtains, blows them up and sends them flying a little. The forecast prognosed heavy rainfall for next week. The air already smells like it a little - damp and mushy.

The breeze cools your sweaty skin, has you sighing with content while you watch Tangerine's naked form as he is walking to your bathroom, muscles in his legs and butt working nicely with each step.

***

It has been over a week and this is his third night. It starts to feel like a fucking stake out.

He feels incredibly silly. Silly for coming here again. Silly for lying to Lemon - again. Silly for ordering two Margaritas. Silly for drinking both.

Tangerine leans against the bar, elbows planted firmly on the sticky wood, smoking a cigarette. The band, same musicians, play a soft and melancholic tango. The air had cooled down a little after yesterday’s rain and maybe, just maybe, that'll be the summer's first soft goodbye before it will go down in a last great huzzah with a hot Indian summer before autumn takes over the city.

He wonders if he will still be in Amsterdam by then, if he and Lemon will watch the leaves fall. There is an offer for a job in Japan and he is considering to take it. He'll have to talk to Lemon about it.

"Anything else for you, Sir?", the bartender asks. And Tangerine nods, orders another Margarita. The bartender takes the empty glasses away and he stares at the wood. Oh, he's just so bloody fucking silly, isn't he?

He takes another drag from his cigarette, shifts his weight from one foot to another and rubs his eyes. She won't come. He knows.

She just won't. Tangerine did have a suspicion who she was, has heard stories about her father and he knew, as soon as he had laid eyes on her, that he was in big, big trouble. He wonders if he had already taken her away, wanting better for his daughter than a no-good ordinary killer. Did not want the danger in his life that came with a man, who potentially could be holding his daughter for ransom at some point or worse, could get her killed.

He gets it, though. He would probably do just the same.

"There you go, Sir", the bartender says and Tangerine just nods, suddenly feels very very exhausted and just barely notices that something, someone is moving next to him.

"Can you still afford to buy me one, too?", a familiar voice says, "Or did you burn it all on car insurance?" He chuckles, feels a sudden burst of energy surging through his veins, straightens back up and slowly turns around to her.

"Wasn't my fault, 'prick was driving like a fuckin' loony."

She chuckles and the noise makes his head swim, a strange fluttering feeling in his stomach. He wants to tear his chest open and claw at it, rip it out. That is how much it fucking scares him. How much she scares him.

"Wasn't sure if you were coming back", she says, casually, calmly like she thought about it so much she's just used to it by now.

"I'm not leavin' that soon, love", he says, signals the bartender that another Margarita is in order.

"Where you going?"

"Tokyo, love. Probably -- most likely."

"Come back in one piece then", her smile is genuine. And he knows, that he just has to now.

[respectthepetty]

Pride Petty Watch (The Untamed) 1/?

I let the crowd pick which two blacklisted shows I would watch from my Petty List, so I flew through the first one knowing I had this 50-episode beast waiting for me. People have warned me that the first two episodes wouldn't make sense, there are a ton of characters to keep track of, I need to watch it at normal speed, and I need to keep the sound on. Therefore, I was already mad before I hit play, yet somehow I started the first episode, blacked out, and emerged five episodes later.

Which means I like it so far, and here's some quick reasons why:

Before I start, these two better be an item because they are my favorite BTS song aka "🔥" and since I haven't seen them in the present yet, I'm fearing something happened to them in that great battle in the past, and if so, I'M GOING TO BE BE LIVID! I've had them for three whole minutes, and they are everything to me, so I feel this story is going to fuck me over.

Everyone is chasing after this golden black snitch, yet nobody is catching it, so although there is a lot of death happening, I'm laughing.

If you squint, My Stand-In and The Untamed are the same. Boys who fell off a cliff come back in another body only to live the same life with the same people and make the same bad decisions. Cool cool cool.

This current lecturer is stating nobody could find the body but he fell into fire/lava, so what body were they thinking they would find?! Also, don't think I didn't catch homeboy getting in trouble in the past for asking in class what happens when a spirit demands revenge and the instructor got upset because look where we are now! Possession of a body for the sake of revenge. Should've entertained the question, professor, because sixteen years later, it will come back to haunt you, literally.

And homeboy applied his own theory of making the possessed bodies work for him to fight the other body. He is a smart cookie, and that's why the original Moo Moo person gave his body up to him.

@dribs-and-drabbles, if this is why you told me I needed the sound on, I'm confident I'm not going to remember this melody. And how is he playing a leaf right now?

I can't take this seriously. This feels like an 80s music video, and he is about to hit me with the hottest synthesizer intro.

And the sword has the golden black snitch in it. *Pikachu face*

I can't play an instrument but for a DIY flute made out of bamboo on the spot, I thought his playing was excellent. For people being saved from being squashed, they are some haters, and I would have stopped playing just so they could suffer.

I picked up that sister is dead in the future, but her kid is a brat, and I would've been mean to him too.

And did the brother really kill him in that battle on the hill because when the entire crowd was like "you killed him, right?", he was looking like . . .

So this is the brat's daddy? It would make sense that a man who shut down an entire hotel for his party would have a son who sets 400 traps so nobody else can catch anything. The privilege is genetic.

I like him AND I respect him. He has priorities and they are to drink and party because even when he came back in that other body, he snatched the liquor. As the opening showed, he's here for a good time, not a long time.

I don't like Fuddy Duddy. He can remember 3,500 rules (this place is where fun goes to die), but couldn't remember to tell my party bro that his sister and brother were inside? Everybody just left homeboy without a note saying where they are, and Fuddy Duddy had the information, yet was too busy lecturing about rules. AND committed the ultimate party foul and wasted the liquor. Make that the 3,501th rule! He's lucky he can lay the synthesizer so well.

This is where the big battle is/was (Nightvale, Nightshade, NightWhatever), and I hope this man died in it because he is doing TOO MUCH! "I don't fear death; I fear boredom" YOU'RE boring! Shut up and go collect the pieces of that dumb rock, Thanos Jr., so we can get this battle going.

HE BROUGHT A BIRD INTO CLASS! This is the everyday American high school class.

Why is everyone in the Fire Nation so pissed? Is it because it's hot there? All of y'all are doing too much except for that sister and her brother. I know that brother was the zombie guy from the statue fight, so that means the main homeboy was talking to Fire Nation sister at the graves. That was her family's grave, and she must be a good person, who is probably dead now too.

So they can all play magical instruments? They're like Josie and the Pussycats, playing gigs between fighting crime.

The brat's dad is gold, the Cloud Recesses (what is this name about because they should be a lot more fun with a name like that?) are white and blue, and the Fire Nation is red, so it's odd that homeboy had the dark blue robes with red underneath before coming to school, and keeps getting really friendly with the fire people. Plus the cloud people's power is blue, but his comes out in bursts of red. Is his daddy really Fire Nation? Get Maury on the line.

So his bird buddy gave him porn, which he gave to Fuddy Duddy, who then ripped it up. No wonder why he is so good at school and remembers 3,500 rules. Got nothing but time on his hands since he isn't using his hands doing anything else by being so repressed.

Fuddy Duddy just said he doesn't touch people, yet in the very beginning he snatched homeboy's hand without hesitation, so he wouldn't fall to his death. Then, he snatched that premium liquor for him. I see you and your heart on your sleeve, my man! Just like this water demon, the feelings are sneaking up on you and snatching you up!

Should've bought her the comb, bro, because she's going to be dead after that big battle since she was sent to snoop for the Fire Nation. Even though she is trying to help her brother, I feel this will be y'alls Romeo and Juliet moment.

So the brother was always going to come back from the dead since he already was cursed(?), and my homeboy is once again proving to be a friend to all. I like you, and I will learn your name, hopefully by episode 28.

Only three marks healed in the present, so whoever is the last mark has to be one of these hoochies, and the more backstory I get, the more I think it's going to hurt when I find out who the last mark is.

Half these people have already died leading up to that big battle and the other half will die as homeboy sets out on his Kill Bill journey, so like . . .

"You and I have unfinished business"

*slams on the 'next' button*

[brummiereader]

Hi everyone I'm back with another series! This is going to be a Dark!Tommy series, that some readers may find triggering, so I really wanted to give you all a warning beforehand. Overtime the following potential triggers will become more apparent...manipulative behaviour, psychological mind games, toxic relationship, controlling behaviour, violence, and psychological abuse.

Killing Me Softly (PART ONE/ DARK!TOMMY)

Summary: Reader is arranged to marry the notorious gangster of Small Heath Tommy Shelby. Going into the marriage with an open heart she soon realises he is not the man she once knew. How long will she be able to endure his cruel games?

Warnings: Angst, fluff, violence, language, psychological mind games, manipulative behaviour, Dark!Tommy (This is a dark series, please read the warnings before continuing)

Writers note: Inspired by this ominous version of the song "Killing me Softly" by Aretha Franklin. Just to note, we follow off from the intro later on in the series.

"Y/N Ohh Y/N...come on love, I'm not gonna hurt you" He said taunting you, as you heard him open each door along the dimly lit hallway on the second floor of your home Arrow House. His heavy foot steps walked slowly along the wooden floorboards as he checked each room looking, searching...for you.

Hiding under the bottom shelf of a small closet room, you made yourself as small as you could possibly get. Shaking, tears streaming down your face you brought your knees up to your chest clutching yourself, hoping and praying he wouldn't find you.

"Come out come out wherever you are, I'll count to ten you can't be far.

Under the bed, behind a door, was that a creak I heard on the floor?

I'll shout and call out your name, but you'll keep quiet, it's part of the game.

Come out come out wherever you are, I'll count to ten you can't be far...Ohh Y/N..."

Snapping your head up, you listened to the nursery rhyme as it echoed loudly through the corridor. Once an innocent song you used to sing as a child whilst playing hide-and-seek, now a menacing taunt filled with unspoken threats. All of a sudden his cruel singing came to a stop. Hearing the creaking floorboards just outside the door, your eyes widened in terror.

" You know I'll win...i always did" you heard him say in a deep menacing voice as you covered your mouth trying to silence your heavy breathing. You watched intently as his dark shadow moved underneath the door, with your whole body trembling, you bit down on your bottom lip, trying to hold back the tears that threatened to escape. Putting your hand to your chest you breathed a silent sigh of relief as you heard his intimidating footsteps move on.

"I don't like to be teased sweetheart!" he said loudly, annoyed, as he slammed a door shut in frustration. Jolting at the sudden noise your foot slid against the floor hitting the wall in front you. Shit. Silence filled the house, the noise of his footsteps absent from your ears. Taking your hand away from your mouth, you reached out to bring your knee back into your chest, only to gasp in fear as you heard one single creak of the floorboards just outside the closet door.

"Peekaboo..." he said tilting his head as he opened the door, a sinister smile spread across his face, a bloodied knife in his hand.

"Come on now, darling" he said as he dragged you kicking and screaming out the small dark room by your night dress.

" Tommy please, I'm sorry, I didn't mean to, wait...wait!"

One Month Before...

An arranged marriage. If anyone would have told you this is what you had agreed to this time last year, you would have laughed in their face at their preposterous suggestion. But yet here you was, two weeks away from marrying your childhood friends brother, Tommy Shelby. You had spent most of your early life at the Shelby's house, you being close friends with Ada, you would see Tommy almost every day. Maybe that's why you had agreed to the proposition so willingly, you knew Tommy, you grew up with him, a small affection grew over the years for him, and you trusted him, or at least...you thought you did. It was a cascade of events over many years that had led up to the day when Tommy's Aunt, Polly Gray, proposed the arrangement. Your father dying in combat was the start of everything that eventually went wrong, then when your mother moved you both to London to escape the constant reminders of your late father, her health started to deteriorate. The grief of losing him had taken a tremendous toll on your mother's body, unable to work anymore, and with only a war widows pension, you had to take on extra hours working in a press factory as your mother stayed home, you were barely getting by. Now you found yourselves back in Small Heath, back home, back in search for easier times. Hearing of your mother's ill health and your struggle to find employment, Polly Gray a friend of the family, re-entered you lives, offering you help when no one else would.

The proposition Polly made at first, was not one of marriage, but one of employment, you was to work in the Shelby Company Limited offices as a secretary, but when Tommy caught wind of his Aunt's plans and the knowledge of your return to Small Heath, with no need of another secretary he proposed a different arrangement, one of marriage. A wife in return for the financial support of your mother and the help she so desperately needed, that was the offer Polly came to you with that late spring day, the day your whole life changed.

Arranged marriages were not unheard of in the 1920s, and Tommy being a man who had so little time to find a wife, found himself needing one. He didn't particularly want one, but he needed one if he was ever going to rub shoulders with the people he wanted to do business with. With a wife by his side, he would be able to portray himself as a stable family man, an image he needed to paint to finally be taken seriously by the circle of people he wanted to be acquainted with, or at least, that's what he told everyone. You had very little family left, most of them having died in the war or from illness, your mother was the only immediate family you had. With no other options, your mother's health worsening, and no money to pay for the doctors she so badly needed, you had willingly agreed to the arrangement without much hesitation. An almost transactional agreement, but one you entered into with an open mind and heart, naively thinking that this arrangement would eventually turn into a loving marriage... how wrong you would be.

"I'm ready" you said as you straightened out your white summer dress.

" You look beautiful darling" your mother replied as she tucked a loose strand of hair behind your ear.

" I'm sorry I can't come with you" your mother said as she handed you your small black purse.

"It's ok, you're not feeling well, get some rest ok?" You said as you kissed her cheek. Saying goodbye you opened the front door and walked out onto the busy streets of Small Heath. It was summer and surprisingly a beautiful day in the small Birmingham town. The sun breaking through the thick smoke of the factory chimneys, beamed down on your skin as you walked the ten minute journey to Watery Lane. Your thoughts turning in your head, you started to doubt your decision. What if he doesn't like me ? What if this doesn't work out? Does he even remember me? It was so long ago, you couldn't even remember what he looked like. Walking across to the next street you was now on Watery Lane. Standing in front of the door you straightened out your posture as you painted on a smile, before you could even knock, the door flew open.

"Are you Tommy's wife?" A small boy with a peaked cap and muddy knees said, as he opened the door.

"Not yet she's not" Polly said moving the boy out the way as she ushered you in, planting a kiss to your cheek.

" Polly" you said hugging her, smiling as she welcomed you into the house.

" Come sit down dear" she said as she pulled out a chair for you at the round table in the middle of the room.

" Hello you" you heard a voice say from behind you.

"Ada!" You said turning around, as she bent down to give you a hug.

" Look at you!" she said smiling to you, as she brushed your hair away from your shoulder " You're a beauty Y/N, Polly isn't she just beautiful?" She said turning to her Aunt.

" That she is, Tommy's one lucky man" she replied smiling to you with a wink. Sitting down in front of you, she poured you each a glass of whiskey.

" Bit of Dutch courage" she said handing you the glass, which your gratefully took, downing it in one go.

" Steady on!" Ada giggled covering her mouth, "You're not marrying the Devil himself" she laughed once again.

" Nervous?" Polly asked, as she looked at your anxious face, reaching out for your hand.

" A little...Polly what if this doesn't wor..." you said only to be interrupted by the small boy from before.

"Tommy's here!" He shouted as he ran through the kitchen knocking over one of the wooden chairs.

" Finn out!" Polly demanded, pointing to the stairs as he stomped up them, his arms folded, a grumpy thrown forming on his face.

" Ello ello" Arthur announced as he entered the room, John not far behind him.

"There she is" he said reaching out to hug you. " You've grown" he said motioning up and down your body with his hand, his eyes stopping at your chest as he cleared his throat.

" Move over you old perv" John said with a big smile, his arms stretched out to hug you.

"John" you said, hugging him tightly. Being closer in age, you and John had always gotten along, he was like a brother to you, often the first to come to you if you ever needed help. Turning his head around, John moved out the way as Tommy walked into the room. Taking his peaked cap off, his eyes immediately scanned the room, looking for you.

"Y/N" he said walking towards you, giving you a small kiss to the cheek, his hand resting on your hip. Now a young woman, Tommy was taken aback by your beauty.

"Tommy" you said nervously as your breath hitched in your throat. The boy you remembered was gone, instead a grown man stood before you, a face aged by war, a presence that demanded respect, he walked into the room with authority and power, and you couldn't help but look away from his intimidating statue. Smiling to you, trying to ease the tension, Tommy gently placed his hand on your back, gesturing for you to sit down as he sat down in the empty chair beside you. With everyone now around the table you talked about your time in London, everything but the impending wedding, that was until Arthur brought it up.

" You'll be a Shelby in a few weeks" he said winking to you, as he took a sip of whiskey.

" Think you can handle our Tom, Y/N?" John interjected, chuckling.

" Yeh, I think I can handle him " you said laughing, trying to make light of the situation as you turned to see Tommy eyeing you from head to toe, his mouth slightly open as his eyes then landed on yours.

"Good luck to you Y/N, Tommy's not the easiest to get along with, are you Tom?" John chuckled as he put his elbows on the table, leaning in closer to you.

"Shut up John" Tommy said, clearly bothered by his teasing. Shifting in your seat, you looked down nervously at your hands.

"Tom's just a bit hot headed sometimes Y/N" Arthur said as he poured himself another whiskey ." Anyway, things will go just fine for you two, Tom here, used to have a little crush on..."

"Right, you all done, hm?" Tommy said interrupting, looking at each of his brothers, his brows raised in annoyance, as both of them put their hands up in defence, unable to hold back their laughs.

" Come on, let's leave them to it" Polly said as she ushered everyone out the small kitchen. With just you and Tommy now alone, a small silence filled the room as he lit a cigarette.

" What are siblings for if they don't give you a hard time" you said smiling to him, breaking the silence.

"You're not gonna give me a hard time are you?" He said turning to you, mischief playing in his eyes.

" No. No..." you said slightly flustered.

"But you think you can handle me, eh?

" I didn't mean it like that" you said turning to him, his eyes catching yours as you started to regret your choice of words.

" I know" he nodded chuckling " I'm only teasing Y/N" he said clearing his throat.

"I need to know for sure though, I need to hear you say it, do you want this?" He said shifting closer to you, his eyes never moving from yours.

" I want this Tommy" you said as confidently as you could. "Do you?"

" I wouldn't have suggested it if I didn't" he said staring at you, his eyes piercing into you. "Look, i know it's not the typical start to a marriage, but we know eachother, we can trust eachother, right?" he said as he reached for your hand, his thumb caressing you in reassurance.

" We can trust eachother" you nodded, comforted by his gentle touch " You know, coming here today, i didn't think you would remember me" you said as you traced your finger around the rim of your empty glass.

" Oh I remember you. You were here all the time, running around playing hide-and-seek. And if I remember correctly, you were never very good at it" he said a smile on his lips as his eyes darted between yours and your fingers grazing along the glass.

"Well, you never did count to ten" you joked as a laugh escaped Tommy's mouth.

"I wasn't very patient" he admitted, taking a drag of his cigarette his eyes glistening, as a cocky grin formed on his face

" God, we must have annoyed Polly so much sometimes"

" We were just kids" he said shrugging his shoulders, as he poured you both another glass of whiskey.

" Not anymore" you replied, as he handed you your drink, his fingers brushing over yours.

" No, not anymore" he echoed quietly, taking a sip of his whiskey, as he looked over your body in the corner of his eye, clenching his jaw.

" I got you something" he said clearing his throat. Reaching into his suit pocket, Tommy pulled out a small box with a red ribbon neatly fastened around it. Putting it on the table he slowly pushed it towards you.

" Tommy you didn't have to do that"

" It's a wedding gift, I want you to wear it on the day" He said stubbing his cigarette out, as he watched your slender fingers gently untie the ribbon.

" Oh my god...Tommy" you said smiling as you took out a small diamond encrusted bracelet. "It's beautiful" you said as you turned the bracelet around, only to furrow your brows as you looked at his and your initials engraved with a date on the back.

"Tommy I think the Jeweler made a mistake, the date's wrong?

"It's not wrong Y/N, I'm bringing the wedding forward, to next Saturday" Tommy said as he opened his cigarette holder, pulling out another.

" What...forward?" You questioned confused by the unexpected change of plans.

" You don't have a problem with that, do you?" He questioned as he exhaled a cloud of smoke up to the ceiling, rubbing the cigarette between his thumb and forefinger.

" No, it's just...everything's been planned for two weeks time, why did you change the dates?"

" I don't want to wait Y/N" he said, tapping the ash from the cigarette into the glass tray as he turned to face you, his brows raised in surprise at your questions. " You sure you want to marry me, eh? He said cocking an eyebrow, a smirk on his lips.

"I do Tommy, it's just.." you said, still confused by the the sudden urgency. "..next week it is then" you replied, giving in, not knowing what else to say. Smiling to you, Tommy sat forward taking your hand as he clasped the bracelet around your small wrist.

"You like it then?" He asked his eyes looking up at you through his thick lashes.

"I love it" you said reaching your arms out, wrapping them around him. Hugging you back, Tommy's hand moved up to the back of your neck, his cheek pressing into your hair as he breathed in your perfume.

" You'll never want for anything Y/N, I'll make sure of that" he said as he let go. " And your mother, she will be looked after" he confirmed, as you looked up, meeting his eyes.

" Thank you, Tommy" you said as you placed your hand into his, his other hand reaching up, softly stroking your cheek with his thumb.

" We'll make it work, yeh?" he nodded to you.

" We will" you said shyly as you looked down at the bracelet on your wrist.

" Good. My brothers are right though, I can be a difficult man at times, stubborn set in my ways. But I'll look after you" he said as you nodded to him, his thumb still on your cheek as his fore finger grazed down cupping your chin "And in return I'll have a good, obedient wife" he added, eyes narrowing, his forehead raised, his grip subtly tightening as he waited for your reaction. Your eyes darted away nervously only to quickly come back to his intense glare.

"I'll be a good wife Tommy" you said, a small unsure laugh leaving your lips at his odd choice of words.

" Good" he said letting go of your cheek, his face finally relaxing, as he leaned back into his chair.

" You know Y/N, I think this might just work out for us"

NEXT PART

Tag list: @litteltourtius @aesthetic0cherryblossom

[stormblessed95]

So I just had some thoughts about the minimoni exchange that I really needed to share - their relationship is so cute. There was one thing that I'm confused about and I wanted to know if it was just me lol, and that's the narrative Jimin was telling about how Muse came about. That Pdogg asked him what his thoughts are, and Jimin said he's been feeling a lot of apathy lately (I'm paraphrasing here cause I can't remember the words!).

Then he went straight into talking about how the album is about having a crush, but he said he can't remember the last time he had a crush. And he had to have help from a younger producer to talk about what a crush was like. He didn't really go into why he wrote an album about having a crush when he said he can't remember the last time, just that he's been feeling not much excitement lately. He even explained this albums emotions as "vague." If I could go into depth about it, my interpretation (could be completely wrong) is that it's an explanation of coming to terms with his sexuality, that the expectation that he fall in love with women but no matter how many relationships with women he's had he just can't find the one. Until JK comes along....

Sorry my thoughts are all over the place 😂😂. I just wanted to know if someone also found it confusing or it's just my ADHD brain!

Hello my love! I'm probably going to use your ask to talk about Muse as a whole I think. Hope that's okay ❤️ I'll make other posts for the songs individually if I have more I want to say in depth about specific songs.... Thank you so much for sharing your thoughts and theories too! I love them!

My thoughts and feelings about Muse as a whole below the photo 💜 disclaimer that these are just my thoughts and opinions. I am in no way claiming this as fact or truth and unless I'm quoting something, these are all my own words. Everyone is entitled to agree or disagree as they see fit.

This will be a longer post.... So strap in I guess!

SO! To start, Pdogg shared with us that Jimins album/SMGB was in part inspired by the Beatles conceptual album "Sgt. Pepper's Lonely Hearts Club Band." He said, and I quote:

"It was inspired by a conceptual album like the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band.' And I tried to incorporate the excitement I felt when thinking of Muse into the songs. The flow of emotions is directly reflected in the track order, so it will be more fun if you focus on that."

Intro: Rebirth and Interlude: Showtime is what gives that connection and crossover from FACE, with its sound and chorus use, into the new concept and album I believe. Which Jimin has explicitly stated that Muse is not connected with FACE really at all. But that does give its connection and crossover from those first 2 songs. So you could EASILY listen to them back to back and find it flows smoothly from one sound into another!

Face is clearly about introspection, facing oneself, that vulnerability and overcoming that pain. It's about freeing yourself. Muse seems to be conceptually about finally feeling free enough to pursue that prospect of love and being open to those feelings. It was brought up by Minseong Kim, his performance director, in VMagazine that (I'm paraphrasing) they basically were focusing more on his masculine side and expressions for Who and in Muse. While in Face, Jimin showcased more of his vulnerabilities and his more feminine side and expressions. Specifically seeking out that contrast. Full interview here:

Now I don't know about you ... But it's giving gender. And I love that. It's not something new for Jimin, he leans into that contrast within himself alot. It's really giving gender fluidity. And I think that's on purpose. Jimin doesn't do things by accident. He thinks through everything and Jimin is in charge at the end for his projects. And considering how OFTEN this concept of *both*, of feminine and masculine, comes up in Jimins personal projects/stages, it's clearly something important to him that he wants to be highlighted.

Jimin absolutely had full control over the stories he wanted to tell in each song, even Who, where he didn't have full writing credits. He explained the thoughts, feelings and ideas he was wanting to express. We saw him in the behind scenes of things having direct input on his songs, the MV, and creating his own choreo. The Talent 😍 we were specifically told that Jimin "directly explained to them what he wanted to convey and the direction he wanted to take for this album and each song. This allowed us to put together tracks that are more musically diverse, but still feel right for him." Quote comes from an interview article from the Clash here

Similarly shared in another article, Pdogg said "We made it with Jon Bellion in New York. I remember Jimin personally explaining to him what story he wanted to tell, and he was really embarrassed/shy. I met Jimmy Fallon by chance in the studio next door. We played the song for him for the first time after we finished working on it. In fact After finishing work on the 'FACE' album, we went straight into the production of 'MUSE' and I thought, 'He's working this hard before his military enlistment?' Thanks to Jimin's hard work, you'll be able to see his musical journey, which has grown even more." From here

Okay, now that we got all those interview snippets out of the way from Jimins team.... We can get into more of Jimins words and my own thoughts/theories here too.... 😏🥰 But we like to work theories off facts, so we gotta get our base line!

Jimin finished recording his album in June of 2023.

Jimin stated in MMM that the first 5 songs in his album were basically the emotions related to having a crush and confessing your feelings. That would be:

Intro: Rebirth

Interlude: Showtime

SGMB

Slow Dance

Be Mine

And then the 6th track, Who, he takes it all back and is like no, that's not really true. Where he also lets us know that there really isn't a connection to FACE in the grand scheme of things.

To start with the title too.... Who are the Muses? The Greek Goddesses of artistic inspiration. Jimin has been drawing from Greek Mythology a lot recently, with Apollo and Artemis featuring in his photofolio too. Now while the basics premise of a Muse is and can be very romantic in nature, it isn't always. Jimins album Muse is inherently full of romantic songs, but I also think it's clear from his talk on MMM that this album is not JUST about looking for your run of the mill, romantic relationship and love.... But being in search of your passion, your heart and your desires. It's the expression of yearning. Yearning for love, for life, for his music, his work, his Identity as a person and an artist, to feel excited over something and look forward to something. He specially says to RM during MMM that he isn't sure if he will ever be satisfied with himself as an artist or find a version of himself that he is fully satisfied with (I'm paraphrasing). It's the idea that this search for his Muse (that satisfaction in himself and as an artist) is ongoing and probably will FOREVER be ongoing. Hence why in the end of the Who MV, after all that back and forth with so many people.... He is still alone. That search is still happening. Hence also why this desperate search of who his heart is waiting for is at the end of the album, not opening it up. He still hasn't found her, the Muses. His satisfaction. The yearning that is driving him forward to grow and learn and adapt and dig deeper into his art, is still there.

Jimin has a lot of control over his projects. His albums, songs, and performances. As he should. But it's important for everyone to remember that this album starts and finishes with JIMIN. And what he wants to say and express, this is his art, his emotions and his ideas, regardless of if he has help writing lyrics or not. To bring this back to my last paragraph above.... Passion as an artist is something plenty of people can relate to, but not everyone. Romance on the other hand is something *almost* everyone CAN relate to. And bringing those feelings of yearning and desire for passion and excitement and translating that into feelings of crushes, first love, romantic connect. Brings that full circle and is the outward Expression he chose to help represent the emotions and feelings he was trying to express through this album. I think it's also important to note that while Jimin expressed his desire for excitement and passion and how he is still looking for that.... He made sure to make it clear that he is happy and content with where he is at and who he is currently. These things can coexist!

Who in general could have some takes and theories about sexuality and what not, like anon said, I've definitely seen a variety of theories out there. I do think Jimin has long since come to terms with his sexuality though, but that doesn't mean that the inspiration from that couldn't still be drawn on. I can talk about that more in a post I make specifically only for Who. Soooo many things could be said for Who! Lol and if you've read this far, look forward to my post for Who and thank you for making it through my ramblings!!

[ineffable-gallimaufry]

characters in les mis (musical) ranked on how good their introductions were:

jean valjean: 9/10 he actually says his name and like . conveniently gives us his backstory while talking to javert which was nice

javert: 10/10 literally says his name and then says "do not forget my name" so forcefully i managed to not forget his name immediately so that was good

the bishop: 5/10 solid but not enough context. could've used a whole five minute song about only him beforehand tbh (kidding i swear)

fantine: 9/10 she does have people say her name which is good, she doesn't say it directly but like she does fill in her situation well. also i would feel bad for giving her a low score since her intro is literally her having a horrible time

bamatabois: 3/10 he never says his name and he's a huge asshole . only gets a three because it conveyed his character well + javert was there. but he also gets a three because i hate him

fauchelevent: 10/10 because. it's the runaway cart man . best song in les mis. also they do say his name so it works

cosette: 10/10 her name is said over and over again before she's even onstage + her introduction really shows the bleakness of the situation she lives in with the thénardiers

mme thénardier: 8/10 she doesn't say her name but it is a good introduction nonetheless . 8/10 instead of 9/10 because it isn't like. my favorite favorite but it is good

eponine: 6/10 controversial but sorry. i feel like they introduce us to eponine as kind of a brat (with her name which is nice) and even maybe as helping her mother directly to hurt cosette whereas we don't get a good enough reintroduction to her character in act two that gives us a better idea of her character as someone who's arguably just as hurt by the thénardiers as cosette. it's still okay though

m thénardier: 10/10 they say his name and then immediately he gets master of the house? it's a good introduction to the fact he's a big old thief and it's also kind of a bop. no notes

gavroche: 10/10 his name is in his first line. and it gives you a very good impression of him. i don't have any notes alright . i mean they kinda give the impression he's not related to thénardier but i can't fault them for not including that since it's not a HUGE plot point

enjolras: 2/10 i genuinely do not think anyone ever adresses this guy by name. i only remembered he was supposed to be there after i watched the play and then had to hunt down the actor's name in my playbill so i could see if i remembered him. like he just felt like another member of les amis tbh. two points because at least he's still characterized well

marius: 5/10 we hear his name from enjolras and because we get no context for his life before this point he feels so damn uninteresting... like all we get is the "ooh marius is in looove" without ANY context of his life outside of that. literally just there to fall in love with cosette and it shows

les amis de l'abc: 4/10 i am grouping them together because they literally get NO distinguishing qualities from each other in their introductions. grantaire making fun of someone is alright for things grantaire would do but like. can we not give that to courfeyrac?? why are all of them such non characters in this introduction?? like at least we get a few name drops from enjolras but i am just not really a fan. courfeyrac should be in here more since marius lives with him but i guess that doesn't matter because marius had his whole backstory surgically removed to make room for the brick to not be a million year long play. whatever. probably why lesgle gets nothing either despite the fact he introduced marius to les amis. didn't know this got on my nerves so much

patron-minette: 5/10 i mean. it's AN introduction but also to be fair i can't get mad too much since they're not major characters+ they are kinda interchangeable in the end. only montparnasse got a name drop but they did also keep my favorite eponine moment largely intact so. eh. whatever they get a five for being mediocre

[bbrissonn]

𝐭𝐢𝐫𝐞𝐝 𝐨𝐟 𝐮 - 𝐭𝐫𝐞𝐯𝐨𝐫 𝐳𝐞𝐠𝐫𝐚𝐬 (𝟏)

╰┈➤kinda nervous lol, making this on sept 22 at 11:51 pm. i came up with this idea for an au after seeing this post from @edwardslvrr like 2 hours ago

╰┈➤ october 8th bri bri here, decided to post this cause why not, it's all i've been thinking about since i started this au in my draft and i really want to make it public so yeah :))) hope you enjoy !!

╰┈➤ pairing: trevor zegras x ex!singer!reader

╰┈➤ masterlist

༊*·˚

-SEPTEMBER 1ST, 2023-

༊*·˚

: ̗̀➛ alannaoregon has posted on instagram for the first time in a while

alannaoregon

liked by jamie.drysdale and 1.8M others

alannaoregon so excited to announce that my sophomore album Tired of U comes out on October 13th !! this has been a work for almost 6 months and i cant wait for all of you to hear it. starting off with “i regret you everyday” coming out September 22th

much love, lana 🩵

view all 5,042 comments

becky.rivera GO BEST FRIEND

alannaoregon @/becky.rivera I LOVE YOU BEST FRIEND

user83 NEW MUSIC NEW MUSIC

jamie.drysdale so proud

alannaoregon @/jamie.drysdale love you little one

user920 soooo we all agree on who all of these are gonna be about right…?

user726 trevor went from having 12 love songs written about him, to 14 breakup song 🫢

user02 @/user726 from obsessed with you to tired of u..

sabrinacarpenter so happy to be by ur side and see u grow, cant wait for everyone these masterpieces 🩷

alannaoregon @/sabrinacarpenter love you so much 🩷

user53 the way lana always uses a blue or white heart, but always a pink one for sabrina 🥹

user836 @/user53 glad im not the only one who noticed

user637 BAHAHAHA LIKE 10 OF TREVORS FRIEND LIKED THIS

load more…

༊*·˚

: ̗̀➛ alanna oregon posted a new youtube video

“Becky bring your butt over here.” Alanna called out, placing her camera on the counter of her bathroom. Her skincare products in front of her as Becca made her way into the room, waving at the camera once she was in frame.

"I'm here, I'm here." The Rivera girl said as Alanna grabbed her first product and started applying it to her face.

"Hi cuties, it's me, Lana." The singer said in a weird voice, one she used in every intro. Becca snorted a bit, making her best friend giggle a bit. "I am back with my girl Becky."

"That's me."

"And today, we're gonna take for a lake day with us. And through out the day, I am gonna explaining every single song from my next album, Tired of u, that comes out on October 14th." Alanna explained as she moved onto her second product. Next to her, Becca was nodding along to what she way saying, a proud smile on her face.

"Go pre-save it, guys!"

"And we're gonna be starting with a single, I regret you everyday, coming out on September 20th."

"Not gonna lie, I think that's one of my fav." Becky said as Alanna moved onto her third product. The singer had already made her best friend listen to the whole album, but the girl was there for the writing and producing process so she already had a good idea of what the song were like.

"So, I regret you everyday is a pretty self explanatory title for the song. It's pretty much about regretting ever getting into a relationship with someone, let alone even meeting them even if it's something you can't control." The girl started as she applied her sunscreen gently to her skin. "I think it was the second song I finished writing, maybe like a week after my break-up."

"Wasn't it two weeks?"

"I dunno know, doesn't matter. I was just crying on Becky's couch one day and just came up with it, she helped me write some of the lines."

"You can call me Shakespeare now." The Rivera girl joked, causing her best friend to giggle once again.

"Any who, I picked that song to be a single because I think it really gives off the vibe of what the album is gonna be. Also, because Becky said she'd hit me if I didn't put-"

"Lies!"

"If I didn't put out as a single. So, yeah, now you know!" Alanna continued, ignoring the look her best friend was giving her. She quickly cut the camera after that, laughing at Becca's expression that still hadn't changed.

༊*·˚

The next clip was of the two girls in the kitchen, preparing their breakfast for the day.

"I don't know if we said it before, but we're at Becky's family cottage for the weekend, so we're gonna go swimming this afternoon." Was the first thing said in the clip, Becky in the frame as she broke the eggs. Alanna was in the back, doors of the fridge opened as the looked for the milk.

"Then I am taking her out a date to the porch for dinner with the sunset."

"Fun fact for y'all, the photo on the back of the album was taken by the neighbors of me and Becky. So, thanks to them for their contribution to the album."

"And to my dock for being the front of it." Becca added as she now left the frame and Alanna was now the main focus.

"The next song we're gonna talk about is sunset chasing. Now that song was... very emotional to make, because as some of you might know, I am a whore for sunsets, and sunset chasing was something I did a lot with my ex." The girl started explaining.

"Big big whore for them!"

"In the song, the sunset represents like my relationship with said ex, and how I was like chasing after him and his attention even though we were together for years already. And I guess you could say there's like a double meaning I think, like how sunset chasing turned into me chasing him." She added, smiling slightly had Becca's words.

"I was once again present for the writing of this song and contributed." Becca said, walking back into the frame for a slight second, a proud smile on her face.

༊*·˚

"The birds are trying to eat my food!" Becca yelled out, a loud laughing coming from Alanna as she filmed her best friend shoo away the birds. The two girls were now outside, their breakfast in front of them as they sat on the porch, from which they had a nice view of the lake.

"Becca, don't hurt them!" Alanna said from being the camera, making the girl in question look at her like she was crazy.

"They're going for my food, Lana." There was a cut after that, and then the two girls were sitting around a round table as they slowly ate their food.

"Can I introduce this song?"

"Even if I say no, you'll do it anyways, Becky."

"Damn right I will. Anyways, guys, the next song is called 11 feet behind!" Becca announced to the camera giggling a bit after saying the title of the song. "What's that song about, Lana?" She asked with wiggling eyebrows.

"That song is about always feeling like you're always behind in your relationship. Like people know more what's going on in your relationship than you do, which, fucked up for one, and two really sucks, because it makes you feel like you mean nothing to your partner."

"Guys, let me tell, my girl did not hold back with this one." Becca giggled while talking to the camera. When Alanna had told her best friend she'd be using Trevor's number in one of her song titles, the girl gasped, calling her crazy because of it.

"I am speaking the truth."

"I'm so proud of you, lanny." Becca said randomly, looking over at her best friend. Alanna laughed a bit before giving the girl a big hug, laughing a little.

༊*·˚

"We're getting Starbucks!" Becca yelled out as the next clip started, Alanna's laugh being heard once again. The two of them were now in the car, Becca driving as the other girl sat in the passenger seat, holding the camera so they were both in frame.

"Which is like totally crazy 'cause the next song was written in a Starbucks."

"What a coincidence."

"Right!" The two girl joked, their chuckles echoing in the car before Alanna focused back on the task at hand. "Anyways, it's called Friend Stealer. Long story short, it's about getting dumped by a guy so he can go date one of your friend, that he met through you."

"Snakes." Becky could be heard whispering in the back.

"And the reason why it was written in a Starbucks is because I just wanted to leave my house, get some caffein, and as I was just sitting there thinking about the whole thing, the lyrics just came to me. So, I wrote them down in my notes, typing like a crazy lady on my phone."

"She was gone for like three hours, I was so worried!" Becca said, making Alanna roll her eyes slightly.

"Okay, that's a bit dramatic, I was gone for like, forty-five minutes maybe."

"Still scared me."

"Moving on, that song was probably what helped me really get over my break-up, well more like started the whole moving on process. I was really just writing what I was feeling and yeah, that song was born. It was the first one that I found the melody for, but I think it was like, the forth I wrote, and that's when I decided I was making an album." The singer explained with a shy smile, recalling the happiness she had felt after finally writing out all her anger.

༊*·˚

"We're back in the car! Becky, what'd you get, girl?"

"I got a grande iced coffee with a splash of cream, two pumps of vanilla and two pumps of hazelnut." The girl explained her order, shaking her drinks around. "How about you, m'lady?"

"I got the same as always, my sir. A venti brown sugar oatmilk shaken expresso, only three pumps of brown sugar, three pumps of white mocha and no cinnamon."

"For all of you who didn't know, Lana's my sugar mommy, and she paid for my drink." Becca spoke, grabbing the camera for it was focusing on her. Her best friend scoffed a bit before bringing back to camera on her as Becky started to drive.

"Killing us softly is the name of the next song we're gonna be talking about. The title pretty much says it all, it just talks about how someone in a relationship just doesn't care enough and it's slowly killing their relationship." The clip cut right after the girl was done talking, and the next clip was of her sitting in her bed, filming on her phone with her headphones on.

"Guys, my camera died, oops. And at first Becky and I were gonna go to Target, well we still did, and film the next song in the car. Obviously, we couldn't do that, and my dumb ass forgot to like, go to the song we were gonna do in the car. So, here it is!

It's called mascara stained cheeks, once again, title says it all. But, it goes more into details about how toxic my relationship with my ex got, and how much he made me cry. Small reminder, that crying often in a relationship because of your partner, is not a healthy relationship, never has been and never will be. With that being said, next clip! Wait no, disclaimer, I got a little lazy with these, oops again, so the clips are pretty short. Okay, now, next clip!"

༊*·˚

The two girls were now laying on their chests on sun bathing chairs. The camera was set up on a small table in front of them as they both pushed themselves up on their chairs.

"30 seconds. Wanna do the honor's of explaining this one, Becky?"

"Yes please. This song is about how much of an asshole mister tiny dick was."

"Becca!"

"What? He was. Mister tiny dick broke up with my goddess of a best friend over a phone call, that lasted a solid 30 seconds." The Rivera girl explained, as Alanna gave her stern look.

"Becky, I'm gonna get demonetized because of you."

"Not my fault he had a tiny dick."

"Becca!"

༊*·˚

"Guys, it's editing Lana here again." The girl said, once again sitting in her bed. " So, apparently, none of my footage for the next three songs saved, yay. So, I am gonna have to do this little explanation segment again.

Okay, crushed mind. My baby, the second song I wrote, uhm, I pretty much got emotionally cheated on, so, my mind crushed. Oh my, God, I suck at explaining when I am alone. I feel so awkward just talking to my phone. Ugh, anyways, yeah, I don't know what else to say for that one.

Moving on, i miss u, this one I'm gonna explain so good, just watch, well listen... and watch. It's about missing the person your partner used to be, feeling like they've just become this whole new different person than the one you feel in love with. Which hurts, a lot. But, you know, people change, you can't get mad at people because of that... but you can write songs about it." The girl said, giggling slightly at the end.

"Last song that vanished, spinning circle, talks about conversations with my ex, would just be a spinning circle, I know the saying is like cycle or whatever, but the circle part is explained in the song. I can't tell you right now though, 'cause then I'm... I'm spoiling the like plot twist in the lyrics. Anyways, my camera figured itself out after that clip, so yeah. Back to Lanny and Becky from a week ago."

༊*·˚

The two young adults were sitting on the paddle board, which was tied to the dock so they didn't float away. The sun was beaming on them as their wet skin reflected the light slightly.

"I felt a fish touch me!" Becca gasped just as Alanna was about to speak.

"It's a fish, it's not gonna kill you."

"No, but you know what will, forgiving." Becca said, winking at the girl, clearly proud of herself for the word play. "Get it? 'Cause the next song is... forgive."

"Go you, girly. Forgive, is about forgiving myself for the pain I caused myself during the end of my relationship. Like, I knew it wasn't healthy and all, I knew I should've broken up with him, but I didn't. And it ended up hurting me a lot, and I wrote that song last, kinda like a letter to my past self, forgiving her for making me hurt."

"If any of you though it was about her forgiving mister tiny dick, you weren't alone. I though so too, and I almost wacked her when she told me." Becca said, using the nickname she had for Trevor once again. "Don't look at me like that, you're not gonna get demonetized!"

༊*·˚

"Okay, friends, it's now bedtime for us. We decided not to film after dinner, because we ended having a little heart to heart in the car after, and we just didn't really feel like it. So, we're gonna speed run the last three."

"Heist!" Becca called out. The two best friends were once again in the bathroom, now doing their nightly skincare.

"Going on a heist to get the smallest bit of attention from your partner." Alanna answered.

"heart n soul."

"How hurt my heart and soul were after my break up."

"Last one, tired of u!"

"Tired of... them. Yeah! No, uhm, I am gonna take a little more time on this one since it's also the name of the album. Tired of u, is just about how tired I was of how my old boyfriend was treating me and acting around me. And the reason I picked that name for the album, is because it really describes how I feel towards him still, and our relationship, even now. Overall, just tired of everything related to my old relationship, the media, the comments, just all of it."

"I got tired of him, too, Lanny." Becky said right before the clip cut, making the singer chuckle slightly.

༊*·˚

"Okay friends, we're now in our matching pjs, and we're gonna go to sleep now. So, thanks for hanging with us today."

"Don't forget to go pre-save the album!"

"And yeah, I'll see you guys soon. Bye bye!" Alanna said before leaning in and pressing a kiss to the lens, which Becca than repeated.

: ̗̀➛ comments

user80 the way every time she vlogs she always struggles with the camera- she's so me

user001 so excited to hear these songs, all of them sound so interesting !!!

user719 guys i think she's gonna release sunset chasing as a single before the album drops cause she did the whole album in order, expect for i regret you everyday and sunset chasing

user412 @/user719 OMG YOU'RE SO SMART alannaoregon @/user719 shhh bestie you're gonna ruin the surprise user719 @/alannaoregon OH MY GOD OH MY GOD HIIIII

[decapitatedsnake]

My little (to no) context reaction to the wisdom saga 💙💙💙💙💙💙💙

(I couldn't stay up to watch the live so I'm just listening to the music = no animatics)

[30th of august 14:58]

Legendary

. I mean I've already heard legendary but I'm excited

. Gorgeous music, I feel transported into like ancient greece

. This sounds amazing

. The guy who voices Telemachus (MICO?) is adorable

. I don't like the riffs but he sounds good

. Telemachus deserves the world

. "L-l-l-l egendary"

. 108??!

. Isn't he like 13 here? (anywhere from 12-15 i feel like)

. I don't think we got a snippet of the ending

. MAN OF THE HOUSE

. AHHHA

. 20 YEARS?? WHAT

. I can't tell if they said 12 or 20

."BOY" Lowkey scared me

. EXCUSE YOU SIR TRAMP?? WHO DOES HE THINK-

. Antinous didn't come to play DAYUM

. This is insane

. "Whatcha gonna do about it champ?" Jorge was totally right Ayron is such a good Antinous

. Awwww he can't do anything :<

. Wait?

Little wolf

. GET HIM TELEY

. I love Antinous's voice

. I really loved the snippets for this one

. "I'll teach you all the lessons your daddy never could" it's on sight actually

. And little wolf is just so ughh I wanna punch him

. ATHENA

. FIGHT BACK

. BAHAHAHA UPPERCUT?

. QUICK THOUGHT

. And he👏is👏a 👏bully👏

. SHOW HIM

. ATHENA IS SO COOL

. OMG OMG

. Her voice is stunning

. The animatics are gonna go so hard

. Awww

. Oh he lost??

. Telemachus:((

. I mean yeah why did she come to your aid?

We'll be fine

. We only got Teleys bit so I'm excited

. Oo start with Athena

. FRIEND??

. Don't make me cry

. "He was a lot like you" gee I wonder why

. GREW APART :((

. HIS LIGHT!!

. GLORIOUS VOICE

. WAITT THEY CHANGED IT

. "Or if hes worth the hype but" > " I don't know what he's like"

. Fair enough

. And they changed "Cuz I got in a fight, sailed to an island when I've never left home shores"

. Okay it's been less than 5 minutes please refrain on the whole "friend" thing rn lol

. God telemachus voice (I can't shut up they're such good singers"

. DUET!!!!

. YOU WILL BE FINE

. Kid? Is he twenty or 12 I can't tell

Love in paradise

. FUCK YES

. WAIT THE INTRO?

. THEY WERE AT SEA FOR 10 YEARS, damn

. THE MUSIC SOARING, IT'S SO COOL, ouch

. CALYPSO MY LOVE (only the epic version though) [Ik it's up to interpretation but for me she doesn't sa him in this version]

. She's my wife 🙂 anyway 🤨

. HELL NO

. Oh shit love in paradise is athena watching, not Odysseus's experience

. Like this is when they first met and Calypso and Odysseus have been together for 7 years

. 7 YEARS

. YEAH I SAID THAT, before the song did

. ODYSSEUS!!

. WHAT > THE LEDGE

. ODYSSEUS 😭😭😭😭

. Wtf I am not emotionally stable enough for this

. Open..... arms.. BRO

. HIS MUM, POLITES AND EURY AND PENELOPE AND ATHENA??? BROO 😢

. YEAH I THINK HE DOES NEED HELP UGH

God games

. Ooo very grand

. Athena get him PLEASE

. She's about that business

. YES GOD GAMES INTRO OMGG

. WAIT WERE GONNA HEAR APOLLO AND HEAPHESTUS I'M SO EXCITED

. THE LITTLE MUSIC CHANEGS ARE SO GOOD

. ZEUS VOICE IS SO AMASZNIGN

. "and me" 😎

. That is not how I thought Apollo would sound

. He's batting for the sirens?? Um Ig that makes sense

. Oh Heaphestus I totally thought that aphrodite was next

. Well she's level 3 anyway

. BRO HIS DAD VOICES HEAPHESTUS I LOVE THAT

. Wait Apollo and Heaphestus are very reasonable, good for them

. NOW THE ONE WE'VE ALL BEEN WAITING FOR (excluding Hera)

. OMG IT'S THE SNIPPET THAT'S THE FINAL

. Athena's voice is new?

. Hmm she rerecorded but they didn't

. DIDN'T EVEN TRY TO KILL HER

. Don't fuck with Telemachus in front of Athena

. "Ughh release him"

. HERA

. OH FUCK SHE'S PERFECT CMON

. RELEASE HIM

. ZEUS YOU DICKHEAD SHE'S THE GODESS OF WISDOM LITERALLY ONLY HER COULD BEAT YOUR GAME

. WHAT WHAT

. NO

. WHAT???

. WHAT'S going on

. The music is telling me she like survived whatever his ambush was

. Zeus....

.THATS THE END WHATT

[putschki1969]

Kaji Fes.2023 Day 2 FULL Video

»»——  CLICK ME 🎁 CLICK ME ——««

❗FOR PERSONAL USE ONLY❗ ❗CREDIT me if you SHARE on other sites❗

Yes, finally we have a recording of Day 2. Even though I was there for Day 2 back in December, I was still excited to experience the whole thing again. Unfortunately, I never got to write my report so I guess I will use the opportunity to share some of my memories and current thoughts.

Here goes nothing┗(•ˇ_ˇ•)―→

street corner: Looks like they cut this. I am surprised because they had a much longer slot for Day 2 (3 hours instead of just 2) so I was sure they would be able to squeeze all of it into the broadcast but apparently not. Oh well, can't say I am said about that because being confronted with the accordion right from the get-go at the live really didn't leave a good impression on me. I had pretty high expectations for the whole thing and this intro left me more than underwhelmed. Thank God we transitioned right to "希望の光".

希望の光: Now THIS is the intro I was hoping for. What a gorgeous melody! I wasn't familiar with the track but my God, I got goosebumps all over. I literally felt this in my entire body. The gradual build-up to a more grand-scale symphonic arrangement towards the end really impressed me. I am just obsessed with the uilleann pipes and the Celtic sound. I honestly struggle to get beyond this because I keep rewinding the video.

prelude to Act 1: The look on my face when I heard those first few notes. I was shooketh to say the least. I most definitely did not expect them to do the Kalafina block this early in the live but I knew that if they were doing the Madoka instrumentals, the most logical thing would be to transition straight into a Kalafina track. While I have never watched the anime, these are melodies I hold very dear to my heart so I loved this. It was also a great pleasure to hear Eri Ito live for the first time. I will never get enough of Yuki's more classically trained vocalists. it's such a pleasure to listen to them.

Numquam vincar: After "prelude to Act 1" this was no surprise at all but damn, I am so glad they played this. I've never actually had the chance to experience this track live even though they obviously performed it numerous times during Kalafina live intermissions. What a pleasure to be there and truly feel the epicness of that intro. Once more I was covered in goosebumps.

Magia [quattro]: At this point I knew it was coming but it was still a shock to my system. Like I said earlier, I was sure that they would wait until the very end to do the Kalafina block (that's what they had done for earlier lives) so I thought I had some time to prepare myself and get into the groove so to speak. My body certainly wasn't ready so maybe that's why my brain couldn't properly compute the whole thing. I remember not being as hyped as I expected to be and that made me kinda sad. I am so grateful that we are getting this recording and a blu-ray release because I feel like I couldn't fully appreciate the performance while I was there. Getting to see it again is a real treat and I must say, I like this much more than the previous FJ "covers" we have gotten of this song. Hikaru and Keiko sound so perfectly in tune and I just love their powerful delivery. For the most part, I don't mind the higher harmonies provided by Yuriko and Joelle. Although during some parts (e.g. mayowazu ni yukeru nara), I feel like Joelle and Keiko don't harmonise very well together but whatever, it doesn't bother me too much. On a random side note, I wasted way too much time wondering about why I thought that Keiko's arms looked kinda naked until I finally realised that the puffy sleeve pieces of her outfit were missing.

storia: I did not expect this to make it onto the setlist but I am a big fan of the song so I was happy when I heard the first notes. Overall, I think I like this version well enough although I will admit that my favourite part has always been the chorus with Keiko and Wakana so it is a bit jarring to hear Joelle for these parts. Don't get me wrong, Joelle sounds great and I feel like the harmony between her and Keiko works better here than during "Magia" but still, it can't quite touch my heart. I mean, just thinking of all the Kalafina performances where Wakana and Keiko gaze lovingly into each other's eyes while they sing the "yasashii uta..." line makes me tear up. Nothing will ever be able to replace that for me. A few days later I attended Wakana's concert where she also performed "storia". This may sound ridiculous but hearing those performances more or less back to back almost felt as if the three of them had been reunited. Even though this might have been a coincidence, just the idea of this little connection had me in tears.

君の銀の庭: Oh, another cut song. Thank God we are getting the Blu-Ray. I will be honest with you though, I am quite sad that they chose two Kalafina songs that I don't particularly like. I couldn't get as excited as I wanted to be. I think I had no complaints about this performance, enjoyed everyone's vocals and didn't really notice Wakana's absence. But I guess that's because I wasn't a big fan of the song to begin with :P

to the beginning: It will forever be a mystery to me why this is such a fan favourite but oh well, let's not linger on that. In some way, it's almost a blessing in disguise for me to not have such a strong emotional connection to these songs because it helps me appreciate the new versions a lot more. No matter how skilled of a singer Joelle might be, if I am invested in a performance with a prominent Wakana part, there is no way anyone will ever live up to that. It's 100% a me problem, I realise that but I doubt I will ever be able change that way of thinking. Anyways, this was a perfectly fine rendition.

海と真珠: Don't think I've ever heard a JUNNA song. Not a huge fan of her voice, it's just too generic for me. But there's something about this song that I like, especially that those hey-hey woah parts. The chorus is decent too. It's not a track I would skip but also not something I would actively seek out.

太陽の航路: Not my cup of tea. I can tell that there is a nice melody hidden in the chorus but it's a bit too fast-paced for me.

time to sail!: Yet another cut. I loved this. Was already familiar with it from a previous recording so I really appreciated getting to hear t live. It's somewhat of a very epic and grand-scale version of "Umi to Shinju" which I am only realising now XD

The main theme of “L.O.R.D”: Can't tell you how very much I am in love with this song. The first time I got to experience this live was in Taiwan back in 2019. The song is so fucking good, I will never get tired of it. I was utterly blown away by Joelle's vocal prowess. I know it always sounds like I am low-key bullying her but that's really not my attention. I am just forever too hung-up on Wakana to ever be able to accept anyone else taking up my favourite parts of her.

I talk to the rain: Can't wait to hear this again on the Blu-ray.

a song of storm and fire: In my report for Day 1 I did talk about tis and "salva nos" being my first introduction to Yuki Kajiura's music. I feel so privileged to have finally been there for a live performance. Needless to say, it was everything that I could have asked for. Watching the recording now doesn't even do it justice. It was so much more powerful at the venue.

ring your song: This always brings tears to my eyes. The melody is just so beautiful and when they all join in, it's literal perfection.

ことのほかやわらかい: God dammit, I really want to like this song because in theory it should be right up my alley. I mean, the instrumental intro is to die for, it's so promising but then it's just all over the place and I can't get into it T_T

夜光塗料: Not a huge fan of ASCA unfortunately and I do not care for the song either.

雲雀: Surprisingly fond of this. Very nice melody. Can see myself listening to it on a regular basis.

君が見た夢の物語: Not much to say about this except that I enjoyed Keiko's lower harmonies. It's not a bad song per se so I probably would have liked it more if it didn't have ASCA on main.

everlasting song: This is always fun although I do enjoy the version without FJ ASUKA more. I know that sounds horrible considering it's literally her song but I will never be a fan of Yuki's vocalists with a more generic voices. Wakana's "kimi no me ni..." will forever be my favourite!!

世界の果て: No thoughts really.

優しい夜明け: Joelle is a much better fit for this See-Saw song than Yuuka. Very enjoyable.

君がいた物語: A favourite of mine. Do I prefer the version with Wakana? Of course! Do I have fun with this version too? Mostly yeah! Kaori's always work for me here but I can tolerate it.

Rainbow~Main Theme~: This was a nice treat. Very fond of KOKIA as a vocalist and this is just a super beautiful song. Have always liked it.

風よ、吹け: Not as smitten with this new KOKIA song but it's nice enough. I certainly wouldn't skip it

lotus: Wow, two Hanae cuts! How rude!!

inverse operation:

目覚め: I do love the Wakana versions but I also enjoy versions with other main vocalists. And of course, Hanae does an amazing job.

夕闇のうた: I know this didn't leave a good impression on me when I first heard it and I can't say I feel much different about it now.

荒野流転: This upcoming FJ Yuuka corner didn't do anything for me, it was the point where I started to get really tired and distracted. It was a struggle to still pay attention even though these were all more up-beat songs.

Silly-Go-Round: Nope.

cazador del amor: Meh.

nowhere: The only song I actually enjoyed from this corner. ASCA thankfully used a voice that I didn't find too grating (which can't be said about rito, JUNNA and Lino). Almost wish I had stood up for this performance and the next because Keiko was spending a lot of time on the left side of the stage (I had an arena seat pretty close to the stage on the left) but I probably wouldn't have had a good view of Keiko anyway so I preferred to just watch the screen. And to be honest, I am not the type of person to stand up and do some weird moves anyway so it was probably for the best. No need to embarrass myself in front of people who actually know how to move their body.

zodiacal sign: I mean, when is this ever not an absolute pleasure?

into the world: I was hoping to see Hikaru again since almost all the other guest vocalists had had a second appearance and yay, she came back on stage for the final song before the encore! "into the world" was such a perfect ending. I definitely got choked up, especially towards the climax of the song when Keiko was really putting all of herself into it.

red rose: Not my favourite but a good track for all the musicians to shine again.

Parade: It's my favourite song from the album and a fitting ending for this behemoth of a concert. At this point, everyone was close to tears after Yuki's little speech so that made it so much more moving. Love, love, love!! Right after they all take a bow and everyone is leaving the stage, I am glad they zoomed in a bit on Keiko who was wiping away some tears and leaning on Hikaru. That moment killed me at the live.

[ateez-ana]

lie detector recap

-now you are watching lie detector recap by @atinylatsub on youtube-

#intro/

hi guys welcome to a new video today I will present "matz line being a disaster for 3 minutes"With nothing more to say let's start with the video

#clip1

The three oldest members of Ateez are sitting at a table with the lie detector, the first to answer the questions is Seonghwa

 'Seonghwa, is it true that the eldest are actually awkward around each other?' ana ask the boy, Seonghwa, not wanting to admit the truth, replied, 'No, of course not. We're as comfortable as can be.'

The machine started beeping, indicating that Seonghwa was indeed lying,Hongjoong's eyes widened in shock, and he burst out laughing.

'Seonghwa, you liar! You totally are awkward around us!' Ana joined in on the laughter, doubling over as she clutched her stomach. 'I can't believe you tried to deny it! You're always so serious and formal around us, it's hilarious!' Seonghwa, looking embarrassed, tried to defend himself. 'I am not! I'm just being respectful.'

Ana, meanwhile, had dissolved into a fit of giggles. 'Oh, Seonghwa, you're so transparent!'

'Transparent?!' Seonghwa spluttered. 'It's just... I’m not used to the… the... enthusiasm.'

'Enthusiasm?' Hongjoong scoffed, throwing his hands up in mock despair. 'Is that what you call Ana's contagious energy and my… my… *passion* for life?'

'Passion,' Ana deadpanned, her laughter echoing through the room.

The three of them started to argue, with Seonghwa insisting that he wasn't awkward and Hongjoong and Ana playfully teasing him. The crew, who was filming the exchange, couldn't help but laugh at the scene unfolding before him.

#clip2

 'Alright, let's move on to our next question. Hongjoong, do you love your fellow eldest members?' Seonghwa ask the boy next to him

Hongjoong, with a dramatic sigh, looked directly at the camera. 'Of course, I love them. They're my family.'

'BEEEEP!'

The lie detector, once again, betrayed him. Ana and Seonghwa, simultaneously, gasped.

'You… you don't love us?' Ana choked out, her eyes wide and hurt playfully ask the boy. Seonghwa, who had been trying to stifle a laugh, now burst into full-fledged hysterics. 'You're telling me you don't love us Hongjoong, who's been trying to eat our food ever since we debuted?'

'It's not like that!' Hongjoong protested, his face turning a deep shade of crimson. 'I just… I just…something its wrong with the machine You didn’t do anything to the detector, right?' He trailed off, unable to formulate a coherent lie.

'See?' Ana chimed in, her voice dripping with mock indignation. 'He doesn't love us! I've known it all along!'

'Well, clearly,' Seonghwa said, still chuckling. 'He's just trying to hide his true feelings of…terror.' 'Terror?' Hongjoong sputtered, his face turning even redder. 'Why would I be terrified of you two?' Ana, however, was done with the charade. 'Okay, guys, enough. The truth is, Hongjoong and Seonghwa, you two… you don't love me!'

#clip3

For the final question, the hongjoong asked Ana if she loved Seonghwa and Him. Ana answered with a genuine 'yes' and the lie detector didn't beep.

The other two members were stunned, and Ana took the opportunity to point out that they never showed her any love in return.

Yes!' Ana declared, her eyes gleaming with mock defiance. 'From now on, I'm going to focus my love on the other members. They appreciate me more!'

leaving the two eldest members to stare at each other in stunned silence.The crew, meanwhile, was wiping tears of laughter from his eyes.

#clip4 (ana questions)

Hongjoong: Alright, Ana, first question: 'I'm confident of winning No. 1 with Wonderland as we did with Wave.' Truth or lie?

Ana, looking straight into the camera, her face a canvas of confidence, 'Of course! I mean, have you seen the choreography, the song, the whole package? We're gonna smash it!'

The lie detector beeped, a steady rhythm indicating...well, a lie. The camera crew exchanged a delighted glance, a wave of anticipation hitting them like a tidal wave.

Seonghwa, eyebrow arched, “Ana, the truth hurts, but it hurts less than the hat you’re going to wear.'

"I have a backup plan. I'll wear this ridiculous hat and sing 'Wonderland' in front of the entire fandom"

Hongjoong:Not bad!

Seonghwa: I can't wait to see that. What color hat would you wear for your 'Wonderland' performance?

Ana:Neon pink, complete with matching glitter glasses.

#clip5

Seonghwa: Right, next questionbI have a dream brand I want to be the ambassador for?

Ana's Answer: I want to be the face of... *drumroll*... Lovecraft Couture!

Hongjoong: Lovecraft Couture? Isn't that horror-themed?

Ana: I'm a creature of the night.

Seonghwa: We should get you some fangs and a cape.

Result: Truth

What kind of outfit would you wear for a Lovecraft Couture shoot?

Ana: A flowing black gown, with tentacles creeping up my arms. I'll channel my inner Cthulhu.

#clip6

Hongjoong: If I were to be born again, I would still choose to be ATEEZ, you're going to be in trouble if you lie on this one

Ana's Answer:100% without a doubt! ATEEZ is my family, my brothers, my everything. I wouldn't trade it for anything in the world.

Hongjoong: Aww, that's so sweet.

Seonghwa: We love you too, Ana.

Ana looks at the boy with amused disbelief in her eyes "We literally realized that it's not true in this test, maybe the others do but you two nah"

[erikiara80]

March 22nd and all the birthday references in ST

Will's birthday has always been important.

A birthday mug in episode 1

Same mug in Mike's basement. We see it in scenes with El in S1 and Will in S2. Yeah, I think birthdaygate could be about her, too. Will is the only character whose birthday was used to literally save him and the whole town. And we've seen El's birth and birth certificate, but we still don't know when she was born? Strange

The I forgot your birthday card in Will's room in S1

But in S2 we only see it when Joyce looks at the Will the Wise drawing. In all the other shots the card is not there, and the drawing is on another wall. This could be a hint at different timelines (of a timeloop?) More screenshots here

Basically, I have two theories about Will's birthday: either people really forgot it in S4, or the Will who was born on March 22 is the brown-eyed Will in the Missing poster, in the timeline we see in the shed scene, and not the hazel-eyed Will we see in the rest of the show. Maybe they hid the truth in plain sight, they let people believe that his eyes were different because he was possessed. But then in S3 they show that Billy's eye color never changes (here) Can't wait to see what this means

No birthday card in these shots

Lesbianmindflayer found a video posted on the official IG account in August 2017. At the time, they had already filmed S2, they knew there was an important scene about Will's birthday, so why posting the wrong date? Is it actually a mistake, or that's really his birthday in another timeline? We'll see!

The amazing shed scene. One of my favorite! Joyce talks about Will's 8th birthday. That was in 1979, the year of the massacre. She also mentions his rainbowship, a hint at his queerness, but also a reference to the lab. And I think there's a connection to the "rainbow rocket" near Creel House, and the ship of Brenner's father, who was involved with Project Rainbow, and the first man to wind up in Dimension X. This scene is so important!

Will drawing a spaceship could also be a parallel to Olivia Dunham (Fringe), who drew what she saw in another universe. A Zeppelin

Olivia's drawing (Byler-Polivia parallel and Subject 13)

3x03. Happy Birthday and '76 on the poster. The lifeguard is talking to El and Max here. My theory about what this could mean and what might have happened in 1976 here and here

The original title of episode 3x06 was The Birthday. There is no birthday in that episode, but after the intro, the song that plays is Stand up and Meet your brother, and then El meets the Mind Flayer/Vecna (as a lab kid, Henry is kinda her brother), who is possessing a boy named William. A surfer boy.

Episode 3x08, posters of Firestarter and Sixteen Candles. Will is associated with fire, and in Sixteen Candles a girl hopeful thar her 16th birthday is the beginning of a great year, is shocked when her family forgets it because her sister is getting married the next day.

Sixteen Candles and a boy's 16th birthday are also mentioned in S4, and it is likely that S5 is set in 1987, after the time-jump, when Will is 16.

S4. There are so many mentions of birthdays in this season, it's crazy to think that the writers forgot Will's birthday.

Mentions of birthday and stolen thoughts in the opening scene.

Birthday party at Rink-o-mania. I could be wrong, but it looks like a party for two people, to me. And there's a hidden reference to the massacre. The game Asteroids was released in 1979 (here)

The scene that made many people believe that the writers forgot Will's birthday.

March 22. The Rink-o-mania scene is a parallel to the lab scenes, Asteroids was released in 1979, and the day of the massacre El remembered her birth. Maybe a hint that her birthday is also on March 22?

They call her little baby, and two of the bullies are twins.

Murray says that a one-year-old won't remember their birthday

Also, the wallpaper reminds me of these birds we see in his house, when Alexei explains how the two keys open a gate

Murray says that his "son" is almost 16

Mention of Sixteen Candles

Mike's Happy Birthday mug

At Suzie's, Will mentions Dustin's birthday

Yeah, I think something will happen to Will in 1987, when he's 16. And it won't be funny, lol. But he'll get his happy ending.

Happy birthday, Will!

[myvirtuesuncounted]

my full review of ttpd (a month late, shhh)

tw opinions. if you like a song that i don't or vice versa or you don't agree with a comment i made, good for you! get it off your chest, get it off my desk!

fortnight

One of Taylor’s weaker openers, it’s a nice song, not much going on though

the production is boppy, not much going on once again

Interesting how Taylor sees her muse as living a good life without her and a nice domestic scene with his wife watering flowers but for her, her husband is cheating on her, implying she thinks she will never be happy, maybe because of how this relationship went or her general perception of relationships and her experiences with them. That is my interpretation of the song.

The outro with post and taylor's harmonies SLAPS

Like I said, this song feels a bit lacking of substance both thematically and technically, it doesn't do it for me, i don't hate listening to it, i just don't love it.

i think it might be a song that grows on me over time but it won't ever be a fave for me.

i also think in light of the music video, it's lost some of its spark for me, as that music video made no sense to me. i don't think it deserved to be a single.

the tortured poets department

“You left your typerwriter at my apartment, straight from the tortured poets department” implying that this thing of which she is now part had been introduced to her by the muse

The muse has probably compared them to poets like Dylan Thomas and Patti Smith and probably romanticised their relationship into the work of a tortured poet, but that’s not real life.

Taylor brings back to reality that now because of his self sabotage that brought both of them down in this relationship, he has lost the one who will decode him, hold him, know him

the above are just little analyses i like making as i listen to the song, they have nothing to do about whether i like the song or not, it's just me trying to make sense of it. you'll see that a lot.

i do not like the charlie puth line. at all. why is it there?

also don't like the tattooed golden retriever line, the image of a tattooed golden retriever is terrifying.

i was so off-guard about the namedropping in this song, sorry i had no idea who dylan thomas or patti smith were.

this song is trying too hard to be poetic, i think (which one could argue is the whole point of this song), but it doesn't stand out much to me. the themes are interesting though.

this is a pretty weak title track, personally. i feel like it doesn't encapsulate the essence of the album (which i am confused about tbh, ttpd has a lot of aesthetics going on for itself). it has nothing on little fearless and evermore.

my boy only breaks his favourite toys

so we all thought this song would be pretty petty, but i honestly don't think it is extremely so. there's a sort of pity for the muse, that the breaking of his 'favourite toys' is a form of self sabotage and that they could've had it all.

i love how it starts so defeated, "oh here we go again", which i think is in reference to the muse's self sabotage ruining her life

it also feels a bit reflective and nostalgic of the fact that it wasn't all bad, which i quite liked. i liked the contrast of feelings.

"once i fix me, he's gonna miss me" is a devastating line btw

so is "he saw forever so he smashed it up"

song is a bop, i like the lyricism, overall i enjoy this song :)

down bad

i enjoy the cunty synth here ahaha. for all the jokes the fandom makes about jack fucking around with the synth while taylor sings the most soulcrushing lyrics, it is so real especially for this song.

taylor has never sounded so good while swearing. "fuck it if i can't have us" is such an earworm.

i feel like this is the most petty song in the album, mainly because of the "teenage petulance" in the lyrics

the callback to new romantics in the bridge is so insane, i noticed it immediately.

the production is so mystical and giving space alien vibes, i enjoy it.

so long, london

the intro is giving big ben bells and/or wedding bells

the fast beat vs the slow melodies is such an interesting juxtaposition (to my lit teacher, i hope i used this word right XD). i think it really highlights the conflicting feelings this song explores ("i'm just mad as hell 'cause i loved this place") and also how taylor isn't able to keep up with how quickly the relationship is dying (the production) and she's still sifting through her feelings to find acceptance (the melody)

"how much sad did you think i had" something something "how long can we be a sad song" something something "don't want no other shade of blue but you"

the bridge is just the most devastating strike to my heart

"you sacrificed us to the gods of your bluest days" is one of my favourite lyrics on this album

track 5 is track 5ing

this song is a masterpiece, i genuinely love it so much

but daddy i love him

get this song out of my face, i hate it so much. blocked on spotify.

why did taylor have to waste good lyricism and production on such an awful premise and "fuck you" to her fans dishing valid criticism of her association with matty?

the baby line is hilarious though, because i did indeed fall for it the first time

like you can talk about taylor's agency all you want but everyone knows what the implications of this song are and i feel hurt and offended that this is the attitude both taylor and some swifties are taking.

"the most judgemental creeps" um, is this fucking play about us?

fresh out the slammer

her voice sounds beautiful in this

love the country twang in the production

it's giving getaway car thematically

i think it's interesting to see this song so soon after so long, london, where she says she was "going down with [the ship]" but she was literally dreaming about running into the arms of another man and was "[doing her] time". like ok girl!

vibey song but not for me. i don't have much to say on this.

florida!!!

IMMEDIATE FAVE, i had claimed this since day 1 and i was so right

cunty production, i can tell florence had a lot of influence. no more synths! bring out the drums!

at first, i had no idea what was happening in this song, but when taylor talked about it being about reinventing yourself, it made a lot more sense to me and i love that interpretation, it rings so true.

can i be honest and say that i thought it said "arms" not "home", like that doesn't even make sense 😭

florence's verse fucking slays, my only gripe is that her voice in the verse is kinda quiet compared to the instrumental. could've used some better mixing here.

"me and my ghosts had a hell of a time" is a banger of a line

the bridge is immaculate, has been in my head since i first listened to it.

this song is amazing, there is nothing like it, pure perfection. top song on the album.

guilty as sin?

obsessed with the beat

hedge maze = labyrinth = the mind, idk i just loved that connection

we have reached the ovulation song lmao

did you know it took me so long to realise the chorus was talking about masturbation? like i knew the song was horny, but i didn't realise it was THAT horny.

i think i called this a mature, sadder false god in my notes. that uncertain, sensual, desiring tone is probably what motivated that connection in my head.

WHAT IF HE'S WRITTEN MINE ON MY UPPER THIGH ONLY IN MY MIIIIIND

the bridge is so beautiful, i am a sucker for religious imagery.

overall i'm obsessed, beat good, lyricism good, i love it

who's afraid of little old me?

now i know this is the fan favourite, and i understand why. it gives an eery, angry vibe, and i also enjoy it. to some extent.

namely, the part i enjoy most is the circus imagery, i liked how she leaned into the circus animal metaphor to depict her struggles in fame and her relationships. it's like a badly behaved circus animal about to be put down absolutely losing it and raging about its plight, which i enjoy as a means of storytelling and expressing emotion. i also enjoy it as a callback to mirrorball and what happens when the mirrorball finally has had enough of shattering in a million pieces and performing for a largely uncaring crowd.

... which is why i don't like the asylum lyric. to me, it doesn't add in anything significant thematically when the rest of the song hardly has similar strains of discussion. not to mention the ableist overtones and trivialisation of the asylum experience but i just don't like this lyric. it weakens the premise of the song.

the production is also off in some places, it feels muted and underwhelming compared to the premise of the song.

it's an okay song, i 100% like the acoustic demo better that she came out with recently. some changes in production and the omission of that asylum lyric would put it higher up for me.

i can fix him (no really i can)

good thing this song is short because she couldn't fix him at all and i don't like this song.

"the jokes that he told across the bar were revolting and far too loud" euphemism for bigoted, taylor?

production is boring, the melody is also pretty boring. the lyrics are good, but not enough to save the song, in my humble opinion (it is after all my review here)

"good boy, that's right" taylor GET UP

the 'woah maybe i can't' is funny though, i'll give her that

loml

slayed, devoured, left no crumbs, left me emotionally devastated

the lyricism is absolutely beautiful, the sadness is tangible

the first time i listened to this, i was on the train, and i was so emotional, it was the perfect music to stare out the window to.

the impressionist painting line is also absolutely brilliant, took me out when i heard it. one of the best lyrics on the album.

the bridge and outro are the reasons i need therapy, destroyed me

loss of my life theorists won but at what cost.

i think some of taylor's simplest songs melodically have some of the most beautiful prose and emotional connection, i think she needs to tap into that more.

10/10 no notes.

i can do it with a broken heart

extreme whiplash hearing this after loml. similar whiplash to what taylor felt, i think, going on tour after such a heartbreak

someone pointed out that the almost metronomic beat and the faint counting in the background is like what taylor hears in her in-ear monitor on tour and i think that's really cool.

obsessed with this song so much

it has been stuck in my head since i first heard it

i never expected this to be the cuntiest song on the album but i am not disappointed at all.

"i cry a lot but i am so productive" is so mecore if i was actually productive

the ad libs at the end are also perfect

is it just me or can i hear crowd noises in the background?? am i imagining this??

i'm afraid the fandom is gravely misunderstanding this song. some are saying that taylor hates us because we were "shouting 'more!' " when she was feeling like this. some are saying that she doesn't resent us at all and that this song absolves us completely. those are both two extremes and my interpretation lies somewhere in the middle. this is not a callout to fans but also some factions of the fandom were (or are) being assholes demanding reputation tv and double albums all the time. acknowledge the nuance.

10/10 obsessed, fave song after florida!!!

the smallest man who ever lived

this song is good.

bridge of all time, indeed, she went OFF

the verses feel a bit meh to me but i love the chorus.

"you didn't measure up in any measure of a man" HAHA TAYLOR IT TOOK ME A SECOND TO GET THE DOUBLE ENTENDRE

this song is indeed petty, but it also feels defeated to me? like taylor just sounds tired of it all and quite hurt, that's what i got from it.

i also love the performance of this song on the eras tour. she is marching with an army and they keep taking hits throughout the song, until she eventually falls at the end. something something "the great war" something something "fighting with only your army, frontlines, don't you ignore me", etc.

the alchemy

i feel a little let down by this song? because from the name, i assumed this song would be using the concept of alchemy being a medieval science of turning things into gold or finding a universal cure as a metaphor for a broken/dying relationship.

also i don't understand how this is meant to be a love song, sounds really sad to me? like almost defeatist in terms of how the relationship.

why am i being bombarded by football metaphors?

i mean, it sort of plays on the idea of alchemy being a sort of magical transformation, but to me, it just feels like a synonym for chemistry.

" 'cause the sign on your heart says it's still reserved for me" is a cute lyric though.

it's quite formulaic as a song and there's not much going on for me. anyway.

clara bow

i really enjoy the concept of this song being the torch of fame being passed onto different women, from clara bow to stevie nicks to taylor swift to whoever's next.

once again, it's quite simple melodically, but this is where she shines! the typewriter while she was writing this must have been on fire!!

i also love how it plays on the concept of being put onto a pedestal as a famous woman and how you're only appealing until people decide you're not

"it's hell on earth to be heavenly" is such a perfect lyric.

the namedrop of herself GAGGED me on first listen, i was amazed.

it's a perfect closer to the first half, putting everything into the perspective of her fame and passing the torch onto something else because society has decided out with old, in with the new.

the black dog

the thing about the location settings makes me so ill, he didn't even think to turn it off for her. they probably shared locations to make sure they could check up on each other, and it was still on. it is such a tiny thing but so devastating.

the buildup on "old habits die screaming" ohhhhh this is amazing

the best laid plans... hoax...

"i still miss the smoke" people are making parallels to daylight but my first thought was lavender haze, like missing the lavender haze, you know?

the priest lyric is so devastating if you think about the fact that taylor thought she'd be meeting a priest about this relationship for a different, happier reason...

obsessed with this song, it's so beautiful.

the quietness of the verses and the loudness of the chorus, i am genuinely entranced, it is cinema.

imgonnagetyouback

do not ask me to compare this song with olivia rodrigo's "get him back", they're both on different levels thematically and tonally even though they use the same double entendre.

what narcotics did she put in this bridge XD

so boppy, and sensual, i adore it

i remember going on a long search for the literary device that is present in "i hear the whispers in your eyes", decided it was antithesis with the help of my followers. not at all relevant, but wanted to add it.

the albatross

i can make a lot of parallels to peace with this song.

it's so eery and mythical, i love it, treats taylor like a fable, an urban legend.

aaron dessner is a fucking legend, i am loving the production on the anthology

my folkmore girlie self is loving the anthology for real

i love the bait and switch to "fake news", exposing these rumours for simply that, and saying that she's not the dangerous one, the "jackals rais[ing] their hackles" are.

i am always a sucker for when taylor changes from third person to first person narration, it's so important to me. bait-and-switch, you are everything to me.

10/10 no notes.

chloe or sam or sophia or marcus

heartbreakingly beautiful. just a general melancholy around the breaking down of a relationship and is so so perfect.

the hologram lyric is not about cheating at all. the relationship is long gone, this is taylor envisioning her muse in a new relationship but she isn't there, hence the hologram. i've seen some people say it was about cheating, that interpretation doesn't make sense to me.

"you turned me into an idea of sorts" -> "the idea you had of me, who was she?"

random thought, but the lyricism on the anthology is so much better and natural as compared to the first half. i enjoy the bops on the first half but it also suffers from trying too much to be poetic (i think i said this about the title track especially). there are so many overloaded lyrical runs and random references that leave me confused and overwhelmed. the anthology however feels so much more quintessentially taylor.

don't have much to say on the song itself, i quite like it.

how did it end?

the intro literally makes me ascend!!

i really love how this song investigates and criticises the inherent curiosity people have around big news like a breakup, constantly probing for details.

once again, the simpler songs contain the best lyricism and melodies!!

this song both explains and expresses confusion about the end of the relationship, so i love the paradoxical nature of that.

"we learn the right steps to different dances" is such a devastating line and i think sums up the end of many relationships so succinctly.

the second chorus is giving right where you left me: "did you ever hear about the girl who got frozen?" etc.

THE BRIDGE, TAYLOR HOW DO YOU DO IT

the d-y-i-n-g part is just so devastating. taylor uses the themes of death and haunting so well on this album.

i know i've said this like 10 times, but this is just so so beautiful.

so high school

the guitar in the background is giving hits different, it hits different when it's you!!

despite the happy tone and lyrics, i do feel the sad, anxious undertone, the key example being the marry, kiss, or kill me part (the echoed "kill me", "it's just a game but really")

the aristotle and grand theft auto line has been used countlessly to shit on taylor's songwriting, and personally, i don't like this line. just doesn't hit right for me. however, i think it's unfair to pick cringe lyrics and ignore all the beautiful, meaningful ones to shit on taylor.

i do love the imagery with high school games like truth or dare and spin the bottle, really cements the "so high school" of it all.

this song is okay to me, it feels too american for me to enjoy it more lmao.

i hate it here

i love the poet and finance guy line at the beginning, it expresses a sort of desperation to get to know this person, to uncover their insecurities, deepest secrets, and love them anyway. it may also be introspective of taylor herself, idk.

calling comfort a construct is so quietly sad. convincing yourself since you've never had it, it can't be real because it's better than being cursed or doomed to never have it (see the prophecy)

this song is so escapist, but also so cynical about the escapism, it clearly isn't a preferred option, like it's not just escaping into childhood and nostalgia for the sake of it, it's because the real world fucking sucks.

the chorus slays, and is quite relatable.

the use of the word "precocious" is so interesting to me. she used it also in "but daddy i love him" if i remember correctly. like she resonates a lot with the feeling of being stunted in childhood or having seemed to never grow up -> "i have this thing where i get older but just never wiser" -> "i never grew up, it's getting so old" -> "i hit my peak at seven", idk i find it an interesting recurring theme in taylor's discography.

the 1830s line, and just that entire first half of the verse. i know why it's there, i know what it's doing, i know it's not meant to be taken seriously. still i don't like it. it also feels weird that she is calling out racism as a staple of the 1830s or whatever when she has shown us she is perfectly fine with dating a racist. you can say i'm being overdramatic. you can say i don't get it. idc. i try to ignore this part because this is a very good song and i love its themes and production.

"nostalgia is a mind's trick" i really love this because the entire song is so nostalgic for childhood and escapism but then she's like "actually nostalgia sucks" or it's not what it seems. no, the past would not have been better.

production feels like seven. themes quite different however (thematically, it would be robin, i think.)

the bridge combats the cynicism of the second verse which is so interesting to me. i love how opposing views on nostalgia and escapism are presented, the nuance is there.

the bridge is so mecore, i feel it in my bones.

thanK you aIMee

i really enjoy the small town as a microcosm for the giant music industry and reducing kim to a bully in this analogy.

this song is so cathartic for me, i really enjoy it in the lens of a friendship breakup.

she's so funny in this song "and so i changed your name and any real defining clues" while clearly spelling out her name in the song title.

the bridge fucking slays, likely thing for taylor to do.

it's such a breath of fresh air to have such a cathartic moment in an album that's largely dealing with huge emotions in huge ways, it's so interesting here as an addition to the anthology.

i look in people's windows

it's such a beautiful song and it's criminal how short it is

her voice sounds heavenly, i love how breathy it is.

it's giving "the outside" which is why i love it so much, i think

i think this not only works as a song grieving the end of a relationship but expressing the feeling of being left out in a current one; i definitely relate to it in that sense.

"does it feel alright not to know me?" is so so heartwrenching, i cannot do this

the prophecy

i am a sucker for mythology references so i'm already drawn in with the title.

once again, the song itself sounds so beautiful.

"i got cursed like eve got bitten" except she didn't get bitten?? the curse came after she ate the forbidden fruit?? i'm a bit confused here

WAIT NVM IT'S THE FACT THAT SHE DIDN'T GET BITTEN THAT'S THE WHOLE POINT OF THE SIMILE, HEAR ME OUT

saying something so factually incorrect and comparing it to her own experience implies that the latter is ALSO incorrect. she didn't "get cursed", she cursed herself!! which also defies the notion of "the prophecy", ohhhhhh i find this so interesting.

i think the notion of "a greater woman" or "a lesser woman" speaks to the expectations placed around women in relationships, they mustn't appear too desperate for love because that's undesirable but if they are nonchalant, they are also undesirable, it is worth exploring in terms of this song.

this song is so so sad and sadly so so relatable, i definitely find some comfort and resonance in this and it makes me really sad :(

i love the references to mythology and folklore made here, "the pricked hand" very obviously referencing sleeping beauty.

i always love it when taylor repeats the first verse at the end of a song, i think it speaks to the cyclical, circular nature of this specific feeling, that no matter how much she begs and pleads, "the prophecy" will never change.

cassandra

another mythology reference!!!

this being after "the prophecy" is so so deliberate, godssss

the piano is giving "mad woman", which i think is so fitting

"so they killed cassandra first 'cause she feared the worst" that's not actually why cassandra was killed in mythology but go off queen

"they say what doesn't kill you makes you aware" is an unreal run

that being said, i love it when taylor takes common sayings and aphorisms and gives them a twist. she does it a lot in this album, one of my favourite examples being "old habits die screaming" as a twist on "old habits die hard"

"blood's thick but nothin' like a payroll" i am hooked completely oml

10/10 no notes

peter

more folklore references, let's go!!!!

this song is so hauntingly beautiful, the lyricism is so poetic and flows perfectly, genuinely this is what i love about taylor

as a folklore girlie, i am WINNING with the anthology

i can't get over the "jet stream" line here vs "jet stream" in "call it what you want" 🫠

once again, a bridge that fucking slays, how does she keep doing it

it's so interesting how taylor grapples with the concept of childhood and precociousness in this album with so many mentions and callbacks to childhood and feeling stunted as a child and now, it really is an ode to "you're stuck at the age you became famous" (which is sad in many aspects but also problematic in others)

the chorus is also just so perfect, everything about this song is perfect.

the bolter

obsessed does not even cover it

what a banger start to a song

the chorus reminds me a lot of "illicit affairs", i think, interesting connections can be made there

"as she was leaving, it felt like breathing" as in a sigh of relief that it's over, but also she does it so often it is quite literally as quotidian and simple as "breathing"

i love taylor's tendencies to make songs in the third person narrative voice, i think her best storytelling comes out like this.

"there's escape in escaping"- i think this is sort of a commentary on how the identity of "the bolter" is like a coping/defense mechanism to ensure that she doesn't get hurt in a relationship, in that there is an escape from her insecurities, her worries, and the eminent pain she will face in the relationship by quite literally escaping.

but there's also often the bait and switch ("then it was bought by me", "i'm the albatross, i swept in at the rescue") but i find it so interesting that this song does not do that, if only i can make a meaningful analysis there, but my running theory is that she deliberately chooses to distance herself from the identity of "the bolter", bc while she does dote on this character and is rather affectionate in how she tells the story, she doesn't feel like attaching herself to it, in that maybe it's an identity she no longer wants to hold or that, like she frequently says, she doesn't believe these songs or stories are about her anymore and that they take on new meaning..

anyway i am loving this song, 10/10

robin

WHY IS NO ONE TALKING ABOUT THIS SONG, IT'S SO BEAUTIFUL

it's so sweet how she is consoling the child, ensuring them that they should enjoy this time they have now, and that they will be kept safe from their future.

but it's so sad in that regard, like, "we don't wanna hurt you so we're not telling you how this will pan out to protect your childhood innocence".

this once again cements my preoccupation with taylor's discussions around childhood and youth, she mentions frequently how that was taken away from her too soon and how she has felt "precocious" because of it. it's so important to understand and this song should NOT be overlooked.

i really like it.

the manuscript

this song is so heartbreaking, i want to punch the wall

i never thought about the fact how doing the atw short film would have rekindled these old memories and feelings, and this song is surely a direct result of that. not surprising, in hindsight, but it still compelled me when i first heard it.

once again, youth being taken too soon!! precociousness!!

someone needs to take the word "precocious" away from me

"but the story isn't mine anymore" HHHHHHHHH THIS IS THE WHOLE POINT

very nice song, beautiful closer to the anthology and the entire album as a whole, "these stories used to be about me but now they're about you".

overall thoughts

i hate to say it, but i think this album is in a desperate need of editing; there's so much going on, most of which is compelling and worth exploring, but everything is disjunct with each other and i know this work is meant to feel messy, don't start with me there, but it shouldn't be messy to the point where it's confusing and overwhelming. there are so many concepts and metaphors that are so intriguing and clearly important in taylor's music but the final products of those become half-baked in mediocre production or mixing. this album feels rushed and is soaked with questionable decisions. for example, i think "i can do it with a broken heart" should have been a single and title track because i think it's such a central part of her experiences recently and clearly something permeating the rest of this collection, and how she learns to move on and cope in light of heartbreak. there are several moments where the lyricism of the album feels overwhelming and overcompensating, as in trying too hard to contain meaning. the best lyrical moments on this album are seamless and subtle, and very prosodic as well. taylor tried to deviate from that formula quite a bit and it didn't always work out for the best in this album. she is not as adept at throwing in conversational lyrics as her peers, her strength is in prose and storytelling. the production is also getting a bit old, it's very sonically cohesive, almost to the point of it being boring, and i think taylor needs to get a bit more experimental sonically, and also ensure that the melody and production work together in more different ways, and that maybe the melody is not relying on the production but vice versa. the album is certainly not all lows, but the lows are particularly lower than in other instances of her discography.

that being said, the highs on this album are absolutely breathtaking. the majority of the anthology and quite a few songs on this album captured me instantly. this album is quite mellow, and could have benefitted from another bop or two, but the ones we received were astounding!! this album also had some really strong lyricism, especially in the anthology, and it was so intriguing seeing the many metaphors and situations she used to express her feelings. her storytelling in particular really shone in this album in songs like "the albatross", "the bolter", "clara bow", "cassandra", "the manuscript" among others. i love the themes and ideas that taylor explored in this album, and overall the premises really compelled me.

in terms of rankings, i've separated the two halves. the first half (ttpd) is second-last and the second half (the anthology) is 8th out of 12 (not 11 because ttpd is split in two).

if you've read this far, congratulations, have a treat of your choice. please be mindful and respect my opinion, thanks!

[skz-bibi]

(🔴) ... [ NOW PLAYING ] [ STAY-MADE ] BIBI DURING ROCKSTAR ERA !

*(intro)* top five moments of bibi during the rockstar era

➩ CLIP #1 PLAYING… 📼 !

( recording behind the scenes )

*bibi walks in the door* "oh no" *bibi is offended.* "oppa is that the first thing you say to me?" *pinches the back of changbins neck* "yah! stop doing that" *walks inside of booth* "the mic is already low , changbin oppa must've been in here before" *everybody in the room trying not to laugh* "yah! you want to die?!"

*bibi finally getting ready to sing* "okay let's start" *tries to rap hans part in topline... it's not even in the right album😭* "bibi im gonna kill you" *cheeky bibi* "bibi" *big bother chan steps in* "okay okay , let's start" *does it right on the first time* "as expected our bibi is the best" *hair flips* "okay your hair isn't healthy enough for that" *changbin PLEASE😭💔* *shocked bibi* "why would you say that, MY HAIR IS PERFECTLY FINE!" *its not baby and that's okay*

➩ CLIP #2 PLAYING… 📼 !

( interacting with fans before the stage )

*sees a fan holding another fans hand* "you two are together?" *she so damn nosy😭* "that's your boyfriend?" *looks at couple... thumbs* "what a good looking couple" *straykids are confused* "bibi what?" "aren't they good looking?" *points*

*looks at them again before filming , finally noticing* "you're not here for us!" *bibi exposing the boyfriend😭* "that is a aespa lightstick" *the boys are cracking up* "break up" *everyone gasping* "im joking , aespa i love you" *starts singing drama* *and we got the challenge right after so a win is a win*

➩ CLIP #3 PLAYING… 📼 !

( cute seulbi moment ft. skz being annoying )

*bibi alone: independent baddie* *bibi with jeongun: suddenly can't do a damn thing🤔* "can you do this?" *pointing to her lip ring* "what's wrong with it" "it's loose" *changbin witnessing the whole thing and getting it on camera* "is it tight enough?" *begins to fix her fly away hairs*

"you're such a mess" *everybody just witnessing this cute scene* "your hair came out nice today" *straykids trying not to squeal* "really?" *straykids just can't hold it anymore* "ah cute!" *both of them are embarrassed* "our maknaes." *shy jeongin* *confused bibi* "weirdos." *dragging him away* "they do this all the time , we finally caught it!" *never seen a group of people excited about a relationship that's not theirs😭*

➩ CLIP #4 PLAYING… 📼 !

( bibi playing around too much during dance practice )

*bibi has the zoomies* "bibi time to dance" *chan being bibi's personal kindergarten teacher* "bibi" *finally stops* "time to dance" "okay , lets go!" *they finally start dancing* *everything is going good until bibu forgets to dance mid song* "ah!"

*bibi smiling trying to make them forget* "we knew you would forget it" *lee know throws her over his shoulder* *bibi is in air jail, they've air jailed the duck😭* *she just lays there* "will you be good and pay attention?" *nods* *sits her down* *bibi smirk* "i was joking" *takes off again*

➩ CLIP #5 PLAYING… 📼 !

( bibi gossiping during a fancall )

*fan telling bibi about how their boyfriend hates when listens to straykids cause she spends to much time with it* "is he serious?" *bibi is upset* "and why doesn't he just listen to it with you?" *she curious now* *fan says he doesn't like the things she likes*

*staff tries to call next* "wait a minute , is he you know?" *makes a gesture* "handsome" *fan shakes head* *bibi sits back* "that's not enough , drop him,, bye!" *bibi and her plans to make all her fans single*

*(outro)* every era bibi just gets even more unhinged and we love it...

©️SKZ-BIBI

[rabarbarzcukrem]

So... I've finally watched the first Utena musical

The whole cast singing the lines of the prince in masks without him appearing himself...do you get it... he's an idea...he doesn't exist... He's just a concept from a fairytale repeated by everyone...

Utena's deep voice <333

"What's so special about this letter?" said to Wakaba...

Saionji is so dramatic I love it

I don't like the fact that Utena's uniform clearly has a different shape to the shape of the ones worn by guys. It was like that in the anime too, but in real life it looks weird, like it's too small for the actress. Otherwise the costumes are amazing tho

Zettai unmei mokushiroku was used so well... Compared to the first few songs it's very sudden and intense, very fitting for the first scene in which Utena enters the dueling arena

The way everyone moves is so in character, Anthy picking up her dress when she walks (like a princess), Touga constantly with hands in his pockets (laid-back and indifferent), Juri with arms crossed (shielding herself), Utena's strong butch energy

I love how they did the sword of Dios thing

Wtf is this disco song??? It's so random and out of nowhere...Wait. Is it this musical's equivalent of the anime intro?? That's so smart...

The song slaps actually

OF COURSE the EGG SPEECH is a SONG

Anthy's voice is so pretty I'm gonna cry

Utena immediately calling Anthy her friend, even though she doesn't know her...she is so full of love to give and so starved for close human connection.... (how very middle school of her too). I can't look at this scene without thinking about what's to come.. "you showed me a taste of true friendship"...

"Are you (anthy and touga) close?" Oooh boy

Nanami is perfect...Her song with Miki on the keys lmao. Wakaba constantly in the background... foreshadowing??

There are like. 5 different scenes happening at once

Utena and Wakaba's friendship contrasted with Touga and Saionji's broken one...damn...

"I measure the time I spend hating the student council" LMAOOO

Anthy's creepy laugh... Actually this is a good visual way to show how weird she appears to the other characters and make sure the audience associates this uneasy feeling with her

Juri standing on the chair lol. The humor in this version makes it so clear that those are highschool students

And I adore the meta jokes about weird shit going on in the background during the council meetings and no one really knowing what the stop watch does

I noticed that Juri touches her hair whenever she's vulnerable. Nice detail

Juri angst...ouch...

Why is the sword of Dios so big tho

"The sword Juri sent flying through the air came down to shatter her own rose...was the floor of the arena the only thing it pierced?" OW OW OW

THIS SCENE BROKE ME

Saionji calling Touga "motherfucker" I'm dead

Different girls playing Utena in the coffin, covering their faces with the doll...

AND THEN DUELISTS JOINING TO SING UTENA'S LINES THAT SHE WILL NEVER LEAVE THE COFFIN. WITH ANTHY AT THE END. GENIUS

The cooking song is so cute and catchy

UTENA SPITTING AT SAIONJI I'M LOVING THIS

Saionji joining the shadow girls...this is hilarious

I love the desperate song of Wakaba inspiring Utena to take back who she was. And her being the only one to say that the girl's outfit doesn't suit Utena... But as soon as her role of inspiring the main character is fulfilled, the curtain falls and only Utena is left on stage.

...Surely....

The ending was amazing..

All in all I'm convinced that a stage play of Utena is the best type of adaptation that could ever be made. The anime already had allusions to theatre and stages so it works perfectly.

[huellitaa]

bee's record player, april edition 🎀𓂃 ࣪˖

──★ ˙ ̟🎀 INTRO

welcome back to the second issue of bee's record player, a monthly annual look into bee's music world and the latest from hers and your faves! enjoy! ♡

──★ ˙ ̟🎀 NEW ARRIVALS

minisode 3: tomorrow, tomorrow x together

♡ released april 1st, 2024

♡ extended play / EP

♡ best songs: deja vu, quarter life

♡ running time: 17 minutes 2 seconds

midas touch, kiss of life

♡ released april 3rd, 2024

♡ single

♡ running time: 6 minutes 15 seconds

found heaven, conan gray

♡ released april 5th, 2024

♡ full album / LP

♡ best songs: found heaven, alley rose, bourgeoiseses, never ending song, winner

♡ running time: 36 minutes 47 seconds

espresso, sabrina carpenter

♡ released april 12th, 2024

♡ single

♡ running time: 2 minutes 55 seconds

dark vacay, cigarettes after sex

♡ released april 16th, 2024

♡ single

♡ running time: 3 minutes 33 seconds

the tortured poets department: the anthology, taylor swift

♡ released april 19th, 2024

♡ full album / LP

♡ best songs: fortnight, loml, fresh out the slammer, but daddy i love him, florida!!!

♡ running time: 2 hours 2 minutes

yuq1, yuqi

♡ released april 23rd, 2024

♡ extended play / EP

♡ best songs: freak, drink it up, red rover

♡ running time: 19 minutes 19 seconds

bubble gum, newjeans

♡ released april 26th, 2024

♡ single

♡ running time: 3 minutes 41 seconds

bewitched: the goddess edition, laufey

♡ released april 26th, 2024

♡ full album / LP

♡ best songs: goddess, promise, dreamer, must be love, trouble, from the start

♡ running time: 1 hour 1 minute

──★ ˙ ̟🎀 BEE'S TRACKS: TOP 10

♡ 10. quarter life, tomorrow x together

THIS SONG IS EVERYTHING TO ME YOU DONT GET IT. YOU ACTUALLY DONT UNDWRSTAND YOUNWILL NEVER UNDERSTAND MY INTENSE OVERWHELMING INDESCRIBABLE LOVE FOR THIS SONG. I LOVE IT SO MUCH

♡ 9. read your mind, sabrina carpenter

I CANT READ UR MIND🗣🗣shes so real for this whole song and its sUCH a vibe who allowed her to make this song and just give it to us. like. For Free. what the fuck. perfect

♡ 8. bring it on, fromis_9

this song is so girlypop ive been so obsessed???? fromis 9 are so underrated i swear like unlock my world has to be one of my favourite albums of all time ever. in love!

♡ 7. i'll see you there tomorrow, tomorrow x together

@bananacatmeow THERE'LL BE NO MORE SORROW I'LL SEE U THERE TMOROW 🗣🗣🗣🔥🔥🔥 self explanatory i fucking love this song so much actually

♡ 6. bad for business, sabrina carpenter

THIS IS MY FAVOURITE SONG AT THE MOMENT <3 its a little more recent thats why its only on number 6 but it reminds me of my princess and i just love it in general so this song is the loml. ONE OF MY FAV SABRINA SONGS EVERR I LOVE ITTTT <3

♡ 5. smart, le sserafim

yes this is on my top 10 again.... this song goes so hard im sorry idk what to tell u 😕

♡ 4. bad news, kiss of life

okay i wasnt actually expecting this to be on here but bad news has to be the best kiof song like ever honestly beats everything. the high notes give me life and this whole album is my chaotic girl anthem honestly

♡ 3. the killa, tomorrow x together

self explanatory. the tinnitus effect goes so hard on this song i cant explain i want to inject it into my blood genuinely the most ass shaking song released this year or like ever for that matter go txt slut era!!!

♡ 2. espresso, sabrina carpenter

my give a fucks are on vacationnnn 🎀 I FUCKING LOVE THIS SOBG OH MY GOSHHHHHH IVE BEEN SO OBSESSED ALL MONTH. SABRINA I LOVE U SO BAD THIS SONG IS MY EVERYTHING. AJJAJSJAJSJSSJJSJSDJNSNSNSNAJDJ

♡ 1. deja vu, tomorrow x together

no words. music video made me sob my heart out and this song touched me so deeply i cant even begin to explain. txt ilysm

──★ ˙ ̟🎀 ALBUMS

♡ 1. emails i can't send, sabrina carpenter

we were all expecting this be honest 😭 i have quite literally NOT SHUT UP about this album the WHOLE MONTH and ive been so obsessed w sabrina its actually insane like this was so obvious actually 😭💓

♡ 2. minisode 3: tomorrow, tomorrow x together

once again self explanatory i had had such a bad breakdown like a few days before this came out and the deja vu mv made me cry so bad because of the sheer fact it resonated with me so much 😭 i love them so much and they did amazing AS ALWAYS txt never misses 💓💓💓

♡ 3. the tortured poets department, taylor swift

the way i actually really didnt like this album at first??? its grown on me so much though the lyric writing is IMMACULATE and i feel its more focused on lyrics and writing more than production this time unlike midnights, which was probably why it didnt instantly click with me straight away. comfort album

♡ 4. fake it flowers, beabadoobee

IM SO EXCITED FOR BEA3 YOU DONT UNDERSTAND. fake it flowers is like the loml i love fake it flowers more than i love my life fake it flowers is love fake it flowers is life everybody worship fake it flowers now

♡ 5. back to black, amy winehouse

I LOVE AMY WINEHOUSE SO MUCH RAHHH THE MOVIE AB HER CAME OUT THIS MONTH AND IVE BEEN RELISTENING TO BACK TO BLACK AND IM SO OBSESSED 😭😭😭💕💕💕

──★ ˙ ̟🎀 ARTISTS

♡ TOMORROW X TOGETHER (woahh im so shocked ahahah i didnt expect this at all)

♡ SABRINA CARPENTER (woahhhh im so surprised ahahahaha)

♡ TAYLOR SWIFT (ttpd my love)

♡ BEABADOOBEE (YOSHIMI FOREST MAGDALENE 🗣🗣🗣🔥🔥🔥‼️‼️📢📢📢)

♡ TWICE (obviously.)

──★ ˙ ̟🎀 SPECIAL MENTIONS

♡ coachella this month!!! le sserafim girls i love you so bad but this performance was NOT IT 😭 sabrina u were amazing though bb ily carried the whole show

♡ AND I DONT EVEN CARE IF IT MAKES ME SOUND INSANE I RAN MY FINGERS THROUFH YOUR HAIR AND I THANKED GOD TO TOUCH THE FLAME CUZ I SWORE NECKS WERE.MADE FOR BRUISING I SWORE LIPS WERE MADE FOR LIES AND I THOUGHT IF YOUD EVER LEAVE ME THAT ID BE THE REASON WHY

♡ im the biggest alley rose stan FIGHT ME.

──★ ˙ ̟🎀 EDITOR'S NOTE

thank you so much for reading this month's edition of bee's record player! i have so much fun writing these and rambling about my silly music and i hope you enjoy them too 💕 if there's anybody or anything you'd like me to mention, edit, or keep up with in these, then always feel free to tell me, im always open to new suggestions!

lots of love, and until next month! ♡