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#after l!fe icons
moe-broey · 2 years
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Him.................
#fire emblem#aughh..... i gotta finish the last book. 🙃#it's like really good. think i stopped after the iconic 'i killed him and now i'm gonna kill you' alfonse moment#and that really tender and sweet moment right after w sharena.#i feel like sometimes i get so deeply attached to something that i just have to freeze it in time.#preserve it in amber. ect ect#also i'm still refusing to accept bruno's death. yeah my man has been surrounded by death flags since day one.#but like bro i feel like this counts as cruel and unusual punishment for a gacha character. like.#was introduced as like a Main Character but has never been a playable unit base form has been absent from the story for years#has One (1) playable appearance in an alt and now he's fucking kilt. after what was it again??? five fukcing years??????? my man.#i'm really bummed askr dies so shortly after being introduced too like. bro.... you are the god of askr.......#there was. so much. that could have been explored. maybe. idk. all this is second hand. he's also just warm and friendly and hot. huge L.#but yeah i fucking get it this is War The Game people Will Die. could bruno at very least have survived tho. escape the narrative a bit.#i was also just really scared of any. developments. but i heard from my sister it's fine and vero has really nice character growth#(i am so against alf/vero as a romantic pair it's UNREAL and i think i'd have to kill if they were endgame. sorry. except not really.)#but yeah new book!!!!! yippee!!!!!!!! i do miss him........... i wonder if summoner will be present for this one.#fe alfonse
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librarycards · 6 months
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hello! i apologize in advance this is probably something that you get asked a lot. but do you have any recs on literary magazines to submit to? im a trans poet, ive been writing for over a decade but never shared anything and ive been wanting to try to send my stuff to get it published somewhere. obv ive been google searching but theres so many big and small publications and i was wondering if you have ones you like especially and/or tips on how to choose a magazine/journal to submit to. thanks a lot! <3
no worries, thank you for reaching out!! i've been publishing for like 8 years + an editor for almost 4, so i always appreciate the opportunity to help people new to the world find ethical publications that will treat their work with the care it deserves.
first and foremost: there are going to be pubs out there that are awesome and i don't know about. you may be the one to discover them for yourself! one aid in finding the best mag for your work is the wonderful, writer-created chillsubs. it's a fantastic platform that keeps a huge list of mags and presses and their relevant stats, and lets you create an account and bookmark those you're interested in. everyone i know uses them, and it's very worth it given the sheer volume of mags out there.
i also have some recs of my own, ofc. i'm going to list them below. if they pay (which i prioritize) I'll mark them with a $. some are trans/queer focused and some aren't, but all are pubs i've either edited and/or published with and can confirm their ethics + respect for writers.
manywor(l)ds - my mag! i'm co-founder and eic. break genre _ shapeshift with us. ($)
Sinister Wisdom - old, well-regarded lesbian+ lit mag, now open to everyone who is/loves a dyke. I'm guest-editing an issue on Madness with them, now open for submissions!
fifth wheel press - run by a beloved friend and comrade of mine. i've published here. excellent transparency, care, great for first-timers. ($).
kith books - headed by trans literary icon kat blair. a mag/press/community centered around bodymind non-conformity and noncompliance.
Honey Literary - QTPOC-centered, unabashedly pop-culture + social justice oriented. the vibes are simply immaculate.
Whale Road Review - not queer/trans focused, more oriented toward....'grown up' poetry/prose/pedagogy papers. Katie Manning (eic) is a fucking gem.
Graphic Violence Lit - just had my first experience publishing with them, and their care + consideration for the whole writer is amazing. they publish boundary-pushing work.
beestung - one of the brainchildren of Sarah Clark. nb/gq/2s SFF. I just edited a few guest issues w them and have published with them. amazing work. ($)
A Velvet Giant - genrequeer work. the editors are experienced, enthusiastic, and amazing at promoting writers long after publication. it's a family! ($)
Ethel Zine + Press - handmade with love by Sara Lefsyk (as you can see, trans/nonbinary/2s sarahs dominate indie publishing, as well we should :3). Sara is a sensitive and care-full editor and bookmaker whose every publication is a work of art.
Protean - pro- as in proletariat. awesome left mag with a mix of politics and culture and everything in between. they take reprints! ($)
Mudroom - publish your work along with a picture of your mudroom/shoe rack. very responsive editors who will hype you tf up. ($)
The Institutionalized Review - for psych survivors. the editors concreteness of vision and dedication to their community know no bounds.
Just Femme + Dandy - queer and fashion-focused! led by the inimitable Addie Tsai. They pay *handsomely*. ($)
In addition, there are also some "big" mags I have had excellent experiences publishing with and wanted to shout out. These are harder for a beginner to break into, but worth keeping on your radar + have been fantastic to me as a writer.
Electric Lit
Split Lip Magazine
The Offing
Nat. Brut
Santa Fe Writers' Project
Bodega
New Orleans Review
Augur Magazine
I hope this is helpful to you + others! the literary world is ever-changing and this is just a snapshot. Hopefully you find some that you like!
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Hello, I’m Mod Jataro! I use any and all pronouns so I don’t mind what you refer to me as. I’m a minor and still doing school, so I might be a little slower when getting to requests. [though I am homeschooled so when I am free I can get to them at anytime during the day]
I’m willing to try out outside sources or requests if you ask first! I will be a little more selective with them though
Key: Bolded are my favorites, Italicized are selective
Sources: All Danganronpa games, Vocaloid/UTAU, Persona 4+5, Obey Me!, After L!fe, Homestuck, OMORI, Five Nights at Freddy’s, Boku no Hero Academia, Sk8 the Infinity, Ouran High School Host Club, Andy’s Apple Farm, Mystic Messenger, Fujiwara Bittersweet, We Know the Devil, Blend S, Toilet Bound Hanako Kun, Undertale, Deltarune, Higurashi, ENA, A3!, Project Sekai, Twisted Wonderland, Your Turn to Die, Genshin Impact, Hazbin Hotel, Helluva Boss
Requests: Moodboards (example), Aesthetic Boards (example), Stimboards, icons, reply icons, headers, png headers (example), banners, DNI banners, userboxes, canon calls, transparents/pngs, kin matchups, kin analysis, playlist, color picked flags, Selfcare kits
Blacklist: edits of me, any illegal/abusive/toxic ships, Boyfriend to Death, Haiji Towa, Korekiyo’s sister, ADAM (sk8), P5 characters that had a palace (except futaba and sae), Endeavor, scenecore, emocore, traumacore, Kaito x Luka, Ena x Mizuki, Kanade x Mafuyu, Omori (character) ships [nothing wrong with these ships, they just make me uncomfortable]
Thank you so much for reading!!
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lokuhapuarachchi · 6 months
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Transitioning Gear: From Canon to Sony - A Journey of Adaptation and Savings
Preparing for an upcoming event in Leicester City, I decided to introduce a new addition to my camera gear. Before diving into the shoot, I wanted to familiarize myself with this latest equipment to ensure it seamlessly integrated into my setup.
My journey with photography spans across several iconic camera brands, starting from Minolta, Yashica, Practica, Olympus, and Pentax cameras from 1984 to 1991, transitioning to Nikon cameras from 1991 to 1998. However, the landscape shifted in 1998 when Canon stepped into the scene, bidding adieu to the familiar camera room. Canon swiftly became my preferred brand, solidifying that connection in 1999 with the Canon 400mm f2.8 L IS lens.
This lens became a staple, accompanying me to photograph international cricket matches for the Sri Lankan cricket team during my tenure at Reuters News Service. Its recommendation stemmed from multiple factors—excellent image quality, minimal optical distortion, a rapid aperture, image stabilization, and an agile autofocus system. While this lens thrived in sports reporting, my repertoire expanded to include everyday news, even extending to covering conflicts, utilizing three lenses: the Canon 16-35mm f2.8, 35-70mm f2.8, and 70-200mm f2.8. With a surplus of cameras matched to these lenses, I seamlessly interchanged cameras during shoots, minimizing lens changes.
However, as time progressed, my photographic needs underwent a metamorphosis. Weight reduction in equipment and a streamlined lens collection became paramount. Deliberating on this, Sony cameras emerged as a plausible option due to their lightweight build. Additionally, capturing bustling scenes without frequent lens changes became an appealing prospect.
Yet, I wasn’t prepared to compromise on lens quality or sacrifice the minimum aperture of f2.8. While lenses like Tamron 18-400mm f3.5-6.3, Canon EF 28-300mm f/3.5-5.6 L IS, and Sigma 28-300mm f/5.6-6.3 offered a range, the varying aperture and potential compromise in image quality didn’t align with my standards.
Contemplating a transition to Sony while retaining my Canon equipment, I stumbled upon the 35-150mm 2-2.8 lens—an intriguing find. Among the options like Samyang AF 35-150 f/2-2.8 FE and Tamron 35-150 mm f/2-2.8 Di III VXD, I found subtle performance differences despite a significant price gap and that feverable to Samyang. Opting for the Samyang, priced attractively on Amazon at £854.00 while Tamoron price £1486.00, seemed like the right choice after thorough research.
Thus, with the Samyang 35-150 f2-2.8, a Sony A7 Mark II, and a Godox Xpro at an Amazon special price, I made the purchase using allocated funds for new camera equipment.
Adapting from my Canon gear to Sony, I sought solutions for flash equipment. I found that using the Godox XPro to employ flash strobe lights for Sony, alongside the Godox SX 400 Studio Flash for Canon and Godox V1Hot Shoe, proved more cost-effective than purchasing new flash equipment. The entire conversion from Canon to Sony, inclusive of accessories, totaled £1585.00. This transition meant relinquishing the focal range of 35-16mm and 150-200mm, which I deemed acceptable given the substantial savings.
Considering the Amazon prices, the total expense for the Canon lenses (16-35mm f/2.8 = £1599.00, 24-70mm f/2.8 = £1947.00, and 70-200mm f/2.8 = £1624.00) would have amounted to £5170.00. Thus, by completing a full Canon to Sony conversion, I managed to meet my requirements while saving £3585.00.
With my setup primed, I am now geared up to capture the event in Leicester City next weekend, all with the convenience of a single lens.
by - Anuruddha Lokuhapuarachchi
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tsumugisdoll · 3 years
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AFTER L!FE ☆ quincy icons
.  .  .  requsted by anon <3
© psd by owopsds
like or reblog if used⌇please don’t repost ,,
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ginxed · 4 years
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After L!fe icons
Ethan & Ghilley *ೃ 𝘭𝘪𝘬𝘦 𝘰𝘳 𝘳𝘦𝘣𝘭𝘰𝘨 𝘪𝘧 𝘺𝘰𝘶 𝘴𝘢𝘷𝘦
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tokiyaichi · 4 years
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• mane icons (500x500)
— like or reblog if you save
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sad4ko · 4 years
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after l!fe icons
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arandomeditor · 4 years
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Uhm- First post 😳
Quincy pfp 😔✌
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Idk if I will ever post here again but well-
App used: Ibis paint X
Drawing cr: After L!fe (NHN corp)
I dont even know how to use this app 😳
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umbralstars · 3 years
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Sothis, the Church of Seiros and Byleth: A Pagan Reading
Due to L!Byleth and the minor hyperfixation he caused I decided to make a whole discussion on how I personally view Sothis, the Church of Seiros as a whole, and examine Byleth's role in the story.
So just some ground rules before I begin:
This is just how I personally viewed the story as I played it, and my own perspective on the plot and meaning behind certain things. I am open to discussion in the comments and reblogs, and if you disagree with my opinion that's perfectly fine. Also so much of this is going to read like headcanons/assumptions loosely supported by canon's thin red strings and I am ok with that.
If any in-game quotes are used they will mostly come from the Church Library since it's easy to check but I'll paraphrase important scenes that I can remember.
Also after compiling a timeline of events best I can understand it I have made a few assumptions: worship of Sothis existed before the Church of Seiros (perhaps even going as far back as pre-Calamity times) and thus Church doctrine and beliefs is largely based upon previously established beliefs about the Goddess. This doesn't have too much to do with the analysis itself, but I just wanted to say it as I quote The Book of Seiros parts a few times and the writings in those books I hold to have a basis in that pre-Church faith.
With those in place, allow me to begin.
The Sothis/Church of Seiros Meta:
While there have been many metas comparing Sothis and the Church to medieval Christianity, I have always looked at them both through a distinctly non-Christian, Pagan lense. 
I myself am a syncretic polytheist who has a complicated history with Southern Baptists. These two core aspects of my spiritual life does color my perceptions of the religion presented in this game and I am fully aware of that. Three Houses came at a time in my life where I was finally seperating myself from my latent Christianity, and exercising my Pagan goggles on this was a major step I took towards that. My intention here isn't to say that Christian coding doesn't exist, but to simply give my ideas and perspective on the religion presented in this game.
First, allow me to give the define the Gods through the lense of a Pagan as it's important to the framing of my ideas:
"The Gods are real, sentient, disembodied minds with awesome greatness and powers beyond what we humans can currently explain with science."
This is the simplest, shortest definition of the Gods I can give and Sothis, beyond a shadow of a doubt, hits all of the criteria as she is presented in the game. The Pagan conception of the Gods does not require any pretense of tri-omnism, and I believe it's best to look at Sothis, and many other FE Gods, through this lense. Sothis, when she was alive and even when she is "dead," is capable of amazing feats such as creating life, turning back time in a limited capacity, and restoring entire continents to life after calamity. While she is not tri-omni, she does not need to be so to be a Goddess and one worthy of worship and reverence.  
Church doctrine itself also exhibits other fundamental aspects of Pagan practice and belief that are important to me and many others: animism and the reciprocity cycle. As stated by The Book of Seiros, Part 1,
"The Revelation.The Goddess is all things. She is heaven above and the land below. She is eternity incarnate. She is the present, the past, and the future. Her eyes see all. Her ears hear all. Her hands receive all."
Obvious allusions to omnipresence aside, another reading of this passage is a far more esoteric, and hard to put into words, aspect of Pagan belief about the Gods. In a sense , the Gods are not limited by the physical constraints of the world and their bodies are inherently an aspect of the very universe itself. They are not omnipresent at all times, but they can be wherever they wish to be especially wherever their presence and power is strongest. That is actually the purpose of idols, alters, and temples. The Gods are not idols or are bound by them, those things are simply repositories to allow us humans to connect with and worship them. 
The natural world as well can be the "body" of a God. Places where their spirits decide to dwell. Natural phenomenon one can feel their presence in. They are not limited to these places, but upkeep of them is necessary to maintain their power and spirit. In this way that passage can be read as Fodlan and the Blue Sea Star being the places where Sothis' spirit chooses to reside along with her actual remains needing to be maintained to keep her spirit maintained. Her sacred body likely extends across all of Fodlan and her spirit resides most strongly as the Blue Sea Star.
Gods in FE also, more often than not, have a physical body that is important for their connection to the physical world. FE Gods are not incapable of interacting with or watching over the physical world from the spiritual, but have much more free reign when their physical body is alive. The places where their bodies are buried are where their power is most heavily felt, and their spirits the strongest, as evidenced by the Mila Tree and the Good Ending of Future Past in Awakening. This what I believe the true purpose of the Sealed Forest to be. Given how protective Rhea is of the place, the strange alter and Crest of Flames that is just there, and that being where Byleth awakens and Sothis remembers, either parts or the entire rest of Sothis' physical body must be buried there and not actually in the Holy Tomb.
As an aside, the remains of the Nabateans can also be seen through this lense but to a lesser degree. It's obvious that parts of their souls and power remain with their bodies, and thus, maintaining the Relics, Crestsones, and the other Nabatean remains not fashioned into weapons would be of utmost importance to Rhea. Because, if they were to be lost or damaged her kin's spirits may forever be lost to the physical world. 
Fodlan being the sacred body of Sothis is also why I believe the Church of Seiros to be an ethnic religion and a henotheistic one to the people of Fodlan. The Goddess is only ever credited in the creation story and a lot of other Church doctrines as having created and choosing Fodlan as her sacred ground. The people of Fodlan likewise are seen as her sacred people. Nothing in Church doctrine says that Sothis is the only God to exist and I truly cannot remember a single instance where anyone says other religions outside the Church are false ones. Hence why I say Fodlanders are henotheistic, where they do not deny the existence of other Gods, but Sothis is the most important and only one worshipped by them. To the people of Fodlan as long as foreigners do not deny her existence and those of Fodlandic descent worship her as they should there is no cause for an uproar.
This is not to say other religions can be practiced freely on Sothis' sacred ground, as evidenced by the women in Abyss who says she worships there "because Abyss is where it is allowed." Along with Atheism among Fodlanders to be a taboo in their societies. Whilst I don't see the Church to be a beacon of religious tolerance (or that Fodlanders don't believe their religion to be the best), I also do not believe them to be proselytizers to places outside of Fodlan. 
The reciprocity cycle also has a place within Church doctrine. The Book of Seiros, Part V describes the various commandments Sothis gave to her people and how if they abide by them the Goddess pays the people back with blessings and gifts. Textbook reciprocity is doing something for the Gods, such as sacrifice or ritual, and gaining something back in return or the Gods do something for you and you give back to them in turn. Reciprocity can be as simple as giving thanks for the blessings the Gods give or complex as full ritual, sacrifice, and or prayer to gain a blessing/aid or give thanks for one. The best case of reciprocity I see in game is the restoration quest for the Saint Statues. Whilst the Saints are complicated in how I believe their divinity is handled there is no doubt the player receives blessings from them for restoring their icons. 
(While I would like to devote an entire section to them and the Nabateans in general like 80 - 90% of my ideas are headcanon that I'm still not sure of. I don't think the Nabateans are Gods like Sothis is however immortal or long-lived they may be. I also still don't know whether the Saints would be worshiped or venerated in the Church, as I still don't understand the distinction of those two things myself, so I don't want to make a judgement call).
What about Byleth?
Byleth...is tricky. Now, I must preface, that all of this is my opinion. Some of it may not be supported by the game, but this is how I personally write him and his status regarding everything we see in game.
Byleth is, for all intents and purposes, the 13th potential vessel for Sothis to return to the world as they were given Sothis' Creststone on the request of Sitri. Here's the thing. I personally do not believe that Sothis is truly dead or that Byleth manifested her consciousness on happenstance.  It has been my personal belief ever since playing the game for the first time that Sothis' spirit does indeed reside in the heavens and that the piece of Sothis that resides in Byleth until his awakening is only a fragment. Along with that I believe that Sothis' consciousness and power manifested in Byleth specifically because Sothis wished for it to be so.
My ideas are centered around a few aspects of the game that have always stood out to me as rather strange if kept in line with the larger context.
Why after all this time and Rhea's many attempts did Sothis manifest in a stillborn child?
How was Sothis able to speak to Byleth and wake him after his 5 year coma?
Why does Byleth loose the Goddess' power at the end of Crimson Flower?
How was Sothis able to speak to Byleth if you choose to S-Support her?
How exactly was Byleth able to dream about something that happened long after Sothis' death even if he can access her memories?
These sticking points have always struck as odd given everything that Sothis says before Byleth's awakening. Sothis should not be able to speak to Byleth at all, but still does so only a few chapters later and comments on the war that Byleth was only privy to the very beginning of.
Hence my belief that Sothis' spirit as the Goddess of Fodlan does reside in the heavens, watching over the continent, and only able to interact with it and its people in subtle ways. Some of her spirit and power laid within her Creststone as it passed from vessel to vessel. One way or another, she was able to foresee the coming war that would change Fodlan fundamentally forever and chose to manifest that piece of her consciousness when the opportunity presented itself. It's why Byleth can dream of a battle that happened long after Sothis' death because he's remembering something experienced by the Creststone and knowledge given by the Goddess soul who resides in heaven.
I also believe that Byleth and Sothis as we saw them during the game was a mistake in some way. Byleth as his own entity was likely not supposed to be and the piece of Sothis' soul that was supposed to manifest wasn't supposed to be amnesiatic or at the very least not separate from Byleth. There were a few times pre-time skip where Sothis would be talking and Byleth's model would be moving and his facial expression changing. Almost like their thoughts were so intertwined that they were practically the same even before the awakening. It's very likely to me that Byleth's memory issues, lack of ability to properly express emotions, and other aspects of their character to be directly connected to the fact that Sothis' soul manifested incorrectly.
The Sothis he hears before waking from his coma and the one he speaks to during his S support is likely the full spirit of the Goddess communicating with him through great effort and only able to because he's her avatar. She knows of the pain Fodlan is experiencing because she can see it and feel it even as Byleth slumbers. Same thing for why Byleth would lose her power and soul piece on Crimson Flower, as Sothis may have interpreted siding with Edelgard as a rejection of being her avatar and simply deciding to be human instead (I don't wish to speak too long on a route I don't particularly like, but I felt that strange ending should be addressed).
My experience as someone who follows a Kemetic path leads me to not see Sothis' soul being split in this way as strange. In this particular religion, as I understand it, the soul is encompassed as multiple different parts all combining to make a singular being. Both Gods and humans have multiple parts to their souls, so one residing in the Creststone, later manifesting in Byleth, and another part residing in the heavens is plausible to me. Also if I wanted to compare Byleth to another FE character, his situation reminds me most of Nagi from FE 11 & 12 who is an amnesiac and likely an incarnation of Naga to aid Marth on his quest. Nagi doesn't get much characterization in those games, but it does show that incarnations/avatar of Gods, who aren't the confusing mess of Robin and Grima for instance, isn't a new concept in series for Byleth.
In terms of what happens after Byleth awakens I do believe that Byleth himself becomes a God or at the very least a demi-god in his own right. As it was Byleth absorbing the piece of Sothis' soul into his own, the Goddess' power was inherited by him alone. The inner turmoil caused by two souls sharing one body finally ceased and Byleth was fundamentally changed becoming, well, an Enlightened One. As the game doesn't really explore Sothis and Byleth much post-Time Skip, due to the war taking precedence and Byleth's unfortunate existence as a silent protag, how exactly he changes is up to personal interpretation. I personally believe he gained not only Sothis' power but some of Sothis' memories and insight that the Creststone soul piece had. He also gained greater control and range of emotional expression and probably took on some of the characteristics Sothis had. 
Byleth is both an avatar of the Goddess and his own person at the same time. He is and is not Sothis.
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musicalnacho · 4 years
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Iconic moments during newsies live/ livestream
Part 1/2
Crutchie's little "no I wanna go down"
Jack and Small's little dances throughout Carrying the Banner
Crutchie and Jack's frustration in WWK
Crutchie playing dead when Jack brings up brooklyn
"I'll just take a water" "how did I ever see that coming"
Jack ducking behind Davey when he says "are you following me???" to Katherine
Romeo looking really proud when Katherine "knows his name"
Katherine's "yeah okayyyy"
The desperation in "Okay so I'm just busting out the social pages"
"You heard the man, right it g o o d"
"A little hyperbole never hurt anyone"
"-and if I could just, write about it"
Kara's vibrato in the start of WWH
Katherine's squeal
The amount of David and Goliath references Katherine makes
"what a f a c e"
"Six months from ⁿᵉᵛᵉʳ "
How Disney-esque the ending if WWH is
The guitar riffs in all the songs
"An' them brooklyn boys is big"
"yknow my skULLBUSTING ARM COuld use a day of rest"
"STRIIIIIIIIIIIKE" *shakes crutch violently*
Ben F's vibrato
"The sun is up, the boirds are singing it's a beautiful day to crack some heads"
Jack's speech
"For the case of every kid in every sweatshop, factory and slaughter house in this city, I beg ya, throw down ya papes"
"Ah what the hell, my fathers gonna kill me anyway!"
The 'line in the sand' choreo and the crowd goes wild
How Davey looks like he's still doubting himself
The "H U H"s
The walking in unison (like h o w ???)
After the line in the sand stuff Jeremy and Ben F just sprint off stage
"HEY YOU SEE THIS MR PULITZER"
The n e w s p a p e r s
The iconic bit of choreo at the end of Seize the Day dancebreak
R Y A N S T E E L E
How the final flip was timed just right with the picture and the end note it's just *chefs kiss*
The amount of times you hear the OAFA notes
Les in the can
"NEWSIES FOREVERRRR, SECOND TO NOOOOOONE" honestly that line brings the fandom together
Me constantly screaming CRUTCHIE NO when Snyder beats him WITH HIS OWN CRUTCH LIKE WJYYYUEBEISN
Jack basically having a panic attack before Santa Fe
The emotion in this version is INCREDIBLE
The way Jer Jor can do from shouting to singing flawlessly
"Though I know that's all I seem INCLINED To do"
SAVE MY PLAAAACEE
I'll be der
I ADORE the way the end note just goes up a little bit its *chefs kiss #2*
THE H A T
PART TWO SOON
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laetro · 3 years
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David Edward Byrd: Inspiring “Wowie-Zowie” for Over 50 Years
With a career that spans over half a decade during the art, music and technological revolution, David Edward Byrd has developed iconic posters and illustrations associated with the best of the rock and theatre era.
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David has been creating posters since his days at The Fillmore East in NYC where he created the famed 1968 Jimi Hendrix poster now in the collection of MOMA, NYC. As well, he created the poster for The Rolling Stones 1969 Tour, TOMMY by The Who, The Grateful Dead, & the legendary 1969 Woodstock Poster. He quickly moved on to Broadway, where he created images for Follies, Godspell, Jesus Christ Superstar, Hot L Baltimore, The Magic Show, & Little Shop of Horrors amongst many others. He was Sr. Illustrator at Warner Bros. Consumer Products for 12 years where he worked on everything from Bugs Bunny to Harry Potter. He has had Retrospective Shows in Los Angeles, New York & Seattle. He now lives in the Silver Lake area of Los Angeles with his husband of 39 years, Jolino Beserra, a renowned Mosaic Artist.
ORDER A CUSTOM ILLUSTRATION
Q. Any reason why you chose to illustrate for 60s rock bands in particular?
David Edward Byrd: I was the poster artist for the Fillmore East in NYC from its opening on 8 March 1968 to 27 June 1971 when it closed for good. At this same time, I was also creating posters for the Broadway Theatre (“Follies”, “Godspell”, etc.). As Rock Posters have a much higher profile than Theatre Cards, I chose that area to illustrate. Also, Theatre is about THIS play right NOW, while 60s Rock is about 60s Rock in general.
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Q. What kind of changes do you see when you compare the posters that were created in the 60s to the ones that are created today?
David: The rock poster artist EMEK is a great example of the younger generation’s expertise in the art form (see “Coachella”). Whereas, David Singer is an example of the “Old Garde” moving on to create new imagery (see “Moon Alice”). I still create more East Coast imagery, I think . . .
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Q. One of your Hendrix posters is ranked among Billboard’s Top 10 Rock Posters of all time. What was your thought process/ inspiration while you created the poster?
David: Before coming to Manhattan in 1967 I had worked as a freelance Architectural Draughtsman, so I was familiar with the tools of that trade, and thus I decided to apply this craft to the 1968 Jimi Hendrix Experience poster. I created Jimi’s & his band-mates hair using a hexagonal grid with small circles on the grid representing cosmogenic pixels that one might perceive after ingesting certain popular chemicals of the time (see “Acid”). Each small circle was drafted with a drop-bow compass on the center point of the hexagonal grid.
A laborious process, but worth the time . . .
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Q. The poster you created for the Woodstock Festival was rejected because it was too risque in 1969. Do you think it would have received a different response if it was designed today?
David: Absolutely — an entire sexual revolution has occurred over the last 50+ years. Ironically, the nude female in the center of the poster was copied from the 1847 painting “La Source” by Jean Dominique Ingres, which seemed a perfect symbol for a poster representing “An Aquarian Exposition” (the “Water Bearer”). But the Wallkill City Council thought otherwise (exposed breasts & pudenda a no-no). I had a similar experience with the NY Times treatment of my “Tommy at the Metropolitan Opera” full-page ad in the Sunday Times, which featured a nude Tommy rising into Pinball Heaven — the Times editor chose to paint a crude Black Marker Jockstrap over his very modest genitalia, alas.
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Q. What would you describe interacting with so many rock artists like? Any favorites whose company you enjoyed?
David: Manhattan & San Francisco are light-years apart both culturally & artistically. The West Coast artists created Psychedelia and Neo-Nouveau and are due to the many encomiums they have received for this. David Singer and I were friends and we traded posters. David created the most Fillmore West posters (60 total) of any artist on the planet. For me, his posters are the Apex of the West Coast work. Victor Moscoso influenced my design sense with his vibrant close-value posters (see “Sopwith Camel”) and continues to do so today.
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Q. Can you describe your experience at Warner Bros. How were those 12 years different from working elsewhere?
In 1991, I took the position of Senior Illustrator at Warner Bros. Creative Services, which I held till 2002 • Besides creating illustrations, backgrounds and style guides for all the Looney Tunes & Hannah-Barbera characters, I got to create commemorative plates for The Franklin Mint, souvenir posters for the Batman series of films, style guides for feature films such as Space Jam, The Wizard of Oz, and television shows such as Friends, The Cartoon Network and Scooby-Doo • My department was responsible for the Bugs Bunny Postage Stamp, the first cartoon character on a U.S. Postage Stamp • I created special signed pieces for The WB Studio Stores Galleries based on The Masterpiece Series style guide art that I painted in 1999 • I also did a great deal of work on the style guides for two of the Harry Potter films: Harry Potter & The Chamber of Secrets and Harry Potter & the Prisoner of Azkaban.
One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart.
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Q. Your work is displayed in 23 museums at the moment, including the Louvre in Paris. Do you find it a rare accomplishment considering you are an illustrator and not a painter?
As I have often said if I had remained a painter I probably would not be in any Museum at all. But this is not for me to know. One rarely sees the Graphic Collections of major museums on display, so being part of a museum collection as a poster artist does not put one on the creative map, so to speak. But it is a nice thing to tell one’s sweetheart . . .
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Q. From Fillmore East to Broadway to Warner Bros, how has your style evolved over the years?
My art-chops improved immensely in the last 20 years. I hope it is somewhat evident. My work was hit-or-miss in the beginning but things have gotten better of late.
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Q. Can you name some of your favourite posters which you have worked on?
“FOLLIES” 1971
“HENDRIX EXPERIENCE” FE 1968
“BOWIE” Carnegie HALL 1972
“QUEEN” 1st Tour 1974
“PRINCE” DNA 2013
“TOM PETTY” 1980
“NY DECO EXPO” 1974
LED ZEPPELIN FE 1969
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Q. What is your process like when coming up with an illustration or a poster?
1.) Collect Reference & inspiration in Folder. 2.) Create rough pencils for scanning. 3.) Collect possible Fonts. 4.) Build rough designs on Mac 5.) Choose 1 main color and build up from that 6.) Proof printing
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Q. What software do you use to create your illustrations?
ADOBE SUITE (PhShop; Illustrator; InDesign) + Typestyler
Q. Lastly, what do you always aim to achieve through your illustrations?
Eye-Fun • Immediacy • Gotcha • Who-Is-This-Guy? • Wowie-Zowie
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The warriors
              Hi, my name is Isabela! I live in a small town called Ocna’s Village in Romania. Actually, I was born in Italy, but I’ve moved to Romania without knowing why, ok when I moved, I was a baby so is pretty logic to not know lots of things on that young age…Eh, doesn’t matter, cause now I don’t wanna tell you my story, but I really want to discuss about Dimension F35A.
                F35A is a place where everything that appears to be unrealistic, impossible or even dumb on this planet it can happen there. Now you might ask yourselves: “How can a little girl know so much about an interdimensional world”, well I know because I WAS THERE. You know, a very long time ago it was known about a rock that once rubbed by someone, it could create a portal between dimensions. That rock was called then a “curly rock”, a natural object that can be modeled in any other form, in today’s world it can be recognized in bracelet form and you can purchase it at an affordable price… (I swear I don’t make advertisement) …not true, actually you get it from birth (not literally anyone can say that).
               This dimension was perfect for my imagination, but it comes out that…I couldn’t get there till I turned 7…okay, technically, even at that age I still could NOT go in that universe, so I took my mom’s bracelet -I know that I’m not a good role-model, but I was DESPERATE, I asked her each year on my birthday (to be more convincing), and guess what she told me…I’ll make a scheme to show you my agony: -3years=No.
                  -4years=No!
                  -5years=NO!
                  -6years=NOO!
                  -7years=NOOO!
                So, it turns out that I’ve woken up for 8 years (1 year was under warranty) at 6 am because I had a “noghtmare” (eh, eh, get it…anyway, I wanted to make a pun but I noticed that no one laughed…L-LET’S KEEP GOING).
                  Ok, so when I first got in, I saw… a party with ponies and rainbows, that is what you were thinking...well, YOU’RE WRONG, it was just an unending war with random characters, it means that Batman could fight Bambi or something like that. Anyway! I looked around, everything was a chaos, but I’ve noticed something weird, I realized that everyone in there was fighting for a purpose or covering themselves or conquering new territories, so I made up a purpose too…the most important one. The thing that actually matters is that someone must clean this mess, a person that must be good, brave, and WORTHY FOR SUPREME LOYALTY, a creature that will stop this disaster.
And that’s why I’m…going to find it, what did you think that I am the person, no, not even a word, I won’t get into those knuckleheads, they freak me out.
                So, I transformed myself into a mouse and tried to reach the closest spot to hide (a rock…t-there will be many rocks in this story). And exactly when I thought that I’m safe, a giant robot crushed me (obviously I didn’t die because after you are crushed, sliced, shot, burnt, etc. you get back to your home dimension). But a second before game over I saw an iconic red color being, with deep black eyes that penetrate souls, three fox tails, two fox ears and one fox nose, who wore a leaf that covered all of its body, and who appeared to be a little bit confused by the chaos behind him, but in the end, he still crossed the road, very chill, to resolve his problems. I scanned it to have it like “skin” in the future (Minecraft users in the public, or Standoff or PUBG, whatever) but what future, because that stupid stack of iron CRUSHED ME:
                  --Hmm, what if I turn in that thing? I did it. Ew, this leaf doesn’t work on me… therefore, I changed. I was wearing a blue vest, white shirt, black jeans and brown boots…BOOM, it’s betTEEEER! I was screaming because a giant iron sole was going to crush me again (I would give a reply but I don’t have one…OH, WAIT, it looks like we can’t STEP inside without being CRUSHED by hospitality, HA HA, I’m a horrible pun maker…BACK TO THE STORY). However, I’m talking about one second before the impact, I ran but not like a penguin, I ran like FLASH:
                    --WHAT THE…WOW, I am running with the speed of light (clearing throat), doesn’t matter, now let’s find that person…I will look over mountains and valleys, lakes and oceans, and I will be recognized like “The random girl who brought the hero of this world” … after I will visit this place with the super-speed thing. Now I think I went through 3 kingdoms -I despite no one saw me- And then I arrived on a land with a dense fog, without…(cough)…clEAn AiR:
                    --NO…I need…(COUGH)…to continue mY qUeSt-not too far away from me stand a humanoid silhouette…at least that’s what I thought…however, I started to scream, powerless: PLEASE…(COUGH)…YOU, THE STRANGER IN THE HORIZON …I’M VERY YOUNG…EVEN IF I APPEAR TO BE IN MIDDLE AGE FROM THE DISTANCE AND UNCLEAN AIR! I fainted waking up in a cave:
                  --(Clearing throat again)…Uh, where am I? I said after being a little dizzy.
                   Suddenly a sound came out of nowhere, like a growl:
                  --W-what? Who’s there? I asked scared. An animal came out of shadow, actually it was the same animal that I saw a few moments ago: You again! What do you want for appearing in those mysterious ways? the animal growled harder showing its big fangs: Uuuh, what BIG fangs you got there, buddy, ha, ha! Wait do I have fangs too?! What’s your name? No, no, no, how do your friends call you? I have many questions about…you…I was slowly going back, because the animal was slowly coming to me. Unfortunately, I reached the end of the cave: Understand that I mean no harm, although we are in the same species, no…I scanned you, didn’t I…I scanned you…and I transformed into you, I hope you don’t want to…EAT ME?! I said with a worried expression.
                    After the last phrase the humano-animal -partial human, partial animal- for a second it stopped, and then it came rapid, got its huge bloody red color claws out -literally anything is red on you? – Well in that moment I nodded and I said:
                      --N-nice…c-claws. Did you do your manicure?... the best pun that I could tell to a creature with an unpredictable behavior, oh and more than that,
before I didn’t know if she/he was furious or happy, because I was seeing just his/her dark eyes -even the gender is unknown-, and after that innocent joke its eyes changed a lot, they were yellow with a keen red iris. “OH MY GOD I’M SO DEAD!” I said to myself…BUT yes, of course, I can’t die in this dimension, yeah thank you for reminding me, I don’t need to worry…just if I bump into a particularly type of being…a being that can destroy anyone and anything…
                          Is known about an ancient legend that reveals some sort of creatures, warriors, who disintegrate everything that stays in their way, although it doesn’t exist in their dimension, it’s speculated that those legendary creatures are the most dangerous beings in the multiverse…who told me? ... Mama told me!... Ok I don’t know how those legends look, but I hope that the respective humano-animal wasn’t a part of those fighters -WAIT A SECOND I HAVEN’T NAMED THE GUY YET, hmmm…let’s see…Neferis…no, to Grecian…Falohe, no, to Hawaiian, hmmm…Do…Ba…Aaaa I know, Zentofea, why this name? I DON’T KNOW!
                      Back to the story: That Zentofea -Oh gosh, I love this name- came closer to me being just as predictable as unpredictable like before, but the Zeantofea…Zen-a-to-fe-a?... seeming to be more furious. I said quickly:
                      --WHAT DO YOU WANT FROM ME! the Zento- Agh- that humano-animal, appeared to attack me, …but no, he/she? Destroyed the boulder behind me to make clear way to the outside world…really nice gesture from a   wild animal…By the way, after that giant stone, there was a pasture full of cold crystal flowers - why didn’t they named them ice flowers-: WOW, I hope you wanted to do this for the first time, because you might just miss and… Ya’ know…
                       At first, the animal had a disapproving look, and then it smiled and leaved:                    
                       --Ok…anyway…I’M GOOD! Now I seriously need to find that person, the battlefield is getting dirty, and I don’t want to clean the mess…I made a few turns in the pasture…aaand then I got lost…Um…I think I should go in that way…or that way…or…that…way…uuuh, …HEEEELP! After the previous phrase a humano-animal came out of the forest near the pasture: DUDE, if I owe you, every time you appear, I’ll buy you a yacht. Then the animal came closer, showing itself not being a Zentofea, but a humano-animal with a body of a wolf, a more evolved wolf, with human head and some different sized crystals placed uniform on the fluffy chest -I should wear glasses.
                       It came and smelled me:
                       --Uuuh, are you some sort of dog? it has stopped from smelling for a second and showed his sharp fangs… sharper than Zentoffe-a’s ones -I’m still thinking how to pronounce it correctly-…anyway…of course I got scared: UUUH, GOOD BOY, GOOD BOY, SIT! He growled: WHAT, DID I OFFENDED YOU IN SOME WAY?!SAY! LOOK I DON’T KNOW WHO YOU ARE AND WHAT YOU ARE, BUT TO KNOW THAT TODAY IS MY FIRST DAY IN HERE, AND ALL THE ANIMALS ALREADY HATE ME!
                        --Get out of our territory, Zentofea!
                       --Ooooh, so it’s pronounced Zentofe-e-a, ok I noted AND HEY, HOW DO YOU KNOW ABOUT THAT NAME, and did you say “OUR territory”!? after that phrase, a bunch of more humano-animals came out of the forest. Ya’ know, don’t ya’ think you have to many friends? They were slowly approaching me, I know, you think that I could’ve escaped, but the answer is NO, I couldn’t escape because I was surrounded, and I also know I could have jumped, but those animals seemed to have springs instead of legs, really now, I think they evolved from kangaroos…Siberian kangaroos. Many of those animals had an white with a little of black fur, WE C-CONTINUE: So I was there surrounded by those oversized human-headed dumb dogs, I was helpless, TIIIIIIIIIIIIIIIII- increase the suspense-IIIIIIIIIIIILLL … nothing happened, I’m kidding, I figure it out that:” BUT WAIT I HAVE SECRET WEAPONS TOO!”. I tried to annoy myself to get my claws out, first time it didn’t work, and then I thought about the most annoying thing for me, not even this worked because I love all the things unless the things that I hate, so I went to Karate, Judo, and putting my fingers in other one’s eyes:
                       --OUCH, WHY DID YOU DO THAT?!
                        --That’s how I know!
                        Even with my MASTER moves, I still couldn’t stop those hundreds of humano-wolves - hmm, surprising- until one bit my tail. In that moment I was angry- I took out the sharp fangs, yellow eyes with small pupil and iris, big claws, now I don’t boast myself, but I took down at least 20 wolves, ok I boast myself a little bit. Doesn’t matter because everything happened in my MIND, after that guy who I put my fingers in his eyes, another one threw a stump in my head.
                         I woke up tied up of a plank, carried by 4 human-wolves -I’ll name them later- to the chief of the tribe. They put me in a cage, still tied, with fire under the cage, very chill. The chief said:
                         --Oh, divine spirit of the frozen forest we give you this offering in exchange of a great dinner.
                         --An offering for a great dinner? Do you know that you can hunt? I mean you’re half wolves after all!
                         --GASP, who would’ve done such a shameful deed!? They looked offended.            
                        --Says the guy who is making an offering to a horse!
                         --It’s a majestic wolf!
                         --Riiight, you really aren’t good at sculpture!
                         --Oh, yes, we are, everyone is criticizing us, and why aren’t you worried, you’ll be burnt, are you a player?
                         --OF COURSE, I AM -a brilliant idea just crossed my mind- n-not…of course I am NOT a player, because I’m a destroyer undercover!
                         A sound of surprise came from tribe:
                          --Wait a second why did you smell like a Zentofea?
                          --Well, it’s a special thing that none of you heard about, it’s called perfume!
                          --Oh!
                          --A-and if you don’t untie me, I’ll destroy you ALL!
                          --But if you’re a destroyer and you can destroy us, why didn’t you destroy the rope and the cage already?
                          --Uh- OH, yeah…uh, thanks…I forgot I can… DO… that -I was pretending to concentrate to destroy the cage, but as an amazing coincidence, a thing came out of nowhere and cut the iron box and saved me…still tied up…but free…i-in a way. Uuuuh, yeah, I telepathically sent a message to a recruit to save me, good job soldier! I caressed his head, good part he was fluffy, bad part he pulled out a laser gun from his pocket and pointed it to my forehead, he had 2 guns, the other one was pointed at the public -how dangerous can be a creature with 3 feet high:
                           --Run! Said The Short One, that’s how I call him, with a deep voice.
                           --I would’ve run already, if I haven’t my legs TIED UP!
                           --A Zentofea has stronger muscle power in lower limbs!
                           --…Yes…
                           --…That means that you can rip the string that ties your legs!
                           --Ooooh! I ripped the strings and I ran… after a few seconds I stopped and I returned to The Short One.
                           --WHAT THE HECK ARE YOU DOING, I TOLD YOU TO RUN!
                           --I won’t let you down!
                           --I’ve been here more than you so I learned a lot in my time!
                           --Ok, I trust you on this, but can I do somethin’?
                            --Yes, try to survive!
                            --…I hope I can do that!
                            Well, it appears that The Short One had a plan to escape from that situation, I don’t know how, but The Short One shot with the laser gun in a cold crystal (ice), bounced off another two cold crystals (two pieces of ice), and then to the base of a tree, that rip causing a chain reaction, putting down tree by tree, the last tree falling in front of the angry crowd:
                           --WOOOOW!
                           --COME ON, I CREATED A DIVERSION!
                           --But, wait, how did you know that tree was going to fall in front of them? I have said while I was running with The Short One.
                           --D-do you really want to know?
                           --Uh, yes?
                           --Really, no one has asked me about this for a decade!
                           --Uh, about what?
                           --Science stuff…oh my God…I’m…so…excited…(clears throat) ok I’ll tell you…GASP, first time I calculated the area between the laser gun and the target, and then I’ve calculated the variables- he continued talking until I realized that we both have stop from running.
                           --Uh, dude ya know…an entire squad of human-wolves with six packs is like…following us!
                           --…And then I measured…
                           --…Uh, maaan?
                           --…But the distance was equal with…
                           --I beg you to stop!
                           --…So, I created a way to…
                           --Sigh, who am I kidding? I took him by the arm and jumped in a tree.
                           --…Although if I would’ve taken the theory…
                           --CAN YOU KEEP YOUR MOUTH SHUT…please? I put my hand to his mouth and I pointed to the tribe that passed us.
                             --Oh, yeah, I-I’m sorry!
                             --Look, man, I understand your excitement, I think you’re a little lonely here by your independent character, but can ya wait until we get rid of this dorks?        
                             --Yeah, I know, and by the way I’m a girl!
                             --You are a girl, but how do you have such a deep voice? SHE took her mask off!
                             --It’s a changing voice device, dear!  
                             --Oh. My. Goodness. YOU ARE SO CUTE! I think she was the cutest specie of humano-animal that I’ve ever met in my life. I hugged her… SHE WAS FLUFFY!
                             --Look, that’s why I’m always wearing a mask…ok, this and other 3 reasons!
                             --Daaww, why, like someone would really attack you?
                             --Yes, many would attack me, players, qualified and unqualified hunters, maybe…MY OWN ENEMIES!?
                             --Aaww, but wait, you have enemies?
                             --Yes!
                             --Why?
                             --Because of my high intelligence!
                             --Really, well, that means that you have common enemies with many of your species.
                             --Meh, not really, I’m a very rare case, usually creatures in my species are…
                             --Let me guess, dumb, goofy, jerks, but with no reason?  
                             --I wanted to say idiots, but your description is much more extensive.
                             --I know how it feels, I mean a lot of people from my species are like that!
                             --Zentofea?
                             --No, humans…but I have one question, how does everybody know about this name? I named that creature!
                             --Uh, no, it has been named like that since forever!    
                             --How?...
                             --Look, stop asking useless questions and care about your purpose!
                             --My purpose…OH YEAH, MY PURPOSE, I FORGOT ABOUT IT!
                             --How can you forget your own objective?
                             --My PURPOSE…is that an ocean? I’d said while I was exiting the forest.
                             --Yes, the terrestrial space from this planet is predominant in isles and archipelagos!
                             --DAMN IT, how am I going to cross the ocean now?
                             --But why do you want to cross it? Do you need to cover a territory?
                             --No…
                             --Do you want to conquer a territory?
                             --…No…
                             --Then why do you want to cross the ocean?
                             --I want to change the world!
                             --Wait, you want to change the world…alone?
                             --Nope, that’s why I’m looking for a person to help me!
                             --Wow, really…wow, you’re the first person who said that! Hey, HEY, what are you doing? I took off my boots, I rolled up my jeans and I tried to run above the water, for 3 seconds I really have run above the water, and then I began to sink. I swam back to the beach.
                              --So, do you wanna tell me…where…the heck…were you thinking?
                              --I thought that I could run on water.
                              --Kiddo, if in your dimension exists some force who keep things together, however are you calling…
                              --Gravity…
                              --I knew about that name, I’m a genius, I just wanted to clarify that you know what I’m talking about…What I wanted to say, is that, the respective force exists in this universe too, but it acts with a different attraction.
                              --Aha, so what other idea do you have?
                              --Hmmm, first, you still didn’t answer the previous question!
                              --Well, I think the person might be after the ocean!
                            --Do you think that this motivation is certain, I mean isn’t assuming an attempt to know something that can be inexistent, do you really think, in this life anything can have a scope, don’t you think that life is an illusion meant to prepare us of everything what can be beyond the bars of reality?
                              I remained without words:
                              --I made this up 10 seconds ago, what’s so hard to understand?
                              --No, no…I-I understood!
                              --Then why are you doing this!
                              --Um, I don’t know…I think I just needed an adventure!
                              --Then why did you choose to change this world?
                              --I don’t kn-…YOU KNOW WHAT, leave me alone with those weird questions, you’ll provoke me an existential crisis!
                              --Ok!
                              --I just wanted to know How. Can. I. Cross. THE DAMN OCEAN?  
                              --Stay chill kid, I’ve got this! She took out a thing from her pocket and she blew in it, then a 45 feet animal came out of water and it wasn’t a blue whale. A little help from a seahorse!
                               --You can’t put the words “seahorse” and “little” referring to that thing!
                               --Oh, yes, I can. Player, say hi to Rudolf!
                               --RUDOLF? WHAT ARE YOU…SANTA…THE BARBARIAN!?
                               --Not really. Rudolf, say hello to the player! He said hello…i-in his language.
                               --Yep, I’m clearly going to make a raAAF- the monster picked me and sank into the water!
                               --Bye, bye, bon voyage through the ocean!
                               The monster took me to a temple under the water. In temple:
                                --COUGH…when I said to cross the ocean I DIDN’T MEAN UNDER WATER! All the torches in the room blew up.
                                --Greetings, my dear child! Said an old lady when she appeared from nowhere in front of my face.
                                --HOLY SHAMALAMA…sigh…ma’am I think you have the wrong person!
                                --No, no, that’s how I tell to the visitors!
                                --Ooo, so, you have tourists…riiight!
                                --No, every new player comes to me for the closet! She showed me like a Chinese closet -I made a redundancy, everything is made in China.
                                 --Closet, do you have problems with the furniture?
                                 --No, they get in it!
                                 --So…you kidnap kids... I’m calling the police!
                                 --No, you didn’t understand, it will be worth, plus is no police station in the middle of the ocean!
                                 --You’re the creepiest person I’ve ever met in my life!
                                 --Many people say that! Now, come on, it doesn’t bite!
                                 --At least I got rid of a fear! I got in the closet, immediately after I got in, I remained unconscious and I woke up in another world.
                                 I’ve heard a girly voice:
                                 --WARM WELCOME TO THE DIMENSION OF THOUGHTS! Said a grey colored skin girl with black clothes and amber colored eyes. And I’m the Spirit of Thoughts!
                                 --AAAAA!
                                 --Hmm, I thought that a Zentofea wouldn’t fear of literally everyone who says hello!
                                 --How did you know about that…AND MORE IMPORTANT, HOW DOES EVERYBODY KNOWS ABOUT THAT NAME!?
                                 --Well, first, I know what every player thinks, and second, I know about that name because I put it!
                                 --But ho-
                                 --How do I know that? Well, the answer is in the name, MY NAME, DUH!
                                 --And how did I-
                                 --And how did you name it? Ho ho, well, that’s simple kid, it’s because all of those subliminal messages that I left around the place!
                                 --If-
                                 --If I control the thoughts, why didn’t I end the war, yet? …It’s because that war shouldn’t end, it’ll declare the true leader of this world, like you said it must be a good, brave, and worthy person to clean this mess.
                                --An-
                                --And that means-
                                --Oh, will you please let me talk?
                                --Ok, go ahead!
                                --…And that means I’ll have to fight to make a little difference?
                                --Kid, I think that you will change the whole world, trust me, I don’t say this to any other player…but you have to fight for that, although it’s like the real life!
                                --Yeah…it is!
                                --…So, are you ready for your first match?
                                --Y-yes…yes, I do! Let the game begins.
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0ooruioo0 · 4 years
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After L!fe Icons
I haven’t seen that much about it but heres some After l!fe icons. (Srry if it was bad, I’m not sure if the filters made it a bit better skjdhkasjdh)
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tsumugisdoll · 4 years
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AFTER L!FE ☆ quincy, kati, sian, jamie, ghilley, aitachi, theo, nine & verine icons
.  .  .  requested by anon <3
© psds by pockybub & peachcoloring
like or reblog if used⌇please don’t repost ,,
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shiningstarkins · 4 years
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Ever heard of a source called "AFTER L!FE"?
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Mm, no I haven't unfortunately i'd have to do research on it first just to be safe
-Mod Misumi [Comfort Icon]
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