#aaron h

[falafels]

pt.36!! <pt.35 pt.37>

survived TGR and we are BACK BABY

dan wilds with the understatement of the century ❤️

the brother seth was texting was ricky (gordon family exposition here)

tags for the homies ❤️ @andrewsleftarmband @blurryhour @you-know-i-get-itt @notexactlythatgirl @longspacerat @tessasilverswan @minyard-05 @carbon-dated-gal @bisexualchaosdemon @stormiiflies @watercoloureyes01 @vampire-overlord @iron-sides @azure-wing @buffalo-fox @ohgodnotagainplease @pink-hydrangea @jaywalkerss @ohmynoggin-blog @cosmic-marauder @min-getoutofmy-yard @plazybones @disastersappho @leestars13 @the-witch-forever-lives @minyardsss @post-historical-posts @andabuttonnose @hidinginmyhands @aftg4l @allfor-thegames @kaleidoskuls

[pathologicalreid]

buried alive | S.R.

in which the BAU races against the clock to rescue you from a killer team

who? spencer reid x fem!BAU!reader

category: angsty

content warnings: kidnapping, case stuff (murder yk), suffocation, being buried alive, hospitals, blood, nausea, CPR, funerals, use of pet names, guns, and drugs. i think that's all.

word count: 2.9k

a/n: okay, so i've been reading so much spencer fanfic and i started writing it and yesterday i realized i have 20 fics written and they're doing no one any good just sitting on my computer. i decided to finally try posting one. i wrote fanfic in high school (so like seven years ago) but this is my first time writing for a TV show. i've also never really posted on tumblr so please bear with me while i try to figure out formatting. tysm for checking out my post.

part two part three

You walked into the conference room and dropped the file on the table, allowing it to land on the wood with a satisfying splat. “The unsub’s burying them alive,” you said, letting the rest of the team know the conclusion you had come to with the medical examiner. “The M.E. found metal shavings and satin threads under the nails of our last victim. The most common materials to make up a casket.”

“There’s no way someone could bury someone alive in a casket alone, we’ve got to be dealing with a team, at least three people,” Emily concluded, standing in front of the evidence board.

It was the team’s third day on a case in Nebraska, four women had been discovered dead. Asphyxiation by hypoxia. Carbon dioxide poisoning.

“Approximately 420 people in the United States die from accidental carbon dioxide poisoning every year,” Spencer said, grabbing the file off of the table and flipping through it, taking a few seconds to read through it.

Rossi looked over Reid’s shoulder to look at the file, “but there’s nothing accidental about these deaths. Who would have access to these caskets?”

You shook your head, placing a hand on the back of Spencer’s chair, “A funeral director seems most likely.” You looked around at the Omaha field office, different agents running about in an attempt to solve these very murders. “They’d have the most access, write it off as displays. It could be hard to match the materials since they’re so common.”

Hotch leaned over the table and pressed the conference phone, “What can I do you for?” Garcia’s bright voice rang through the speaker.

“Garcia, I need you to look into funeral homes within the comfort zone. Look for a director who’s ordered more caskets than they’ve had funerals. Find anything, nothing is too small.” He told her.

“Absolutely, I’ll hit you back when I’ve got something,” she said, hanging up the phone.

There ended up being four funeral homes in the unsub’s comfort zone, so the team split up. You went with two locals to a family-owned business, Garcia had sent you all of the files you’d need on the location. “It looks like the Varn family has been in the funeral business since the seventeenth century,” you read aloud to the two agents you were in the car with.

“Does it mean they’re more or less likely to be the killers if they’ve been in business for so long?” One of the agents asked you, a younger man named Harrison.

You pursed your lips as you continued to look over the files, “I’m not seeing any glaringly obvious stressors before the murders started, but over the years I’ve learned that’s no reason to write someone off. Psychopaths can be tipped off by the slightest thing. Things none of us would bat an eye at.”

Harrison nodded in the passenger seat, looking over to his partner Jimmy, “You and your guy sure do make an interesting pair.”

“I’m going to take that as a compliment, so thank you.” You and Spencer never explicitly stated to the field office that you were dating, but you walked into the precinct this morning holding hands. The agents must have drawn their own conclusions.

The younger officer cleared his throat, “It is a compliment, ma’am. The two of you are very impressive, your whole team is.”

You smiled, “Thank you, Harrison.”

The funeral home was run by a mother and her two sons, you held up your credentials for the mother when you knocked on the door. “Are you Sheila Varn?” You asked her, raising your eyebrows.

“Yes, what’s this about?” She inquired. She didn’t really look the part of a serial killer, a middle-aged woman who was running her family business.

Pocketing your credentials, you spoke, “We’re investigating the recent murders in the area and we were wondering if you had samples of the materials your caskets are made out of. Might we be able to come in?” You asked, adding a charming smile for effect.

Something flashed across her face before she returned your smile, opening the door and welcoming the three of you inside. “Hold on, let me get my boys up here. They’re so much more versed in the goings on of the town than I am,” she said, opening the door and calling for her sons. Felix and Joss came up the stairs from the basement, now they definitely had the physique to load dead women into caskets and bury them alive.

“Why don’t you two men come with me? I’ll get you those samples,” Sheila said, motioning for the agents you were with to follow her. To your horror, they followed her around the corner. “Felix, Joss, show this young lady what you know,” she instructed.

You took a deep breath before you looked up at the two men.

They were tall, maybe Spencer’s height, but they were built like wrestlers. There was no way you could physically subdue them on your own.

You passed out before you even had the chance to pull your gun.

Hotch was in full Unit Chief mode, Spencer watched from the corner of the room as he separated people into groups and gave them specific instructions. JJ and Morgan walked into the precinct, “What’s going on?” JJ asked looking around the room.

“The Varn Family is the team; two agents were found drugged on the side of the road and when we went to the funeral home Y/N was missing. Her badge, gun, and phone were all there, covered in blood,” Spencer said morosely, watching as Hotch finished giving orders and called the rest of the team over.

Your picture was up on the evidence board with the word “missing” written in bold letters beneath it. All of your belongings had been put into evidence for the time being. “Reid?” Hotch said his name, causing his head to snap up. “Are you okay to keep working?”

Spencer nodded affirmatively, “Yes.”

“Good, I need you to estimate how much time we have, I want a clock on these screens,” he ordered.

Morgan turned to Reid, “What do you think she has, kid?”

“The tidal volume for the average adult is point five at rest. That ends up being about six liters per minute. The average casket is approximately 886 liters in total volume and the average volume of the human body is 66 liters, leaving 820 liters to be filled with air for her to breathe. If she’s been gone for half an hour already, I’d estimate she has less than five hours of breathable air left.” Spencer explained, doing all of the math in his head while Emily put a timer on the screen next to the evidence board.

After a moment, Hotch continued, “Rossi, JJ, go back to the funeral home. Tear it apart, there has to be something there we haven’t found yet. The rest of us will split the list of cemeteries in the comfort zone and search them.”

“That’s a lot of ground to cover, we don’t have anything else to go on?” Morgan asked, looking at the list of burial sites he had been handed.

Hotch looked at Spencer, but Spencer stayed silent. “That’s all we have right now,” Hotch responded, “hopefully we’ll come across leads as we go.”

It smelled like a garden around you. The memory reminded you of spring with your mother, tending to the vegetable garden.

The only difference was that instead of the sun beaming down on you, it was pitch black. The space surrounding you was so dark that you weren’t totally sure your eyes were open.

Your head was throbbing just above your right temple, and you observed your surroundings. Slowly, you lifted your arm until it hit a ceiling.

Not a ceiling. A lid. You were in a casket. You pressed one hand to your chest and tried to slow your breathing. Chances were that the casket was already buried beneath the surface of the earth, trying to open it could be catastrophic. You patted the pockets of your jeans, only to find your phone missing, so the team wouldn’t be able to trace the location.

Even if you had it, there likely wouldn’t be service six feet under.

Your team would find you. They had to find you.

They found Spencer, they found Emily, and they would find you.

Spencer shifted in the passenger seat of the SUV, “You know, carbon dioxide poisoning is a rather peaceful way to die.”

“Reid,” Morgan said, turning the vehicle onto the main road, they had just finished scouring over another cemetery with still no sign of you.

He sighed and stared at his hands, “No, it’s good. We see so many people killed in so many different ways that it’s good that she won’t be in pain when she runs out of air.” He tried to convince himself.

Morgan cleared his throat, “We aren’t out of time yet, kid. We can still find her. Y/N’s smart, I’m sure she found a way to make more air or something.”

But they were running out of time, less than an hour remained on the timer set on all of their phones.

They pulled into the next cemetery, “There’s some fresh dirt over there, what are the names on the graves of people who were actually recently buried?”

Spencer starts to recite the names, and the two of them start to comb through the cemetery.

You had done enough research on this case to understand what was going on. The light-headed feeling had started not long ago, but now you felt like you were spinning, despite the knowledge that you were stuck in place.

It was a high. Not unlike the good kids high. Except instead of trying to chase a feeling, you were dying.

The timer went off when they were still scouring graves, shovels in hand. Derek stopped in his tracks, but Spencer kept going.

“Wait,” Spencer called out, reading the name on the card next to the fresh grave he was standing at, he moved to start digging. “Essie Dunbar was a thirty-year-old woman who was mistakenly buried alive in 1915,” he said, digging. “This has to be it.”

Derek called Hotch, putting the call on speakerphone so he could help Spencer dig. “Hotch, we got her, but she’s buried.”

“We’re on our way, Omaha police have one of the brothers in custody,” Hotch told Emily to have an ambulance dispatched.

What Reid knew that Derek didn’t was that it could take four hours to dig a grave by hand. The soil had been overturned, so maybe call it three. Your odds were still negligible. He didn’t stop, he didn’t stop when a caretaker came running at them, and he didn’t stop when Derek told him to get his digging equipment out here now.

Derek flashed his FBI badge to get what they needed. He had to physically pull Spencer back from the grave so the backhoe could dig, only going until there was less than a foot between them and the casket.

Spencer crudely attached a chain to the casket and the caretaker's vehicle. Carefully, the caretaker dragged the white container out of the earth and up a slant they had dug. It was locked shut, “Reid, move,” Derek ordered.

He leaned back and Derek fired at the lock, taking it off and opening the casket. Spencer gasped, there was blood on the side of your head, dried and raked through your hair. He was vaguely aware of Hotch and Emily arriving as they pulled you out of your satin prison. You had no pulse, but you were still warm. Immediately, Spencer started CPR.

“Reid let me do it,” Derek insisted.

What he was trying to say is that he shouldn’t have to be the one to try to save your life.

Morgan repeated himself and Spencer pulled away, allowing the other agent to immediately take over. There was a siren in the background, an ambulance. More people showed up, Spencer heard their voices, but he just kept watching you. CPR was effective if it was done shortly after your heart stopped, and even then, permanent brain damage was likely.

It had been eight minutes since they pulled you out of the ground. Clinically, you were dead for eight minutes before you gasped.

Spencer smoothed your hair back, away from your face, while you desperately tried to catch your breath. You weren’t moving, and Spencer started running through symptoms of hypoxia. His biggest fear was brain damage, that they had done more harm to you in bringing you back than they would have had you died.

The EMTs came running over to where everyone had gathered, dispersing the crowd, and placing an oxygen mask over your face. As they were loading you on the stretcher, you started trying to talk, reaching your arm out to your side. “Wait, what’s she saying?” JJ asked.

“Sometimes it’s hard to talk after CPR,” the male EMT said as they moved you closer to the ambulance. He listened to what you were saying, “It’s not coherent.”

Spencer didn’t move, all of the adrenaline that had been coursing through his body all day was leaving.

Aphasia. They were saying the lack of oxygen to your brain was causing aphasia. “No,” Emily said, realization dawning on her features as she strained to listen to you. You were whispering, rasping the same word over and over again. “She’s saying ‘Spence.’”

He stood quickly and looked at you, sure enough, you were reaching out your hand and whispering, “Spence, Spence.” Your voice no more than a whisper.

Grabbing your hand, Spencer squeezed it, “I’m here,” he answered. “It’s okay, it’s over,” he told you, moving your hair out of your face. Spencer secured your oxygen mask over your face as you tried to take it off, “You have to keep this on, angel.”

To his relief, you squeezed his hand back.

You had been instructed to get some rest, but you couldn’t close your eyes. You asked Spencer to go back to the hotel and change his clothes because he smelled like dirt, and it made you nauseous. Your head had been bandaged, you’d been run through an MRI, and you did an EEG, so far, the only brain damage that had been incurred seemed temporary.

According to the doctors, the nausea and fatigue should wear off, but they hadn’t been able to fully assess if any permanent damage was done. At this point, the worst of your injuries had been caused by being given CPR, resulting in cracked ribs.

Despite your headache, you kept most of the lights on in your hospital room, not quite ready to be left in the darkness again. “Hey,” a voice called from your doorway, Spencer stood, waiting to be invited in. He was wearing different clothes, a button-up with a green cardigan thrown over it, and clean pants. “How are you feeling?”

A nasal cannula slightly restricted your movement, but you were sat up in the hospital bed, “Better than I was, but not perfect.”

He shook his head, walking in and taking a seat next to you, “No one expects you to be perfect right now.” Gently, he reached out and took your hand, skimming the pad of his thumb over your knuckles. “They found the mother and the other son, and all three of them are going to go away for a long time,” he told you, speaking in the kind of hushed, reverent tones that are reserved for hospitals.

You sighed and tilted your head back, “Good,” you maundered. “That’s uh, good,” your voice was barely audible.

“So why do you look so worried?” He asked, leaning in closer to you.

In an attempt to dismiss his concern, you joked, “I think I owe Morgan some sort of life debt now.”

Spencer offered you a soft smile, “The two of you tend to trade those off, I’m sure you’ll find some way to make it up to him.” He inclined his head towards you as if to silently say, So what is it really?

You swallowed thickly, “I’m scared to close my eyes, Spence.”

His shoulders dropped, “oh, Angel,” he breathed. “Is there anything I can do for you?” He asked, looping a loose strand of your hair behind your ear. “Wait, what are you doing?” He asked, watching you as you lifted yourself, so you were on one side of the bed.

Shyly, you patted the new empty half of the bed, inviting him to sit next to you.

He had no choice but to comply, he had the hardest time saying no to you. Leaning the bed back slightly, Spencer kicked off his shoes before he laid down next to you, wrapping an arm around you as you set your cheek on his shoulder.

Your body relaxed into his and you sighed, “Spence?” You murmured.

He pressed a gentle kiss to the crown of your head, “Yes, angel?” He whispered back to you.

“Thanks for coming to save me,” you mumbled, slowly relaxing enough to fall asleep.

Spencer exhaled, “I’m always going to come to save you.”

part two

[venusbyline]

Taste ࿐ྂ Kinktober. 03, oct.

— pairing: Aaron Hotchner x fiancée!reader

— type: smut, Kinktober (Criminal Minds Edition)

— kink: lactation

— summary: Hotch never felt horny seeing a woman breastfeeding. Until he watched his fiancée doing it.

— word count: 2.9k

— tags/warnings: kinktober 3rd day, female!reader, fiance!Hotch, lactation kink, breastfeeding, breast worship, fingering, light overstimulation, mention of Haley's death, Jack has a little sister, canon divergence. no use of y/n. english is not my first language.

— tagging list: @thatredlipped-classic @magnoliatrees-world @ehedrick012110 @hotchsmutrecs @slutcakes00 @emma-e-a

— crossposting: AO3

Hotch swore to himself that he wouldn't get involved with anyone else after Haley's death. He promised for Jack's sake and his ex-wife's memory, he would try his best to stay away from any woman who could mean more to him than just a few nights of sex or random drinks at a bar. He swore he wouldn't love anyone again, much less allow himself to remarry.

That's until you came into his life.

The damn day he saw you at the hospital after one of his teammates was grazed by a bullet. You were working your shift as a nurse and seemed almost shocked by the number of BAU agents in just one room. But your eyes didn't take long to focus on him. Eye contact only lasted a few seconds until Reid interrupted the magical moment by asking you about the coffee machine not working properly.

Hotch looked straight into your eyes long enough to realize he was fucked up and all his promises were going to go down the drain.

It didn't take long until the simple memory to invade Hotch's mind frequently and he was convinced to find out more about you, profiling you. Prentiss and Reid said he was starting to obsess, JJ thought it was cute, and Garcia and Morgan made fun of him like he was womanizer. Deep down, everyone was also excited but wary by the idea of Hotch being interested in another woman after Haley's murder. This could be good for him and also traumatize him even more.

When Hotch started visiting a pub that you and your co-workers went to often after work, he tried to maintain an indifferent attitude every time he saw you, trying to convince himself that you two would just flirt and maybe fuck. Nothing more than that, something random and insignificant.

However, during a day when he was reflecting on his life, sitting at one of the empty tables and drinking whiskey, Hotch was surprised to see you sit down with him, without even being invited. A sweet smile on your face as you began to strike up a conversation, even though he was clearly perplexed by the fact that you had already noticed his interest in you — no matter how obvious it was to anyone who saw him always watching you.

Two years later, Hotch still had difficulty admitting how much he loved you, feeling like it could be a weakness to him and a danger to Jack, you and his new child. The baby named after the protagonist of The Silence of the Lambs.

"Jack told me that Clarice was crying a lot today..." He said as soon as he came your room after putting Jack to bed, admiring you sitting on the double bed with some pillows behind your back, cradling the little thing in your hands while you breastfed her at the same time.

"Oh, it was just colic." You gave him a soft smile. "But she's better for now. Jack's such a good big brother to Clarice, he helps me a lot to take care of her."

Hotch smiled slightly, knowing how much his oldest son was enjoying having a little sister. Jack was such a sweet boy that sometimes he found himself wondering if he really deserved to be his father.

Jack was an incredible son with an incredible mother. And now Hotch also had an amazing little daughter and an amazing fiancée. With each passing day, insecurities and fears hit his mind hard to the point that he even became lost in thoughts during his own work at the BAU. "What's wrong, Hotch?"

Your question caught him off guard and he clenched his jaw. You could still read him as well as the first time you spoke to him in the pub. "Nothing's wrong."

You rolled your eyes, cradling Clarice a little more slowly now that she seemed to be starting to sleep. "Oh, please. I know you very well at that. It's pretty clear from your frown that you're worried about something." You teased him and it was his turn to roll his eyes. "Just tell me. Keeping everything to yourself will make you explode someday."

Hotch huffed, always hating the idea of opening himself up to anyone, even if you were his fiancée. On the one hand, he wanted to keep you in the dark about the vulnerability he was trying to hide, protecting himself from any judgment or see a look of pity on your face. But on the other hand, he just wanted to not pretend to be strong and invincible for at least a few minutes.

"I'm just thinking about some things, that's all..." He swallowed, the trembling voice exposing him more than his words.

You frowned, caressing Clarice's thinning hair before looking at Hotch. "Well... I'd like you to tell me at least one of them."

Hotch snorted again, but the attempt at indifference failed miserably when he looked at Clarice, still feeding on your breast. "She's looking more like you every day." He smiled, articulating his right index finger so he could caress her chubby cheek with his middle knuckles.

You smiled at Hotch, before raising an eyebrow when you noticed his gaze straying to your breast for a considerably long time. "That's very disrespectful, you know? I can't even breastfeed my own baby without you being a pervert?"

His eyes widened, immediately stopping and looking at you embarrassed to explain, sighing with a little frustration when he noticed that you were just playing with him. "Damn, angel..." He rubbed his face to hide his frightened expression, but also to distract himself from that unusual thoughts. "For a second I thought you were angry."

You laughed softly, shaking your head. "Why would I be angry seeing my fiance horny?"

Your teasing made his face turn red and his cock started to feel tight in his work pants. "I'm not...I'm not horny. This is ridiculous. You're just breastfeeding."

His effort to look uninterested by the sight made you laugh again, as you looked at him with your eyebrow still raised. After a few seconds, you checked if the baby was already sleeping enough so you could burp her and go put her in the crib. Then you fixed your nursing bra and turned to Hotch with a playful smirk. "I'll be back in ten minutes."

Your words weren't a random joke, much less a common warning. You were flirting with him, teasing him, warning him that the matter wasn't over and you would come back to learn more about that curiosity that was burning his brain. He watched you leave with Clarice in your arms and go to her room.

Hotch sat down on the bed, the tie starting to tighten around his neck just as his cock was already hurting from being trapped in those damn underwear. He untied the bow with a little more agony than usual, taking a deep breath as he threw the fabric anywhere on the floor. He wasn't worried about organization for now, focused on trying to understand why he was suddenly so turned on.

Okay... He had seen your breast, something he clearly loved to admire at any time possible. But he never got horny seeing you breastfeeding his daughter. Just as he never got horny when Haley was breastfeeding Jack too. In truth, Hotch had never thought of breastfeeding as something rousing and erotic to watch.

Until those few minutes before.

"There... She's sleeping like a little angel." Hotch almost jumped at the sound of your sweet voice returning to the room, locking the door behind you.

Hotch cleared his throat, pretending not to know exactly why you locked the door. It was a rule not to lock the door at night for the children's safety in case something horrible happened. You only did this when both of you wanted a moment alone. "Well, it took you less than ten minutes."

You shrugged nonchalantly. "She went back to sleep quickly."

He nodded silently, placing his hand in his own lap so you wouldn't see his boner growing more and more, even though he knew you had already noticed it since you returned to the room.

"Lactation kink is more common than it seems." You said and Hotch almost choked due your blunt way.

"What? Where did you get that from? I don't... I don't have a lactation kink. That doesn't even make sense." He exclaimed, his frowning face turning red for a second time as he tried to press down on his boner to hide yet another twinge he felt.

You held back your chuckle, but not for long. The moment you sat on the bed next to him and watched how the grumpy man was struggling to hide his desire, you let out a brief giggle, but it was enough to hurt his ego. "That's not funny."

Despite everything, you nodded, not wanting to upset him further. The realization that perhaps this was the first time he could be feeling that specific kind of desire hit you hard, and you felt a mixture of pride with yourself, but also a huge excitement that you hadn't felt since the pregnancy.

"I know, baby..." You reassured him, smiling slightly at him now. "But you don't need to hide from me either. We agree not to keep secrets from each other."

Your sentence had more than one meaning and Hotch knew it. He shouldn't lie to you, either about his own fears or about what he was wanting at that moment.

Hotch took a deep breath, deciding to start slowly. "Maybe... Maybe I'm horny."

"Seeing me breastfeeding?" You asked to be sure, but without any hint of judgment.

He nodded, clenching his jaw as he looked away, before holding his breath when he felt your hand caressing his thigh through his dress pants. "Hey... Look at me, Aaron."

Almost a minute passed before he worked up enough courage to look into your eyes. He felt pathetic inside. How could he deal with criminals every day, but not be able to receive a touch on his thigh from you without feeling like a stupid teenage virgin?

"Do you wanna... Taste it?" Your suggestion made his dark eyes widen as if you were saying the most unexpected thing he'd ever heard. "I'm serious, Aaron."

"Taste your milk?" He frowned. However, you knew he wasn't offended, but rather embarrassed with himself for even considering that. Everything was driving him crazy... the memory of you breastfeeding, his vivid imagination, your hand remaining caressing his thigh. Aaron felt like he was going to explode. "Hmm... Maybe."

You smiled when he gave in a little, knowing that his lust was speaking louder than any self-loathing he was feeling. Without waiting for him to think better and maybe change his mind, you adjusted your body on the bed, leaning your back against the headboard, while your legs were stretched out and comfortable. You smirked, pointing to the other pillow, indicating to him to get comfortable too.

Your command made his cock throb. As he obeyed, lying down in place, he felt a sigh of pleasure escape when he realized how much closer your bust was to his face in that position.

"It's a good view..." He muttered, fighting his pride.

You bit your bottom lip. "Oh, really?" You took your hands to your bra, removing it completely and watching Hotch's breathing hitch. "And now?"

"Angel... You're such a tease." He watched your breast for a few minutes, feeling his mouth water with the uncontrollable need to taste you like that. He moved his large hand to one of your mounds, biting his lip as he gently squeezed the soft flesh, barely holding back the groan that escaped by a strangled way when some milk splashed on his shirt "Fuck..."

You couldn't help but whine too. The feeling of his slender fingers groping your breast had been great, but it was the hunger in his eyes when your breast milk splashed out that made you start to feel desperate. "A-Aaron... I want you. I want your mouth."

"Oh, do you want my mouth, angel?" He scoffed, going back to caressing your breast, but now with one hand on each one. "And where do you want my mouth? Here?" Hotch questioned teasingly and leaned in, brushing his lips against the skin of your neck, feeling you shudder when he licked it and grazed his teeth afterwards.

He waited for your answer, but you just shook your head. It was good, of course. However, it was far from what you really wanted.

"Oh, no?" He feigned surprise, looking into your eyes now desperate for more. Hotch then smirked and stood up enough for you to be face to face. He moistened his lips, noticing the way your gaze fell there immediately. "Here, maybe?" Hotch teased, capturing your mouth in a slow but intense kiss. He tasted your lips as if they were heaven, delighting with the pleasure of dipping his tongue into your mouth and feeling your tongue too.

Then you moved your face away, panting for air. "No. More..." You whispered, lips red and swollen from the kiss.

He laughed lightly. "More? You're so greedy, baby..." Hotch scoffed, thinking about stopping the teasing, but an idea popped into his head, lowering his face until he was close to your breasts again. One of his hands kept caressing one of them, his long fingers playing with your nipple wet with milk.

However, his right hand let go of your left breast, making you whimper with confusion. "Why did you stop? You're so fucking... Oh!" You moaned, your eyes widening when his fingers got into your panties. "H-Hotch..."

Your moans made Hotch smirked, as he rubbed your clit slowly, enjoying how wet your pussy already was. "Is this where you want my mouth, baby?" He said, rubbing a little slower to get some verbal reaction from you.

"Not yet... Not yet." You managed to whisper as he slowed down, afraid he would completely stop rubbing your needy bud.

Hotch scoffed. "Wow, my future wife's a spoiled and needy little whore...." He went back to interspersing the movements of the hand that pleasured your pussy with the hand that caressed your heavy breast. "How about here then?" He blew lightly on your left nipple that was without his attention. "What do you think, angel?"

You almost whimpered at that teasing. It was obvious what you wanted and it was obvious Hotch was desperate for it too. Meanwhile, Hotch liked to hear you ask him. Beg him.

"Y-yes, please..." You pouted sadly as he chuckle, finally bringing his mouth, licking the sensitive nipple and making you moan his name, his soft tongue tasting the light drops of milk that flowed through contact. "S-suck... Please, Aaron, I need you to suck my milk."

Hotch lifted his face to look at you, doing as you asked. His mouth closed carefully around your nipple, making a gentle sucking motion, his eyes widening as much as you did when a favorable amount of milk came on his tongue, making him swallow with surprise before keeping sucking.

You felt the movements of his hands faltering, his mind going into a frenzy as he heard you moaning desperately each time he sucked you like a hungry baby. Your entire body had been needy since giving birth, but your breasts... They had become a powerful and fragile little thing at the same time. They were always sensitive due to continuous breastfeeding. Hotch had never given you pleasure there since Clarice was born, too busy taking care of you two and Jack, in addition to always having his mind stuck on work. Besides, neither of you have had much time since then.

However, you knew it wasn't just because your breasts were sensitive or the fact that both of you had been deprived of sex for a while. It was the incredible feeling of having Hotch suckle on your milk, seeing him desperate for every drop.

When he closed his eyes to focus on sucking and enjoy the slightly sweet taste of breast milk even more, you began to tremble your orgasm getting closer. His fingers kept rubbing your clit while the other fingers played with your free nipple, but it was the sight of him with his eyes closed and sucking your milk that made you cum, moaning his name breathlessly and wetting his fingers with your release.

Hotch smirked as he noticed the real reason for your orgasm. He opened his eyes, nibbling on the tip of your breast and stopping fingering you so as not to prolong your overstimulation too much after you whimpered in slight discomfort when it all started to get too much. "That was more amazing than I imagined it would be." He murmured, tongue still busy licking you.

“Too amazing, actually…” You teased, moving his lips away from your nipple. "You better save some drops for Clarice."

He chuckled at your joke, feeling you run your hand over his chin, wiping away the drops of milk that had run down, gently licking your own fingers.

"Thanks for not judging me, angel."

The sweet words made you smile, and you stroked his hair tenderly. "I would never do that." Your gaze dropped to his boner, even bigger than before. "And I'll help you with that if you promise to tell me about what was plaguing your mind earlier."

Hotch rolled his eyes sarcastically, looking at you with a frown and a small smile on his face. "Okay... That's a sacrifice I'm willing to make then. But just this once."

Criminal Minds Edition - Masterlist

HOTD Edition - Masterlist

Venusbyline's Kinktober 2024 - Masterlist

[psykopaths]

Jesse and Jane </3

[nofatclips]

🎵 The Recapitulation by A-Sun Amissa featuring Colin H. van Eeckhout

🎬 Album trailer for the album The Gatherer, created by Chariot Of Black Moth

[diangelodork]

yall i saw someone on tiktok make a video where they read one star goodreads reviews of books they liked as pitches and i thought id do the same for shits and giggles. i forgot how easily i get upset. i am fuming over like 2% of the reviews (its <1% for one of them) of my favorite books having awful takes because so many of them just clearly aren’t understanding what the author meant and that is KILLING me. why did i think this would be fun for me 😭 i am NOT the type of person who can sit there and hear bad takes about the things they love-

[yusuke1234]

Artists I like

[graveyardgreengarden]

Heathers & Mean Girls AU: in one universe and high school.

Veronica and Cady will be friends, I guess. Maybe, Veronica will be big sis figure for Cady.

Duke and Gretchen can be besties for sure. They're both tired from their leaders of groups (Heathers and Plastics).

Karen and McNamara are silly friends, ig. But also smart in their own. They will talk about their fav things for hours.

Regina and Chandler, huh... In one moment, they're speaks calmly, in another moment, insults and fights to each other.

JD and Janis. Two freaks, two outcasts, two walking chaos. But, I guess, Janis creeps out from Jason somehow (no killing!).

Damien with Aaron and Betty with Martha. Chill and soft friendship, ig???

[onekisstotakewithme]

BJ's drunk logic in Hepatitis is incredible, like he knows Hawk needs to give him an injection, he knows it goes best in the ass (wink wink), and what actually comes out of his mouth?

I'LL SHOW YOU MY BUTT!!

(plus there's the whole draped-around-Hawkeye's-neck thing.)

[wildgreyocean]

Aaron Taylor-Johnson listens to Sam Fender!

[aureatelys]

sentences sunday

ty for tagging me @solardrop <3 i dont have any wips right now but take this pwp ive been sitting on for a month :)

“Oh.” Before you could help it, you feel heat bloom on your cheeks, because this sight of Aaron between your legs, his warm hands on your thighs, was familiar for a completely different reason. “You don’t have to do it from there…” He’s propped himself up by his elbows and you have to spread your legs a bit more to compensate for his broad shoulders. He’s polite enough to not have his gaze stray farther than his hands on your thighs and not to the way your pajama shorts have ridden and bunched up around you. "I want to.” Your dirty thoughts hit the backburner when his thumbs start to dig into your muscle, causing you to throw your head back when a moan startles out of you. You’re secretly glad that Jack was away at a sleepover.

no pressure tags <3 @mggslover @minswriting @alinathinkstoomuch

[shellseaisms]

the matthews-booker household.

back in 2017, I started a generations series with the matthews family and was absolutely obsessed with them. I found their old save a few weeks ago and I'm bringing that series back to life this week YIPPEE

meet the generation 3 heir, adelaide matthews, and her husband-to-be aaron booker! these sims aren't available for download (and won't be), but I wanted to have their cc lists available somewhere in case anyone is curious about anything they're wearing.

they also have a son named carson, but he's a baby and I didn't know how to get a screenshot of him so I simply did not. you'll see him when he grows up a bit :)

‣ outfit screenshots + cc used listed below.

‣ adelaide matthews

basics: skin, contacts, hair, brows, lashes, freckles, eyebags, nosemask, contour, blush, eyeliner, lipgloss, lip line.

everyday: sweater, leggings, shoes. formal: top, skirt, shoes. sleepwear: outfit. athletic: top, leggings, shoes. outerwear: top, leggings, shoes.

‣ aaron booker

basics: skin, contacts, hair, facial hair, brows, eyebrow piercing.

everyday: hoodie, jeans, shoes. formal: shirt, jeans. sleepwear: tshirt, sweats. athletic: tank, sweats, shoes. swimwear: shorts. outerwear: top, jeans, shoes.

[longlistshort]

Laura Wheeler Waring, “Girl with Pomegranate”, ca. 1940, oil on canvas

Winold Reiss, “Langston Hughes”, 1925, Pastel on illustration board

Winold Reiss, “Alain Leroy Locke”, 1925, Pastel on illustration board

The Harlem Renaissance and Transatlantic Modernism at The Metropolitan Museum of Art showcases some of the outstanding work created during this time period. The exhibition also provides some background on the artists, their peers in the art world, and their community.

From the museum-

The Harlem Renaissance emerged in the 1920s as one of the era’s most vibrant modes of artistic expression. The first African American-led movement of international modern art, it evolved over the next two decades into a transformative moment during which Black artists developed radically new modes of self-expression. They portrayed all aspects of the modern city life that took shape during the early decades of the Great Migration, when millions of African Americans left the segregated rural South in search of freedom and opportunity in Harlem and other expanding Black communities nationwide.

This exhibition explores how artists associated with the “New Negro” movement-as the Harlem Renaissance was originally known, after influential writings by the philosopher Alain Locke and others-visualized the modern Black subject. It reveals the extensive connections between these artists and the period’s preeminent writers, performers, and civic leaders. At the same time, it reconstructs cross-cultural affinities and exchanges among the New Negro artists and their modernist peers in Europe and across the Atlantic world, often established during international travel and expatriation.

This complex, multilayered story unfolds through portraits, scenes of city life, and powerful evocations of Black history and cultural philosophy. Highlights include seldom-seen works from historically Black colleges and universities and culturally specific collections. Across its broad sweep, opening with founding ideas and concluding with activist imagery made on the cusp of the civil rights era, it establishes the critical role of the Harlem Renaissance in the history of art as well as the period’s enduring cultural legacy.

Horace Pippin, “Self Portrait”, 1944, Oil on canvas, adhered to cardboard; and “The Artist’s Wife”, 1936, Oil on linen

The caption for the above paintings reads-

Contemporary artist Kerry James Marshall has described Pippin’s self-portrait as a “monumental statement of self-confidence.” In this small painting, tightly cropped at bust length, Pippin gazes confidently at the viewer, his firmly drawn likeness reflecting a well-disciplined hand. Pippin portrayed his wife, Jennie Ora Fetherstone Wade Giles, at three times the scale of his own image, but he unified the two paintings by using a similar palette. Jennie’s blue dress is echoed in the background of his portrait, while the background of her portrait is picked up in the artist’s tie and button-down shirt.

The portraits in the exhibition are not the only standouts. Below are a few more selections.

Suzanna Ogunjami, “Full Blown Magnolia”, 1935, oil on burlap

William H. Johnson, “Flowers”, 1939-40, oil on plywood

Aaron Douglas, “The Creation”, 1935, and "Aspiration", 1936,Oil on masonite

From the museum about artist Aaron Douglas–

A core objective of the Harlem Renaissance was to portray the history and cultural philosophy that gave shape to a specifically African American identity and worldview. The artist Aaron Douglas, whose monumental murals earned him acclaim as the period’s foremost history painter, was also respected for his masterful use of biblical allegory to convey aspirations for freedom, equality, and opportunity.

Douglas first developed his signature silhouette figural compositions-derived in part from Cubism, Egyptian tomb reliefs, and American popular culture-for book and magazine cover illustrations in the late 1920s. He later elaborated this distinctive style in large-scale works for public projects and institutional commissions nationwide as well as at Fisk University in Nashville, where he established the art department and taught for thirty-eight years. Both Douglas and the sculptor Augusta Savage, founder of a Harlem community art school, created art inspired by the work of the author and composer James Weldon Johnson.

Laura Wheeler Waring, “Mother and Daughter”, 1927, Oil on canvas board

About Laura Wheeler Waring’s painting Mother and Daughter from the museum-

Mother and Daughter is perhaps the most direct engagement by a prominent Black artist of this era with the controversial topic of racially mixed families; its very existence was a disruption of the silence on the subject within certain segments of society. Waring experimented with some of the modernist pictorial devices favored by Alain Locke in her portrayal of a Black mother and her white-presenting daughter, rendering them not as specific individuals but as generic types emblematic of the omnipresence of racially mixed families. Flattening their near-identical facial features in profile, Waring established the true subject of the painting via the title and through the work’s most prominent element: the divergent skin tones that point to the subjects’ radically different paths through a social life defined by color lines.

Beauford Delaney, “Dark Rapture (James Baldwin)”, 1941, Oil on masonite

Finally, this portrait of James Baldwin by Beauford Delaney was also a highlight.

From the museum about the work-

Delaney met the writer and civil rights activist James Baldwin in 1940. Finding common ground on multiple fronts-intellectual, social, and artistic-the two gay men began a friendship that would last thirty-eight years. Dark Rapture, the first of Delaney’s several portrayals of Baldwin, presents the author in a thickly painted, expressive tonal study of reds, browns, and blues against a brightly hued landscape. Both introspective and joyous, Dark Rapture stands as a visual manifestation of queer camaraderie, identity, and the search for belonging in the modern world.

This exhibition closes 7/28/24.

[venusbyline]

˖ ࣪⊹ ౨ৎ 𝐕𝐞𝐧𝐮𝐬𝐛𝐲𝐥𝐢𝐧𝐞'𝐬 𝐊𝐢𝐧𝐤𝐭𝐨𝐛𝐞𝐫 𝟐𝟎𝟐𝟒 - 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 ࿐ྂ

Hello, I'm Vênus!

Welcome to my first Kinktober! I chose to write this challenge with two versions: Criminal Minds and House of the Dragon. Each version will be posted every other day.

Criminal Minds Edition - Masterlist

HOTD Edition - Masterlist

Each oneshot will have their own trigger warnings. All of them were written with female reader.

[codename-adler]

snippet of raven!aaron au specially for you because i'm thinking about it so hard but i cannot seem to do anything except write tiny little extracts sooooo thats what were doing

HELLO

FINALLY CAN POST THIS BUT

BUT

HAVING A SPECIAL PREVIEW DID NOT SOFTEN THE BLOW BABE

OW

AND I MEAN- OW

thank jesus hallelujah for Jean at least

anyhoo erybody go read Heaven And Hell Were Words To Me

[gracelandwiki]

AARON TVEIT as Mike 'Levi' Warren GRACELAND | S02, EP05: "H-A-Double-P-Y"