#also the doc has got me hyped for the 2 other series even more... 3 different flavors with all great casts love it

[ryansjane]

this mini-documentary about the midnight series is fucking great <3

[taegularities]

i mean this in the nicest way possible because i truly love you, but i wish writers in general wouldnt try to force reader engagement. i often reply with feedback, but at the end of the day, you should be writing because you want to, not because you want validation. i dont know if its just me who feels this way, but when writers constantly mention needing feedback or they wont write/will stop writing a popular series, it feels like a threat. i dont want reading to feel like a chore, where i need to constantly be validating my favorites so they dont get taken away from me. i love you and your writing and i wish my likes were enough. sometimes i, as a reader, dont feel like engaging/leaving notes. sometimes i just want to read and move forward. i feel like many writers have turned appreciative comments from readers into an obligation.

again in no way is this meant to be hateful towards you, i feel like this can apply to many of my favs. i just needed to get it off my chest and hopefully assure you that we like your writing, even if there's less engagement. if you disagree with any of my points, please tell me/ask me to clarify. i dont want to hurt your feelings and i would love to hear from the writer's side!

hiii! no worries, thank you so much for being respectful and wanting to hear my opinion, as well. i know some people let these things out in the rudest manner possible, so i appreciate that <3

so, the reason i haven't been writing atm is because i lack the time and energy to write :') this year has been crazyyyy busy, so i just don't get to it anymore – and since i've been away/less present for a while, i guess i also drifted away from tumblr, too, and then felt like people might've forgotten about taegularities, and then i wasn't sure if the effort would still be worth it (i get insecure at times, but that's a me-problem). now, the reason i (and many other writers) have this worry is bc writing requires an insane amount of energy and brainpower – when i tell you that so many of us actually slave over just a scene or even a paragraph for ages 😭 (example: the last cmi update was far shorter than what i usually drop, but it took me days to just edit one scene). we ache to write all the time, but life also gets in our way – i barely get time to sit down and work on my fics these days… so when i do get time, i want to put it out there into the world and then see the reactions, too… i write for myself, ofc, but for you guys, too, so i can share that joy; or else i'd keep the fics in my docs, right?

and in that sense, when we write something in the rare free time that we get and that we hope others will love just as much as we do, we do seek some sense of validation, even if that sounds odd. it's like – imagine you studied for a test for like 2 weeks, but then don't get the results you hoped for (which might be a weird example, but effort-wise, it's similar, even if fics don't affect writers' lives in that sense). i know there are many who just write and don't care for feedback (even tho i've seen even those who say this be sad about reader engagement which – very valid), but i think that most who expose their soul and heart like this, do want to see people enjoying it/speaking about it/hyping it up. every creator, be it in the movie, music or art industry, loves to see reactions! and think about it – most writers get so genuinely excited when someone sends an ask that doesn't say more than "i loved this so much!! you're such a good writer!!" which is insane?! like, i know that i do – i get so happy and remember these comments 5ever, and it's a 2 sentence review as opposed to thousands of words. the effort here is unbalanced, but we still love it so much. and you don't need to write an essay, you never never do!! i swear, it's always enough to even get a few words or sentences <3 which, in the end, isn't a lot to ask for, you know?

i'm not saying i will stop writing my series. i would stop if it got 0 reactions OR if my life stood in its way too much; i'll keep loving what i write and write out of joy, no doubt. and tbh, i don't care about notes either. like, i remember "ruin you" getting way less notes than cmi but GOSH we had so much fun back then bc of the interaction and the craze made me so happy hahaha and yeah that's what it's essentially about – community. does that make sense? it's tumblr where likes don't make a post circulate – reblogs do, so yeah, unfortunately, likes are not enough :( i wish they were. i totally get what you mean, though. even feedback shouldn't be an obligation, but if you truly like somebody's work, it never hurts to send a tiny message. it really means the world to us when something we adore and are so proud of – creating art, sharing our heart, wanting everybody to see this love – is met with so much joy. and it's fics, you know – we love love love writing, but it's something that can be read. and we want people to read it and we're legit sitting there like "👀 and?? aaaand?" lol it's so nice to know when someone truly appreciates something… ofc you don't have to comment on my stuff, but i promise feedback makes a difference. it's why so many do leave :/ i hope that made sense!! once again, thank you for being respectful!! i love you, too, and am truly grateful that you're here and enjoying my stuff!! <3

[panelshowsource]

it seem so 😔 it's amazing to hear he's recovering well enough to write a whole show and do a whole tour! i have a feeling it won't be filmed, so it would be great to hear any of your experiences if you get a chance to see the show. (maybe you can send me a summary? i'm sure he'll talk more about it all then, given the synopsis for the tour :')) off the back of sean, rhod, and janey godley, i was just thinking about how the generation of comedians i grew up with are hitting more vulnerable years, which is very sobering, but i digress...

here are the tour dates for anyone who missed the announcement!

here on panelshowsource? because i was busy and not online :)

sorry anon, you sent this a couple days after his bday and i don't think i'll do belated posts. i actually wanted to do something for it, but i was just busy with life and didn't get enough of a head start (i usually need 2–3 days prep time). next time!

yes i totally agree! i like daisy on the show because she clearly loves music (the way she's always hyping up the identity parade artists is honestly really wholesome and appreciated) and she is a riot — even if she's exaggerating, better that someone is exaggerating having fun than not. i guess that's where daisy and jamali balance each other out, some episodes lmaooo greg is a textbook ham, so daisy getting such a kick out of his RIDICULOUS jokes — which makes greg so happy — plus greg and noel already having such a comfortable (and often silly) rapport makes them such a solid 3. greg and jamali have definitely gotten more comfortable with each other, too. they're a fucking random bag of people but i think it works! that show is a hot mess of good, goofy vibes

yeah, sometimes! just depends on the interviewee. last new one i listened to was probably ed byrne? i was just listening to a john kearns one since (spoiler alert for this ask post) someone asked for a collection folder for john — it's a sweet one. to be fair, john is just a sweet man. i'm not crazy about richard herring — he's fine — so sometimes i'll quit mid-way if richard is making it too much about himself or complaining too much (you know how he is). but in general i don't think i've missed anything significant bc i got bored or skipped an ep. do you recommend one?

sure! they're honestly one of my faves ever. obsessed with them. i was just thinking about what chaos jimmy + jon + joe + roisin are, generally the episodes when joe is filling in for sean. jimmy already loves a derailing, and you can tell he gets such a kick out of both joe and roisin (same way he gets a kick out of rob beckett, honestly), and jon really lets loose with those three — they're SO stupid hahahaha like this has to be one of the most random, stupid episodes ever i love it so much

it will be my pleasure doing research for such a gifset 😈

i have added him to the collection folder!

linked to some typical panel shows + added his radio 4 series, his latest radio dramedy with tim key and his sitcom top coppers (both added to the secondary masterpost), a couple sketch things, a couple youtube things :) i also collected his podcasts + a few random episodes i don't host on drive and added the links in a doc which i added as well (i'll go back and do that for the existing collections this weekend!)

enjoy!

ps. working on nish, mike wozniak, and david & victoria folders

—

WATCH LINKS MASTERPOST / FAQ / TAGS / ASK

[readyforthegarden]

2022 Writer’s Tag.

I think it might be fun to look back on what we’ve all achieved this year, let you give yourselves a well deserved pat on the back and also share what you love. When you’re done maybe tag someone else so they can share too?

1. How do you feel 2022 has gone in terms of writing?

On one hand really well!! On the other hand, looking at all my WIPs and drafts.....not as well as I hoped? But I'm so astounded that I haven't been writing a full year on here and it's taken off and so many people like it!

2. What piece are you proudest of this year? It can be a shot/blurb/headcannon, a whole series or even a specific chapter.

AHHHH!! This is so hard...I think I'm really proud of Summer in the City. It was something I'd never really written before, and I stressed about making sure the details for the time period was right. I would love to go back one day and rewrite it and improve it, but it's my baby and I'm really proud!!

3. Is there anything you posted that you wish had reached more people? (No such thing as a flop here!) Shout it out, it might catch a new pair of eyes!

Mmmm, I try not to focus on numbers too much, I don't want to take away from the happiness I find in writing, but most Danny fics don't get the recognition they deserve in general, and a lot of times Sam fics don't. And this Jake fic which I forgot and just realized isn't on my masterlist (18+ ONLY)

4. Can you give us a hint of anything coming before the end of the year? Maybe even a little taster?

Oh, I'll tease the Jake holiday fic coming out this friday, since we don't have much else before the year ends

“I am sleepy.” you replied. “It’s been a long day. Fun, but long.” Jake smiled down at you, pressing a kiss to the top of your head. 

“It’s been a perfect day.” Jake adjusted his position, sliding down so you both were laying down and you snuggled into his chest.

5. Are you setting any writing goals for next year, or just going with the flow? If you are, what are they?

I have my Josh fic, A Novel Idea, coming out, and it's gaining speed in my doc for it, so it should be out fairly early, but honestly I just like going with the flow. If I get an idea, I shove it my drafts and work on it when I feel like it. @lunaindigoraven and I literally talk all the time about ideas and she's truly a great friend and helps me workshop things. Sometimes we're just talking and then it's like OOH that's a fic! and I also really love writing little blurbs from prompt lists, it's really fun and great writing exercise!

6. Do you have any one shots or finished pieces you’re tempted to expand on or revisit next year?

I have a few one shots I have a part two for in the works, no clue if they'll get done next year...again I might play around with Summer in the City and expand it.

7. Is there anything new you’re tempted to try out? A new style/trope/AU/another person in the fandom?

I have a couple AUs in the works, soulmate, supernatural, and i'm trying to work out the kinks in another historically based fic!

8. Now to hype some other writers! What’s a piece you read back in the first half of the year that you can shout out?

Always the first on my mind is A Tattoo Artist Walks into a Flower Shop by @garagebandvanfleet it's my favorite Danny fic EVER.

And then the Indecent Proposal fics by @gretavanfleetposts got me through a rough patch back in the spring and took my mind off a lot and they're AMAZINGLY written (so is the rest of Em's work!!!)

9. And how about something you’ve read more recently?

This isn't news to anyone following me for the past month, but Perfidy by @earthlysorrows is phenomenal!!!! and Valence by @gretavanfleetposts is wonderful and they're both such amazing and immersive stories!! @jake-kiszkas-smirk has quite a few amazing fics (babes, I have so many of your fics in my drafts to save to read/react/reblog if it seems like I'm not in there I AM!!) and honestly, not doing bc they tagged me, The Dead Don't Die, Jake Kiszka by @highdefkiszka Percy writes so descriptively and you can really feel the characters emotions and feelings!!

10. A fun one to finish...If you could insert yourself into any fic in the fandom, which would it be and what do you think would happen?

Oh god...oh...this is so hard omg....you know what, I wanna be in Perfidy. Madi insert this reader. I wanna be the lovable normal neighbor who notices all the magic but is just like eh none of my business and has a big fat crush on the guy who water bends and bakes him cookies and treats "just because" 😌😉 and then I think Madi would kill me off (lovingly and hopefully dramatically) for the angst.

I was tagged by the wonderful and incomparable @highdefkiszka and I am tagging anyone who wants to do this bc I think everyone else has already done it!!!

[botwstoriesandsuch]

Kip v Age of Calamity

For someone who writes tough shit on Age of Calamity, you sure don’t see me writing a better story. So maybe I should stop complaining and be satisfied with what was given to me. 

...or...

...maybe we can dedicated a few hours of my time to spite an ask. 

Even though the entire argument of “why are you mad if you can’t write a story yourself” is inherently flawed and pointless considering that’s the equivalent of telling me I should chug spoiled milk because I’ve never milked a cow, I’ll fucking step up to the plate here, I’ll put my money where my mouth is. 

So here is Part 1 of your residential Kip approved rewrite of Hyrule Warriors: Age of Calamity. Or as I like to call it: 

Ok so before I get into it, a couple things I wanna establish. First, I know I just said I’m doing this out of spite, but I’m actually also doing this for fun. I really enjoy and am passionate about the writing process, so if you were looking for an angry rant about how terrible everyone’s opinions are about everything, this isn’t that. I don’t think that I am a better writer than anyone, or than the professionals that made this game, or that I am somehow superior to Nintendo. I am someone with the benefit of hindsight, I don’t have the constraints of producers and mandated directives and executives rubbing their hands in the story to make it more marketable or dumbed down or any of the other chaos that goes into crafting a videogame. So while obviously I think the people involved in this could have done a much better job, this isn’t a bash to say, “look how easy it is to make a story” because there’s a ton of unseen drama that goes into development that I have the luxury of avoiding, and it’s a miracle that any games are coherent and enjoyable in the first place. I’m just a lil Kip doing a fun lil exercise. 

This little series is also not going to be a fanfic. I’m going to be telling the story chronologically as if you were playing for yourself, but it’s going to be from my omniscient perspective because 1) I need to relate the story to the gameplay 2) That would take way too much time to actually make this into a fanfiction as it already takes a hell of a lot of time to even plan out the beats of this rewrite and 3) This is less going to be a telling of a story, and more of a fun little exploration on the Three Act Structure and The Hero’s Journey. In fact, I am going to try and keep the given story of Age of Calamity as intact as possible. 

The general ending is going to be the same, the characters used are going to remain roughly unchanged, (there will be no new characters, or removal of characters) and characters that live or die and where they end up are going to be mostly the same with how the original game is written. I know, I know, we all would love to see the Champions die brutally or to get us that sweet sweet Link angst or to have a game with multiple endings. And even though I personally would change some of those premises in Age of Calamity, I’m going to strive to keep it all as intact as possible, just to prove wrong the misconception that the story was only bad because of the writer’s choices for the general arc. I am a firm believer that biggest weaknesses of this game are in its methods of conveying its story, a problem in the storytelling process, and not (necessarily/only) the story product itself. 

If you want to use any of the ideas that I present, go for it! I release them into the public domain, I have no plans whatsoever to write a fanfic for this myself, in fact I already have my own separate Pre-Botw fic story that I am pouring myself into, so I give the people full permission to take these ideas off of me. 

Alrighty! With all that out of the way, let’s get into:

HERE IS THE VERSION IN A GOOGLE DOC FORM BECAUSE TUMBLR HATES YOU MOBILE PEEPS

Spoilers! Obviously. I’m going to act on the assumption that you know the full story of Age of Calamity to save myself some time, capiche?

Ok so we start out the game roughly the same, with eggbot being chased and forced to time travel into a portal. But, there is going to be some important differences in details. 

We have the part of the scene where Zelda awakens her powers, and at the same time, something else in Hyrule Castle glows with the same aura. However, this glow is not coming from the Princess’ Tower, but instead, the camera pulls back from the fields of Fort Hateno, sweeps over Hyrule (where you can see the Guardians and the sense of destruction and all that) and the camera eventually flies over Castle Town, then within the Castle, weaving through the halls, until the camera stop and focuses on the entrance of a destroyed room, slowly creeping in. It’s a room that’s been demolished, stone rubble from Guardian blasts ruin the floor and cave in from the ceiling, there’s a small fire in the corners of the room, and from the props that you can make out, it seems to look like some study or office of some sort. The room is small, but domed and circular, signifying that it’s of a bit more importance than you might think . The desks and books and all buried beneath this collapsed stone brick. But as the camera focuses on that pile of rocks, from within that rubble, you see that same glowing aura that Zelda has, glowing brighter and brighter until finally out pops, eggbot.

Now, you can have that same sequence within the game where he runs around all cute, the outter wall of the room is broken so eggbot can look outside and see the Calamity’s destruction. Then that cut to Zelda saying “I want to save...everyone,” and this is important because I need the fade in between Zelda’s line and the fade back to eggbot to wordlessly imply that he is hearing these words, something that’s already done pretty well in the original cutscene. Anyhow, then the Guardian Stalker pops from behind, prepares to shoot, and eggbot can escape into its little time portal, and then the malice follows or whatever.  

However, I’m not gonna immediately cut to the title, but instead, we have the music build to eggbot’s little jump in a pretty climactic way. But then the music still lingers slightly, and rests in suspense, camera is still looking out the window where eggbot jumped. It pulls back, turning back into this room that eggbot emerged from. Music is still relatively silent. Then, from the corner, you see some of the fire suddenly catch onto something. Flattened between the rocky rubble, just a few feet where eggbot emerged, is a purple cloak, trimmed with gold, flapping just slightly in the wind. [Said flapping being what causes it to catch] The fire catches, burning through the cloak, and underneath it, is a fallen copy of the Sheikah tapestry of 10k years ago. Camera zooms into that art of the Calamity, music suspends, merge to title card, then the music hits that climax and BOOM, “Hyrule Warriors: Age of Calamity.” Main Theme plays. Let the opening title roll.

Now the reason I changed this slightly is because 1) I wanted to earlier set up some of the plot points that I have planned for this (some of which you might already guess or maybe not who knows *wink wink*) and 2) I think that the original opening could have been much stronger with its hook. Yes, the element of mystery is established with eggbot’s existence and that element of time travel, but then the opening immediately goes into saying “This is the tale of champions, a diminutive Guardian who traveled backwards through time, and the Great Calamity they faced.” So...you just dampened that hook you established two seconds ago because you explained it all. Sure, it doesn’t completely ruin it, but I think the impact would be much stronger if that text wasn’t there at all, and the music and hype of the tapestry moving and coming alive is all there was. I’d much rather that element of time travel just be explained through the cinematography itself, because you can already understand that perfectly with that scene where you see the portal lead into birds flying around a beautiful Hyrule Castle.

Also, the music in this game is fantastic! So letting moments that really let you soak it in, I think would be very beneficial. So now this scene serves as a much more effective hook before we get into the actual plot. The mystery of eggbot’s identity is heightened and left a bit more unexplained, you have this mysterious circular room that you’ve never seen before, and the set up of details that will eventually serve later revelations in the plot, cough cough. 

Then you hit Chapter 1, Link gameplay, eggbot and the tower, that’s all the same. I got no changes for the story there, it’s a great introduction. However! I know my strength here is writing and I am by no means a game developer or designer, but I need, I absolutely need to add one aspect to the gameplay.

Near the end of the first stage, where there are those three moblins at the end, I want to add something that I’m going to call, a gambit. The game already introduced you to the special meter and “press a to use special attack” thing, but I want Impa and Link to use a gambit to defeat this last horde of moblins. Essentially, you press A to use your special attack, BUT, if another character is in proximity, the attack is even more powerful. Every pair of characters has a special little attack, that does tons of damage, and during said sequence, there are voiced lines, or at the very very least text boxes that comment on it. And with this gambit, while a regular solo special attack still does a lot of damage, I’m gonna nerf it slightly to encourage players to use this gambit feature. 

Now, why did I add this? Because I need to better connect this gameplay to the story on more than an external “lets defeat this and go from point A to point B” type of way. I need something in the gameplay to better serve to the game’s main theme of “teamwork makes the dreamwork” and all that. The CURRENT gameplay, although absolutely fun and fantastic, just doesn’t do this. I need just one element to serve this theme while ALSO having the dual purpose of serving as character interaction. The current structure of Age of Calamity works where the sidequests and battle serve as your character interaction, development, and banter, while the cutscenes serve the main story beats, and important plot revelations. The cutscenes just aren’t crafted to support the weight of these dozens of characters while also giving them all interesting interactions, and that’s fine! So I’m just adding this feature to the gameplay, because being able to customize different lines for different characters for different stages that are voiced will go a long way into making the character development seem more fleshed out. And this gambit feature doesn’t necessarily change the way you play the game drastically, as you can still have four character slots and have them split up to take on the battlefield, but now you can split them off into groups of 2. And also, because I’m not completely blind to game design, the damage percentage boost of these gambit attacks will not increase as much, just slightly lower, than the damage boost of a solo attack when you level up. So what I mean is, when your character is weaker level, you are forced to rely on others in order to defeat your enemies, but, with the way the leveling up percents work, your characters can still reach a point where they can defeat big bosses all on their own without gambits. THAT way, when certain events happen in later chapters, when your character is all leveled up, (and maybe they awaken a sacred power or two) it feels all the more powerful when you can go off on your own. You can feel how your character has grown in strength because you can contrast it with your teamwork gameplay of earlier levels. AND it still highlights the importance of that theme of companionship, because you would never have gotten to this level of strength had you not relied on your friends. 

OK, so the stage 1 ends with a gambit attack, Impa compliments Link’s fighting style or something that shows her admiration or respect for him. And then stage 2 for the Road to the Royal Lab is the same, but gambit dialogue for that stage is Impa complimenting Link, Impa being protective of Zelda, and since this is Zelda’s first playable area, Zelda’s gambit lines can be about kinda brushing Link aside like “I want to capable to hold my own in battle but thank you” to Link (cause I never really got that same “I don’t really like you” vibe that is established in botw for this game) and then to Impa Zelda’s gambit lines can be like “is this thrill what you always feel when battling?” and Impa is like “yeah isn’t it great we should do it more often!” and then you can allude to that with a sidequest for Zelda’s training or something. I just want to better connect sidequest stories with this stuff. And also, gambits are obviously optional so that’s why this is all just banter and character development and not actually plot points, and I’m going to stick with just one-on-one dialogue, although it should be theoretically possible to have gambit boosts of three and four, but I feel that would be too much as I don’t want to ruin the gameplay balance and encourage you to keep all four character slots close together, because splitting them up is an important part of the game. Anyhow!

So Chapter 1 is done, my changes being almost purely in the gameplay because this is the start of the story and the character set up is important. Chapter 1 to Chapter 2 is basically the establishment of the ordinary world, and in the Three Act Structure it’s basically Act 1. Act 1 is all about set up. I need to really focus this chapter on both introducing the player to the mechanics of the game, having them connect to the characters and the characters connect to each other through the gameplay, and I need to establish this tone so that when I rip it away, and change the tone during the threshold, it feels more meaningful and suspenseful. 

As you can see from the diagrams, Act 1 has something called the Inciting Incident. The Inciting Incident is going to be the Yiga attack in Chapter 2, where our heroes first experience the true dangers of their journey, and there is no turning back. BUT I’m getting ahead of myself.

Chapter 2 is also exactly the same. I would literally change nothing about the Champion’s sections (other than my addition of gambit interaction of course) because they’re all pretty great. For the record, yes, evil egg is still a thing, and yes, Zelda and the gang can still discover those pictures of the Calamity in eggbot, yes you beat up Revali, and the Divine Beast sequences are the same. I just really need that gambit dialogue to help establish character relations. Revali quips at Link, Mipha protects him, Daruk is his buddy [I thought a cool gambit attack for Link and Daruk to better show that they are old friends could be them both chewing down on some rocks, before striking an enemy simultaneously. Because they never eat rocks together and I just want this ok] Kohga is the same, Sooga is the same, BUT, for that scene when you first meet Astor in the Yiga base, I need two things to happen. 1) The camera reveal for Astor starts at his cloak, which is intact and NOT tattered like how his design is in game. It’s a deep purple with gold trim, the camera pans up to the back of Astor’s head. Now 2) When the camera moves to look at Astors face, I need him to be standing in front of and staring solemnly at the evil eggbot. He’s frowning, and his eyes suggest something like he’s deep in thought of something in the distant past. That’s how the scene starts, and in the background is Kohga recounting the events of his failure to beat Urbosa and the gang. Then, Kohga can say something funny to annoy him, Astor’s face changes to your classic villain disgust. Then, he can get a bit pissed and go on his little rant about how pathetic the Yiga are and how the Calamity is trapped within the evil eggbot and how he will use his powers to end the Kingdom of Hyrule. Then he can take his little astrolabe and be all “My harbinger, show me the future!” and all that. IMPORTANT LINE CHANGE,  Astor’s motivation here is not “The future, as it will and must be. I will not allow anyone to alter its course.” Instead, I need to tweak it slightly to be, “The future, as it was fated to always be. The pathetic stories and legends of children and false kings cannot waver this course. I will not allow it, for my sake…” camera pans to the broken evil guardian, Astor’s voice lowers just slightly. “...and yours.” The slightest, almost silent bits of the harmonies (not the melody) of the Hwaoc Main Theme play before fully fading back to Astor’s theme. And the final shot of that scene is Astor, looking down at the heap of Sheikah tech, with a neutral expression, but then looking back up at the malice stars, and the future visions of the Calamity. He just ever so slightly smiles. 

[Also I JUST realized that the harbinger is actually slightly above Astor, because it’s supposed to show that the power dynamic is really Calamity Ganon is in control, so ignore the “looking down” parts I talked about, and just think in the broad direction of Astor looks at the guardian, and then looks further up at the ceiling with the Calamity and the future and then he smiles]

For that scene, I also need to remove any characterization where Astor is laughing and being joyous at the impending destruction, I only need that smile at the end. There is no villainous cartoon laughter, at least, not yet. Also the part where Sooga calls Astor a fool for thinking he can control the Calamity is GREAT I need that, that absolutely needs to stay in.

And then Chapter 2 closes off with that Yiga ambush. That’s the inciting incident, so I need the tone at the end to be slightly different. Instead of ending on that cute little thing where eggbot points angrily at Link, (like that part can still EXIST in there BUT) I need it to end on a more serious note. 

Referring back to the Hero’s Journey, the Call to Adventure is the parts of each of the Champion’s recruitment. They each have their initial reasons for joining the fight, whether to protect their people, to feel validated for their skill, to get closer to the ones they love etc etc that’s all established in their respective stages.

This Yiga stage, however, serves as the official barrier between Act 1 and Act 2, the threshold between the known world and the unknown world, where the heroes prepare to seek out the obstacle that stands in the way of their goal. It’s important that this threshold establishes a sense of urgency, because that better gets you invested in the stakes, and helps the story's momentum to move forward. IT shows that the journey and adventure that these characters want/need to take is outside the safety of their home/known world.

In the original game, the threshold ends with that cute scene of eggbot and Zelda and Link and the Zelink vibes. That’s not bad, but it’s also not good. The momentum towards the later confrontation in Korok forest needs to feel more important, because this is a major turning point in the story. SO, I am going to add one more scene at the end. It’s just after the ambush, after the fires have died down, and Zelda (and in the back the Champions) discussing the events with the King. I want King Rhoam to a few things. First, I need him to kinda berate the Champions for falling for the Yiga’s “splitting them up trick” and leaving his daughter vulnerable. This 1) establishes doubt within the party, which makes for better uncertainty for the future and later internal conflict. This was supposed to be the dream team but the King is already kinda telling them off. 2) This also still characterizes the King as someone who cares for his daughter’s safety. That care for his daughters safety is layered in the subtext of him saying something like “Your priority must be to protect the only person capable of sealing the Calamity. You were so concerned with victory and glory in battle that you forgot that the fate of this kingdom lies on my daughter’s survival.” and blah blah blah. The King can also congratulate Link for keeping Zelda safe, and this is GREAT because that can add further to Zelda’s slight resentment for him, as he’s getting the approval from the King that she has yet to receive. But like overall the King is like “don’t leave my daughter alone cause she almost got killed if it weren’t for Link wtf.” and then that can also be a further excuse to hurry to korok forest to find the wielder of the sword so that they can better protect “not just the Princess, but the entire world,” something something fancy kingly dialogue. 

Also when the Champions leave THIS can also be the time where Zelda gives that Sheikah device thingy to Rhoam and also where he sees eggbot. I know that happens a bit later, but for pacing purposes and for the sake of the story changes that I made, it better serves to place it here. That interaction itself can stay mostly the same as it is in the game.

So now, the threshold ends with a bit more tension. The Champion squad is powerful, but also has flaws in how they were split up by the Yiga, (cough cough I wonder if that serves the themes of the game in some way cough cough) and it’s not just “smooth sailing” into the search for the Master Sword, and the stakes are a bit rocky as we finally enter into the story’s Act 2.

= = = = = 

And that’s Part 1 of my rewrite. Not really a lot, cause again this is mainly character set up, and establishing stuff, but personally I think it’s already a bit stronger than how Age of Calamity did it. Stay tuned for Part 2 either tonight or tomorrow, mwahaha. 

Predict the future if you can...

[eolewyn1010]

3 seasons of Charité - upsides and downsides

Includes spoilers for all three seasons!

What I like about Charité, season 1:

- Ida is a relatable and stubborn woman, and while I think the protagonists of the newer two seasons are written better and more interestingly, she makes for a good central character

- Behring is great to watch, complex, enthusiastic, arrogant, passionate, desperately forlorn, sweetly encouraging, irascible, honest, and I’m always torn between loving and hating him with all my heart

- he also stands in for how badly society was suited to handle people with psychological issues back in the day

-  actually, none of the characters are simple or one-sided; expectations are often subverted – Behring is not heartless, but he can’t just be “saved” either, neither Koch nor Virchow are as benign as they seem at first, Tischendorf is not the sweet young Prince Charming who’ll give Ida the dream life she deserves, Hedwig is not a brainless little floozie with no deeper thoughts or feelings, neither Therese nor Martha are all the strict boss ladies they want to be, Edith is not just a snotty bitch etc.

- medical history of that time, a blunt look on methods and circumstances

- the rivalry between the doctors; it’s fun to watch them passive-aggressively piss on each other

- the staging of the Tuberculin scandal was really effective, with all the hyping, the downfall and the consequences

- we get sweethearts! Stine is a sweetheart, Else is a sweetheart, Therese is a sweetheart, Dr. Kitasato is a sweetheart, and most of all Dr. Ehrlich. I like kind people, ok? Especially in a setting where so many people are asses

- the music is atmospheric and quite nice

- despite two options of marriage, the female protagonist remains single and gets to focus on her career, even in a time and setting that’s not supportive

- I’m having a blast with Minckwitz – he’s such a bitch, I love it

What I hate:

- the lesbian dies for no good reason

- did our main character really have to be a tragic, left-all-alone orphan in debts? Would you like some cheese with that whine?

- the big, hammy speeches get on my nerves after a while

- my sweet lesbian Therese dies, awfully, of frickin’ tuberculosis

- say what you will, Ida and Behring could have made it work; I think they would have been good for each other. Kinda disappointed

- Else Spinola deserved better

- poor Therese dies, thinking that God punishes her for being in love with Ida

- those weird slo-mo shots between scenes don’t serve any purpose

- what’s with the random fortuneteller scene? What was that good for?

- THERESE DIES! We go with f***king Bury Your Gays??? F*** YOU!

_________________________________

What I like about Charité, season 2:

- Anni and Dr. Sauerbruch – different than with Ida, we get two focal characters who aren’t presented as doubtlessly morally good. On the contrary, Anni starts out as quite the happy-go-lucky little Nazi follower – and then we get all the character development; hell yeah!

- Anni chooses to keep and raise her disabled baby herself, come hell or high water; damn, she fights for that kid. And Martin is positive disabled representation, too – thanks for giving me a handicapped veteran who’s not a bitter, drunk wreck just whining about what a cripple he is! He’s got a grip on his life, and the leg only ever comes up on three occasions; it doesn’t define him

- Otto, Martin, Doc Jung, Margot, Maria Fritsch and Kolbe are more clearly positive characters, but they aren’t one-sided, either – like, Otto plays that bright sunshine, but there’s so much seething in him. My sweet baby boy

- same for the negative characters, because they aren’t flat either; Artur, de Crinis and Christel are super interesting, all different levels between quiet, only semi-aware compliance and full-on, not-so-blind fanaticism. Gawd, those shitheads, but they’re fascinating to watch

- all them relationships – Margot-Ferdinand, Otto-Martin, Otto-Anni, Artur-Anni, Margot-Doc Jung, Ferdinand-Doc Jung, Anni-de Crinis, Bessau-Artur, Martin-Christel, Otto-Christel, Anni-Martin… there are so many interplays, so many dynamics that influence each other! SO many layers!

- the acting is better, I think; the characters altogether feel less wooden, much more human than the first time around – perhaps because it’s not 19th century manners anymore now, I dunno; I’m getting really emotional over shit, and I love it

- incorporation of the political and social situation into the hospital setting – much more than in the first season, the state ideology influences the way the doctors can do their work, and many of them do their best to still hold onto their duty when everything around them falls apart, which is beautiful

- power struggles between the characters in charge and ideological / political nuances are more subtle; nothing is black and white

- but there’s nothing subtle about the presentation of Nazi crimes and how many people actually just went along willingly – that cold bluntness is just what that subject needs

- interactions with patients are better this time; they’re more now than passive, pitiable creatures who quietly die their way, they’re characters with their own minds and drives (Lohmann, Magda Goebbels, Hans von Dohnanyi, even Emil)

- the music is even better than the first time around, I love it – so gentle most of the time, but it can also really help to build the tension

- we get a very sweet, functioning queer romance between characters who consist of more than “well, they’re gay and it troubles them”, and they both live – THANK YOU for learning your lesson; there was no good reason to have the gay character die, so Otto and Martin get a happy end. Was that so difficult?

What I hate:

- Yrsa von Leistner is so effing random. Who the hell wrote this? If you can’t incorporate a character properly, why bother including them in the first place?

- the passivity and anonymity of the disabled children – why didn’t Artur or Anni ever get to perceive one of them as a person? That girl Traudel for example, Anni could have talked to her

- there’s a slight tendency to “I’ll just tell the character next to me” exposition – Artur when he and Anni wake up together that one morning (why wouldn’t Anni know yet what he’s working on? That long-winded explaining sentence just came off as awkward), Peter Sauerbruch to Margot about the Dohnanyis and Bonhoeffers

_________________________________

What I like about Charité, season 3:

- I’m all pro ProPro! Honestly, that man is a treat, both how the character is written and how the actor carries the situations and interactions he’s in. He’s arrogant and narcissistic, but he’s also principled, insightful and caring, unpolitical in a smart way and honest in a quiet way, and he gets how people are, and his mentorship of Ella, how he supports and encourages her and also bluntly gives her the dressing-down she needs, is a thing of beauty. And that she has to earn his attention first

- I have a personal soft spot for the scene where ProPro is doing his sports and going jogging while talking with Ella, and then just has her run along. That man’s hilarious, I love him

- Ella’s spirited, and while I don’t love the protagonists of this season as much as those of the second, she’s still great in her own right – the dedication to her research, the strength with which she handles the shit that’s thrown at her

- everyone’s so snarky!

- the wider focus on medical history and research; we see a lot past surgery now

- everyone’s taking shit in stride – staff is running off to the West? Ok; rest gets double shifts. We don’t have a senior doctor on the ward this morning anymore? We do shit ourselves. An illness we’re not prepared to treat anymore because, actually, there should be vaccination enough? We’ll make do. I love that spirit

- positive disabled representation! Rapoport’s daughter actually interacts with people, is presented as a person, has dreams and strengths and can handle her issues – yes, please!

- we get an intersex character, not for long and the story isn’t treated with the care and attention it should have, but props for the effort, I guess

- the setting allows for Ella to focus fully on her work and passion, not really giving much on romance and marriage without that seeming out of place – Ida’s conversations most often revolved around a man, Anni was considered a Nazi role model for being married and a mother, but Ella, while the relationship with Kurt is an option, never prioritizes this and never needs it

- personally, I’m smelling threesome subtext between Ella, Kurt and Alex Nowack – that may just be me, but I like it

- how everyone handles situations, how the changes happening in the country are incorporated into the world the characters live in, how they are able to cope with stuff and make decisions, in the end even without shifting blame

- even more so than in season 2, I really like how human the patients and their relatives are, that interacting with them in the right way is made an important part of the doctors’ work, even when some of the patients are asses

What I hate:

- people are mumbling – it’s not dialects, it’s not accents; they’re mumbling. They never were in the first two seasons

- the cancer stories were really no favorite of mine; what’s with the teary melodrama and the sudden gory shock value? Come on, Charité, you can do better. Presenting the human side of everything has always been the strength of this series, so why going so overboard now?

- I dunno, the crime cases ProPro investigates don’t seem to be incorporated that well? I suppose they’re there to establish his main field of pathology, but they spend a lot of time on that “Biter” case, and I’m not sure why

- would have been nice if Inge Rapoport had gotten to interact a bit with important characters other than her husband, Arianna and Kraatz – she’s a lovable, strong female character; why keep her so one-sided?

- what’s with the black’n’white painting? You showed us how conflicted and nuanced people under the Nazi regime could be; why now the clear line between “those people are good” and “that one sold his soul to the Party”?

- you show us an intersex person, introduce her as a character, make us sympathize, show us her hindrances and possibilities – and then she’s just gone? What about her treatment? Positive development? Making Kraatz’ interactions with her a counterpoint to his interactions with Doc Rapoport? What WAS that?

[the-mercurial-star-o-vesper]

ITS EYE AGAINST I

... And me against You. Hello random people of the internet, and the select RvB audience I’m intending to talk to. Time for millions to ignore my existence, while a select few look at my fancy garbage. Now, with no sense of decorum, or tact... I present to you. That Red vs Blue seasons 15 through 17 are continuity breaking and noncanon. To be honest, I’m not overly fond of the over all plotlines and more than a few handfuls of episodes were just... dull. And that’s saying something for a series I’ve been attached to for the last decade. That isn’t to say there weren’t parts I didn’t like. There were plenty of things that were just fantastic and launched perfectly. But let’s get to the whys and hows. Let’s set out the point system: First point. The Blues and Reds, our blue visor assmonkeys... were unnecessarily stupid. They were a copypasta team, with a poor excuse to be there, that not only doesn’t fit what is already established but breaks continuity by being there. If we were to take the rest of the 15-17 series, it’d be easier to make them into alternative universe counter parts or what-ifs, from different timelines caused by the series later use of Time travel. Rather than this blessed mess. They spit in the face of Agent Florida’s workhistory. And while you can see where the idea came from, the execution and establishment was lacking. The very fact that it includes Doc already tells you that we’re not with Agent Kansas anymore, and that it utterly destroyed Doc’s history prior to coming to Blood Gulch. Second Point. The Time Travel. [frustrated exhausted ugh-ing] The best I can say is that the series analysis of Time Travel was fantastic. It acknowledged that the inclusion of Time Travel is meant to break continuity and reshape it. The difference here, is that it only broke continuity. In fact it shattered it so badly that we’d have to ask the Homestuck Fandom to pick the remaining pieces back up, and classpect it for good measure. The fact that Human History was so severely fusterclucked by our Teams already shows you how much respect Continuity got in these last seasons, as well as how much respect to Canon. And then there were the “Gods”. Just... Introducing someone for the funny designs and the fantastic graphic and digital movements is nice, but it doesn’t do anything. See every pitfall CGI and 3D ran into for the last few decades. See, RvB is meant to run along side Halo without destroying one another in an “Upstoppable Force meets Immovable Object” sort of way. And if nothing else, its already established that RvB also has ties to Marathon too (which, while muddled up, still works). And while plenty of the shenanigans were fantastic (Loved that Cyclops scene), the reason they got there was Weak, and it just utterly detonates itself like Church and his stomach bomb... Surrounded by people you hate, and being hunted down by the world’s worst player at a knock-knock jokes. The Third Point I despise Jax. ... I kid, that isn’t the third point. But I still don’t like the Jax. His growth into a terrible director was funny, but it doesn’t really save him or his purpose in the series. I digress. Its what I dub the “Super Hero Ex Machina”. In a “Super Hero Ex Machina” situation, reality crashes in, breaks both Narrative flow and rules, for drama. And example is with Spiderman and his web shooting. In his narrative, he can save someone easily from falling with his web shot. But if the Drama Machina Maker is introduced, then the reality of the situation crashes down as the force of the fall would completely shatter the victim’s skeleton if Spiderman caught them. As this is not already established as happening before, its only there to cause drama and not meant for any serious development or character arc. Or if a show adheres to keeping the status quo at all costs. Things that would realistically and permanently mess up the status quo are solved in 1 or 2 episodes. But if Reality crashes because Plot said so, it breaks the established rules of the Narrative (and pacing). Especially if said plotpoint could have already been solved in prior episodes easily. And that’s what they pulled on Agent Washington and his throat injury. Washington is an established survivor. He has survived some pretty messed up stuff, both mentally and physically, and he’s come so far as a character. To a point where he’s almost unrecognizable from when he was first established as the “Noir Detective Soldier Mercenary Man who plays by corrupt rules but still shines that hurting heart of gold once in a while”. Some of the stuff he’s had to survive, and potentially had to survive would’ve killed normal people. Even his writers had to take a step back and say, “No he can’t survive getting cut in half by a car”. RvB is good about changing status quo, and keeping to a rule of “actions have consequences” in order to both forward character and story. So it isn’t like they’re above permanently messing someone up (... Church.) But there are Rules on how its Handled. Story will establish and evolve said rules over time, this is true, but its a “more things change, more they stay the same” situation. And Washington’s injury... breaks that. For easy reason; For one thing, we already have a Freelancer with throat injuries, and he got them in a far worse scenario. Agent Maine was bloody machine gunned in the throat, then tossed off a freeway stories up from a ground we never even saw. And all he got was a messed up voice. There isn’t a good reason to give Wash that injury, realistic as it may be, besides playing it for Drama. And while such a circumstance should be given both the realism and seriousness it deserves, this only works if, you know, don’t play it to make a person or people suffer for Drama. Does this forward Character? No. No it doesn’t. The seasons retreat everyone’s character arcs. What little it does show is how far everyone has come... By making them take 20 steps back, and 5 steps forward. An ultimately useless gesture that neither show cases the human condition of “repeat until you finally get the lesson” or “sometimes shit happens”. Does it move the story? Only for drama. Which is a very weak reason. Even worse, as the series has already established that it can think deeply and use drama as a tool and not a plot point. If not for character or story, is it meant to be a metaphor? Metaphor for what. RvB doesn’t do metaphors. If not metaphor, is it supposed to be informative of the condition itself? RvB has bloody PSAs. No. A story is decent enough if it can mix those questions up without one consuming the other. But there wasn’t a point to do it. Just to see Wash or Carolina or the guys to suffer? To show that sometimes people get injuries they don’t bounce back from? Are you Kidding? We just permanently lost Church, and they set out to find the possibility of his existence again! That right there already Tells you that sometimes folks don’t Bounce Back. There was an entire Arc for Caboose, fer the gods’ sake, talking about it. CABOOSE. What the flyin Fu-- Ahem. There was already a ruling about Actions have Consequences. It was apart of the status quo that went as far back as the Blood Gulch Chronicles. Its filed under “The More things change, the more they stay the same”, and even throughout the Reconstruction series, there were plenty of characters pulling permanently changing stunts that affected them through the rest of their lives, or caused their death for it. [deep breath, lets it out] So. Inspite of my many problems with S15-17, there are things I adored about it. - Donut and Caboose’s arcs. Fantastically done. Caboose getting to the understanding he got in S14 about losing friends was heart breaking and beautiful. Donut’s may seem like retread and flanderization, but that is actually easily explained. When you’re under sufficient stress, your coping mechanisms will boost out from 10 to 100, and just because you’re now fully aware of it doesn’t mean you have the power or development yet to stop. It was a fantastic look into his character. - Sister. They made her into more than just a gimick and Grif’s Sister, which was a problem I had with her in Blood Gulch. Good patch up there. - The Background info and the details in Background Info with our main characters. Ye Gods, we got some backstory! The humor works, the seriousness works, its a beautiful set of puzzle pieces that fit snuggly into both canon and continuity. - Chrovos. Inspite of the time travel plot pitfalls, I actually really liked Chrovos. Wish they did more with them (Him? Her? I don’t remember if they established their pronouns). Did not like Jenkins, inspite of him being created out of a cut character. The Gods didn’t work very much either, and would’ve been better suited as characters that weren’t “gods”. It doesn’t help that they just... had inconsistant rules. - The Freelancers. I love the introduction to the Freelancers and all their nice armor designs. Too bad they’re all feckin’ dead. - Temple. I actually really liked Temple and the idea behind him. However, instead of the malakey we got, and the Time Travel Nonsense that could be theorized afterwards. It would’ve worked better if he had been the leader of a Cult of Personality or sorts, purposely and badly mimicking the hype of the RvB teams’ fame and gathering surviving former stim troopers. The terrorist thing could work, and so could the Church plot. Everything else was stupid. Remove the Time Travel, this isn’t Homestuck Hour. Thanks for you for your continued reading. ... oh Right, I forgot. As awesome as it was to see Locus again, the uselessness of Wash’s throat injury and how he was reintroduced makes him more into a Deus ex Machina (and not that Halo 3 Machinima from way back). Its like fitting a circle peg into a square hole... But getting it stuck halfway and ruining the children’s puzzle toy. ADDENDUM (edited) I hate Hate HATED how Vic parodied Church’s epilogue speech, and I just about wish Church would come back just to beat the shiznet out of him for it.

[daleisgreat]

Scott Pilgrim vs. The World

A movie podcast I listen to, The Big Picture, did a recent episode on the 10th anniversary of 2010’s Scott Pilgrim vs. The World (trailer). Coincidentally enough, that film remains in my backlog box all these years later, so I made sure to re-watch it before giving that podcast a listen. For those unfamiliar with this film, it is based on a series of six graphic novels of the same name by Bryan Lee O’Malley released between 2004 and 2010. The basic gist is that Scott Pilgrim (Michael Cera) falls for newcomer to town, Ramona Flowers (Mary Elizabeth Winstead). In order to win her over Pilgrim has to defeat Ramona’s “Seven Evil Ex’s.” Scott spends the rest of the film exploring Ramona’s mysterious past and dueling her ex’s while practicing with his band, Sex Bo-Bomb, as they progress through a battle of the bands tournament. Sex Bo-Bomb is one slick act! Stephen Stills (Mark Webber) is the doom-and-gloom frontman of the band. Kim Pine (Alison Pill) is a 2010 take on Daria and effectively nails her vintage expressionless glares and blunt quips. Young Neil (Johnny Simmons) is the affable, DS-loving, always ready alternate for Sex Bo-Bomb. Their #1 fan and also other girlfriend of Scott Pilgrim is one Knives Chau (Ellen Wong). Knive’s arc is probably my favorite of this ensemble cast as her journey from adoring fan and girlfriend to her final destination is a fascinating quest to see develop and a faithful translation from the books.

I first heard of the books on the videogame podcast, Team Fremont Live where they reviewed the first book and their breakdown of it caught my attention when they dissected all the nonstop videogame references that are peppered regularly throughout it. The film captures that imagery to a T where it feels like Pilgrim is living in a real life videogame. In this world suspending disbelief is required because it is jam-packed with extraordinarily choreographed battle scenes, makes anyone capable of instantly pulling off bombastic martial arts moves in the blink of an eye without any training whatsoever, and quirky little animations of objects like Mario Bros.-esque coins and pixelated items inserted throughout that any videogame fan will pick up on. The fighting game fan in me popped a little each time a thunderous “KO” blared out each time Pilgrim emerged victorious after an evil ex duel. As a lifelong fan of videogames, it was fun picking up on all the references and Easter eggs in the background throughout. Scott Pilgrim vs. the World hit at an interesting time where Michael Cera was the only established star at this point in 2010 and was riding the last wave of critical success coming off of Arrested Development, Superbad and Juno. Brandon Routh is noteworthy appearing here as one of the evil ex’s after flaming out in his single appearance in a Superman film. However, a few other stars are here right before they exploded into bigger success like the aforementioned Mary Elizabeth Winstead. Chris Evan is here as another evil-ex shortly after his two Fantastic Four films, but a year before donning the Captain America costume for the first time. Anna Kendrick is here in a small role as Scott’s sister Stacey while in the midst of her initial Twighlight run. Finally, Brie Larson is here as Scott’s evil-ex, Envy Adams and she is the lead for her band, Clash at Demonhead in my personal favorite musical performance of the film as they belt out “Black Sheep.”

It is worth repeating that I highly recommend suspending all disbelief going into Scott Pilgrim vs. the World and simply roll with it. The battle scenes are a hoot to take in and feature a ton of CG that holds up well ten years later. It is also worth pointing out this film is part absurd videogame battles, part early 20s love triangle drama and to a lesser extent part musical with several performances from Sex Bo-Bomb and other bands throughout the film. Director Edgar Wright tracked down a few bands to play the tracks for some of the featured bands in the film such as Beck performing the handful of Sex Bo-Bomb songs in addition to a slew of other tracks from artists like The Rolling Stones and Blood Red Shoes that perfectly supplement the outlandish tone of the film. It is not too often on here I recommend hunting down the soundtracks for a film, but the soundtrack for Scott Pilgrim vs. the World I wholeheartedly recommend! I think the Scott Pilgrim vs. the World BluRay may have set the record for amount of extra features for a single film in the near seven years of movies I have covered on this blog. A rough tally on my notes gives an approximate sum of nearly five hours of bonuses, and then four feature length commentary tracks on top of that! I will not detail every bonus, but will give some highlights of the ones that stood out for me. There is just under a half hour of deleted scenes with or without commentary from Edgar Wright. Most of them are extended scenes from the first act to trim out excess background info, but an alternate ending is what stood out the most that Wright explained he changed because it did not go over that well in test screenings. I can always appreciate a good blooper reel, and an excellent 10 minute reel is compiled here that I would rate right up with the stellar ones in the Marvel films.

There are three features grouped together in the ‘Docs’ section of the extras tallying up to a little over an hour. If you only had time for one of the five hours of bonuses I would go there because that has the core making of documentary which breaks down collaborating with Bryan Lee ‘O Malley, nailing the casting, detailing the extensive stunt training and interviews several of the bands about being featured in the soundtrack. Speaking of the soundtrack, there are four music videos included. Definitely check out the four minute animated short, Scott Pilgrim vs. Animation that is essentially a prequel to the film that dives into Scott and Kim’s former relationship. There are 12 ‘Video Blogs’ totaling 45 minutes that are raw on set interviews with the cast and crew between takes that sees the crew up to all kinds of mischief to kill downtime. This BluRay easily has the largest photo gallery of any home video I have covered with several hundred photos. One gallery is labeled ‘storyboards’ but each storyboard panel is nearly identical to the excellent quality of the art in Bryan Lee O’Malley books so that is essentially a free comic book adaptation of the movie buried in the extras! I experienced all four of the commentary tracks in one re-watch of Scott Pilgrim vs. the World via jumping around to a different commentary about every five minutes. Edgar Wright is on two of them, one with Bryan Lee ‘O Malley and writer Michael Bocall and the other with photography director Bill Pope. The other two commentaries are split among nine cast members, with Michael Cera and the rest of the leading cast on one and the ancillary cast members on the other cast commentary track. Wright has tons of nonstop insight and production facts on his tracks, and the cast tracks are have a lot of fun anecdotes such as Cera failing at trying to get additional people on the commentary via phone call. On top of the commentary I had on during my re-watch was also a factoid subtitle track to really take in the extra features. Despite going on now for three paragraphs about the bonus features, I think I only touched on about half of what is available, and it is truly astonishing to see how much they crammed into one BluRay disc.

A part of me thought going into this that Scott Pilgrim vs. the World would not hold up after 10 years. I would chalk that up to thinking I may have got easily won over with all the hype from being vastly into the books back then and being too caught up into the build to the film’s initial release. I can put those reservations to rest thankfully as I immensely enjoyed this ode to videogame fandom as much as I first did in 2010. Throw in a plethora of extra features to last all year to make Scott Pilgrim vs. the World one of my highest recommendations yet! If you want even more commentary from me about this film than below I have embedded the podcast I originally recorded 10 years ago shortly after seeing the film on its opening weekend. I bring on a couple other special guest hosts that are also ardent Scott Pilgrim fans and we review the film, soundtrack, the books and the videogame. Enjoy!

I brought on a couple other Scott Pilgrim experts on as guest hosts on my podcast to review the film, books, videogame and soundtrack shortly after they all released 10 years ago. Check it out in the embed above for more Scott Pilgrim goodness or click or press here to queue it up for later. Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street The Accountant Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron The Avengers: Infinity War Batman: The Dark Knight Rises Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed I & II Deck the Halls Detroit Rock City Die Hard Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Grunt: The Wrestling Movie Guardians of the Galaxy Guardians of the Galaxy Vol 2 Hell Comes to Frogtown Hercules: Reborn Hitman I Like to Hurt People Indiana Jones 1-4 Ink The Interrogation Interstellar Jay and Silent Bob Reboot Jobs Joy Ride 1-3 Last Action Hero Major League Man of Steel Man on the Moon Man vs Snake Marine 3-6 Merry Friggin Christmas Metallica: Some Kind of Monster Mortal Kombat Mortal Kombat Legends: Scorpions Revenge National Treasure National Treasure: Book of Secrets Not for Resale Pulp Fiction The Replacements Reservoir Dogs Rocky I-VIII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Shoot em Up Slacker Skyscraper Small Town Santa Steve Jobs Source Code Star Trek I-XIII Sully Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild The Wizard Wonder Woman The Wrestler (2008) X-Men: Apocalypse X-Men: Days of Future Past

[jimintomystery]

So You Decided to Get Into Avengers after Endgame Came Out: A Guide

First of all, I feel your pain.  You had better things to do besides watching a gazillion Marvel movies, but now Avengers: Endgame is in the only thing in theaters and everybody’s going nuts about it.  But this movie is super-duper not accessible.  More than any other Marvel movie, this one assumes you know what’s going on and it can point to the box office history to back up that assumption.  (I’m not a fan of that choice tbqh.)  So now you can’t watch this 3-hour movie without everyone telling you to watch 20 other 3-hour movies.

Well, you’d be justified to say “screw it,” but if you still want to take the plunge, I’m here for you.  I was here when the first Avengers came out, and all the kids who saw the movie were like “I want to read the comics now but it’s hard.”  Yeah, it’s hard.  So comics fans like me helped them out, and now those baby fans know more about the Avengers than I do.  That’s how it goes around here--we work together, to follow the continuity no single superfan could withstand.

This is not a comprehensive guide to the “Marvel Cinematic Universe.”  This isn’t even a guide to the best movies.  This is the quickest way to get you up to speed so you can enjoy Avengers: Endgame.  Don’t let this stuff scare you.  You can do it.

Hashtag whatever it takes.

(The following contains very very light extra mild spoilers for stuff BEFORE Endgame, for people who managed to not care about those spoilers for 11 years.)

The short-short version

There are four main Avengers movies

Avengers 1 (2012)

Avengers 2: Age of Ultron (2015)

Avengers 3: Infinity War (2018)

Avengers 4: Endgame (2019)

Obviously the fourth movie kind of assumes you saw the first three.  More importantly, 3 and 4 are a two-part story (like Harry Potter and the Deathly Hallows Part I & II), so those two are really really inseparable.

Avengers 1 is the most succinct introduction of the main characters: Iron Man, Captain America, Thor, the Hulk, the Black Widow, and Hawkeye.  You could watch the movies that came before Avengers 1 for more detailed introductions, but you don’t need to unless you’re super confused.  (If you just cannot handle the idea of literal Norse gods running around, I guess watching Thor 1 might help, but superhero stories work better if you’re more like “that’s weird but okay.”)

Avengers 2...didn’t go over real well with fans, and it struggled with telling its own story while trying to set up stuff for future movies.  However, since the future movies in question were Avengers 3 and Avengers 4, that’s the stuff you’re interested in.  Also Avengers 2 debuts key secondary characters (the Vision and the Scarlet Witch) and is a convenient way to be introduced to others (War Machine and the Falcon).

Captain America 3: Civil War (2016) came out between Avengers 2 and Avengers 3, and it basically ends up being Avengers 2½.  This is arguably the hardest one to skip, since it fundamentally changes the relationship between Captain America and Iron Man, and sets up where the characters are at leading into Avengers 3.  You also get to meet Black Panther, the Winter Soldier, Ant-Man, and Spider-Man without devoting a ton of time to more movies.  To be fair, Avengers 3 does attempt to explain what has happened since Avengers 2, but it’s kinda hard since so much is going on in Avengers 3.  I happen to like this movie a lot, so I think it’s worth the slight detour.

Avengers 3 is where Thanos comes looking for the Infinity Stones, to put on his Infinity Gauntlet.  It may seem like all the movies are about Thanos and Infinity Stones, but don’t believe the hype.  Prior to this, some of the movies had plot devices that turned out to be Infinity Stones, and some of the movies featured Thanos cameos.  But the actual story starts here--all the teases and hints were just to establish that our heroes have a clue about what’s going on.  Many characters from other movies meet the Avengers for the first time, but if you haven’t watches those movies you’ll be no more or less confused than the Avengers are.

Avengers 4 picks up right where Avengers 3 left off.  I won’t say much about it, except that is trying to pay homage to all the movies before it while also trying to serve as an ending, which is challenging.  To accomplish that I think they sacrificed accessibility, so there are many scenes that depend on you recognizing references to earlier movies.  BUT, I think you can get by just from seeing Avengers 1-3 and Cap 3: Civil War.

Extra credit homework

Captain America 2: The Winter Soldier (2014) shows how Cap, a World War II hero, is adjusting to life after waking up in the 2010s and joining the Avengers.  If you’re confused about SHIELD, Hydra, or the Winter Soldier, this will help.  This is one of my favorites.

Guardians of the Galaxy 1 (2014) introduces a rag-tag band of misfits in deep space, led by a half-human/half-alien mercenary.  Aside from being fun, it delves into Marvel’s approach to aliens and cosmic powers.  If you’re wondering why all the aliens speak English and don’t wear real spacesuits and use glowy rocks to do everything...well, this doesn’t explain it, but it teaches you to chill out about it.

Thor 3: Ragnarok (2017) has very little do to with the first two Thor movies, except that it dramatically tears down the status quo.  The aftereffects of this are felt in Thor’s appearances in Avengers 3 and Avengers 4.  If you would be confused by questions like “why would Norse gods be refugees on a spaceship?” or “why would Norse gods have weird alien friends?” or “is Thor...like, okay?” then this movie will help.

Captain Marvel (2019) introduces Captain Marvel.  A teaser in Avengers 3 made it seem like she’d be a big deal, but her role in Avengers 4 kinda fails to properly introduce her.  I guess they figured everyone would watch this movie.  You certainly can watch this movie, but I don’t know that it’s essential, beyond understanding that “Captain Marvel is hella tough and she’s so cool.”  And I could just tell you that.  So I will.  Captain Marvel is hella tough and she’s so cool.

Wait, what are you leaving out?

If you are concerned that skipping over all the other movies will cause you to miss a key plot point related to the main Avengers series, allow me to briefly summarize what you need to know from them.  That way you can decide whether to sink time into actually watching these movies, or just reading my quick notes.

Iron Man 1 (2008) - Tony Stark becomes Iron Man and meets SHIELD; he’s like “I want cheeseburgers” and his chauffeur is like “sure, whatever”

The Incredible Hulk (2008) - The Hulk exists, pretty much

Iron Man 2 (2010) - Iron Man’s friend James Rhodes becomes War Machine

Thor 1 (2011) - The world finds out Thor and Loki are real

Captain America 1: The First Avenger (2011) - Steve Rogers becomes a super-soldier in 1943, fights the Red Skull with his friend Bucky, and he never got to dance with Peggy Carter, his best girl :(

Iron Man 3 (2013) - Iron Man has anxiety attacks about the events of Avengers 1.  Then he makes friends with a little boy.

Thor 2: The Dark World (2013) - Thor brings his human girlfriend to Asgard to meet his parents!

Ant-Man (2015) - Hank Pym invented shrinky-juice called Pym particles and gave it to Scott Lang.  I skipped this one, tbh

Doctor Strange (2016) - Doc takes over the Ancient One’s job protecting Earth from weird magical dimensions

Guardians of the Galaxy vol. 2 (2017) - Mantis joins the team and Nebula stops trying to kill them so they can be friends.

Spider-Man: Homecoming (2017) - Peter kisses a girl, maybe?  I skipped this one too lol

Black Panther (2018) - Black Panther has a genius little sister named Shuri and a cool general named Okoye and omg everybody loves this movie because it’s great

Ant-Man and the Wasp (2018) - Hank Pym’s daughter becomes the Wasp and they rescue her mom.  I skipped this too (uh-oh I’m a bad Marvel fan)

Now, if you want to marathon all these movies, you go right ahead.   They’re generally very good!  But don’t let nobody tell you that you’ve got to watch them all.  It’s not that complicated.

In conclusion all you really really need is Avengers 1, Avengers 2, Captain America: Civil War, Avengers 3, Avengers 4.  And if you need a hand, you’ve got a zillion people waiting to help.

[arcanelucario]

I’ve said it before (not on here, mind you) and I’ll say it again, Into The Spider-Verse is not the best Spider-Man film.

Don’t get me wrong, I absolutely loved it and think it deserves a lot of praise, but at the same time it is massively over-hyped/rated. And the same goes for the Raimi trilogy, especially Spider-Man 2.

Into The Spider-Verse is probably ranked 3rd or 4th in my listing of the Spider-Man films, and that’s where it belongs. For me, the best Spider-Man films are Homecoming and Far From Home, though I’m undecided on which gets the top spot. Homecoming is a funner movie, but I think Far From Home might be a better Spider-Man movie, though only by a bit. Then again I’ve only seen Far From Home once so maybe I need to see it again.

I’ve seen so many people riding the metaphorical dicks of Spider-Man 2 and Into The Spider-Verse when they shouldn’t be. And I’ve seen so many people say that with the whole Sony/Disney fiasco that it’s good Disney/Marvel no longer have Spider-Man and that Sony own the sole rights. Hell, just a few minutes before writing this post I saw someone talking about seeing a Spider-Man movie not connected to the MCU that has no connection to Tony Stark or the Avengers or Happy or anything else from the MCU. Those movies already exist, they’re the Raimi films, the Amazing Spider-Man films and Into The Spider-Verse, and they’re nothing compared to Spider-Man’s involvement in the MCU.

The MCU Spider-Man films are nothing like those other sets of films, and that’s a good thing. They’re telling a new story, a whole new world and reason for Spider-Man being a thing. There’s new villains, new takes on characters, new places to go, but for some reason you people don’t want this. The previous films never told us anything about Spidey joining the Avengers or meeting Tony Stark despite those being things from the comics, but now we get to see these things be adapted, these new an unique stories come to life. But no, you people don’t want that, you don’t want Spider-Man to be part of a bigger and shared universe. You want Spider-Man to be it’s own thing and probably want a rehash of Spider-Man 3. Well guess what? It’s not happening. The Venom symbiote already bonded with Eddie Brock in a mediocre film that could have been much better that you for some reason want to share a universe with Tom Holland’s Spider-Man even though that would be laughably bad.

Looking back at all the Spider-Man films, they all are great, but they just aren’t the MCU ones. The Raimi films (in my opinion the worst of the bunch) were the first time we saw a proper live action adaptation of Spider-Man, making them extremely memorable and that’s probably the main reason why they’re loved so much. We got to experience everyone’s favourite web slinger, we saw memorable and well done villains (Green Goblin, Sandman, Venom, Doc Oc), we saw Uncle Ben’s death and we got a pretty good Spider-Man. But we also saw actors way too old looking for their characters, a Spider-Man with natural webs, awkward and sappy acting, a terrible love triangle, weird dancing on the street and in a club, weird facial expressions and whatever the fuck that 2nd Green Goblin was, among other things.

Then there’s the Amazing Spider-Man films (the second worst of the bunch), which I preferred to the Raimi films. We got a more believable Peter Parker, we got a Spider-Man with webs he built himself, we got a believable and cute relationship, we got some good villains (Lizard and Electro), we got a side plot involving Peters parents (which I honestly loved) and we got heart in the films. But sure, there’s also the Green Goblin (this version was kinda bad), sometimes it gets a bit sappy, the ending of 2 was kinda weird, the series was cancelled before we could see a third film, we got another Uncle Ben death and there’s probably more things I’m forgetting. Nonetheless, these films were still better than the Raimi ones.

Then there’s Into The Spider-Verse, a film which you people seem to have decided is definitively the best Spider-Man film. Sure, opinions are opinions, they’re subjective and different people have different tastes, but I keep on seeing people talk about it like as if Spider-Verse being the best film is a concrete fact, even though it’s not. Sure it had a lot of good. We finally got to see all these different versions of Spider-Man, we had an alright plot, we got things that would be much harder/impossible to see in live action and we just had a fun film. But we also had a absolute unit of a Kingpin which was fucking weird, a genderbent and weird af Doc Oc, a plot that despite me saying was alright still came out of nowhere (and yet you all act like it was perfectly normal and natural) and stuff that went on for too long. This films definitely does deserve praise, especially for the hard work the animators had to put in, but just because it had this hard work doesn’t mean it’s the best.

And finally, there’s the best of the bunch, the MCU films. We finally got an accurately aged Spider-Man. We got a realistic Spider-Man. We got the most accurate representation of Spider-Man out of any of the movies. We got natural romance, we got Peter actually having friends, we got new villains, we got Spidey, a Marvel character, interacting with Iron Man and Captain America (among others), also Marvel characters. And we didn’t even have to sit through another crummy Uncle Ben death or scene of Spidey gaining his powers. After all these years, all these attempts, we finally got a top notch Spider-Man, one we are extremely lucky to have. Sure, I have seen complaints about these films, such as a new  version of Flash (though actually I fucking love this version), or so far Peter relying a lot on Tony Stark. But guess what? Peter is god damn teenager. He’s still coming into his own, he needs to have people to rely on. The other live action Spidey’s have been independent, so now it’s time we see him actually learn, and actually be the kid he is, be the Spider-Man he’s always meant to be.

If Sony and Disney don’t come to some sort of an agreement, then everything this Spider-Man is will be ruined. All that character development, all those relationships. Gone, reduced to ashes. He won’t be the Spider-Man we’ve known since Civil War, he’ll be someone completely different, to the point that you might as well recast him. This won’t be Tobey Maguire’s Spider-Man, this won’t be Andrew Garfield’s Spider-Man, this won’t be animated Spider-Man and this won’t be Tom Holland’s. It’ll be someone completely different, in a universe where sure, new stories can be told, but they won’t be as good. Currently Spider-Man is already an established part of the MCU, and he was supposed to be very important going forward, but you people want it gone. You want a whole series of 23 films to be ruined so you can fantasize about Spidey getting pegged by Venom because you don’t like seeing something new that makes sense.

So sure, go ahead and jerk off to your shitty opinion that Into The Spider-Verse is the best Spidey film, but keep in mind that you’re wrong. Keep in mind that you’ll never see something as great as the MCU and their Spider-Man.

And yes I know that in terms of the whole Sony/Disney fiasco that Disney are the ones mostly in the wrong, but that doesn’t mean that Sony makes good Spider-Man films and can make a good one going forward. That’s what Marvel Studios does, that’s what Kevin Feige does.

[agustdef]

Here & Now - Chapter 11

Pairing: Yoongi x OC

Genre: Fluff; Chill romance

Word Count: 1,885

Warning: None.

Banner Marker: @dee-ehn​

The moment the clicking sound started up again I slapped my hand against my table, gaining everyone's attention. My eyes narrowed on Lexi, the reason for my sudden annoyance.

"Click it again, Lexi. Do it," I challenged.

Lexi dropped the pen the moment the words left my mouth. Her eyes went wide as she stared back at me, the rest of her body frozen. When she finally glanced around the others were also glaring at her, all of us tired of her incessant noise making. She took a chunk of her curly do and used it to cover her face, probably out of embarrassment.

Why she was clicking a pen, no one knew. She wasn't even using it, all her edits were being done via her laptop.

"And I think that means it's time for a break," Alex said, breaking the silence.

Everyone finished what they were working on and then there was a series of cracking bones. It sounded horrid, but it felt so good.

My brain felt like mush as I took a moment away from the chapter I was writing, but I knew it wouldn't last for long. It had just been some time since I'd been able to sit in an environment where everyone was working and I felt like trash if I wasn't productive like them. That was the purpose of our monthly meet-ups. Be around people we like and get work done. Any work. Though most were writing and revising things.

"Can I just burn the whole draft and hope that from its ashes a better one will emerge?" Max asked.

Goodness, how I wished that writing worked like that.

"If you manage to figure out which kind of magic allows for that please share with the group," said Spencer, whose voice was muffled by his hands.

Alex, who'd disappeared after announcing break, returned with everyone's chosen beverage. When she sat down my hot chocolate I almost downed half the drink before I felt the burn. I needed the placebo effect it had on me and my energy levels.

"Or you could write it and stop switching to that secret tab for that convention you keep saying you're not going to," Alex said.

Max gasped, hand against their chest in a dramatic fashion. It got a laugh out of everyone. We knew they'd been doing that for weeks now, claiming that they couldn't spend any more money and it was a waste. Yet, if you ever glanced at their screen the webpage would be right there, the mouse hovering over the buy tickets button.

"At least I wasn't switching between my draft and six other tabs, like someone I know." Max's gaze fell on me.

I scoffed, waving them off. "I was working thank you very much. I had some writing stuff to do and then some work stuff came to mind. I am allowed to multi-task."

"You had two docs of writing open and one weird looking program open, which I assume was for music. So, what was the second doc for, Kennie? Do share?" Max leaned in closer as they spoke, trying to peek at my screen.

Using my hand I pushed their face away and then darkened my screen so they couldn't see. "Nothing for any of you to know about. When it's time you'll know. I don't need y'all hyping me up and then I end up getting hyper-focused on it. I'm enjoying the carefree nature of writing it without pressure."

"And you don't want Ara to find out," Lexi added.

"And I don't want Ara to find out. So silence all of you." Even though I spoke to the group my gaze fell on Alex.

Her brow raised as she stared me down. "Why? What did I do?"

"You ratted on me last time when she asked you, don't think I forgot."

Like a fish her mouth opened and closed, her face screwing up as she became flustered by my words. I could even see a hint of red peeking underneath her brown skin.

"I... What? Do you expect me to lie to our precious agent? I could never lie to Ara. She's too precious. I refuse this. This is slander," she managed to choke out.

My eyes narrowed on her, though she no longer met them. She was avoiding them and every time she did look into them she quickly looked away.

Leaning in close I made sure she was looking directly at my face. "You sold me out for food."

Again she didn't seem to know what to say, but then she just shrugged. Dropping all attempts to make herself seem pure.

Lexi, Max, and Spencer just watched us and laughed. And then we all just sat in silence for a while, no one interacting unless to show someone a thing on their phone or to ask a random question that just popped into their head.

It was nice.

"I start work again tomorrow," Spencer huffed.

In the corner of my eye, I saw Lexi suddenly sit up. "Didn't your vacation just start?"

He shook his head. "It's already been a week, they go by so quickly. I feel like I just started to relax."

"The one time I got to take a two-week vacation was glorious. I miss working at that company," Max said, joining in on the vacation sadness.

"What are vacations?" Alex asked.

"Seconded," I said.

Without having to look up I knew they were all staring me down.

Max smacked their lips. "Um, ma'am you take them frequently. What do you mean?"

I rolled my eyes and turned my head towards the group. "Ma'am, I haven't had one in months. A few off days do not count."

They were silent and then Max gasped, looking at me with wide eyes. "Wait. Was your birthday the last vacation you had?"

Nodding my head I sat back and released a deep sigh. I didn't mind my constant working, because I had a flexible schedule and off days, but when I sat and thought about it a vacation would have been awesome.

"You need to get it together," Spencer said, while the others hummed in agreement.

Before we could go any further though my phone rang and though the immediate urge was to silence it, the ringer belonged to Marcus. So, sighing I picked it up and answered.

"Hello?"

"Hey. Sorry, Ken, I know now is supposed to be your creative outlet time or whatever it is you called that thing," Marcus rushed out.

"It's fine. We're on a break. What's up?"

"I know we aren't meeting for another round of offer eliminations for a few days, but I wanted to let you know that I got another revised contract for Def Jam, though they haven't made many changes." He didn't sound too enthused about it.

"Okay, just email it to me and I look over it again. I feel like I know what they gave in on and what they're going to ignore."

He sighed. "You're probably thinking the right things."

A small laugh escaped me. I'd shed some of my stress over the decision and found amusement in the way some of the labels were handling my acquirement. Most had no problem giving into my major concerns, but some of them just refused to budge; which made things easier.

"Was that it?" I asked just as my laptop notified me he'd sent it.

"Yeah. Wait, no. Did you finish going over the BigHit contract? I know it was a shock, but I'd prefer we get back to them sooner rather than later. I know I said we have time, but not that much time. It would be best to get it to them quickly so they can give it back."

For a second I froze. I'd had the contract for well over a week and for the last few days had been avoiding it. I couldn't explain why, but I chalked it up to the fear of change and left it at that.

"I..." I paused, chewing on my lip. "I, um finished it two days ago."

"Really?" Marcus asked, sounding shocked.

"Yeah."

There was a brief moment of silence and then I could hear him release a deep exhale. The man knew how to read me. "What's wrong with it?"

I glanced around the coffee shop, avoiding the eyes of my friends who were engaged in their own conversations. Looking at one of them always made me want to spill my guts out and I needn't do that.

But life didn't work how we wanted and Alex raised her brow at me as she stared into my soul and I broke.

I pushed back a stray strand of hair from an attempt at a braided crown and sighed.

"Nothing. Nothing is wrong with it. Well, okay. There are things wrong with it, but they're small things. Most of it is great and some of it beyond what I would ask in respects to my pay and control over projects outside of the company. Like too good. Like someone has been relaying some of my issues with the other offers to their legal team, and I've only complained to you, Hals, Yoongi with Joon in the room and my mother. And I wouldn't put it past 3 of those people. Or they're magic," I rambled.

"Or, perhaps - going to pitch a wild idea here so be ready - they see your worth and would appreciate working with you," Marcus reasoned.

I knew I was being a tad outlandish with that second claim, but my mind sometimes worked in weird things. Especially things that felt too good to be true and the offer was peak too good to be true.

"Send me the revisions and I'll look them over. And if you want we can go over it together before I send it in. You know I want you to make the best choices for you and if talking it through is necessary we can. I don't want you overthinking and regretting choices later."

Marcus was annoying as hell, but a freaking angel. He knew me well enough to know that sometimes I needed to be coddled. But he also knew when I needed a kick in the ass and how to do it while keeping things professional. Honestly, his professional agent side differed greatly from his personal life chaoticness.

Taking a deep breath I nodded. "Uh, do you have time tomorrow? I should be less weird then and we can do the usual quick run-through before you send it off."

"Yeah. Just email me the attachment and give me time before 2:00 pm for us to meet."

"Okay. Thank you, Marcus. I'll get that right over to you."

"Later," he said and hung up.

Without wasting time I pulled it together, got the email ready, checked my calendar and told him an 11:00 am meeting would work before sending it off.

I went to put down my phone and rejoin the group talking, but then it vibrated. The lock screen showed it was a message from Yoongi in the group chat with Joon.

Why are there pictures of my hands in here? Is this normal? Do you two have this fetish too?

I laughed so hard I snorted.