#Womack and Womack

[depressedraisin]

who was supposed to let me know that this wonderful cover of womack & womack's teardrops by brooke combe and miles exists?????

[soulmusicsongs]

Angie - Womack and Womack (Love Wars, 1983)

[velmatv]

Womack & Womack - 'Teardrops' - 1988

[djevilninja]

Oh, like Rudolph Valentino, I can fall down on my knees, Pull flowers out my sleeve, Because I know you will be pleased, I wonder... Womack & Womack - Baby I'm Scared of You

[c-40]

A-T-3 288 Womack & Womack - Baby I’m Scared Of You

Womack & Womack, Cecil the prolific songwriter who with his brothers had been The Valentines and Linda who is Sam Cooke's daughter. In 1983 they release their debut album Love Wars the title song was a hit in the UK and Baby I'm Scared Of You sold well as a single in the US. In the 2005 Mark E edited Baby I'm Scared Of You, it's one of his most beloved edits and helped Womack & Womack find an audience with a new generation of dancers

The subject of the song is the apprehensiveness around being deceived. The objective of the female voice is a lasting bond and she fears she is being manipulated by false promises made by someone who sees the relationship as his latest conquest. It's almost as if they are talking two different languages, the guy hasn't got the vocabulary to reassure her, what he says comes across as bravado, a performance. It's great songwriting, more sophisticated than most

The UKs home Home Secretary, Suella Braverman is talking about curtailing peoples right to an opinion and their freedom to express it. In March of this year Braverman announced her draft Free Speech charter she said "I have been deeply concerned about reports of the police wrongly getting involved in lawful debate in this country." The draft references the case of a ex-police officer Henry Miller posting transphobic tweets which a court ultimately ruled as lawful, the point Braverman makes is that this was a waste of police time when they could be solving theft, murder, or rape cases (she really means kettling protesters.) So transphobia is lawful and a waste of police time, having an opinion of on the horrific events unfolding in the middle-east unlawful and the police should definitely get involved

Braveman's imposition comes as no surprise, her distain for human rights is well known and then their is what she's done to restrain our rights to protest

[houdini112]

[geminiluvv]

Bobby Womack for “Players Magazine” (1974)

[ceofjohnlennon]

John Lennon always comforted people who were grieving because he knew the feeling so well:

"There was one thing about John Lennon. In his steel-trap mind, he never forget what was important to people. Fast forward to May 1975. I had become an anchorman in Philadelphia, and combined with a radio station, our TV station sponsored what was called the "Helping Hand Marathon", a weekend-long radio fund-raiser to benefit area charities, including the one most important to me, the battle against multiple sclerosis (n/t: Larry Kane's mom passed away in 1964 because of sclerosis). With the help of our sales manager, Gene Vassall, I was able to put together a real coup — John Lennon to cohost the marathon for the weekend. From the time I picked him up at the railroad station to his departure on Sunday night, John was sensitive, giving and tireless. On the phone days ahead of the event, he said "Larry, I know this is being done in memory of your mother. I will make this happen and it will be great, baby!".

ㅡ Larry Kane in the book "Memories of John Lennon" by Yoko Ono.

"I've always admired him, and was very proud of the friendship we had together, and the first time John really showed his love for me was after Stuart's death, when he helped me such an awful lot to try and understand my loss —and his as well — and we used to talk about Stuart, and he really got me together again. He wasn't like Paul or George, who felt really sorry for me, and said "Oh, everything will be fine". John just said — it to me one day when I was really, really down and didn’t know what to do — he said "Well, you have got to decide what you want: Do you want to live or do you want to die? Decide that, but be honest". And that helped me tremendously to go on. And then he said that there are so many things we haven't even discovered yet, and life has got to go on, and you can't sit down and cry all the time, you have got to get on, and if it's not for me, he said, it's for Stuart. And he said that in a very harsh voice, not like nice and sweet, but very directly, so that was the real John who was talking. And that made me really think twice about it. It helped me tremendously. That is what I'm still thankful for (...)"

ㅡ Astrid Kirchherr in the book "Memories of John Lennon" by Yoko Ono.

"While they were there, Lily's father, William White, succumbed to a heart attack at age sixty-seven. Over the past few years, Mal had shared with her how intimidating John could be, so Lil was surprised when the Beatle brought her a cup of tea, let down his guard, and showered her with consolation. Like Mal, Lily would always remember John's tender gesture. 'It's very hard at times like these to give verbal comfort to anybody,' Mal wrote, 'but John was fantastic, and I knew that he gave Lil a lot of comfort in her hour of need — something I have always blessed him for.'"

ㅡ Mal Evans in his diary, from the book "Living The Beatles Legend" by Kenneth Womack.

[crepesuzette2023]

Hold up ,,, Mal called Paul his love in his diaries?

Yes. In his autobiography. He also analyzed their relationship in his diaries. For some context, here's a longer passage from Ken Womack's book, Living the Beatles Legend (Chapter 31).

As January 1970 came to close, Mal began drifting into an emotional slide that has been developing over the past several years. "Seem to be losing Paul," he wrote on January 27. "Really got a stick from him today. He let me down," and ominously added "Fixing a hole," "Pepper," and "directorship" to a growing list of disappointments. Apparently, the conversation had turned yet again to the issue of Mal's servile role in Paul's life, with the roadie believing that the association was bounded by friendship and love. "A servant serves," Mal wrote, "but he who serves is not always a servant," he added, echoing John's philosophy from December 1968. "Love is as sharp and piercing as a sword, "Mal reasoned, "but as the sword edge dulls — you sharpen it. So love's keenness needs honing — needs honesty." *

[...]

On February 11, Mal joined John and Yoko for a lip-synched performance of "Instant Karma!" on Top of the Pops, with the roadie, clad in beige suit and a light-green tie, playing the tambourine. By this juncture, Mal's long-standing relationship with Paul was in freefall. A few days earlier, he have been awakened by a 1 p.m. telephone call from the Beatle. It went "something like this," he wrote in his diary:

Mal: yeah? Paul: I've got time at EMI over the weekend. Would like you to pick up some gear from the house. Mal: Great, man. That's lovely. Session at EMI?! Paul: Yes, but I don't want anyone there to make me tea. I have the family – wife and kids there. Mal: [thinking to himself] Goes my poor head, "Why????" **

By the next week, Mal found himself behind the wheel of the Apple van, moving Paul's gear from EMI Studios to Morgan Studios, another Northwest London facility where Paul could work incognito. At one point, Neil cornered Mal about Paul surreptitious recording sessions, demanding to know more. "Where's Paul?" he asked, to which Mal tersely replied, "Not telling you."

In other instances, Mal ordered a Mellotron for Paul, while keeping him fully stocked with plectrums and other gear. In late February, Paul asked Mal to move everything back to EMI, where he was set to record "Maybe I'm Amazed" in Studio 2. For Mal, everything came to a head at 7 Cavendish Ave., when "my long love, Paul, to whom I have devoted so many years of loyalty, turned around to me and said, I don't need you anymore, Mal." *** *, ** : Evans, "Diaries." [1963—1974.] 10 vols. Malcolm Frederick Evans Archives. Entries from Jan 27 & Feb 5, 1970.

***: Evans, Mal, 'Living the Beatles Legend: Or 200 Miles to Go.' Unpublished MS, 1976. Malcolm Frederick Evans Archives.

[soulmusicsongs]

Express Myself - Womack and Womack (Love Wars, 1983)

[world-of-celebs]

[muzaktomyears]

The man who was there the day the Beatles broke up

Mal Evans was the Fab Four’s roadie, fixer and friend. Paul McCartney confided in him when the band split, while John Lennon relied on him to guard his life. A new book tells his story

The Beatles’ lingering tensions finally caught up to them during a meeting among John, Paul and George at 3 Savile Row on September 10 1969. As Mal and Neil [Aspinall, who ran the Beatles’ company Apple Corps] observed, John took particular issue with what he perceived as Paul’s megalomania, saying that, “If you look back on the Beatles albums, good or bad or whatever you think of ’em, you’ll find that most times if anybody has got extra time it’s you! For no other reason than you worked it like that.” For Mal, the conversation must have been pure agony. He idolised Paul, who bore the brunt of the meeting’s vitriol.

In his own defence, Paul protested that he had “tried to allow space on albums for John’s songs, only to find that John hadn’t written any”.

With the idea of recording a new album seemingly off the table, John suggested that they produce a Christmas single instead. After all, he reasoned, their annual holiday fan club record would be due before long. When this idea was met with silence and indifference, John soberly concluded, “I guess that’s the end of the Beatles.”

As horrible as the experience must have been for Mal, panic hadn’t set in just yet. During the past 15 months, Ringo and George had quit the band at various times, only to be coaxed back. But ten days later it all spilled out again at a meeting at Apple. Mal and Allen Klein (their manager after the death of Brian Epstein) were there, along with Yoko, Neil and the boys. For his part, George was on speakerphone from Cheshire, where he was visiting his ailing mother. The topic at hand was a new agreement with Capitol, which Klein was understandably eager to ink.

As Mal observed, Paul began to enumerate the group’s upcoming opportunities, including a series of intimate gigs and a possible television special. In each instance, John said, “No, no, no,” before telling Paul, “Well, I think you’re daft.” Eventually, he blurted out that he wanted a “divorce”. “What do you mean?” a stunned Paul asked. “The group’s over,” John replied. “I’m leaving.”

At this point, Paul recalled, “Everyone blanched except John, who coloured a little, and said, ‘It’s rather exciting. It’s like I remember telling Cynthia I wanted a divorce.’ ”

Afterwards, Mal and Paul returned to McCartney’s home, where they retreated to the garden, still trying to process what had transpired. Paul remained hopeful that John might change his mind, that the Beatles would continue unabated. But Mal knew better. As with George, Mal had reasoned that “all of them had left the group at one time or another, starting with Ringo’’. But when “John came into the office and said, ‘The marriage is over! I want a divorce,’ that was the final thing. That’s what really got to Paul, you know, because I took Paul home and I ended up in the garden crying my eyes out.”

That night with Lennon and Phil Spector in 1973, when happiness was not a warm gun

Mal took great pleasure in spending long hours in John’s company, enjoying the Beatle’s undivided attention, as opposed to sharing him with Paul, George and Ringo. “It was fascinating,” said Mal, who by this point was living in LA and writing his own songs, “because John was talking to me like I was a songwriter, and that was incredible. For the first time, John and I really communicated, whereas, when it was the four of them, John was always the hardest to talk to. I always thought that when John stopped insulting me, we had fallen out as friends.” But, he added, referring to John’s teasing, “The more he likes you, the more he takes the mickey out of you.”

Yet, as Mal soon discovered, working with John during this period would prove to be a chore — incomparable, in fact, to their touring years together, when the Beatles were often confined to the relative safety of a hotel suite. When he was in LA, John could often be found at the Sunset Strip’s Rainbow Bar and Grill, which had emerged as his de facto headquarters [during a period of heavy drinking which Lennon ironically referred to as the Lost Weekend but actually lasted 18 months.] With musicians like John, Harry (Nilsson), Ringo, Keith Moon, Alice Cooper and Micky Dolenz adopting the Rainbow as their regular watering hole, they had taken to calling themselves the Hollywood Vampires, a nickname that evoked the night hours they spent guzzling hooch in the bar’s loft space.

On one of his most harrowing evenings in Los Angeles, Mal had accompanied John and Phil Spector to the Rainbow. At one point, John walked Phil to his car, assuring Mal that he would return shortly. “About a half hour goes by, and I start worrying and go outside looking for John — no sign,” Mal later wrote. “I’d lost track of a Beatle for a day. What had happened, I found out the following evening, was that when he’d seen Phil off, a few hippie fans of his took him in tow, and John, who had just moved into a flat, couldn’t remember the address, nor his or my phone numbers. [John] eventually turn[ed] up, but not before I’d had a few irate words from Yoko, who phoned me from New York shouting, ‘I thought you were John’s bodyguard — why don’t you guard his body?’ ”

At a loss for words, Mal admitted that “I never really thought of myself as a bodyguard to anybody, but I suppose over the years that had been part of the gig. Anyway, they were all grown up, with very strong minds of their own as to what they wanted to do, and I certainly didn’t expect them to hold themselves accountable to me.”

That December, as work on Back to Mono proceeded, John and Phil shifted their project to the Record Plant West. The change of recording studios had everything to do with John’s and Phil’s antics having gotten them evicted from their previous studio, A&M. At one point, Nilsson and Moon, in a drunken stupor, had urinated onto the recording console, leaving the electronics in an ungodly mess.

Things began innocently enough after John and Phil completed their December 11 session at the Record Plant West, where they took a pass at Chuck Berry’s You Can’t Catch Me. As Mal looked on, the two men, drunk to the gills, were horsing around the Las Vegas Room. In a nod to the early days of Beatlemania when the Beatles would climb on Mal when they heard they were at the top of the charts, John decided to hop onto Mal’s back for a piggyback ride. Unfortunately, Phil opted to get in on the act, too. Mal’s physical dexterity in late 1973 was a far cry from that of the early 1960s, and he had difficulty sustaining the weight of two men atop his aching back. As always, Mal observed, “Phil goes a little too far,” and in the ensuing ruckus, “he karate-chopped me on the nose, my spectacles went flying, and I got tears in my eyes I can tell you. I turned around with a real temper and told Phil, ‘Don’t ever lay another finger on me, man.’ ”

And that’s when Phil, “maybe to re-establish himself in his own eyes”, Mal thought, pulled out a handgun. To the roadie’s surprise, the producer “fired it off under our noses, deafening us both, the bullet ricocheting around the room and landing between my feet”.

John was understandably incensed, exclaiming to Phil, “If you’re gonna kill me, kill me, but don’t take away my hearing — it’s me living!”

Until that moment, Mal and John had believed that Spector’s handgun was a toy. At one point earlier in the evening, Phil had cocked the trigger and aimed the weapon at John’s head. As a result of the incident in the Las Vegas Room, “John’s fear of guns generally was doubled.” For his part, Mal vowed to stay clear of Phil. He would attend the recording sessions in deference to John, but that was it.

In nearly the same instant that Mal decided to banish Phil from his world forever, he and John were hustled off to [co-founder of the Record Plant] Gary Kellgren’s house for a lavish going-away party in honour of Mal, who was preparing to make his return to Sunbury. For the occasion, Phil had arranged for Mal to receive “a beautiful large cake, which must have measured four feet by three feet, so nicely decorated with a large bottle of Napoleon brandy, [and] a lot of comic figures like Superman and Batman,” Mal wrote. The sumptuous dessert was inscribed, “To Mal, my pal, love, Philip.”

As it turned out, the madcap producer’s greatest gift to Mal that night came in the form of his absence. “Phil, to show the most understanding side of his nature, did not come to the party,” said Mal. “He knew if he had, he’d be outrageous and spoil it for me. But he set it up and didn’t come — a true mark of affection from a friend.”

The party came to a sudden close, though, when John, having grown blind drunk, planted a telephone into the sticky remains of the cake.

Meet the Beatles: four days in Mal’s life with the moptops

Paul (1962) In July 1962, Mal and his family attended the celebration of the “Wavertree Mystery”, an annual event held to commemorate the anonymous donation of a local playground back in 1895. Mal later recalled that, “Lil and I were proudly pushing Gary in his pram when she turned to me and said, ‘There’s a weird guy over there — keeps staring at us. Now he looks like a real Cavernite to me.’ On turning, I was to see Paul standing there, unshaven, with a denim jacket thrown over his shoulder and chewing on a toffee apple.” After engaging in the niceties of introducing his wife to the scruffy musician, Mal took Paul for a jaunt. “We spent the rest of the day together,” Mal wrote, “Paul and I daring each other to go on things like the parachute drop and other displays that took nerve, neither of us accepting the challenge.” At one point, they stopped in front of an automobile exhibition. Paul announced to Mal that “one of these days I’m going to own one of those cars’’, pointing to one very humble saloon-type car.

George (1962) After shows at the Cavern, Mal would introduce his wife Lily to the rest of the band. “On one occasion,” Mal recalled, “Lil and I bought the fish and chips for the group and ourselves, as they could only muster enough money between them to pay for the teas.” Although she had her misgivings about Mal’s involvement in their lives, she enjoyed getting to know the bandmates. “After gigs,” she later recalled, “George would come back to our house for bacon and eggs. He sometimes came back before Mal to keep me company. I’d be washing baby clothes and nappies or ironing. I liked him the best.” Lily fondly remembered the time she pushed the bangs from Harrison’s face, saying, “Let’s see what it looks like with your hair back. I like that better.” But George wasn’t having it. He combed his hair forward, telling her, “That’s the way I have to wear it; it’s the Beatle cut.”

Ringo (1965) Driving up the M1, Mal and Ringo stopped at a roadside café for lunch. “We were sitting at the counter,” Mal recalled, “and the chap next to me had obviously been trying to make up his mind whether it really was Ringo with me. Suddenly, he turned to me and said, ‘I don’t care if it is him or not.’ Ringo nearly choked with laughter as I teased the fellow, saying, ‘No, it’s not him. But it gets terribly embarrassing taking him anywhere because everybody mistakes him for Ringo!’”

John (1964) John held no illusions about the Beatles’ behaviour, later admitting that, “We were bastards. You can’t be anything else in such a pressurised situation, and we took it out on Neil and Mal. They took a lot of shit from us because we were in such a shitty position. It was hard work and somebody had to take it. Those things are left out, about what bastards we were. F***ing big bastards, that’s what the Beatles were. You have to be a bastard to make it, and that’s a fact. And the Beatles were the biggest bastards on earth. We were the Caesars. Who’s going to knock us when there’s a million pounds to be made, all the handouts, the bribery, the police, and the hype?”

During a flight to Massachusetts for the September 12 show at the Boston Garden, Mal’s long-standing feelings of intimidation around John came to a head. Sitting at the rear of the plane, he broke down in tears, telling a reporter that “John got kind of cross with me — just said I should go f*** off. No reason, ya know. But I love the man. John is a powerful force. Sometimes he’s rough, if you know what I mean, man. But there’s no greater person that I know.” In many ways, it was as if Mal’s lack of self-confidence, a key aspect of his persona for the balance of his life, had returned with a vengeance. Later John approached Mal and embraced him.

Extracted from Living the Beatles Legend by Kenneth Womack (Mudlark £25), published on November 14.

(source)

[disease]

JUDSON WOMACK | LAY US DOWN [2023]