how do you clone a fey? that's trick question; and fey love those!
@the-navistar-carol (<333) brought up a good point while I was talking about my changeling danny au with her -- Dani! How would she exist in this au? Danny's a changeling - a fae. How would Dani, a clone of him, be created? How do you make a fey? Not through any means that Vlad is doing; you can't make a fey through unnatural means, considering the Fair Folk are nature. And Vlad's not a fey himself -- he's a halfa, even if he could make a fey, it's not in his best interest too. He's a powerful ghost, but even the weakest fae can overpower the strongest ghost. He won't want a clone of Daniel to be more powerful than him.
(In a three tier hierarchy it goes Ancients -> Fae/Mythos -> Ghosts. They all live in the Infinite Realms, but on different Planes. The fae live above the Ghost Zone in the Fey Wild, while the Mythos live beside the Wilds or down in the ghost zone depending on where they are. Places like the Frozone, the Athens Acropolis, and other such large islands climb throughout all three Planes.)
(While Ghosts can travel into the Fey Wild, its generally advised against as the ectoplasm tends to manifest differently there due to close contact magic. It can make it rather disorientating for a ghost, and as human spirits, the Fae living there would jump them faster than they could blink. So unless you're willing to play mind games with 'steal thy name eat thy face' fae, most ghosts keep out of the way of the Wilds. Fey can travel down into the Ghost Zone, they just don't bother.)
That's of course, not taking into account if Vlad even knows Danny's a fae himself. Vlad doesn't ring me as someone who really cares much about ghost culture or the going ons of the GZ. He might be aware that fae exist, but the moment he realizes he can't use them for personal gain he just doesn't bother with them. The risk is greater than the reward, and he'd rather not get eaten. But lets assume he's aware by now that Danny is fey, and has to take that into account while cloning him.
So, how does Dani exist? Good question! Honestly; i'm not sure. She might not exist at all, or if she does, she's more halfa than fey. Vlad would need a lot of human dna and ectoplasm to balance out all that fae magic. He manages to steal DNA from Jack and Maddie to do it, and since Jack's fey ancestry is very dormant its much easier to use alongside Danny's DNA.
In turn, it results in a little girl whose more human-ghost hybrid than clone. With that little extra boost in fey magic making her not a fey, but still relatively powerful. Dani is less of a clone and more of a lab-grown little sister. It's a rather tedious, complex process that has Vlad tearing his hair out trying to figure out. But he does eventually figure it out.
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whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her.
So the general Idea is that you and Joel are happily married before the outbreak.
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place.
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him.
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening.
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail.
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench.
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency.
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.”
he isn’t sure if he’s saying it to his daughter or himself.
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found.
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there.
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames.
“We’re gonna find her, but not there.”
So Joel searches. for the first year spent in the world post-outbreak its all he did.
He became a smuggler because of it.
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way.
But it’s Tommy that asks him to give up. Not in those words of course.
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him.
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles
“You think she would have wanted this for you?”
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence.
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.”
All he can do is nod.
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit.
It begins his new life. One that empty and cold but one he can live.
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago.
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo”
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them.
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands.
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face.
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity.
“You hurt one of mine, I hurt one of yours. That a fair deal?”
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be.
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.”
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again.
“You’ve got five seconds Joel, make a fucking choice before I make it for you.”
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples.
“One.”
The one above him has Sarah’s hair. Soft brown curls that shine under the sun.
“Two”
Wait. No, they both do.
“Three.”
Twins. Jesus fucking Christ you had twins.
“Four.”
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet.
Your voice softens just for a moment. “You okay, Duke?”
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless.
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same.
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head.
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun.
“Now, you want to tell me what the fuck you think you’re doin’ at my home?”
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“We’re just helping each other out on a long shift. It’s not gay,” Sal says into the air of the empty station bathroom as he wraps a hand around Tommy’s dick, and then in the same breath, “No one can ever know.”
Tommy nods, too far gone in the fantasy-come-to-life of what’s happening to dwell on the irony there. He’ll pick that apart later. For now, he has what he’s craved for so long within his grasp, he just has to reach out and take it.
He gets his hand on Sal’s dick in return and revels in the way it twitches under his touch. Tommy wants to moan with how good it feels to touch another man like this, to be touched by one. But he has to pretend this is friend stuff—normal straight guy shit, not the stuff of waking wet dreams—or else it will be taken away from him.
{finish on ao3 or continue below}
Tommy tries to match Sal’s pace: hard, fast, efficient. He thumbs through the liquid gathering at the head, twists his hand on the upstroke, but doesn’t let himself linger—even as his body is screaming for him to slow down and savor it. This might be his first and last chance to have this.
The way Sal is looking right at him is unexpected. He’d thought Sal would look away, pick a tile on the wall and stare at it, pretend this isn’t happening, but no: Sal is in it, studying Tommy’s face in that passive slack-jawed way of his. Tommy keeps his expression carefully neutral but he’s worried even that will give him away.
Sal’s mouth drops open on a silent moan when Tommy’s thumb drags along the vein on the underside just right, so Tommy does it again harder. He wants Sal to like this. He wants Sal to want to do this again.
Tommy is losing focus quickly. Sal isn’t working as hard to impress him, isn’t pulling out different moves to see what he likes, but his hand is big and warm and calloused and masculine around Tommy’s dick and it really doesn’t need to do anything else to have him panting and leaking.
He’s thought about this so many times and the reality of it is even better than he could have imagined. Every bit of energy he’s not using to give Sal the handjob of his life he’s putting into not whining and humping Sal’s hand like a dog.
He takes half a step forward before he can stop himself; needing to be closer. Sal huffs but he doesn’t say anything, doesn’t step back.
They’re so close to each other now that Tommy could wrap his hand around both of their dicks and jerk them off like that. He knows it would feel good, wants it more than anything in this moment, but it would be a definitive step over the ‘not gay’ line into territory he’s not sure Sal will follow him willingly. It’s this or nothing, so Tommy chooses this.
“You close?” Tommy asks. He is. He can already feel it rising in his stomach, his balls, licking along his spine. He wants Sal to come first, to hide whatever his own orgasm is going to look like in the mists of Sal’s pleasure.
Sal nods. His face is inches away from Tommy’s and he looks like he wants to say something, but he doesn’t.
When it happens, Tommy feels it. He doesn’t know why he didn’t expect to—he always feels the pulsing of his own dick as he comes—but to feel another man’s dick twitch and spasm as it shoots warm into his hand has Tommy biting back a moan so quickly he chokes on it.
Sal comes with a low groan and Tommy is helpless to follow. For as long as he’s wanted this—wanted Sal—he thinks he could’ve come from that sound alone, but the way Sal’s big hand tightens on the next few strokes is the last thing he needs to send him hurtling over the edge.
Tommy’s forehead drops to Sal’s shoulder without permission and he keens high in his throat as the pleasure rips through him. It’s easily the best orgasm he’s had in years and he’s instantly terrified of what that means.
He shoves it down. Later. He’ll think about that later.
Tommy pants, coming back to himself, and he gives himself two more seconds of physical contact with Sal before he pulls back completely.
They both lean against the hard tile wall of the bathroom and catch their breaths.
“Good?” Tommy asks, giving a joking half-smile. He knows the answer but it seems like a safe enough way to start talking again.
“Jesus, kid,” Sal laughs. “Yeah. It was good. Where the fuck’d you learn how to do that?”
He grabs some paper towels to wipe his hand off, then gives them to Tommy to do the same.
“Lonely childhood,” Tommy says. It’s true but it’s not the answer. “Dad had a lot of porn mags he’d leave around. I spent a lot of time jerking off. Figured yours doesn’t work too differently from mine.”
That look is back in Sal’s eyes like he wants to say something, but he stays quiet again. He just shakes his head and laughs.
Sal walks towards the door but stops before he opens it. “Give it a few,” he says. He doesn’t look back at Tommy but he has a small smile on his lips still. Tommy takes that as a win.
Sal leaves and Tommy is left alone with the enormity of what just happened. It was good. It was hot. Sal clearly doesn’t hate him, isn’t disgusted by him. He seemed almost… intrigued.
Tommy will sort out the shame and elation he feels swirling inside of himself like oil and water later.
For now, he washes his hands, splashes some water on his face, and gets back to work.
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