#also this is the best art of hers I've seen so far

[dweeborea]

Howdy, meet Emera's long long LONG lost son

Being taken from your mother and assimilated into a hivemind (The Voice of We Many) for >13,000 years does things to you

Also don't glare at Mizuki, boy, he's the reason you're an individual again

[foodfightnovelization]

ROTTEN: Behind The Foodfight

Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.

Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."

But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-

It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.

I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.

There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.

That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.

For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.

I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!

[justpassingbyoursht]

I've seen some people say some character art downgraded from 1 to 2 and while i agree about some poses not being as dynamic and some of the art being unfinished (early access tho) and the colors not being as dope, and some of the gods feel different

but i wanna specifically ramble about Artemis best gurl for a bit

this is my girlie in Hades 1

I've been thinking about the differences from 1 to 2, and I think in here, she's presenting herself as the Goddess of Hunting.

she looks a bit menacing, she looks sharp, she looks like she just got here, the angle she's looking at you it's not very direct it's like she's measuring you from head-to-toe kinda way, she also has that greenish light which feels kinda like an aura. she's down to business!

and when we look at her in Hades 2

She looks confident still, and you can see her weapons just as clearly, but her pose, and her smile? she's like, laid back, she's not quite posing to create an impression, she doesn't have that greenish aura, she's there in the flesh, she's not really presenting as a goddess in particular... she looks more welcoming, a bit softer looking... she looks like she's just stopped for a chat, while in 1 it's like she's in the middle of something

and when you stop to think about it? she is. she is just chatting with her friend. Melinoe is her friend, she called her Sister.

We're much more closer to her as Melinoe than we were as Zagreus. bc while she does become friends with him in H1, she's more of a long distance friend. we were building our bond with her in H1.

But here? in H2? she's known Mel for years... she kept it a secret from other gods... she's got those accessories thingies with the 4 colors. not only are we close friends we even got a friend bracelet thing going on with her!! Melinoe is a precious friend to her from what i've seen so far.

Why would she pose and be a bit distant with her friend? we know Artemis is a bit closed off from people, she prefers being in the woods with the animals than other gods i recall her saying that to Zag, but Mel? Mel is a dear friend, she sounds much more casual from the get go with her than with Zag because we have a strong bond with her already

In Hades 1 we just got to know her, so she's more closed off, she is more business like, she is distant, she is The Goddess of Hunting

In Hades 2 she is our friend 💖

that. is the difference

[shapelytimber]

A Taste of Faith

[PRINT] - [COMMISSIONS]

Ok so the concept for this piece was : historical gay nuns, and 70s lesbian vampire movies meets tes (don't ask me why- I just had a vision at 3 am)

Because I think Serana should have been meaner<3 I love women's wrongs and when vampires do the suck <3

Btw of you want to see more gay Serana art, go check out @gay-of-waterdeep, their art is wonderful, and I can't say this was not a bit inspired by what they do :))

Process (and me rambling about some of my favorite 70s lesbian vampire movies (because I have a problem)) below vvv

Additional details about this drawing ! 1) I used the same Mara design than the one from my tarot deck :)) and 2) the other woman is one of the priestess in the temple in Riften lglggigkglgl her name is *check wiki* Dinya Balu

And now......... Some movies I enjoy because my house my rules, you came this far so why not hear about niche european movies :))))))

Disclaimer for a majority of the films in this genre : the male gaze is very fucking obvious in these movies... they were made by men for men, and the message is often "lesbianism is a dangerous temptation for women". It's a glairing flaw nearly all of them share and that sucks (and frankly it's a flaw Serana's writting kinda has in my opinion, minus the lesbianism part, but let's not dwell on that)- so if you can't get past it, it's completly understandable, be on your way and have a nice day <3

- Daughters of Darkness ! A toxic man is returning to london with his newly wed wife, but they get stuck in Belgium and are forced to stay in a luxurious hotel. Don't worry about the 10/10 smokeshow countess seducing his wife :). Completely unrelated, this movie has, in my opinion, the most beautiful lesbian kiss I've ever seen- but I might not be very objective because Delphine Seyrig is there lglglflflllglm The best one in the list ! So if you want to whatch one, whatch this one <3

- The blood spattered bride ! This is more of... an aquired taste let's say- but I really like it ! A quite effective horror movie, with goofy ass scenes (shoutout to the vampire lady buried in the sand naked with only a diving mask that is not the screenshot because tits), and emasculation being a recuring theme <3 (but if you want to watch it, please check the content warnings beforehand, it has a lot of very shocking and frontal scenes, and it's the 70s so it's not done very tactfully. Also pretty intense flashing lights)

- The vampire lovers ! Ok so this one is a lot less fun compared to the other two because it's made by the Hammer BUT... 1) Ingrid Pitt hello and 2) it's such a intriging thing to see a very christian/conservative studio make a film like that. I know a lot of people don't like the Hammer movies from the 70s, because the studio had a lot less money, and were making wild decisions. But I love them, because they tend to be much more fun bloody and sexy ! I'm a simple woman mjllkklhkhlhlho case in point with the vampire lovers (although if you want a fun vampire hammer movie from the 70s, Dracula ad 1972 is way better). And Peter Cushing is there (i love this man so much-) !

And now I shall resume my quest to find Vampire Lesbos by Jésus Franco and have a probably mid experience watching it xoxo

[magidoggie]

A LOOK INTO SHI/HIR PRONOUNS AND THEIR ORIGINS

So I’ve seen people claim that shi/hir pronouns are intersex exclusive (mostly intersex people), and others say they aren’t (mostly non-intersex people)

As an intersex person, I've been confused about this for a while, so I decided to look into it

THIS POST WILL CONTAIN NSFW TOPICS, FURRIES, TALKS OF FETISHIZATION OF INTERSEX BODIES, AND INTERSEX SLURS!

Most of the users of these pronouns seem to be non-intersex people, but there are also intersex people who use them.

I've seen a decent amount of intersex people say that shi/hir pronouns are only ours to use, as they were used against us (like a shortened version of he-she). This would make them basically slurs that only we can reclaim.

I've even seen some claims that Geoffrey Chaucer himself coined these words?? (The chaucer thing, I haven't been able to find a source for. Even so, it is most likely just an old spelling of "she/her")

I’ve seen people say it originated on 4chan. It'd be hard to verify, as 4chan is known for not keeping threads up for long. There are 4chan archives, but I've tried my hardest to look for any combinations of things like "shi" and different terms that could work with it like "intersex" "freak" or "hermaphrodite" . I don't doubt it's been used on 4chan, but I can't find much, and archival sites don't go back far enough.

Regardless, the pronouns seem quite old. One thing I did find under the search of ""4chan" shi hir" on Google, was a.. descriptive post on a furry porn website called e621.net

Okay, 13 years ago, that's a start. It certainly contains the word "herm" (short for hermaphrodite), and the word intersex used with this pronoun.

Godspeed TheShadowfox42 I hope you found the image.

Using Google's "Before:(date)" feature, I searched "shi herm before:2010", and unsurprisingly, I found a lot of furry porn.

Stories on sofurry.com, a furry website that looks to be from at least 2007, if not older. I'll spare you the details, but indeed, there, they use shi/hir pronouns for their "herm" characters. Did these pronouns originate from.. furries?? I put that though aside for now, to look further into other uses.

As it turns out, the journey does not end at 2007. Urban dictionary has an entry from 2003

No slurs here, it looks like a neutral usage. Again, going back to Google. Now, search terms "hir "gender neutral" before:2004"

Many results show up now, now articles rather than furries. American.edu (seems to be a university), Swarthmore.edu (this is a college), both from 2001. jstor.org with a journal article from 1999. Unfortunately I can't read that one, as I have to pay a whole $63 to purchase it. I even found a PDF file from 1994 by core.ac.uk

But, what I've realized now is this is not usage of shi/hir pronouns. All of these use Ze/hir pronouns. I don't know if there is any link, but the last pronoun looking the same must've obscured the results.

From the american.edu article on these pronouns. You can see the usage of "hir" alongside "ze", and below it, the usage of ze/zir pronouns, which seem to be used more today.

Shit.. Doing the search all over again with the pronoun "shi" yields.. very few results apart from people talking about Chinese words.

Wait what about those furries from earlier? The tvtropes.org article does include this:

Chakona space? Chakats? Pronouns he came up with? Admittedly I kept seeing these centaur feline hybrid characters come up quite consistently during this dive, but I had to look into it further.

Oh buddy what did I get myself into. This is from 2001 best I can tell, so we're getting quite old here. I scroll down on the page.

And lower down.

Now this is all very interesting speculative biology, but what I'm focusing on is again, the usage of "hermaphrodite" together with the pronouns "shi/hir". Did a furry artist named Bernard Doove come up with these pronouns.

It gets yet older.. New search, "chakats "shi" before:2001"

Again, Bernard Doove's art from 2000, 1999, 1998,

I find a website called yerf.metafur.org It has furry art, dating all the way back to the mid 1990's, but here, on December 23 1998, is the first appearance of these pronouns on that site.

This Bernard Doove person has been at this project, with these pronouns for a while.

From what I can tell, many of his art pieces, they seem to be quite sexual beings. Quite fetishistic of hermaphroditism at times. (or intersexuality, take your pick)

The other thing I found with my search was a website, furry.org.au/bosshoss/

My search says it's from September 14 1998.

That's certainly some information, but it might come in handy. So Chakat Goldfur provided this website? Who is that? Looking into it, that seems to be a character created by Bernard Doove, that acts as an alter ego. Further down, the person running this website lists some other websites they enjoy. One being "Proxima Centauri", which seems to be another furry artist.

"I met this one at ConFURence 8. Very interesting. (Did I mention shi is a hermaphrodite uni-centaur?)"

(For context, ConFURence is a furry convention held in 1997)

Again, the usage of hermaphrodite, and the pronoun shi. At this point, the website being linked to is long gone, but the wayback machine provides help. The website, http://www.spots.ab.ca/~unicorn/main.htm has been captured all the way back to October 8th 1997.

At this time, the website was under construction. No images are willing to load and haven't been archived, but the description is intact.

So this person uses shi/hir pronouns for their hermaphroditic character all the way back in 1997. There are links to other places where this person used to host their works, but they are all down and haven't been archived. The thread is running thin..

Back to Bernard Doove, the Chakat creator. There must be something more to this. Turns out, there was. On the "yerf" website, I actually found several art pieces that were not picked up by Google.

Febuary 22 1997. Getting yet older. In some art pieces, Bernard references "Forest Tale" and "forest tales", so I went looking for whatever that was.

1995?? you've got to be kidding. It's an adult story involving these "chakat" beings, and sure enough, down the page

Shi/hir pronouns used over and over again.

With the use of hermaphrodite.

But.. This is kind of where it ends. I couldn't seem to find anything older, and I'm not going to contact Bernard Doove over this. Even something as old as 29 years is impressive to me. Bernard Doove states his characters were inspired by other furry artists' creatures of the time, but since it's 1995, there isn't much left for me to find here. Anything before that time is probably lost.

With all the information I have been able to gather, it looks to shi/hir pronouns were created by Bernard Doove who is a furry author and artist. Shi/hir were made to be a midway between "she" and "him" in some way, to be a gender neutral word for hermaphroditic genetically modified beings called "chakats" in his stories. As an intersex person myself, I don't enjoy the use of "hermaphrodite" in such a way, as it's a slur for us. But these types of characters also seem to be very old, and we, and our struggles, were completely unknown to the vast majority of people, even moreso than nowadays.

If you use those pronouns for an intersex person who doesn't use them, it is indeed intersexist, as you are implying we are hermaphrodites.

But as for whether only intersex people can use them? I'm not sure. The original intent doesn't seem be directly linked to intersex people. You could argue that these hermaphroditic characters are fetishized versions of how many people see us, and have seen us for a long time. Afterall, hermaphrodite was, and still is, a common slur for us.

I don't doubt some people have used these pronouns as slurs against us as well, but I also haven't found anything specifically that supports that. It always seemed to be for specific fictional characters that COULD be based off specific intersex attributes

I'm not going to argue one way or the other. This was just me trying to find what I could about these pronouns and their history. Just be mindful of how you use these pronouns, and the connections they have to fetishes revolving around the common misinterpretation of intersex bodies (as in, "having both parts")

Thank you for reading.

I hope you learned something. I know I did, and I now have a headache.

[choicesficwriterscreations]

Just shy of three years ago, I happily stepped in to help when @choicesficwriterscreations needed assistance with CFWC Fics of the Week. Shortly thereafter, the blog's original creator, @loricreates, was ready to step down, and along with @lucy-268 I was honored to take over and continue the great work Lori had started.

The CFWC archive provides an invaluable service to our fandom, but it was always so much more to me. It's a place where people connect, friendships are fostered, and our incredibly talented creators have a chance to be seen and appreciated.

It has been my pleasure to serve as CFWC's mod, and I'm very proud of the contributions I have made during that time. But it's also a lot of work, and lately, it was beginning to feel like a chore. That's when I knew it was time to say goodbye. I'm not going far; I'll still be in the fandom. I may even show up here to help host a special event or two in the future, but for now, I want to spend my time concentrating on other things, both in and outside of the fandom. That includes my writing, catching up on reading, and supporting each of you.

I want to thank @lorircreates, CFWC's founder, for her vision, for creating this space, and for entrusting it to me. It was an honor to take the reins from you, and I hope we've done your "baby" proud.

I want to thank @lucy-268, who was a dream co-moderator. We sure had a lot of good (and crazy) times running the blog together. I'm so glad this fandom brought us together... and we'll stay that way long after this fandom is gone. 💙

I'd like to thank @liaromancewriter, who has graciously offered to take over so that CFWC can continue. Please join me in welcoming Mal as the blog's new moderator! It makes me feel much better knowing I'm leaving CFWC in your hands!

Most of all, I want to thank all of you. Each and every one of you has made our fandom what it is. The creators who make us laugh, cry, and feel things we never expected to feel. The readers and art fans who have encouraged everyone along the way. Everyone who has ever "geeked out" over a beloved story, character, or OC together. Through CFWC, I've gotten to know many of you better, and that has been the best part of the time I've spent here.

So this is my final CFWC post... one last time! :) I can't wait to see what the future brings! 😘

[sillypiratelife]

Kuina is probably my favorite female character of One Piece, but that's because she represents just perfectly the experience of being a little girl that's into martial arts— and some other stuff.

Kuina would never be enough because she could not be man enough to inherit the dojo, according to her dad, but she was also not lady-like enough to be considered a "woman". To the eyes of other people (and what they make her believe), Kuina's dream marked her as an eternal outcast, someone who would never reach one shore or the other.

To Kuina, her body was a cage. Even if she had everything within her, her body would make her naturally weaker. Similar to being condemned to fight with a bad sword, a blade that would break. Being a child was safe. Little boys and little girls are equals. Growing up meant losing time, losing ground. Every year must have to be a burden to her, with the constant reminder that her time as the best was running out.

The fear and hatred of puberty, the horror of the way your body changes without your permission, the experience of girls who feel uncomfortable in her bodies because they don't want breasts, they don't want to be weaker once a month because their bodies are bleeding and their hormones are ruining everything— I've seen it all.

Worst even, the way people would stare at those bodies and lust for them. The trauma of being desirable. Now they think that they're entitled to your body, that they can disrespect you. You're a toy, an object, you're a woman so you're weak and fragile, you're a woman so give up, you're not in control of the situation anymore.

When Koushiro said that a woman could never be the best swordman in the world, there are soooo many things in between the lines. Why not?

As if it wasn't enough, the boys accused Kuina of being that much better than them because her dad was the leader of the dojo, so he must be teaching her in secret. Her merits were never hers, just the results of another man. "Ah, that girl can't be that good, she must be getting help, receiving special treatment, getting extra training, etc". It's infuriating and Kuina shows it. They disrespect her like it's nothing, like it's natural. Her own dad allows it and participates in that.

Before Zoro, Kuina had no one to tell her that her skills were only hers. Her body, her heritage, not of that mattered. She was the rightful winner of their matches, at least so far.

When Zoro cries out of frustration and Kuina asks him if he even knows why she should be the one crying for it? Life changing moment. Zoro got the praise and loyalty of the dojo boys, the admiration of the older people training there, he was even the special boy of her dad— Koushiro let Zoro clown around with multiple swords and watch Kuina beat his ass, but it'd never matter.

Zoro wouldn't be betrayed by his own body, his own family, his own dojo and his own hometown. He was an outsider accepted by the community, their pride even. He came out of nowhere and they gave him everything she wanted and both of them deserved. It's just that it wasn't a fair fight: Zoro was a boy and Kuina was a girl. She'd always have to fight harder even if she was better.

For me, I really think that only Zoro could carry Wado Ichimonji with him. He was the only one who respected Kuina as a person and a rival, not seeing what others saw in her. Zoro honored all their fights, never tried to discredit her, because even when Koushiro tried to give Zoro an excuse "you forgot that she's a little older than you", Zoro brushed it away. No, he could beat grown-ups. That was not it.

Kuina was better than him. Period.

The fact that she died in such an accident and the way Koushiro said "humans are fragile things"... It is just so amazing. What Kuina feared the most: all her potential, wasted. When she was finally ready to go after what she wanted, she fell down the stairs and died. Simple. The promise Zoro and Kuina made was wasted too. Now Zoro had all the time in the world and Kuina had no time at all. She was always against fate and Zoro rode with it.

I still think about how Zoro plans to make it all worth something: if she can rightfully fight for the title, then he won't let anyone have it but him. If Kuina was able to beat 2001 times the boy who would become the best swordman in the world, then no one could insult him ever again. And if he won that title with her sword, then he'd elevate both their names. If he could fulfill his promise to her, then that night would hold its meaning.

I love Kuina soooo freaking much and I love how much Zoro values her, even to this day.

[bettyshoweduptotheparty]

Midnights is defined by duality: The story of an unreliable narrator and performance art (Part 1)

One year on, I think I've finally figured out what midnights is about. And it might surprise you.

The midnights album has just celebrated its first anniversary. And having listened to these songs for the last 12 months, staying up late to watch live streams of the Eras tour, and at times being unable to escape news about Taylor on every medium, I finally have an idea that makes all of this make sense: This is Taylor's duality era. And she wants us to notice. Join me on the ride if you want to know more :)

I made a post a few weeks ago about how the Midnights aesthetic has the ‘two Taylors’ duology: Private vs public, which is the lead theme that carries over into the music and most recently also into her public image. Midnights had a mismatched visual to it from the very beginning with the depressed 70s look (announcement photo and vinyl covers) and the glamourous midnight blue (cover image and public appearances).

The two Taylors in the Anti Hero mv really drove home the message for me that this album is about two versions of the same story, and Taylor is the writer and narrator. And while I'm sure that these two versions have existed for a lot longer than the midnights era, they have not previously been so prominently next to each other. In fact, the very point of having the public narrative, is to keep Taylor's private life out of the public eye. She has never shied away from providing the 'stories' that her fans want to see in order to relate to her music, and as the girl that made her fame with songs about heartbreak and fairytale princes, that usually meant being seen with a man that these songs could be attributed to. And she made sure people would make the connection, be it with scarves that change ownership, or foxes on shirts:

(Btw you can't deny how effective this was, with just a few photos she managed to hang an entire album on each of these men!)

So, acting is not new to Taylor. In addition to appearing in a few feature films and TV shows since 2010, she's done this public performance for well over a decade now. And she has been vocal in recent years about her intention to go into filmmaking, so we know she's able to tell stories in multiple ways. She's a storyteller first and foremost, maybe the best of our generation. But is she a reliable narrator?

What does 'unreliable narrator' mean?

A story told by a so-called unreliable narrator, is usually a first person narration, where it turns out that the person telling the story was either lying or in some other way unable to give a truthful account of events (e.g. hallucinating or dreaming). That usually means that the audience is left with having to interpret for themselves what really happened and what was real or not real. Famous examples of this kind of storytelling are the 2010 psycho thriller 'Black Swan' with Natalie Portman, or the YA novel 'We were liars' by E. Lockhart. If you like stories that leave you guessing, check those out ;)

So, why is Taylor an unreliable narrator? For those fans that have paid attention to her lyrics, it has long been evident that her songwriting and public narrative don't match up. The most obvious theme being her 17-year run of writing songs about secret relationships and hiding, while she was parading men around in public to be photographed with. But, as we know, most people ignore it because it's just easier than digging deeper into lyrics. But now with Midnights, I'm starting to think she wants people to notice the duality and start to question her narrative. The sheer number of songs on that album that have strong double meaning or draw attention to lying or distorting the truth is astonishing: Right out the gate with track 1 we have Lavender Haze, a pretty loud song about bearding using the very well established queer reference of lavender. (And maybe she leaned out of the window a little too far with that title, because we all know the gaylor uproar was so loud when the title was revealed, that she had to backpedal and hetsplain it.) Immediately followed by Maroon, the song that has probably singlehandedly turned the most swifties into gaylors since Bettygate of 2020... Then on to Anti Hero, the ultimate duality song that also makes mention of lying and scheming, same as Mastermind. High Infidelity and You're Losing Me join the ranks of songs that look like they are about romantic relationships on the surface, but could also be interpreted to be about Taylor's relationship with fame and her fans. High Infidelity is a play on words of the term High Fidelity or HIFI, which is a 90s sound technology that refers to truthful reproduction of sound. High INfidelity is therefore a genius way of referring to both cheating and unfaithful reproduction of sound, almost like someone who makes music that isn't quite truthful... We also know from Aaron Dessner that this song was written following the 2021 Grammys and in the light of the whole William Bowery grammygate situation... I think there is point to be made about this song drawing attention to lying in a big way.

The timing of the release of You're losing me right around the time that her breakup with Joe made the news also feeds the narrative of a breakup song. But in this very 'breakup song' she says You say, "I don't understand," and I say, "I know you don't" and talks about sending signals that fall on deaf ears. Doesn't that sound an awful lot like 'I gave so many signs'? What does she know the addressee won't understand? Is it that when she finally reveals all her lies 90% of her fans will be shocked to their very core? On the exclusive CD version that has this track on it, it also immediately follows Dear Reader which on the track list looks like this:

Dear Reader You're Losing me (Does that look like a message? I think it does...)

By the time we make it to Dear Reader, she's basically told us 'I'm a liar who hides behind fake lavender relationships who charms everyone like a sleezy congressman, I'm the narcissistic Anti Hero you can't trust who schemes like a criminal and plans out everything like the puppet master I am, just so you like me and therefore you shouldn't look up to me, but I know you still will.' If that doesn't scream 'I want you to question everything I say or do' I don't know what does. Which brings us to performance art.

What is performance art?

Performance art is any kind of visual art that involves a dramatic performance aspect. To explain how this relates to Taylor and who she may have taken inspiration from, I refer to the brilliant Kristina Parro on TikTok:

Ok, groundwork is laid, but this is getting too long. Part 2 will be relating this to upcoming music releases and media coverage but that will have to wait til tomorrow.

As always, thanks for humouring me guys!

[jewishcissiekj]

Since Asajj Ventress appeared in recent media and is set to appear in future shows and Star Wars content, I've seen a lot of people starting to read Dark Disciple. but besides that book, there are so many stories featuring Asajj over her 22 years of existence. So if you are looking for some recommendations and entry points to Asajj outside of the TV shows, here are some recommendations to get to know her a bit better, in both the Canon and Legends timelines:

(for anyone looking for a definitive list of everything she's ever been in, I also have that)

for anyone looking for just the list of recommendations without all my babbling, scroll down to the bottom, it'll be there.

Canon

Dooku: Jedi Lost Audiodrama - Script by Cavan Scott, preformed by full cast (also available in Script format) Starting off, this masterpiece. Telling the dual story of Asajj and Dooku, Jedi Lost is genuinely some of the best Star Wars content out there, in my opinion. Taking place early in The Clone Wars, it tells Asajj's journey battling her ghosts and uncovering her Master's history. It requires only the context of the prequels and The Clone Wars, and I wholeheartedly recommend it to anyone who likes the Prequels, Dooku, or Asajj.

Brotherhood - by Mike Chen Continuing with the book that serves as an introduction to Asajj in canon (chronologically), Brotherhood presents an interesting take on her first meetings with Anakin and Obi-Wan. She's far from the main character here, only supporting the book's plot as the villain and the initiator behind some of the troubles Obi-Wan faces on Cato Neimodia. This Asajj is more calculated, working behind the scenes while still facing off face to face against Obi-Wan and Anakin, and it uniquely handles her character. The book is a Clone Wars adventure taking place before and it requires only the movies' and TCW's context, once again. *While technically taking place after Hyperspace Stories #5, it contradicts that issue's events and makes more sense if it takes place before, so I listed it first (for more info on the contradictions you can go here)*

Star Wars: Hyperspace Stories #5 - Written by Amanda Deibert, with art by Riccardo Faccini (Variant cover by Cary Nord) Taking place shortly after Anakin's knighting, before The Clone Wars show, this is a short and interesting comic story for Asajj. While tying into an over-arching plot of the series, this issue stands alone well. Simply put, Asajj is sent to retrieve a mysterious item by Count Dooku and encounters Anakin and Obi-Wan in the process. It has fun art, fun dynamics, and it's really good.

Worthless - a short story from Stories of Jedi and Sith - written by Delilah S. Dawson with an illustration by Jake Bartok This one is not as set on the timeline, but we do know it takes place while Asajj is still working for Dooku. In short, without too many spoilers, Asajj falls into a pit and has to trust on a Clone Trooper's help to get out. The story is a part of an anthology, but it completely stand-alone on its own. If you can read it on its own, I recommend it, but the rest of the book is also very much worth it if you want to buy it for the story. Dawson captures a version of Asajj that rarely gets attention, before the Nightsisters, and manages to show her identity and tell a wonderful story without that tool that's often overly used (in my opinion).

Star Wars Adventures: Return to Vader's Castle #3 - Written by Cavan Scott with art by Francesco Francavilla & Nick Brokenshire Jumping forward in the Timeline, we have another Asajj story by Cavan Scott! It has Bounty Hunting, A baby Sarlacc, pretty art, fun coloring, and Asajj. So what's not to love? Like Hyperspace Stories, Return to Vader's Castle also has an over-arching plot, but that's 4 framing pages of Vaneé being a bitch and has no effect on the rest of it. Solid stuff. (it is also the source of the first picture in this post)

Sisters - a short comic story from the Age of Republic Special - written by Jody Houser with art by Carlos Gómez Next, we have a wonderful short story taking place just before The Clone Wars episode "To Catch a Jedi". In just a few pages, Jody Houser brings conflict and personality to Asajj's time on Coruscant. And there's gorgeous art.

Legends

While Legends, and especially the comics, have some of my favorite stories with Asajj, it's hard to recommend individual issues. They can be stand-alone but still connected and ingrained in the ongoing story of the comics. But I tried to hand-pick the best for introduction and knowledge of who Asajj is a character there. So I won't recommend the 12 issues she's in, I set myself the limit of sticking with the same number of recommendations I had for canon.

Star Wars: Republic: The New Face of War - 2-issue Comic arc - written by W. Haden Blackman with art by Tomás Giorello Although I'm assuming you all have at least a passing familiarity with Asajj's character, introductions are still important. And, yes, Asajj first appeared in a different comic and after a month or so in Clone Wars (2003), but chronologically, in-universe, this is her first appearance. The Face of War is comprised of issues #51 and #52 of the Star Wars: Republic comic series, and although Asajj is only in the last page of #51, it's necessary context. This one isn't a must for me, but it sets the ground for her. And it's good. Giorello's art brings a unique perspective to Asajj's character, and by that I mean it may not be to some people's taste. So take your pick with this one.

Star Wars: Republic #53 - written by W. Haden Blackman, with art by Brian Ching If the last one isn't a must, this one is. It is a stand-alone adventure, almost feeling like a (better) TCW episode. Obi-Wan is off to infiltrate a Techno Union base with a team of all-star legendary Jedi that are introduced, and everything goes wrong when they run into the Confederacy's best, Durge and Asajj Ventress. I say it's a must because it establishes the nature of the rivalry between Obi-Wan and Asajj, and gives us such a sense of who those people are. It also lays the foundations to my next comic recommendation.

Dark Heart - short story by August and Cynthia Hahn This one, a 1784-word story, originally published on Wizards.com as a part of The Living Force roleplaying campaign, is definitely not a must, but it's barely 2k words, just read it. In all seriousness though, it captures Asajj's essence and I just. love it. You can read it right now, that's the link in the name, it's up online for free legally. While it is a part of the RPG campaign, I read it individually and had no trouble at all.

The Cestus Deception - by Steven Barnes (The Japanese cover is prettier and has Asajj, ok?) Obi-Wan Kenobi and Kit Fisto head to the planet Ord Cestus to try and convince Ord Cestus's government to ally with The Republic. But under the surface, a mysterious scheme had developed and it gets messy. Never ask me to write a publisher's summary. Asajj is the villain of this one, and I don't have much to say about it, but it is good. Fair warning: it hasn't aged the best in my opinion, and not even in a politically correct sense, some of the descriptions and relationships were questionable at best. If you like Kit Fisto and political adventuring and Clone Wars fights and a mascarade ball, if I remember correctly, this one's for you. It's not much of a story for Asajj but it is a fun read.

Star Wars: Republic #60 - written by W. Haden Blackman with art by Tomás Giorello I have never ever not once said it but this right here is my favorite Asajj story of all time ever. It does require context, though, so here's it: after the battle of Jabiim, Alpha-17 (Legends Arc Trooper, you may have heard of him) and Obi-Wan (a staple in Asajj's stories, he needs to gtfo women's business) are blown up and declared dead. Turns out Asajj Ventress has been holding them in her castle on the planet Rattatak and this is the daring story of their escape. In this issue, Asajj's origin story is revealed, before the Nightsisters had anything to do with her. More than any other Legends issue, it differentiates greatly from anything you know about Asajj in TCW/Canon. She's a warlord, with armies at her beck and call, a military commander, And it's fun. Her origin story is told in this issue, and it's such a great story that shifted my understanding of her a lot. The art, once again, is by Giorello, keep it in mind.

Yoda: Dark Rendezvous - by Sean Stewart (Japanese cover, once again) Last but certainly not least, the Legends Clone Wars book I've heard the most positive reviews of, and was not disappointed in the slightest. It is as good as they say. The story doesn't focus on Asajj, and she isn't even the main antagonist, but she gets a meaningful role in it and has her place and her arc in the story. It's also my favorite approach to how Asajj would act when she has to deal with children. Worth the hype and an excellent book to read unrelated to Asajj.

Alright, that's all! I hope you check out at least one of these, they're all great. As said before, I also have a complete list of everything Asajj in chronological order. Feel free to ask me anything about the list and the things in it. I can also give a complete comic reading list for her, since it's a bit more than just the issues she appeared in. For anyone struggling with the accessibility of these recommendations, I have a hopefully comprehensive guide in the complete appearances post. And now just this list because I promised that:

Canon 1) Dooku: Jedi Lost Audiodrama - Script by Cavan Scott, preformed by full cast (also available in Script format) 2) Brotherhood - by Mike Chen 3) Star Wars: Hyperspace Stories #5 - Written by Amanda Deibert, with art by Riccardo Faccini (Variant cover by Cary Nord) 4) Worthless - a short story from Stories of Jedi and Sith - written by Delilah S. Dawson with an illustration by Jake Bartok 5) Star Wars Adventures: Return to Vader's Castle #3 - Written by Cavan Scott with art by Francesco Francavilla & Nick Brokenshire 6) Sisters - a short comic story from the Age of Republic Special - written by Jody Houser with art by Carlos Gómez

Legends 1) Star Wars: Republic: The New Face of War - 2-issue Comic arc (Star Wars: Republic #51-52) - written by W. Haden Blackman with art by Tomás Giorello 2) Star Wars: Republic #53 - written by W. Haden Blackman, with art by Brian Ching 3) Dark Heart - short story by August and Cynthia Hahn 4) The Cestus Deception - by Steven Barnes 5) Star Wars: Republic #60 - written by W. Haden Blackman with art by Tomás Giorello 6) Yoda: Dark Rendezvous - by Sean Stewart

tag list: @thechaoticfanartist @charmwasjess @metalatl @redsandspirit @slutshartsstuff @housepartyfortwo @karma-malfoy @thelivingforce

[jennamoran]

The Far Roofs

cover art by Isip Xin

Hi!

Today I'm going to talk a little bit more about my forthcoming RPG, the Far Roofs. I've previously talked about

general principles,

the rats,

and the campaign.

Today, I want to talk about the Mysteries.

Up on the distant roofs, you see, the rats hunt, and are hunted, by these ... things. These vast, impossible god-monsters.

The Mysteries.

These things that are as much experiences as beings.

I like to anchor them to real-world myths. That's mostly an authorial choice, rather than something intrinsic to their character---

I think if I named them all in some made-up language of my own, called them all things like, I dunno, Alolitha or Eidumir, then they'd come across as cooler ... but also harder to get a handle on.

You'd have to be immersed in the setting to really get what they're about.

So I give most of them a byname that's more accessible. Something like Harpy, Hoop Snake, Lennan-Shee---whatever---so that you can tap into your memories or impressions of real-world mythology and the work of fantasists and cultural tropes and monster manuals from other games and the stories of your childhood and all of that.

Even still, they are vast things.

You might be forgiven, if I just named them without that prelude, in thinking that they seem vast to the rats because the rats are small. Thinking, perhaps, that you could fight off a Mystery like Jackalope, say, or Hippocampus ... if you were lucky, or had a gun ... whereas a rat might have a harder time.

The thing is, to walk in the realm of myth is to lose your grounding in the world. On the Far Roofs you can't rely on your ability to frame a story or a conflict through a rationalistic lens. The Mysteries are not physical creatures of a certain size, but rather the animating spirits of dramatic, life-changing experiences. Like the starring monster of a horror movie, or divinity that visits you in dreams, it's loosely possible to pay them off, or punch them out, or argue with them about Naruto, or whatever, but you can't really extrapolate out from that to resolve whatever underlying problem they can be.

Jackalope isn't a thing you shoot, or whatever:

It's a thing you encounter on dark nights, sometimes, and can't ever really prove you've seen. Maybe you don't even encounter it, just ... find its tracks.

It's not a conflict you can easily rewrite.

As for something like Harpy ... she is dead, the rats have killed her ... and even dead and disembodied your fate is very likely in her hands.

.

This kind of thing is why the rats are valid protagonists in this world:

In the face of the Mysteries, there's not much difference between the standings of a human and a rat. We are all such small, imperiled things.

.

Each of the Mysteries is tied to some internal state. Some mood or emotion or whatever. It's not clear how much that's true, and how much that's a game convention, and how much that's how the rats, who you're going to be getting most of your basic information from, understand them.

... but it's at least a little bit "all three."

This is, fundamentally, an authorial choice. The Far Roofs is an expressionist game. It's a game about emotion bleeding out into reality, about moods and experiences taking on physical or quasi-physical form in the world or narrative around us. So that's part of why I made the Mysteries like this.

The other part is, if you want to make up your own Mysteries, it helps a lot that you can start with an internal state.

Deciding to make up "Centaur" as a Mystery is kind of boring. I think.

Deciding to make a Mystery named Centaur that is on some level "about" mind-body duality or immersion in the body, or wisdom, or the post-exercise endorphin mood, or having ADHD ("I'm stuck on a horse that's going where it wants"), or whatever ... that's a bit more interesting.

Starting with a mood you want to talk about, I think, like ... Sorrow ... and figuring out what mythical entity best matches that (I'd go with Banshee), and then figuring out how its stories work from there:

I think that's the most interesting option of them all.

.

I do give some of them fancy made-up names, to be clear. I'm not opposed to having an Alolitha or Eidumir or whatever around! But that's not the default or primary approach.

.

In theory, the game expects you to make up most of the Mysteries you encounter.

In practice, there's a built-in campaign that features a bunch of them, so there are enough worked examples in the book that you might never have to come up with one from scratch:

there's solid summaries of about three dozen, plus

in-depth writeups of Goblin, Harpy, Hoop Snake, Unicorn, and four other Mysteries that map a bit less precisely to established myths.

.

There's a lot in those in-depth writeups, but my favorite parts are the pages that are just questions the GM can ask the players when that Mystery is at hand.

(Questions, sometimes statements, sometimes actions or power uses, but ... it's the questions that I love.)

I have spent the better part of a decade working on power sets for spiritual, mystical, and divine entities, and you can find some cool rules toys for the more purely mechanically minded here. I like how their game-mechanical writeups all turned out.

... but in both practice and theory, none of that is as cool to me as the list of asides and questions the GM can crib from when the Mystery is involved. Simple stuff like "the wind is rising" or "speak to me of solitude." More nuanced stuff like GM-as-Death playing a spade suit card and saying, "tell me of a nasty accident, and how you avoided or survived it." In every case, a bunch of options.

As a reader, I love the detailed mechanics more. As a reader, I don't really care that much about the actual how of how the Mysteries do things but I love that there is a how. It tickles an important part of my brain, deep down.

... but when I'm actually GMing, I love the lists of phenomena and questions so very much.

I am admittedly usually in a constant state of panic when GMing, so perhaps I get more value out of both the cue card function and the ability to hand off responsibility to the player than others would.

Perhaps.

.

If you're curious about those examples:

The wind rises when you're dealing with Harpy because a lot of her story is the story about how being on the Far Roofs is like falling, like flying, like losing the stable influence of the ground. So naturally you feel the air. You feel the motion. It arises. Naturally you become isolated, or at least experience intermittent solitude, because the ground ultimately mediates almost every social connection and interaction.

Maybe not love or skydiving teams, I guess.

When Death's presence is weighty in your life ... well, it's in your life, so you're probably not dead yet, but stuff happens! You nearly died!

I like that you don't have to think through that theory when playing with this stuff, but it's still all right there, implicit, presented in a couple of different forms.

That's what I have to say tonight!

.

From the Cutting Room Floor for this Post:

... there is still a part of my brain that loves it when you write up the power that lets the Christian God be three species of hypostasis and a single ousia, or whatever, and loves it even more when you can use the same power to combine three mechs.

I have not written up that specific power, though, to be clear, as I rarely put either Christianity or mecha in my games (albeit, see Invisible Mecha) ...

[lesbianjobutupaki]

Art practice by trying some other artist's styles that I'm a huge fan of!

From Top Left to Bottom Right:

@ghostishere0 - the original reason I started this doodle, as I wanted to draw a "shepherd lovers squad" and their OC (who I don't know the name of F) was the perfect fit for it.

@luminesparkz - the best interpretation of Pom pikmin. If I were Mr. Nitendo, I would make them the official comic creator along with the manga comics.

@marblyso - If I was a little more unhinged and made a shrine to Erma Shepherd, it would be mostly marblyso's art of her, it's my absolute favorite Erma depiction <3

@rexscanonwife - another OC that I don't know the name of, but she makes such a cute pair with Shepherd and has such cute art that why not, let Shepherd have multiple canon wives at this point.

@citruscrisp - I think this is secretly Alph in an alternate universe where he makes comics about himself, because citrus has Alph's character SPOT ON, and also loves to put that boy in a situation (which I am happy for, I enjoy seeing that boy in a situation)

@daisythecomic - oooaaaaaaaaaa they look like little mice people they look so soft and sweet I love them so muuuuuuuuuccchhhhhhhhh

@louie-posting - I can't not include actual Louie Pikmin on this list.

@kiwilittle - the soft, the sweet, the one who makes the best family style art, really making me wish I was an inch tall so I could go to holidays with the olimar family, also their wife design is so cute that if Olimar didn't already get it I would shoot my shot for her m a a m

@pikbugz - really nails the soft aesthetic that makes pikmin such a calming series, and their coloring style is so soft and good that it gives me the ratatouille nostalgia flashback moment.

@splitster - more than just the wraith au guy, they are the one who makes incredible and funny comics; I've seen so many fics with the rescue corps where I can pick up that yes, this trait came from a splitster comic, and that's a GOOD thing. Made me actually LIKE Dingo, the nerve.

@diesaur - I can't do diesaur's incredible, unique art justice, they are amazing at using geometrics and have the best charlie (his little teefs...)

@solluxander - Cars, one of my favorite pikmin Ocs I've ever seen! Collin deserves a slightly unhinged sentient fluffball boyfriend, and I always love seeing the new ways Cars will interact with him.

@sillypikmin - all hail the best pikposter, who I'm still convinced is an actual leafling living on actual pnf-404, literally every time I have a bad day I look at drawings of Moss and feel better.

@eggpathy - thank goodness they came back to give us old man yaoi. I keep their drawing of olimar kissing the pikmin good night on my phone and look at it before I go to sleep and so far I have yet to have a single nightmare.

@the-knife-consumer - the only person I trust with Louittany, toxic yuri my beloved, I just adore their beasty brittany design so so much, I wish I could have a small brittany to live in my house...

anyway they have the best headcanons for our beloved blorbo hamster people

@natibranch - there's a voice line of Louie going "wa-ha!" in this really cute sing-song voice and every time I see any art by natibranch I hear that sound in my head as a little burst of serotonin, they just nail that exact feeling so so well.

@pikked-min - Another of my favorite Pikmin OCs, Yuva! A really interesting and unique character concept with a lot of thought put into the worldbuilding, followed by a strong unusual personality that had me looking at the pikmin world through a new perspective entirely. Please, someone, give them some sunglasses. Read the fic it's so good

@ssserf - artistic and deep while still somehow looking like official nintendo tm art, genuinely the best at the pikmin proportions, how could I resist trying my hand at the classic amazing beautiful Brittany Fruit Sweater moment, literally SO iconic

@kashi-pon - while I was working on the part of this that was just kashi's various highlife dresses there was a part of me that wanted to dedicate the rest of the space to paying homage to the joke comic of Louie lifting his skirt to show Olimar that he's wearing shorts, except this dress....well......

@diamondwerewolf - the reason we got louie in a little bunny outfit anyway, and thus why we got kashi's dress version. you single-handedly turned Louie into a tumblr sexyman, how could you

[dreamerwitches]

I saw someone ranking Madoka plushies so I thought I'd rank Charlotte/Bebe ones for funsies! I'm not including pouches, bags or head plushes here

First up is the Charlotte transforming plush. Cute and pretty accurate. Also has the bonus of having a use and featuring both Charlottes. Her hair looks too light in the promotional pic but it's better irl from what I've seen. Sadly has the early Charlotte mistake of missing the dark right side of her jacket top. Sadly seems very rare and expensive nowadays. 4.5/5

The Wormlotte Ichiban Kuji prize plush. Wins points for looking dumb but in a cute, scrungly way. Works best from the front, it's a little bit of a shame she's so flat from the side so looks a bit odd. 3/5

Ichiban Kuji plush from the same set as Wormlotte. This one has already felt a little not great to me. The hair is too bright and you can see it goes under her chin which clearly isn't right. Her trousers are too red as well and she's missing the lining of her cloak. Makes sense she's less detailed because she's a prize plush but you could at least get the colours right. Also loses points cause I always see this one going for so much online and... she's not that great AND she's tiny... 2/5

The SCARF! She's great, so silly and such a good idea. Hair is too light and eyes are too teal but otherwise she's great and scrungly. 4/5

Another Banpresto prize plush. The colours are slightly better than the previous, especially the hair. 3/5

The HUUUGEE wormlotte. Who wouldn't love her?! She's amazing but very expensive, originally at around £150 and I'm sure she'd be lots more now. 4.5/5

Another Banpresto prize and another that's barely changed. It kinda feels like a step back... Green eyes??!! 2/5

The first Bebe plush, another Banpresto gig. She's very cute and silly but her hair looks wonky?? And it doesn't just seem to be the prototype. She's never shown with wonky hair so it just feels like they misunderstood the art... Her cape is missing the black inside too... Otherwise she's decent. 3/5

Banpresto prize but smaller. It has the same issues as before... 3/5

Same as the last but the unique pose and expression is very cute. You get bonus points. 4/5

An Ichiban Kuji Premium plush so she's a bit better looking now. Fixed the symmetry but I don't think she has the cape lining (it's hard to see in pictures). I like the velvet look but I know some people don't like that texture. Her fringe looks too triangular honestly, moreso than the last few. 3.5/5

WHY IS HER HAIR STILL WONKY?? Her hair ISNT wonky in official/concept art her head is just tilted, how are the designers so stupid??

See how it's tilted on the right BECAUSE her head is tilted but from her back view her hair is completely straight. Sigh. It's similar to the first few Bebe plushes. 3/5

Another Banpresto prize plush. Hair is back to being fixed, thank fuck. I really like how the lace around her collar looks like actual lace. Makes me notice the last few are mostly missing the lace... hmm... I don't like the way the fabric is cut off around the black bits of her sleeves. Makes it look bad. Also I think with the button eyes you're either gonna really like it or really not. I was scarred by Coraline when I was younger so it irks me, I wouldn't get her myself. Improved some bits but fell on others so the score hasn't improved... 3/5

Wormlotte's button version. Bonus points for making a plush of Bebe-Wormlotte cause I kinda love how unique she is. But.... this one's a bit shit... it has such a handmade quality and not in a good way. I don't get why the spots look like they're badly painted on. It's too flat as well and the circular shapes of the body are so badly defined. I like the face details but that's it. Perhaps shouldn't have relied so hard on the artwork. 1/5

Mochi Kororin Wormlotte. This is the kind of plush that I just feel I've seen far too much of... I'm so bored of it. But... she does look silly and I kinda like that. The blue wing is too teal (though it seems it took more from the art than the anime) and her left eye is red instead of pink (which is another art mistake) so it kinda throws off the colours when there's too much red in her face. 3/5

A Movic plush, this certainly feels more obscure. I love her stupid face and the unique pose. The eyes are the wrong colours in numerous places which is a shame but I'm glad the nose is 3D. (actually looking at a non-sample photo they got the eyes right! Must've just been the prototype) I like how the wings are drooped like she's bashful, it's very cute. No complaints! 5/5

I'm so surprised to see this one on My Figure Collection because she looks SO bootleg and this is what the popular bootlegs are based on. The fact they misspelled height really doesn't make me trust it. But at least I can shit on it! Eyes and cheeks are wrong (taking from the incorrect first anime screening), black hood is a weird flower shape, spots are too small, top is too light yellow, buttons are far too far across and cape goes around the front. If I could get her for like, less than £5 I would but otherwise I wouldn't bother. 1/5

How come the first Charlotte was the best and the rest were just kinda downhill? It seems like Wormlotte is harder to screw up. At least they're both pretty simple so you can always make her yourself. I was surprised my top pick was a Wormlotte since I overall just prefer Charlotte but like I said, she wasn't doing too well, even with the Bebes... a shame... let's hope they release better plushies in the future.

[factual-fantasy]

27 asks! Thank you for all the kind words! :}}}💙💙💙

@network-warrior-01

Funnily enough I have been thinking a lot recently about making my own web comic, right here on Tumblr! I have a lot of concepts, although I don't know if I'd make a separate comic just for the Factual Fam. I feel like they kind'a already have a web comic..? In a way.?

And I feel like if I made a story driven comic about us, separate from the ones I'm already making.. It would feel.. idk, off? My lil guys are meant to be with me, going with the flow of whatever's going on with my blog/my life. This is their story. Their lives with me are their story. If that makes sense?? I'm not sure if I have any other ideas in mind for them.. what would their world even look like if I wasn't in it or if it was different from what they have now..??

But on the other note, could you imagine? Me? Making a 100% original comic? With my own original characters, story, and world? Its a daunting thought. The sheer amount of stuff I would have to plan and the amount of angst I could inflict on ya'll would be insane <XDD

And yeahh,, the fanart thing would be a problem... <:/

The four of them sit together at the base of my stuffed animal pile. Nice and cozy! :}}

@cudlycorncornsworthcoberson

Actually the quilts are rather deceiving, they're just for show! <XD Bibi was conscious and could talk when he was still a picture. And he became a drawing without the use of a quilt. Jangles had a quilt but was still a picture. He was later "brought to life" with my pen!

The thing about all that life stuff, quilts, pens.. its honestly just for show. Those things don't bring them to life, I do. The flashy ways I do it are just for fun <XD

And about Cici! She was talking! And I think kind'a the idea as to why Jangles could hear them both was not only for the spooks. But becuase Cici and Gerald's concepts were so strongly developed at that point they were basically fully fleshed out characters. Their bodies just didn't exist yet. Hence the "I cant see" I hadn't stitched her button eyes on yet!

So basically their personalities and designs had been thought out. They just weren't there yet. But their presence was still so strong.. And Jangles being a picture kind'a bridged the gap between the concept world and the drawn one. If that makes sense??

He could still hear them after he was drawn though, I guess its an ability that he kept even after being art-ified..? <XD My lore's a little whack- its best not to look too far into it!

Also thank you! I'm glad you liked it all! :DD

Like I've said before, the best way to show you care is with comments. That's what would make me the happiest. :)

And sure I will! Some comics and random cameos here and there.. I already have some comics in mind.. 👀👀

I haven't seen the Puss in boots movie, but something tells me you're right XD

Hmm.. I don't actually know.. That's a good question :0

I guess they would react the same if us humans found a group of people like that. And what would humans do? Probably report it to someone?? <XD

@minophlia

XDD Thank you! I'm so glad you like me and what I make!! :DDD

Giant scary abstracted monsters that attack anything in the vicinity?? Nope nope nope!! Jevil would FREAK OUT and Immediately warp them out of there with a mirror. Cant risk anyone getting hurt!

That's not a half bad idea! :0 I'll see if I can remember to get around to it <XD

Also thank you so much!! :DD

All I know of punch out is from smash bros. And I got beef with Little Mac. Anytime anyone plays as him they always kick my butt XDD

I imagine Jevil wouldn't tolerate it much. If Jax was being a butt towards Jevil that's one thing. But as soon as he starts to direct that to anyone else in the group- especially Seam.. Then there's gonna be a problem. :x

Seam would be annoyed. But its likely the same as Jevil. He doesn't really care about his antics, but as soon as its directed at Jevil or someone else.. well then there's a problem-

@abaroo

Thank you so much!! :DD And of course I held his widdle hand! He needed the emotional support! He was making the biggest decision he's ever made in his life- <XD

And you're welcome! <XD I'm so glad you liked it! :}}

No no no no that is the wrong habitat for me!

I need to be put in a cardboard box with all the flaps open except for 1. There needs to be a grassy/muddy floor and a bowl of water.

Then put this box out in your backyard in the pouring rain. Don't give me anything to warm myself, and only feed me refrigerated watermelon. Now THAT'S what I call a comfy habitat!

@multiverse-city

Thank you so much! :DD I appreciate the compliments!! :}}

Although I'm sorry to say that I don't want me and my critters to show up as background characters.. <:( Sorry!

He probably has a couple of times yeah. Maybe right after big events or shows he got pushed over the edge and crashed.. :(

He might..? But I think Freddy would want to give Bonnie space.. Becuase when Bonnie is overwhelmed, that's what he wants. Is silence and space. And when Freddy is around Bonnie he would try to be really quiet and not move around too much..

So many siblings...

My only thought is that my version of the Daycare Attendant would better fit the role of Kaufmo. :0 The idea that he suddenly disappears, only to reemerge as a monster..

That, and I would shoe horn a bunch of unnecessary angst in there XDD

:DD Thank you so much!! :}}}

WAAAAA THANK YOU SO MUCH!!!! Its so nice to hear that even though you knew nothing about the characters, you still loved my comic!! :DD And thinking my critters have depth?? And feel human?? WAAA THANK YOUUU!!! I try to give them all separate personality's and really put some emotion into them, I'm so glad you've noticed! It seems to be working! :DD

And again a thousand thank you's for the compliments to my sona! :DD The bloodied hands and dripping face getting worse and worse as the comic progresses to show my exhaustion,, even the comically placed hands! I put a lot of heart into all of it and I'm so happy that you've noticed!!

Thank you for all the kind words! Sending platonic love right back at ya!! :DDD 💙💙💙

@anartistwhowrites

THANK YOU!! :DDD

<XD Noooo don't cry! Thank you though, I'm glad you liked it! :))

@beryl-shade

One word; Horrified.

Aww, I'm sorry it made you cry! <:(( But I'm glad you liked it none the less! <:}}}

@badlyblurry

Darn <XD I had it match my Tumblr's theme.

@crimson-thinker

My main thing is it just feels like they "stole" what I made and drew it without asking me. And then turned around and gave it to me as a gift. Which obviously isn't what fanart actually is. But that's just how it feels.

But hey, your ask has many more reasons for me to not like fanart <XDD

The idea I had was they can use Power-Ups purely becuase they're human. Like, something about just being human gives you access to the power the Power-Ups have. .

Do you have a different idea though? I'd love to hear it! :)

[strawbbella]

Helloo~ I was bored in class one day so I thought "why not do an art study of the artists I like" except it incredibly scuffed and I really just looked at a bunch of art on their page and i tried my best to replicate one of em

So these are the 2 'studies' i did that day

1st:

My ver:

(Art by @izuke-the-zombie )

ref pic:

What I noticed first while sketching is ofc the super gorgeous cute style. Though not long into the sketching phase noticed her lines are quite sharp and pronouced, for most of her works she keeps her sketch lines making it seem more mmm hazy is the right word? Or effortless, but with every sharp line a rounded(?) line contrasts it, giving it that signature fluffiness. I absolutely adore how well this all mixes together, i dunno just sonethin bout her lines bro

I love the expression, really gives off absolutely love sick, I didn't capture the eyes quite well (I blame my chonk pen because all good artists blames their materials/j) Macaque looks more scared than breath taken and I put the eyes too far apart. I basically deprived the eyes of its soul lmao note for next time I do a study.

Ok this part has not much to do with the ref pic but her art in general and that includes her writing. I adore the cute HCs and little stories/AUs she would post, just so much creativity and its always so comforting to read as theyre so wholesome and cute. Im so sure one of my first posts here were a drawing of one of her HCs LIKE SRSLY SO CREATIVE. I was also surprised as I saw in some artworks she's able to draw structures and environments that draws your into the scene, its fits the universe so well, just adding to that little wonderment of awe. Shes amazing at coloring too, real soft, but still makes the characters pop, i'd say more but my brain is short-circuiting from all this analyzing. Shes just all round incredibly talented and creative honestly. Her style is exactly what i wanted to have as a kid and what im striving to have now. So cuteee

So far 11/10 art style, love the chibiness, cuteness, expressions, the pure and pastel feel and colors, and details. Just love her in general<3 check out her page lol

2nd:

My ver:

(Art by @clatteringbats )

ref pic:

Ok so immediately off the bat I knew I was gonna have some trouble here since I've been drawing chibis from the very start.

Just from observing her art I alr saw it has a lot of movement in em, lots of dynamic poses, and LOTS of embraces, really just pouring with that fluff/angst energy. At first I tried the anime body guidelines and boom instant error. Though not all that noticable the heads have sum chonk in em, especially the cheeks, giving that cute factor despite not being a chibi style. Im all for it. The lines are very soft, not a lot of sharp edges and if there are theyre placed in a very subtle way. The expressions are wonderful: from a subtle hopeless smile from an overwhelming roar of grief and anger, she's mastered the the art of slight details that give these effects their magic. Her lines are sketchy but not messy (does that make sense) they clump together neatly, giving the illustration clarity.

AND OMG HAVE YOU SEEN HER ANIMATICS? THE MOVEMENT, THE PACING, THE SMOOTHNESS, THE INTERACTIONS, THE EMOTIONS, THE EVERYTHING. THEYRE SO AAAA ITS LIKE A PROFESSIONAL STORYBOARD FOR A TV SHOW.

The way she uses color too— just o h m y g o d .

Her colors are so bright and clear, so nicely blended together, so bold, but not in the way that burns your eyes, she keeps them neutral in a way, that envokes that sense of harmony; like a sunset. (I legit have one of her colored artworks as my wallpaper) I have lots more to observe, but so far this is all I have to say. The skill of overflowing

Anways, back to the task at hand. I made the heads bigger than i shoulda , cause well chibi artist ehe. Again, I blame my chonk pencil. I didn't get the embrace quite right, but Ion think I could level with the queen of LITERALLY DRAWING TEARJERKING HUGS LIKE? I tried with the hands, I swear. I knew they were a little small but only now am I realizing its that way cause I made the heads too big. I wanna try drawing more in her style as its really just full of movement and flowiness, I wanna try mastering the way she draws perspectives too. I noticed for perspective shots theres this grid for the sky and ground (which is genius) will try that out when I actually pick up digital art again.

Check out her page, theres lots to see shes amazing 11/10 artstyle<3

[casinoroyale]

Hi everyone!! Theseus cquackity viceduo zombur revivebur here.

This blog has seen several hiatuses (my bad seriously my bad), and bouts of irregular posting. So I'm sure people who regularly check it have noticed that we (Fiona @quackbur and I) haven't been posting daily anymore and haven't for a bit now. So below the cut I'm gonna talk more about that, and our plans for this blog going forward

For starters, I love roleplaying on this blog so much, as does my cohost Fiona @quackbur. Fiona has done so, so much writing for this and I feel kind of bad for taking her credit over the past two or so years, so props to her for being such a good sport and for everything she's done. This blog wouldn't exist without the shared passion she had for it.

To get sappy, I love the friends I've made in bedrockverse, they remain some of my best and closest companions. I would not trade the times I've spent with them for the world. Beau, Holly & co, Met & Co, and Thunderbottles are some of the loveliest, most supportive, and insanely talented people I have ever had the pleasure of writing with and meeting.

This includes people who aren't part of the bedrockverse that I've written with!! Shoutout to Javi anonymous-jey casino-duckling, TGM the-g-m duckofthelaw, and AD anonymous-dentist therealnoodleman. It was so much fun bringing all the quackverses together, and I respect all of you so much as writers.

AND that also includes EVERYONE who has interacted with her!!!!!!!!!! Everyone who has sent asks (thank you so much, sorry we're terrible at replying), reblogged threads, commented, posted/liveblogged, DREW FAN ART (BLOWS OUR MINDS. THERE'S BEEN SO MUCH INCREDIBLE ART CREATED, WE CANNOT THANK ALL OF YOU ENOUGH), even just liked a thread, thank you. Seriously, it has meant a lot to us to be part of this community, and have so many people enjoy this blog. Insert Pitbull image happy you enjoyed.

So, going forward it would make us really happy if you all pictured casinoroyale as happy. He has songbird-sunrise, goofygoop, and a nation full of citizens that she loves. She babysits for tubbolul and latenightmining, and terrorizes rp!emduo not infrequently. All we really wanted was to bring c!quackity to a happy place and I feel we've done that. Of course he still has shit days, as a ptsd baddie, but the good days are more common. And if we never get to it (though I hope someday we do, maybe in the form of a collaborative one-shot or fic) know that casinoroyale and songbird-sunrise DO eventually get [REDACTED]. And one of them DOES get [REDACTED]. That was always the plan! Yay! [REDACTED]!

Not to say that we don't have more arcs planned for this blog, because we do! I just don't know when/if/how they'll ever get written, especially because a lot of my friends have moved on from their rp blogs as well. But I really do still feel happy with where he's at and happy with everything I've done. This is a project I'm really, really proud of and I will always look back on fondly.

None of this means that I'm not interested in c!Quackity or DSMP as a whole anymore, either. Actually that couldn't be further from the truth. But now I'd like to be able to focus on fics, and other forms of writing, which I've been doing more recently :D actually, you can read a short one shot I posted for exile's anniversary HERE

If you've made it this far into this long, sappy post, THANKS!!!!!! The TLDR; this blog is on an indefinite hiatus, and won't be returning to its formal glory, and that's okay. We had a really good run. Now, off we go to other things

[ruminiscence]

Paris: A Year Abroad in a short film

Audio: "Burnt Norton" by Lana Del Rey, a rendition of the original poem "Burnt Norton" by T.S. Eliot.

Where do I even start? Paris has wholly shaped me in ways I never imagined. We refer to Paris as the city of love, but I'm now more inclined to call it the city of art - which only leaves more room for love in your heart. There is so much to contemplate and appreciate in frequenting the vast array of art museums here - from the Louvre, Musée d’Orsay, Musée de l’Orangerie, the Centre Georges Pompidou, and many more. Not only has my perspective on art expanded, but so has my worldview. That’s because art is truly everywhere in this city; art can be found in the walkable streets amidst the rich architecture, the fashionable outfits seen in daily life, and even the exquisite decor in stores and when you cheekily peek into Parisian appartments!

There's always something new to discover in Paris, I'm almost saddened at the thought of the things I've yet to discover or missed. The treasures to unveil in Paris move far beyond the typical tourist hotspots we all know and love. I am obsessed with Parisian boutiques; they are chic and unique (that unintentionally rhymed) in the best way possible. One of my favourites is La Tonkinoise à Paris, located in the 11th arrondissement. This particular arrondissmenet is the best in Paris to be honest, it holds a special place in my heart as I had the wonderful opportunity of living there, so perhaps you can say that I am somewhat biased. Still, I can confidently say that this animated, hip and creative neighbourhood is one everyone should have the chance to explore.

La Tonkinoise à Paris, owned by the lovely Chantal, is my favourite hidden gem in Paris. I had the pleasure of befriending Chantal as I ended up frequenting her store one too many times; I've garnered quite a collection over time. This boutique offers a wide range of eccentric and sustainable jewellery, with her earring creations being the show stoppers, in my opinion. Her jewellery is composed of rings, pearls, brooches, charms, and watches, all unearthed in flea markets and recycled. I love that every piece of jewellery indeed is a unique piece. The decor changes based on the season and theme of her new collections, making it an ever-changing and exciting shopping experience. This is honestly the best jewellery store I have ever been to in my life! I wish the pictures I took could do the jewellery and the boutique's decor justice, but it simply won't, I'm afraid.

Now, onto food, I genuinely need to figure out where to start here. My favourite authentic French restaurant would have to be 'Le Potager du Père Thierry', located in Montmartre. Although it's incredibly small, I love the cosy vibe; I feel like I can enjoy delicious food with friends without feeling surrounded by strangers. Surprisingly, it's also very quiet (yet packed) - I guess the food is just too distracting.

As of late, my favourite non-french restaurant has to be 'Big Black Cook' (let's ignore how inappropriate that pun is, though funny). It's located in the 2nd arrondissement and serves Caribbean food, my friend claims that it was the best meat she's had!

For brunch, I recommend Café Méricourt in the 11th arrondissement. Their green Eggs & Feta are absolutely incredible and quite innovative as far as brunch places go.

As for a boulangerie - seriously, anywhere, literally anywhere in Paris, go to your nearest bakery; there need not be a big fuss - you're in for a scrumptious baked treat regardless!

I'm ever so grateful for the chance to have lived in Paris for an extended period; you cannot appreciate Paris in its entire splendour from a mere short-term visit. The city is an actual work of art; art is everywhere in the city, from the street performers and musicians, the light filters through the trees, the city's many architecturally rich bridges, the picturesque cafés and boulangeries, the beautifully presented food, the way that the city's many different neighbourhoods each have their own distinct character and vibe. In Paris, art is everywhere.