#again thank you for writing this all out

[astorythatwritesitself]

yes good day hi I am being COMPLETELY normal don't look at the tags about this Valentine's YCH from @valkblue 😭

[brother-emperors]

CAESAR AUGUSTUS AND MARCUS LICINIUS CRASSUS

this is about the spolia opima that crassus was robbed of lmao. like, yeah okay octavian could've asked him not to claim it, but nevertheless. a kind of theft happened there.

Fact and Fiction: Crassus, Augustus, and the Spolia Opima, Catherine McPherson

[coucou-art]

one thing I absolutely love about tumblr that only exists here is the way many people unrestrainedly pour out their thoughts and reactions in the tags when otherwise they would hesitate writing it in regular comments on other platforms and I live for it. thank you everyone for liking my latest piece, it's been 162494 years since I drew anything FE3H related and I desperately needed this. it feels like I'm back home

[cerise-on-top]

Hi, love your writing. it's so good 💚💚

Could I request some HC for LV + Graves who have an S/O who has three cats that love to sleep on top of them?

😸💚

Thank youuuu! That's very kind of you! This ask actually inspired me to text my friend again and ask her for some cat pics since those critters are just so goshdarn adorable!! I wish I had a cat! I once had a tortoise, though, and she was just the most lovely and adorable little thing out there! I loved her so dearly! Anyway, thank you for the request!

Alejandro, Rodolfo and Graves with an S/O with Three Cats

Alejandro: He gives off quite some canine energy, so there’s a chance your cats won’t like him too much. That, of course, you can try to combat by having him feed them. Either way, if they like Alejandro, then you can expect him to be all over your cats, always talking to them, petting them, picking them up, kissing them and what else it is you do with a cat. He loves your little kitties and would kill someone for them. Although he’s more of a dog person himself, he doesn’t prefer dogs by much, so he can really go either way. When he sees just how cuddly your cats are and when they take a nap on his chest while he’s watching TV with you or something, he will not hesitate to pet the cat, scratch the little fella behind its ears and try his best to make them purr. He loves the sound and the vibration, it brings good vibes and makes him just as content as the cat. The rule that one must not move when a cat is sleeping on top of them holds true for him. If he needs to use the bathroom while one of your cats is sleeping on him then he’ll just have to endure until it wakes up. But if he’s content as well, then he might just cuddle the cat, or your cats even, and take a nap himself. While he’s not usually one for napping, he will when he genuinely can’t move because of your lovely little felines. If your cats let him, he will give them big hugs as well. Is so smitten, he’ll buy them some toys and play with them, if he has the time. And if your cats are too lazy to actually play, then he’ll pick them up and lovingly scold them for being so unmotivated. Meows back at cats too.

Rodolfo: He gets along well with just about any animal. While he’s not scared of them per se, he does have a healthy amount of respect for them and won’t just walk up to your cats to give them pats and kisses and hugs. He will comply if your cats walk up to him because they’re curious, but he really doesn’t want to annoy them or worse, end up with him getting scratched. While he may not meow back at your cats either, he will talk to them as though they’re regular human beings. It’s somewhat funny, he takes them seriously and will, in a deadpan tone, tell them that there will be no more snacky treats for the evening. No matter how annoying your cats might get, he won’t budge. His decision is final, so there are no more snacky treats. He quite likes the thing where if you scratch a cat’s butt, it will move it upwards. Loves doing that to your cats, it’s funny and endearing to him. When your cats are sleeping on top of him, then he won’t particularly budge either. He’ll pat them, but he will also move them if he really needs to use the bathroom. No privileges for your cats this time. However, considering he is, more often than not, pretty tired, he will pretty much always take a nap with your cats if he can. The pressure on his chest is comforting to him, plus he gets to feel something nicely warm and furry on top of him as well. However, he sometimes moves in his sleep, which might wake up your cats, which might wake up him. It’s a never ending circle, but if he can, he’ll just sleep with your cats in his arms. Take a picture of him like that and he’ll try to take embarrassing pictures of you as well with your cats.

Graves: He is definitely more of a dog person, since those are strong and reliable. A cat will meow at you in the dead of the night because it knocked over its water bowl and can’t turn on the faucet on its own. Honestly? He always has something to complain about. Your cat pooped again. It knocked over the food bowl. It farted in his face. Things like that. He means them, but the way he says those things is sort of just funny. Imagine a 40 year old man having beef with a cat. He has very little shame when it comes to scolding your cats. At first, he will use his human words to get them to listen. But as soon as he realizes they believe it’s snuggle time, he will meow at them, making the situation even worse. However, every time you hand him one of your cats, he will take it from your arms and cuddle it a bit. Every time one of the critters walks up to him, demanding attention, he will pick it up and carry it around a bit. Sometimes in his arms, sometimes he just slings the cat over his shoulder and keeps it there. It’s sort of funny, he might pretend to really hate them, but he would never yell at them, only be stern and tell them to not be so gluttonous. When your cats are sleeping on top of him, he does not move an inch. He would never admit it, but they are your shared furry babies and he, like any American, would shoot anyone who ever tried to hurt you or them. Takes naps too when he can, or when nothing of interest is on TV, but he prefers getting to hold something instead of having your cats lie on top of you. You can take pictures of him to show him that he really doesn’t hate your cats as much as he pretends to, but he will always claim you photoshopped it, despite knowing fully well that happened.

[atopvisenyashill]

connections between naerys and sansa?

There’s plenty! She’s very much in a Naerys/Aegon scenario in ASOS & ACOK, where she has no ability to leave the capital, no one doing anything meaningful to protect her, and a King that is obsessed with sexually humiliating her. There’s a lot of romanticism and chivalry surrounding her character and how other people react to her character, the same as Naerys.

But also, Sansa makes the comparisons to Naerys herself, and she does it before she realizes what kind of person Joffrey is! In fact, it starts with her very first chapter where she compares Joffrey interrupting Ilyn Payne & Sandor Clegane to Aemon demanding a trial by combat against Ser Morgil:

A whole day with her prince! She gazed at Joffrey worshipfully. He was so gallant, she thought. The way he had rescued her from Ser Ilyn and the Hound, why, it was almost like the songs, like the time Serwyn of the Mirror Shield saved the Princess Daeryssa from the giants, or Prince Aemon the Dragonknight championing Queen Naerys's honor against evil Ser Morgil's slanders.

She will compare Joffrey to Aemon and herself to Naerys again later, to Ned:

"Father, I only just now remembered, I can't go away, I'm to marry Prince Joffrey." She tried to smile bravely for him. "I love him, Father, I truly truly do, I love him as much as Queen Naerys loved Prince Aemon the Dragonknight, as much as Jonquil loved Ser Florian. I want to be his queen and have his babies."

(lowkey she’s so fucking funny for that “i only just now remembered” comment, idk how ned kept a straight face for it)

She then uses Aemon (and the Cargyll twins) to make Tommen feel better and dunk on Joffrey:

Prince Tommen sobbed. "You mew like a suckling babe," his brother hissed at him. "Princes aren't supposed to cry." "Prince Aemon the Dragonknight cried the day Princess Naerys wed his brother Aegon," Sansa Stark said, "and the twins Ser Arryk and Ser Erryk died with tears on their cheeks after each had given the other a mortal wound." "Be quiet, or I'll have Ser Meryn give you a mortal wound," Joffrey told his betrothed.

Again, there’s a focus on Aemon’s romantic relationship with Naerys because that's what appeals to Sansa. But when people say "Sansa sees the world through stories" it's not just about how she romanticizes or idolizes knighthood, nobility, and chivalry - she thinks through information by comparing it with similar historical events or stories and analyzing it. She clearly sees the problem with Loras protecting Margaery from Joffrey by comparing him to the Toynes instead of Aemon, and Joffrey (once again) to Aegon the Unworthy:

She is so brave, Sansa thought, galloping after her . . . and yet, her doubts still gnawed at her. Ser Loras was a great knight, all agreed. But Joffrey had other Kingsguard, and gold cloaks and red cloaks besides, and when he was older he would command armies of his own. Aegon the Unworthy had never harmed Queen Naerys, perhaps for fear of their brother the Dragonknight . . . but when another of his Kingsguard fell in love with one of his mistresses, the king had taken both their heads. Ser Loras is a Tyrell, Sansa reminded herself. That other knight was only a Toyne. His brothers had no armies, no way to avenge him but with swords. Yet the more she thought about it all, the more she wondered. Joff might restrain himself for a few turns, perhaps as long as a year, but soon or late he will show his claws, and when he does . . . The realm might have a second Kingslayer, and there would be war inside the city, as the men of the lion and the men of the rose made the gutters run red.

She’s also not wrong in her assessment here because the Tyrells (my guess is Garlan and Olenna) are so worried about this outcome they just murder Joffrey and install Tommen; like Bethany Bracken, Margaery is groomed (with all the implications that are included in such a loaded term) to be sexually available to the King because her father wants power and doesn't care if his daughter is sexually abused to get it. Like Terrance Toyne, Loras is considered attractive, skilled, and has several brothers more than willing to start a war to avenge his death. I think it's incredibly intuitive that Sansa ultimately comes to the same conclusion as two seasoned political players like (presumably) Olenna and Garlan come to, and she makes this judgement call very quickly!

And Sansa also hits on a lot of (correct) similarities when she makes these comparisons between Joffrey's court and Aegon the Unworthy's court; Aegon and Joffrey both have wild, violent temperaments while being notoriously difficult to control. It’s not just Naerys that attempts to get Aegon to stop marital raping her; Aemon’s useless tears aside, Viserys does do the bare minimum here in sending Aegon away so Naerys can heal from her miscarriages, Daeron got shitty with the Brackens about being tacky over Naerys' marital rape and ill health, Baelor fasts himself to death over Naerys’ miscarriages, etc etc. All of the “authority figures” around Aegon think his behavior is wrong but Aegon proves stubbornly difficult to control or kill. Joffrey falls along these same lines - Cersei, Robert, Tyrion, Tywin, and even Varys all struggle to get some control over Joffrey but like Aegon, he knows once he’s of age and has that crown he doesn’t have to answer for SHIT and stubbornly resists every attempt to curb his behavior. Joffrey is a hell scenario waiting to happen because like Aegon, he’s petty and petulant enough to pull the stunts Aegon pulls like pitting his true born kids against his bastard born ones and causing another violent succession crisis. I say this as like, the ultimate Joffrey Apologist here, lmaooo, he has reasons for being a nasty piece of shit but the Tyrells are right to look at him and go “oh that’s trouble” because he is a ticking time bomb. And the crazy thing is, it’s not just Sansa who compares Joffrey to Aegon the Unworthy:

"A king can have other women. Whores. My father did. One of the Aegons did too. The third one, or the fourth. He had lots of whores and lots of bastards." As they whirled to the music, Joff gave her a moist kiss. "My uncle will bring you to my bed whenever I command it." Sansa shook her head. "He won't." "He will, or I'll have his head. That King Aegon, he had any woman he wanted, whether they were married or no."

Joffrey makes the comparison himself. He's a piece of work just like his hero and he is directly threatening to rape Sansa the same way Aegon raped Naerys and poor Bethany Bracken. He is directly admitting he is "unworthy" and practically daring all of KL to overthrow him for it because he thinks they'll blink before he does (and he is unfortunately deadly wrong in this assumption).

And when you extrapolate out from there, you can see other, similar patterns between Naerys' life and Sansa's, beyond the Joffrey-Aegon, Margaery-Bethany, Loras-Terrance, and Sansa-Naerys parallels. Tyrion himself aspires to be a sort of Viserys II type player (see: "It should have been called the Lives of Five Kings" rant he gives to Oberyn); a power behind the throne directing his crazy family to do what's right or smart or proper. There's an interesting echo in Viserys taking direct action in sending Aegon away from Naerys and Tyrion stopping Joffrey in his assault of Sansa - like Viserys, he can see the monster in the king he is raising, makes an attempt to stop it, but fails because he underestimates just how dangerous and erratic his little king has become. Like Viserys, Tyrion is suspected of poisoning his own nephew in an attempt to get closer to power and the throne (and Viserys, like Tyrion, is probably innocent - the sort of fasting that Baelor was doing regularly is hard on the body!).

I don't think any of this is coincidental or accidental either, because of that haunting scene where Joffrey destroys the gift Tyrion got him. Here's the scene, excuse the wall of text, but it's important:

He plays the gracious king today. Joffrey could be gallant when it suited him, Sansa knew, but it seemed to suit him less and less. Indeed, all his courtesy vanished at once when Tyrion presented him with their own gift: a huge old book called Lives of Four Kings, bound in leather and gorgeously illuminated. The king leafed through it with no interest. "And what is this, Uncle?" A book. Sansa wondered if Joffrey moved those fat wormy lips of his when he read. "Grand Maester Kaeth's history of the reigns of Daeron the Young Dragon, Baelor the Blessed, Aegon the Unworthy, and Daeron the Good," her small husband answered. "A book every king should read, Your Grace," said Ser Kevan. “My father had no time for books.” Joffrey shoved the tome across the table. “If you read less, Uncle Imp, perhaps Lady Sansa would have a baby in her belly by now.” He laughed … and when the king laughs, the court laughs with him. “Don’t be sad, Sansa, once I’ve gotten Queen Margaery with child I’ll visit your bedchamber and show my little uncle how it’s done.” Sansa reddened. She glanced nervously at Tyrion, afraid of what he might say. This could turn as nasty as the bedding had at their own feast. But for once the dwarf filled his mouth with wine instead of words... [Joffrey gets a Valyrian sword and figures out a name for it, Widow's Wail, it's a few pages, it's not relevant here] Joffrey brought Widow’s Wail down in a savage two-handed slice, onto the book that Tyrion had given him. The heavy leather cover parted at a stroke. “Sharp! I told you, I am no stranger to Valyrian steel.” It took him half a dozen further cuts to hack the thick tome apart, and the boy was breathless by the time he was done. Sansa could feel her husband struggling with his fury as Ser Osmund Kettleblack shouted, “I pray you never turn that wicked edge on me, sire.” “See that you never give me cause, ser.” Joffrey flicked a chunk of Lives of Four Kings off the table at swordpoint, then slid Widow’s Wail back into its scabbard. “Your Grace,” Ser Garlan Tyrell said. “Perhaps you did not know. In all of Westeros there were but four copies of that book illuminated in Kaeth’s own hand.” “Now there are three.” Joffrey undid his old swordbelt to don his new one. “You and Lady Sansa owe me a better present, Uncle Imp. This one is all chopped to pieces.”

God I love that passage so much. There's a lot there but what's relevant is a) both Oberyn and Garlan are trying to get a measure of who Joffrey is, and have some child murdering plans potentially in the works during this scene. Watching Joffrey destroy a priceless tome of history given as a well thought, well meant, incredibly generous (and pointed) gift from his uncle is more than enough proof for either man to decide Joffrey is not worth the headache, and please note Garlan is the only person to call Joffrey out to his face, and Oberyn is a few pages later the only person to acknowledge this was a fantastic and kind gift from Tyrion that Joffrey reacted absolutely deranged towards for no reason. and b) Tyrion is almost literally saying to Joffrey "I can be your Viserys, I can make it so you're remembered as a great king the way Daeron II or Baelor are, or a great warrior like Daeron I, but you have to understand the reason why I'm worried about your behavior" and Joffrey does the most destructive, unworthy thing he can possibly do - he quite literally destroys priceless, useful historical knowledge and wisdom with his bare hands, in favor of senseless, petulant violence. As Catelyn would say, Joffrey's real bride is not Margaery, but the war he's fighting and the crown on his head.

All of this to say - there's a lot of parallels between Sansa's situation in KL and Naery's life and these parallels are drawn not only by Sansa herself, but also by several people around her. However, I hope for better things for Sansa than what poor Naerys got - I hope for an Aemon the Dragonknight that will do more than just cry while she's raped, but actually step into that room and defend her, or else give her the power to defend herself. Despite the long wait for The Winds of Winter, I also think it's likely we will get some sort of Dragonknight, devoted sworn sword for Sansa and this person will help protect her, and Sansa will have agency that Naerys could only ever dream of.

[good-beansdraws]

Mutual left this tag on one of my Fuuta analyses and yeah...

Part two of "Fuuta’s central theme is invasion of privacy and he has extreme anxiety over being watched, so it's interesting that we get to pick him apart and see all his worst, most private thoughts" :(

[baby-xemnas]

dead strawhat! booo dead strawhat!! 😂

he is so damn MEAN. she already wasnt hiding that she cares about luffy A LOT you didnt have to test her 😭😭

[fatuismooches]

EVEN MORE CUTE DOTTORE MOMENTS TO MAKE YOU SMILE 🙏 (because I am too tired to post anything of quality)

[fumifooms]

I think you made me start shipping Marchil

Your posts got me thinking about their dynamic then I wrote a fic that was supposed to be platonic but midway through I realized it could actually be interpreted as romantic too and now I'm just sad about how little time they'll have together

First of all, you have a lovely icon, second, I’m so honored… I finally read Not a bad way to go and it was soo so good like. My god!!! Pre-canon is underused and you did so many interesting things with it.

It sounded like a cruel joke, that the one who needed her concern the most was also the one least interested in it.

^^^ go read it go read it

Chilchuck was drunk enough that he needed to hold onto the walls not to fall, but apparently still sober enough to remember emotional vulnerability was his worst enemy, as he made sure to avert her eyes and said: “Namari made me come talk to you ” to make it clear he wasn't being nice voluntarily.

Yeah.

“Of course I'm scared of dying.” He scoffed. Did she really think so little of him? “But if I could choose, I would want to die doing something I love, like drinking. Or maybe fucking,”

Maybe you wish you didn’t know but my new favorite HC because of this is that Chil dies yes prematurely not of liver failure though but during coitus. Especially if marchil, the thought of him busting a nut and his heart giving out makes me laugh so hard. My god. Lmao. Oh god. Lmfao. Worst day of her life

Marcille knew Chilchuck wasn't a kid, but she often struggled to take him seriously as an adult because he was just so adorable and small. In this moment, however, she saw them exactly for what they were, even if it was just a glimpse. A sheltered, naive little girl trying to tell a tired, much more experienced man how to live the rest of his life.

Standing ovation

She tried to find an explanation to give him, but she couldn't even find one for herself. Why would she miss him? He was just Chilchuck, her coworker, Chilchuck who was cold, aloof, sometimes crass, evasive, and even outright mean. He who was level headed, reliable, trustworthy, perceptive and clever. He who had the least time left, even in a best case scenario. “I guess that despite your best efforts, there's still a lot to like about you.”

This fic goes so hard, standing ovation pt 2

“I just think it's better if we don't get too close. Don't you agree?” “I… maybe” she said, uncertain as he didn't know how to feel about that. Caring about people would only hurt her in the wrong run, she knew that, but unfortunately she couldn't help it.

I looove how they can be read to be similar on this aspect. My hand clenching around my phone as I rear up to rant about Marcille and the way she does keep people at an arm’s length subconsciously again my god my goood. Obsessed with this obsessed with this, underused for marchil. Terrified of loss through death vs rejection duo I love youuu

Brilliant ending I’m in shambles. I’m not gonna spoil it

You get marchil so much you truly do. The way they mesh, the way their views on mortality clash and both soothe & bruise… He doesn’t have much time left even in best case scenario (which Mr I won’t eat well I’ll drink and smoke a lot I’ll stress all day every day is determined to not make happen) which makes it all the more meaningful for Marcille’s arc when she learns from him to finally enjoy the present moments… It’ll only be a fraction of her life, but to him he’s giving her the rest of his life. What are some decades of love worth? Worth it, surely, if nothing else

[ybkitten]

He might be my boy but he's still going in the cube. I'm sorry Doppo. Anyway-

It's Doppo Day and it's MerMay so it's time to draw fanart for a mermaid Doppo fanfiction I read!! You should go read @partywo's deep serpentine! And its sequel, brackish, boiling! It's good! I'm eating it like a man starved for Matenro.

[aquickstart]

pls may i have some saltburn takes. i saw u liked my post abt oliver never having read the reading list and it made me giggle.

OH YES DUDE oh i Loved that post because it brings up actually something that for some reason i haven't seen discussed much. oliver's unreliable narration.

i have a brilliant, i think, genius four-question plan for making people understand saltburn, and it has worked before and i will maybe elaborate on it, but not right now. right now i'll talk about one of the questions.

who is oliver telling this story to, and why?

we've established that he's an unreliable narrator at least because it's the logical conclusion for a movie shot in a way that opens and closes with his narrative. but what does oliver being untruthful actually mean for what we know about anything and everything that happened. have you ever obsessed over this particular question. well. i have.

my hot take, first of all, is that oliver is not that smart. he's clever, but the point of the movie is that he's caught up in and driven by desire; desire, pointedly, in the moment, merging desire, adapting to circumstance and leading him on. his want is not concrete from the beginning. his want is insatiable hunger that grows.

so, okay, from the top. the whole meet-cute with felix? because of a punctured tire? eh. idk if that's true. the money thing at the bar, pretending to not have any while he actually did? eh, perhaps. chronologically he then lies to felix about his dad, and this is big, this is deliberate, this is what ties felix to him for good.

what if the first two instances were coincidences? like, felix genuinely in trouble then, oliver genuinely out of cash. makes sense to become attached and actually do something, something impulsive, drastic, when felix seems to be drifting away, and lie about his dad.

interjection: you might be saying, nadia, he lied about his family from the get-go. well of course. i didn't say he's not smart enough to clock what image of a damsel in distress felix would gobble up. i'm saying he didn't do it for the long game, because there was no long game to speak of, as narrator-oliver would have you believe. i think he wanted felix so badly in that moment of several months in oxford, i think he was so blinded that he would've said anything. and he did.

now, i've briefly talked about oliver's feelings about the invitation to saltburn, and i think this is very important here. in the moment, he couldn't possibly know what exactly this invitation could mean, in the long run, only that it is definitely the next step in progression of desire for felix. present-day oliver interjection, and i believed him, after felix said he could leave anytime, i read as a slip up, an admission that oliver didn't plan shit, or at least from the beginning he didn't. it lured him in as soon as he got there, gothic house driving mad-style. he held on to a dream of something elusive (felix as a friend? lover? forever-partner in whatever capacity? i want him so bad i don't care what he is as long as he's there? please? please?).

the other obvious hole to poke at is in the end. venetia very conveniently takes the razors he places for her, and while sure, it could be read as him just hinting at how he conveniently read her fragile state and took advantage of it, i don't buy it. (i'm honestly even tempted to suggest he met elspeth on accident, to then spin a pretty story for his own sake, but him keeping tabs on the surviving cattons all those years tracks with what we know about obsessive oliver; he's definitely known about her flat for a while.)

but those are all minor stuff. i get completely if you think i'm reading too much into it and this is all just a headcanon after all, to be fair. BUT. but.

my second big take is that oliver was/is madly in love with felix. i know, shocking. but you have probably seen people say he wasn't. i will elaborate.

i wasn't in love with him. i loved him. i hated him. what does this sound like. have you ever had a friend come to you after a breakup fuming and telling you how they'll never end up with this asshole for sure and then get back together with him and then break up and say the same thing again.

i loved him, but i wasn't in love with him. i know everyone thought i was, but i wasn't. have you never told anyone something of the sort, specifically the last part, to emphasize just how it's everyone around you that's kinda hung up on whatever it is, and you've moved way past it, actually. have you never told yourself that.

i have. i know many other people who have, too. so, who is oliver telling this story to, and why? there's no one but dead elspeth in front of him. there's no one but himself. fun fact: each time you recall an event, it distorts under the influence of the mix of past and present emotions. each time you recall, you mold memory (source, e.g., x). the way i personally see it, oliver, for whatever reason, retells the story in order to solidify his own memory of it in the way that he wants to remember it. whatever he says, this is his final word, and this is his final truth.

this is also why details slip through, like my beloved i believed him, like the emotional i hated him growing into self-convincing, misleadingly dismissive, definitely unsure i hated him by the end. those are the true emotions that he recalls, those are the times that are hard to rewrite, for whatever reason.

of course, he hated them all. but before that, he loved felix to the point of blindly following where felix's desire led oliver, at least the way oliver perceived felix's desire. it failed, crucially, when felix's desire brought them to the center of the labyrinth, where oliver could not be the desired anymore.

my third hot take in connection to this is that oliver did not know he would kill felix until the very night he did it. he didn't know it, i think, until the last hour, until felix refused to reconcile completely, until he made his blood run cold. i also briefly mention it here, specifically how farleigh is tragically connected to felix's death, in my opinion. this tracks with, again, my strong belief that oliver lies, lies and lies throughout this whole story about wanting to take everything from felix from the beginning; no, he fucking didn't. he wanted felix. he wanted felix to be his. that was number one priority. he wanted felix and whatever else came with it, undoubtedly, but not the other way around.

paradoxically, he also wanted to be felix; he wanted to be him and be with him just as us tumblr people can often relate and the tragedy is that you always have to choose. felix pushed him away, so there was no other choice but to take what was left of felix that oliver could take. hence the clothes wearing, the table scene talk, the refusal to leave.

felix chose not to choose oliver, so oliver became felix. it's his fault. felix promised oliver could leave. felix left instead. what was oliver to do.

but to your point about the books, i think it could be either way, actually. i think he could have lied about it because technically that's also in character for him, he was performing for an audience of his tutor. but i also think that he was, genuinely, a nerd before he came to oxford, and he didn't, and still doesn't, have any friends, and he hates his sisters and his mother and is miserable. he's the perfect profile of someone who'd read king james' bible over the summer, and then some, imma be honest.

so, yes. i think oliver lies about most things in saltburn and i think he's pathetic, lost, confused, grieving, angry, horny, down bad and in denial. and i fucking love him. i so fuckin do.

[sualne]

Listen as someone who has been obsessed with vampires like my entire life (but not in a ooh there sexy way its like the symbolism man of what vampires can mean) i am a huge fan of your op vanpire au.

I know you just made a post with lore (amazing art btw) but is there anything else about the au you want to talk about. Id love to hear everything

there's a lot of things i want to talk about the au!! im going to use the frantic energy from the year to get myself some bravery and say some of it is inspired by my own experiences with hallucinations and delusion (dont ask about it pls), with the au i want to explore what it would be like having the person who changed you being very literally stuck with you.

i love stories where characters end up sharing a mind and/or body, i also really dont like when its just good person vs bad person, nuance is a lot more fun lol. the relationship luffy and mingo will be forced into stuck as they are is something important to me. mingo is an awful monster but since he can feel everything luffy does he ends up trying to teach him how to live as a vampire, how to take care of himself. im also very found of the concept of parasite (they're literally the worst thing ever and so fucking scary, so naturally they keep coming up in my stories).

it's also about luffy's body and mind failing him, because of the mindlink he has a hard time knowing where he is, sometimes who he is, what is relationships were supposed to be with others, it gets complicated for him! how hard it is to go through one's daily life when your sense are all messed up! (mingo also struggles with that a bit, but this isn't about him, even thought it's new for him too he get used to it much more easily for plot convenience).

other's ppl reaction to the situation also, i feel, completely unconsciously was also incidentally inspired by my own fear of being seen as a monster or dangerous, something to be put down or locked away!

there's also a few jokes in that lore post that reflects this here:

bugs are a pretty common brand of hallucination, be they crawling in the corner of your sight or inside you, making you feel like a walking hives, this was a funny reference to that!

"surprisingly he doesn't start biting people or become violent." this is my not very subtle "mentally ill and neurodivergent folks aren't inherently dangerous pls stop killing us". the occasional euphoria from bloodthist is vaguely inspired by some manic episode, the happy kind.

there's more, about the way this is about trauma and feeling alienated, i guess this is also a "character realize they've got a disorder/develop one and now has to live with it" kind of story.

[crystallizsch]

Hello Ian! ♡

I'm so glad you liked the first Jamiyuu fic I wrote! Here is the fic we discussed based on your glomas drawings!

I hope you enjoy! ♡

No matter the crowd, no matter the room, Jamil and Yuusha are always able to find each other somehow.

A masquerade where masks are adorn, identities meant to be concealed. Yet, here they were again, their eyes locking from across the room.

The ballroom was filled with people, some dancing while others mingled. Jamil stood near some of the others, looking around and taking in the sights. The room was extravagant, from the architecture, to the decor, to the outfits of those in attendance. His gaze lingered on the dance floor for a moment, watching couples as they twirled around. They looked to be in their own world, laughing and enjoying the company of their partner as they danced. The sight made Jamil's thoughts stray for a moment, imagining himself out there, dancing with Yuusha.

He shook his head in an attempt to clear his mind, his eyes leaving the dance floor. As he looked away he locked eyes with someone across the room, the very person that wouldn't leave his thoughts. It was just like at Night Raven, during one of Kalim's parties or in the halls, his eyes never failing to find Yuusha's. Just what was it about her, that he couldn't look away? Just what was it about her, that caused him to stare?

At first it wasn't anything nice, he had plans after all, goals that he needed to achieve. He had to keep an eye out, had to watch out for her, as he couldn't let anything, or anyone, interfere. Yet, as his plans crumbled before him, he found himself still looking, still watching, unable to look away. They had grown closer since then, closer than Jamil could have imagined.

He found himself smiling, his eyes still locked with Yuusha's as she smiled back. They've truly come far from how they started, Jamil closing his eyes as he turned away. As he was debating leaving, he heard someone approach him, a familiar voice behind him,

"Where do you think you're going?"

He turns to find Yuusha standing before him, her hand held out towards him,

"I believe you owe me a dance"

He looks at her, at her outstretched hand, and considers it. Here, they weren't Yuusha and Jamil. Here, they were strangers, their masks making their identities. As he takes her hand and they make their way to the dance floor, he pretends. He pretends that they met under better circumstances, holding her close. He pretends that she was his, as they twirl by other couples. He hopes this won't be their last dance, pretending the masquerade didn't have to end.

Oh, to dance with you, forever and always

No matter where or when, my hand will always reach out for you

My first dance, my last dance, the only dance I crave

Let my love move you, with the words I dare not say ♡

Thank you! ♡

HELP I AM SOBBINGG --

I’M JUST GIGGLING KICKING MY FEET EVERY TIME I REREAD THIS IM HNDBAJSHS THANK YOU

I REALLY LOVE YOUR TAKE ON MY GLOMAS POST IM NOT NORMAL ABOUT THIS --

my glomas brainrot hngghh and dancing is one of yuusha and jamil's love languages so i'm just ,,,, aaghhhh save me

BUT ANYWAYS IM GONNA RAMBLE A BIT -- (also i love the whole thing i just want to point out the things that im most crazy about hdshsj)

Just what was it about her, that he couldn't look away? Just what was it about her, that caused him to stare? At first it wasn't anything nice, he had plans after all, goals that he needed to achieve. He had to keep an eye out, had to watch out for her, as he couldn't let anything, or anyone, interfere. Yet, as his plans crumbled before him, he found himself still looking, still watching, unable to look away.

ur honor ;;; his plans are being foiled by this woman how is jamil going to save himself from this (he cannot)

AKHDJSKSJ OKAY SO

i’ve been crazy about the idea with jamil being having future plans for him and himself only and then suddenly he finds someone that he actually genuinely likes that he cant imagine those plans without them???

ugh good food good food i’m so happy this was here it is SO cute 😭💕

Here, they weren't Yuusha and Jamil. Here, they were strangers, their masks making their identities. As he takes her hand and they make their way to the dance floor, he pretends. He pretends that they met under better circumstances, holding her close. He pretends that she was his, as they twirl by other couples. He hopes this won't be their last dance, pretending the masquerade didn't have to end.

AUGHHH MY HEARTTT

jamil sir all you do is pretend it is time to let your true colors (and feelings) fly

i love that he is thinking about the what ifs and also how he is hoping he continues to spend time with her knowing it’s not gonna be possible

AND ALSO the line “they weren’t Yuusha and Jamil” and the following one -

i am goin insane about it i don’t know how to put it all properly into words but im gonna try --

like YEAH despite the masks, despite knowing who each other is underneath it, they don’t truly know each other, but it doesn’t matter because right now it’s just this dance, nothing else, and only each other 🥺🥺🥺

Oh, to dance with you, forever and always No matter where or when, my hand will always reach out for you My first dance, my last dance, the only dance I crave Let my love move you, with the words I dare not say ♡

AND THIS LAST PART ^^^^^^ I’M OBSESSED THAT YOU ENDED IT WITH THIS IT’S SO ADORABLE AND SO FLUFFY

my thoughts on this too is basically the last thing that i said about only being them in their own world basically especially with the last line ,,, oughh i’m just sobbinf --

AAHHHH ANYWAYS I ATE SO WELL WITH THESE SHEEP YOU HAVE NO IDEA THANK YOU

AND I COULDNT HELP IT BUT I DREW FOR THEM AGAIN AHHH

(ack the masks kind of hid their expressions so i didnt put it on them and i realized that’s kind of against the point but im stubborn and i NEED to show their expressions)

(also this hamilton lyric fits the vibe of this but omg this musical needs to leave me aloneeeee)

[hyperrealisticblood]

"its so crazy how everyone thought wally darling was this scary domineering yandere sexyman when hes actually a silly little goofball" yes you are correct about the first part!! unfortunately you seem to have completely lost the plot otherwise!!

is wally darling a silly guy?? yes!! he is silly and whimsical and he loves his friends and wants people to smile!! objectively a nice, silly guy. unfortunately you seem to have missed the fact that he is also prone to emotional instability and becoming some kind of analog horror entity. you see this clearly in the old hidden audios, where he slowly drops his "show" persona and becomes more intense and demanding and disturbing. same with the ending of the homewarming storybook where he starts getting frustrated with his inability to make home happy. (btw speaking as a fellow autistic person with bad emotional control and anger management, real recognizes real) i don't think wallys entire personality is a facade or anything like that, but i think it's becoming clear that there's a lot about him that we don't know. i'm not even getting into The Mold That Makes You Hallucinate because that might be a home thing and not a wally thing, but him being the one causing it is still very possible!!

we know that the idea of wally being the cut and dry antagonist of the story was scrapped when the story was reworked, but it's extremely likely that he retained at least SOME of his less savory traits from his original incarnation. i don't think he's a bad person or intentionally malicious or anything like that, but we need to remember that no matter how silly and wholesome wally is on the surface, he's the neighbor we know the least about.

and there's very likely a reason for that.

[irritablepoe]

ok, i know i've done this analysis before though it has been an addition to another post of mine and most people only see the first post - soooo i'm gonna list the main points on here again

ok first i was like - this looks like fyodor, right? like the hair, the wound, the white clothes, and ofc the fact that he is nailed to a cross. fyodor sees himself as a kind of messiah, so it would make sense for him to think that he's dying for the sins of others. he also lies his actions and his life into god's hands as in "he's doing what god would want". come to think of it, fyodor's death might be fyodor's way of "cleansing the earth of sin" but i don't know if he sees it that way. anyways, i'm going to explain now why i think this is fyodor up there and why i think this scene already foretold fyodor's death.

now, there's so much to find in the light novel. we see fyodor at the end of the untold origins adaption and this might be a very obvious hint that fyodor's death is foretold in untold origins already. but the stage play reveals a lot, too.

first of all the stage play's summary is "an angel who murders", specifically an angel that kills their own kind.

that sounds an awful lot like fyodor doesn't it? he wants to kill all ability users after all. Now, i see fyodor in the murderer here, but i also see him in the victim bc of the following quote.

fyodor has been stabbed (not with a knife but yk), he fell with the helicopter, and he was poisoned. The heavy water could possibly count as strangulation but that might be me reaching. while most of this could also connect to dazai, he was shot by fyodor, not stabbed. it could potentially also relate to sigma, who fell with the elevator, was strangled by teruko and one could potentially say he was poisoned by fyodor's memories. also there is nothing unique about the ways they are murdered. fyodor sees sigma as an ordinary man. i'm kinda torn on this.

"if it was an angel, they would use the devine blade in their hand" like come on...

it's said in the stage play that there are 12 victims. someone in the other post mentioned that there were 12 apostles, though i don't know how this would make much sense in this context other than the connection to fyodor, that sees himself as jesus 2.0

ofc ofc there's also the judas x jesus dynamic between nikolai and fyodor here. nikolai being the one that wants to kill fyodor and "hires" dazai to do just that. though ofc nikolai regrets it immediately. also if we connect the 12 apostles that would be the 12 victims of the play or rather of fyodor, nikolai would've been beyond those victims, too. he was supposed to die.

also, i know this is about murakami BUT "the killer became the victim"!!!

idk if i have a final point here other than "look! this is connected!", but thank you anyways for everyone that commented on the last post, i included a lot of your points as well (if you want to be tagged, i'll do that ofc :3)

thank you for reading!

[valaruakars]

We Have Chemistry (Together)

A bonus chapter/prequel oneshot for Let's Get Physical

Gen || Jayce & Viktor || 3.7k || Modern/College AU || Ao3 Link Tags: Baby frat boy Jayce, developing friendships, misunderstandings, emotional hurt/comfort (shitty), hazing, underage drinking (for us USAmericans), alternating POV, no Beef!Reader today sorry babes

Help is high on the list of what people typically want from Viktor. Usually in class. Sometimes in the elevator beforehand or in the hallway after, or following a light tap on the shoulder in the library. All academic help, strictly speaking. But this wasn't about their lab report.

Sweaty palms, shaky hands—he’s got one shot at this. One phone call. He knows the landline and his mom’s cell by heart, but he can’t call her. Can’t let her see him like this. Can’t think of who the hell else to call—who even memorizes phone numbers anymore?—so maybe he’d better get comfortable with sleeping upright and a permanent wedgie. There are worse things, like the disappointed purse of her lips; the way she sighs and bows her head and makes him wonder if it’s his fault her hair’s already shot through with gray.

Except.

Area code, same as the rest. Dorm number. Cait’s birthday.

He types it out. It looks as familiar on the screen now as the first time he saw that string of numbers, when the coincidences jumped out at him as the patterns in numbers always do. Enough to make an impression, apparently. Just like the person it belongs to.

Who, in all likelihood, won’t be thrilled about this.

But he decides then and there that he’s just desperate enough for normal underwear and his too-firm twin XL bed—and, fuck, there’s a quiz in materials performance first thing in the morning so he really needs the sleep—to hit call.

It rings three times. He feels a hot surge of nausea two in, the rising urge to puke into his purple foam hat. It’s bitter in his throat like those IPAs he didn’t want to drink in the first place, but he’s never been great with peer pressure.

And on the fourth, above the rustling:

“Hello?”

He sounds annoyed.

He usually sounds annoyed, but sometimes Jayce wonders if it’s all in his head, because Viktor’s voice softens when he explains the equations to the girl that sits next to him and snaps her gum too loud and misses every other class. He’s heard it gently ask the professor for a letter of recommendation in the hall after lecture, and lilt into the phone—in what? Russian?—on the bench outside before it. It’s only when Viktor’s talking to him, which is already rare, does it get quick and terse.

But maybe he hears it wrong half the time because there’s part of him that’s been intimidated since day one. That first day of class, when he’d taken the last seat at the front and stuck his hand out to the guy beside him. He was nervous. It felt like the right thing to do. But those egg-yolk eyes had ticked curtly from Jayce’s hand to the professor he’d just introduced himself to, with a detour to his crooked pink bow tie. Maybe it was a little much with the blazer and ironed slacks in sweltering August. And in hindsight, yeah, maybe shaking the professor’s hand and explaining how this class fit into his three year plan was definitely too much, but Jesus fucking Christ *was it also too much to just come out and call him egotistical *for it.

Without even shaking his hand! Who does that?

Really, he’s just trying to make this feel like a good idea. It’s not.

It’s also too late to back out. “Hey—Hi, yeah, it’s Jayce… Your lab partner. From chemistry?” He’s already started running his mouth.

“Ah. I realize.”

He wrings the hat in his lap. The iron-on stars are starting to peel off. Glitter flakes cling in the creases of his wet palms. It’s delusional, isn’t it, to imagine that Viktor doesn’t hate him.

Only with a deep breath can he get himself to say, “I know it’s late…”

“It is.”

“But I really need your help.”

—

Help is high on the list of what people typically want from Viktor.

It’s what he’s good for—all those questions along the lines of, ‘Did you do the homework?’ which means, ‘Can I copy it?’ (No.) Or, ‘Do you know what he’s talking about?’ which means, ‘Can you explain it like I’m five?’ (Yes, but try to keep up.) *Sometimes it’s, *‘Have you taken any of Heimer’s classes?’ which either means, ‘Can you give me the study guides?’ (There aren’t any.) or ‘Can you tutor me, but we somehow hook up and never speak of it again?’ (Depends.)

That’s usually in class. Sometimes in the elevator beforehand, or in the hallway after, or following a light tap on the shoulder in the library. All academic help, strictly speaking.

But this wasn’t about their lab report.

If anything, it should’ve been about their lab report. Because what else could Jayce Talis—who moved seats after the first day of class and made a face like a whipped animal when they were partnered for lab work last week, who pledged a fraternity (abhorrent) and has his pick of pretty friends—possibly want from him?

It feels as though he blinks and thirty five minutes of his life have just dissolved* since he hung up the call, so lost in theoreticals of *why *and *me that curiosity itself must’ve found his pants and his wallet and led him here by the hand. Rumpled, but fully clothed. This is novel and extremely necessary considering he’s standing in a squat, brutalist building at the front desk of campus security.

All because Jayce asked, ‘Can you come pick me up?’

And Viktor simply agreed.

There’s no bail, no paperwork, no real formality here. The only requirement to walk Jayce out is to be over the age of eighteen, and he clears that easily enough. The state ID he hands though the sliding glass window of reception says as much, but he still has to remind the campus cop who flips it over three times like there’s something confusing about it that it’s just as legitimate as a driver’s license, thank you.

“Time to go, Talis,” the man bellows, snapping Viktor’s ID onto the counter with thick fingers and no further acknowledgement. As he pockets it, a metal chair scrapes across the linoleum somewhere out of frame, behind a door with a decades old pin-punch lock.

“You’re a lucky one, kid,” the officer chuckles, deep and phlegmy with the sound of black lung. “If I hadn’t laughed so hard you’d be at county intake right now.”

“Do I… Um, do I need to sign something?” Jayce asks. His voice is world-weary more than ass-kissing.

“You want this on record?”

“No, sir.”

“Then there’s the exit.”

By that point, Viktor’s already tapping his way to it. Jayce will follow, and with his long legged stride, he will catch up easily. Probably to thank him with that performative politeness that drives him to say ma’am or sir *or to *shake the hands of strangers, and then they’ll go their separate ways after has Viktor served his purpose. Like whatever this was never happened.

Behind him, a hydraulic arm shrieks, the intake door claps shut, and Jayce whispers an apology to no one for rattling the lobby’s musty silence as Viktor pushes outside. The tepid night air rushing against his face, and because he’s not rude, he holds the door open for Jayce.

But Viktor gets stuck. Or maybe stunned. Perhaps it’s flummoxed, or even transfixed. There’s no one perfect word to describe why he’s stopped, blocking the door and staring, which is rude, but happens to him with enough regularity that he’s owed a pass or five, and he’s using one now.

He blinks.

Blinks again.

Once more, and yes, Jayce is still standing in the doorway clutching a cheap wizard hat in his hand and a child sized blanket around his body. It strains around the bulk of his arms, stretching, cracking the gold vinyl stars. It matches the purple beneath his eyes, complements the tawny red his face is turning, and does not, in fact, reach low enough to cover his too small speedo.

Or the knee high boots.

A cape, Viktor realizes. Not that he’s just eyed Jayce from top to bottom with enough scrutiny to notice that he’s unnaturally hairless and his thighs are ribbed with stretch marks, or that his own face is set in a hard frown like this is all somehow unsavory. (It’s… not. Definitely not.) No, Viktor simply notices that the starry patterned blanket has a collar, which makes it a cape.

And despite this revelation, the fact that Jayce is mostly naked remains unchanged.

‘Why’ is on the tip of his tongue. It usually is; its natural habitat is in his mouth. But Jayce’s eyes flit from Viktor’s down to his pointy toed boots, then back up again, and he preemptively explains, bitterly, “Nothing in the lost and found fit.” Which actually explains nothing.

Viktor nods as though he understands (he doesn’t), and forces himself to just start walking.

Jayce tails him down the sidewalk in uncomfortable silence. It’s when they pass the parking lot that Jayce picks up the pace, falling into stride side by side. The pieces fall into place too—late night, terrible costume, and now, the acerbic smell of stale beer wafting off him. Frat party.

It’s worse on Jayce’s breath. “So…” A tight, tried sort of impatience undercuts his attempt to sound casual. It’s familiar. Understandable, too, after sitting through a scared straight experience on a weeknight. “Where’d you park?” Jayce asks.

Lack of a car notwithstanding, the implication he’d ever be swindled out of eight hundred dollars a semester to park on campus is a joke. Not a laughable one. “I took the bus,” he flatly answers.

“Oh.”

For a moment, Viktor can ignore the palpable disappointment—that he is disappointing. He can even empathize with the situation. Riding public transit dressed like that isn’t exactly ideal. But then Jayce asks, “They run this late?”

“The city ones do.”

And then Jayce says, “It’s just… I don’t have any money.”

“They’re free to students.”

And then Jayce mutters, “Uh, cool. Good to know,” because he doesn’t have to know, has never had to know. And suddenly Viktor doesn’t feel so bad for him anymore, that he gets to learn tonight that need-based scholarships don’t buy cars or taxis, and that sometimes it’s slightly inconvenient when you fuck up. Perhaps that should be more obvious to someone who just lucked out with a slap on the wrist for flagrant underage drinking.

Except they stop and Jayce takes one look at the bus stop bench; notices—what is hopefully just—dried, congealed soda spilled across one side. He asks, “Do you want to sit?” because he’s ignorant, yes, but not the worst to ever live.

Viktor says, “No, thank you,” knowing what Jayce doesn’t: the bus schedule, and that up and down in short order won’t feel particularly good.

When it grinds to a halt at the curb two minutes later, Jayce pulls his student ID out of his boot and soldiers onboard with his head down. He collapses full bodied onto the seats running parallel down the center aisle the same way he'd collapsed on the bench outside: hunched over with his face in his hands. Luckily, people are sparse at this hour, and there is nobody sitting across from them. Unluckily, someone in the back laughs openly.

With so much space, Viktor leaves an open seat between them. It feels right. But in the awful fluorescence before the lights wink out, Jayce’s skin looks waxy and his shoulders rise and fall with the deep, intentional breaths, and Viktor is struck by how alone he is—how strange it is that he’s alone in this. Where are the drunk friends that should’ve been picked up with him, or the cavalry that should’ve pulled up in a dirty Jeep with Greek letters on the bumper to save him?

He sits up as the dark bus drives on, soberly tucking his cape and forearms over his stomach, and Viktor snatches his eyes away. It doesn’t add up—not really. Jayce* does not particularly like him*, and Jayce has other friends.

He should probably ask which dorm is Jayce’s or if he knows what stop to get off at, but he knows the right question now. “May I ask—?” Viktor tries.

Only to be shot down with a clipped, “No,” which is strange to be on the other side of, but he’ll learn nothing from it.

Viktor nods and sits back quietly, the plexiglass window cool against his skull. The vibrations ghost shifting patterns behind his eyes. The silence is filled with the rumble of the engine accelerating, and the time with drafting a polite, impersonal email in his head to request they not be partnered together in the future.

At the next stop, two people get off, and when the bus drives on the silence is different. It lacks the subtle undertone of whispers and snickering, of other passengers entirely. Viktor opens his eyes to find there’s no one else left but the driver with her headphones in.

“Okay, fine,” Jayce suddenly sighs, like he’s been holding his breath the whole time. “Ask.”

They don’t look at each other. Viktor watches the traffic light ahead tick to green out of the corner of his eye. “Why did you call me?”

Jayce leans back and groans, pained, into his hands. “No, about the outfit. You’re supposed to ask about the outfit, or the night, or how I got caught.” He pulls the tiny cape tightly around himself again. It doesn’t contain how badly he smells of pore-distilled alcohol and nervous sweat. “Any of those.”

He considers, briefly. “Explain the night, then.”

“I went to this pledge party…”

“On a Wednesday?” admonishes Viktor, who is known to stay out at the library until they banish him at close and sleeps the minimal amount to function most days of the week; who smokes and drinks and fucks enough for at least two frat boys, just in a wholly different context. Who is, sometimes, kind of a hypocrite.

“It’s Thursday now,” Jayce corrects as if it matters, stalling for seconds. ���It was mandatory, okay?” He’s embarrassed, shrinking in his seat. “They had us drink, then confiscated our phones and gave us these costumes. I was supposed to do magic—” which explains the conical wizard hat, ”—but I wasn’t doing a good enough job, so I had to go out onto campus on a special errand,” he accentuates with limp, one handed air quotes, “to, uh, get something.”

“Is that not considered, eh…?” Viktor forgets the word. It doesn’t have much of a place in his vocabulary; was never really relevant during freshman year orientation.

“Yeah, it’s hazing, but it’s not a big deal,” Jayce snaps, filling it in defensively. He deflates just as quickly, resigning to his lot. “It’s just something that happens.”

But Viktor shrugs, “I see no benefit to the situation.” That’s putting it mildly. He’d rather amputate his own leg than be humiliated and told what to do. “Quit.”

This is, apparently, an offensive suggestion. “It’s—No, it’s about the connections.” Jayce is resolute. “Networking. Knowing the right people who can probably get me in the door at the places I want to be one day.”

One word stands out: “Probably?”

“It’s not exactly guaranteed, but if it means the odds are better…”Jayce is less resolute. Like he’s trying to convince himself, confidence in his own choices waxing and waning fretfully.

“And,” asks Viktor, “you think this is worth it?”

“I don’t know,” Jayce whispers in a small, scratchy, tired voice. He knows what this means. The heinous costume; risking his academic career; having to embarrass himself in front of a classmate he hardly knows or cares about. “I just… I thought it would make it easier to make friends, but I don’t want the whole *parties and drinking and girls and ‘haha, isn’t it funny I failed that test?’ *experience.” For a moment he looks like he wants to put his face into the hat in his lap and scream. Instead, he pinches his eyes shut. “They pushed me harder than anyone else tonight, because they know I don’t belong. My grades just bring up their stupid academic average.”

Viktor doesn’t know what to say. It’s not uncommon, this helpless sensation of floundering when confided in, when faced with the enormity of things outside his ability to change or control. He didn’t know what to say when the girl he was tutoring last year told him she lost her scholarship, or when he caught Heimerdinger’s last TA sitting shell shocked on the bathroom floor after finding out their partner cheated. He didn’t know what to say when his mother told him babička wanted to go home home to die (she’s fine, just dramatic and bitter about getting old), or when she saw him changing his shirt while they were packing up the apartment and cried for how she failed him (she didn’t).

He does know that saying I’m sorry never feels right. That it’s empty, and nobody really feels better hearing it. But Jayce is smart and attractive and also, perhaps, just dramatic too. He belongs somewhere, even if he hasn’t found that place yet. “How valuable could these, eh, connections with stupid people be, hm?”

“I mean,” Jayce mutters, “it’s not that they’re stupid—”

“Don’t argue. I’m aware of nepotism and how it functions,” Viktor huffs, tempered by Jayce’s soft laugh of the same quality. “There are always other avenues to get what or where you want. Find them. Your time is better spent than,” he gestures broadly, “on this.”

“Yeah…” Jayce nods. It’s a kinder resignation this time. The troubled creases in his face start to ease away. “Okay.”

Cars pass. Silence settles, strange in that it’s easy. Or, it starts to. But Jayce takes a breath. Hesitates. Takes another one that turns into, “There was no one I could call.” He crosses his legs. Uncrosses them again. Can’t get comfortable with himself or the admission:* *“Not because they took my phone, there just isn’t anyone else.”

“Your friends?”

“Still in high school, and she’s not even old enough to drive yet.” He finds himself on the receiving end of a curious stare, and gets the why of it wrong. “It’s not like that, I swear,” he cringes. “She’s a lesbian, Viktor.” Which is all fine and good, but has nothing to do with why Jayce is speaking in singular. He asked about the plural.

“Your roommate?” he tries.

“Dropped out two weeks ago, and please don’t suggest my mom next.” Jayce rolls his eyes, and they don’t find their way back. He stares off, down at the floor, canting his head away. There’s glitter in his hair. “Trust me on this. It’s not like I wanted someone who hates me but has an oddly memorable phone number to be my one phone call tonight.”

He would’ve been allowed multiple phone calls is the first thing that Viktor thinks. The second: “I don’t dislike you.”

Another eye roll. “You gave me a look.”

“I look at plenty of people,” Viktor hand waves.

“No, a look,” he insists. “It was this ‘if we were in a Russian prison right now, I would shank you’ kind of look.” Viktor narrows his eyes, so he specifies, “When we got assigned in lab?”

“Why,” Viktor asks slowly, “is the prison Russian in this scenario?”

“Because you’re—”

“No. Do not finish that sentence.” Wildly rude and too common of an assumption, but, “In the spirit of forgiveness, I will let that slide,” he holds up a slender finger, “once.” Jayce mouths sorry as Viktor considers the sort of look his face is being accused of. “I…” But he only remembers reading the clear disappointment on Jayce’s. “Was probably thinking about something at the time,” Viktor shrugs.

“How much you wish I’d switch majors?”

“Mm, no. It was the end of class, so probably how much homework I could accomplish before work study, or how late to my next class I could reasonably be if I showed up with coffee from the dining hall.”

“Yeah, but…” He pivots in his seat. His thighs squeak on the plastic. “But you still called me egotistical on the first day of class!”

Yes, when Jayce made a painful show of ingratiating himself to the professor before class. Jayce throws that in his face like some sort of gotcha; in reality, it ranks one of his top ten social failures. “It was a question.” He was simply asking if, in hindsight, the action could be misconstrued as egotistical. “Not a criticism.”

But Jayce scoffs, “How was I supposed to think that when you wouldn’t even shake my hand?”

“It was stuck.” Viktor lifts up his right hand. Empty, but the cane still comes with it, dangling where it’s looped around his wrist. “You took yours away before I could get it out of the strap.”

“But I didn’t know yet that you—” Jayce scrubs his hand down his face, quiet until he whispers a revelatory, “Fuck.” Then a slightly hysterical, breathy, “Fuck,” and he’s smiling, gap-toothed and too brilliant for the lateness of hour.

“Eh, still a weird thing to do, though,” Viktor shrugs. He’s smiling a little too. It’s a private, wry thing. It’s a start.

And by the time they finish, on the other side of campus, on a sidewalk, at a bus stop much like the one they came from, things are very different.

For instance, Jayce has put the horrible wizard hat on. Ironically, of course.

They meander past the library, its windows tall and dark, cutting across the quad in front of it toward the residence halls. “What was your special errand, anyhow?” Viktor asks. “You never said. I’m curious.”

“Yeah, well, I’m trying to forget the horrors. Y’know, of getting caught trying to break into a building with my entire ass out,” he says sheepishly, catching the hat as it starts to slip. It’s not his entire ass. Only about eighty five percent. “I had to borrow something.”

There’s a word he’s avoiding. “What, exactly, were you trying to steal?”

“Borrow,” Jayce counters. “There’s this paperweight in Heimer’s office. Looks kind of like chalcedony, but it does have these faint striations, so I think it might be agate—

“I’m familiar.”

“Anyways, that. I was supposed to get that. Probably because it was impossible.”

“Mm, no, not impossible,” Viktor hums. “You should’ve called me sooner,” he says, dragging a carabiner from his pocket, stripped of paint and utterly ancient. When he holds it up, the street lights catch on tens of little metal teeth. “I have the key.”