#additional input: art

[uwuwuwuwuuwuwuwu]

Hi another text post here I was wondering if I should host a sornami/sonami (sora/namine) ship week 🎊? I was thinking doing it around july-or November?i Will have some polls and suggestions. But it’s definitely a strong suggestion I want to do :)

If you do vote yes I would love if you can put some prompt ideas in the comments.

[uncharismatic-fauna]

How About Those Humans?

Humans, also known as human beings or people (Homo sapiens) are a species of primate found around the world. Originally from eastern Africa, the species has spread to every continent due to their remarkable adaptability to a wide variety of climates and habitats.

The primary advantage for humans comes from their complex social groups. These groups are created, and reinforced, primarily through the use of spoken and written word. Humans are the only animal known to use symbols in communication. In every part of their range, H. sapiens will form communities with other individuals- these communities are often but not always based on familial kinship; bonds can also be formed based on age, proximity, and membership to other social organizations like religion or sports. Humans have also been known to form mutualistic relationships with other such as dogs, cats, ungulates, birds, and some snakes and lizards.

People are known as one of the few species to use tools, and they do so in a highly complex manor. By use of tools, humans have been able to modify their surroundings via agriculture, architecture, and clothing; this has allowed them to expand their range well beyond the limits that their thermal tolerance and high water needs would allow. In addition, people have used their ability to manipulate tools to enhance their social relationships through the creation of ritual, music, art, craft, and sport, as well as enhancing the scale and violence of inter-group conflicts.

The appearance of humans can vary widely depending on their genetics, distribution, nutritional status, and socio-cultural group. Unlike other primates, H. sapiens are primarily bipedal, walking on their hind legs and leaving their hands free for manipulating tools. The body hair of humans is quite fine, and the skin underneath can range widely from black to white, largely as an adaptation to UV radiation. However, the hair on the top of the head can be fairly thick, and likewise varies in color and texture; it is common in many social groups to arrange and decorate the hair for aesthetic value or social status. Males and females are fairly similar in physique; males average 171 cm (5 ft 7 in) in height and 77 kg (170 lb) in weight, while females average (5 ft 3 in) and 59 kg (130 lb) respectively. Females also have more pronounced mammary glands than males.

People are omnivorous, capable of consuming many different plants and animals collected by a combination of agriculture and hunting and gathering. Depending on their region, the diet of humans may consist of different combinations of ruminants, pig, horse, dog poultry, fish, insects, milk, eggs, leafy greens, roots, fruits, berries, nuts, honey, and tree bark. Humans have no natural predators, although there are some large carnivores such as polar bears and tigers that may opportunistically hunt them.

Like other primates, humans are capable of breeding through out the year. People may form monogamous or polyandrous pairings based on socio-cultural group and individual selection. Pairings are most often heterosexual, but homosexuality is not uncommon and there is a great variety in both gender and sexual orientation, the display of which is dictated by an individual's socio-cultural group. In many cultures, courtship is initiated by the male; he may attempt to woo the female through gifts and elaborate mating displays of dance and sport. The input of immediate kin and important members of a social group can also have strong influence over the process. Selection of a suitable mate usually takes time, and a pair may court for several years before rejection. Following mating, the female carries her pregnancy for 9 months before giving birth, usually to one baby but in rare cases as many as nine.

Infants are completely dependent on external care; this is usually provided by one or both of the parents, and often extends to the entire familial or social group. Babies are typically weaned around their first birthday, at which time their diet transitions completely to solid foods. From an early age, young are incorporated into the social group via ritual, play, and teaching of skills which may come from elders in the social group or designated individuals. Though biologically H. sapiens may reach maturity as young as 13, young are typically not considered adults in their social group until the age of 18. Lifespan may vary widely based on genetic and nutritional factors, but humans are frequently known to live to be over 100.

Conservation status: Due to their wide range and large population, humans are considered stable. They have not been evaluated by the IUCN.

Happy April Fools everyone!

Photos

A Khoisan woman in Namibia by Eric Lafforgue

A Nepalese woman and child by Michal Knitl

An Armenian family and priest by Eugene Lee

A Mexican dancer by Cheryl Schweizer

[literaryvein-reblogs]

Writing a "Highly Sensitive" Character

Sensitivity - awareness of and responsiveness to the feelings of others; susceptibility to being easily hurt or offended

Highly sensitive people (HSPs) - often show heightened sensitivity to stimuli such as loud sounds, bright lights, or strong smells. They also tend to experience deep emotional reactions, empathy for others, and may need more time to recharge after social interactions or stimulating environments.

Traits of Sensitive People

HSPs have distinct traits that could be mistaken as symptoms but do not indicate a disorder. They can include the following (Aron, 2010):

HSPs feel everything deeply and more intensely than others, whether joy or sadness, pleasure, or pain.

HSPs' high sensitivity means they take great joy in the simple pleasures in life, making them low maintenance and easy to please.

Need a lot more downtime than others, thrive in silence, and need a slower pace of life. This means taking the time to relax and process experiences is essential for their wellbeing.

Take longer to make decisions than others due to the depth of information processing involved, including conducting a thorough risk assessment and proceeding with caution.

Change can pose problems for HSPs. Even positive change may result in high levels of excitement and anxiety simultaneously due to the overstimulation caused by new experiences.

Can find handling conflict and criticism challenging, as they tend to have very high expectations of themselves and are hard on themselves when falling short. Others’ additional criticism can feel overwhelming.

Tend to have a rich inner life, being more self-aware, creative, and insightful than less sensitive people. This is likely to draw them into exploring a spiritual path in life, especially contemplative practices like meditation. They also enjoy a deep appreciation of the arts such as painting, dance, and music.

Tend to avoid the negative overarousal caused by violent films and news coverage, which almost hurts them physically.

HSPs' vulnerability to overstimulation can lead to a tendency to withdraw in new or tense situations. This can lead to them being seen as shy or unsociable when many are extroverts who just need extra time alone to process things.

Prefer a small social circle full of love and support, which they return in abundance due to their high levels of empathy. Letting another person in takes time, but when an HSP becomes your friend, they are loyal and supportive through thick and thin.

A highly sensitive person is someone who processes sensory input and emotions more deeply than the average person. This heightened awareness makes them more reactive to both external stimuli and emotional experiences.

This is a trait characterized by sensory processing sensitivity (SPS), which identifies a highly sensitive person/personality (HSP).

The term HSP was first coined by the psychologist Elaine Aron (1996), who is herself an HSP. She and her husband devised the Highly Sensitive Person Scale (HSPS), which spawned further research into the trait, including its neurobiological origins (Aron & Aron, 1997).

Before that, Carl Jung was the first to recognize the importance of sensitivity and believed that it played a more important role than sexuality in an individual’s susceptibility to neurosis (Aron, 2004).

The terms HSP and SPS are often used interchangeably. In later research, Aron (2010) differentiated the HSP trait into 4 categories.

Depth of processing. HSPs process all types of information more deeply than others, are more reflective, and take longer to make decisions (Aron, 2010). Depth of processing occurs both consciously, through analysis of information conveyed by communication in relationships, and unconsciously, through gut feelings or hunches.

Overarousability. HSPs notice a lot more than others in the same situation or environment, including other people’s emotions (although they may remain unexpressed), noise levels, smells, and other aspects of the environment (Aron, 2010). This can be advantageous but can also lead to overarousal and chronic stress.

Emotional intensity or empathy. HSPs experience strong positive and negative emotions in response to a range of pleasurable and painful stimuli (Aron, 2010). This increases their sensitivity to others’ feelings, making them very empathetic.

Sensory sensitivity. HSPs notice subtle environmental stimuli that other people miss. This can help protect them and others in their social group from unforeseen dangers but can also lead to problematic levels of sensitivity to foods, medicines, pain, noise, and light (Aron & Aron, 1997).

The combined effects of the trait result in empathic, conscientious, cautious individuals, who may also be sensation seeking and relish novelty (Aron, 2010).

There is no correlation between the HSP trait and extroversion or introversion (Aron, 2010). However, an HSP will always carefully evaluate the risks before proceeding with an adventure, as their sensitivity counters impulsivity (Aron, 2010). HSPs tend to plan ahead and are excellent strategists.

From an evolutionary perspective, HSPs may have an oracular function in social groups due to heightened intuition and sensitivity to environmental cues (Acevedo, Jagiellowicz, Aron, Marhenke, & Aron, 2017). Highly sensitive members of around 100 animal species have been identified and often warn their group of dangers undetected by others, helping to keep them safe (Aron, Aron, & Jagiellowicz, 2012).

The HSP trait is not aligned with giftedness, which comprises only 3% of the population (Aron, 1996). However, research conducted by psychologist Elke van Hoof found that 87% of gifted people are highly sensitive (Koolhof, 2020).

HSPs also have a heightened aesthetic sense, being highly sensitive to beauty in nature and the arts (Aron, 2010).

HSPs are also more disturbed by ugly or coarse stimuli than less sensitive people and avoid violent action films and news coverage (Aron, 2010). They are also more likely to have vivid dreams and have a rich inner life (Aron, 1996).

While HSPs are more distressed by negative environments than less sensitive people, they also benefit more from positive, supportive, and nurturing environments (Aron, 2010). This is especially true during childhood, but HSPs also benefit greatly from counseling and psychotherapy to overcome childhood difficulties, leading to low self-esteem (Aron, 2002).

There are cultural differences in their experiences, too. HSPs are highly valued members of societies that value reserved, cautious behavior such as China, Japan, and Sweden, but less so in bolder, competitive cultures such as Anglo-American and some European societies (Ketay et al., 2007).

Smolewska, McCabe, and Woody (2006) conducted a factor analysis of the HSPS and found it comprises 3 distinct factors:

Awareness of aesthetics (AES)

Low sensory threshold (LST)

Ease of excitation (EOE)

Further analysis from Smolewska et al. (2006) found that higher AES indicators bestow more positive outcomes of the trait, including a more intense perception of subtleties and empathy, while higher LST and EOE scores tend to indicate more neurotic outcomes, such as anxiety, social withdrawal, hypervigilance, and overarousal. 

Sources: 1 2 ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs

[bumblesimagines]

One More Hour

Request: Yes or No

Pronouns: He/Him/His

Summary: As a child, Jace learns the hard way not to mess with his young uncle, Aemond. However, as growing man, he can't help the newfound curiosity.

CW/TW: Targcest/incest (Jace and reader are uncle-nephew), typical Got and HOTD warnings, Jace might feel OOC, takes place in s1, unknown age gap but Jace is like 18/19 and (Y/N) in his early to mid twenties, kinda cheating? (Jace and Baela).

AAHEEEM.

~~~

Jace could do nothing more than stare at his plate with his fists resting over his thighs, one ear listening to the annoying whispering from his uncle while the other desperately tried focusing on the conversations floating around the room. The tension had lessened significantly since everyone first settled down at the dining table for the first time in many years but it did little to prevent Aegon from being a bother. It certainly didn't help that across the table sat his other uncle, (Y/N), who watched the two of them with immense amusement. 

He'd changed since Jace last saw him. No longer a child on the verge of teenagehood but a man-grown talented in sword fighting and the art of making ladies swoon. His silver locks looked vibrant in the warm candlelight and each time Jace glanced upward, his grew captivated with the twinkle of his violet eyes. (Y/N) appeared poised, relaxed and content, with a cup of wine in his hand that he occasionally sipped from as dinner continued. His eyes flickered between observing Jace and checking on his twin, Helaena. 

Jace still vividly remembered the only proper interaction he'd ever had with (Y/N), for the Targaryen often kept to the library or hung around his twin whilst she worked on her embroideries or played with bugs. The two never strayed too far from one another, so much so that it'd surprised Jace when he'd heard the news of Helaena and Aegon's wedding. 

It'd been a warm day full of joy and wonder as Jace and Luke had welcomed their newest baby brother into the family, a sleepy little newborn by the name of Joffery. Of course, despite the wonderful addition to their family, Jace and Luke had plotted with Aegon to prank their uncle, Aemond, whose dragon egg had refused to hatch in the cradle. It was a subject of teasing for them all, harmless and playful in Jace's opinion, but it seemed like not all believed a clumsily put together wings on a pig and offering it over to Aemond had been a fun prank. 

Roughly fifteen minutes had passed and the boys all continued giggling and laughing about it, recounting the look on Aemond's face between snickers, when the door was pushed open and in walked (Y/N) with Helaena trailing behind, her hands cupped and cradling a spider. She barely batted an eye at them, even when (Y/N) strolled up to his older brother and slammed his knee into his groin, only muttering quietly to herself about things the boys couldn't quite understand. 

Jace's amusement in Aegon's pain as he toppled over with a low groan was short-lived, as (Y/N)'s hand curled into a fist and swiftly connected with Jace's jaw. He'd landed the hit well and hard enough for Jace to topple onto the floor as well, crying out in pain as he held a hand to his slowly bruising jaw. Little Luke had attempted to jump to his brother's defense but his smaller frame was easily pushed onto the floor and angry tears sprang into his eyes.

In the end, Rhaenyra and Alicent had argued over who was in the wrong whilst King Viserys lectured them on fighting outside of training. 

But Jace thought of the interaction often, thought of how cool (Y/N) had looked bringing his brother to his knees so easily. Even though his jaw tingled each time the two made eye contact, Jace couldn't help the awe that bubbled in his chest. (Y/N) appeared fully in his element, only observing and providing little input throughout dinner. Regal and with looks that spoke for themselves, such as the one he sent Aegon that forced the older boy back into his chair with a scowl. Otto smiled approvingly. The favorite of his grandchildren, Jace assumed. 

Dinner, however, ended with an outburst covered up to be a speech from Aemond with thinly veiled insults. Their parentage had always been a sore topic for the Velaryon boys and his temper got the best of Jace, prompting him to lash out and cause a stirrup that forced the night to end with all the children instructed to head to their respective bedchambers. 

Jace, of course, fumed all the way to his and Luke's temporary shared bedchambers, although he couldn't find a wink of sleep in his simmering anger and humiliation. Luke had already nearly been brought to tears when their blood had been put to question for courtiers to see by Vaemond Velaryon, they hardly needed a repeat. So, when sleep proved to be a hopeless desire, Jace slipped out into the halls and reacquainted himself with them until he noticed his uncle leaning against the railing of one of the balconies. 

"Uncle," Jace greeted him quietly, the chill of the cool night air bringing goosebumps to his skin. (Y/N) spared him a glance, his attention more captivated by the sky. When Jace squinted through the dark and clouds above, he noticed the silhouettes of two dragons flying together, almost playing from the soft rumbles and half-hearted nips. "Dreamfyre and Grey Ghost get along well, it seems."

"Sometimes I wonder if they're bonded, as Helaena and I are." (Y/N) responded, his voice gentle and soothing to the ear. His eyes tracked the two dragons until they disappeared well above the clouds, finally diverting his attention to his nephew. Jace swallowed under his keen gaze. "The hour is late, Jacaerys, yet you are up."

"So are you." 

"You've seen my reasons." (Y/N) nodded toward the sky. "What are yours, little prince?"

The heat that enveloped his face surprised Jace. "I... I could not sleep." He answered, and hoped the darkness around them hid his reddened skin from the Targaryen. Not many brought such a reaction to him. Sure, there were pretty ladies at court who caught his eye, his newly betrothed among them, but such intense heat...

"Aemond only meant to anger you and you gave him precisely what he wanted. He wishes to get even for what happened in our youth now that he's capable of protecting himself." The rings adorning his fingers glimmered in the moonlight, drawing Jace's gaze to them before it flickered back to his face.

"We were children." Jace insisted. 

"But not toddlers incapable of knowing right from wrong." (Y/N) lifted his brows and Jace fell silent, cheeks puffing out slightly when he scoffed quietly. The Targaryen reached out toward him, fingertips grasping his jaw and running along it until they reached the exact spot his knuckles had met years prior. He grinned. "I taught you a lesson because of it, didn't I, sweet nephew?" 

Jace shivered, unable to tell if the goosebumps were still from the cold or his touch. The cool metals of his rings pressed against Jace's warm skin, the designs engraved in them leaving marks when his hold tightened. His instincts screamed at him to pull away, to create distance between himself and (Y/N), for the gleam in his violet eyes only spelled trouble. Jace remained still, however, unable to break away from the trance.

"Velaryon seed is strong," (Y/N) murmured, his hand moving to touch the brown strands Jace had inherited from his real father, from Harwin Strong. He'd accepted it long ago. He was no fool. If Laenor Velaryon had truly been his father, he and his brothers would share the signature Targaryen look; those beautiful silver locks. "You are no Velaryon, Jace. But your mother's blood makes you a Targaryen." 

"I was raised Velaryon." Jace nearly growled despite the feelings swirling inside him. "My father, Laenor, cared for us-"

"Fuss all you want, Jace. We all know the truth." (Y/N) clicked his tongue and drew closer, hand slipping back to grab his jaws again and hold them, fingertips sinking into his skin with an iron grip that'd likely leave questionable bruises. His lips curled upward in some twisted mix of delight and curiosity. "You may not be Velaryon but you are pretty. I'm sure Father would've insisted you and I wed if you'd been born a lady." He leaned in close enough for their noses to bump and whispered lowly, "You would've been swollen with a babe by now if that'd been the case." 

Jace gaped at him, heat spreading through his body like dragonfire and making his breeches abruptly feel far too tight. His brows knitted together and his hands flew up to slam against (Y/N)'s chest. His uncle willingly released him and stepped back with a short laugh that echoed through the hall. "What makes you think I would've wished for that?" He bristled despite the redness on his cheeks and aching in his stomach. 

"Look at yourself, darling nephew," (Y/N) cooed, invading Jace's personal space again and forcing him against the railing, the roughness of the stone pressing against Jace's palms when he clung onto it. A strangled gasp escaped the brunette when (Y/N)'s hands grasped the underside of his thighs and lifted them, pressing Jace against him. Jace failed to swallow the whimper in his throat when (Y/N) moved his hips against him. Fear invaded his veins at the realization (Y/N) could easily push him over the edge and into an untimely death but it mixed deliciously with everything else. 

"You-"

"What is it, Jace? You look so red." (Y/N) snickered. He truly was the brother of Aemond and Aegon. "Imagine what sweet Baela would think if she saw you like this. I'm sure she'd be horrified and humiliated by her future husband." 

"Fuck you." Jace spat, the grooves and bumps in the railing digging into the skin of his hand. (Y/N) quirked a brow and released Jace's thighs, making him stumble as he regained his footing and released a heavy exhale of relief. His uncle clasped his hands behind his back and chuckled again.

"If that's how you feel, nephew, then I'll bid you goodnight. Safe travels." (Y/N)'s smile morphed into one that could be mistaken for genuine and kind before he turned and headed down the hall to his bedchambers. Jace stared after him, feeling breathless and angry and so annoyingly aroused. 

Digging his teeth into his lip, he peeled himself from the railing and followed the older prince to his bedchambers, his annoyance growing at the way (Y/N) ignored his presence yet allowed him inside his bedchambers. The door slid to a close behind him and Jace's heart fluttered at the smirk (Y/N) sent him over his shoulder. Jace lunged forward, bawling up the collar of his shirt in his hands and tugging him closer, their lips slamming together and teeth almost clacking.

(Y/N)'s bit Jace's lip hard enough to draw a trickle of blood and leaned back. "Behave." He huffed at him. Jace smirked, the blood smearing on his teeth. 

"I don't think so."

It'd been a near hour later when sleep finally crawled up his spine and threatened to lull him into a deep slumber. His lips felt swollen and tinted red from blood; the skin across his body was littered with suckled bruises and teeth marks; his jaw and hips ached with a burn Jace had never felt before; his throat felt hoarse and in desperate need of rest. Thoroughly exhausted and with the events at dinner temporarily erased from his mind, just as he wanted. 

(Y/N) remained laying on top of him with his chest pressed to Jace's back and made no move to release Jace from his tight hold. Jace hardly minded despite the aching and the part of him that whined for milk of the poppy to soothe him. His cheek nuzzled against the spit and sweat-drenched pillow, hardly paying attention to anything other than the feeling of (Y/N) on and in him. 

"What a shame." (Y/N) purred teasingly, his breath tickling Jace's ear. "I thought it'd take a little more to break you."

[sexcromancy]

I think I started noticing this in part bc I am also exposed to a robust community of romance novel fanartists on instagram. their art falls much more within what I would call "fanart conventions" - the styles that have been popular on here in the past. I think especially of burdge, the HP/pjo artist who exemplified the style that's was most popular in the 2010s. the button nose, flat coloring, full body character art. I see plenty of that style, with variation and individual touches of course. but that also might be the style that led directly into the romance novel cover fad of illustrated main characters. I wonder if this is a sort of form dictates function scenario - book series create detailed character and scene art, because artists want to illustrate their favorite parts. vs. iwtv artists, for example, create thematic work that addressed the many complex ideas presented in the show. and there's plenty of crossover, I don't mean to imply any monolith of fanwork (that's the beautiful thing about fanwork!) or any hierarchy of respect. it's great to notice these trends and try to trace them and work out their implications.

fanart has always been a beloved medium that I admire so much but I feel like in the last couple of years across several fandoms I'm in fanart has gotten so ridiculously awesome and experimental and aesthetically compelling. and it's really cool to track those trends from artist to artist and watch people innovate and get imitated and etc. now I don't put any sort of hierarchy on this but: I do generally separate fanart and nonfanart in my mind/in my tag organization system. similar to fanfiction I think fanart has the most impact and is most interesting when it's in conversation with the work it's transforming, and that in itself is enough to warrant a separate category for me (or several categories, by fandom). recently I've been seeing more and more fanart that I am entirely compelled by even without engaging with its subject, or that is even more interesting to me than the subject. that's a very cool blurred border of "when does this, being fanart, become non-fanart to me, a layperson wrt to the fan subject?" I'm having difficulty even naming the category of "nonfanart"... I don't want to call it traditional art (already way too loaded in the art world, is sucky) or general art (also sucks), but defining something by what it's not bothers me. so I'll keep thinking about it/would love input from other artists especially.

[tendermiasma]

I'm on bsky

✨ tendermiasma.bsky.social

I do additional yapping, much of it about my boys, and if you tap and hold you can search my tags like you do on tumblr

I also have a feed of just my art!

Make sure you input your birthday to give you access to the content controls so you can see my 🌶️ stuff!

[thebleedingwoodland]

Here is compilation of fixes for Shang Simla, China World in The Sims 3 World Adventures, by now today 5 April 2025.

I made these mods to fix inaccuracies of Chinese culture that the developer - Electronic Arts - made. Without getting paid or compensation at all.

DEFAULT REPLACEMENT:

► Shang Simla Forbidden City Icon MOD

► Red To Gold Colour Mod for TS3 World  Adventures EP's “FountainAsia2x2″ 

► Dragon Cave Colour Mod “Gold & Colourful” TS3 World Adventures 

► EA’s Chinese Lantern Red Colour Mod 

► Stir Fry Texture Replacement Mod

► Chinese Chopsticks Longer & Texture Replacement Mod

► Authentic Chinese Spring Rolls Replacement Mod

►Mooncakes & Mooncake Machine Maker Remastered: Mooncake Mesh & Texture with Enhanced Graphics & Enabled to Buy Mode & Renamed Mod (All Languages) & Icons Replacement Mod

►3 STBL Renamed Mods: "Asian” –> “Chinese” and others...

(All mods above need World Adventures Expansion Pack to work)

BUY MODE:

► Chopsticks Porcelain Storage

► Chinese Cuisine 【中國美食】12 Custom content (Decorative)

(Base Game compatible)

Addition not to fix Shang Simla innacuracies, but still relevant because the developer should did research to give Chinese New Year items from actual Chinese people input rather than making random "Chinese-inspired" items from Western perspective.

BUY MODE:

► Chinese Dragon Lamp from Sims 3 Store Gold & More Recolours

► Chinese New Year 2024 Decorations Collection

(Base Game compatible)

Have fun and Happy Simming~

[purplephloxpress]

Another year, another Fanfiction Writers Appreciation Day!!!! If you are a writer of fanfic, please know just how appreciated you are!! Fandom would be such a different space without your creativity and labors of love. 💜

Holidays are all about making traditions, and the bookbinding friends with @renegadeguild once again came together to bind copies of fics for their authors as a show of our appreciation. This year I had the absolute joy of binding Emergency Help Wanted by the wonderful @piyo-13 and even got to collaborate with her on some of the design elements! It's a Modern AU Jiang Cheng/Lan Xichen fic that starts with a "help wanted" ad.

EMERGENCY HELP WANTED

I lied when I got my job. I told them I had a kid so I could leave early from work to pick him up from daycare, take him to doctor's appointments, and occasionally miss a day when he's sick. Long story short, I'm in too deep. I didn't think it through. Looking to rent a kid for bring your child to work day. Must be a boy ages four to six, longish dark hair, likes soccer. Must also be artistic as the macaroni noodle paintings I made seem a little advanced for his age. Also, I will pay extra for someone willing to play the role of husband when dropping him off. He's a prosecuting attorney who often brings his work home. Message me for further details. Serious inquiries only.

Ok. So. I may have gone a little feral with this one. Online "help wanted" ad spiraled into loading wheel scene dividers, spiraled into fake Google search result headers, spiraled into FULLY committing to those authentic looking text messages. In full color. (There are so many. I typeset in MS Word. It was SO worth it, but god what a struggle at some points.) And don't forget the "recent searches" title page! Or the computer cutout on the cover! (It's bluescreening, just like Lan Xichen through this entire fic!) Also that cover/title page image that I just kept adding details to. (It's supposed to be Lan Xichen's desk, so it simply didn't feel right until it had sticky notes on the computer, #1 dad on the mug, scissors and measuring tape, scribbles on the sticky notes) Did I have a ton of fun designing this one? Perhaps. Couldn't say. Maybe just a tad. (This is a lie I had an ABSOLUTE BLAST!)

Historically, I've waited until I finish at least the typeset before reaching out to the author, but not so with this one! I got the idea for the fake google search results from Piyo's authors notes, teasing the contents of the next chapter. But! Those didn't start until about chapter 4! So I reached out and asked if we could collaborate and I'm forever glad I did! Not only does this have teasers for each chapter, I also got to bounce design ideas off of her, including what shade of blue and purple for the text messages. Because my friends, that is a serious matter and changed SEVERAL times throughout the process.

Also shoutout to all my Renegade friends who gave input and encouragement over the past year while I worked on this (what endpages to use? how to make this shade of green perfectly Nie Huaisang? how do we feel about this text message design? or how about this one?) - I love you all dearly and appreciate you so much for putting up with my nonsense at all times.

Binding details below the cut!

Fandom: The Untamed/Mo Dao Zu Shi

Pairing: Jiang Cheng | Jiang Wanyin / Lan Huan | Lan Xichen

Bookcloth: Aqua/Purple Dubletta from Colophon Book Arts

Endpapers: Craft Consortium Ink Drops - Ocean pack

Textblock paper: short grain cream from Church Paper

Titling: We R Memory Keepers foil quill

Endbands: leather cording core, DMC embroidery floss for the bands

Body Font: EB Garamond

Title Font: Berlin Sans FB

Text Messages: Roboto

Additional fonts: Times New Roman, Kunstler Script, Magis Authentic

Title page image from Rawpixel and designed in Canva

Various computer graphics from The Noun Project

Tumblr insists on eating and doubling text in this section at its own whim, so if there's something missing that you're curious about, feel free to DM me an ask!

[dreaminginthedeepsouth]

Matt Wuerker. Politico

* * * *

LETTERS FROM AN AMERICAN

March 11, 2025

Heather Cox Richardson

Mar 12, 2025

The stock market continued to fall today. The Dow Jones Industrial Average fell another 478 points, or 1.14%; the S&P 500 fell almost 0.8%; and the Nasdaq Composite fell almost 0.2%. The S&P 500 briefly held its own in trading today, but then Trump announced on his social media platform that he was going to double the tariffs on steel and aluminum from the new 25% rates to a 50% rate on Canada and might increase tariffs to “permanently shut down the automobile manufacturing business in Canada.”

Stocks fell again.

Unable to admit that he might be wrong, President Donald Trump is doubling down on the policies that are crashing the economy. In addition to his tariff threats, he also reiterated that “the only thing that makes sense is for Canada to become our cherished Fifty First State,” an outrageous position that he suddenly began to advance after the 2024 presidential election and which has Canadians so furious they are boycotting U.S. goods and booing the Star-Spangled Banner.

More than 100 top business leaders met with Trump today to urge him to stop destabilizing what had been a booming economy with his on-again-off-again tariffs. Mark Zandi, chief economist of Moody’s Analytics, told Jeff Stein and Isaac Arnsdorf of the Washington Post that in private, “[b]usiness leaders, CEOs and COOs are nervous, bordering on unnerved, by the policies that are being implemented, how they’re being implemented and what the fallout is. There’s overwhelming uncertainty and increasing discomfort with how policy is being implemented.”

The extreme unpredictability means that no one knows where or how to invest. Market strategist Art Hogan told CNN’s Matt Egan, “This market is just blatantly sick and tired of the back and forth on trade policy.” Yesterday, Delta Air Lines cut its forecasts for its first-quarter revenue and profits by half, a sign of weakening corporate and consumer confidence and concerns about the safety of air travel. Today, Southwest Airlines and United Airlines cut their forecasts, and American Airlines forecast a first-quarter loss.

When he talked to reporters, Trump reasserted that he intends to do what he wants regardless of the business leaders’ input. “Markets are going to go up and they’re going to go down, but you know what, we have to rebuild our country. Long-term what I’m doing is making our country strong again.” White House press secretary Karoline Leavitt advised, “If people are looking for certainty, they should look at the record of this president.”

Not everyone will find that suggestion comforting.

Trump backed off on his threat to raise the tariffs on Canadian steel and aluminum to 50%, but went ahead with his threat to place 25% tariffs on all imported steel and aluminum products. Those tariffs took effect at midnight.

In the face of his own troubles, Trump’s sidekick billionaire Elon Musk is also escalating his destructive behavior. Yesterday Musk’s social media platform X underwent three separate outages that spanned more than six hours. Lily Jamali and Liv McMahon of the BBC reported that Oxford professor Ciaran Martin, former head of the United Kingdom’s National Cyber Security Center, said that the outages appear to have been an attack called a “distributed denial of service,” or DDoS, attack. This is an old technique in which hackers flood a server to prevent authentic users from reaching a website.

"I can't think of a company of the size and standing internationally of X that's fallen over to a DDoS attack for a very long time," Martin said. The outage "doesn't reflect well on their cyber security." Without any evidence, Musk blamed hackers in Ukraine for the outages, an accusation Martin called “pretty much garbage.”

Four days ago, another of Musk’s SpaceX rockets exploded after takeoff, and now SpaceX’s Starlink internet service is facing headwinds. In February, Mexican billionaire Carlos Slim canceled his collaborations with Starlink after growing tensions with Musk culminated with Musk alleging on X that Slim is tied to organized crime. The loss of that deal cost Musk about $7 billion in the short term, but more in the long term as Slim will work with European and Chinese companies in 25 Latin American countries rather than Starlink. Slim has said he would invest $22 billion in those projects over the next three years.

Also in February, after U.S. negotiators threatened to cut Ukraine’s access to the 42,000 Starlink terminals that supply information to the front lines, the European Commission began to look for either government or commercial alternatives. The European Commission is made up of a college of commissioners from each of the 27 European Union countries. It acts as the main executive branch of the European Union.

On Sunday, Musk posted: “[M]y Starlink system is the backbone of the Ukrainian army. Their entire front line would collapse if I turned it off.” Poland pays for about half the Starlink terminals in Ukraine, about $50 million a year. Poland’s minister of foreign affairs, Radosław Sikorski, responded that “if SpaceX proves to be an unreliable provider we will be forced to look for other suppliers.” “Be quiet, small man,” Musk replied. “You pay a tiny fraction of the cost. And there is no substitute for Starlink.”

After all the tariff drama with Canada, last week Ontario also cancelled a deal it had with Starlink.

But perhaps the biggest hit Musk has taken lately is over his Tesla car brand. On February 6, Musk’s younger brother Kimbal, who sits on Tesla’s board, sold more than $27 million worth of shares in the company. Tesla chair Robyn Denholm sold about $43 million worth of Tesla stock in February and recently sold another $33 million. Tesla CFO Vaibhav Taneja has sold $8 million worth over the past 90 days. Yesterday, board member James Murdoch sold just over $13 million worth of stock.

Fred Lambert of Electrek, which follows the news about electric vehicles and Tesla, noted that Tesla stock dropped 15% yesterday, “down more than 50% from its all-time high just a few months ago.” “Tesla insiders are unloading,” he concluded.

Tesla sales are dropping across the globe owing to the unpopularity of Musk’s antics, along with the cuts and data breaches from his “Department of Government Efficiency.” Protesters have been gathering at Tesla dealerships to express their dismay. While the protests have been peaceful, as Chris Isidore of CNN reports, there have also been reports of vandalism. Tesla owners are facing ridicule as protesters take out their anger toward Musk on his customers, and at least one competitor is working to lure consumers away from Musk’s brand by offering a discount to Tesla owners.

Trump has jumped to Musk’s defense, posting just after midnight this morning that “Elon Musk is ‘putting it on the line’ in order to help our Nation, and he is doing a FANTASTIC JOB! But the Radical Left Lunatics, as they often do, are trying to illegally and collusively boycott Tesla, one of the World’s great automakers, and Elon’s ‘baby,’ in order to attack and do harm to Elon, and everything he stands for. They tried to do it to me at the 2024 Presidential Ballot Box, but how did that work out? In any event, I’m going to buy a brand new Tesla tomorrow morning as a show of confidence and support for Elon Musk, a truly great American.”

Indeed, today Trump used the office of the presidency to bolster Musk’s business. Teslas were lined up at the White House, where Trump read from a Tesla sales pitch—photographer Andrew Harnik caught an image of his notes. And then the same man who gave a blanket pardon to those convicted of violent crimes related to the January 6, 2021, attack on the U.S. Capitol called those protesting at Tesla dealerships “domestic terrorists” and promised that the government would make sure they “go through hell.”

Trump and Musk appear to have taken the downturn in their fortunes by becoming more aggressive. Martin Pengelly of The Guardian noted that in the middle of Monday’s stock market plunge, Trump posted or reposted more than 100 messages on his social media channel. All of them showed him in a positive light, including reminders of the 2004 first season of the television show The Apprentice, in which Trump starred: a golden moment in Trump’s past when his ratings were high and the audience seemed to believe he was a brilliant and powerful businessman.

Today, egged on by Musk, Trump pushed again to take over other countries. He told reporters: "When you take away that artificial line that looks like it was done with a ruler…and you look at that beautiful formation of Canada and the United States, there is no place anywhere in the world that looks like that…. And then if you add Greenland…that's pretty good."

The Trump administration also announced today it was cutting about half the employees in the Department of Education. The Senate confirmed Linda McMahon, who has little experience with education, to head the department on March 3 by a party-line vote. Shutting down the department "was the president's mandate—his directive to me," McMahon told Fox News Channel host Laura Ingraham. McMahon assured Ingraham that existing grants and programs would not “fall through the cracks.”

But when Ingraham asked her what IDEA stood for—the Individuals with Disabilities Education Act—she wasn’t sure, although she knew it was “the programs for disabled and needs.” Ingraham knew what the acronym meant but assured McMahon that after 30 years on the job, she still didn’t know all the acronyms. McMahon replied: “This is my fifth day on the job and I’m really trying to learn them very quickly.”

Musk lashed out at Arizona senator Mark Kelly on social media yesterday, after Kelly posted pictures of his recent trip to Ukraine and discussed the history of Russia’s invasion, concluding “it’s important we stand with Ukraine.” Musk responded: “You are a traitor.”

Kelly, who was in the Navy for 25 years and flew 39 combat missions in the Gulf War before becoming an astronaut, responded: “Traitor? Elon, if you don’t understand that defending freedom is a basic tenet of what makes America great and keeps us safe, maybe you should leave it to those of us who do.”

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

[masterling-caretaking-101]

My Quickman keeps on jumping up and hanging on my bed for a few seconds before making this weird chittering sound and jumping back down. Then, he runs to the other side of my bed and does the same thing. What is he doing?

Hi!

Hmmm… he may be investigating or confused about something. Is there anything new in the environment that could be the cause?

Thanks for the ask!

[signanothername]

Why do you like Killer?

*Cracks knuckles* get ready

I don’t like Killer, I fucking LOVE HIM

He’s my number 1 fave au sans and has been for a very long time

Now to be clear, I’m talking about canon Killer here, i have mixed feelings about some fanon interpretations, some are good and i genuinely love them, others not so much

That being said, let’s actually talk about why i love my beautiful amazing wonderful son <3333

(All art used in this post is by Killer’s creator: Rahafwabas)

The very first hook for me is his very concept, the mere idea of a sans basically agreeing to go on a killing spree after so many genocide runs is just *chef’s kiss*

Killer knew it was wrong, he knew he shouldn’t, yet he did

Killer doomed himself by his choice, he could’ve stayed as “sans” but he chose to accept Chara’s offer, yet his choice came to be after he saw no point in refusing anymore (important addition and a correction here)

The canon comics had Killer saying that he’s the way he is cause he gave up, he said “you won, you’re the reason I’m like this”, he’s been on so many genocide runs that he felt a little part of him die each run, only to give up and go on said killing spree

It’s interesting how the player is a big part of Killer’s story, cause whether Chara was involved or not, the player is the root cause of his suffering

But what i love the most is that regardless of his backstory or reasons, Killer’s actions led to their inevitable consequences, and it forever changed him

The biggest change? His very soul, it went from a normal monster soul to his signature target soul, infused with Determination, something that supposedly hurts monsters, it’s almost like his soul was infected with it, and you can see how it physically affects him with the black liquid that constantly comes out his eyes, nose and mouth, and even at times, that sludge is too much that he chokes on it

And the amusing yet tragic parallel? Killer aimed to “feel something new” by his genocide runs, only to end up not feeling anything at all, at least at his default stage 2

Which brings me to the concept of his soul’s stages

I love Killer’s stages so so much, it’s such a beautiful unique and wonderful concept

Killer’s individual stages are sooooo intriguing to me, it shows Killer in a different light each time depending on which stage he’s in, stage 1 is the closest he is to being “sans”, the closest to he used to be, he can feel emotions and is generally back to his more lazy bones attitude, as well as his ability to actually show sympathy, and feel the pain he’s always in, but what’s interesting is that regardless of the fact he’s the closest to his old self in this stage, it’s still so clear that Killer isn’t really “sans” anymore, that no matter what, he truly had changed in a way that can never be reversed, a point of no return, even when Color saves him, cause his new habits? His fears? His pain? His trauma? They can never be taken away, Killer has to live with the scars of what he experienced

Stage 2 is who he’d become, he can’t feel anything at this stage, emotions nonexistent, and his nonchalant behavior towards himself and others is most apparent here, a parallel I like to think of is that Killer’s inability to feel anything at all is almost like prolonged sensory deprivation, when you’re deprived of sensory input/ simulation for long periods, your brain needs compensate, and so it does its job, Killer’s soul prevents him from feeling so he resorts to other methods (usually very self destructive) to compensate for his lack of emotional capacity

I also really really love how that especially during stage 2, Killer isn’t trustworthy, cause in stage 1 you can actually trust him to an extent, in stage 2 Killer’s actions, behaviors and mindset are completely unpredictable, but not because he’s random, cause he’s actually extremely calculated, yet regardless, his carelessness when it comes to his own life and other people’s lives is dialed to an 11 here, so he could either choose to kill/attack or simply stay and listen

we even get an actual in depth look at how Killer’s mind works in one of the canon comics, in which Killer contemplates whether to attack Dream or not as he listens to his own stages in his head, one of which tells him to Kill Dream, while the other tells Killer to talk to Dream first

How Killer comes to a final decision on whether he attacks or not is something I believe his calculated mind makes depending on the situation and the pros/cons of what act he chooses, Killer is pretty smart, he knows when to let his trigger happy self out and when to settle down

Stage 3 or the “crazy stage” is the stage in which he’d attack anyone in his way whether friend or foe, we unfortunately don’t have much canon info regarding this stage, but that ain’t gonna stop me from analyzing the shit outta it (and talk about how i perceive it)

I like to think of this stage as the combination between stage 1 and 2, yet it’s almost like his soul can’t truly decide on which stage to settle on and by extension founding stage 3 as a separate stage by itself, Killer becomes extremely unstable at this stage, his soul moves rapidly and it’s obvious he’s in pain cause of it, whether that pain is just emotional or both physical and emotional isn’t really clear, yet i’d like to believe it’s both, and i feel like Killer’s capacity to attack anyone at this stage is related to that pain, and something I really love to believe is that Killer can’t calm down enough to settle back to stage 1 or 2 unless he either wears himself out by fighting someone, or he’s left alone to his own demons long enough to pull himself together, if he were to be forcefully restrained during this stage, it would only serve to make it worse and prolong the time he stays that way (cough something i may or may not have made a quick comic about but never shared as always vjvjvjj)

Not to mention, one of the canonical responses Killer gives when asked if he’s ok at stage 3 seems to make Killer alternate between answers he wants to give between saying he’s “fine” and “i don’t know” which makes sense, Killer isn’t stable at all, it’s almost like his stage 1 self and stage 2 self are fighting over who gets to talk (stage 2 seems more dominant)

Yet the fact Killer is able to answer and comprehend his surroundings enough at this stage is very intriguing to me, cause it shows how much Killer is able to handle/endure (which is A LOT cause damn) and not only that, but it also gives us a very clear difference between this stage and stage 4

As for stage 4?? Woooh boi, it’s the stage I like to call “plunging into darkness”

We also don’t have much canon info about this stage, but one of the things i find interesting is the fact Killer deliberately keeps it a secret from everyone, when he tells Color about his stages, he only tells him up to stage 3, never bringing up stage 4, only for Chara to sneer at Killer that he shouldn’t keep it from his new BFF

It’s obvious Killer himself is very uncomfortable with the subject of stage 4, it’s apparent that it’s a stage that he rarely gets to, but it still bothers him enough to not want to even mention it, which makes sense, cause the comic we had of stage 4 shows that Killer gets to that stage when he’s reminded of all the murders he committed, and unsurprisingly, when he’s reminded of his brother, as what triggered this stage is actually a memory of Papyrus telling Sans to “see a puzzle”, only to be followed by memories of screams of anger, fear, and hatred of those he killed immediately afterwards, stage 4 is heavily related to his trauma

Not to mention it’s clear that when Killer gets to stage 4 he blacks out, he’s completely unaware of anything he does during this stage, and is only left to deal with the aftermath when he gets back to his senses, the fact it’s also a stage that seems to be “getting worse” is something that Killer definitely seems to hate

It sometimes makes me think whether Killer had gotten into trouble cause he killed someone Nightmare wanted alive while at this stage, cause with how he keeps it a secret, I’d assume Nightmare would be unaware of it for a while (comic idea perhaps >:) )

But y’know what’s better than talking about the stages?? Talking about Killer’s personality, behaviors and trauma

Killer can’t distinguish between what’s real or not, and it’s obvious he sometimes sees the world in the third person, as in he’s not completely there at times, not to mention the amount of voices he hears in his head, from his stages talking to him to hallucinations of Chara, Frisk and Papyrus, and oooh boi does he hate these hallucinations, the past obviously haunts Killer and it’s something he tries running away from constantly, yet he can never truly run from it when it follows him everywhere

Killer has a smile on his face most the time, but his attitude changes especially when Chara is mentioned, or when he’s reminded of his past in any way, he literally avoids food that reminds of his past life as “sans”, he freezes up at certain phrases such as “best friend” (something i also made a comic about that i never shared chchhchc)

He just absolutely hates to be reminded of the person he used to be, of all the things he used to have, cause in truth? They were all taken away from him by his own hands, only to be then forced to work under Nightmare, who only ensures that he never finds peace of mind

And the sad part? Killer let’s all those things hurt him, he lets Nightmare have his way with him, he lets Chara torment him, cause he thinks he deserves it, and most importantly, he deluded himself into believing that this is what he wants because it’s what everyone else wants, because it’s what the player wants

Killer even sometimes tries to force himself not to feel anything, cause come on, since when does he feel anything at all?

Killer, to put it bluntly, hates himself, and he thinks that his suffering is the Karma of what he’s done, and even at one point, he was going to erase himself out of existence cause he believed that’s what he deserved, as in Killer thought of himself as unworthy when it comes to Papyrus, that his brother doesn’t need him, that his brother is better off without him, hell he even tells Color that he needs to kill him if he ever reaches stage 3, it’s an obvious “ i want someone to put me outta my misery” attitude

Killer feels hopeless, and so he lets himself suffer thinking he can’t ever find peace or hope again

Yet the interesting part? You’d never know that Killer hates himself unless you’re a being of emotions (Nightmare and Dream) or someone who’s perceptive enough to notice Killer’s self-loathing like Color, that’s how good of an actor Killer can be, you’d think he’s a cold emotionaless killer but the truth only shines to those who actually can see through his act

Killer just has that amazing character depth and his story is genuinely so unique and beautiful, cause you in his story you can find details of other details within the details vhvhvjvj

All that? Mixed with really adorable little things like his love for cats, his silly attitude, his nonchalance with Nightmare, his capacity to be social with whoever, and his friendship with color? That is why I love Killer Anon <33333

[omegalomania]

so im sure everyones fully well aware of the magic 8 ball site fob is using to promote a contest to win some tickets to see them in nashville. the little 8ball widget theyve got in browser is also modeled on the physical 8ball that they had in the vip merch packages for tourdust's first leg, which is cool! but of particular note is the way that, to fill out the contest form, you have to pick your favorite fall out boy songs. and the sheer breadth of what is allowed is...interesting? it's not cohesive by any means, but it is really wild the selection of songs they have here because not all of them are fob songs. in fact, quite a few of them aren't.

i went directly to the source code and got a full list of all possible songs that you could input (which you can check for yourself by right-clicking and selecting "view source"). i'm going to list them here for archival purposes, with a few notes/explanations cause some of these are WILD.

there are 187 songs total listed.

bolded songs indicate songs that are demos or never received an official release

italicized songs are songs by other bands

underlined songs indicate songs that are covers

songs with an asterisk beside them (*) indicate they are from patrick's solo catalogue. two asterisks (**) are for pete's.

additional commentary by me will be [in brackets]

20 Dollar Nose Bleed 27 7 Minutes in Heaven (Atavan Halen) 7-9 Legendary A Little Less Sixteen Candles, a Little More "Touch Me" A Nice Myth [one of the earliest fall out boy demos, found on their first ep, and only the casette version at that] Allie* Alone Together Alpha Dog America's Suitehearts American Beauty/American Psycho (song) American Made Art of Keeping Up Disappearances As Long as I Know I'm Getting Paid* Austin, We Have a Problem Baby Annihilation Bad Side of 25* Bang the Doldrums Beat It Big Hype* Bishops Knife Trick Bob Dylan Bounce [this is a song that came out on then-Decaydance labelmates The Cab's debut record, Whisper War, which patrick produced. he has writing credit and also is credited with background vocals (and also shows up in the music video)] Caffeine Cold Calm Before the Storm Centuries Champagne for My Real Friends, Real Pain for My Sham Friends Champion Check Your Phone** Chicago is So Two Years Ago Church City in a Garden Coast (It's Gonna Get Better)* Coffee's for Closers Cryptozoology* Cute Girls* Cyanide** [this is a nothing,nowhere song that pete did some spoken word parts and backing vocals on] Dance Miserable* Dance, Dance Dead on Arrival Dear Future Self (Hands Up) Death Valley Deep Blue Love* [song patrick did for the indie short film "spell"] Demigods Disloyal Order of Water Buffaloes Don't You Know Who I Think I Am? Electric Touch [the (in?)famous taylor swift song patrick featured on] Eternal Summer Everybody Wants Somebody* Explode* Fake Out Fame Less than Infamy Favorite Record Fellowship of the Nerd [this is an alternate title for world's not waiting, as far as i can tell] Flu Game Flu Game [yes flu game is listed twice for some reason] Footprints in the Snow [demo from the Llamania ep] Fourth of July From Now on We Are Enemies G.I.N.A.S.F.S. Get Busy Living or Get Busy Dying (Do Your Part to Save the Scene and Stop Going to Shows) Ghostbusters (I'm Not Afraid) Golden Grand Theft Autumn/Where Is Your Boy Greed* Grenade Jumper Grow Up and Be Kids [this song is on The Cab's sophomore album Symphony Soldier, which release after they left decaydance. nonetheless, pete does have some writing credits on it. give it a listen and you'll hear for yourself in the first 10 seconds or so] Growing Up Hand Crushed by a Mallet [this is a remix of the 100gecs song of the same name; patrick did some vocals for it] Hand of God Have I Got a Gift for You* [song patrick did for the horror movie black friday] Headfirst Slide into Cooperstown on a Bad Bet Heartbreak Feels So Good Heaven's Gate Heaven, Iowa Hold Me Like a Grudge Hold Me Tight or Don't Homesick at Space Camp Honorable Mention Hot to the Touch, Cold on the Inside Hum Hallelujah I Am My Own Muse I Don't Care

I Got Nothing, But You Got Something [this is the one that really perplexes me. there's no evidence of this song actually existing, other than an unverified genius post and an article on a single fandom wiki. it is inexplicably listed here despite its very existence being questionable at best.]

I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me I Wanna Dance with Somebody (Who Loves Me) I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) I've Been Waiting [this is technically a lil peep song with fall out boy as a feature] I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song) I've Got All This Ringing in My Ears and None on My Fingers Immortals Irresistible It's Hard to Say 'I Do', When I Don't It's Not a Side Effect of the Cocaine, I Am Thinking It Must Be Love Jet Pack Blues Just One Yesterday Lake Effect Kid (song) Lake Shore Drive [this is a song patrick covered on the piano at wrigley, first night of tourdust] Love from the Other Side Love Will Tear Us Apart Love, Selfish Love* Love, Sex, Death Lullabye Mad at Nothing* Miss Missing You Moving Pictures My Heart Is the Worst Kind of Weapon My Songs Know What You Did in the Dark (Light Em Up) New Dreams [this is a bonus track on pax am days, a naked rayguns cover] Nobody Puts Baby in the Corner Novocaine Of All the Gin Joints in All the World One of Those Nights [another song from the cab's whisper war. this one has patrick doing vocals very prominently] Open Happiness [this was a huge collaborative piece done for a coca cola commercial. patrick was on it along with big names like cee lo green, janelle monae, and labelmates travie mccoy and brendon urie] Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued Parker Lewis Can't Lose (But I'm Gonna Give It My Best Shot) Past Life [llamania ep] Pavlove People Never Done a Good Thing* Porcelain* Pretty in Punk Rat a Tat Reinventing the Wheel to Run Myself Over Roxanne Run Dry (X Heart X Fingers)* San Diego [this is a blink-182 song that patrick did some writing for] Saturday Saturday Night Again* Save Rock and Roll (song) Sending Postcards from a Plane Crash (Wish You Were Here) She's My Winona Short, Fast, and Loud Snitches and Talkers Get Stitches and Walkers So Good Right Now So Much (For) Stardust (song) So Sick [this is a song patrick has exclusively covered live, so it's a fascinating inclusion] Sober [another blink-182 song patrick did some writing for] Sophomore Slump or Comeback of the Year Star 67 Stay Frosty Royal Milk Tea Sugar, We're Goin Down Summer Days (song) [this is a martin garrix song patrick lent some vocals to] Sunshine Riptide Super Fade Switchblades and Infidelity Tell That Mick He Just Made My List of Things to Do Today The "I" In Lie* The (After) Life of the Party The (Shipped) Gold Standard The Carpal Tunnel of Love The Kids Aren't Alright The Kintsugi Kid (Ten Years) The Last of the Real Ones The Mighty Fall The Music or the Misery The Patron Saint of Liars and Fakes The Phoenix The Pink Seashell The Pros and Cons of Breathing The Take Over, the Breaks Over The World's Not Waiting (For Five Tired Boys in a Broken Down Van) This Ain't a Scene, It's an Arms Race This City* Thnks fr th Mmrs (song) [for some reason the site specifies song here, despite that not being necessary. the only other times this distinction is relevant is when songs share a title with their albums, i.e. save rock and roll] Thriller Tiffany Blews Twin Skeleton's (Hotel in NYC) Uma Thurman Untitled 1 (Colorado Song) Untitled 2 (Jakus Song) [both of these are recently released tttyg era demos] W.A.M.S. We Didn't Start the Fire We Don’t Take Hits, We Write Them [this is a song that famously was only ever performed live. we don't have a studio recording or even a demo, as only live versions exist] We Were Doomed from the Start (The King is Dead) West Coast Smoker What a Catch, Donnie What a Time To Be Alive What's This? When I Made You Cry* Where Did the Party Go Wilson (Expensive Mistakes) Wrong Side of Paradise [llamania ep] XO You're Crashing, But You're No Wave Young and Menace Young Volcanoes Yule Shoot Your Eye Out

in conclusion i have no idea who compiled this list. it doesn't include every song patrick and pete have ever touched (notice the lack of gym class heroes, cobra starship, and hush sound discography) but it has a really weird selection of songs. i mean, blink songs patrick wrote on?? its bizarre.

anyway do you think if we mass request swing me by the rafters they'll have to do it

[ozzgin]

Hello everyone, I thought I'd compile a proper intro for my Patreon page, so you have a better idea of what I post over there!

Without further ado, here's a list of content you will find for the only existing tier of one (1) buckaroo dollar:

Monster HOEtel Comic: A smutty, humorous 3-panel comic that comes out every other week, following your adventures as the only human employee at a monster hotel!

Comes with plenty of new characters that only exist in this universe

Holiday features

Exclusive Character Art: Each new character will be introduced through a sheet containing some information, fun facts, and official art.

Moreover, my already existing OCs will get the occasional feature that won't be posted on Tumblr, often times in spicier stances and reader inserts.

NSFW Art: All my NSFW doodles go here! Weekly smut drawings featuring a monster or yandere character, as well as other tomfoolery that's not safe for Tumblr.

Exclusive Stories: Blurbs, oneshots, facts and lore featuring the Monster HOEtel characters and other OCs

Early Access: Sometimes I post my WIPs or stories/doodles here before sharing them on Tumblr; in case you want to see some content ahead, or get a glimpse into what I'm currently working on

Project Updates: In the future I will be posting updates and additional content for whatever projects I'm working on (eg. games)

Polls & member input: Get to choose comic features, art, and special stories through community polls and comments!

[literaryvein-reblogs]

Some Worldbuilding Vocabulary

Abeyance:  When the audience temporarily suspends their questions about made-up words or worldbuilding details with the implicit understanding that they will be answered later in the story.

Absorption:  The two-way street wherein the audience is immersed in the created world and is picking up the author’s metaphoric building blocks to recreate the concept in their head.

Acculturation:  When an adult assimilates into another culture.

Additive:  When something has been added to a secondary world, usually in the form of magic or fantasy species.

Affinity:  A kinship pattern wherein the familial bond is based upon marriage.

Aggregate Inconsistencies:  When audiences pick up internal inconsistencies not within the same story but from multiple sources within the shared universe.

Anachronism:  Details that do not conform to their time period or culture.

Analogue Culture: Real-life cultures that the creator emulates in their work and then applies their fantasy conceits to.

Ancestor Worship:  The belief that deceased ancestors still exist, are still a part of the family, and can intervene within the living world on their descendants’ behalf.

Animism:  The belief that all objects, creatures, and places are imbued with a spiritual essence.

Apex Predator:  The predator at the top of a food web that no other creature naturally feeds upon. Two apex predators cannot exist in the same niche.

Apologetics:  In worldbuilding, the attempt to explain inconsistencies in terms of existing canon.

Appropriated Culture:  Using a culture as a whole that the creator is not a member of. Different from an analogue culture in that the analogue is changed by the creator and used respectfully.

Artifacts:  In worldbuilding, the observable ways a culture behaves due to their cultural worldview. This can include politics, economics, religion, education, arts, humanities, and linguistics, along with many other cultural norms.

Ascendant:  In worldbuilding, a world that the magic is increasing in power and influence.

Assimilation:  When an individual rejects their original culture and adopts the cultural norms and beliefs of the dominant culture.

Author Authority:  When an author demonstrates expert-level knowledge in a field to their audience.

Author Worldview:  What Mark J. P. Wolf calls “not only the ideas and ideologies of the world’s inhabitants, but also those which the author is expressing through the world’s structure of events.”

Autocracy:  A government in which supreme power concentrates in the hands of one individual or polity.

Avatar:  The embodiment of a deity in another form, usually humanoid.

B-C

Bible:  In the field of television writing, a series guidebook that usually includes the pitch, character descriptions, a synopsis, as well as worldbuilding details.

Biome:  The vegetation and animals that exists within a region. Terrestrial biomes include: forest (tropical, temperate, or boreal), grassland, desert, and tundra.

Black Box:  In information processing, when a system is viewed in terms of its inputs and outputs without any understanding as to its internal workings.

Bottom-Up:  In design, where the granular, base elements of the system are created first, then grouping them together into larger constructs over and over until a pattern forms. Also known as “pantsing” in writing and worldbuilding because the creator is building by the seat of their pants.

Callback:  From standup comedy where the punchline in a joke used earlier in the set is alluded to again, eliciting another laugh from the reframing of what was already familiar.

Canon:  The core doctrine for the world when conflicting information arises. Usually what the original creator made takes canonical precedence over subsequent additions. 

Capitalism:  The economic system wherein individuals own the means of production.

Chekhov's Gun:  Often understood to mean that something must be introduced previously if it will have significance later in a narrative, but meant by the playwright that nothing should be included in the story that is not completely necessary. 

Climate:  The temperature and rainfall in regions over approximately 30 years. Classified as tropical (high temperature and high precipitation), dry (high temperature and low precipitation), temperate (mid temperature and mid precipitation), continental (in the center of large continents with warm summers and cold winters), and polar (low temperatures and low precipitation).

Commercial Fiction:  The style of fiction that includes all genre fiction, the aim of which is entertainment. Often fast-paced and plot-driven.

Compelling:  One of the four Cs of worldbuilding, which deals with how well the core concept and subsequent details maintain audience interest.

Complete:  One of the four Cs of worldbuilding, which deals with the sense that the world is lived in, has a sense of history, and continues on even when the story ends.

Complexity Creep:  When material gradually grows in complexity over its lifetime, raising the bar of entry for new people experiencing the material for the first time.

Conceits:  Where a story deviates from reality. Usually the focus of the fiction by being what the author intends on exploring in their works.

Conlanguage:  A constructed language created specifically for a story world.

Consanguinity:  A kinship pattern wherein the familial bond is based upon a shared genetic lineage.

Consistent:  One of the four Cs of worldbuilding, which deals with how well the material maintains its own internal logic as established by the fantasy conceits.

Constructed World:  A fictional world that does not exist but was created by someone.

Continuity:  A gestalt term for perception where the mind fills in obvious blanks to make a unified whole.

Convergent Evolution:  When two or more species develop analogous features to deal with their environment.

Co-Residency:  A kinship pattern wherein the familial bond is based upon shared space.

Cosmology:  The study of mapping the universe and our place in it.

Cost:  In worldbuilding, when a character must risk or sacrifice something for magic to take effect.

Creative:  One of the four Cs of worldbuilding, which deals with how and to what extent the constructed world deviates from the real world.

Credibility Threshold:  Where worldbuilding details must only appear plausible to a general audience rather than demonstrating expert-level knowledge.

Cultural Identity:  An individual’s self-concept as distinct from others based upon nationality, ethnicity, social class, generation, and locality.

Cultural Universals:  Traits, patterns, and institutions prevalent throughout humankind.

Customs:  Informal rules of behavior that people take part in without thinking about it.

D-F

Deity:  The most powerful of metaphysical entities, deities often exist in pantheons, have thematic powers based upon their roles, and few weaknesses or limitations.

Descendent:  In terms of magic, the idea that the most powerful magics are from ages past and that magic is on the decline in terms of power and influence.

Despotism:  An economic system wherein an individual or institution controls the laws and resources of an area.

Deus Ex Machina:  A plot device in which an unexpected power, event, or deity intervenes to save a hopeless situation. 

Differentiation:  When one culture forms part of their identity by contrasting themselves with another nearby culture.

Divergent:  When the creator alters something in the development of the world but it remains very similar to the real world in every detail but this fantasy conceit. For instance, a world that resembles our own but made up of anthropomorphic animals instead of humans.

Divine:  The belief that something is of, from, or like a god.

Democracy:  A government in which the people elect a governing body in some fashion.

Early Adoption:  When an inventor or culture creates a technology long before their analogue culture did in the real world.

Easter Egg:  A hidden message, image, or feature that is meant to be hunted for within the material.

Economics:  The study of production, distribution, and consumption of goods and services.

Education:  A form of socialization in which we teach the youth what they need to know to become functioning members of society.

Effective Worldbuilding:  When (a) the immersive state is never disrupted for the audience, or when (b) the immersive state is disrupted with a positive result.

Element X:  N. K. Jemisin’s concept of when fantasy elements diverge from the real world. Similar to fantasy conceits.

Emic:  An account of a cultural idea, concept, behavior, or belief documented as if from within the culture.

Empires:  Multinational states with political hegemony over other ethnicities, cultures, or nations.

Encyclopedic Impulse:  The consumer’s desire to know everything about the world or the author’s desire to expound upon all the worldbuilding details.

Ephemera:  Transitionary materials that are not meant to exist for long term, such as advertisements, diary entries, letters, posters, and the like.

Ethnicity:  A group that identifies with each other based on presumed similarities such as a shared language, ancestry, history, society, or social treatment within an area. Ethnicities are not dependent upon, but are often associated with, certain taxonomic traits or physiological similarities within those groups.

Etic:  When cultural ideas, concepts, behaviors, or beliefs are documented from outside the cultural milieu as a passive observer with an eye for similarities between all cultures

Exsecting:  When the creator removes something that exists in the real world from the created world.

Extrapolation:  In worldbuilding, the belief that any fantasy conceit should be followed to its natural conclusion.

Face Validity:  When worldbuilding detail appears believable upon immediate examination. See Credibility Threshold.

Fan Service:  Material included in a story that serves no narrative purpose other than to please fans.

Fantasy Conceit:  What the creator intends to explore in the world, it is where the constructed world deviates from the real world, usually in the form of geography, biology, physics, metaphysics, technology, or culture.

Fantasy Function:  When analogue cultures are filtered through fantasy conceits to populate the created world with its output details.

Fetishes:  Items imbued with cultural significance and power.

First Principles:  Core belief and value systems within a culture that are often unconscious until confronted.

Flavor Text:  Texts within stories, video games, role-playing games, and action figures that add depth by providing a sense of history but do not alter the game mechanics or story in a substantial way.

Feudalism:  An economic system wherein there is a division between the lords that protect the vassals that work the land in exchange for protection.

Four Cs of Worldbuilding:  See Creative, Complete, Consistent, and Compelling.

G-L

Gender:  A social construct of how cultures differentiate the sexes.

Generalist:  When every individual in a society has the same basic job, which is providing their daily caloric intake. A staple of hunter and gatherers and in contrast to specialists.

Generation:  A social cohort group based around the period in which children grow up, become adults, and bear children of their own. Because of this shared timeframe and significant events in their lives, generations often share a similar worldview within the general culture.

Genre Expectation:  The qualities audiences expect of their genres to be considered successful, i.e. is the thriller thrilling or the romance romantic. For fantasy and science fiction, the genre expectation is worldbuilding.

Goldilocks Zone:  The habitable zone around a star where the temperature is right for water to exist in liquid form. 

Group:  Two or more individuals who share a collective sense of unity via interacting with each other because of shared similar characteristics.

Habitat:  The ecosystem or ecological community creatures exist in.

Handwave:  A writing term for explaining crucial events dismissively with minimal details.

Handwavium:  As opposed to the handwave, when everything else in the imagined world fits logically together with the exception of the fantasy conceit, which the audience must then accept to continue on with the story.

Hard Deduction:  When there is no narrator and no character bringing the worldbuilding details to the audience’s attention, who must then piece together the world rules based upon the provided details alone.

Hard Impart:  When information is imparted to the audience through narrative text, usually through the narrator or the internal thoughts of characters.

Hero Props:  Items that are necessary for a scene to take place, making them integral to the story.

Heroic Theory of Invention:  When inventors and discoverers of scientific developments are treated as solitary geniuses rather than products of good luck or a part of a team.

High-Concept:  A term from the film industry meaning an idea needs lots of background details, usually compiled from the worldbuilding, to be explained for the core concept to be compelling.

Hybrid:  (a) In biology, a living thing bred together from two different species, which is not able to produce its own viable offspring. (b) A method the author can employ to get details across to the audience in which it appears they are using a hard or soft impart, but the audience deduces are not correct, which then casts provided information into doubt and adds new nuance.

Iceberg Theory:  The theory proffered by Hemingway that so long as the author is aware of the underlying ideas, they can cut away anything from the story and it will still make sense. Usually interpreted to mean one only needs to reveal 10% of worldbuilding details or backstory.

Illusion of Completeness:  The sense that the world is complete and that all questions can be answered within it rather than the creator explicitly spelling out all the details.

Immersion:  The altered state in which the audience feels they are physically present in a non-physical world.

Ineffective Worldbuilding:  When worldbuilding details become obvious to the consumer, thus breaking the sense of immersion and reminding them of the real world. This can be caused by internal inconsistencies or from reality incursions.

Info Dump:  A sudden overwhelming quantity of backstory or background information supplied in a short timeframe.

Info Dump Equity:  The idea that an author should not reveal worldbuilding information until the audience craves it, thus being able to deliver an info dump without anyone complaining.

In-Group:  The other people an individual identifies with. While they may not share the exact worldview, they share the same first principles in understanding the world around them.

Innovation:  The drive for change, usually technological, but also socially.

Inside-Out:  How audiences process worldbuilding details, in that they pertain to the immediate understanding of the scene, which are then pieced together into an understanding of the world.

Inspired Worldbuilding:  The top form of worldbuilding, which invites additional audience interaction via their imagination after the story has concluded.

Institutions:  Stable organizations of individuals formed for a shared purpose, usually by performing specific, reoccurring patterns of behavior.

Integration:  When an individual adopts the cultural norms and beliefs of the dominant culture while still retaining their original culture.

Interconnection:  When the threads of worldbuilding are tied together cohesively. Part of Sanderson’s third law of magic systems.

Interquel:  Stories set in an existing world but that do not connect with the original story.

Intraquel:  Stories set in an existing world that fill in gaps in the existing story.

Kinship:  How social relationships organize into groups, roles, and families. Usually consisting of consanguinity, affinity, or co-residency.

Limitations:  Checks put upon magical powers, usually in the form of weaknesses and costs. Sanderson maintains in his second law that limitations are more dramatically important than powers.

Linguistics:  The study of languages.

Literary Fiction:  The style of fiction that aims for awards, considers itself art, focuses on the prose, and is usually slowly paced.

Locality:  The small-scale community in which the individuals in a group grew up, usually comprising of a town, neighborhood, or block, which differentiates them from others in the surrounding area.

M-O

Macroworldbuilding:  The first of the stages N. K. Jemisin breaks her worldbuilding process into, which consists of planet, continents, climate, and ecology.

Magic:  Change wrought through unnatural means.

Magic Point Systems:  Magic systems where the casters have a set amount of energy, usually referred to as mana, to spend on their effects.

Magical Thinking:  The belief people can affect change the world around them through thoughts and behaviors.

Mana:  A frequent generalized term for the finite resource magic users spend on their magical effects.

Marginalization:  When an individual rejects both their original culture and the dominant culture.

Mary Sue/ Marty Sue:  Originally a created character for fanfic who has no flaws and is inserted into interactions with the canonical characters. Now an insult leveled at characters consumers don’t like, usually claiming they are overly capable and without flaws.

Masquerade:  A term taking from the World of Darkness RPG wherein the existence of magic is hidden from the general populous.

Metaphysics:  In worldbuilding, dealing with deities, spirits, cosmology, and the afterlife. In essence, creatures and locations that do not abide by understandings of biology or physics.

Microworldbuilding:  The second of the stages N. K. Jemisin breaks her worldbuilding process into, which consists of species, morphology, raciation, acculturation, power, and role.

Monotheism:  The belief in a single deity only.

Mystery Box:  The theory proffered by JJ Abrams that mystery drives audience interest, which will keep them invested in a story so long as they are promised elucidation later.

Mythopeia:  Constructed mythologies, lores, and histories within created worlds.

Nationality:  How an individual relates to their state. A component of cultural identity.

Nominal Change:  A superficial change in the secondary world that contributes nothing to the worldbuilding.

Norms:  What is considered acceptable group behavior and what people should and should not do in their social surroundings.

Oligarchy:  A government in which power rests in a small group of people like the nobility, wealthy, or religious leaders.

One-Off:  An intentional inconsistency meant to highlight the aberration as separate from the established worldbuilding.

Out-Group:  Those that do not share the same collective worldview, which are often mistrusted or viewed with outright hostility.

Overlaid Worlds:  Constructed worlds with real-world locations but with the addition of fantasy elements.

P-R

Pantheon:  A categorization of collected deities based upon the culture that worships them

Pantsers:  Creators who build or write without a clear outcome in mind. See Bottom-Up.

Pidgin Language:  A grammatically simplified language used for trade that comprises vocabularies drawn from numerous languages.

Planet of Hats:  The trope of treating a species or world as monolithic and with one defining trait.

Planners:  Worldbuilders or writers who have a clear plan once they start creating. See Top-Down.

Politics:  The decision-making process within groups and individuals involving power structures.

Polytheism:  The belief of multiple gods, usually inhabiting a pantheon.

Porcelain Argument:  In worldbuilding, the belief that technology stagnates at the level at which magic or a fantasy conceit is introduced.

Portal Fantasy:  A subgenre in which the characters from the real world travel to a secondary world.

Prequel:  Stories set in an existing world that precede the original story. They do not need to connect to the original story but often do.

Primary Sexual Characteristics:  The sex organs used in reproduction.

Primary World:  The real world in which we all reside and draw our experience from.

Prime Mover:  A conceit that cannot be removed without the story world falling apart.

Profane:  Something that is religiously blasphemous or obscene.

Prologue:  An opening sequence in a narrative that establishes background details to create context, clarification, and miscellaneous information for the audience

Promise of the Premise:  The term coined by Blake Snyder for the point in the story when the setup is complete and it examines its core conceits. An author breaks the promise of the premise when the story is not about the promised core concepts.

Pull Factors:  Factors that draw immigrants to an area.

Purple Prose:  Descriptions that becomes overly ornate and extravagant, to the point they break the sense of immersion by drawing attention to themselves.

Push Factors:  Factors that drive immigrants out of an area.

Race:  (a) In biology, a grouping of populations below the level of subspecies, and is rather imprecise in distinguishing the differences between them. (b) In the fantasy genre, usually understood to mean “species.”

Racial Attributes:  The assumption that any one fantasy race shares not only certain abilities like flight or the capacity to speak with animals, but certain demeanors, temperaments, and biases.

Reality Incursions:  When the outside world interjects itself into the created fantasy experience to remind the consumer that this is indeed a made-up world. They usually occur when the consumer has expert knowledge in a field that is not depicted correctly in the narrative.

Reciprocity:  When people respond to actions with similar actions. This can be positive, as in the exchanging of gifts, or negative, as with punitive eye-for-an-eye punishments for crimes.

Relativism:  The belief there is no real objective universal truth and that we base all understanding upon perception and consideration.

Religion:  The cultural system of behaviors, morals, ethics, and worldview in which humans deal with supernatural, metaphysical, and spiritual conceptions.

Retcon:  Short for “retroactive continuity,” the term comes from comic books when previous canon or facts are ignored or contradicted so as to assimilate new stories or understandings in current storylines.

Reverberations and Repercussions:  The understanding that any change within a world creates many expected and unexpected changes to the whole.

Rituals:  Formal customs often involving gestures, words, and objects performed in a traditional sequence.

Rule of Cool:  The understanding that the audience’s willing suspension of disbelief for a given element is directly proportional to its level of “coolness.”

Rule of Law:  The idea that laws extend to the lawmakers as well as the general populous.

Rule of Three:  In worldbuilding, the concept coined by Randy Ellefson in which an author should alter at least three components of a trope to make it their own.

S

Saturation:  Mark J. P. Wolf’s term for when there are simply too many details for the audience to fully absorb, which he maintains makes the world stronger since it invites the audience to reexperience the material again and again to glean something new each time.

Scarcity:  When people put higher value on rare things and assign lesser value to things in abundance.

Secondary Sexual Characteristics:  The distinguishing traits that distinguish the sexes, such as human males’ facial hair or females’ breasts.

Secondary World:  A created world that does not exist.

Selection:  In biology, the preferential survival and reproduction or elimination of individuals with certain traits. Can be either artificial, natural, positive, or negative.

Separation:  When an individual rejects the dominant culture in favor of preserving their original culture, which often leads to minority enclaves within the dominant culture

Sequel:  Stories set in an existing world that follow the original story. They do not need to connect to the original story but often do.

Set Piece:  An iconic scene that exemplifies the story even though it might not actually be necessary to the story itself.

Shamanism:  The belief that specific individuals have access to and influence over the spiritual realm, usually derived by ritual and entering altered states.

Show Don't Tell:  The understanding that the audience prefers to experience the worldbuilding details and storytelling events in action rather than having them explained.

Smeerp:  Unnecessarily renaming something to make it seem exotic. Derived from James Blish’s sarcastic use of the term when describing rabbits.

Smeerp Hole:  When one seemingly minor change contributes to a whole slew of other changes on the author’s part that add little to the audience experience as a whole.

Social Class:  The hierarchal social stratification of groups, usually manifesting as upper, middle, and lower classes.

Socialism:  The economic system in which the workers or government own and manage the means of production.

Socialization:  The process in which a group passes on the worldviews, norms, and customs to their children.

Soft Deduction:  When a character with knowledge of the worldbuilding takes action based upon specific information to get the worldbuilding rules across to the audience.

Soft Impart:  Information presented to the audience not through narrative text but through a trustworthy side character or source. Can often come about from an overheard conversation or explanation from another character.

Specialization:  The divisions of labor and creation of occupations when the population does not individually have to account for their daily caloric intake. As opposed to generalist.

Species:  A group of living creatures capable of exchanging genetic material and producing viable offspring.

Speculative Fiction:  An umbrella term for fiction that inject elements into the story that do not exist in the real world. Fantasy, science fiction, horror, historical fiction, alternative history, and dystopian and utopian fiction are just a few genres that qualify as speculative fiction.

Spotlighted/Lampshaded:  A potentially troublesome concept or idea that is intentionally brought to the audience’s attention before it becomes problematic to highlight that it is intended as a fantasy conceit rather than an accidental anachronism.

Stasis:  The drive to maintain the current order, be it social, political, or technological.

States:  Organized governments overseeing a specific territory that can interact with other states.

Streamlining:  Part of Sanderson’s third law of magic in which worldbuilding details should be accounted for by already existing fantasy conceits instead of creating whole new conceits.

Suspension of Disbelief:  When an audience makes a choice to suspend their critical faculties to allow for a patently unreal concept to be considered logical for the sake of entertainment.

T-W

Taming:  When an animal has been taught to tolerate human presence. As opposed to domestication.

Technobabble:  When a character spouts a number of details to establish their expert credentials in the field. Technobabble is not meant to be understood by either the audience or the other characters, only to establish the character’s authority on the subject.

Terra De Facto:  The implicit understanding that anything that is not accounted for by a fantasy conceit must therefore abide by the rules of the primary world.

Terrain:  The vertical and horizontal proportions of land masses, which includes how high it is above sea level and at what slope.

Theocracy:  A government where the religious leaders and practices control the laws in addition to the religious norms and rituals.

Toehold Details:  Descriptors that specifically trigger the assumption of an analogue culture and time period, and therefore help the audience to mentally populate the scene.

Top-Down:  In design, when the underlying idea or system is formed on a grand scale, then with all subsequent subsystems being added and refined until everything is mapped out. Also referred to as “planner” or “engineer” when it comes to writing or worldbuilding. 

Totems:  Imbued emblems representing a group of people tied to a specific spirit.

Transmedial:  When a story or world exists in multiple mediums.  

Tropes:  Reoccurring motifs, images, plots, and characterization that exist within a genre.

Unchanged:  When the creator does not use a particular fantasy conceit and leaves their created world the same as the real world in regards to this fantasy conceit. See Terra De Facto.

Unobtanium:  In engineering, the term used for materials or technologies that do not yet exist but will one day solve current problems. Frequently used in science fiction worldbuilding.

Upmarket Fiction:  The style of fiction that aims for creating discussion. It often blends literary and commercial fiction, deals with universal themes, has accessible language, and is character-driven.

Weakness:  Limiting factors that diminish the power or the person using it. Part of Sanderson’s second law of magic.

Worldbuilding Capital:  Time and mental energy sunk into a world, which is why authors frequently reuse the existing world instead of forming a new one for subsequent stories.

Worldbuilding Kudzu:  When too many worldbuilding choke out the pertinent information by sheer volume, thus disrupting immersion.

Worldview:   How a society or individual orients their knowledge and point of view towards the world. This includes philosophy, fundamentals, existential postulates, values and ethics, ideology, and attitude. It encompasses the concept of why the world works the way it does and the “correct” way to act within it.

Worship:  The act of religious devotion towards a deity or ideal.

Source ⚜ More: Word Lists

[wildwestlyshow]

Wild Westly - An upcoming indie animated show!

Hey there! I'm Winston (he/him), the creator of Wild Westly and also the one running this blog. I have never used Tumblr before but I am excited to be here!

Why am I here? To introduce you to Wild Westly, an indie animated pilot that (with successful funding) should be coming out by the end of 2024 or the beginning of 2025!

Wild Westly explores an alternate history timeline for the Old West with a diverse and colourful cast of insects. We have already put together a wonderful crew and team of voice actors, including the Gianni Matragrano, who will be voicing Mayor Colt Papillo. With only two VAs left to record, concept art being polished and 3d modelled, and a fight sequence in the works, production for the 25-30 minute pilot is well underway!

The reason we decided to make a Tumblr to promote the show is because of the ask feature, as we believed it would be nice to see what kinds of questions and input people have on the upcoming pilot. We also know that Tumblr has a wonderful community of artists who are interested in seeing indie projects and we wanted to be able to share our progress on the project in places where people were most likely to see it!

If you are interested in helping fund the show, our Kickstarter has 15 days left to reach our 2k goal! We have promises such as giving people the chance to design background characters for the pilot and a Kickstarter-only print that will be available for just this campaign and the campaign we intend to launch closer to the project's completion!

The Wild Westly team would really appreciate your support! Whether it be reblogs, comments, or questions, we look forward to seeing how Tumblr reacts to our show!

Thanks for reading, and we hope you like Wild Westly!! You can additionally follow us on TikTok and Twitter for additional updates!

Sincerely,

Winston, Topaz Animation

[diardri]

Dia's FFXIV Art Reference Notes, A possibly long post

Hello! I made this as a thread on my twitter but I might as well post a version of it here. For the record this will be a thread linking to the resources I use when drawing commissions or fanart, I have not made Any of these and whenever I can I will note the creators and link directly to their resources.

GPose Reference First and foremost, if you're drawing a WOL or ordering a commission of your WOL the most important thing is to take a proper reference GPOSE. I use the method in this post, to make sure I got all the angles. Clean refs are super important when drawing armor/intricate outfits so take care to take simple standing poses like the one in the tweet above. Cool dynamic poses might be fun but they're not really useful for referencing.

Gear/Weapon Reference

If you need good references for a weapon/outfit that you don't have a GPOSE for, I recommend using the attire website

This is a japanese website maintained by @/chiyo_asa on twitter and if you've ever looked up a piece of gear in the lodestone you've almost definitely come across their pictures.

This is a super rough translation in english of the menu of the website. While it is in Japanese it's very easy to navigate and all the pictures in the site are super high quality and very useful for referencing.

This is my number one source for gear references I haven't taken myself

The "mirapuri" button afaik is for glams they made themselves that they want to showcase.

An important note about this site specifically is that I believe it's currently undergoing an overhaul so Some weapons/gearsets might not be completely transferred in yet.

That being said, the majority of sets from dungeons/crafting/alliance raids/job gear sets etc are sorted like so, which makes it super easy to look for.

There IS also a search function but I'm pretty sure it works only for japanese input.

NPC reference sheets

@xivrefsheets Offers really detailed resources of npc models. They also occasionally accept requests on their ko-fi (closed at the time of writing this)

These are super useful and really high quality, especially for some of the boss refs they've done. As someone who doesn't use anamnesis I go back to their refs very often

Convocation of the Fourteen refs

Maintained by @/Igeyorhm on twitter this site has a nice list of Ascian refs per character in addition to some lore bits for each of them. Also some very useful closeups of the Ascian clothes.

Even more NPC and Boss Refs

I believe maintained by @/MlNRATHOUS on twitter, this site has a really nice array of major NPC and boss references in various angles and with colourpicks for skintone and hair which is super useful. I use them a Lot

Lalafell centric refs

Norirow Note is a super cute blog that showcases glam items/ weapons/ chocobo barding and more.

It is NOT meant to be an art reference, however if you play a lala like me, I find their showcases useful when drawing gear on lalas.

Even if you don't use it as an art ref it's a super cute blog that's just fun to go through AND fully translated in english so I recommend just having a fun time reading through it anyway.

Bonus- Au Ra Scales.

I literally found out about this today but @/saficchi on twitter has made a super detailed angled ref sheet for both male and female au ra scales and I love them for it

Bonus 2 electric boogaloo- TextTools

I use this to import 3d models of specific weapons into CSP if I'm drawing them.

I don't know how useful this is for other art software but it's saved my ass from freehanding titania weapons so in the thread it goes

That's the full list of refs I personally use, if there's more that people want to add please feel free to do so in the comments. I hope it helps people out in their creative endeavors!