#also I watched like maybe two or three episodes of TNG at a time some days later in the series

[catboyelimgarak]

Being the only one in my friendgroup watching Trek. On one hand I get to amuse/torment them with my Trek knowledge. On the other hand, no one to go to Trek cons with :’)

[curator-on-ao3]

Again, cool response to the last question, so I'll let you pick from these options:

And there are things I have fan-fixed in my head to the point that I have to remind myself that the fix-it isn’t part of the actual canon: favourite one of these?

Or

Your/a favourite part of actual canon. Like, maybe something little but it's just so lovely and fitting to you and you're just happy that it exists?

I’ve been a little down on Trek lately, so I’m going to type as fast as I can to brain-dump, in show order, the first things that pop into my mind that I absolutely love in Trek canon:

Kirk calling Nomad his son, the doctor

Christine Chapel’s snark to Roger Korby about schtupping the androids

Mark Leonard’s performance in Balance of Terror

the Horta (a great mama)

“Edith Keeler must die.”

Captain John Christopher, United States Air Force. Serial number 4857932.

Tribbles

the lesson of The Cloud Minders that we must have empathy and listen to others when they tell us about their lived experience in an environment unlike our own

the cheap-ass animation of TAS

Q

Bynars and Minuet

Beverly Crusher’s frustration in Arsenal of Freedom (and the episode’s Good Ship Lollipop joke)

Picard shooting the other version of himself in Time Squared (to clarify: out of respect for those times when we have to stop ourselves from getting caught in loops/doing stupid stuff and we summon up the courage to break a bad cycle and move forward)

K'Ehleyr

Picard out-lawyering the Sheliak

Rachel Garrett; Yar and Castillo

Lal (but I can’t watch the end anymore, it hurts too much)

the Shakespeare and “Set a course for Betazed. Warp 9.” comedy in Ménage a Troi

Best of Both Worlds, I and II (Shelby inclusive)

every conference table discussion in all of TNG

Beverly’s jump in Remember Me (such a damn good episode)

the reveal in Future Imperfect (which one? all of them)

The Dancing Doctor tap dancing with Data

Darmok. And Jalad. At Tenagra.

Ro Laren

Troi saying, “You could have easily been right” to Ro in Disaster

Hugh, Third of Five

the fact that The Next Phase has so many plotholes and they’re forgivable because the episode is so fun and great

Scotty on the holodeck version of the TOS bridge and Picard joining him

Rascals!

Deanna’s “Ancient West” outfit

the Jefferies tube music and make out session in Lessons

Attached. Oh, my heart.

the Enterprise with three nacelles … and that absolutely perfect last shot of the series

“You exist here.”

Sisko’s casual, everyday affection for Jake

“Old Man”

Rejoined. Lenara Khan. The love. That kiss. The emotional stakes. All of it.

the three Ferengi hitting their own heads to try to fix their universal translators so the 20th century Earth military people mimic the movement to try to communicate

every second of Trials and Tribble-ations including Sisko working overtime to stop fuckmaster Dax, tossing the tribbles, Sisko meeting Kirk, “We do not discuss it with outsiders,” and so much more

Kira blaming Bashir for putting the baby inside her when … you know … behind the scenes

The Sons of Mogh helping with the harvest in Children of Time

Far Beyond the Stars — some of the best if not the best science fiction I have ever seen

the monster fakeout (and kindness) in The Sound of Her Voice, even though the end makes me cry

“Computer, erase that entire personal log.”

Solok

Sisko and Kassidy discussing their comfort levels about a simulation in which the reality was segregation

Janeway waterfalling off the sofa to be closer to Mark on the screen

“Warp particles!”

the lizard babies

the two Janeways in Deadlock

Remember (a painfully good Holocaust episode that doesn’t get enough credit and, yes, I know the path the script took and I’m glad it ended up as a B’Elanna episode)

“I don't know what I'm seeking.” “Then I believe you are ready to begin.”

“The child you spoke of, the girl. Her favorite color was red.” Also, Tuvok’s meditation lamp in the window for Kes.

hot damn, Counterpoint, yaaas

everything in Relativity

“The Yankees, in six games.”

Janeway going after Seven in The Voyager Conspiracy

“This is Lieutenant Reginald Barclay at Starfleet Command.” “It's good to hear your voice, Lieutenant. We've been waiting a long time for this moment.” “The feeling is mutual. Unfortunately, the micro-wormhole is collapsing. We have only a few moments.” “Understood. We are transmitting our ship's logs, crew reports, and navigational records to you now.” “Acknowledged. And we're sending you data on some new hyper-subspace technology. We're hoping eventually to use it to keep in regular contact, and we're including some recommended modifications for your comm system.” “We'll implement them as soon as possible.” “There's someone else here who would also like to say something.” “This is Admiral Paris.” “Hello, sir.” “How are your people holding up?” “Very well. They're an exemplary crew, your son included.” “Tell him, tell him I miss him. And I'm proud of him.” “He heard you, Admiral.” “The wormhole is collapsing.” “I want you all to know we're doing everything we can to bring you home.” “We appreciate it, sir. Keep a docking bay open for us.”

“Nice hair.” (Live Fast and Prosper)

Janeway and Jaffen in Workforce

the spot-on legal concerns of Author, Author

“Set a course. For home.”

(Nothing from Enterprise or Prodigy only because I haven’t watched enough of Enterprise or any of Prodigy)

Burnham and Georgiou forming the delta with their footsteps

the CGI on only the shields protecting Burnham from space

“Are we in session? Because I didn't know you were practicing again. Because if I have your undivided attention for fifty minutes, I can think of a whole bunch of other things we could be doing.”

“That's as depressing a trait as I've ever heard.” “I don't give a damn … I still don't give a damn.”

Cornwell beaming in, phaser aimed, taking command of Discovery

Cornwell phasering the fortune cookies

Cornwell’s voice breaking: “So my Gabriel is dead.”

Detmer’s little bounce when Emperor-as-Captain Georgiou takes command

Pike beaming aboard and instantly being all like MOJAVE to prove to the audience he’s the guy from The Cage

New Eden. Everything. Oh my God (pun intended). The visuals. Owo’s backstory. Pollard patching Pike up after he’s shot. The light at the end. Oh my God, yes. That episode. Yes.

Number freaking One beaming aboard and having her lunch briefing with Pike (Chris and Una’s decades-long friendship wasn’t canon yet, but it shows here so beautifully)

Gabrielle Burnham

“In case the shit hit the fan.”

Michael Burnham on truth serum

Book

Laira Rillak, everyone!

Q&A

season 1 Raffi Musiker

Fleet Admiral and Commander-in-Chief Kirsten Clancy

“You owe me a ship, Picard.”

“You need a feather in your hat.”

Riker greeting Picard

Hugh greeting Picard

the separate trio of Raffi, Clancy, and Deanna all telling Picard he’s shit

Rios singing in Spanish

President Annika Hansen

everybody finding each other in the Confederation Universe

Liam Shaw — a character with incredible highs and lows

Majel Barrett as the computer voice when the crew gets to the Enterprise D

“Somehow I figured you might.”

everything in Ghosts of Illyria

Spock and La’an’s mind meld

Spock and T’Pring in Spock Amok

“You cannot resign. The loss to Enterprise would be unimaginable. To me.”

“If you’re going to steal a starship, do it correctly.”

Neera Ketoul

La’an normalizing needing to eat all the time as a teenager (especially important for girls to hear)

Pike and Una visually checking in with each other so often that it’s in their cartoon versions (that whole episode, actually, including, “Riker!”)

That’s scrolling through episode titles and jotting down stuff I love off the top of my head, fam.✨

Thank you so much for this ask, anon! ❤️ I needed this positive energy in my life.

[sniperct]

with xena being from the 90s is there anything specificically dubious or of the time that people should know of ahead of time before going in? ie the similar vein to warning people of tng test of honor and other drek in 90s trek?

hope you dont mind the ask, youre just one of the few people I see around still chatting about xena

some of it is YMMV. the entire show plays fast and loose with all kinds of mythology and magic from not just Greece/Rome but as far away as brittania, norway, china and egypt. (all the gods of each culture seem to exist simultaneously and occasionally interact/chat with each other.) But generally plotlines are one of the following:

Xena's evil past has consequences

Warlord/God acting up and needs to be defeated

A god is being mischievous and needs to be outwitted (aphrodite, cupid, some others are common here)

something silly/over the top/campy

Gabrielle is trying to figure out her life's direction

Xena's Personal Beef with Rome and Caesar in Particular

sometimes multiple or all of the above (see Fish Femmes and Gems)

Up to season 5 on my current rewatch, I'd say The Way is still probably the most culturally insensitive (they actually had to record a PSA on hinduism over it). The two leading up to that didn't seem to get any backlash that I could tell when reading about it. (its a three part story that's super important to the plotline and character development of the show and hammers home the soulmate angle, especially the second one). But I'm no gonna speak for that culture or anything, just what I read on the wiki. But the third part I know enough to feel uncomfortable with it). Ripped from the wiki:

The episode was pulled from syndication after protests from Hindu groups. It was finally allowed to be reshown with the addition of a public service announcement at the very end by Lucy, Renée, as well as a spokesman for the Hindu community explaining that the producers took liberties with the Hindu religion.

In general, jokes and silliness overall tend to land well, especially if you enjoy camp.

While it can be clumsy in some respects overall it handles gender and race pretty well, there's a variety of women of various roles. They had someone in drag at a fashion show episode who (who late IRL came out as trans) that was handled really well. The Amazons are very much sexy but also deep and spiritual.

Casting generally appears to be race blind with regard to heroic roles, evil roles and the more complicated grey area 'seeking redemption' roles and mostly seems to try to cast appropriately on a cultural basis. Like warlord casting seemed to be like 'are you a big guy? you're hired!'

Nothing ever seemed to approach test of honor's level of bad IMO, except maybe The Way.

(I'd argue there's even some meta commentary with regard to centaurs and centaur culture and how its treated)

Its got some of your standard 'guy likes girl, does stupid shit for girl' type stuff but he gets character growth and ultimately he's family. He's the little brother, 'only we can bully him but god help you if you bully him' type of dynamic. Someone hurts our proto-himbo joxer and xena and gabrielle go for the throat. Then ten minutes later are roasting him.

The only episode I really skip is the gross one involving lice and a skin rash(but at least they let the lady heroes be gross, quite frequently in fact). Maybe also skipping the married ...with children parody episode too. The Way could maybe get by with a summary but I wanted to watch it again specifically to see where it fell on the character part. Pretty important to jumpstarting Gabrielle's peace arc.

[thegeminisage]

sigh. tng update time. tuesday we did "sarek" and last night i sadly watched "menage a troi" on my own.

sarek: the fact that they mentioned his "son's wedding" once near the beginning and never clarified distracted me for the entire episode until i could google it. and google gave me no answers except to say that he married saavik in some semi-canonical novel. i hate that because saavik was his student (i guess aos had him right after all...) and also because of whatever horrible and weird thing they had going on in search for spock. WHICH BY THE WAY BROKE PREVIOUSLY ESTABLISHED CANON don't get me started

anyway, aside from that, this episode fucking ruled

i love the concept of vulcan dementia just being vulcan emotionalism. i wonder if it's genetic. i wonder if spock would've gotten it had he lived longer. i kind of wish spock had been the one following sarek around containing his emotions even though i wouldn't wish that fate on him cuz then i would've gotten to see him :(

less thrilled about the new wife. they could have had someone else play amanda if her real actress wasn't available (and she wasn't dead, i checked). if people live for like 150 years in the future there simply wasn't long enough for her to die and for sarek to have gotten remarried, especially if vulcans bond for life (which i guess was implied in some interpretations of amok time but not canonized).

actually, if sarek had once been bonded to someone as spock was to t'pring, how did HE wind up with a human wife...did he get remarried so quickly because of pon farr or does that wind down as vulcans get older...so many questions which will never be answered

anyway, i loved the sudden bursts of anger, it was so fun. uh except for beverly hitting her kid but it wasnt Her so we can move past it. especially thrilled with riker and picard almost getting into it

SAREK CRYING? ok king. i wish we had gotten to see spock cry and not in that deleted tmp scene

i loved picard's nerdery of him also. that makes the mind meld very fun. the rituals are literally intricate. also, "we shall always have the best parts of each other inside of us" i HOPE THATS TRUE FOR SPOCK AND KIRK AND BONES. i read an excerpt from a novel. well. i don't want to talk about it

anyway, picard calling out to spock and amanda...maybe i did well up a little at the mention of spock's name. who can say!!!!!

menage a troi: SSSSSSSSSSSIGH

ok, so i grabbed this one by myself because the summary looked bad and we're trying to finish s3 before chr*stmas fucks up all our social plans. no matter how bad the summary was, the actual episode was WORSE

i have three good things to say about this episode actually. the first was that i like that deanna yelled at her mom again, although this time i know better than to expect it to stick. the second was that i LOOOOVED deanna and riker's little date outfits. extremely charming. and finally i loved when lwaxana handed riker that horrible looking vegetable and he ate it with only mild reluctance. king is literally down to clown.

the rest of this ep was garbage. i know we didn't actually see any sex happen but i feel like they implied pretty heavily that the ferengi fucked her, possibly even multiple times. and like it's funny! ha ha ha look at the crazy situations this eccentric lady gets into! ha ha ha look at her and deanna having to run around naked!

somehow, this was the worst lwaxana episode yet. idk why i actually expected them to do a little better in s3. like, if i was gene roddenberry and they did this to my WIFE on MY SHOW. but you can put even odds on it being his idea or him getting off to it. his horrible little fetish fuel.

cherry on top was lwaxana's self-sacrifice at the end where she stays behind to let deanna escape sex slavery or whatever. which one felt like a classic narcissist parent thing and two wasn't even real - it was an excuse for picard to do badly-acted poetry on the bridge to pretend to be her jealous lover to get them to let her go. and then after all that she goes right back to sexually harassing HIM. because it's funny! ha ha ha!

anyway, it's a shame they had wes's little arc as the b plot of this episode because it was fine and feels important continuity wise, and yet every list on earth will rightfully suggest this episode get skipped because it fucking sucks.

tonight, the last two episodes of season 3 - "transfigurations" and "best of both worlds part i." i already know picard gets BORGED in the finale because i've known that since i was a baby and i am WAITING!!! they fucjing blue balled me in the first borg ep and i am MORE than ready for some brainwashed cyborg action. palette cleanser after lwaxana troi episodes.

[as-roddenberry-intended]

Watching Star Trek in Chronological Order: Just as Gene Roddenberry Intended

A few years ago, someone in the comments section of a podcast that would be impossible to find now suggested an idea, and that idea has been stuck in my head ever since. It's like a worm, burrowing through my brain. I couldn't let it go. I even tried to do this as a podcast, but it turns out podcasts are time consuming to make, so here we are.

The idea is, as the title suggests, to watch all of Star Trek in chronological order, by stardate. This means starting with a few episodes featuring time travel (not all), then going into Enterprise and continuing on from there. The last thing in the current timeline is the Short Treks episode Calypso, though at the time of writing it remains to be seen how canon that is.

I am inviting you all to join me on this journey. Star Trek as a work of collaborative media that has spanned over 60 years has always fascinated me. Can so many people and so many creative visions all come together to create one coherent narrative? Well, no, but I want to treat it like one anyway.

So this means watching everything. Well, almost everything. I will be following a spreadsheet that I have been working on and been actively updating as new episodes release. The bulk of the work was copied from the Star Trek Chronology Project, weaving together many of the live action shows. All of the animated shows were fairly easy to figure out, so I have added them in as well (minus Very Short Treks).

Most time travel will be ignored, taking place where they would normally from the time traveler's perspectives rather than from the universe's. The two exceptions to this rule are DS9's Past Tense, and the TNG movie First Contact. The former takes place in 2024 and is as much about a historical event as it is about the time travelers, and the latter shows the birth of the federation and seeds some Enterprise storylines later on. Beyond that, you'll have to wait till DS9 to watch Little Green Men. Also, we will be revisiting these time travel episodes in their normal places as well. Finally, if time travel happens WITHIN the series (eg Trials and Tribbalations), we'll watch those episodes twice as well.

As far as I am concerned, most animated content is canon. This means the three main animated shows: TAS, LRD, and PRD, plus all animated Short Treks.

The Kelvin Timeline is also canon, though I don't group it with TOS. It is the result in a time travel event that occurs after the destruction of Romulus, so I have put it between the Short Trek Children of Mars and the start of Star Trek Picard.

If you're curious about the watch order, here is the spreadsheet in all its glory:

I'll be reviewing episodes as I watch them. If enough people are interested in making this a community thing, I will come up with a schedule and even maybe make a discord, but for now I'll just be posting reviews at whatever pace I happen to watch things in.

So my friends, please join me as we embark on a journey that Zefram Cochrane so succinctly calls "Some kind of Star Trek". We will strive to avoid the notice of Temporal Investigations, and adhere as much as we can to the Temporal Prime Directive.

Let's watch all of Star Trek in order, just as Roddenberry intended.

[fortheloveoflatinum]

Spoiler-Free Review of Star Trek: Picard - Season 3 (from what I've seen so far)

First of all, this is a spoiler-free review of Star Trek: Picard because I have no spoilers to give you! I haven't watched a single episode, but I do watch three to four of the 'Star Trek: Picard: Spoilers for Such and Such an Episode' videos that come up in my recommended feed every Thursday. So I haven't seen a whole lot of it, but let me tell you - I've seen enough.

There will be slight spoilers for earlier seasons of Picard; this could not be avoided.

Second of all, allow me to apologize in advance if you've liked ST: Picard from the start. Or at all. This is probably not the post for you. You've been warned. Now on to the review.

⭐️⭐️/5 (Two stars out of five)

Why? Let me tell you why.

I wanted so badly to like Star Trek: Picard. From day one, I mean, not just now that it's nearly finished and people are still in bed avoiding spoilers for the episode that aired today, which happens to be the penultimate episode if I'm correct, which I might not be because I haven't been following along that closely.

I wanted to like it so badly it hurt. It was one of the only Treks I hadn't watched, being new. And I loved TNG. BTW: there *will* indeed be TNG spoilers but you should be fine so long as you've paid the cable bill sometime in the last 30 years.

TNG was, as most of us agree, utterly amazing!

And that final episode. Where Picard goes to his officers, who are in the midst of a poker game - and they all look vaguely uncomfortable for a moment - and he asks to join them. They relax. Someone, probably Riker, pulls up a chair from him. And Picard looks around the table and he says, "I should have done this a long time ago."

And I was perfectly content to imagine them sailing off into the light of others days. I didn't want a sequel. Especially a sequel where Picard has learned nothing from that seminal moment in his existence. I now read the scene completely different.

The Jean-Luc of ST: Picard never went back to play poker with his crew. Or maybe he did, for a while, but slowly, he lost touch with his bridge crew. They were reassigned. First Worf, then others. And then he lost Data, too. He became bitter and angry and he doesn't even realize until Season 3 that he isn't alone. That he was never alone.

The Jean-Luc Picard I knew and loved from TNG learned that lesson in "All Good Things..." but the Jean-Luc Picard I've seen on my screen recently took three bloody seasons to even come to a modicum of his senses.

Now, there are several redeeming graces in this season. The character dynamics, for one, are very well-plotted and well-played. There's a lot of tension here, and it actually works, unlike in earlier seasons.

And no one can deny that we have a cast of stellar actors who in all likelihood deserved a better show to act out.

Ah, and the nostalgia~! I wasn't ready to watch my heroes grow up and grow old, but well, here we are.

But. And this is a big but. We were promised two things by Star Trek: Picard, by virtue of the very name. We were promised a Trek. And Trek is dark, at times. Trek can be grungy. Trek can grapple with the horrors of conquest and colonialism and cosmic villains. But it's not hopeless, and it doesn't rob the characters of their agency. There's always something that can be done. Some way to pick oneself up and power through. Hopeless is the antithesis of Trek. And a lack of hope is exactly what I see Star Trek: Picard. The entire world - no, the entire galaxy - has lost hope.

We were also promised 'Picard,' but the character we get is unrecognizable as such. He was a realist who used to live in a world of eternal optimism. Now, he's a pessimist who lives in a galaxy where people are afraid of the unknown, immortal cosmic entities can die, and 'the final frontier' has once more become that of the human mind, which is ultimately limited.

Star Trek: Picard boldly went where very few people wanted to see it travel. And it went not with a bang, but with a whimper.

[walkingstackofbooks]

TNG 4x12 The Wounded, and 5x03 Ensign Ro thoughts (rewatching, so possible future spoilers for DS9 too)

I’ve temporarily paused my DS9 re-watch after 2x20 Maquis Part 1 to go through all the Cardassian episodes in TNG to get a better picture of the build up. Honestly they're so spread out, I'm not surprised I can't remember much of it!

4x12 The Wounded

"They're our allies now"??? Not really, Troi, you're just at peace, you're not even going to have a treaty for the next three years!

KEIKO :D

It's like they've never eaten together before???

I know it's a throwaway line, but Miles' mum not believing in replicators and being "like a master chef" feels like something that should have come up in DS9, with Sisko's cooking habits. At the least, it would have prepared him for his time in Alixus' cult in Paradise

Their smiles and laughter together is cute :3

I like the Cardassian trying to make friends. <3 He really picked the wrong person though 😅

Miles pretending he's good with Cardassians - no, your wife knows you better thank that XD

I do like miles when I tried to better himself. You go have a friendlyish conversation with a Cardassian

"It's not you I hate, Cardassian. I hate what I became because of you." It's interesting when Miles gets self aware; it's a shame it doesn't always stick and he has to keep relearning these things

This Gul Macet is pretty damn decent, that was a good job done there

"I consider the matter closed." - Picard is a good captain

I like this burgeoning trust between the two captains :3

Picard calm questioning of Maxwell is so well done, I do like him

"I'll accept the judgement of history."

"When you've been through what we have, you tend to get inside someone." 👀 Okay Miles...

Of course there's a Star Trek episode where they win through the power of friendship and song :P

"Take this message to your leaders, Gul Macet. We'll be watching." THE STEEL

Really glad I re-watched, I'd forgotten how much I enjoy Picard, and it was a great Miles episode. Also interesting that our very first view of Cardassians are of some good ones.

5x03 Ensign Ro

It's so, so weird watching this after ds9 - knowing loads about Bajorans rather than this being our first one

Ro!

No, that earring is just rude

Interesting, "The Bajoran custom has the family name first, the individual's second... It's an old custom. Most Bajora these days accept the distortion of their names in order to assimilate." That isn't very DS9, but I get the feeling Ro is from the Bajora disapora, and not Bajor? Maybe tradition stayed stronger there.

Also interesting for the people to be Bajora and not Bajorans.

Damn but I love her

She reminds me a lot of Kira actaully, and now I want them to meet

"You were innocent bystanders for decades as the Cardassians took our homes, as they violated and tortured our people in the most hideous ways imaginable, as we were forced to flee." "We were saddened by those events but they occurred within the designated borders of the Cardassian Empire."

^> How long have the Federation been at war with Cardassia. *googles* 20 years, okay. Because they were fighting a war, and that's hardly standing by? But I guess they weren't when the Cardassians originally occupied Bajor. We don't actually know why or when the border wars started, but memory-beta attributes some distrust due to the Bajor occupation.

GUINAN! I'd forgotten how incredible she is. "Sounds like someone is like to know." Perfection.

Of course she's angry, she did well even if it was against the rules

I'm glad Guinan exists <3

Yes, he's listening to her. And she has a hell of an explanation.

Oooh, I had guessed that no-one was on board, but I assumed a last-minute transport - clever to have guessed this from the start and left them planetside!

Love a happy ending with a corrupt official probably going to prison :D

"That's an interesting challenge. And I rarely refuse an interesting challenge."

The earring shouldn't have to be a condition! It should be accepted as standard! I get that it's supposed to be a cute ending but it's wrong

I love Ro a lot :3 This episode is so interesting to re-watch after DS9, it's super interesting to get more Bajoran points of view.

[phoenixfeathersinfall]

The Dax Debacle: Re-Imagining S7 of “Star Trek Deep Space Nine”

*This post came about after a few discussions with Lee @creativilee on how the stories of Jadzia and Ezri could have been adapted to better serve both of those characters and respect the work of both actresses! Thanks to them for all their help, encouragement, and serving as a springboard! Anything in italics is theirs!

For all of us DS9 fans, the finale season can be rather fraught for several reasons, many of the biggest revolving around the transition from Jadzia Dax to Ezri Dax, henceforth called “The Dax Debacle.” Many folks seem to love one and hate the other, which is a huge shame because both characters brought amazing potential and storylines to the table, but the writers really fumbled in some key aspects. This sure-to-be-long-winded meta is an attempt between myself and Lee to fix some of those fumbles and give both characters the storylines they deserved. So, let’s get to it!

First, a little behind-the scenes context.

Why Two Dax-es?

To begin with, it’s important to acknowledge that the Dax Debacle was largely unplanned, and the writing often reflects the ways in which Nicole de Boer was shoehorned in as Terry Ferrell’s replacement, just as the character of Ezri was deliberately put forward as Jadzia’s replacement as the next host of Dax. What happened?

It is widely believed, based on various interviews Terry gave during the show’s run, that the set of DS9 was inhospitable to her, placing her in situations of harassment and abuse. By the time of S7, due to this as well as the sheer grueling schedule of the show, she wanted to be moved from a permanent member of the cast into a reoccurring role like that of Andrew Robinson. When it proved fruitless to negotiate this, Terry decided to leave the show, though she explicitly stated she had not wanted Jadzia’s character to be killed on her departure.

Though the writers went through with the decision to kill Jadzia, they still wanted the character of Dax to remain on the crew, and due to the way Trill physiology was designed, they decided to do this with another host, similar to how Jadzia was initially seen as the continuation of Sisko’s old friend Curzon.

Enter Nicole de Boer as Ezri Dax, a young unjoined Trill who had never intended to be a host at all, and the story of her adjustment to carrying on the Dax legacy.

The Story’s Seed

It’s definitely worth noting that the initial conception of Ezri’s story, the young suddenly-joined Trill joined under trying circumstances who has to re-discover herself has a lot of potential! It could have been extremely poignant and moving, in something of the same vein as Seven of Nine rediscovering herself on “Voyager.” Unfortunately, the choices made regarding how she became the next Dax make it hard to appreciate Ezri on her own merits. Both we as the audience and the other characters are constantly seeing Jadzia in her place. It stymied who she was able to be as a character and how the audience was able to receive her. The way she was written invites constant comparisons, often to Ezri’s detriment in her initial interactions with the crew.

Lee said some things extremely well here: “Ezri as a character was hindered a lot by being made ‘Jadzia's replacement’ instead of ‘the next Dax,’ a Dax in her own right. While Jadzia definitely had Curzon's legacy to live with, it was absolutely not all she was, and she interacted with it as such, but Ezri wasn’t written with the same care. She isn't ‘Ezri Dax’ she's ‘Ezri, the one who replaced Jadzia.’ She was entirely written as a replacement, and it shows.”

Fumbles, Fumbles, Fumbles

Let’s review some things that went sideways in Ezri’s arc, so we can see it for the purposes of our rewrite.

The “I'm the new host of your dead friends symbiont" aspect is very difficult to watch. It’s hard to say if the writers wanted to lean into this aspect deliberately, but even if they did, I don’t think they ended up hitting the emotional notes they wanted to.

Ezri doesn’t seem to get much training from what we can tell, and being joined is a huge change! We learned from Jadzia’s arc that initiates often train for years. It’s wartime, but she still really did get thrown into the deep end!

The audience can’t approach Ezri on her own merits, but quite often, the crew isn’t doing that, either. There’s the caveat that they’re grieving and it’s an odd situation to be in, but! Sisko initially tries to interact with her in the same way he would Jadzia (calling her old man, which upsets her a great deal,) Julian flirts with her with the same intensity he did Jadzia in early seasons, Worf seems to only be seeing his dead wife any time he looks at her.

Ezri is given a role as ship’s counselor when she is in no way emotionally able to handle the psychological difficulties of others when she’s going through so much herself.

Her return to Deep Space 9 (the station) seems to contradict what we know about Trill culture. Joining is meant to give the symbiont as many life experiences as possible, and re-association (to various degrees) is anything from strongly discouraged to forbidden. Ezri goes right back to living Jadzia’s life in some ways, in the same place with the same people. Jadzia wasn’t able to resume her relationship with Lenara Khan, but Ezri finds herself being intimate with Jadzia’s widower.

Our alternatives and fixes for the arcs of Jadzia and Ezri fall into three broad categories, which we’ll break down here:

1. Ezri Not-Dax? (Ezri is still joined unexpectedly, but rather than the Dax symbiont, she is host to another symbiont which needed her.)

2. Where in the World is Jadzia Dax? (If Ezri isn’t a Dax, we have to figure out what to do with the Dax we know!)

3. The Legacy Question (The age-old Trill questions of new hosts, old hosts, and interpersonal relationships.)

Ezri Who? Ezri Not-Dax!

The best solution Lee and I were able to find was the idea that Ezri was joined under similar circumstances to canon, but not to Dax itself.

This is still largely workable for the story we want to tell, because, as Lee explains: “The Dax symbiont isn't key to her character, except to affect her relationships with the crew. Her main personal conflicts are about being joined before she was ready, not about being joined to Dax. She still would have worked without the Dax symbiont.”

For the sake of convenience, let’s call this hypothetical new symbiont Nal. So, Ezri Tigan —> Ezri Nal.

Where in the World is Jadzia Dax?

Theres 3 different paths we could take with Jadzia!

If Terry was made a reoccurring member of the cast, the writers could easily have put Jadzia into the position of being given a transfer assignment. Though Jadzia might initially struggle to accept this because of her loyalty to her friends, “with things picking up in wartime, it's believable that Starfleet would want the people more familiar with what dangers are on the other side of the wormhole to be spread around and maximize the number of ships and stations that are prepared for it. Maybe Jadzia acts as a representative and goes around giving lectures/debriefings on that stuff. This situation puts us in a position to get frequent updates about Jadzia, even if we don't see her again!"

If Terry did not stay on at all, Jadzia as a character could still have died, but the Dax symbiont finds a new host back on Trill, away from the station. Maybe we get updates about this Dax because Ezri trained with them for a bit, or the new Dax reaches out to Sisko from time to time, since he was well-acquainted with two previous Dax-es.

The option I like best for purely self-indulgent reasons would be if Terry stayed on for one more season and was present on the station when Ezri arrived, serving as a mentor to her.

The Legacy Question

Since the “TNG” days, Star Trek likes to experiment with Trill, and what happens in relationships between joined Trill and non-Trill, particularly in the case of a symbiont with a new host. We might assume this was part of the writer’s intent with the Dax Debacle, but it went over much better in the move from Curzon to Jadzia then it did in the move from Jadzia to Ezri.

Other options for exploring “the legacy question:”

“If they wanted to explore the whole ‘new host when the previous host was close to you’ thing, they could have had an episode that went into detail about Sisko meeting Jadzia for the first time after the death of Curzon.” Or, just having Sisko reflect more on the changes and developments in their relationship as time passes. They did this quite well initially when Jadzia first came aboard, but dropped it soon after the first season for the most part and left it to our amazing fic writers to pick it back up.

The character of Curzon is often used as a vehicle for explaining Jadzia’s connection to Klingon culture, but he also gives us access to a wealth of relationships which could be used to explore the legacy question. “Curzon had so many friends, and we see a variety of reactions from them, particularly with his Klingon friends. Some of them immediately fall back into that friendship, some of them struggle to recognize that Jadzia may not be Curzon, but she is still Dax, and has a lot of Curzon in her.” Keeping that thread going would have been intriguing also.

The Life of Ezri Nal

Here’s how some elements of Ezri’s story might look with the “Nal” symbiont.

Ezri is joined rather unprepared when a medical emergency puts the life of a symbiont at risk and the host is unable to be saved. For convenience, let’s call this symbiont Nal.

Ezri was always interested in Starfleet Service, especially in working as a counselor (which she studied on her own rather than gaining the knowledge through the memories of past hosts.) She assigned to the station by the Trill Symbiosis Commission largely because there are people there who will know how to help a newly-joined Trill; namely Sisko, Julian, and Jadzia.

Jadzia+ Ezri

Being the only other Trill on the station that we know about, Jadzia puts herself in a mentor role to Ezri, helping her adjust to her new life and consciousness. Her personality and experiences make her perfect for the job!

As a bonus, we get to see how the mentor and mentee relarionships between joined Trill and initiates work.

We also set up some fun parallels! Take Jadzia, who had to try so hard to be joined, and it was a huge goal in her life (to the point where she applied again to the Symbiosis Comission after being rejected once, which is played as something that basically never happens,) versus Ezri who was perfectly happy to be just herself and ended up taking on this responsibility without being ready and without feeling like she had much choice because of how Trill culture regards symbionts.

From the little we know about Jadzia before she was joined, she was somewhat like Ezri-bookish, shy, anxious-and she initially struggled to adjust to the likes of Curzon. But now, she’s gown so confident in who she is, for the most part, and she’d be the perfect person to guide Ezri and help her find joy in her new life.

But, she also understands having difficulties with aspects of being joined, for example, her conflict in whether she should rejoin with Lenara Khan, or how she struggled in the aftermath of the discovery of the cover-up regarding Joran.

In short, Jadzia helps keep Ezri as mentally and emotionally healthy as she can be.

Julian+Ezri

Being CMO, Julian helps look after Ezri and ensure she’s physically well; after all, it’s what he does best! “Having Julian as the Chief Medical Officer on board would be a big draw for the Trill. He's even performed a symbiont joining and removal procedure. He had to be very familiar with Trill biology, meaning a newly joined host would be relatively safe and well-cared-for on board. And, I’m sure that there's a big chemical change in Trill when the get joined, and adjusting to that would be hard!”

Julian can also sympathize having something done you didn’t want or weren’t ready for, and can help her process those feelings. “ They both have complicated relationships with their parents regarding their parents’ expectations and their own desires and feelings, which would be interesting!”

In some ways, Julian can serve as another mentor to Ezri. It would be an interesting shift to watch Julian, who is often portrayed as the the youngest or most “green” be able to mentor and guide someone else. “This is also a good way to show Julian has grown and matured, without having to have other characters just say it.”

If we still followed their romance route, having Ezri as Ezri Nal rather than Dax could have make the relationship between her and Julian sit a lot better with audiences. With a rewrite, Julian is not chasing the “ghost” of Jadzia; rather he’s meeting Ezri for the person she is, on her own terms. This also prevents a regression of his character back to the way he chased Jadzia in the early seasons, and instead honors the relationship of treasured friendship that Julian and Jadzia built.

Sisko+Ezri

As he is with many of his younger crew, Sisko takes naturally to the role of a mentor and father figure with Ezri, again meeting her for the person she is, on her own terms. He serves as a valuable guide to ship life and helps her get acquainted with station staff and residents.

Like with Jake, Sisko encourages Ezri to find herself by being her own person.

Ezri tries to take up cooking as a hobby with Sisko, but the experiences of past hosts mean her skills vary wildly depending on what they are making.

Other Relationships

Garak helps Ezri figure out how she wants to dress, often integrating different styles from past hosts. (He rather jumps at the chance.) Ezri still has her difficulties helping him as a counselor, but her additional training and the lack of complications from the Dax symbiont make things easier. They also get to know each other through Julian.

In this Ideal Timeline, Ziyal survives and meets Ezri. They relate well to each other, both of them not really knowing where they fit and grappling with someone else’s legacy, but they have each other for support. Ziyal has given her portraits as gifts.

She has a similar dynamic with Jake, who is trying to figure out how to honor his parents while being his own man. Ezri starts writing memoirs of sorts about her past lives on his suggestion.

Surprisingly, she gets on with Nog, too. They’re both doing things unexpected and feeling like they’re going to be the first in something big.

She isn’t especially close to Worf, but he assures her that the sacrifices she made for Nal are ones to be honored, and becomes rather fond of Ezri due to Jadzia’s influence.

Thanks for reading this super-long meta! Please tell Lee and I your thoughts on this rewrite!

[watchingspnagain]

Meet Lor

Heigh ho, Lor here.

I’m no stranger to falling devastatingly in love with a TV show, and I’ve experienced the strange rush of obsession and loyalty that can come with being a fan any number of times before, but there’s just something about Supernatural. The way this show and these characters have wriggled their way into my life, the way they’ve settled themselves on my mental furniture—it may not be a fully unique experience for me, but I for sure can’t imagine SPN ever again not being one of my touchstone stories. And while there’s something about the show, certainly part of what makes it so special is the way I watched it.

I first encountered SPN in 2006 when a friend brought the DVD of season one along when they came to visit, and we watched the whole thing in… three days? I was in love with Dean from “Easy, tiger” and I loved the show. However. It scared the pants off of me. I was twenty-five. I didn’t touch it again until I was nearly forty and Mace, an online acquaintance at the time, mentioned that she was watching it and thought I’d like it. So I tried again.

I can’t begin to guess why I was able to carry on (heh) with it that time (though there are still some episodes in season one that prompt me to hide right behind the sofa), but carry on I did. Mace and I ended up exchanging reactions to seasons, then to episodes, then, once the pandemic hit, we started watching episodes together, messaging real-time reactions to one another while we watched in sync, from several states apart. The long hiatus before the end of season 15 was broadcast meant we were caught up and watched the final episodes of the show essentially as they aired—a first for us. And, aside from a brief pause over the holidays to allow us to recover from the finale (*heavy sigh*), we’ve never stopped watching the show together. We still watch two or three episodes together a week and talk about the show pretty much every day.

I’ve heard many times about wonderful friendships springing up through fandom, but I’d never experienced it before. I’ve always had fannish friends, but the friendships were always solidly in place first and were unlikely to have changed at all if fandom never came into them. This has been my only experience of becoming friends through the experience of fandom: Supernatural has been a conduit and a catalyst for Mace and I to become the best of friends, friends who squee and theorize about a favorite show, sure, but friends who also help each other through hard shit, go to each other for advice, and have metaphorically held one another’s hand through the fear and uncertainty and anxiety and boredom of a global pandemic. And I will forever hold the show in my heart for allowing that to happen. But take the show away (please, don’t), and our friendship would be just as strong. Whatever I may feel about SPN in years to come, I know it’s given me a friend for life.

The Lore on Lor:

I grew up in a house overflowing with books and I’ve been a voracious reader for as long as I can remember. I have a PhD in English and now work as a copyeditor and proofreader. This is one of the very few book-related careers where you *do* actually get to read all day. Booyah!

Other shows/franchises that make up a significant part of my personality include Star Trek (TOS, primarily; AOS, a bit; TNG, a smidge), Star Wars, Doctor Who, LotR, Harry Potter, and (recently—it’s Mace’s doing!) Buffy.

I go positively giddy for metafiction, retellings, and transformative fiction. Fairy tales set in space? Pride and Prejudice but with dragons? Jane Eyre in a southern suburban cul de sac? Characters stepping out of their books? Stories where Cas and Dean are rival bakers? Bring them to meee!

In real life, I find drama exhausting and uncomfortable, but if there is a conflicted character on offer? One who is adorable and vulnerable and charming and damaged and maybe just a bit of a jerk? Sign me up.

[annakie]

Voyager Post-Show Books Read Order + Rewatch List

I’m lending my Voyager + some TNG books to my mom to read, and I sent her an email with this list that I made.  I thought it might be helpful for other people, (and also it’d be easier for me to find next time) if I posted it online somewhere.

First, it’s also a read order for the major books covering Voyager happenings plus a few TNG books that I also own for the same era.  It’s got all the major Voyager happenings in it, and a few TNG books that are optional, though most play into what’s happening with Voyager.

In reading the books, I found it was helpful to go back and rewatch certain episodes to do things like remember who the minor / guest characters were and their plots when they showed back up, or review some character arcs for the main characters, or just the overarching plots of episodes which the books referenced.  

I also linked to their pages on Memory Alpha for easy referencing, but rewatching is better.  

Unless otherwise marked, suggested episodes below are Voyager episodes.

Any episodes I put a * after I'd say is critical to understanding the book(s), otherwise it's just helpful.  I’m happy to add to this list if anyone has other suggestions.

Voyager - Homecoming - This book deals with the immediate aftermath of Voyager's Endgame (the series finale). This and the next book are a two-parter.  They're good but not great.  The Voyager books get much better starting with the fifth. Rewatch List - Non Sequitur (2x05) Hunters (4x15) Lineage (7x12)   Prophecy (7x14) * Author, Author (7x20) Endgame (the very last episode) *

Voyager - The Farther Shore - Part 2 of the above.

Voyager - Old Wounds - This and the next Voyager book are also a two-parter.  They are... okay.  The Voyager books get a new author after this and then they get really, really, really good. Rewatch List - Tattoo - (2x09) *  Nothing Human (5x08) TNG Journey's End (7x20) (Chakotay's people live on the planet Starfleet is trying to relocate in this TNG episode.)

Voyager - Enemy of My Enemy - Part 2 of the above.

TNG - Death in Winter -  Non-essential for Voyager.  This takes place shortly after the movie Nemesis and deals with Picard having to rebuild the crew.  This is maybe the worst of all the books I've read in this series, but one important thing does happen. Rewatch List - TNG Nemesis (the movie) * Eventually, you're going to want to rewatch the below episodes, I think it'd be useful to watch them before the following books.   TNG - The Best of Both Worlds 1 and 2 (3x26, 4x1) Voyager - The Q and The Grey (3x11) * Voyager - Scorpion Part 1  and 2 (3x26, 4x1)  

TNG - Resistance - Moderately important for future Voyager stuff, skip if you want.  Most rewatch episodes were covered above.

TNG - Q&A -  Honestly, a rewatch list for Q&A would be every single episode with Q in it that hasn’t been touched on.  This is maybe my favorite of the TNG-only books on this list, but it’s not very important for the Voyager list.

Voyager - Full Circle - FIRST HALF ONLY!!! - There's a break in the middle of this book, with a timeskip in between.  ONLY READ THE FIRST HALF at this point if you’re doing an in-order read with TNG books as well.  If you don’t care about anything but explicitly Voyager books, skip down to #12 as Beyer does a good job of explaining what happens in the subsequent books between the two parts of Full Circle. This is also the book where Voyager starts becoming amazing.  The only bad thing about Kirsten Beyer's books is you'll be sad all the rest of the Star Trek books aren't as good as hers.   No watchlist as mostly the first half of the book is wrapping up the storylines from Christine Golden's first four Voyager books. 

TNG - Before Dishonor - This is nearly as much a Voyager book as TNG.  This book is instrumental in understanding everything that happens afterwards.  I won’t get into my opinion about the book itself though because it’s not very flattering.  You probably want to read at least the first and last chapters, the rest is... skippable if you’re not enjoying it. If you haven't rewatched Voyager's The Q and the Grey and Endgame yet, you're really going to want to here.

TNG - Greater Than the Sum - Just started reading this one, I’ll update once I’m done. Yes, I’m reading some of these books very of out of order. :)  *edit* It was an improvement over Before Dishonor, I’d recommend reading as it does bridge into the next books.

TNG/VOY/DS9/More - Destiny Trilogy - (Gods of Night/Mere Mortals/Lost Souls - I bought them all as a collection)  This is a massive crossover event trilogy but next on my to-read list  I do know that characters from TNG, Voyager, DS9, Enterprise, plus Titan (Riker's ship) are all in it. I don't have a rewatch list but I'll make it as I get to reading it. *Edit* OK I’ve finished reading it. My opinion is that you should read this trilogy. Yes, it’s long, but also very worth it.  Probably my favorite non-Voyager books on this list.  There are only a couple of cameos of Voyager characters but they are meaningful, and Seven has a small storyline of her own, as does Tuvok (since he’s on the Titan serving under Riker.) The writing is very good, the story is great, and reading it massively increased my understanding of and investment in a major storyline throughout the rest of the Voyager books.  I also just really, really enjoyed it.  If you don’t want to read anything else not explicitly Voyager, I still rec you read this trilogy. Rewatch List Enterprise: Home (4x03)* Affliction (4x15) & Divergence (4x16)

Okay, now read the second half of Full Circle.  Cry a lot about it. Everything I talk about from here on out is just Voyager.

Unworthy -  The adventure finally re-begins! Rewatch List In The Flesh (5x04) Okay but maybe put off rewatching this episode after the climax of the books. Life Line (6x24) Homestead (7x23) TNG - Darmok (5x02)  (The new Voyager CMO is a Tamarian, though you can put off rewatching this until Acts of Contrition if you really want, the character doesn't get important til then.)

Children of the Storm - No rewatch list.

The Eternal Tide -  My FAVORITE of all the books. Rewatch List- Q2 (7x19) * The Gift (4x02) TNG True Q (6x06)

Protectors -  This and the next two books are their own trilogy, so the below episodes are for all three. Rewatch List - Twisted (2x06) Unity (3x17)   Counterpoint (5x10) Dragon's Teeth (6x07) Unimatrix Zero (6x24) and Part II (7x01) (If you haven't rewatched TNG - Darmok 5x02 yet, do that now)

Acts of Contrition 

Atonement

A Pocket Full of Lies - Watch List - Year of Hell Parts 1 and 2 (4x08 and 09) * Shattered (7x11) *

Architects of Infinity - It’s been a couple of months since my first reads of these two books but I don’t recall any particular episodes jumping out as needed rewatches as I did.  Let me know if you think I’m wrong and I’ll update the list.

To Lose The Earth 

[green-blooded]

So, the TNG episode Sarek. If you haven’t seen it, there are some content warnings for terminal illness and dementia, because that’s what the episode is about. And it’s real sad, and I feel like a lot of people discount it when talking about Sarek as a character, so here goes.

First, a very brief summary.

The episode starts with Picard and Riker going to greet Sarek, who is completing one last mission before retirement. He’s been working on a treaty with the Legarans for 93 years, and he’s the only one they’ll talk to. He’s accompanied by his current wife Perrin (also Human), a Human chief of staff, and a Vulcan personal assistant named Sakkath. 

Unbeknownst to the Enterprise crew and Sarek himself at this point, the three people with Sarek all know that he has Bendii syndrome, which causes him to be unable to control his emotions. The symptoms have been slowly getting worse over the years, and the stress of this particular mission aggravates it to the point that Sakkath can’t help him. A bunch of stuff happens (which I’ll be talking about later) and Dr. Crusher and Troi figure out what’s wrong with him, and Picard has to confront him about the problem. They determine that they only way to complete the diplomatic mission is for Sarek and Picard to mind meld for a couple of hours, so Sarek will have the emotional control to complete the treaty negotiation. The negotiation is successful and Sakkath assures Picard that he’ll be able to help Sarek keep his emotions under control until they get to Vulcan. The disease is not reversible, so it will only get worse with time.

There are a few parts of this which I think are key to understanding Sarek at all times of his life, and that’s really my motivation in making this post. I think some of his actions make more sense if you understand where he’s coming from.

First of all, Sarek loves Mozart.

Sarek loves Mozart, and this is well known enough that Picard et al. have planned a Mozart concert for his visit. Not a Vulcan composer, a Human one. He’a also remarried at some point after Amanda’s death, and chose to marry another Human woman. His chief of staff is also a Human. Perrin states that he’s taken an interest in Picard’s career, yet another Human.

Sarek does not appear to consider Humans inferior to Vulcans. Maybe Sybok would like us (and Spock) to THINK he does, but that’s just not reflected in any of his actions. 

On a side note, the scene where he is moved to tears by the Mozart concert is one of the scenes that has stayed with me since I was a child. Not because it’s Sarek showing emotion--I didn’t know who he was the first time I saw this episode--but because it’s so rare for a man to show that kind of emotion on television. It’s really interesting how jarring it is to the viewer because he’s a dignified older man while also being jarring to the characters because he’s a Vulcan, and specifically he’s Sarek.

Maybe that’s why I have a different view of Sarek than people who didn’t start with TNG, because this is the scene I have always associated most with this character. Like, the way a TOS fan feels watching Pike in Discovery knowing what direction his life takes? This is how I feel about Sarek, too. This well-respected Vulcan ambassador who isn’t supposed to feel emotions, moved to tears by beautiful music... then rushed out of the concert because the others are trying to shield him from realizing that his health is failing. Just heartbreaking. And when Picard brings it up later in the episode, Sarek’s reaction is even more heartbreaking.

PICARD: But you needed his help at the concert. Or is there possibly some other logical explanation for what happened that night? SAREK: What happened? PICARD: I saw you crying. SAREK: I do not cry. PICARD: I was there I saw the tears. SAREK: You exaggerate, Captain. I recall only one tear. PICARD: So you were emotionally affected by the music. SAREK: That is not possible! PICARD: You still haven't answered my question, Sarek. Is it logical for a Vulcan to cry? SAREK: It was late. I was fatigued. Nothing more. The Legarans trust only me. They will not meet with any other member of the Federation. I must be allowed to complete my mission! There are no other logical solutions!

And this is the part where I say that if you haven’t seen the episode recently (or ever), please, please watch it. Nothing I could say would really spoil the episode. The performances are so good, and there’s no way to express that with only the dialogue. Sarek is trying so hard throughout this confrontation to control his emotions, and you can see him deteriorating. You can see how sick he is. It’s so much worse for him than the illness he was suffering in Journey to Babel. This illness strips him of his control, which has always defined him. Look at his face when he finally admits to “one tear.”

This is the point where Picard keeps pushing him until he... basically has a breakdown.

PICARD: No other logical solutions? But Ambassador, there are always other solutions. You have said so yourself many times. SAREK: What I meant was that... PICARD: Sarek of Vulcan would never be afraid of looking straight at something he did not want to see. SAREK: I warn you! Your efforts to discredit me will not succeed! PICARD: Sarek of Vulcan never confused what he wanted with the truth. SAREK: I will not be spoken to in this manner! PICARD: Do I hear anger in your voice? SAREK: It would be illogical for a Vulcan to show anger! It would be illogical! Illogical! Illogical! Illogical!

I think it’s important to note that moment Sarek really starts to lose his temper completely is when Picard says that he never “confused what he wanted with the truth.”

This cuts to the heart of who Sarek is. He has always denied himself things that he wanted (as we’ll see later in the episode) in favor of what he believed was the truth, what was best for everyone.

But then he realizes that he’s become angry about this very reality, and he just breaks and it’s so sad. You can see tears in his eyes.

After this, it’s clear he can’t handle the negotiations, so Perrin begs Picard for help, and Picard goes to Sarek with her suggestion that they mind meld. The whole conversation is great, but I’m going to bold the parts that are most important to this discussion.

SAREK: A mind-meld? Between the two of us? Do you realize the dangers involved in what you are proposing, Captain? PICARD: Yes, I do, Ambassador. But I also realize the potential benefits. SAREK: We would be linked telepathically, sharing our thoughts, becoming in essence one mind. PICARD: Which, for a few hours, should provide the emotional control you need. In that time, you can meet with the Legarans and conclude the treaty. SAREK: It is a generous offer. But I must warn you that while I would gain your stability, you would experience the fierce onslaught of emotions unleashed by my condition. Vulcan emotions are extremely intense. We have learned to suppress them. No human would be able to control them. They would overwhelm you. The mind-meld can be a terrible intimacy. I cannot allow it. PICARD: I'm aware of the risks. But it is the only logical solution. SAREK: Your courage honors me, Captain.

Again, the text really doesn’t do justice to Mark Lenard’s performance. It’s so good. The way he catches himself becoming emotional and stumbles over words is so spot on and affecting.

Anyway, here’s his face when he says “The mind-meld can be a terrible intimacy.”

Which I highlight not only because it’s a beautiful line, but also it gives me a chance to remind you that Sarek never mind-melded with Spock.

And I think that says a lot on its own, but in the context of what Sarek is saying here, it’s really enlightening about some of his behavior. According to Sarek, Vulcans have such powerful emotions that a Human COULD NOT HANDLE THEM. So, what does that say for his half-Human son? 

I don’t know, maybe all those times he pushed Spock to be more Vulcan and to maintain more control over his emotions had something to do with his concern about his VULCAN emotions harming him, not because he didn’t like the Human part of Spock. I’m not saying he did it the right way, but I think it makes it a lot more clear why he was so hard on Spock about certain things.

Then we get to the real intense part of the episode, where Picard has to take on Sarek’s emotions so he can complete the treaty. While Picard has pretty good control for a Human, we see what Sarek is actually going through that he hasn’t been expressing.

There’s a lot, so I’m going to break it down.

PICARD (as Sarek): No! It is wrong. It is wrong! A lifetime of discipline washed away, and in its place bedlam. Bedlam! I am so old. There is nothing left but dry bones and dead friends. Tired, oh so tired.

We see here, again, discipline is how he defines himself, and having it taken away is the worse possible thing for him, and the transition to talking about his age and his dead friends isn’t coincidence. Remember, he is close with Humans, and he’s over two-hundred years old, which is old even for a Vulcan. It’s not only Amanda he’s had to watch grow old and die while he kept going, but probably ever Human friend he’s had.

PICARD (as Sarek): No! This weakness disgusts me! I hate it! Where is my logic? I am betrayed by desires. I want to feel. I want to feel everything. But I am a Vulcan. I must feel nothing. Give me back my control. CRUSHER: Jean-Luc! PICARD (as Sarek): Perrin. Amanda. I wanted to give you so much more. I wanted to show you such tenderness. But that is not our way. Spock, Amanda, did you know? Perrin, can you know how much I love you? I do love you!

He sees his desire to feel as a weakness, and views being a Vulcan as “feeling nothing” even though we know that’s not actually true of Vulcans. He’s even said himself that Vulcans have powerful emotions that they’ve learned to suppress. Judging by every Vulcan we’ve ever seen on the show, and Sakkath in this very episode, Vulcans still feel their emotions and have to regularly maintain their suppression through meditation, etc. Meditation which Sarek has been unable to do for weeks, as mentioned early in the episode, while Sarek is deep in denial about his condition.

And then of course the part about Perrin, Amanda, and Spock. If Sarek never felt anything, how could he have wanted to show them tenderness? How could he have loved them this whole time? That’s where he’s always struggling. He sees being Vulcan and being unfeeling as the same thing, yet he never achieves that. He feels deeply while also needing to maintain the appearance of total lack of emotion. As he said when Picard first mentioned that he suspected Sarek of having Bendii Syndrome “I have been accused of many things in my life, never an excess of emotion.”

Lastly, even in this state, even with Picard unable to keep his emotions under control, notice that he can’t manage to direct anything AT Spock. Everything he says is to Perrin and Amanda. He says Spock’s name, but then says “Amanda, did you know?” Which can’t directly apply to Spock... Spock is still alive. He’s not able to say anything about Spock until the disease has progressed much further in the episode Unification, Part 1. There is the popular line about Spock disappearing into the mountains, but the last part of what he says often gets left out.

SAREK: No. I never knew what Spock was doing. When he was a boy, he would disappear for days into the mountains. I asked him where he had gone, what he had done, he refused to tell me. I insisted that he tell me. He would not. I forbade him to go. He ignored me. I punished him. He endured it, silently. But always he returned to the mountains. One might as well ask the river not to run. (lies down again) But secretly I admired him, the proud core of him that would not yield. PICARD: Sarek, we're a part of each other. I know that he has caused you pain but I also know that you love him. SAREK: Tell him, Picard.

So, if you didn’t know Sarek admires and loves his son, now you know! 

And, now the last part of Picard during the mind-meld:

CRUSHER: I'm here, Jean-Luc. I'm not going anywhere. PICARD: It's quite difficult. The anguish of the man, the despair pouring out of him, all those feelings, the regrets. I can't stop them. (He falls, sobbing, into her arms) PICARD: I can't stop them. I can't. I can't. CRUSHER: Don't even try.

The way Picard describes Sarek’s feelings here is so important to me. Anguish, despair, regret. All of which are so intense that Picard sobs through this whole scene, something that is so far from how he usually behaves that it really drives home how intense these feelings are for Sarek all the time.

These feelings are not new. As Perrin said, the symptoms have been creeping up for a while, and after the mind-meld, Sarek says:

RIKER: And the Ambassador? SAREK: I am myself again. It has been a long time.

There’s no happy ending to this. No miraculous cure or surgery that fixes it. Sarek will become more ill and tormented by all the emotions he never allowed himself to feel when he was younger. There are still deep divisions between himself and Spock to the point that Perrin is angry at Spock for how he treats his father, but Sarek doesn’t seem to share that anger. Probably because he knows all of the mistakes he made with Spock. That’s part of why he has so many regrets, after all.

Basically, my point is this. I think it’s easy to look at Sarek as a Spock fan and see all of his faults. But he’s actually a really complex character who cared about his son a lot, and just didn’t always know what was best for him. He’s definitely not as unfeeling and uncaring as he can seem. It’s just an uncomfortable fact that parents aren’t perfect and can do harm no matter how much they love their children. Which is one of those themes that comes up a lot in Star Trek, but I think this iteration of it is extremely well done and moving through all of the various series and movies.

There aren’t any easy answers and barely any resolution. The relationship between Sarek and Spock never stops being tense and difficult. It’s just how things are with family sometimes, even when you care about each other.

[calliecat93]

Season 6 is done, yay~! So after going through burnout/disappointment with S5, I was worried about if S6 would be able to reignite my interest. Thankfully, it did~! S6 may very well be my second favorite season as of now! I had so much fun with a lot of these episodes~! Some were thrilling, some were fun, some were mind-opening, and some… well they can’t all be winners. But overall I really enjoyed this season! Tere were a lot of 4’s and several 5’s this time around. The ones I disliked never went past a 2. Maybe they should have, I even considered lowering my rating of my Least Favorite pisode on this list, but ah well. I’ll reconsider if I ever do a second watchthrough. There were so many things that I was so happy to have such as Q coming back, a TOS guest star, Troi getting MUCH better treatment (one early episode aside), and just some cool concepts and ideas for episodes. It wasn’t perfect, like doing another poorly done Geordi/Girl of the Week plot, having three Picard episodes in a row, and Riker is really feeling stagnant (he has since The Best of Both Worlds but it became more apparent here). Still, I had a good time. But enough small talk, let’s get to the lists~!

Top 5 Favorite TNG S6 Episodes

Face of the Enemy (5/5)

Tapestry (5/5)

Relics (5/5)

Chain of Command (5/5)

Descent (4.5/5)

Honorable Mentions: The Quality of Life (4.5/5), Ship in a Bottle (4.5/5), True Q (4/5), A Fistful of Datas (4/5), Birthright (4/5), Frame of Mind (4/5), Suspicions (4/5), Timescape (4/5)

Top 5 Least Favorite S6 Episodes

Aquiel (2/5)

Rascals (2/5)

Starship Mine (2.5/5)

The Chase (2.5/5)

Schisms (3/5)

Gonna save character rankings for the final season. Oh gosh… we’ve entered the final season. It took a long time, but at last I have almost finished watching all of TNG excluding the films. Whether I see them or not, I’m going to take at least a month or two off before starting DS9. This has been fun but I need a bit before I commit to another 170+ episode long show. When I’m done, I’ll do the final Best/Worst list and that post will also include the final character rankings (which will be for both current and previous main characters so Tasha, Pulaski, and Wesley will be included) and have a seasons ranking list. After that I will complete the TNG series run with two posts covering my Top 15 episodes as I did for TOS. Now I may expand it to 20, it’ll all depends on how I feel when I go back through the episode lists, but 15 is the plan for now. One reason I added the Honorable Mentions part was to remember all my options since just because an episode made it into the Top 5 lists doens’t mean it’ll make it into the Top 15. The movies will happen whenever I get around to them and then one final post concerning my overall thoughts on TNG to conclude things. But that’ll be for later. For now… one more season to go. 25 episode left to go. They better end with a bang, that’s all I’ve got left to say.

[resplendentgoldenwings]

Thoughts About Star Trek Discovery 3x06, Trust is a Two Way Street

After reading the synopsis and seeing reactions to the episode I must admit to having trepidation going into the episode. I was hoping as is of the case that fandom was overreacting and my concerns would be allayed when I watched.

They were not. 

First it must be acknowledged that the main plot of the episode feels extremely contrived. As a long time viewer of Star Trek similar conflicts have come up in previous shows without creating this type of contention and drama. In TNG Worf repeatedly left to pursue personal missions and other officers in Star Trek shows have done the same. 

Usually they just request leave if it conflicts with their duty and the captain grants it. In Disco though, as is often the case with Disco situation like blow up into unnecessary dramas. So I am first and foremost disappointed that the characters were put into this contrived ass situation in the first place.

That said I think what happened was interesting and the writing choices left me hoping that this is actually going some place good, time will tell I suppose.

That out of the way here are my thoughts on the episode. 

Saru Was Wrong

I want to start with Saru because he’s the captain, he’s the one with the rank and the power and therefore he is the one whose responsible. Saru was wrong Michael was wrong too but Saru’s error in some way is actually more important even though it seems smaller at first blush.

First let’s go back a moment to season 2. When Saru is on his death bed he asks Michael to attend him and cut off his ganglia. She’s hesitant and emotionally overwhelmed in the situation but he reassures her that it’s the right thing to do and even goes so far as to call her his sister.

So what happens when this sister goes to herself proclaimed brother with a problem? He shuts her down without a moment’s hesitation or consideration. Never mind that this man is important to her, never mind that he maybe got into trouble trying to help her with something that would benefit Starfleet and The Federation, nope fuck all that. Nope fuck all that, fuck everything we been through gotta impress this admiral. 

Now look I get it when you’re in the military you follow orders, but when you’re promoted to a leadership position you also have to think about the well being of your crew as well as cultivate the discernment to know what to know what is of value and what should be dismissed. The admiral himself pointed out that Saru should have brought it to him and chastised Saru for behaving like an automaton and blindly following orders. 

All that said two wrongs don’t make a right. 

As annoyed as I was with Saru I was also somewhat annoyed with Michael who also didn’t bother to exercise any other options or even trying to convince Saru otherwise. Honestly my irritation with this choice for her goes all the way back to s1. If you’re in an organization like this you don’t go outside the chain of command you work within it. She cares about Book and was obviously feeling a sense of urgency given that it took the ship three weeks to reach Discovery but she could have taken 30 minutes to try and exercise some other options, first trying to convince Saru, second she could have just gone over his head. 

I’m not going to go too far on this because most people can see where Michael was wrong.

With Friends Like These...

Tilly bothered me tremendously in this episode. I can’t help it, she just did. Someone pointed out in another discussion that Tilly’s thinking as community minded and it get that but it’s still not sitting well with me largely because of the focus on impressing this admiral --a new and unknown individual-- over someone you know and up until this point have trusted. It’s vaguely icky and puts me in mind of both Tilly and Saru’s behavior in season one. 

And one really has to question themselves when a Terran is a better friend than you..

 I’m not gonna go through the whole episode. I enjoyed the stuff with Book, especially when Michael and Book were gazing into each other’s eyes that was wonderful, the kiss, though. Sonequa really didn’t want to kiss that dude, dang. haha...

Facing the Music 

Once everything is settled Michael presents the black box to Saru and the two of them meet with Admiral Vance. The meeting is short and more or less as expected with Admiral Vance letting Michael chastise herself. However what jumps out at me in this scene is the way the admiral chastises Saru, questioning why he didn’t bring the mission to him and challenging Saru to be more than a mindless automaton.

Saru then proceeds to chastise Michael and temporarily relieve her of her command duties. The thing that stands out to me in Saru’s dialogue is that though he reflects that he erred in the situation he does not see that he erred in how he related to Michael instead he seems to question if he erred in asking her to serve as first officer in the first place. He dismisses the suggestion that perhaps he handled the situation poorly in the first place. 

This episode is in truth more telling about Saru as captain than it is about Michael as a person or a Starfleet officer. Michael as always choses the action that she deems to help the most people and harm the least. 

Saru and Michael together could be a great command team but Saru is either unwilling or unable to accept that he and Michael have complimentary strengths and weakness. For example Saru couldn’t figure out how to speak up to the admiral to keep the Disco crew together, it was Michael who challenged the admiral on that and rightfully so.  

This is why I said trust is a two way street. Michael was wrong but why should she trust Saru to have her back when so far hasn’t demonstrated that he does. When she needs something from him impressing the admiral is more important. 

It’s difficult to see where the narrative is going with this. In 3x03 we see a Michael who is questioning where she belongs, in 3x06 we come back to this question. In a reddit discussion someone questioned why Admiral Vance would even suggests that Saru erred in front of Michael since she’s his subordiante. 

It did make me wonder if that was poor writing or something else. One thing that occurs to me is that Vance is actually evaluating both of them as captain. For Starfleet in the 32nd century Discovery is a valuable asset, if a crew of randos from the 23rd century appeared from nowhere I’d certainly be doubting if I trusted them and if I wanted to leave something as valuable as that ship with its 23rd century crew tbh. 

If I found out the captain of that ship was an acting captain, who’d assumed command after serving as first officer under a Terran and then a captain for all of two years idk if I’d be satisfied that this person was actually ready to be captain. I think Michael’s mutiny was struck from the record so if he doesn’t have that info I could easily see him evaluating her for the position just as well especially since she seems more confident, assertive, thoughtful and creative. 

It would be interesting if this ultimately somehow leads to Michael being made captain at the end of this season. I’m not convinced that is where this is going but this rift has to be healed for the show to move forward and I don’t think this contrived plot was created just to pile on Michael again, at least I hope not. That theme is old, tired and should be over with. 

Overall I’d put this as the weakest episode of the season and while I am annoyed with the contrived plot I’ll be reserving judgement until the full storyline unfolds.

@michaelburnhamfanclub

[titusmoody]

It’s the end of the first quarter of 2021. Here’s a brief review of the things I watched/played/read.

Games

Donut County- pretty charming, very easy, fairly satisfying to play. I’d recommend Untitled Goose Game over this, though.

Heaven’s Vault- If you only have room in your life for one space archaeology game, play Outer Wilds instead. However, you get to translate alien writings yourself (in a simplified game way) in this one, so I’d recommend both. 

Donkey Kong Country 3 103%- so many fun level mechanics in this one. The difficulty of finding and completing everything in the game was spot-on for me.

Donkey Kong Country 2 102%- Each level mechanic in this one is explored and used in far more interesting ways than DKC3, though I honestly had more fun with 3 this time around. This one is the “dark, edgy” one aesthetically which is extremely dumb. Also, there was a lot of guesswork involved in finding some of the hidden stuff, which I didn’t enjoy.

The Room 4- I like escape room games. This one was good. It continued 3′s trend of trying to shake up the format a little, which is fine (better here than in 3, I think) but I wouldn’t have minded if all 4 stayed exactly the same, just with new puzzles.

Spider-Man: Miles Morales- Everything about it was competent. Not only was each gameplay activity fine-tuned to feel good, but the structure of the game also kept kept you experiencing a good variety of each activity. PS5 graphics are good, too. Nothing about it really got me excited to play it, it was just a good after work unwinding thing.

Cyberpunk 2077- Exactly the opposite of Spider-Man in terms of quality consistency. There are aspects of this game that are amazing, horrible, and every step in between. However, I’ve thought about it quite a bit and will probably continue to think about it for both good and bad reasons.

Yooka-Laylee and the Impossible Lair- Donkey Kong Country has better level design and controls. Well, the best levels of this were every bit as good as the best DKC levels, and maybe I’m just so familiar with DKC levels that I zone out a little during the boring bits, but had to pay attention to every moment of this game. Still, I didn’t have as much of an overall good time as the DKC games I played earlier.

Hue- Good 2D puzzle-platformer. I’m no longer surprised by these, but I still appreciate them, much in the same way as I like playing escape room games. I was under the impression for a few years that because I understood the potential of puzzle platformers, it meant I wouldn’t want to play any more of them, but that’s simply not true. I had a good time with Hue.

Shows

Gravity Falls- It’s fine. Pretty entertaining. I wish there were more low-stakes kinds of episodes, just to get more familiar with different sides of the characters. It would have made the characters and setting feel more rounded.

Cowboy Bepop- I didn’t get the hype for this show when I first watched it at 21, and now I can say that it’s simply not my kind of show. I have much more appreciation for it now than I did the first time, but it doesn’t hit me emotionally the same way that it seems to hit so many people. 

Seinfeld- It’s Seinfeld. There was precisely one episode that I had never seen before, plus confirmation that I didn’t dream the episode that’s told in backwards chunks like Memento and is set in India.

Paranoia Agent- While it was disappointing that this ended up being a more simple morality tale than every Satoshi Kon movie I’ve seen, I still enjoyed watching this a lot.

Aggretsuko- I liked the mundane, every-day storylines like a modern, more empathetic Seinfeld. Unfortunately as the show went on, there were more and more wacky situations that no one actually gets into. I might watch the upcoming season if I hear that it’s less ridiculous.

Over the Garden Wall- This was really cool and I’m glad it exists. It’s ten episodes long, which is perfect for it. I thought it was at its weakest during the more lighthearted or humorous moments--precisely the opposite of Gravity Falls. The word “classy” comes to mind to describe this show. 

Beastars- Really good when it isn’t falling into anime plot and dialog cliches. A lot of this first season is dedicated to introducing characters and the setting, which I thought was very well done. I’m curious to see what Season 2 is like.

Movies

Scott Pilgrim vs the World- It’s a fun movie to watch. It definitely makes many of the characters’ flaws seem like more fun than it probably should, but I’m more bothered by the criticism I hear that boils down to “it’s a bad movie because the characters are bad people” which I suspect is an impression you only get if you lack both empathy and media comprehension.

Big- Kinda bad. It has iconic moments that are only possible with its weird premise, but it’s just not a premise that supports an entire good movie. 

Phantom of the Opera- Way better and way worse than I remember. Has the precise right amount of horses.

Knives Out- Not really a movie I needed to watch a second time, but it sure is good.

District 9- I didn’t remember most of this movie and unfortunately I zoned out for most of this rewatch, so I still feel like I don’t know what it’s about.

From up on Poppy Hill- Not one of the top tier Ghibli movies, but still really good in a down-to-earth way that I like from Ghibli. 

Enter the Dragon- I knew to expect everything to be turned up to 11, which is good because it really is a lot. I liked it, though.

Shutter Island- I have never actually liked this kind of twist-reliant movie. I thought I would for many years, but I was always disappointed. At least now I am aware that it’s not what I’m into.

Soul- The premise is much too convoluted, but it does have an excellent moment near the end.

Onward- I liked this one a lot. Why don’t more people talk about this one? It’s definitely better than Coco, which itself was really good.

A Silent Voice- The kind of movie that reminds me that sometimes Japanese storytelling is more to my taste than Hollywood style, in that scenes can be more emotionally ambiguous. 

Tangled- Good in exactly the same way as Frozen and Moana. I can’t really complain, but this isn’t the same situation as puzzle platformers or escape rooms. In this case, I do get a little sick of being completely unsurprised. This movie was made first, so it’s only by chance that this is the one that I saw last.

Monsters University- A good movie, but it really doesn’t have to be about the same characters as Monsters Inc. 

Monty Python and the Holy Grail- Still funny

The Departed- Good if you want an enjoyable crime thriller to watch, bad if you want a Scorcese movie.

Titanic- Getting very drunk and watching this with Brittany might be the best time I had in the past three months. Maybe I won’t think too hard about why a movie about the overdue, violent death of a social order resonates with me right now.

Prince of Egypt- Impressive and grand, but I didn’t really care about the characters or story.

Star Trek II: The Wrath of Khan- A good but not great (by TNG standards) concept for an episode that was made extremely enjoyable by the added budget and longer runtime of a movie.

Star Trek III: The Search for Spock- Not as good, but still watchable.

Star Trek IV: The Voyage Home- The kind of ridiculous concept you’d only make when you’ve already had three successful movies and are confident that you’ll be able to make at least another couple. The gang go back to the 1980s (present day to the original audience) and save the whales. It’s apparently exactly the right movie to watch if this is the third consecutive Star Trek movie you’re watching.

Mamma Mia- A lot of fun, but has weird problems that seem like they would’ve been easy to solve at the script level. Maybe if the conflicts had been introduced early on instead of dragging the whole pace of the movie down for much of the last 20 minutes, I would’ve enjoyed the whole thing.

Books

The Well of Ascension- The second book of a trilogy. Very competent. Introduces a whole lot of minor conflicts that really keep the momentum going and give the characters short-term goals that contribute to the overall plot and their arcs. 

The Hero of Ages- The final book in the same trilogy. Equally competent. I wish there had been more long-term payoffs, which is the trade-off you make by stuffing the books full of those short-term conflicts. Spoilers ahead, but not ones that I think ruin the experience of reading. It’s very odd that of three of the central characters, one dies, one becomes a god and then dies, and one becomes God. 

Check Please- About as pleasant as it gets. Full of the type of minor character that sitcoms end up running into the ground because they’re too one-note (Creed from The Office, for instance) but in a series with a pre-planned length, there’s no chance for it to get stale. Plus, I really liked both of the lead characters.

Milkman- Good book about “The Troubles” in Ireland. Very odd collection of characters, but the narrator had an extremely enjoyable voice to read. 

And Then There Were None- Classic mystery story for a reason. Feels more like a Hitchcock movie than Sherlock Holmes. I read it in one day both because the prose was easy and I wanted to know what happened next. Not much substance to it, unfortunately.

Homegoing- Extremely ambitous book where each chapter is narrated by the descendant of a previous chapter, alternating between two branches of the same family. I liked it quite a bit, though because I only finished it yesterday I don’t have much reflection done yet so my opinion has yet to solidify.

[thedoctornumber11]

Munday post

I figured maybe this week I’d do a different type of Munday.  Most of my long time roleplay partners already know me quite a bit and I also try to introduce myself to newer partners as well, however I figured this could be a good chance for everyone to really get to know me.  I’m including everything under a read more not because long post and also because I know not everyone likes seeing this type of thing.  It’s just a bunch of random facts about me and my favorite things along with a munday pic under the cut.  I didn’t want to just throw out a munday picture like most would do.  I’ve done that plenty of times before and there’s nothing wrong with it, I just felt like doing something a bit more unique and different this time that might really give people a chance to get to know me :D

So long post under the cut.

So, first off, my name is Derek.  I’m the mun.  I just recently turned 30 and I’m from Indiana.  I work in a preschool, essentially as a glorified baby sitter.  I help the teachers get their breaks.  

I’ve been interacting on here since November of 2013 and I’ve had this exact blog with this exact URL the entire time.  I wanted something really generic and not just a quote or something like that.  I first tried TheEleventhDoctor, but obviously that was taken so this ended up being what I went with.  As for the theme, it too was made a VERY long time ago.  The TARDIS theme with the opening doors on the TARDIS actually used to be quite popular when I first started interacting on here, particularly with the Doctor Who RP fandom.  Although I’m the only one I see with it these days, if you go looking for older Doctor Who blogs that have gone inactive you are actually likely to find a few other blogs with it.  As for the background picture, I found that one myself except for the part with Matt Smith/The Eleventh Doctor edited on.  That part was done by someone I used to interact with who just surprised me with it one day and unfortunately isn’t on Tumblr anymore :(  Having been on this platform for so long I’ve obviously seen a lot of blogs come and go and I miss every single last one of them :(  However I also enjoy everyone I currently interact with and would recommend almost any of them.  Seriously, if anyone is looking for new people to interact with, let me know you are looking for people and what fandoms you enjoy and I can probably recommend a few blogs!

Outside of Tumblr RP, I enjoy video games, yugioh, reading comics, general super hero related stuff, watching movies, playing Pokemon Go (I help run the local PoGo community) general board games, watching my shows, figure collecting, and cosplay, most of which I’m sure is stuff many of you also enjoy.  My fandoms include Doctor Who (obviously), DC, Star Wars, The Legend of Korra/ATLA (I’m one of the few that likes LoK more than ATLA), Marvel, Star Trek, Firefly, Power Rangers, The Walking Dead, Yugioh, Pokemon, Sherlock, general Nintendo fandom, Digimon and Harry Potter.

Here’s a few things about me in list form.

My favorite musician is Weird Al Yankovic.  

My favorite book is Look Me in the Eye by John Elder Robbison.  As someone who’s been diagnosed with aspergers syndrome myself, this book really spoke to me in my original read through and since then I’ve purchased it multiple times.  I own at least three or four different copies of this book, partially because I kept loaning it out to people.

My favorite book series is the Harry Potter series.  Don’t ask me for a favorite book in the series, I love them all about equally.  

As for comics, right now my favorite thing I’m reading is the Power Rangers series that Boom is putting out.  Some of my favorites of all time include Power Ranger Soul of the Dragon, the Star Trek TNG/Doctor Who crossover, the Power Rangers/Justice League Crossover, the original Spider-Gwen series, Poison Ivy Cycle of Life and Death, The Dark Knight Returns (I know anything Frank Miller related is a bit controversial but I enjoy it for what it is) and Batman: Hush.

Favorite movies include UHF, Scott Pilgrim VS the World, Captain America The Winter Soldier, Captain America the First Avenger, Avengers End Game, the Justice League movie, anything and everything DC animated, anything and everything Spider-Man related (yes, I even like Spider-Man 3 although it wasn’t as good as the others), anything Star Wars related although I’d say Force Awakens is my favorite one, the 2017 Power Rangers movie, Serenity, The Lego movie and it’s sequel, Yugioh Bonds Beyond Time, Mystery Men, Galaxy Quest, all the Star Trek movies, the corny 90′s Mario movie, the Doctor Who movie, and Detective Pikachu.  Really, any of the Marvel and DC movies could probably make this list as well, I’m not super picky when it comes to movies.

Favorite TV shows is something I am a bit pickier about.  Doctor Who is obviously on the list, and I’ve watched and enjoyed most of the Marvel and DC live action stuff although I have a huge preference for the arrowverse and 70′s Wonder Woman.  Animated stuff tends to vary but a lot of the older stuff from the early and mid 90′s seems to be best for that.  Power Rangers is obviously on the list as well, along with The Walking Dead, Digimon, Avatar the Last Airbender, The Legend of Korra, Sherlock, Yugioh, Firefly, and off the top of my head that’s about it.  Everyone always assumes I’m huge into anime as well, but I’m not actually that into it.  Just not my thing.

Now video games has potential to be my longest list as it’s easily my favorite medium of story telling due to the interactivity.  First off, Nintendo and Playstation are my general consoles of choice.  Nothing against Xbox, I have a lot of respect for the brand but I can’t really afford to have three consoles (even though I wish I could) and Nintendo and Sony have more offerings for me personally.  I also do dabble on PC a bit, but I don’t really have a high end PC and it’s mostly just for Sims.  That being said, my favorite games and game series include Watch_Dogs, The Sims, Mario (mostly the “main series,” 3D games and 2D platformers but I do enjoy some of the off series stuff like Mario Kart and Mario Party as well) , Pokemon, Super Smash Brothers, The Force Unleashed series, Injustice, most of the Spider-Man games, The Last of Us, Tomb Raider, most of the Batman games, Wario Ware, The Last of Us (still haven’t played the sequel yet.  Waiting to get it for cheap after seeing reviews), Days Gone, Control, Horizon Zero Dawn, No Man’s Sky, 51 Worldwide Classics for Switch, No Man’s Sky, the Tony Hawk Games (still haven’t played the new one yet), Time Splitters, The Movies, Hulk Ultimate Destruction, Zombies Ate My Neighbhors, Kirby, The Legend of Korra game (the 3d one, not the really bad one for 3DS), Donkey Kong, Street Fighter 2, Punch Out, Metal Gear Solid 5 the Phantom Pain, Sonic Heroes, and the list could go on and on.

My favorite drink is root beer or chocolate milkshakes if that counts

My favorite alcoholic drink is probably just a basic screwdriver tbh

My favorite food is Cheeseburgers, although Chicken Pot Pie is also a top contender tbh

My favorite color is green

My favorite Doctor is Eleventh obviously, but Thirteen, Two and Twelve are tied for second

Favorite companions are Amy, River (if she counts), and Donna

Favorite New Who episode is The Eleventh Hour

Favorite Classic Who story is Genesis of the Daleks

Since I’ve mentioned super heroes a lot, my favorites are Batman, Wonder Woman and Spider-Man, although Supergirl, Batgirl, Captain America, Scarlet Witch and Black Widow are also pretty high on the list.

Favorite game in the Pokemon series is X and Y

Dragonite is my favorite Pokemon

Favorite 3D Mario game is Odyssey although Sunshine would be next up on the list.

This is my only Tumblr RP blog.  I also have an ask meme blog and I used to have a personal but I haven’t logged onto it in years.

I’m on discord and I do add people from Tumblr on there, but I mostly only use it for Pokemon Go tbh

I spend every Wednesday and Sunday at the local comic book shop playing Yugioh

For anyone wondering in relation to that last fact, my current competitive deck Barrier Stun.  Some of my favorite casual decks that I play or have played in the past are Lightsworn, Blue-Eyes, E-Heroes, Greed, Sacred Beasts, Penguins and Six Samurai.

In the last decade I’ve moved about 3 times

I own pets!  I have one dog and one cat currently, but a few years back when we lived in a more country like setting, we owned 7 cats and 2 dogs at maximum.  Most of them died of old age over the last few years.

Before my current job I used to work at Walmart.  Long time followers of the blog may remember that I hated it there.

I don’t have a whole lot of writing experience outside of Tumblr tbh.  While I do enjoy writing on here, it’s the interactions itself that makes it fun for me and while I’ve tried to write a few things myself, it’s just not the same as roleplay.

Anyway, I just sort of wanted to do something different for munday besides just posting pictures of myself so I hope anyone who read this enjoyed it.  Here’s a pic of the mun to go with it.

[popwasabi]

“Picard” S1 Review: Doesn’t boldly go but is nonetheless engaging

Produced by CBS All Access

Starring: Patrick Stewart, Isa Briones, Allison Pill, Michelle Hurd, Santiago Cabrera, Evan Evagora, Harry Treadaway

Many fans had high hopes for “Picard” going into CBS All Access’s continuing voyage into the Star Trek franchise.

Fans wanted to see the lore finally expanded into the future after its previous three ventures (Enterprise, Abrams Trek, and Discovery) took place in the past, bring modern themes and ideas to Star Trek’s futurist’s world view in a way that felt fresh and relevant, but most importantly continue the story of the franchise’s greatest captain; Jean-Luc Picard, of course.

(He’s the best captain. This is not up for debate. Don’t @ me!)

In some ways the new series succeeds at this. We get glimpses of the previously untouched world of Star Trek post “Nemesis,” new themes that are resonant with real world events and exploratory, even critical, of the Federation’s worldview, and of course plenty of Picard himself as he navigates the strange new galaxy he inhabits.

But Picard ultimately misses the mark due to rushed storytelling, half-baked side plots, and just plain poor execution overall. It’s sad because “Picard” and this very talented cast and production team have their moments throughout this first season’s ten episode run but somehow even with 10 episodes of content to work with fans still end up with a somewhat jumbled mess.

(Me by like the eighth episode.)

This isn’t to say “Picard” isn’t worth your time if you’re an avid Star Trek fan or just someone who likes Patrick Stewart in this role in general but the first season will leave you still hungry for more and not in a good way.

“Picard” continues the story of the titular captain, now retired admiral, many years after the events of “Nemesis” as a retired Jean Luc reflects on his life in Starfleet and of his late friend Data who gave his life for his. A synth ban has been enacted in Starfleet after a major riot on Mars some years prior and Picard is understandably sour on the idea, given his relationship with Data, while also fighting Starfleet on not helping the exodus of the Romulans after the supernova that wiped out their homeworld in “Star Trek (2009).” When a young woman comes seeking Picard’s aid after an attack by mysterious assailants, revealing that she is an android and the possible daughter of Data, and gets killed, it is up to the retired Admiral to find her twin sister before she suffers the same fate.

Before we get started let’s throw out some of the bad faith arguments on why this series wasn’t all that good.

“Picard” doesn’t suck because it has “politics” in it. At this point, if you are complaining about the existence of social viewpoints and political/philosophical discussions in your Star Trek, or let alone any series for that matter, I don’t know what the hell you’ve been watching the past few decades. Star Trek has always been more than just a show about cool-looking spaceships and laser beams, you neckbeards.

(Hell, even the other “Star” got more going on in it than that.)

It’s also not bad because of female representation or “girl power.” Again, Star Trek has always had this and frankly having a few more instances of the women of Trek taking center stage doesn’t even come close to rebalancing the scales on the overall massive representation of cis white men across the genre and even the series anyways.

Also get the fuck over the use of curse words in this series. While certainly some instances in this show felt awkward, the use of the word “fuck” does not dilute Star Trek’s overall story.

(It would have made earlier season’s funnier for sure.)

Now that that’s out of way let’s get into the real reasons that, for me at least, the series fell short of an otherwise promising goal of delivering great new Star Trek.

The main problem stems from the series overall jumping off point in its first episode. Picard is understandably still upset about the death of Data and having him deal with survivor’s guilt is a great way to bring this character into the future and reexplore the humanist viewpoints Data touched on in the older series. But also having Picard deal with his fallout from Starfleet, both from the synth ban AND the Romulan exodus, creates chasmic diverging plotlines that never quite come together. The story really needed it to be one or the other. Either Picard wanting to advocate for the continued existence of synthetic life or the rescue of the Romulans post super nova. The latter is touched on a bit through the addition of the character Elnor but doesn’t quite work given that majority of the Romulans in this series are portrayed as villains.

There is definitely a post Brexit, anti-immigrant hysteria message being told there but not enough depth and nuance is given to make it look like Starfleet was particularly wrong here to abandon them given that they do end up being spies committing espionage in the Federation and the clear villains of the first season. The showrunners could have brought these two stories together by perhaps making Soji a Romulan bent on bringing down synthetic life because maybe her twin sister died in the riots on Mars, making Picard have to choose between his commitment to both minority groups abandoned by the Federation but of course, that’s not what the series goes with.

Also suddenly shoehorning in a convoluted anti-synth worldview into the already ultra-secretive Romulan empire was muddled to say the least.

(A decent summation of the Romulans, pretty much ever. Also why is the only Asian actress in this scene in Osaka depicted as an alien, Mr Kurtzman?...)

Some of these ideas could’ve been saved through better editing and pacing though but not enough is done in this first season to mitigate these issues. Too much of plot is told through plain exposition; people sitting down and talking for five-ten minutes about prophecies and backstory instead of having the story simply show us instead. It makes the pacing often slow even by Trek standards and grinds the action to a halt even when there are lasers being shot at one another in the next scene.

Many of these plots get barely any attention too. The Borg cube, why it’s abandoned, and why Hugh is working for the Romulans through the Federation is given surface level development at best. Seven of Nine returns and at one point is momentarily hooked up to the Collective and she doesn’t really say much about it after it happens. The new character’s Rios and Raffi both have side stories given to their development that get touched on once and never brought up again. Dr. Jurati straight up murders her lover and is set to turn herself into the Federation and it’s just kind of forgotten about in the finale. And Elnor, well, he gets to do his best Legolas impression slicing and dicing fellow Romulans with his sword I guess.

(He is still best boi though :3...)

The main co-star however, Soji the perfect android, has a particularly rushed development going from a scientist unknowing of her nature, to supposed prophet of doom, to predictably the savior all in one season. Her arc needed more time to develop with perhaps her Romulan love affair with Narek being the first season’s main driving force and her realization as an android being the climax. 

Instead we get basically four seasons of Battlestar Galactica’s Sharon arc crammed into one season and it unfortunately makes the story feel half-baked.

(Ok, Boomer.)

Don’t get the wrong idea, all these new characters have great individual moments as well throughout the season but sooooo much side plot is shoved in already into a muddled overarching narrative that it feels like several seasons worth of storytelling stuffed and edited down into a ten episode arc. Why the series felt it needed to conclude this robust story about synth hating Romulans in “Picard’s” first season feels like an unforced error in this reviewer’s opinion even if Sir P Stew only has maybe a couple seasons of extensive acting left in him anyways.

But the season isn’t completely worthless, as much as this review has been spent dunking on its less than stellar parts. The cast is exceptional, even working with the spare parts they’ve been given. Episode 5’s “Stardust City Rag,” in particular, stands out as a good mix of old and new Trek, with a decent dosage of cheese featuring Patrick Stewart trying on a French accent in a space bar. Santiago Cabrera is delightful as the ship captain Rios while also playing various forms of himself in AI form in equally enjoyable roles. Evan Evagora is fun as the deadly yet somewhat aloof Elnor, even if his character doesn’t do all that much except cut up a few Romulans. Seeing Jonathan Frakes and Marina Sirtis reprise their roles as Riker and Troi respectively in episode 6 was heartwarming and felt the most like TNG out of all the episodes. And Jeri Ryan seems liberated in this series in this version of Seven of Nine, no doubt glad to be rid of that restrictive corset and Rick Berman’s meddling hands.

(Big “Fuck you, Rick Berman” energy going on in this scene.)

The production value is obviously high level as Trek has rarely looked this good on the small screen. There’s some great cinematography throughout the season whether it’s Picard’s chateau winery, the haunting nature of the Borg cube, or the synth homeworld in the season’s final beats. The spaceships look cool as always and the world of the future feels well futuristic.

The musical score is also top notch, with a great opening theme that feels very much in line with Trek at its futurist glimpse into a hopeful cosmos.

The season’s best moments though are between Picard and Data and will remind you why they were more than likely your favorite characters on TNG. Generally speaking, exploring the humanist themes of artificial intelligence in new Trek was a good choice and having Picard deal with survivor’s guilt kept the pulse of the muddled story still beating. Brent Spiner is still great as Data and will remind you all again how talented he has always been as an actor and though his age seeps through the makeup a bit he is nonetheless still a perfect android.

Though the finale as a whole is underwhelming, the characters do share a nice final moment that is both touching and reminiscent of everything a fan loves about Star Trek. It’s a great cap to an otherwise ok return to Star Trek for TNG’s top characters and its truly touching in the best way that this franchise has always been known to be.

(Deactivating my emotions chip because I just..can’t! I just can’t, ok! *Sobs*)

But great acting and high production value can only mask so many flaws with a convoluted plot and “Picard” unfortunately suffers from the bloated and uncooked nature of its many ideas. What the story really needed was three season arc not just ten episodes and it shows. I guess the plus side is with this particular plot wrapped up it leaves the door open for new ideas and a fresh start in the second season but it does feel like an overall miss for Picard’s homecoming back into the universe of Star Trek.

Overall, though there are worse ways a Star Trek fan can spend their quarantine than watching “Picard” and there’s certainly enough here for fans to latch onto and have hope for better things in the next season.

Hopefully things are less rushed or at least more focused in the second season and we can see a more proper return to form for both Picard and future Star Trek.

Here’s hoping the producers and writers make it so…

VERDICT:

3 out of 5

Let’s hope we get a return of Q in the next season.