#ae auto
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aeautoevcharger · 2 months ago
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Leading Turnkey Solutions for Electric Vessels | Marine Electrification Expert
In the global shift to green shipping, AE Auto Co., Ltd. leads as a top provider of sustainable marine power. A subsidiary of Nanjing AE System Technology, we focus on innovative electric vessel solutions. Our team, with 60% masters/doctors from top universities, holds 21+ patents, driving tech excellence.
End-to-End Solutions for Smart Shipping
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We offer full lifecycle support: design, development, production, and maintenance of powertrain systems, energy storage, and hybrid solutions. Services include consulting, integration, and after-sales support. Key technologies—intelligent drives, ship networking, lightweight design—boost efficiency. Our charging systems connect vessels to shore power seamlessly.
Five Key Advantages for Electric Vessels
Cost Savings: 30-year operational costs lower than diesel boats, ideal for tugs and commercial ships.
Space Efficiency: 40% less shafting space; 30% more engine room usability via integrated electric drives.
Performance: Full-rotation motors for steady torque in all speeds, optimizing propulsion.
Reliability: Redundant battery packs with BMS isolate faults, ensuring continuous power.
Sustainability: Zero emissions, quiet operation, and recycled batteries for green fleets.
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Proven in Diverse Applications
Used in icebreakers, tugs, and research vessels, our tech cuts ice resistance by 50% and open-water costs by 35%. The 445-2100 motor series (540V DC, 200kW peak) suits various marine needs.
Global Reach, Local Service
With R&D in Nanjing and bases in China, we have 12 overseas offices in Sweden, UK, Turkey, and more. Local engineers offer 24/7 support, serving commercial, military, and special vessels worldwide.
Join us in shaping a smarter, greener maritime future with tailored electric solutions.
Keywords
electric boat turnkey solutions, marine electric drive systems,
Meta Description
AE Auto offers turnkey electric vessel solutions: smart drives, battery tech, shore power. 60% R&D experts, 21+ patents. 30% space saved, zero emissions. Global service in 12 countries.
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frdesignia · 1 year ago
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Design sports car Fabio Ricardo // I.A. FR ART DESIGN
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devileaterjaek · 1 year ago
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Discord Twitch Ko-Fi
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s0dabeach · 4 months ago
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i be getting invested in a couple from a show i haven't even watched yet
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jessmalia · 7 months ago
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@lilacerull0
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PARKS AND RECREATION 4.04 — PAWNEE RANGERS | DELETED SCENE
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strictstandards · 6 months ago
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Lexus LS400 & LS430 with Boundary-Breaking Sound Systems 🔊
When Like-Minds Cross Paths 🧠
The throwbacks stay real as we attempt to keep up-to-date with Clique Member @fahad_ucf 🏃🏻‍♂️
Striking gold in the archives, where we rekindle the memories established between two Lexus LS projects ✨
Catch community activist @haa_bob posted for display with his modified Lexus LS400, inspired by Clique Member Fahad and his modified 2006 Lexus LS430, and vise-versa 🔀
After rediscovering these images while having knowledge of their excursions and flourishing to date, 
It tingled our heart to see two passionate car enthusiasts solely holding it down for each other 🤞🏻
@lowlifedxb • @fahad_ucf • @haa_bob • @#STRICTSTANDARDS • #FINESTFAM 🇦🇪
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techdriveplay · 1 year ago
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Sony Releases FE 24-50mm F2.8 G, a Compact, Large Aperture F2.8  G Lens™ with High Performance Optics  
Sony is pleased to announce the release of its new compact 35mm full-frame compatible α™ (Alpha™) E-mount lens, FE 24-50mm F2.8  G (product name SEL2450G) standard zoom with F2.8 maximum aperture over the entire zoom range. Despite its small and lightweight body, it achieves the high-resolution performance and beautiful bokeh that can be expected from a large aperture G Lens with F2.8.  It covers…
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sycsubs · 1 month ago
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[ENGLISH TRANS] SOOYOUNG - W KOREA 2025 INTERVIEW
ps. when taking out these translations please give credit to us or this blog. thank you 💗
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“THE TEMPERATURE OF SOOYOUNG”
Choi Sooyoung seems to give off a carefree aura.
Though she describes herself as easygoing and simple, she speaks clearly and straightforwardly when it comes to the responsibilities that lie before her. The image of early summer that comes to mind somehow overlaps with Sooyoung, and the drama <Second Shot at Love> in which she transforms into a charming alcohol-lover, premiers this early summer.
Q. <W Korea> We heard that you’re recently very immersed in tea ceremonies.
Choi Sooyoung: Yes, I find it fun. It’s fascinating how the flavor of the tea can change depending on the state of mind at the time of brewing.
Q. Was there a particular moment that sparked your interest?
It’s a habit I picked up while filming <Second Shot at Love>. I wasn’t getting much sleep. I guess there was a lot of pressure.
Q. It was your first title role in a drama since debut, correct?
That’s right. After shooting, I’d come home and feel like I couldn’t turn off the switch right away. So I tried all sorts of things—taking warm showers, listening to ASMR, avoiding reading scripts at least two hours before I sleep. I built a night time routine, and tea became a part of that routine. I savored each drink, and both my body and mind felt at peace.
Q While the tea steeps, people often use that time to process thoughts that are put away from daily life. But unlike that, it became a moment to clear your mind instead.
Exactly. I actually tried not to think during that time. I’ve always been someone who multitasks. I constantly feel the need to be productive, it’s in my personality. But through tea, I think I learned what it truly means to spend time without a goal.
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Q. <Second Shot at Love> tells the story of ‘Geum-joo’, a well-known alcohol-lover, who unexpectedly reunites with her first love—someone who absolutely despises drinking, and the romance that follows. From the very beginning, the project felt like it was all about alcohol, and it came as no surprise to learn that the script was written by Myung Soo-hyun, the writer of tvN’s <Rude Miss Young-ae> and <Drinking Solo>.
Writer Myung Soo-hyun’s words capture the full spectrum of human emotion—joy, anger, sorrow, and happiness. And this piece is no exception. I felt like a rare script had come to me. I remember thinking, “Have I ever read something that reveals every aspect of a character this thoroughly?” At least for me, the answer was no. Geum-joo is an auto mechanic who works hard and there are joys and sorrows that she feels. She relies on alcohol as a form of avoidance, and was forced to confront herself in the place she tried to escape to. From there, she slowly begins to accept who she is, and in doing so, learns to embrace the people around her as well. At a glance, it may seem like a chaotic, comic story about Geum-joo, but if you look closer, you’ll find a detailed and gradual journey of growth. I feel incredibly lucky to have encountered such a script.
Q. What was the process of approaching the character Geum-joo like for you?
First of all, the script was filled with stage directions; shouting, smiling brightly, making exaggerated expressions, and so on. To be honest, it took me some time to fully take in Geum-joo. In real life, I’m very calm. I’m not the mischievous or high-energy type. So there was definitely a period of wandering before the lines started to feel natural. Every actor has a different way of approaching a character. For me, I always start by thinking about the character’s job. You can learn a lot of information from one’s job. Since Geum-joo is an auto mechanic, I imagined she’d be active, unafraid of getting her hands dirty, and likely to be competitive since she was young. But at the same time, I didn’t picture her as someone who would roughly carry around tires or plop down anywhere or stomp around. I imagined her as someone meticulous, someone who handles each car part the way a musician treats her instrument. I thought about how a woman like Geum-joo would set herself apart in an industry largely dominated by male mechanics.
Q. A mechanic who handles cars like musical instruments. Now that I hear about it, I can see the character come to life.
Yes. Honestly, I think Geum-joo would have done well as a doctor, or even an artist. I imagined her as someone who chose this profession because she genuinely loves machines, and is fascinated by how individual parts come together to make a car run. And once I had that in mind, I began to vaguely understand why she couldn’t help being dependent on alcohol. She must have been sensitive, working with machines. She probably worked hard to adapt to a male-dominated workplace, pushing herself to drink alcohol to fit in socially. It made her think she really couldn’t live without alcohol. That thought gave me a somewhat clearer outline of who she is. And the Geum-joo I imagined from the script alone was someone who, on her way home from work, would wear the kind of unique clothes that make people go, “Wait, she dresses like that when she’s off duty?”
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Q. In this drama, Geum-joo is another strong, independent female character, like Seo Dan-ah in JTBC’s <Run On> (2020) and Kim Jin-hee in ENA’s <Not Others> (2023). Looking back, have you ever wondered why these kinds of roles keep coming to you?
Because I choose those roles. Of course, not every role is like that. But I’m not drawn to stories where characters are used as equipment. ‘Seo Dan-ah’ was a CEO of a top sports agency who didn’t tolerate mistakes, whether in business or in her personal life. ‘Kim Jin-hee’ was a police patrol team leader who always spoke her mind. They’re all people who try to take responsibility for their own lives. I guess it’s also because of my personality. I don’t like people who are bad at their jobs. (laughs) So, I don’t want to play someone who’s bad at what they do. It’s fine if they’re clumsy at first, as long as they develop. But I think the character should have at least a sense of certainty in what they do.
Q. Those characters also had a very clear sense of what they liked and disliked. Would you say you’re someone who’s also honest about what you want to say and knows exactly what you want?
Oh, not at all. I only started to be aware of that in my early thirties. I started asking questions like “What do I really want?” or “Am I doing this because I like this?” only after I turned thirty. I used to have no opinion, even when choosing the menu for lunch. There were many times where I’d just go along and say “I’m fine with whatever” and move on. I think it comes from spending so many years as a group during my Girls’ Generation days. Maybe I didn’t even realize I had options to choose. One day, Tiffany was ordering coffee and asked me what I wanted. I said, “Anything’s fine.” And she immediately said this, “No. Hot or iced? If iced, how much ice? How many pumps of syrup? Do you want milk? Regular milk or Lactose-free? Oat milk? Almond milk?” I remember thinking, “Why make life so complicated?” But then she told me this—that I need to know exactly what I want, that there are always options, and I have to make a choice.
Q. Did that coffee order incident change you?
Yes, something as trivial as ordering coffee did (laughs). It made me start to become more aware. Since then, I’ve been trying to build the habit of thinking more specifically. For example, instead of just asking for “something to drink,” I’d say, “I’d like an orange juice with a bit of ice.” It starts with little things like that.
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Q. Would you say you’re not someone with a strong opinion?
That’s right. I’m usually the type to think, “That person might be right.” But that doesn’t mean I lack conviction. But that sense of certainty just didn’t come all at once. It’s something that formed through a lot of experiences. Last year, I released my first Japanese solo album, and I wrote the lyrics to the title track, “Unstoppable.” There’s a line that goes: “Data of failures and successes. Drawing the highest arc. Let’s pursue the ideal.” Through the many ups and downs I’ve experienced over many years, a kind of data accumulated inside me. But rather than turning into stubbornness, I feel like it gave me freedom. The more time passes, the more confident I become, but in a way that lets me change gears easily whenever I need to.
Q. <Unstoppable> was your first solo album 22 years after your debut. At the time, you wrote this on social media: “At this point in life where I could just fake being a professional and no one would notice, it also hurts to take on a new challenge again, right now. I was scared as much as I was happy.” What was behind those words?
Honestly, if you don’t take any risks, you won’t be exposed. But the moment you try, people will notice. There was a time when I deliberately held back from showing everything. I was scared. When the solo album offer came in, people around me questioned it, “Why now, when your acting career is going so well? And why release it in Japan?” And of course, I asked myself the same thing. Why is this opportunity coming now? If I stay quiet, I can at least fly under the radar. So what do I get in return for exposing myself like this? But in the end, I thought: “Why should I hold back if this is something I want to do?” And I didn’t want it to end with just trying. I wanted to go all the way to being judged for it. Regardless of the outcome, I think I gained so much. After the album came out, I received so many messages. What touched me the most were the ones that said, “That was such a cool challenge. I understand why you did this.” That made it all worth it.
Q. What did <Unstoppable> leave for you?
It made me think deeply and often about making choices. Honestly, I’m at an age where many things change depending on the decisions I make. So I ask myself which choices reflect me the most. I boldly wrote the lyrics of ‘Unstoppable’ that says, “The story I choose,” and yet there are still a lot of things that I’m afraid of. I feel like I'm not a brave person and I learned that I need courage. That was something I felt through releasing the album, and it gave me the energy to film <Second Shot at Love>. To take on my first lead role, that courage was absolutely essential.
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Q. Then what kind of courage did you show in <Second Shot at Love>?
I wanted to try acting that truly does something. I think it’s because of my personality. I’ve always been someone who is cautious about putting in too much effort. I always thought, “Be diligent, but don’t work too hard.” Sometimes, I felt uncomfortable watching myself act intensely on screen. At one point, I preferred acting in less intense roles. But while filming <Second Shot at Love>, I wanted to try acting where people could read my feelings immediately from my expressions. Because the acting that makes viewers not want to change the channel means making even one more expression, showing just a little more. I filmed with the mindset of really going all out. After having done this once, I think my fear lessened a bit.
Q. You have big news recently, right? You’re entering Hollywood with <Ballerina>, a spin-off of the John Wick series. The film premieres in North America this June and will be released worldwide. How did you get involved in this project?
Right, when I heard I got cast, I thought, “No way. How could I be?” Honestly, I hesitated a lot. It felt like a huge challenge but also small at the same time, and I found myself worrying a lot in front of that challenge. It was like, “I’m scared of the waves crashing at my feet, so I won’t even go.” That was exactly what I felt. While I was worrying about how the film and the feedback would come out, the one thing that pushed me to take on the challenge was the idea of being completely alone overseas, with no one else around. The thought of facing that head-on by myself was very appealing. As actors, we usually receive a lot of care from people around us. There’s always a car waiting for us in front of the house, people handling tough tasks on our behalf. So we can sometimes forget we’re human. We get a little spoiled. But being an actor means we have to portray people we see around us, yet we rarely get to live our life. I felt I really needed that time to live like a person. So I jumped into this project without looking back.
Q. How was the experience filming alone?
I cried (laughs). Because I wanted to go home. But I kept reminding myself as I put the kimchi, side dishes, and ramen that my mom packed into the hotel fridge, “Sooyoung, now you’re really living here without anyone’s help.” But somehow, I quickly got used to the life there. I went alone to the riverside where people warned me it was dangerous, opened a bottle of wine, and watched the sunset. I’m actually quite simple. I might not have much courage, but once the situation is set, I manage to find happiness there. I’m really a simple and fragile creature (laughs).
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Q. Through <Ballerina>, You’re about to meet an audience you haven’t encountered before . Aren’t you curious about how they’ll perceive your acting?
Honestly, rather than curiosity, my first thought was that I must not become a burden to the project. It’s more than enough for me if the audience says, “Who is she?” So, I even went to the set with my hair dyed, which no one asked me to do. When they said actors could pitch ideas about the visual concept, I immediately suggested orange hair and they coolly agreed. At that time, there was a strong momentum in myself, like “I can do everything they ask!” So, I tried to absorb as much as possible on set. I even went to the set, sitting in corners on days without my shooting to observe how things were done. The team found me a bit overwhelming and said, “Yeah, you don’t have to come here,” (laughs).
Q. With two very different projects about to be released, you must be living in excitement right now. If you had to describe your current self in one sentence, what would it be?
There’s a phrase that fits me perfectly; a cheerful pessimist. On set, I always listen to the song “Rule of the Princess”. It’s a song that spreaded as a meme on social media. It goes like, “Yes, life has always been tough, but live like a princess today. What's so tough? Just be a princess. I’m precious, but so is everyone else. Everyone here is a princess!” Listening to that song, I keep reminding myself of these words (laughs). With that mindset, I can handle any situation anywhere.
Q. Lastly, can you share three secrets about Sooyoung?
First, I’m good at organizing. I have a talent of fitting what seems like an impossible amount of stuff into a single suitcase if I set my mind to it. Second, I’m surprisingly easygoing. I don’t overthink or twist things in my mind. Third, I actually don’t have many friends. But I’m so busy every day. I have to clean the house, work here and there, and often tear open the packages I ordered from Coupang (laughs).
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spamtonromantic · 6 months ago
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it/its
click/clicks
xe/xyr (or other variations)
volt/volts
ae/aer
neo/neos
pyre/pyres
star/stars
bun/buns
he/she
not really top 10 style these are just 10 pronouns i like
Top 10 pronouns
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headmates-for-you · 6 months ago
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Hey!! It’s 🕊️♦️ :) I’m so excited that I won fhehdhdhd
May I request the theme to be based around fashion from the 2000’s? Stuff like Gyaru, Emo, etc!! All we request is that they’re male-aligned ><
Thank you!! :D /gen
not a problem at all, hope you love them all -🪓 and 🔪
I think my favorite is Rylee/Milo if im allowed to choose favorites-🪓
CW: bright colors
Name(s): Ness, Baby, Kitty
Age(s): 19-22
Pronouns: he/him, frill/frills, creme/cremes, soft/softs, paw/paws, kit/kits, doll/dolls
Gender(s): cutehimekitty, himegyarudollic
Orientation(s): bi
TransID(s): transcatboy, transhimekaji, transfashion, permacute, transdoll, transcrossdresser
Source(s): brainmade, 2000s fashion based, himekaji
Paras: none
Emoji signoff: 🕊️🎀
Positive trigger(s): lots of lace and frills, cutesy BJDs
Role(s): joy holder, sexual alter
Faceclaim: 
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Name(s): Redd, Kato
Age(s): 16-20
Pronouns: he/him, she/her, red/reds, check/checker, pin/pins
Gender(s): agender, emoloser
Orientation(s): achillean
TransID(s): permaemo, transgender, transfashion, transaesthetic
Source(s): brainmade, 2000s fashion based, emo
Paras: auto sadism
Emoji signoff: 🕊🥀
Positive trigger(s): none
Role(s): persecutor, trauma holder
Faceclaim: 
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Name(s): Jordan, Drew
Age(s): 24-28
Pronouns: he/him, hx/hxm, h-/h-m, pink/pinks, star/stars, 2000/2000s, 2k/2ks
Gender(s): cismale
Orientation(s): straight
TransID(s): transfemboy, transera, perma90s, perma2000sfashion
Source(s): brainmade, 2000s fashion based, y2k
Paras: none
Emoji signoff: 🕊💗
Positive trigger(s): pink stimboard, y2k fashioin
Role(s): subsystem host, soother
Other: acts/talks gay and has to convince people he’s not
Faceclaim: 
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Name(s): Ty, Jay
Age(s): 23-27
Pronouns: he/him
Gender(s): cismale
Orientation(s): straight, polyamorous
TransID(s): transplayer, transcheater, transmusician, transaddict, permacool
Source(s): brainmade, 2000s fashion based, hiphop
Paras: cheating, getting caught
Emoji signoff: 🕊🎤
Positive trigger(s): his personal playlist (hiphop and RnB), learning news he needs to share
Role(s): announcer, addiction holder
Faceclaim: 
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Name(s): Sen, Rory/Rawry
Age(s): 17-18 permateen, can slide up to 24
Pronouns: they/them, hx/hxm, rawr/rawrs, X3/X3’s, pounce/pounces, nuzz/nuzzle/nuzzself, uwu/uwus, kit/kits, meow/meows, paw/paws
Gender(s): scenecringic
Orientation(s): aromantic, questioning/unsure sexuality
TransID(s): permascene, permacringe, transaustism, transDPD
Source(s): brainmade, 2000s fashion based, scene
Paras: magnaphilia
Emoji signoff: 🕊🦖
Positive trigger(s): the song Owo You’re so Warm, cringe scenecore things
Role(s): disability holder, symptom holder, fragment absorber
Other: special interests are dinosaurs and scene fashion
Faceclaim: 
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Name(s): Cosmic, Synth
Age(s): 20-26 ageslider
Pronouns: he/him, ae/aer, xe/xem, plur/plurs, ⭐️/⭐️’s
Gender(s): ravegender, webcoric
Orientation(s): vincian
TransID(s): transraver, transhearingloss, transdisabled, permahyped
Source(s): brainmade, 2000s fashion based, rave
Paras: magnaphilia, musophilia
Emoji signoff: 🕊⭐️
Positive trigger(s): loud music, large social gatherings
Role(s): memory holder, mood booster, socializer
Faceclaim: 
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Name(s): Branwen, Corbin, Wren
Age(s): 22-30
Pronouns: he/him, fine with anything really
Gender(s): nonbinary masc AMAB
Orientation(s): doesn’t care, busy
TransID(s): permagoth, transautism
Source(s): brainmade, 2000s fashion based, trad goth
Paras: teratophilia
Emoji signoff: 🕊🖋
Positive trigger(s): only when needed
Role(s): fragment manager, gatekeeper, layer manager
Other: talks very proper, special interests is corvids, closest friend is Raven/Crow/Corvid
Faceclaim: 
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Name(s): Hinata, Aoi
Age(s): chrono 30s, physically around 17-18
Pronouns: he/him + any
Gender(s): agejogyarudollic
Orientation(s): open
TransID(s): transfemboy, permacute, permayouthful
Source(s): brainmade, 2000s fashion based, agejo
Paras: none
Emoji signoff: 🕊🖤
Positive trigger(s): agejo fashion, pink cheetah print
Role(s): happiness holder, guilt holder
Faceclaim: 
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Name(s): Vamp, Ryson
Other names: Nep, Cal, Hyde, Lawless (swaps between these and real name interchangeably)
Age(s): permateen
Pronouns: he/him, it/its, ne/neon
Gender(s): trans male
Orientation(s): pan
TransID(s): transgender, permaautism, permaADHD, transOCD, transOLD, transharmed, fictionkin (Nepeta, Lil Cal, Hyde/Lawless)
Source(s): brainmade, 2000s fashion based, cringecore
Paras: fictophilia, mild shotacon
Emoji signoff: 🕊🌈
Positive trigger(s): Homestuck, Servamp, scene stimboards
Role(s): ableism protector, ADHD holder, autism holder
Other: iffy about kin doubles, uses kin names, special interests are Homestuck and Servamp, kins transmasc Nepeta specifically
Faceclaim: 
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Name(s): Mark, Anthony
Age(s): 20s, ambiguous
Pronouns: he/him
Gender(s): cismale
Orientation(s): aroace bi
TransID(s): transhater, perma90s, transera
Source(s): brainmade, 2000s fashion based, dark y2k
Paras: somnophilia
Emoji signoff: 🕊🔪
Positive trigger(s): if he has a partner they would be it
Role(s): silencer, rage holder, paranoia holder
Faceclaim: 
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Name(s): Richie, Kelvis
Age(s): 27
Pronouns: he/him, pin/pins, punk/punks, rock/rocks, anti/antis
Gender(s): manpunk
Orientation(s): straight
TransID(s): transantirq, transpunk, transpunkrock, transhater
Source(s): brainmade, 2000s fashion based, punk
Paras: antiphilia
Emoji signoff: 🕊🧷
Positive trigger(s): punk music, spikes, leather jackets
Role(s): corruptor
Faceclaim: 
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Name(s): Panda, Chichi
Age(s): ageless
Pronouns: he/him
Gender(s): ambiguous male
Orientation(s): bi
TransID(s): transfashion, permafemboy, transdarkskin, transextrememakeupuser, perfumescentic
Source(s): brainmade, 2000s fashion based, yamanba
Paras: podophilia, opophilia, celebriphilia
Emoji signoff: 🕊🐼
Positive trigger(s): cute animals, yamanba fashion
Role(s): eso-role
Faceclaim: 
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Name(s): Cerebro, Cy
Age(s): 24-25
Pronouns: it/its, they/them, hy/hymn, tube/tubes, ne/neon, cy/cyber, xe/xem
Gender(s): cismale, cybergothgender
Orientation(s): homoflexible
TransID(s): transcybergoth, transrobotic
Source(s): brainmade, 2000s fashion based
Paras: robophilia
Emoji signoff: 🕊🧪
Positive trigger(s): cybergoth related (photos, fashion, art, music, etc)
Role(s): memory holder, trauma holder
Faceclaim: 
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Name(s): Raven, Crow, Corvid
Age(s): 19-25 ageslider
Pronouns: he/him, it/its, thing/things, shadow/shadows, crow/crows, beak/beaks, squawk/squawks, feather/feathers, death/deaths, 💀/💀’s, ☠️/☠️’s
Gender(s): shadowravengender, deadthinggender
Orientation(s): aroace bi
TransID(s): transdead, transthing, transmonster, transhorror
Source(s): brainmade, 2000s fashion based, gothmo
Paras: teratophilia
Emoji signoff: 🕊🪶 or 🕊💀
Positive trigger(s): crows
Role(s): addiction holder, anger holder, trauma holder
Other: closest friend is Branwen/Corbin/Wren
Faceclaim: 
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Name(s): Whiteout, Stripe, Striker
Age(s): permateen
Pronouns: he/him, blank/blanks
Gender(s): trans male, emogender
Orientation(s): bi no preference but m/f only
TransID(s): transgender, transfashion, permaeyebags, transautism, transtourettes
Source(s): brainmade, 2000s fashion based
Paras: autagonistophilia
Emoji signoff: 🕊🏳 or 🕊🤍
Positive trigger(s): seeing your own breath in the cold
Role(s): apathy holder, autism holder, tic holder, drama maker
Faceclaim: 
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Name(s): Rylee, Milo
Age(s): 16-18
Pronouns: he/him, they/them, gir/girs, pan/cake, yip/yippee, waffle/waffles, 3rr0r/3rr0rs, glitch/glitches, pup/pups, silly/sillies, 🐾/🐾’s, 🥞/🥞’s, 🧇/🧇’s
Gender(s): girgender, gircharic, hyperscene, neonslushie
Orientation(s): gay
TransID(s): transrobot, permaexcited, transcook, fictionkin/IRL (Gir, Heartsteel Ezreal, Percy Jackson), permacringe, rainbowbloodic, wafflescentic, transtourettes, transADHD, transautism, transverbalstutter
Source(s): brainmade, 2000s fashion based, gir scene
Paras: mild robophilia
Emoji signoff: 🕊🧇
Positive trigger(s): gir and gir related things, kins/IRLs, cosplay
Role(s): joy holder, symptom holder, tic holder, mood booster, social alter
Other: doesn’t like kin doubles, has typing quirk, special interests are Invader Zim and Percy Jackson
Typing Quirk: l0w3rc453 w17h m1x 0f numb3r5 4nd l3773r5 (translation: lowercase with mix of numbers and letters)
Faceclaim:
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bah-circus · 3 months ago
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may we have a LVL 3 luka from alienstage fictive please?
Of course dear audience! We have heard your request and have found a suitable performer for you! We hope this performance suits your needs, but you are free to make any adjustments you wish.
❣︎For Our Next Act, Please Welcome,,,❣︎
Luka!!!
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°·⊱ Name: Luka, Gabriel, Michael, Morgan, Halo, Luxira, Sachiel, Caelum
°·⊱ Age: 30 [4-8]
°·⊱ Race/Species: Human/Clone [transDeity]
°·⊱ Source: Alien Stage
°·⊱ Role: Persecutor, Religious Trauma Holder, Delusion Holder [If Applicable]
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°·⊱ Sex: Male
°·⊱ Gender: Holybodiment, Agender, Holybeing, Celegian, Angelhuntric
°·⊱ Pronouns: Hy/Hymn; Dei/Deus; It/Its; Hei/Heir; 🪽/🪽s; Star/Stars; Nox/Noxus; Ae/Aer; 🦴/🦴s
°·⊱ Sexuality: Biromantic Asexual
°·⊱ Personality: Luka puts on a very well crafted persona of poise and charisma while on stage. Hy will do whatever it takes to achieve deus goals; and hy is revealed to be ruthless, cunning and manipulative. It tends to keep stars' emotions in check. Very loyal to those that nox cares about, just so happens the list of people hy cares about is very short. 
────── · · · · ──────
°·⊱ Nicknames/Titles: The Greatest Performer on ALNST, [Prn] Who Won the 49th Competition, The Princely Idol, [Prn] Who Was Curated, The Holy One
°·⊱ Likes: Singing, Winning, Gymnastics, Snacks, Puzzles, Warm Naps, Being Appreciated, Church, Time Spent With Hyuna, Ivan
°·⊱ Dislikes: Experiments, Bright Lights, Losing, Being Controlled, Being Undermined
°·⊱ Emoji Sign-Off: 💡🪽✝️⭐🎤🎼
°·⊱ Typing Quirk: Uses vowels with umlauts [ä, ë, ï, ö, ü]
────── · · · · ──────
°·⊱ TransIDs: transDeity, transWorshipped, transCultLeader, transWings, transImmortal, fauxHarmless, transInnocentHarmful, trisHarmful, transMarried, transHappilyEverAfter
°·⊱ CisIDs: Human, Clone, Gold Eyes, Blonde Hair, NPD, Age Regressor, Groomed, Bully, Experiment, Slave, Singer, Perfect Pitch, Idol, Chronic Illness
°·⊱ MUDS: Moral Instability Syndrome
°·⊱ Paras: 🌹, 💐, 🌼, 🐾, ❣️, 🩸, 🫨, 🔪, 🔫, 🪢, 🧵, Auto🛐
°·⊱ Extra: Believes hymnself to be married to Hyuna, and likes to daydream about their life together, saved and away from the aliens. May split best if there is a Hyuna around, though I’m sure that can be changed for ease. 
°·⊱ Faceclaim: 1 | 2
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I had a lot of fun with this pack, so I hope you enjoy <3 - Pest Swarm ; Daisy
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frdesignia · 1 year ago
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SuperCarros // I.A. FR ART DESIGN
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o-hora-o · 1 year ago
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your rambles are music to my ears... sadly it can't be considered canon i think but the evangelion event fueled my ae addition, and i recall a scene where ein wanted to sacrifice the children and tesla was like 'wtf is wrong with you, you changed lieserl' and ein was just like 'yeah, people change.' though she seemed fond of mei that she knew as a baby; knowing in canon that her father ryoma worked for ae and that she knew kiana extremely young as well i can't believe they wasted the potential of lieserl getting attached to the trio more than 'let's sacrifice them it is life' perhaps my perception is biased but back in the vn lieserl used to be the youngest, and seemed to be the most philanthropist among the group (excluding welt) implicitly at least. she was always trying to reasure him and let him live his life, barely minded tesla's antics, questioning edison's mindset bc it was harmful to mankind, they even decided that ae would use auto pilot mechas and not women as valkyries. tesla was far from misanthropist but she seemed more like 'life is life ?' now the tables are somewhat reversed, ein became a cold vessel with clearly morally questionable choices and tesla is the one grieving all their loss explicitly, esp those closes to her like joachim, welt, emma etc (even during a scene when talking to theresa, in present, she wanted to choke otto what all the bloodshed and what ae went through)
"headcanonical ramble" for a reason. Now here's my little events ramble-
Hell yes in the context of the event this was an insanely morally difficult conversation they had. And not just in this event but in general I think they have this interesting tendency of calling each other by their first names when they have some serious or intimate moments and they want to talk not with the mask but with the soul? (or when they tease each other, of course)
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Can we also appreciate this scene? A masterpiece!
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I'm sorry but can I also mention the Rosemary's event? I can't help but love that plot twist when it was revealed that Joyce didn't actually die and his soul was in Joffrey's body all along and Tesla and Ein were so bad at mourning him that Ein's poor acting skills gave themselves away? 😂
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Idk I love all those events in which AE take part for they can be both dramatic and tragic as the eva and rosemary ones or they can be totally chaotic and ridiculous as Gemina Invasions (we've never seen the continuation of it have we? Like Tesla is forever stuck somewhere across Bubble Universes with Bronya on the bike trying to catch Rosa and Liliya and Ein is forever enslaved by the Jinn for the sake of instant noodles debt lmao) or this Odd Drifter einsla moment still lives rent free in my brain:
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Once Upon a Time in Shenzhou was also freaking awesome. Especially the part when they had a breakdown and came to two options which are either blow up the whole place or
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Ok sorry back to the topic
"now the tables are somewhat reversed, ein became a cold vessel with clearly morally questionable choices and tesla is the one grieving all their loss explicitly". Yeah, agree, nicely phrased. And this drastic psychological change is what I love about them but I can't help but wonder will this ever lead them to some sort of a conflict, especially with Joachim gone. Because Tesla often complains about Ein's "morally questionable choices" but it seems like she can't fully understand Ein's behaviour or do something with it. Maybe at this point It can't be fix. So I hope that the writers won't forget about them as a deeply written characters and they'll have the third and probably the final wave of development.
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a-v-j · 7 months ago
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Hello A-V-J. I am writing with a request for help. Well, I'm going to make fandubs of your comics (actually, I've already done a few of them, but that's a detail) and I wanted them to be in chronological order, and that's the problem. I have a set order, but I don't know if it's correct (CC means that there will be a compilation comics here):
1.The Beginning of AVJverse, 2.Kustard, 3.DestructiveDeath Extinction Origin, 4.AE Compilation, 5.CC, 6.MOE, 7.CC, 8.Glitched, 9. Ask the Errors p.1 and 2 (until Anti goes away), 10.DeathScreen Lethal Origin, 11.CC, 12. Goth's New Mommy, 13.Auto-Fatal, 14.Ask the Errors, 15.CC, 16.Pink Event, 17.Admin Shenanga, 18.Dreamtale Swapped Fate (the moment where Corrupted!Ilusion is created), 19.CC (happy cake incident and song), 20.Ask Sansti, 21.AfterDeath So Hot, 22.AfterMath Destructive Eon, 23.CC, 24.Delusion x King Error (story), 25.Dreamtale Dink and Eiron, 26.CLIHQ, 27.CC, 28.Yandere!Queri (I know it's not important but I added it anyway), 29.CC, 30.Ask Eon and Shortcut, 31.Anti_Nightmare 2.0, 32.Shard's Backstory, 33.NewWorld AU, 34.Ask Bad Sanses (compilation), 35.Ask Anti!Bad Sanses (compilation), 36.CC, 37.Ask the Kids.
Is this a reasonably good chronology? As for comic compilations, I have no way of sending them.
AVJ's response
Jesus christ, i have no idea. Lemme check my file
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tkhkisi · 2 months ago
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Kaito port.
Bishamon port.
Matsuwa port. Miura City, Kanagawa Pref. May 4, 2025.
SOOC JPGs. Aperture priority AE mode. PROVIA, WB auto. Resize each width accordingly and upload.
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empiressmp · 1 year ago
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Plot difference one: all of sdr2 is fixed immediately because chihiro puts a fucking password on the computer so Izuru can't just stick a usb into the computer and put a whole virus onto it
I wanna write tswr but i also really wanna write a nwp trio fic help
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