#also i absolutely loved him as an antagonist

[aeymii]

Sometimes, you just gotta sit back and draw this a-hole✨

[aj-lenoire]

david didn’t become a preacher after the world ended because he found god. no one needed teachers anymore, no one was sending their kids off to school to learn math. the only way he could keep power and authority—and specifically power and authority over children—was by turning himself into a holy man.

[apotelesmaa]

Norma is objectively one of the funniest psychonauts characters though. she immediately assumes this 10 year old is the mole taking down the psychonauts from the inside and decides the best way to gather information is to stalk his dad. Ruins ford and raz’s plan to defeat maligula by being a snitch. Helped save the day by fixing the problem she caused. Is now in hell because she was wrong and all the other kids make her fortnite dance and shout go snitch girl go. Her sister got all the cool genes and now she’s stuck being an insufferable nerd. Probably says “well actually” at least ten times a day. Beefing with a 10 year old. Let’s give it up for pathetic & annoying female characters (fond).

[kotaerukoto]

Kicking my feet and twirling my hair as I read Makoto's comments whenever he inspects something. Also my god he wants to destroy the cameras so badly. LET HIM

[tasmanianstripes]

People need to practice minding their own damn business

Don't come into people's inboxes giving unsolicited advice or criticizing their personal stuff. Don't reblog somebody's posts saying how much you hate it and their opinions.

Don't like somebody's characterisation, AUs or the kind of art they post? It might even annoy you?

Okay, cool. Go make your own post. Block them. Be a little hater about it to your friends. It's good for your soul!

But don't be goddamn rude to people. Don't make it their problem.

"I don't like what this artist likes mah mah mah"

Here's a wild idea;

Artists...don't need to cater to you. You are not entitles to their work. Nobody on the internet should coddle you and post only stuff you like.

Shocker, I know.

[benetnvsch]

out of spite for that One S KK love child design that is basically just Dazai with blue eyes down to the haircut that ppl had the fucking audacity to name after chuuya's irl son who died tragically young and had a devastating impact on chuuya I was like hmm what if outta spite I make my own satirical like,, knkdz love child design

wanted to just make the design Silly as possible and name it after the most ridiculous thing ever so I was like,, ah I could name it after the dog in that one short story Dazai wrote about hating/being scared of dogs and so I read that story to find the dogs name but Wow... I actually really liked that story and now im just thinking about it,,,

[dyketrickfoot]

well. it wasn't good. they threw in 5 seconds of tony todd (WIN!!!!) but he was cgi'd to look young the whole time

[im-still-a-robot]

More dnd posting

[waywardsalt]

Personal Linebeck headcanons part 2

part one: x

(under cut since this is a bit long again)

He’s got fairly low empathy, but has made a point to try and make up for that by becoming perceptive and teaching himself what most facial expressions look like and what they mean. Still, he has trouble reading the room and catching onto when someone is hiding their feelings, and sometimes it just goes right over his head if he doesn’t care to look into it.

He technically doesn’t know how to fight, but if he does have to fight, he fights dirty and like a cornered animal. He has bitten multiple people.

He’s not great at filtering what he says; he curses extremely frequently and can get really nasty with people he hates.

He actually hates interacting with other people and despises the reputation he’s built for himself.

Similarly, his social skills are actually pretty bad. He doesn’t really know how to honestly interact with others since he’s used to defaulting to masking in front of others and mimicking them.

He has polydactyly, with six toes on each foot. They’re all functional and haven’t caused any issues, but it makes it hell for him to find fitting shoes.

He draws a lot and is a pretty good artist in his own right. On the other hand, his handwriting is downright atrocious.

He likes the rain better than any other kind of weather. He gets colds often since he sits out the rain for a little too long, but has a good time with it anyways.

Of the three spirits, he ends up liking Leaf the most, even trusting him a bit.

He’s of Gerudo descent, and has in his possession some old Gerudo books and stories. He can read and even speak a bit of the Gerudo language, and sometimes insults people in it- that way, he avoids retaliation since pretty much no one else knows the language.

[brainjuicezz]

Wouldn't it be funny if I made a M3tal S0nic "redesign" based off of V-1? Wouldn't it be funny wouldn't it be silly

[todayisafridaynight]

Right??? Thanks so much! I actually first fell in love with Jo's character when RGGJo's voice lines came out haha, so it's super fun to be able to share them.

But I can think of a couple of reasons for the wild personality gap, and for me it starts at their respective roles. Obviously main antagonist and major supporting character are going to draw different levels of attention to themselves, but I think it's chiefly that RGGJo is not just Jo, but he's both Jo and Masato as one character.

RGGJo is much, much closer in age to Ichi, and though they're not "twins" like Ichi and Masato are (RGGJo is a little more than 2 years older), it's thematically there I think. The whole "twin dragonfish," dark and light, two sides of the same coin kind of thing.

And just as Ichi was initially conceptualized as a sort of "greatest hits compilation" of the previous protagonists' most compelling traits, I think there's a strong case for RGGJo being the same for the previous antagonists--specifically Nishiki, Ryuji, and Mine, who are pretty clearly Yokoyama's favorites anyway lol.

I have a feeling casting has something to do with it as well. RGGJo's actor, Hiroki Takahashi, is actually the exact same age as he is, and he's voiced his fair share of fun, flamboyant villains. If I wanted to speculate, he's also voiced his fair share of BL, so that may be why RGGJo's voice lines have a Certain Slant to them; directing his delivery to capitalize on his established appeal (although he has quite a range) makes sense.

Tsutsumi is also only a few years off from Y7Jo, and he was cast for having the dignity and screen presence to "make every word feel like it might have a deeper meaning." Yokoyama (and Takeuchi) wrote the games, he and Nagoshi handled the casting, and Yokoyama generally handles the voice direction for the main story, so a lot of it's specific to his vision.

Within that context I think it's relevant that he wrote Y7Jo while picturing Tsutsumi specifically. RGGJo was more malleable and less "consequential" in terms of the franchise, so, y'know, why not have a little fun with it? I think that's reflected in their designs as well. RGGJo's is larger-than-life while Y7Jo's is relatively subdued.

Overall, I get the sense RGGJo's role is more akin to "son" and "brother," (aniki, if you will), like Masato, whereas Y7Jo's role is more akin to "co-parent" and "father" and I guess "Evil Stepdad" in a Cinderella kind of way. It's not exact across the board, it's not literal across the board, but it's the archetype, right? And I think that does, exactly like you said, have far-reaching consequences for their backgrounds and who they've become as a result.

BTW, you actually are up to speed on Ichi's story, because uh… that's where it stops lol. It was discontinued at roughly the equivalent of the start of Chapter 12 in 7; the rest of the story was written, but not published. It Kills Me.

But I think, despite any concrete backstory, the implication for RGGJo is that (if I assume he joined earlier than Ichi, which would make sense given he's captain), he was at most 18 or 19 when he joined, and he's exactly the same kind of Arakawa fanboy Ichi is. The 15th anniversary book goes on to say he "was purely in love with [Arakawa]'s greatness" and so cannot tolerate the idea of allowing him to live and die in obscurity at the bottom rungs, of Arakawa being in a position not equivalent to his "greatness" in his eyes.

But Ichi thinks that's regardless of what Arakawa himself may want, since RGGJo is apparently not going to stop until he makes him chairman, which the Arakawa Ichi knows wouldn't really care about. I think there's an interesting mix of selflessness and selfishness in his desires that reminds me of Mine.

And that's explicitly as opposed to Y7Jo, whose loyalty remains the same, but whose feelings and motivations are complicated by the existence of Masato; the usage of "purely" before is notable here, as another suitable translation would be "uncomplicatedly," which to me would suggest that degree of admiration is a component of his loyalty in 7 as well.

So I think you're absolutely right the circumstances with Masato are a major aspect of what's going on with Y7Jo. It's inextricable because he's got this immense gratitude towards Arakawa for raising his son and also a need, a primary driving force, to be a part of his son's life at (almost) all costs. The natural result of that is going to be reluctance to do anything that tips the balance.

I think that's one of the things that make him so compelling, he's forced to make a lot of tough, meaningful decisions and there's often (but not always) no right answer. And that's really clear to see with Aoki, as you say.

(Kind of a side note, but somewhat contrary to the above, Masato may actually have existed in RGGO's timeline. There was a comment from Yokoyama or Takeuchi suggesting he's not in RGGO not because he simply "doesn't exist, but specifically because Arakawa may not have opened the right locker or may not have made it to the lockers in time. I guess the other implication would be that Masato would've been Arakawa's biological son in RGGO instead, since RGGJo would've been too young and there was no need for a switcheroo? It was just an off-hand comment, but it's interesting to think about.)

Also, loved your tags haha. It's SO funny you start off like you're going to say something crazy and then it turns out to actually be something I wanted to write about in the previous ask, but that I cut out because I couldn't make it flow. I guess it might just be the case that I'm crazy on the same wavelength?

But yes! I think a lot of the time, impressions of that aspect Jo's backstory sort of begin and end at Evil Stepdad Perpetuates Cycle Of Abuse, perhaps understandably, but there's genuinely so much that's established in both his and Arakawa's backstories that have clearly stayed with them that I'm positive your take on it is at the very least least true to the character, whether or not it's intentional.

Because like, Arakawa and Jo both came from abusive households. And they're both affected by Aoki's "parental abuse" (although Aoki doesn't know it himself, I guess he doesn't need to). But the way Arakawa has always dealt with abuse is defiance; I think the implication of one of the first scenes is that that's how he got his scar. Jo, on the other hand, has always dealt with abuse with avoidance. Running away. Brushing it under the rug, like he says he and Ikumi had done all their lives; I think that statement's fairly clearly linked to abuse and neglect.

And I think that shows both in Arakawa and Jo's respective responses to traditional authority figures and in how they choose to handle things with Aoki. Arakawa defies Aoki's plans in his own way at every turn, and he ends up getting killed for it. Jo, on the other hand, ignores it until there's nothing left to do but sever himself completely, in the same way there was nothing left to do back then but run. IT'S SO. Ugh.

Each Jo's respective role in the overall plot of their stories definitely plays a part in why they turn out different from each other the way they do; it's interesting to see how RGG decided to handle Jo's character to sort of 'adjust him' to fit better as more of a background figure than The Big Bad, and to especially see how his relationships end up is spectacular. Choosing to divide that devotion between his son and his boss in Y7 is something I'm just positively obsessed with: it's clear he joined the yakuza predominantly for Masato's sake, but the concept of Jo gradually coming to genuinely respect Arakawa as an individual opposed to someone that he just happens to have to follow after because his son's involved heightens him as a character for me (I might have to write a side piece on the psyche of Jo- there's just a bunch of aspects to him that I want to explore better and really intrigue me, but I refuse to try and squeeze any of that into this long-as-is answer lmao).

I definitely recognize Ryuji and Mine the easiest in RGGJo (Mine's influence still persists a bit in Y7 to me, if not solely for his devotion and his own version of The Knife Scene existing as The Eye Scene; though Jo's anger wasn't purely due to Arakawa's death in that scene like Mine's was due to Daigo's 'death', it was clear Arakawa's passing was a sore subject). Jo's dedication to Arakawa in RGGO really is totally reminiscent of Mine's devotion to Daigo: both willing to take drastic measures to secure the ones they idolize the spot they feel they deserve and to exterminate any opposition to that dream (if I'm remembering Mine's RGGO story right wherein he partakes in the Okinawa deal as a HUGE ploy just to secure Daigo remains chairman should he wake up, but I don't have to clarify how that didn't go as planned).

As for Nishiki, it's clear Jo borrows his 'position' in the story, just as Ichi obviously takes Kiryu's. To yoink a phrasing from another ask I got, they're 'dark parallels': though they both clearly want the best for Arakawa, they're going about it in different ways (in that sense, Y7Arakawa's line about him seeing the Arakawa Family as his 'sons' makes this situation a little funny: just two kids fighting each other for what's best for their dad lmao). It's a shame the story didn't go on any more after the Millenium fight, but I'm a little happy knowing in that I'm not missing anything (what I will scratch my head over is what RGGOMasato would've been like. I guess it's not exactly certain whether or not he survived The Locker Incident or he was just so considerably normal he wasn't worth bringing up, but regardless I'll have a ponder about it..). It'd be rad if RGG ever decided to release at least the drafts of the rest of the story one day, but I won't hold my breath.

I've peaked over at Takahashi's past roles (I didn't realize he's voiced so many characters I know omg), and I think that's a fair conclusion to come to: he repertoire combines characters with sort of 'harsh' tones to their voices/dialogue, but as you said he does benefit from having voiced some 'lighter' characters! As for Tsutsumi, I think I've made it a little clear on my blog that I've taken time to look at his past projects, and though I haven't seen all of his roles, Jo's an interesting inclusion to his list (but by no means an inappropriate fit. If I were to compare him to one of Tsutsumi's past roles, Nobunaga Oda from Honnouji Hotel is similar in being an intimidating man with a violent reputation but still having a 'soft'/deeper side). It gets more fun when I think of it: Tsutsumi, from what I can gather, is a tad renowned for playing loving fathers (whether they're perfect fathers depends on the character, but they all absolutely adore their kid/family- this might be the only time I've seen him play a father and he isn't doting on his kid, lmao). Yokoyama and Nagoshi are definitely masters at deciding who should play who and how to utilize their talents efficiently, and having prior knowledge to Tsutsumi's roles, I feel as though audience members would have been able to get a hint at Jo's whole character early on (just as RGG had capitalized on Takahashi's reputation) which I personally find to be a fun tidbit, if not just grateful that they chose such an excellent actor to play such an intricate character. Ergo, his ability to give 'deep' performances and have that sort of presence and give his character that type of atmosphere definitely helps enhance the human aspect of Jo's character.

It's a great blend into Jo's otherwise cold demeanor, and going off the idea that RGGJo was a combination of Masato and Jo, the decision to have Jo be a committed father to Masato (as much as he's allowed to be, anyhow) while Masato became the power-hungry villain (even if RGGJo's motivations were ironically centered around Arakawa succeeding moreover himself), it's somewhat of a roundabout way to have them still be connected: though they're not the same character anymore, there's that bond that keeps them stitched together that I find neat.

AND THANK YOU ABOUT MY TAGS I can't sugarcoat it, I'm not a very confident person, so I'm glad you've gleamed there's some validity to what I'm saying. And I'm glad you've expanded on not just Jo, but Arakawa's upbringing as well: though they both come from abusive homes, they do handle it differently, and I feel so blind for not even having wholly noticed it in how they react to Aoki- it's so brilliant I almost want to scream. It's a tragic irony that despite Jo resolving to not 'half-ass' things anymore and to face things head-on, to 'take responsibility', he incidentally falls back into trying to avoid the problem for as long as he can. It's poetic really, and I'm positively going to go insane over the fact.

[pinkconkonut]

thinking about (and crying over) how when garmadon literally had EVIL flowing through his veins, he still loved and cared for his son very much

[florencechase]

can we just talk about how august is one of the most well-written antagonist characters in modern media? he’s done some unforgivable things but you still see him as human. he’s not just an evil person to make the storyline more interesting, he’s so much more complex than that. from a writer’s perspective i absolutely love his character and his storyline so much. also props to malte gårdinger for playing him so well. wow. just. wow.

[periwinkla]

I think what I love the most about AA is that characters have a duality to them that I don't see often in media. They have actual flaws and do actual bad things, and it's not glossed over. Phoenix is a fundamentally good person, he helps people at the drop of a hat, risks his life for them. Has a penchant for taking strays under his wing. He believes in people... but also not really. He carries a literal lie detector with him at all times, and only employs people who can also peer into other people's hearts. So is he really that trusting? Sure he trusts his clients are innocent, but he doesn't trust they will tell him the truth at all (there's always something to lie about). He believes himself naive, and that's why he works extra hard not to be. Some people think he changed with his disbarment but I feel like when he actually changed was after Dahlia. He became less and less trusting as time went on. And Phoenix actually does forge evidence and risks his subordinate's career, and he says pretty nasty things sometimes (that one time to Edgeworth had got to hurt, badly, especially if you consider that the note could have been genuine at first, which we don't know for sure), has a pretty tactless and somewhat hurtful sense of humor, brings his daughter to cheat at poker, and doesn't tell said daughter she actually has some family left alive. He's secretive, elusive and cryptic, and masks it under a false pretence of goofiness. Miles is, by contrast, very easy to read. He may appear emotionally stunted but is one of the more emphathetic characters. He realizes when he's wrong and immediately needs to correct those wrongs. He grows uneasy and uncertain and eventually recognizes when he's mistaken. By the end of it he begins to help people naturally, without even thinking about it as much as he would have in the past. He helps so many people, he has basically got Phoenix's savior complex 2.0 but the healthy kind where he doesn't jump off a bridge. But... he was also actually cruel, and did send innocent people to their graves (was he really so naive to believe whichever defendant came his way was guilty?). He feigned his death disregarding other people's feelings, and while you could say he had no obligation towards Phoenix (apart from basic decency and respect towards someone who had turned his life around to save him), he still abandoned Franziska, who was still just a kid and had just discovered her father was a psychopath. She probably thought, at some point, that the apple didn't fall that far from the tree. That's it's somehow her fault as well. He may be rude and antagonistic, frank to a fault. Isn't afraid of telling stuff to your face. But he also cares about the people he loves so much, to the point he doesn't hesitate to risk his career and break the law multiple times. He may appear a pessimist but he's pretty idealistic at heart, it's quite funny that his favourite show is about an hero of justice, isn't it? Godot is... well, we don't know much about it from before his coma, but he definitely shared Mia's sentiments for helping people in their hour of need. But when he wakes from a 6-year coma he's so broken that he just pins the blame on the most absurd person to blame it on, settles on a complicated plan, and also prosecutes on that particular murder he should just confess upon. Iris was sweet, innocent, self-sacrificing. She knew absolutely nothing about the world apart from what Bikini or her sister told her. She was naive and falsely thought she could fix everything, that her sister was salvageable, that she could save Phoenix. But she still ended up lying to the person she loved and abetting a murder. That's why I love these characters so much. They're interesting and their stories make sense. People don't remain unchanged from what happens to them. People are multi-faceted and complex. You can't sum them up in a bunch of characteristics and aspect them to act on every single one of them, always, consistently. Sometimes people break. They make mistakes they regret, ...and some they don't.

[vacantwatchers]

Platonic Stobin discuss Steve's relationship with Nancy. It's kind of critical on Nancy bc I'm biased (and a hater). Read it on Ao3 here.

“Explain to me why Henderson thinks you’re into Nancy again.”

“Fuck knows, Rob. I haven’t seen her around, let alone spoken to her since all that shit at the mall.” He didn’t really like the way she’d frowned at Robin when they’d met up, definitely hadn’t liked the antagonistic tone she used when she’d asked who Robin was.

Steve felt Robin sigh before the gentle weight of her head rested atop his. “The little gremlin cornered me at lunch and demanded to know why we weren’t dating–”

“I’m out of your league,” Steve muttered to her right hand as he slowly coated her index in the dark red polish.

“Keep believing that, Popeye. He asked me if I thought you were repugnant or something and that's why I wouldn't give you the time of day.”

Steve paused to swipe away polish with his nail. “What does repugnant mean?”

Robin hummed, a little delay as she tried to find a definition for him. Steve can imagine her flicking through a little rolodex that’s full of what Robin considers Steve approved explanations.

In the space of his waiting, he’d managed to finish the first coat on her right hand and gently lifted her hand up, smiling to himself at the way Robin moved from his hand to his shoulder.

(It took three weeks of working in Family Video, working back to back shifts so dead they made the burnt shell of Starcourt look lively for Robin to come in one day with a bulging pencil case and the demand that “if you’re just going to sit there, at least paint my nails, dingus.” It took three attempts with Robin smudging her nails with her flailing before they established that when he finished a hand, he would lift it, and she would rest it on his shoulder.)

“Repugnant is like when something is really distasteful, unacceptable.”

“Tammy Thompson’s muppet singing is repugnant.”

Robin snorted into his hair. “Perfect use of repugnant, Steve. It’s also a word you can use similar to revolting, repulsive, disgusting and offensive.”

Pulling her left hand closer to his right side so he could see what he was doing, Steve hummed. “Okay. So Dustin thinks you think I’m revolting, repulsive, disgusting, and offensive?”

“Yeah, Steve, I told him I just couldn’t date such a disgusting man who spends twenty minutes on his hair after a shower and ignores me every time I tell him he needs to go to an optometrist because the way he can’t see makes me sad. No. I said that while I am happy to spend my life with you as my soulmate, we are strictly platonic.”

Sliding the brush back into the bottle, Steve gently swiped his nail down the side of Robin’s thumb. “That absolutely didn’t shut him up. Give them a minute before I do the next coat.”

Robin nodded her understanding, which made him nod. “No, me saying that didn’t stop him. Me asking if the reason he was so interested in your love life was because he was the one with the crush on you, however, did.”

“Ew, Robin, he’s like my brother.”

“That is exactly what he said, just with a lot more volume and yelling.”

Steve leaned further into the weight of Robin at his back, taking a moment to absorb the fact that she lets him take whatever touch he needs without freaking out the same way she does whenever someone else tries to touch her in the slightest. Uses the pause to organise his thoughts out of the jumbled train they come at him in. “I’m not sure when, uh. When we dated, I’m not sure it was love.”

“Okay.” Robin’s hum tingled through his diaphragm. “Talk it through, you were convinced last year you’d loved her. Don’t even try to think it out for me like you do, just say it all.”

“The ol’ Robin treatment, huh?”

“I hate that that is what you call it, but yes. Please proceed.”

“We dated, and I tried to be there for her, right? Like I had to go to these absolutely depressing dinners with Barb’s family every fucking week, because Nancy thought it was the right thing to do and I had to pretend to eat the food, and I tried to give her space when it felt like she was pulling away. I’d take her out to get her away from thinking about it all because I could see that she was struggling and thought maybe doing normal shit teenagers did would help. Would sit with her and listen when she needed me to, or just be with her when she needed silence. I’d ask about how she slept, and if she was still having nightmares, I would reach out and just try and hold her hand or hug her.

“But, I don't know. I’ve been thinking back on it, and Nancy never really did the same shit back, y’know. She would have these moods where she’d just be so angry. Angry at herself, the situation. Me. And I get it, it was fucked up and we couldn’t tell anyone without the threat of being taken away. But she’d go on and on about how we killed Barb and it was our fault and then it would turn into how it was my fault she was dead. And then so often she would say this line and at first I was like, she’s saying it in this fond way so she doesn’t mean it, but she said it so oft–”

“What would she say?”

Steve tilted his head back so he could look up at Robin. “What?”

“Nancy. What would she say?”

“Oh.” Steve looked back down, fiddling with the nail polish bottle. “She’d say ‘you’re an idiot, Steve Harrington’ and she’d make these comments, and I don’t even know if she was aware of it. Like she’d call me dumb and say don’t be stupid, or imply that I wouldn’t be able to do something or understand because I wouldn't get it.

“And when she went over my work she’d say it never made sense, and like, her tone, her tone always said it because I wasn’t smart enough. Like, she’d read over things and point and make comments, and honestly, it was more confusing than anything because the points made sense to me, but apparently not to her–”

Robin made her little grunting sound. She did it every time she needed to interject something. “Yeah but that's like, your mind's process. You do it when you talk too, that structuring thing you do where you make these links to things, and it all somehow flows. My mom said you might have something called dyslexia or dysgraphia. One of those two.”

Steve looked up at Robin, eyebrows scrunching up. “You talk to your mom about me? When did she even have time to figure that out?”

“I talk about you to her all the time because we both love you. And she noticed when you were helping me with my English homework.”

Huh. “Okay then.”

“Keep going with what you were saying, sailorman.”

Seven months, and she still hasn't given up on the nautical nicknames. Jesus.

“After early admissions for colleges had closed, Henderson actually found the essay I wrote, and he said it was good. That the parallels were there and with only a little tweaking it would have been great, and when I mentioned what Nancy said he kind of paused before reading it again and said he didn’t see what she was talking about. He even had his mom read it because for a while, she was admin for a college, and she said it would have gotten me in. After Christmas, I asked Nancy if she wanted to go with me to tour some colleges once and she looked at me when I dropped some of the names and said, ‘Do you think they’ll believe you’d fit in there?'"

“Jesus Christ,” Robin muttered.

“It just, it built up and I think at the time I was blind to it because I was trying to lose myself in the relationship, in being there for her.”

“What about you?” Robin’s hand slid down from its perch on his shoulder to his chest so she could pull him closer. “Was she there for you? Like, you told me that since ‘83 you can’t eat meat because of the smell of burning demogorgon put you off, and that having to lure the demodogs with meat was really triggering. And I know you have trouble sleeping and you have those awful nightmares that make it so that sometimes you can’t eat.

“Which, can I just say, is really concerning because you already have this habit of forgetting to eat even when you’ve brought lunch. And I know it’s probably something to do with the way you get stuck into stock or shelving, but I hate it when you get into that groove. But I’ve also figured out that you will eat anything I hand to you, as long as I’ve taken a bite first, so it’s not that bad.”

Needing to move a little, Steve tightened the nail polish and started shaking the bottle.

“Oh, uh. Those dinners with Barb’s family, it was always KFC, that’s why I never ate anything there. She’d actually get annoyed because she thought it was disrespectful? That I only ate the bread and chips? And after that first night where Barb died, Nancy never came over to my house again because she said it had too many bad memories and it made her uncomfortable to be there. So she never really saw the nightmares. When she wanted to see me, she would have me come over and she’d push me on the bed and then when she was done she’d tell me it was getting late, and kind of push me towards her window to go.”

“Steve– that doesn't sound healthy at all.”

"Yeah."

Lifting the nail polish bottle, Robin took it as the signal it was and dropped her hand in his again.

“I think, even when I was dating her, she talked more to Jonathan than me.”

“That’s fucked up, Steve.”

“I think that’s just trauma, Bobby. We weren’t good together. I don’t know. Whatever Dustin is seeing between us is completely in his head. Especially considering the money moves I'm making with Operation Metalhead.”

“You need to stop saying money moves. All you've done is wave at him and blush when he loaned you a Megadeth tape.”

Gently guiding her hand back into his best field of vision, Steve started in on the second coat. “I don't know, sounds pretty money to me.”

Steve felt Robin inhale for a deep sigh, her warmth increasing against his back for a moment before she exhaled. "I think Eddie might have actually graduated before Operation Metalhead gets anywhere close to being a success."

[endomentendo]

give me… every DETAIL… on how’d u feel about ep 2 of TADC…

*whips out notebook*

“SPOILER WARNING”

If I’m gonna be honest, I absolutely LOVE it. Worth the wait. It exceeded expectations and fulfilled them. Mine personally is how Jax is portrayed. I didn’t expect him to be nice from the start, and was hoping for him to be an absolute nuisance.

aaaand

boy am I a happy abomination. Not only was Jax such a bugs bunny like jerk, he also showed emotion of dissatisfaction and frustration when the fudge was killed and when Kaufmo was brought up. For Jax I’m hoping he won’t change and will indeed get worse. We need more negative character arcs!

mentioning about The fudge monster, I noticed a fun detail of what they could be based on. Look up raggedy Ann the greedy.

I especially love the animation in the episode, especially the goofs and references with how source engines work.

I also love the consistency when Pomni brought up the idea on how to get out from under the map.

oop also I almost forgot!

goodby gummy gator. You will be missed.

sad it may be, this actually kinda helps me like Caine more. Caine to me now is an antagonist, a naive one, but a threat none the less. I’m hoping he will be more of a threat when the characters actually find a way out. Also with some Christianity inspiration showing, I hope Caine is a rouge ai who did get rid of a co-ai named Abel. Explains why the game is seemingly broken or unfinished. That’s my headcannon at least.