#again I can totally see where you feel that way

[destinationtrekk]

young wesker who gets drunk and giggly with reader. at first he had been so... cold, so expressionless and absolutely cluelessly bone-dry on how to go about doing anything but a daylight two-step move-his-arms-a-little to the dance music blaring from somewhere, but that's okay, reader can show him.

and he enjoys it... and he's laughing, and his face is flushed, and the scent of vodka is deep on his tongue, and he has severely miscalculated his drink, but that's okay, because reader keeps him safe and happy and distracted the entire time.

at the end, as he begins to sober up, they can't seem to get out of him where he's supposed to go to now (perhaps he is trying to revel in it, this one normalcy, just one event he took on to learn how to behave like everyone else and got taught more about himself and his own interests than he'd ever planned, a snapshot of a life he could have lived if only--) so they take him back to their house and snuggle him up in a blanket burrito on the couch, making him drink water, take an advil, a tylenol.

and as he gets back to himself and they smoke a cig, talking about life as he gets rather quiet and inward again (for he cannot share, he has nothing positive or appropriate to), they do something unexpected and yet wholly welcome, a gift to close out the night: they give him a quick, brief and fleeting shotgun kiss, hand warm on his cheek, before they send him off for a nap, telling him to stay the night so he'll be well and sober the next day to depart. free breakfast if he's still around by then, otherwise, they take no offense.

he has no way of telling them the truth of this fragile matter. he has no way of divulging his life, which would undoubtedly ruin whatever scrapbook memory he is currently creating, and certainly no way to hold onto this awfully pleasant being who he can, apparently, trust in his total ineptitude with heavy inebriance. and he can't keep seeing them again after this. and his view on how ruthless and manipulative human beings are when faced with vulnerability has been shaken to its' core, and he can't say it, and he wants to, but...

instead he asks them to stay a little while he falls asleep (just one final, little test, he muses to himself), and they oblige. he's laid on the couch, head in their lap, his (admittedly not quite so soft after all the gel has hardened) hair being carded through by soft, ever-eager, sleepy fingers. he will never get a moment like this again and he pushes himself to take it in, revel in every second that passes, commit to absolute memory (no matter what he had earlier in the day) every detail of this sightly, sweetly saint's face.

he ends up falling asleep feeling cherished. he will remember this day forever. years to come he will still have tabs on this person, and their life will still be unexpectedly, oddly lucky.

maybe one day he'll find it in him to thank them properly, face-to-face...

nshtn can i say i love you? because i love you and every time you come in my inbox i get so excited

first and foremost i don't think he even would dance at a party. he very much is the kind of guy to find a spot and linger there with a group he's only half listening to. once he meets you though his night gets much much more interesting

he's never really had chances to drink, except maybe whiskey or something expensive with Spencer during their talks about Umbrella and the future, so when you start handing him all kinds of seltzers and mixed drinks and straight shots of vodka, he is very overwhelmed

he can't show it though! so he dutifully takes most of what you hand him, a few drinks are two sweet for him, and he is very quickly wasted tbh. you're so nice though, and you drag him in the middle of everyone dancing and show him a few easy things and soon enough he's bouncing around with everyone else

every time he starts to think about what's going to happen tomorrow you're immediately there to distract him. it's almost like you can read his mind - you know just the right things to say and how to push people out of the way and he just thinks you're perfect under the flashing lights

finally when it's time to go home, he knows for a fact he can't show up at his place looking messed up as he is - what if Spencer or Birkin or some nameless Umbrella employee saw him and ratted him out? so he takes your offer to go to your house gracefully as he can this drunk

he knows now that you're a party expert, you immediately make him drink water and wash his face and take preemptive tylenol for the hangover. your fleeting kiss and warm hands on his sweaty skin are so sweet he can't bear to think about it longer than he has to. he knows he should leave before you wake up tomorrow and forget this wonderful night ever happened (he'll never forget you, not even on his deathbed)

you give him every courtesy and kindness you can offer and he decides to take just one more, one last sweet touch to take with him into the night. you smile sleepily and open your arms for him to fall into - the blanket covering his shoulders is a little too hot and you both smell like beer and liquor and sweat but your lap is so soft, it makes the ache in his back and shoulders from carrying the world lessen a bit, and your fingers in his hair send him into a beautiful and silent sleep

the next morning it physically pains him to untangle from your body on the couch. he stands and watches you for a moment, his heart clenching and pounding in his chest, until he forces himself out the door before you can feel his absence.

when he meets you again, what feels like a thousand years later, his heart pounds just the same. you recognize him, his twisted dark smirk and deep eyes, and when you smile and say his name he's suddenly twenty-something all over again and dizzy and drunk in your arms - he never wants to leave you again

[waffles505]

OMITB S4 Killer Theory

....SPOILERS....

...

Ben GLENroy isn't dead. 

This is my theory for OMITB Season 4. Although I do ultimately think that there are 2 killers/people involved, I believe I have a good part of it solved. Again, just a theory, this could end up being totally wrong...but let me know what YOU think. 

...

In S4E4, our favorite trio (Charles, Mabel & Oliver) go to "Concussions", a bar for stunmen founded in the 70s. We learned that Sazz was there and posted a selfie the day she was murdered. When they start asking questions about Sazz, stuntpeople who were all friends with Sazz, start to get agitated. Especially with Charles (this makes sense as he was Sazz's "face"). As things start to escalate, out of nowhere, a man rolls into the conversation. The trio is shocked to see Ben Glenroy (the victim of S3). Irish Paul Rudd says that he is actually Ben's stunt double...Glen Stubbins. Glen explains how he's mad at the trio for taking "Ben" from him and claims that "15 years he worked for Ben". Throughout this conversation, Glen keeps seeing "rats" everywhere, trying to kill them. No one else sees the rats he's talking about. As the stuntpeople start to get more upset, Glen escorts the trio out of the building. Once they are outside, Glen apologizes for having to play up the "fighting" and wants to talk to Charles. Specifically, he asks Charles if he will be his new "Face". Charles politely declines and Glen begs him for work on a project. Mabel offers Glen a position on the film being made about their podcast and Glen is relieved. He then goes on to show off some "stunts" he can do and the trio is impressed and scared at the same time. When asked about the back room in the bar, Glen tells them about Dr. Maggie who is a chiropractor that helps all the stuntpeople with their pain management. Charles, alarmed, asked if Sazz was in pain. Glen responds "She was in pain, thanks to you". After deciding to take Charles to meet Dr. Maggie, Glen warns Charles to "Mind the rats". Glen stays and listens in on Dr. Maggie's conversation both Charles. We learn that Sazz was in pain and planning to retire to a new career. She was "hurt from a one-sided relationship", Charles believes it's himself that hurt her. We later see Charles return to Concussions, where he decided to "Tap in" for Sazz, so that she could have a proper stuntman's funeral. 

After being hit with a fake bottle, Charles is shocked (rightly so). Glen leans in and tells him, "Lie still, dead man". When it's Glen's turn to say his "goodbyes" to Sazz, he accidently(?) uses a real bottle to hit Charles, knocking him out. 

As chaos ensues and stuntpeople fight one another, Glen says to himself, "this is what Sazz would have wanted."

Soo...what is my theory? 

Ben Glenroy didn't die. His "stuntman" did. Here' what I think happened: 

Ben was the one that temporarily died from the rat poison. In S3, we're led to believe that Ben died from the poison, miraculously survived it, only to be murdered again after being pushed down an elevator shaft. #Rip

Here’s the thing…Ben showed up rather quickly from the hospital to the after-party. With something as serious as ingesting RAT POISON, there’s no way he would be able to walk around and show up, just fine, to the party that occurred so soon after. I believe that while Ben was recovering in the hospital, Ben’s (real) stunt double went in his place (or shall I say, “tapped in”) to the party and unfortunately ended up being killed. Now, whether Ben knew about his stunt double doing this at the time, I don’t know. Recovering from Rat Poison would likely take days, possibly even weeks to recover from (especially considering the amount he was given).  I think the loss of his Stunt Double, especially if they had a relationship similar to what Sazz and Charles had, would hurt him greatly. Ben would probably feel guilt, like we see Charles experiencing in the current time. But if someone wanted Ben dead, hearing the news that he was still alive could put himself in danger. So what does he do? He decides to put on another great performance…that being ”Glen Stubbins”. 

We know that “Glen” is seeing rats everywhere. Ben was poisoned with RAT posion and I wouldn’t be surprised if he had to deal with some side effects after such a serious health scare, such as hallucinations. Ben also likely has PTSD and could be seeing these “rats” as a result. 

Also…Ben Glenroy? Glen Stubbins?

They both have the word GLEN in their names. That’s too much of a coincidence. There’s NO WAY that Ben just happened to find a stunt double who looks identical to him with partially the same name as him. We know that Ben isn’t the smartest bulb in the pack, so perhaps he should have picked SOMETHING other than “Glen”. 

Now, why would Ben do all of this? 

MOTIVE: We know that Ben HATED Charles. While Charles was working on Brazzos, a young Ben Glenroy was cast as a series regular. However, after the first table read, Charles told the director that Ben was a phony and had him fired. Ben blames Charles for his failing acting career. Ben could very easily, in some twisted way, ultimately blame Charles for his Stuntman dying. 

This could mean that Ben had the motive to kill Charles AND/OR Sazz. 

*Although I believe Charles was the true intended target, Sazz being the target is still a possibility. 

Let’s say Sazz WAS the target, Ben knows Sazz. How? Ben briefly worked on Brazzos, which Sazz was Charles’s stuntman for. Maybe Ben wanted Charles to understand the pain he’s in? He wants Charles to know what it feels like to lose that special person. 

IF Charles was the intended target, we already have several reasons for why Ben would kill him. Charles “ruined” his life. What makes a better murderer than someone who’s already supposed to be dead? NO ONE would think/suspect Ben Glenroy, a dead man, could have done it…

I don’t think Ben decided to pretend to be his stunt double until he realized that Charles wasn’t the one that died, Sazz did. Ben gets away with murder, it never gets solved, he ruins Charle’s life in the process, and imagine the Hollywood comeback he would have if he revealed that he had actually been alive this whole time.  What a performance!

As for the other murderer/person involved, I don’t know WHO it is yet, but think Ben must be connected to someone in Hollywood. This person would have to distract the gang with a “movie” about the podcast…but I don’t think the movie is even real. I think it’s all a distraction just to lead up to the big reveal...A movie/documentary about the return of Ben Glenroy and how he survived death. Now THAT would be a huge blockbuster hit. 

As for who dies next…I’m worried for Howard, Loretta, and Oliver. 

Let me know what you think! <3

Reddit Link: https://www.reddit.com/r/OnlyMurdersHulu/comments/1foy09g/s4_killer_theory/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

[thewisaaaaad]

AWWW FUCK

In my sleep deprived state, I have created YET ANOTHER AU by smashing together several ideas in my head, along with being inspired by @kamodofilez bells of the dammed au. Sorry for pinging you, but CREDIT IS DUE.

When am I going to run out of these oh lamb

Anyways here's the au. I call it the Regretful Hunter AU, no idea if i am going to continue with this.

In this AU, neither the lamb nor Narinder really wanted to fight.

As soon as Narinder heard the new prophecy through Ratau, he knew exactly what would happen.

Five becomes nothing? He wasn't stupid. He was going to fall too, just like all his siblings.

Good. It was what he deserved. It was what he wanted.

Narinder did the fight because he was actually tired of being the god of death, saw that the lamb was way better at being god than any of his siblings were, and wanted to pass the mantle. Of course, due to pride and family trauma, they couldn't just hand it over, so he tried to goad the lamb into killing him. He... doesn't really consider how Aym and Baal would feel about it. He forgot they were people, honestly, until it was too late to care.

The lamb, meanwhile, was totally chill with dying. They felt that they were OK at playing leader, but was ready to hand over the reins to the god that gave them the opportunity to take revenge for their people.

They were fully ready to let go, and see their family again in the afterlife. After all that had happened, they were just. So. Tired.

However, fate has ways of getting what it wants- including puppeting its victims. The lamb was conscious the whole time as they were forced to fight the person that gave them everything they had ever wanted and slay his guardians. They were just glad that they didn't have to kill him.

Narinder was less than pleased with the mercy. When the guilt of what he had done set in, he ran away from the cult before the lamb could explain what happened.

He planned on going out, finding a nice cliff with some sharp rocks at the bottom, and ending it once and for all.

Turns out, ending your life by your own hands is a lot harder than he thought. It can be pretty scary, standing at the edge.

He blames his mortality, of course.

Lamb, meanwhile, goes into a depression induced stupor, the young god just going through the motions of running a cult. ???'s arrival makes it a little easier, by giving them a goal to work towards, but they never stop hoping to find Narinder again. They know hes not dead yet.

They would feel it.

Narinder continues to survive in the forest, hunting critters using plumbata, or throwing arrows, made from stolen arrows. He goes around, surviving while cursing his cowardice, until one day he wanders through Silkcradle, looking for spiders to hunt.

Instead, he finds a panda and a skunk in mortal danger. Before, he would have let them die, for obviously if they had wanted to live then they would not have come here, doubly so for the panda who could have just never come to the lands of the old faith at all.

But now? Now he understands the fear of the end. How it can creep up on you without knowledge of its presence, how a foolish decision can seem like the best one to make in the moment.

So he saves them. They, of course, ask for his name.

He does not give it. Instead, he gives them the location of paradise, where they will be safe. When asked why he does not go there himself, he answers that "I had lost my right to that place long ago."

When Jalala and Rinor arrive at the lambs cult, they tell the lamb of the kind stranger who saved them, the cat with three red eyes.

The lamb gets excited. He's still out there. And he wishes he could be here.

They just have to talk to him.

[smoothriverrocksrock]

GOD I WOULD KILL FOR TF1 DECEPTICON BEE!! The thought of him not wanting to leave Megatron alone after something so horrific warms my heart. I need a fic of them becoming friends. (do you have any more headcanons?)

I really hope to get to writing a fic for this, and I’ll definitely link it if I do! Kinda busy with other fics tho and since one is close to finishing I wanna start it after I’m done with that one

Well first and most obvious headcanon is that Bee has to have some MAJOR respect for D-16/Megatron purely because of that scene with him standing up to Sentinel. Genuinely, seeing Bee watch that had me in the theaters wondering why tf Bee would be horrified by D-16 killing him. B-127 is a better person than me because of I saw one of my friends get CARVED INTO it would be my last straw

My main idea for a Decepticon tf1 Bee story kinda looks like this (warning this gets LONG):

-He sees Megatron and the High Guard leaving, and he can’t believe it. He just got a friend group, he can’t just let it split apart! Especially not like this!

-With a quick number exchange, Bee tells Elita that he’s going with Megatron and it’s nothing personal he just wants to stay with him ok byeeeee

-Elita is kinda baffled, and Optimus absolutely takes it personally but in a sad “wait what if I’m in the wrong, oh no, now I lost two friends” way. Optimus wants to go after him and Megatron but Elita stops him. They both agree it’s probably best to give them all space and let Bee try and figure it out

-Megatron is also baffled that this guy is coming with him, but he feels relieved that at least *someone* familiar agrees with him. He won’t admit it tho, it’s a cold comfort after everything else that’s happened

-The High guard doesn’t really care rn, they just got banished (AGAIN!) and a friend of their new leader is probably good enough to keep around

-I imagine some of them are probably injured (most importantly Megatron), so Soundwave helps them highjack a train where they can take temporary shelter, get supplies/food, and rest. Starscream finds out the base got blown up and appropriately grieves about the loss of his awesome throne. Shockwave is revealed to be the best thing they have to a doctor. Rough times.

-Bee keeps trying to get Megatron to talk about what just happened, but he refuses. Bee eventually talks about how horrible sublevel 50 was because of the isolation, and promises Megatron that he won’t leave him alone

-Still cold comfort to Megatron. He just lost his longest companion, and he knows Bee could never compare. Bee also realizes this, but he’s trying his best

Lotta places the story could go from there, but I wanna keep it as a “Bumblebee inadvertently becomes the moral backbone of the Decepticons” type of story. I also wanna clarify that Bee is still totally down for murder, he just convinces Megatron to keep the guns pointed at the Quintessons for now

He also shares soooo much Decepticon gossip to Optimus and Elita, but never anything that could ever compromise the Decepticons. He’ll be like “You’ll NEVER guess what Skywarp just said today” and Elita will ask for boring stuff like “where are you based” and “are you eating enough” and Bumblebee refuses to have his friendships compromised by politics. Optimus appreciates this, and does the same. Eventually Elita will conform and send him memes

Also Soundwave and Bee become scout friends. This is the law. Bee is one of the only people who will contribute to the community playlist

[chiisana-sukima]

if heaven/hell hadn't been vying for the apocalypse, do you think sam ever would have reasonably had a shot at escaping / having an actually good and healthy life? just curious about your opinion! :)

I think the root problem was Azazel, and that neither Sam nor Dean could've done better than they did in canon as long as the instigating event of Azazel's deal with Mary remained unchanged. Plotwise, as long as Azazel still wants Sam to rule Hell's armies, everything is still essentially the same up to the point when Dean goes to Hell and Sam is killing himself with drugs and alcohol trying to get there too.

Ruby's machinations are the first thing that would've gone differently in a No Apocalypse universe, and although Jared didn't start playing Sam as having overt, symptomatic PTSD until after the Cage, even without Ruby this is still a man for whom the only way out is through. He would've gotten himself to Hell one way or another, simply because he couldn't tolerate having Dean there in his stead. And given time in Hell as an inevitability for both of them, I can imagine it ending worse than canon, but I can't imagine it ending better.

In the bad (complimentary) spn in my head, the most likely outcome would be that since there would be no rescue from Cas, Dean would be a demon by the time Sam managed to get to him and Sam would eventually end up the King of Hell in order to protect Dean. The CW's spn I don't think would go that far, but before the first writers' strike cut s3 short, they were planning on having Sam go "fully darkside" (whatever that means) to rescue Dean, so I can't see that ending well either.

I want to specify though that I think Sam did get out and live a good, relatively healthy life. He died at home of natural causes at what appears to be a reasonably advanced age, with his apparently well-adjusted adult son at his bedside. Since the cycle of violence in spn is represented by failure to accept the death of loved ones (Mary->John, John->Mary, Sam->Jess, Dean->Sam, Sam->Dean, Dean->Sam again, etc), the reversal at the end with Dean asking Sam to let him go, Sam doing so, closing down the bunker, and having his own child who as an adult lets him go in turn, represents the end of the Winchester curse.

I don't think Sam ever recuperated 100%. He names his kid Dean after all, which is touching, but also kind of concerning given Everything. And the shrine of dead family pictures with no photos of living family to balance it out is a bit weird.

But, blurriness of his gender-nonconforming husband wife notwithstanding, this is a montage of a good life:

He's happy. His son is happy. He goes to parks and has a home and is proud of his son for studying and playing catch.

I assume the Sam of this montage still has PTSD. Jared still has MHIs irl and still sees a therapist after however many years, and he was the one who embodied Sam's PTSD for us on screen. I still have PTSD that I got when I was 10, and I'm 60 now and my daughter is 27. It's a disability. But the hard parts don't mean you haven't had a good life in total. Barely pulling through at 38(-ish, the age Sam was when Dean died his final death) doesn't mean your disability won't be well-managed at 48 or 58.

A lot of Sam fans feel that because when Sam died his Heaven was back with Dean, sitting in the passenger seat of Dean's car, listening to Dean's music, presumably following where Dean leads, without Dean first having had a chance to grow beyond the damage he had and passed on to others, it means Sam didn't escape his past. Tbh I think this interpretation is valid. I don't think any of the writers of spn through the years could imagine a story in which the members of a relationship are truly equals, treat each other as equals, and are treated by the narrative of their story as equals. We live in a society.

But I'm not naive by any stretch, and I nonetheless can imagine it, I'm better than them, so I'm satisfied. I don't want a revival, and the more time goes by for J2M to grow out of a plausible age range to set the revival before the finale, the less I want one, for precisely this reason. I prefer my own version of the future.

[08melancholie]

in typical "i can fix him" fashion, i like to indulge in shameless delusions about Micah falling obsessively in love with me (/the reader) and being absolutely destraught over it because suddenly his whole world view is being turned upside down. Suddenly there's more to life than surviving and fighting, and he has to figure out himself and his values all over again because of a woman he's come to love more than himself. I'd love to hear your take on obsessive love, actually-kinda-wants-the-best-for-you Micah, if you'd like <3

((PS: im so sorry if this is cringe))

Trust me, I do not believe in cringe on this account🙏

As far as obsessive love with Micah goes, I can totally see it; in his own little ways.

He's definitely more subtle about it. Before getting together, you'll literally have no idea at all that he was heavily infatuated with you. He's discreet because you cant be a rough, mean cowboy while being in love and acting like a schoolgirl with her first ever crush.

There's a part of the game where we see him ask Mary-Beth to dance that one time. He's stuttering and nervous; and that's how I imagine he'd be with you at first. It's all so new to him, falling in love, so it's only natural you'll see a more vulnerable, almost scared side of him. Softie Bell, I love you.

He won't be too physical with you outside of intimacy, like he's not a cuddler but if you were to ask him, he'd oblige a few times to keep you happy—because he loves you. Just kind of laying down with you and doing whatever comes to mind; rubbing your back or head slowly. We know he's a heavy insomniac so if you fall asleep, he'll just stare at the tent ceiling and space out, waiting for you. He'll never admit it, but he loves having you in his arms.

He'll show his upmost trust and love for you with things that might seem minuscule to an outside perspective; like letting you handle Baylock or his precious guns which would be a huge sign of trust on his end. He once left his guns in your care for nearly three hours and it was the best thing ever.

He'll definitely handle you more gently—like he does his guns. You're both precious to him, that's for sure. I can see him being too scared to even touch you too roughly or hug you too tightly at first, as if you were made of porcelain or something. Over time, he gets a lot more comfortable as he warms up to the feeling—and after you tell him he can touch you like a normal person would.

God forbid someone tries to even talk to you when he takes you out—immediate threats and many bar fights you witnessed go down in which Micah went ballistic. Most nights out end with you and him at the medicine wagons, both on your own crate as you scold Micah for his temper while you clean his face up. Was it partially just his plan to have you touching him and cleaning him up longer? Maybe.

Just mildly a stalker, by the way. Oh, you're doing chores around camp? Wow, what a coincidence; Micah is in the exact spot where he can watch while not being too obvious about it! Wow, that's a crazy coincidence, surely!

Probably has your whole routine/schedule memorised; he knows when you're doing what chore, and he knows where he has to go to be able to watch. He's a little creep and we love it.

Honorable mention — love language.

His love language is definitely quality time. If he catches you alone somewhere, he'll walk over and do literally anything just to be around your presence. You could be doing chores and he'll just walk over and lean on the nearest tree or wagon to you, take his knife out and start sharpening it. Literally anything to spend time with you at this point. Won't make an effort at smalltalk because he actually enjoys sitting in silence with you, but will occasionally let you yap his ear off when you have something to say. "Mhm..; Oh, yeah?; You don't say?; Wow, yeah?" He'll respond with whatever just to keep you talking to him, loves the sound of your voice.

this was me using the req to my advantage to spit out all the micah content plaguing my brain. pls help he wont pay rent or leave the premises. hell, i'm the one that's obsessed as of now.

In conclusion;

Micah is secretly obsessed with you and will never truly admit it—even if it's goddamn obvious to everybody.

[cal-daisies-and-briars]

Make Me Write ask answered

162 📖 for @inell!

---

When they arrive at the fire station, Eddie is indeed in rough shape. Scratched, damp, and wearing a heating blanket. 

“Buck, why is my dad dressed like a baked potato?” Chris asks nervously when he sees him. 

Eddie is sitting in the back of an ambulance, looking a little sleepy. The other paramedic - the one that isn’t Chimney - is talking to him. 

“It’s keeping him warm,” Buck explains. “Why don’t you go see him? That’ll make him even warmer.”

“DAD!” Chris calls out, heeding Buck’s advice. He picks up his pace a little in Eddie’s direction. 

“CHRISTOPHER!” Eddie calls back once he sees him. He hops out of the ambulance, dropping the warming blanket, and runs across the engine bay floor towards his son. When he reaches him, he scoops him up into the biggest, tightest, most loving hug Buck has ever seen. Buck honestly feels a little choked up, watching it. 

He doesn’t want to intrude on their moment, so he hangs back, holding onto Christopher’s backpack. After a minute of this hug, of Eddie speaking quietly to his son, he finally looks in Buck’s direction. He sets Christopher down, strides over to where Buck is, and hugs him too. Just quick, with a clap on the back, but it’s still a hug. It catches Buck off-guard a little.

“Thank you,” Eddie says emphatically. “Thank you so much for taking care of him.”

“No problem, really,” Buck says when Eddie pulls away. “Chris kept me in line. Made sure I knew the right answers to American history. Really he did me a favor.”

Eddie’s smile in response is practically glowing. “I owe you one, man.”

“Hey, don’t mention it. Just glad you’re okay.” Buck says. “Is Carla good? I couldn’t reach her either.”

Eddie nods. “Her dad isn’t well. She was visiting him today.”

“Oh,” Buck replies. “That’s… That’s too bad.”

Eddie takes a deep breath. “Listen, man, can I buy you a beer sometime? As a thank you?”

Buck… Well, for some reason, even though it’s totally not necessary, Buck really likes the sound of that.

“Yeah,” Buck nods. “Yeah, that’d be great. My number should be in your phone from when I tried to call you.”

“Perfect,” Eddie smiles. 

x.

It’s way too much fun. 

Buck meets Eddie at a sports bar. They grab beers. Watch a game. It’s probably the most fun Buck’s had in a while. Without work or a kid in between them, they connect as just people. And it turns out, they connect pretty well. They have a similar sense or humor and like a lot of the same things. Eddie listens when Buck goes on accidental tangents about subjects he finds interesting. Buck is genuinely delighted with stories about Christopher. They just sort of… Mesh?

By the end of the night, they’re making plans to hang out again, and Buck’s stomach can’t quite shake a fluttery, swooping feeling. Something that he’s only really felt before… Well, on dates. 

Which is strange for Buck because, well… Eddie is a man? And Buck didn’t know that another man could make him feel that way. 

Which probably means… Something. 

xi.

Buck and Eddie manage to hang out two more times by themselves, and once with Christopher, even, before the world shuts down. And Buck goes from the exciting thrill of a new friend/maybe crush to working alone in an empty library, filling online orders, and putting them in sterile pickup areas, with nothing at all to look forward to. 

It’s awful. It’s depressing. Buck genuinely struggles to get out of bed in the morning for the entire month of April. 

His sister is pregnant, and she can’t even stay with Chimney because of the risk. She’s alone. Buck’s alone. Everyone is boxed off from each other. 

They keep in contact. Eddie and Buck. Text. Social media. Buck does a few virtual homework help sessions with Chris out of working hours. But it’s weird. It’s like they almost had a friendship or something, and it just kind of gets stalled. 

All the nothingness means Buck has time. On and off work. He has nothing but time. It reminds him of the early years of his undergrad, where the coursework wasn’t challenging or interesting enough to keep his mind busy. He’d had to find ways to fill the time. Partying. Drinking. Sex. Working out. Those had been his options, then. Apart from working out, he doesn’t want to replicate the rest in a global pandemic. Which means Buck is left with way more hours to fill than even in undergrad. 

And he’s a librarian. So… One of the things he does to avoid going crazy? He reads. He researches. He learns. And one of the things he starts going all in on learning about? Human sexuality and attraction. Because the distance from Eddie doesn’t make Buck stop thinking about him. Doesn’t quell the curiosity, the thinking. The excitement each time a notification from Eddie lights up his phone. So Buck researches, and he tries to figure himself out. 

So, in the middle of a pandemic, where everyone is quarantined, and Buck is completely alone, he discovers he’s bisexual. Stellar timing. Really great work. Had he uncovered this little tidbit of identity earlier in his life? Maybe he’d be quarantining with a boyfriend or a husband or something cool like that. Since he’s historically fumbled all the women in his life. Who is he kidding? He’ll probably be the same with dudes. But until proven otherwise, he imagines he’ll be very smooth.

So. Bisexual. Alone in his studio apartment. Living through an unprecedented global emergency. Kind of thirsting over a man he won’t be able to see for months, and who he doesn’t even know is queer, so probably has no chance with. 

Buck is frustrated. 

He learns to cook. He buys a variety of plants. Tries and fails to learn to draw. Impulse adopts a cat; a Burmese he renames Begonia. Her previous name was Princess and to be honest she is way too relaxed for that designation. 

Nothing makes the sense of restlessness building in his chest go away. 

xii.

It’s late summer by the time he and Eddie can hang out again. At a distance. Outside, on a hike. Masks on if they get any closer. Eddie has a higher chance of infection on his job, and Buck wants to be safe. 

They fall back into their easy pattern of conversation and humor. It’s like whatever paused between them at the beginning of the year picks right back up without any issue. And Buck is relieved. Relieved and excited. Like they’re pointed towards a direction he hasn’t seen before, but is desperate to discover.

Buck tells Eddie all about the ever-changing library policies regarding the virus. Eddie tells Buck about childcare struggles. 

“With Carla caring for her dad full time, and my Abuela back in Texas, it’s been insane,” he admits. 

“And no aftercare programs at the library,” Buck says. 

“Or anywhere,” Eddie says. 

“Man, that’s rough. I’m sorry.”

“It’s… Well, single parenting is never easy. But global catastrophe certainly adds to it.”

“Hey, if-if I can help…” Buck offers, a little aimlessly. 

Eddie raises an eyebrow. “Is the library open to visitors yet?”

“Well, no,” Buck admits. “Soon, hopefully? But I mean, I can ask the head librarian - Janine - if he can, uh, sneak in. Masked up, of course.” “I mean, if he could. That’d be really helpful. He could do class from there, right?” Eddie asks. ”Only if it wouldn’t put you out!”

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[infizero]

listen i was guilty of this once upon a time too but dawg ppl GOTTA stop calling any platonic dynamic they like “siblings” without any precedence 

[icewindandboringhorror]

Misc. photos from the past year or so ~

[halfyearsqueen]

rhaenyra’s notion of freedom is basically ? the idea she isn’t wholly stuck in place, that she’s not trapped, and that she can leave whenever she wants to, that her destiny isn’t wholly fixed .

[lady-shadow-and-darkness]

Whenever I see people saying that Dazai's an asshole and doesn't care about anyone I laugh. Guess he did a good job of fooling you buddy.

[anotheruntitledsong]

i did like the hidden palace but (SPOILER if anyone hasn't read it?) i'm genuinely so annoyed at how Arbeely is handled like... I wish i could be sad but i'm just fucking irritated. I was overly invested in him and that's def why but i just feel like they did him dirty

[munamania]

something on my mind rn. as you all know i’m a lesbian. applause from the audience. and sometimes it just gets to be like annoying when. well. so i have at least A friend who’s asked me several times over ‘so you don’t have Any attraction to men? like at all?’ and i know they’re not being like malicious but you know. that answer has not changed since like seventh grade. and in the same vein it just feels aggravating when i have the nerve to say Oh i think she seems like a lesbian. that’s giving dyke. etc. and to be met with ‘umm well maybe she actually does like men.’ like. first of all in personal conversations if i’m just saying shit chances are i’m just going off of patterns from my own life or other lesbians i know. i’m not here for Bi Erasure and i promise you in this context your attraction to men is not ever invalidated as much as my lack of it. esp in college with so many people talking about their dating/app experiences and etc it’s 99.9999% of the time about men and i just Can’t participate in that conversation which is yk not the end of the world but a bit isolating and even if i do contribute anything it just feels like… a slight Stiffening like. and even just getting brushed off with Well yeah but you’re not even into guys. like real! i still have eyes though. and esp when my attraction isn’t being celebrated and engaged with in the way theirs is it’s just really fucking lonely! and maybe that’s a gross inner voice of insecurity that i’m projecting onto them but like you must get what i mean right. there’s still this odd air specifically around people who Do Not engage with men at all. and if i do make any kind of joke or comment abt someone maybe just Not being into guys i’m made into the asshole who’s invalidating their experiences etc when like. i’m just saying shit man idk. and it’s like many of these people are bi and claim attraction to women but get so like uncomfortable actually talking about it. i don’t think i’m the one with problems! i think there’s still some internalized shit there. you know. anyway all this to say as much as we’ve had the conversation of invalidating bi attraction some of you need to think about not treating gay attraction as this secondary awkward weird elephant in the room. and on a more personal note on top of the Everything that was getting under my skin last night this was just a cherry on top where i was feeling soo… misunderstood and invalidated lol even tho again i largely think those friends were being very supportive and kind to me. this is just one thing i was like. 😐

[avvocarlo]

god I hate asshole 4wd owners

[myfirstandlast]

going through answered asks from when i was 18 wanting to hold myself so tightly