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lovelycleon · 3 years

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So I decided to make an analysis about the last scene of Infinite Darkness

But before I start with the fun part, I just want to tell you that my history with “angst ships”

I had a bad experience with another ship, soul mates full of angst tropes and true love, beautiful... and a really bad ending because the showrunner fought with the actors (I wasted years watching and I regret it).

Anyway, after suffering that kind of pain, no other ships and angst scenes can hit me hard enough. I'm numb or just got used to it. You choose.

So maybe the scene of Leon and Claire's argument wasn't that impactful for me because of that. But for all the fans who felt hurt, I understand and it's okay to feel that way, because the scene was meant to hurt. The scene exists because of that. And your feelings are valid.

So let's get to the fun part.

spoiler alert, it's not that fun, it actually hurts 😅

The scene starts with Leon going to meet Claire at the gates of the White House.

I don't think anyone denies the fact that, whatever Leon is doing, he just wants to protect Claire. And he doesn't want her involved because of it.

But this dialogue makes this even more evident if we analyze how it begins.

Nothing in a show or movie is by accident. Everything is handpicked for one reason or another. The meaning is not always that deep, but there is still a meaning behind it all.

So when – of all the ways a conversation can be started – they decide to make Claire joke that she sneaked out of the hospital, Leon takes it seriously and she has to clarify that it's a joke, there's a reason:

Show that Leon is taking what happened to her too serious, and Claire not that much.

When Claire makes a comment about when he's going to stop treating her like a kid and he says probably never. There's a reason:

Show that Leon wants to protect her (or being overprotective) and Claire doesn't like it.

Of course, some might argue that this specific line is capcom trying to show that their feelings aren't romantic and sink the ship completely. And, ok, people are free to think that.

But if they really wanted to sink cleon forever, they shouldn't have done the scene of Leon saving Claire the way they did. They did it because they knew it would tease a certain part of the fans... They knew exactly what they were doing...

And there's simply no reason to tease a ship you want to sink.

So no, I don't think that's it...

For me the scene means the classic and simple: "stop being worried about me🙄" "noooo🗣️"

Another way to intensify Leon being overprotective is Claire's broken arm. A reminder that she was injured following his plan. Just as she was hurt the last time they saw each other in Harvardville.

And yes, I know Degeneration made Claire hurt to take her out of the action. It is undeniable. But somehow I don't think the same situation and reason applies to Infinite darkness.

Because Claire was already out of combat, following Leon's plan and showing no intention of doing anything different. It's not like she's going to attack the monster that is several platforms higher than where she is. She couldn't fly around and there were no guns where she was anyway.

So why hurt her to get her out of combat if the story itself has already done that?

Again, you are free to think differently. Capcom made Claire dirty, she was underestimated and they wasted her potential. I won't argue with that, I'm also on the team Claire deserves better.

I just don't think it fits this specific situation.

The injured arm is there and a awkward conversation about Leon being overprotective starts because of it. I think it makes sense.

So moving on.

Claire mentions the chip and Leon looks disappointed for a moment and says he thought they were going to dinner.

This is to indicate that he didn't come to see her with the intention of breaking their friendship. Leon just wanted to spend a good time with her and nothing more. Some place a little more normal, maybe?👀

But Claire wants the chip and tells Leon her plan. The same plan that Shen May was killed trying to convince her partner to follow. Is there a parallel here?

The only difference is that Jason broke her neck while Leon decided to break Claire's heart.

Okay now I could show more parallels between them, but I won't because this is already too long and I know maybe I'm reading too much into this. Resident Evil isn't that deep most of the time 😂

Anyway, Claire asked for the chip and Leon said no.

And that's the point, right.

The climax of the conversation and the turning point in their relationship.

Note that Leon took a few seconds to say he couldn't. That was the moment when he made his decision...

He went to meet her for dinner, remember? He didn't expect to have this conversation or make a decision like that. But he had to.

Now, I'm not from the US and I don't trust politicians in general, fiction or not. But I admit this sounds realistic.

Just imagine if the president makes a speech about peace and prosperity and whatever and the next day the media reveals that members of the government are involved in BOW and planning an attack on another country.

At the very least, it won't look good.

In the worst case, it will be a catastrophe 😂

So... I don't agree with Leon, but I understand why he chose this.

It's an important decision, however. And how long it takes him to say something and how he's quiet after saying it shows he knows what's on the line. Not just the security of the country and “peace”, but also his relationship with Claire.

And despite everything... He didn't lie to her.

It would be much easier for Leon to simply say "the chip was destroyed in the fight" when she asked. Claire would never know about it and probably never doubt him. And they would still be fine with each other and having dinner.

But he didn't lie. Why?

Because their relationship is not based on lies. And it's not based on betrayals.

And while it may be hard to believe right now and it hurts to think about it, this relationship is still based on truth and trust in each other. And now their relationship is being tested.

It's easy to trust someone you're on good terms. How hard it must be to trust someone who has let you down.

There is a lot of room for development here.

Obviously Claire felt hurt in this moment. Maybe even betrayed. Heartbroken. I think we all feel that same way.

But Leon played fair there. He said he had the chip, showed it to her, and then said he wouldn't give it to her.

He was honest with her. And this act also shows respect.

They are two people with different points of view and that truth hurts.

There is silence as they look at each other. She never asked his reasons and he obviously never told them. The exchange of glances is enough for them to understand what was happening.

When Claire says “you do things your way and I do mine” it's almost like “do you know what that means? ”

Then Leon nods and another moment of silence. The time they need to accept that the relationship is broken.

Now that's angst

Interesting choice of camera angle. Showing her broken arm as a visual reminder of why he was pushing her away like that.

Claire leaves, but looks back and says again that his outfit doesn't suit him.

What's interesting here is that the director has done a few interviews over the past few weeks and he always said that the suit is a representation of Leon's position in government.

Claire commenting that it doesn't suit him is basically the writers/producers/directors admitting that this position doesn't look good.

And while all the characters praising Leon for his success, Claire is the one who sees this reality and who he truly is out of the suit (position)

And that's good angst.

Claire walks away and Leon with a sad look watching her leave and he has to say to himself "I will stop this".

Could it be just one of his one-lines? Yes.

Could it be a way for him to remind himself why he's doing this, even if it means sacrificing his relationship with Claire?

It's already done, now he has to make it worth it.

Whatever happens after that is a mystery.

I don't think Claire believes that Leon is going to cover up the government's involvement in things (their discussion would be much more intense if that were the case), she probably thinks he's going to resolve it internally without taking anything public, which is precisely what she wants to do.

I also don't think Leon believes Claire is going to give up on the investigation, he probably thinks it's going to take some time to her to get real evidence and he has time to carry out his plans.

But this is capcom... They are masters of forgetting plot points. So who knows.

Angst is only good if it has a good closure. I hope they keep that in mind.

In any other tv show that used this kind of angst trope and drama I would be completely fine...

I would expect a sequel to this plot. The characters find each other unexpectedly, having to work together and acting awkwardly because they don't know how to stick around each other after the argument. Then the story would develop and they would gradually mend their relationship.

That's the trope.

So that's all I can hope for.

#cleon #this just got too long and l didn't write half of my thought 😅#I only watch the show once but I've seen this scene a thousand times #I'll probably have more to say after rewatching everything again #leon kennedy #claire redfield #resident evil infinite darkness #leon x claire #claire x leon

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thequeenofmyownscreen · 2 years

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Twenty-two things I noted about the one-shot “Dalen's Closet” :

(look, this deserves to be long)

Oh no I might cry, because other than the battle royale with the Mighty Nein (but.. it counts less), this is it. There's no more new Vox Machina content for me. Well, or I have to wait an undeterminate amount of time and I know it will be long ! before The Legend of Vox Machina season 2. So yes, I'm a little emottional. This feels like the end of a journey.

THEY LOOK SO BEAUTIFUL AND ASHLEY'S THERE I'M SO HAPPY (no joke though Laura looks hot. There's no other way to say this)

Keyleth freaking out and insisting that everything has to be perfect is another strong actor choice from Mrs Ray, it's hilarious and too real.

Laura : "I'm going to go look for Pike and Scanlan's room ? (high-pitched) Are they in the same room or different rooms ?" Sam, even higher-pitched : "I don't know! We didn't discuss it ahead of time !" Laura, somehow even higher-pitched and to the limits of human sounds : "Ok, they're still different rooms, maybe ! I don't know !!"

Kaylie invented BitCoins in Exandria. It's canon.

Percy : "Half of your outfit seems to be missing." Grog, wearing only a vest and nothing else underneath, plus a hat, and I hope some pants at least : "This is the most clothes I've ever worn in my life !"

Kima and Allura !!! Oh how I've missed them.

I love how everyone is so suspicious of Derrig, they immediately assault him with questions, but each in their turn, it's so fucking funny.

I'm gonna need that gif of Pike and Grog getting shitfaced with good wine.

Keyleth's speech was so her, and the fact that they gain temporary hit points from it is hilarious. Taryon's speech was like him : over the top but heartful, and pronunced with an exagerated accent from the 40's.

I can't say I know Matt, because that would be ridiculous, false, and unatteignable ; but I did watch 400 hours and more of Critical Role, and this was lovely and all, but I was waiting for the other shoe to drop. So when he said "I need everyone to make a constitution saving throw", I knew we were IN IT.

The ad with Travis calling Marisha in the highest-pitch voice because he saw ghosts in the studio and want her to protect him. I love them.

Ok but how funny is it to see Lord Sylas Briarwood, dramatic bitch that he is, with his cape billowing in the wind of the cliff, revealing himself as the villain of this one-shot, while the rest of Vox Machina goes SYLAS ??? (like the Beyonce ???? meme), fully believing he was dead, and having absolutely forgotten him.

Vex DIED AGAIN ? AT HER OWN RENEWAL OF VOWS ??

I think Matt was trying to be nice, when he saw that Vex died... but also yes, Vex would wear 400 gold diamonds earrings at her wedding reception, are you kidding me ?

I think Vex has died 3 times before... regardless, with Matt's rules, the DC13 was just enough, but still... no more adventures for Vex ! It's too dangerous now.

"Hey, be glad it wasn't the kraken returning !" MATTHEW

I had to rewind to see the fabulous action of Sam taking a bill out of his wallet, pass it to Taliesin, who passed it to Marisha, who passed it to Liam, who passed it to Laura, who passed it to Ashley, who put it in Travis' jarretière on his arm, like he was a stripper.

Vex, dripping saltwater, coming back from the dead at her own wedding, furious : "SYLAS !! Delilah Briarwood was a BITCH !!" oh my god I love her so much

Vex got the HDYWTDT on Sylas Briarwood. poetic cinema

I started crying at the vows and haven't stopped after. The vows. Sam ripping my fucking heart. Vax Vax & Vex. the fucking music which was the same as the ending from Campaign 1. Vax & Keyleth. "I'll never get over you" "Nor I. But you will live. And your life will touch thousands."

what a nice story. let's do it again

#my thoughts #critical role #cr campaign 1 #Dalen's closet

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raymondebidochonlifechoices · 3 years

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All fans are equal but some are more equal than others. NOT.

There’s been quite a few people in the fandom lately getting very stressed, feeling they’re obligated to constantly be on the defensive re: their fandom choices.

Apparently, whoever has a different opinion about a character or a ship must be said character’s/ship’s stan i.e. overzealous and/or obsessive, i.e. not an objective viewer. Even worse, they must be a dreadful person, who condones a number of moral offences that said character/ship perpetrated (or is thought to have perpetrated). Because, of course, the only acceptable reason for appreciating/enjoying a fictional character or dynamic is their morality. And, by that reasoning, fans who support the correct character/ship must be better fans and better people.

Nothing is more ridiculous than the notion of the objective fan. An “objective” fan is called a “viewer”. You and I, Riverdale friends, we are not just viewers. Otherwise, we wouldn’t have created blogs and dedicated hours of our lives to a fictional couple from an extremely mediocre show. We are still undoubtedly capable of critical thought and objective analysis but we are also aware of our own emotional investment in the show. (Or, at least, one hopes). As a fandom, we engage in activities that exist independently of the show. Fandom is a space of free expression. No one gets to play the higher moral card here. Needing to loudly tell everybody how wrong they are? That’s not the sign of an objective viewer. That’s the sign of a viewer who is also extremely invested, just for different reasons than I am.

Are we seriously holding the morality card over people’s heads for a show that used a poc woman’s pregnancy (Toni) as the means to retroactively establish trauma for a white male (Kevin), all the while touting it in every media possible as a woke response to the BLM movement?!

Are we seriously holding the canon card over people’s heads for a show that treats its 5th(!) season as a tabula rasa?! If the Lodges new backstory in 5x12 shows anything, it’s that s5 is not a time-jump. It’s a reboot.

There are so many people “enlightening” others on their inability to understand canon …

Seriously? That’s the hill you’re willing to die on? Canon Riverdale? You think that people don’t understand what they’re watching? That they’re interpreting canon incorrectly?

No, but seriously: canon for a TV show consists of what the characters say, what the characters do and how the actors portray them. Does this really apply to Riverdale?

Let’s take Donna for example.

Canon explicitly tells us Donna did what she did to avenge her grandmother. At the same time none of her canon actions were against the people who were actually responsible. So, riddle me this, fandom friends: why did Donna do what she did, as per canon?

Let’s try this another way:

Donna is a psycho bitch. Both in terms of Riverdale’s canon (the writers’ intention) and real-life criteria. To create a tag that reads “Bonna for ever uwu!” is deranged.

On the other hand, her character is (like a lot of Riverdale’s characters) an inconsistent caricature. Canon uses ridiculous dialogue and a lot of the Bonna scenes are cartoonishly enemies-to-lovers tropey. To create a tag that reads “Bonna for ever uwu!” is hilarious.

This doesn’t mean that Bonna is a canon couple. It does mean, however, that a Bonna crackship is based on Riverdale’s campy and over-the-top canonic writing.

A viewer who thinks Bonna is disgusting is not more “objective” or more “correct” or more “true to canon” than a viewer who thinks Bonna is funny. Nor are they a better person for it, and this cannot be stressed enough.

Similarly, who is canon Cheryl?

1. Cheryl is an absolute bitch: if a privileged student was calling an actual homeless boy a hobo in your real-life school, you would neither think her a queen nor use “hobo” affectionately in your tags, comments etc.

2. Cheryl is a deeply traumatized person: her father killed her brother, her mother killed half the town and forced her in conversion therapy, she attempted suicide and more.

(Note #1: this more does not mean more than the other Riverdale characters).

(Note #2: nor is it an excuse for her rudeness, affectionately called “mood for chaos” by the writers).

3. Cheryl is also a caricature of the archetypal mean girl who’s there for laughs and meta comments. She’s not to be taken seriously.

4. Cheryl is lgbtq+ representation …

5. … who canonically shits on other lgbtq+ characters.

6. Cheryl is one half of Choni, who are canonically presented as an uber couple.

7. Choni is also, as per canon, a couple with an acute power imbalance (cough!gaslighting!cough) that visually very clearly panders to the male gaze.

But most importantly:

8. Cheryl canonically is not the sum of her parts. The different facets of her character do not intermingle in any meaningful way.

Was Betty kissing Archie specifically a sore spot for Jughead?

Canonically no [2x14]. But, also, canonically yes [5x03, 5x10].

Are there seriously fans that are astonished that Betty is making some highly questionable choices while investigating?! Did they just discover Dark™Betty/Killer Genes Betty? That is canon Betty! Was it ok before because she was then smooching Jughead instead of giving him the cold shoulder? Honestly, the only newly outrageous part of s5Dark™Betty is the fact that she still believes in “killer genes” despite having spent 4 years at Yale …

As for liking/disliking Betty and morality …

Look, I’m going to be very honest: I am NOT particularly enjoying s5 Betty. And it’s not because of b*rchie.

S5 Betty has 99 problems but the sexcapades ain’t one.

For me, it’s the fact that she’s turned into s1 Alice 2.0. But surely that’s not news either? Ever since the first info about the time jump, everyone and their mother have been speculating about the teens becoming their parents …

Just because Jughead is better written (and written to be more likable), it doesn’t make him more worthy of redemption. Just because the writers are keeping Betty’s redemption “secret” (insert eye roll) for their big reveal in the season’s penultimate episode, it doesn’t mean she won’t have one.

Simply put, the writers have made Jughead more likable. He’s still the underdog. He’s the only character in Riverdale actively trying to deal with his trauma, since the very first post-time jump episode (working at Pop’s explicitly to fend off the debt collectors). He has scenes with a new and extremely likable character (Tabitha). He has the only new plot line (the Mothman). Said plotline is narratively already tied to both his unknown past and the town’s destruction by Hiram. His behaviour is explicitly explained, even as his recent trauma remains unknown. He’s transparent.

In comparison, s5 Betty is traumatized but not the underdog. Her trauma (TBK killer) is both known to us and a repetition of previous storylines, which makes it narratively less exciting. She is completely disconnected from any other storylines. She comes out as being judgmental and self-interested: telling Tabitha Jughead’s not her business while previously accepting his help? Berating Polly for lying while not keeping in touch and lying about her own life (TBK)? Please note: I’m not saying there isn’t a reason behind her behaviour, just that it comes out in a negative way.

You don’t like Betty’s current behaviour? You don’t consider trauma a good enough excuse? Cool.

You feel sorry for what she’s going through? You consider trauma to be a valid explanation for her behaviour? Also cool.

Personally, I don’t give a flying fig, either for Betty’s trauma or Jughead’s. Because, even though Trauma™ is s5’s actual mystery plot, narratively speaking, trauma never affected the plot of the past 4 seasons, nor s5 trauma will affect future plots, once revealed. And you know what? That is also cool.

None of the above is better.

And just because I’m not enjoying Betty right now, it doesn’t mean that I don’t want her to overcome her current situation or that I won’t cheer for Bughead like a River Vixen on fizzle rocks, once they reunite.

This thing though, where people are made to feel as if they owed anyone in the fandom an explanation about why they like the things they like, because, somehow, their preferences are a reflection on their character or their cognitive abilities to read a TV show? This is a joke.

There is no “wrong” way to consume any show, let alone Riverdale, with its fractured format, its short-term memory and its see-sawing characters.

Look, everybody’s here for their own reasons. For most people this is a place of escape. No one’s escaping better than the other, because of how they enjoy their teen TV show ...

#Riverdale writers negativity #fandom negativity #fandom entitlement

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feralnumberfive · 3 years

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I have to disagree with you on the marketing team doing a bad job. The October 1st thing was meant to be a special occassion, like they've done with previois Hargreeves birthdays and the holidays. It wasnt the start of their promotions, but did set up their marketing angle they'll be taking for s3. And I think part of the silence right now they've been editing. I don't think they've known when they'll finish or be ready to release in 2022. With that Netflix is still deciding their release schedule for next year. They'll want to start marketing once they have a release date and we're closer to it. Droughts are terrible for fans, but marketing something for ages and ages isn't that feesible. Either the public are gonna get sick of it before it's even here, or their marketing budget is gonna be ruined. And at this time they can't reveal much of anything or have actors say too much in interviews (if they would interview them so soon) and it would get boring and defeat the purpose of promoting it. They wouldn't be drawing new fans in or hyping up old ones anymore. And since this isn't a new show they're trying to make a hit, they aren't going to be marketing it beforehand as long as a new series might get.

I didn't mean the October 1st Instagram makeover and video was a bad thing, but it is an interesting look into what's to come with the whole broken timeline and Sparrow takeover. With TUA being a somewhat big show for Netflix it feels a little odd that nothing has happened yet, especially with the wrapping date the optimistic estimated release date. Or possibly this just means that something new is coming soon. And like I also said though, it's not TUA's marketing (or I also said whoever is in charge's) fault because they have rules to follow from the higher ups aka Netflix. Yeah I shouldn't have said "not exactly" their fault because it's not their fault at all.

I also don't want to sound like I'm saying "They need to hurry up, I want S3!!" because I absolutely admire everything that goes into making this show and every movie/tv show, especially the makeup, hair, and cinematography workers who work super hard and get very little sleep and aren't treated well, let alone get paid well. And understandably editing in post production takes a long time, especially if you look at my S1 & S2 comparisons. They heavily have to make the magic happen!

I definitely agree with you about the marketing and how they don't essentially want to be teasing fans and dragging it on until people get tired and impatient before a series/season gets released. We got the S3 episode names, which was awesome, but then for the TUDUM event they made it sound like we were getting something special for S3. Of course the fans expected something for S3, so that's also on us for getting our hopes up for something new haha.

As we know S3 is being kept very secretive, but we've also heard from cast and crew about how awesome this season is supposed to be. It's supposed to be the best season yet according to many so that's really got the fans riled up and waiting for anything new from S3. So it feels like it's being dragged out, but from a fan's point of view. We're hearing all these great things and going "Okay, can we have a little info on what's to come? :]" but we're just waiting and waiting. It's especially hard this year with the longer gap between seasons because of Covid heavily changing the way shows are produced along with lockdowns and quarantines.

And like I said, I based everything for S3 off of S2, which was a new season for TUA and not the start of the series. You really can't compare S1 promos and S2 promos because S1 began to promote right away. So it would make more sense for S3 to be estimated off S2 because it's not the start of a show but another season. If S3 ends up marketing in the same timeline as S2, then it won't be something that's dragged along, especially if S3 is released in March. Another part that makes the wait feel like forever is that pretty much every fan has been following the filming process since it began in February, so it feels like a long wait :]

I'm just a (growing impatient simply because I'm obsessed with this show) fan looking for something, anything new about S3. I know that I am 100% not the only one too. I'm looking at the past two seasons and their "checkpoints" and trying to figure out where S3 might fit in, trying to see if they match. Honestly part of my personal fun in estimating and predicting S3 is purely because I want to see how close I'll get to my estimations when all the S3 "checkpoints" fall into place. I don't expect any type of interviews soon, I'm just hoping for a release date or promo image soon!

#thank you anon for sharing your thoughts I really appreciate them!!#sorry that reply got really long and sorry if there are any spelling/grammar mistakes I haven't slept in 21 hours 😵‍💫#ask #anon #tua ask

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ibijau · 4 years

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Part 2 of Lan Xichen refusing to listen when Nie Huaisang tries to tell him about Jin Guangyao’s crimes, this time post canon. As a quick warning... don’t go in there expecting a reconciliation ahah :D

In all his years of acquaintance with the Nie sect, this is the first time that Lan Xichen is made to wait at the gate, and the insult smarts. This is how a merchant or the servant of a noble family begging for help might be treated, not the leader of one of the Great Sect, and certainly not an old friend. Then again, it has been many years since Lan Xichen last came to the Unclean Realm alone. Perhaps he would have received such a welcome all along, after he and Nie Huaisang...

They never broke up, not exactly, not in such a manner that Lan Xichen could pinpoint an exact date to mark the end of their intimacy. But Nie Huaisang became more closed off in the months after his brother's death, more reluctant to tolerate any sort of affection, and Lan Xichen, tired of being denied again and again, stopped visiting alone. He only came alongside Jin Guangyao, in whose company Nie Huaisang was always a little less cold. For a while, Lan Xichen even wondered if his former lover's affection hadn't shifted toward a new target.

He wishes now that it had been something so easy. The truth, he fears, might be more unpleasant yet.

After nearly a shichen of waiting at the gate, Lan Xichen is brought inside by a disciple. Not Qinghe Nie's first disciple, but one of lesser importance who takes him to a sparse room and offers him subpar tea. He is then informed that the sect leader is currently busy, but will make time for him as soon as possible.

In a way, Lan Xichen finds this already answers the questions he has come to ask. Just a few weeks ago, Nie Huaisang would never have dared to be so rude to anyone, least of all one of Nie Mingjue's sworn brothers. He used to always drop everything for Lan Xichen and Jin Guangyao, throwing himself at them with heavy tears... but then again, he was always the one begging them to come as well, whereas Lan Xichen is now here uninvited.

Another shichen passes, and then some. The tea Lan Xichen was offered is worse cold than warm, but he still finishes it as darkness creeps on him. Night, outside, is coming close, and Lan Xichen regrets not booking a room at some Qinghe inn. He has never had to before, and quite foolishly he hoped this wouldn't have changed. A mistake he will not repeat, if he ever visits again.

At long last the door opens, revealing Nie Huaisang who looks...

It would be only polite for Lan Xichen to rise up and bow to his host, or salute him in some manner. If he doesn't it isn't in protest of the long wait, but only because he can hardly recognise Nie Huaisang. The man in front of him might as well be a stranger. It might just be that it has been so long since Lan Xichen has had cause to truly look at the man he once loved. It might also be that for the first time in nearly a decade, Nie Huaisang isn't playing a role. Either way, Nie Huaisang seems taller than Lan Xichen thinks he ought to be, even accounting for the fact that one of them is standing and the other sitting. That might be because he is standing so straight, his shoulders squared rather than hunched. He looks, as he has for this past decade, a little too thin, but rather than making him frail and delicate, Lan Xichen finds the other man's features now bring to mind a carefully sharpened blade. Nie Huaisang's eyes are certainly as cool as steel, his narrow smile threatening in a way his sabre never managed to be.

“Er-ge, I'm surprised you've come here,” Nie Huaisang calmly states, looking down at Lan Xichen as he puts down a candle on a chest near the door. “I suppose I should ask the reason of your visit.”

“I think you know it already,” Lan Xichen replies without thinking, too startled by this stranger bearing a face he once adored to be polite.

Nie Huaisang smirks. “Do I? I don't think I do. Please do tell me, Er-ge. I am but a stupid man, I need things stated plainly.”

Not so long ago, Lan Xichen might have unkindly agreed.

“I'll ask this before all else: the other night, did Jin Guangyao really move?”

Nie Huaisang's smirk curls a little higher. “I've said already that I can't be sure, haven't I? Maybe he moved, maybe he didn't... I was tired, and I was wounded, and I was so terribly scared,” he explains in a mocking tone. “Weeks after the accusation was first made, I just had it confirmed that one of my very dear friend had murdered my da-ge, and you expect me to have been clear minded enough to remember every inconsequential detail?”

“You already knew he had killed da-ge,” Lan Xichen retorts.

Nie Huaisang's mouth slowly opens in a artful 'Oh' of surprise too deliberate to be anything but artifice, while his hand sets on his heart as if wounded by the accusation. He looks right out of a picture, beautiful and elegant and insincere.

“Er-ge, I'm not sure I quite understand what you're saying.”

Lan Xichen frowns. He had not expected this to be easy, of course, but he hadn't prepared himself for such coldness either. In his mind, Nie Huaisang ought to have been shouting at this point. But then, he was thinking of Nie Huaisang as he lives in his memory, young and spoiled, rather than the man he became while Lan Xichen wasn't paying attention.

“I am saying that I have given due consideration to what Wei Wuxian said last month in that temple,” Lan Xichen says. “I believe that he might have been right.”

Even an actor as talented as Nie Huaisang can break character. For a brief instant, he appears to struggle to contain a smile, though that problem is solved when he quickly opens a fan with a sharp yet graceful gesture. Lan Xichen is left breathless when he recognises the fan. It is one he bought for Nie Huaisang, when they were young and not yet crossing the line between friends and lovers. When they finally did, they wrote together a few lines of poetry on that fan, because Nie Huaisang, so sweet at that time, wanted to do like the couples in those stories he so enjoyed reading, and Lan Xichen of course couldn't have done anything but indulge him in this caprice.

It cannot be an accident for this particular fan to have been chosen as Nie Huaisang's shield.

“Er-ge... no, sorry, Zewu-Jun, that is a serious accusation you're throwing at me,” Nie Huaisang saying, almost sounding hurt. Almost. “So, I must ask... do you have any proof? You can't say this without some serious proof.”

Something in Nie Huaisang's tone is a little odd, as if it matters to him whether Lan Xichen has anything concrete to show.

“No more than you probably did when you started all this, Huaisang.”

“But if I had done that, I would have had proof” Nie Huaisang retorts, his eyes burning from behind his fan. “Plenty of it. If I were to have gone on the path of revenge, it might have been because Baxia had become restless in the weeks after her master's death, and started causing problems in the sabre's hall,” he explains, dropping the fan to reveal a feverish expression. “So of course I would have checked my brother's tomb, and found it empty. That's when I might have become suspicious of foul play, and turned to you for help. I wonder, would you have listened to me, or would you have rushed to defend someone you clearly valued more than me?”

Lan Xichen's eyebrows rise high in surprise. He knows for a fact that Nie Huaisang never mentioned his brother's corpse being missing, he certainly would remember that.

“If this is your excuse for never letting me know the truth...”

The fan comes up again. “Er-ge, this is purely hypothetical of course,” Nie Huaisang says pleasantly, as if they were discussing the weather. “I suppose if those things had happened, I wouldn't even have had a chance to make a case against Jin Guangyao before you'd make it clear on whose side you were. You've always been so quick to defend him, haven't you? Even when da-ge was alive... they were both your friends, but you only ever seemed to side with one of them, didn't you?”

It is an unfair statement. Lan Xichen used to defend Jin Guangyao in front of Nie Mingjue, yes, but he made no less efforts to mend that relationship on both sides. Many times he tried to explain to Jin Guangyao how their sworn brother's personality worked, how Nie Mingjue meant no harm by speaking the way he did, how he was truly trying to help by offering chance after chance for Jin Guangyao to prove his good faith, especially in that business with Xue Yang, and how Nie Mingjue's education and personal experience made it hard for him to understand that Jin Guangshan wouldn't be swayed by the demands of a bastard son he half openly despised.

Lan Xichen had done all that he could to be a bridge between two men whose affection was so disturbed by deeply different worldviews. Many things had escaped his attention at that time, but he had never been so foolish as to think every problem in their friendship came from Nie Mingjue alone.

Just because Nie Huaisang had borne witness to only one side of his efforts didn't mean the other side never existed.

“Someone had to defend him,” Lan Xichen coldly points out. “I realise now that some of his enemies were right to hate him, but how could I not dismiss them when their first impulse was always to attack him for his birth?”

“But I didn't!” Nie Huaisang explodes, closing his fan to furiously point it at Lan Xichen. His hand trembles with rage, and there's not art to his expression now, only raw emotion of unexpected intensity. “I didn't come to you calling him a son of a whore!” He cries out. “I didn't call him a bastard, or a servant unworthy of his title! All I said was that I suspected murder, and instantly you defended Jin Guangyao, before throwing it to my face that maybe it was my fault if da-ge had been so unbalanced!”

Nie Huaisang waves his fan at Lan Xichen, heavy tears staining his face.

“Do you know how terrified I was to share this with you? You'd been on Guangyao's side so often, you'd been the reason he'd had access to da-ge even in his unstable state! Everything was telling me that you could have been complicit in da-ge's death, that you and Guangyao could have been working together! But I loved you!” Nie Huaisang shouts, his voice breaking on the words. “I loved you, you were the only thing I had left and I loved you, certain you loved me as well, so I trusted you and tried to come to you with my discoveries, and for what?”

Laughing hysterically, Nie Huaisang reopens his fan to hide his tears.

“You don't even remember that day, do you?” he croaks. “Everything changed for me that night, and it wasn't even worth remembering for you.”

Lan Xichen stares down at the table in front of him, desperately trying to recall the conversation that left such an impact on Nie Huaisang. It must have been before they drifted apart, he guesses. To his shame, he truly cannot remember.

He tells himself that he too was grieving, that Nie Huaisang doesn't remember well, that he was perhaps less clear in his accusation than he now thinks he was. Lan Xichen easily finds many excuses for not remembering, but he knows them for what they are: excuses. The truth, ugly as it might be, is simply that he paid little attention to what Nie Huaisang had to say at that time. His grief, raw and exposed, had been uncomfortable to witness, and Lan Xichen had only held on to the good parts of his lover while waiting for the bad ones to go away on their own.

“So Wei Wuxian guessed right, then,” Lan Xichen whispers, unwilling to dwell on his past failings at the moment. “You did all this...”

“Did I?” Nie Huaisang asks, regaining control of himself, his expression turning distant again in spite of the lingering hoarseness in his voice. “Everything I said was hypothetical of course. Who knows what I did or didn't do? After so long, who knows what could have been prevented if you'd only trusted me half as much as I might have trusted you? But I will say this...”

He lowers his fan, revealing a sharp smile, more like a beast baring its teeth than anything.

“Er-ge, supposing I did any of the things Wei Wuxian accused me of the other day, then you would bear as much fault in my supposed crimes as you do in Jin Guangyao's,” Nie Huaisang says, almost sweetly. “The mighty Zewu-Jun, so pure and good, so untouched by dirt and blood, having enabled so much pain and chaos just because it's easier to look away when things are unpleasant.”

Lan Xichen doesn't answer. It is an unfair accusation, he tells himself. Jin Guangyao's actions were never under his control, and neither were Nie Huaisang.

What happened wasn't his fault, and he refuses to react to Nie Huaisang's very obvious taunting. It is clear now that the other man will not give him a straight answer regarding anything that has happened. Perhaps it was foolish to ever hope that he would, considering what Wei Wuxian said he might have done.

“It's getting late, Zewu-Jun,” Nie Huaisang remarks, glancing out the window as if he only now realises how dark it has become around them. The candle he'd brought with him offers little light. “You should get going. I hope you'll understand why I don't offer to let you stay the night.”

“I wouldn't accept even if you offered,” Lan Xichen replies as he stands up. “I suppose we'll meet again some other time, Nie zongzhu.”

“Only if I have no other choice, Zewu-Jun,” Nie Huaisang says. ��I'll call for someone to take you back to the gate. I've already wasted enough time on you.”

With how often he has been here as a guest, Lan Xichen doesn't need a guide to find his way inside the Unclean Realm, not even in the dark. He keeps that remark to himself, unwilling to deal with Nie Huaisang longer than necessary.

Soon enough he is outside the gates of the Unclean Realm, free to breathe again, and starts walking into the night, toward Qinghe. Lan Xichen knows he could fly, but walking gives him a better chance to think and consider what he has just learned, and to analyse this conversation with Nie Huaisang.

It is the first time in many years that he gives this much thought to his former lover's words and actions, he realises, and something like guilt curls coldly into his chest. Perhaps this really could have been avoided, if he had paid more attention to the changes in Nie Huaisang's personality... but in those years after the Sunshot Campaign he'd seen too much grief, accepted too well that it manifested in odd ways, that someone people would wallow in it and let it become the core of what they are. Nie Huaisang had seemed only another example of this. Having always been so expressive in his joys, it felt unsurprising that he would fall as eagerly into his despair.

Lan Xichen, busy with his own trouble, with a sect to run, with his brother's punishment only then lifted, cannot be expected to have dedicated all his energy and time analysing the changes in a lover who kept pushing him away.

Can he?

He also cannot be blamed for the crimes of others, Lan Xichen eventually decides. All he did was consider the information at hand, and trust people based on their actions. Anyone else would have done the same, his actions were measured and reasonable, and though he was wrong in his judgement, everything he did was in good faith.

What happened wasn't his fault.

Was it?

#xisang #nie huaisang #lan xichen #mo dao zu shi #mdzs

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hypo-critic-al · 4 years

Text

Korean Frankenstein musical is quite good!

(MY SUBJECTIVE REVIEW)

After two musical adaptations, which are Frankenstein: a new musical and Frankenstein metal opera, I have discovered, not a secret of life as Victor did, but another very nice adaptation of Frankenstein! It’s name is "프랑켄슈타인 뮤지컬" or simply "Frankenstein musical".

I was watching Frankenstein a new musical stuff on YouTube when I stumbled across a Korean Frankenstein video with English subtitles. Maybe I can give it a watch, I thought...

And oh dear, I wanted more!

I don’t understand a single word of Korean but thanks to a few subtitled songs and Google Translate on my side I got to understand some parts of a plot.

Before I explain the plot I have to say that this is a very interesting and fresh take on the book. If you want to know my thoughts on it and what it is about, then you can read further.

(SPOILERS)

(warning! This story talks about murder, abuse of all kind, suicide intention, incest marriage, and other topics that may be triggering and unpleasant for you. You are free to scroll past this post if you want to avoid reading about these. Thank you.)

(The photos used in this post are from various sources, productions, actors etc. They are used to illustrate and show how the musical looks like. I don’t profit from using them.)

THE SCRIPT: Overture plays and we see a man in a lab leaning over a body on a table. Voice of a man and woman try to stop the said man from doing anything further but then a lightning struck outside of a lab and a body on a table sits up.

The whole story begins here:

It’s 1815, Napoleonic Wars are coming to their end, we meet one Henry Dupré: soldier surgeon and body grafter. He values the life of the others, it’s so precious to him that he doesn’t heal only soldiers from his side, but also his enemies. For this, a crime of espionage, he is to be executed and shot.

However, at the last minute, a soldier from higher ranks stops this. It is no one else than Victor Frankenstein. Victor takes Henry to his lab where he presents him his research and a reason he saved Henry: to create a strong, perfect, possibly immortal human soldiers from dead bodies.

Henry is sceptical at first, he doesn’t want to play God, but later agrees and joins this experiment.

The war has ended, the lab is closed before they could finish their project, so both of them are coming to Victor’s hometown: Geneva. People are celebrating the end of the war at the castle of their Mayor Stephen, Victor’s uncle. People are dancing and chatting and soon they start to spread rumours about Victor. Victor’s older sister Ellen and her cousin who also is Victor’s fiancee Julia are trying to prove rumours wrong but it’s too late. Victor leaves the event and goes to Frankenstein’s mansion.

Meanwhile, Julia is sad at the fact that Victor is cold and ignores her, but she still has hope that he will love her like he did before the war.

Henry and Victor continue their experiment in the old Frankenstein’s mansion, but Henry sees that people of Geneva don’t like Victor and hate the name of Frankenstein, so he asks Victor’s sister Ellen about it.

She then tells him a story of their family:

When they were children there was an epidemic. Their mother got ill and their father, a doctor, was unable to cure this sickness. He was so desperate that he started to believe in alchemy and the medical practise of the Middle Ages. Their mother died and young Victor, full of grief and denial, dug up his mother’s body and secretly tried to bring her back to life. Superstitious people, seeing that Frankenstein’s father used strange medieval remedies and seeing the grave of his wife empty, start to think that Frankensteins are witches. They burned down their castle and while escaping, Victor’s father sacrifices his life to save Victor.

Ellen and Victor go to live with their uncle Stephen and their cousin Julia and since then Victor is obsessed with life-creating. Once, he tried his theories and reanimated dead Julia’s dog, who became savage and feral afterwards.

Uncle Stephen doesn’t like Victor and decides to send him to study abroad. He then became a soldier and we know the rest of the story.

Victor is unable to reanimate a body, it seems that the brain cannot withstand the electric current and he needs to find a fresh brain. While drinking at a bar with Henry, Victor’s butler Runge, who was helping them with their experiment, tells them, that he has promised money to a mortician if he provides them recently dead body. However, it seems that a money-blinded mortician killed a young boy whom Victor knew and now wants more money in exchange for the boy’s brain. Victor lost his temper, killed the man and escaped. Henry takes the blame and is soon to be executed.

Runge, Julia and Ellen know the truth about his experiment and Victor’s crime but they doesn’t want to lose him. He tries to tell the court that he is a killer, but Stephen denies it, saying Victor is insane and ill after the war, so the court dismisses his testimony and Henry is sentenced to die under a guillotine.

Victor asks Henry in jail why he sacrificed himself and Henry says that Victor must live to fulfil his dream and that he must finish his experiment in a memory of him.

After his death, Victor takes Henry’s head and uses it as a last part of the Creature whom he brings to life. Runge and Ellen are amazed to see the reanimated Creature but Victor is crazy, he believes that he resurrected Henry.

However, they see the Creature move around weirdly, trying to come closer to his creator. This freaks Runge out and he attacks him, thinking the Creature wants to strangle Victor. Monster tried to defend himself, bit the butler’s neck and Runge died.

Frustrated Victor, seeing that this isn’t his Henry but feral Creature, wants to shot him but the Creature escapes the lab.

Three years later, Victor and Julia are celebrating their wedding. He is still anxious and thinks about Creature. Mayor’s servants then rush to him, announce him that his uncle, Mayor Stephen, has disappeared.

Victor distances himself from guests and that’s when the Creature appears before him.

Monster, who read Victor’s diary, which was in coat which Creature have grabbed before his escape, blames Victor for Henry’s death, he argues that he didn’t want to be created, left alone and later almost killed. Then he tells his story to scared Victor:

The Creature was running from Victor and after some time he found a village. He couldn’t overcome his hunger and decided to eat a dog. Turns out that the dog was of Eva, the wealthy owner of a fighting field and she sends her arena warriors to capture the Creature.

(This is where Google Translator began to fail, so I had to deduce things. When there is something I couldn’t understand, I put a question mark after it.)

The Creature sees Catherine, a servant in said fighting field, being attacked by a bear(?). He kills it and Eva, seeing Creature’s amazing strength, doesn’t punish him, instead she enlists him to her fighting arena as one of the gladiators.

Creature’s whole purpose is to fight with other fighters. Eva and Jacques, Eva’s husband, are constantly punishing and verbally abusing him.

The only person that shows sympathy for Creature is Catherine, who is also abused by her masters, fighters and other people from the arena, to which she was sold at a young age. She cleanses his wounds and she dreams of escaping away, to the North Pole, where there are no people to abuse her. Creature is fascinated by her story and wants to run away, too.

One day Fernando, creditor of the arena, promises that he will free them out of debt if the Creature wins against his fighter. He then approaches Catherine, promising her freedom if she adds strange medicine to Creature’s water. She is blinded by a promised freedom and does so.

The Creature is defeated in a fight, but Fernando’s plan is revealed and Jacques announces that the next day Catherine will die in the arena.

Monster is left alone, miserable, angry, longing for love and thirsty for vengeance and revenge upon his creator, he sets the arena on fire and finds Victor in Geneva.

Creature here ends his story and announces that this is the beginning of his revenge and escapes. Victor learns soon after that his uncle was killed and the court blamed his sister Ellen for murder. He arrives too late, Ellen is already hanged.

He then takes her body with intention of reanimating it, his lab is however destroyed by a Creature. Victor pleads Creature to kill him, but the Creature laughs, telling him that revenge is not over yet.

Day, when Victor feels the Creature would come he gathers people with guns in front of his house to kill Monster as soon as he appears. Suddenly, they hear Julia’s scream inside the house. Victor knows who to blame, and cries, asking why the Creature killed her and not him. Creature, who is standing near Victor tells that if he wants to avenge his dearest ones, he can find him in the North Pole.

While running there, Creature is regretthing his sins and while looking back at his life he finds a young boy lost in the woods. He calms the crying boy by telling him a story of a man who fought against God by creating life. The boy is curious and says that the Monster in the story is the Creature telling him this tale. The creature is annoyed by further questions, pushes the child into the water and continues his path to the Arctic.

Victor, from the last strength, reaches the Creature and fights with him. Creature stabs Victor’s leg with a knife and Victor shoots the Creature. Creature then says that because of a leg injury Victor won’t leave the Arctic and by following him to the Arctic he basically just punished himself.

The Creature dies, saying that justice was done and calls his creator "my friend". Victor sees that he is the one responsible for his tragedy, he was successful in revenge but at the expense of losing everything, and calls his creation, the last thing that somehow cared for Victor Frankenstein, his friend. He then slowly dies with his Creature in his arms.

—————————

Whew! This took me longer than I wanted to. First my draft got deleted, then again...

This musical wasn‘t directly sticking to the source material, but it is referencing it pretty often. For example, character of Henry Dupré was inspired by Henry Clerval, Julia=Elizabeth, Ellen is falsely acussed of murder as Justine was, instead of burning down a cottage of DeLacys, Creature burns down a fighting field etc. And is Runge a parallel for an Igor? I think he is.

Victor and Creature stay pretty similar to the book. Victor’s actions are affected by his pride, he doesn’t care about morality, God, etc. His actions may come from love of those he lost (his mother, Henry...) but he is careless and revenge blinds him that he slowly destroys himself. He may fight against God, but he faills to take responsibility.

Also, how could he think he would revive Henry by stitching his head to a creature’s neck? That’s dumb! Victor, I know you want your boyfriend back, but that is awful.

The Creature wants to be loved but instead he is hated everywhere he goes. He reads Victor’s diary and is mad at him, he doesn’t see that although Victor tries to make strong corpse soldier but he doesn’t know the thought process behind it and a fact that Victor tried to revive Henry by making the Creature.

So the Creature shows him a simple revenge plan: Runge attempted to kill me – I killed him. You are resposible for Henry’s death – I kill your uncle. You are responsible for my creation – Ellen dies. You tried to kill me and abadoned me – I kill Julia. Now if you wanna take this further and destroy yourself even more, come to Arctic.

And Victor does. And monster uses the same logic later, too. They both thought of stopping this chase to Arctic stuff but they were blindly following their rage for one another which resulted in their death.

I can’t judge things further because I didn’t watched full show.

But the music is pretty much fantastic! Just epic. I don’t care very much for flaws If a musical has great music.

Also if you look at actors, singing, dancing, costumes... I feel like a lot of money went into this musical. And a lot of money have returned from tickets. I think I read somewhere that this is considered the best original Korean musical in Korea. Because other musicals that are this popular are Broadway musical productions.

This may be a clichè for someone but I truly enjoy smart double acting roles. Not the ones like: okay, we don’t have enough actors, let’s make this one play another role. No, not like that. I like those meaningful ones. Kinda what Hamilton did. Here it is too. You see, it is obvious that the actor playing Henry plays later the Creature. A person whom once Victor adored is now a person whom he hated the most. And actor of Victor plays role of Jacques in second act. Isn‘t this cool? A person who rejected him is now a person abusing him. Every named character plays another role similar to the one in first act. I think Eva is played by actress of Ellen, Ellen stands by Victor’s side and agrees with everything he says. That’s also Eve’s relationship with her husband Jacques, played by actor of Victor. Soft, loving Julia is Catherine here. Actor of Runge plays the role of Jacques’ servant. Etc., etc.

One thing I didn’t like much was a difficult story. I know that Korean audience may have different taste, but to me, a Western listener, it was a bit confusing plot. They added unnecessary stuff to it, changed some things and sometimes it’s really confusing. (Hey! That’s what Jekyll & Hyde did! They left only key things from the book and changed everything. And this musical is comparable to J&H then. It’s not Frankenstein: a new musical that is similar to J&H, it’s this! This is a Frankenstein adaptation that follows the story path of J&H. That’s interesting.)

And I didn‘t mind this, but couldn’t they left the names unchanged? Why couldn’t Victor’s fianceé have a name Elizabeth? And why you have Jacques and Eva? You could have one character, only Eva for example. Jacques is just here, slapping the Creature (the only reason for having them both is their double acting roles, which I understand). And there is Ernest erasure as always. And no Robert Walton, too! They cut this character. The more I look into it, the more I feel that this musical was made by someone who liked Jekyll & Hyde.

(END OF SPOILERS)

To sum up, this musical appears to me as a nice, original take on the original book. It has interesting parallels to the book, references it throughout this show, and takes inspiration from Frankenstein movies. It feels like a blow of fresh air.

The music is very likeable. If you like Wildhorn-ish kind of stuff like I do, then this is, I don’t know, it feels more complex and confident than what I am used to. Maybe you won’t like it, maybe it becomes your favourite musical, this is just my opinion.

And don’t get me started on singing, acting, costume design, sets, choreography... it’s beyond perfect and I think that the West musicals should take notes.

I have talked about some stuff a bit more in a spoiler section but I have to say it here too, this musical has a very interesting take on Victor/Henry relationship that later affects Victor’s actions and his relationship with the Creature. It’s very heartwarming and creepy at the same time.

I think my sole obsession for countless days (I haven’t listened to anything else than these since last March) that are Frankenstein: a new musical, and Jekyll & Hyde musical have a new opponent. New March, new me (It’s still just Frankenstein tho).

So, pros and cons:

PROS:

-good music

-good acting

-good singing

-referencing the source material

-nice take on Victor/Henry relationship

-I like reasonable double acting roles

-simply it’s good

CONS:

-name change of main characters

-no Robert and Ernest (I know, but not even Walton is here!)

-tiring and long story

-unnecessary/bland female characters

-foreign language

I rate this musical 8,25/10. I still haven‘t seen it whole, so I can’t really judge it objectively.

I assume there is no full recording and I can’t find a script either. If anyone has an English or Korean script/bootleg, please, let me know : )

Here is a recording of a few songs performed at a musical press conference, you can set an English subtitles if you want to know the words:

youtube

Here is a link to the full Korean album, not all songs were recorded on the album:

And here is an animatic that makes me cry ;-;:

youtube

I apologise for bad grammar, stupid reasoning and other things.

I hope you didn’t mind me sharing this musical with you, I like this show and I haven’t seen any people talk about it in Frankenstein (book/musical/etc.) fandom, so I made this post to share it with you.

Have a nice day : D

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wonda-cat · 3 years

Note

You mentioned rewriting that one analysis post on Tommy’s revival stream and I’d really look forward to it! I never got to read the full og post and that’s the only place I saw these takes. Especially the one about the afterlife being too depressing. It’s not even just about Tommy, the implication that even if every character is safe and happy by the end, this is their inevitable fate is messed up. It’s not “a neat subversion” it’s just depressing and doesn’t add anything.

Hey, anon!

I sorta decided to not rewrite it? I feel a bit differently about the essay in the end, although I still believe in most of my points. I’m also just not nearly as passionate about it as I was when I wrote it (I finished it in a single sitting, which was... interesting.) However, yes, the afterlife stuff still bothers me just the same, as well as the odd changes to Wilbur’s characterization... post mortem.

But—just for you, anon—here’s the entire meta-analysis essay anyway, with some minor edits to the stuff I don’t agree with anymore!

My Many Narrative Issues with Tommyinnit’s Revival Stream

I want to preface this by saying that I dearly love the Dream SMP and understand it isn’t exactly comparable to other mediums like TV and film. With this being the case, most criticism against it is generally in bad faith or strange in foundation. Complaining about streamers for bad acting is the best example that comes to mind.

These aren’t professional actors. Most have never acted in this sort of setting, or even at all. Quite a few have admitted to never roleplaying before. Which is why it’s warranted to praise Tommy, Dream, Wilbur, Ranboo, and others when they deliver stellar performances. The same applies to criticism of music choice, dialogue delivery, focus, tone, etc.

However, one such category I cannot overlook is in regards to its writing. The writing of a story is its entire foundation. It encompasses many things—conflict choice, character development, themes, and morals. The author creates the blueprints for the architect, who then expresses the story with light, sound, color, pacing, and music. It is in its execution that we see if this connection is made or broken.

The reason I find poor writing mostly inexcusable is because it is one of the most available skills to practice and perfect. I don’t mean to say that it’s easy, I mean to say it is something anyone can attempt to cultivate. Whether they do it well or not depends on their methods and experience. If anyone can self-publish a novel and be criticized online for its quality—and even compared to the works of Mark Twain—then I find critiquing the writing of the Dream SMP to be perfectly reasonable.

However, since the Dream SMP script is a set of loose bullet points, tearing apart dialogue and scene continuity—which is nearly all improv—is rather useless. It doesn’t exactly have a clear focus as the plot plays out. The characters talk in circles until they hit the story beat required, and then they move onto the next. Thus, when criticizing it, one should generally critique grand events and narrative-specific shifts, more so than small-scale character interactions.

Which brings me to my main point: The broad narrative choices taken in Tommyinnit’s most recent livestream, ‘Am I dead?’ may lead to disastrous writing pitfalls in the future.

I’ll be outlining each of my issues below, in hopes of creating a better understanding as to why I feel this way.

This might become quite lengthy, so please bear with me for a bit.

Tommy’s relationship to Wilbur has flipped. This change is jarring and seems out of character.

Tommy and Wilbur’s friendship is rather complicated. While Wilbur does care for Tommy immensely, especially during the L’Manburg Revolution and the Election Arc, his mental spiral during exile put a massive strain on their relationship as a whole. Wilbur brushed off Tommy’s feelings and wants, while clinging to him and pushing everyone else away. He was simultaneously distant and suffocating.

Tommy, on the other hand, has an unclear view of his mentor. Since the beginning, and even long after Wilbur’s death, Tommy held him in especially high regard. He saw him as a brother-figure and a wise leader. He followed what he said and did everything he could to impress him. Yet, Wilbur still hurt him while the two were together in exile.

When speaking of him, Tommy tends to flip infrequently between remembering Wilbur the way he was before his mental decline and thinking of him as a monster. Both of these images conflict with each other, but they weren’t nearly as extreme as what Tommy described Wilbur as when he was revived from death. The fear Tommy displays to Wilbur is beyond intense—it feels as if the audience may have missed a month’s worth of character development.

This can make sense, especially since it was stated that he’d spent what felt like two months in the void. However, this shift is still deeply at odds with Tommy’s previous impressions of Wilbur, which is both disheartening and confusing. The fact that Tommy would agree to stay with Dream—his abuser and murderer—over his past mentor is simply head-reeling. It paints a very different picture of Wilbur’s character, somewhat conforming to the fandom’s ableist impression of him—the idea that Wilbur is insane and irredeemable, and always will be.

It also ignores Dream being the driving factor in Wilbur’s downfall, as well as the double-bind deal with Dream which required him to push the button, no matter the outcome. Others have pointed out that Tommy may be lying to get Dream to bring Wilbur back, and there’s compelling evidence for that. For one, Tommy and Wilbur’s conversation seemed uncomfortable, but it was certainly nothing like Tommy implied. (Unless this fear comes from something Wilbur said off-screen.)

Tommy also begged Dream to not bring him back multiple times over, which he should know would make Dream even more tempted to, simply because he likes seeing Tommy in pain. Tommy is also a known unreliable narrator. He may be making Wilbur out to be worse than he is by accident (even still, I’d argue this is a bit of a stretch.)

However, there are some issues with this theory. Tommy offered himself as payment to Dream if he chose to let Wilbur rest. This is a deal Tommy knows Dream is extremely unlikely to refuse. Tommy is what Dream has coveted all this time. If Tommy genuinely wanted Wilbur back, he would not offer this. This sort of compromise is Tommy’s greatest nightmare—something he would only do in response to his friends being threatened or his home being destroyed.

To add, Tommy is not great at lying. Unless he was taught by Wilbur for those two months* in the afterlife, there’s no chance Tommy would be this good at it. Thirdly, Tommy is terrible under pressure. He uses humor to cope. When he can’t, he cries and shouts and spills his heart out. While cornered, Tommy will tell the truth about anything, especially if Dream casually debates killing him again, just for fun.

For now, it’s too early to tell how the relationship shift will play out. In the grand scheme of things, this issue is rather minor.

Season three’s writing is needlessly bleak. The portrayal of the afterlife is a nightmare. There is no rest, not even in death.

I adore the Dream SMP storyline in its entirety. I believe the first season is fantastic, and while the second season has some narrative clarity issues, I enjoyed it just as much. Although, I would argue season one had a more concrete understanding of its Hope-Conflict balance.

To briefly explain, the Hope in stories are its ‘highs’ and good moments. These appear when a character the audience is rooting for is narratively rewarded. They happen during character building in the text—it’s the downtime and peace that allows for connection and relatability. It’s a moment for the viewer to breathe easy.

The other half is Conflict, an obstacle in the story that gets in the way of the main characters’ goals, beliefs, and motives. These are the ‘lows.’ They give the narrative focus and weight. They make the highs feel even higher. They establish consequences and force the characters in the story to change in order to adapt and overcome them.

I bring up the Hope-Conflict balance because a traditional hero’s journey would have an appropriate amount of both. Their highs and lows are generally equalized, as the name suggests. However, this balance has been awkwardly skewed in the latter half of season two and in the current plot of season three. To clarify, it is perfectly reasonable, and even common, for some stories to tip the scale more to one side.

But a common mistake for amateur writers is to create their stories as either hopelessly dark to cause the audience continuous distress for the sake of distress, or to keep everything entirely conflict-free for most of the plot. What do these both have in common? They each make the story boring and predictable.

Season three has taken this concept and thrown a monstrously heavy weight onto the Conflict side and flipped the scale so hard it has crashed through the ceiling. The viewers are hardly given time to find any joy in Tommy’s character, as he’s thrown into yet another abusive situation, just barely after his first narrative reward. The world is painted as relentlessly violent and traumatic.

Every person Tommy meets is morally grey, unhinged, or out to hurt him. Everything most of the characters love is taken from them by those in positions of power. Ranboo cannot even grieve properly because it scars his face. Puffy, Sam, Ranboo, and Tubbo all blame themselves for what happened to Tommy.

The audience watches lore stream after lore stream with the same depressing tone (with the exception of Tubbo’s, but I assume that’s unintentional.) Tommy is revived after being brutally beaten to death by his abuser, surrounded by all of his greatest fears. The afterlife is revealed to be akin to inescapable torture. It’s a colorless void that wraps the individual like fabric.

Time moves thirty times slower within. There’s nothing—nothing but the voices of others who’ve passed on before him. Dying in a world already devoid of happiness takes the characters to a place worse than hell. When a narrative delivers unfair suffering to the entire cast without a moment of joy to speak of, the story will feel simultaneously overwhelming and pointless.

Why watch characters suffer when there’s no light at the end of the tunnel? What happiness could they strive for when we know they’ll never get to keep it? How can I be satisfied with a good ending, if I know that an afterlife too terrible to name is what awaits them, truly, at the end of their story? Death isn’t even a white void that offers rest—it is eternal torment.

Obviously, it isn’t a good message to send by making the afterlife seem like a quiet, perfect place or an escape from pain. But making it an unspeakable anguish which awaits, assumedly, every character who will die in the future? I deeply hope Tommy was only being an extremely unreliable narrator.

More likely, I hope the place Tommy was taken to was a Limbo of sorts, not an end-all-be-all destination for everyone.

The degree of Tommy’s narrative punishment continues to escalate, to an almost absurd degree.

Tommy is one of the most tragic characters to exist in the storyline. He was sent into war at a young age and experienced two traumatic events during it. He was exiled by the newly elected leader and witnessed his mentor Wilbur spiral and break down with paranoia. Tubbo is executed publicly in front of him. When expressing rightful anger at the person who murdered him, he’s beaten nearly to death and never receives an apology.

Schlatt dies right in front of Tommy, after his initial refusal to hurt the ex-president. His brother-figure and mentor is killed in assisted suicide on the same day his nation is blown up. His best friend exiles him from his home for the second time. He routinely self-sacrifices to protect his country and those who live there. His most treasured possessions were taken from him and he was called selfish for trying to retrieve them (although his methods were self-destructive and volatile.)

He was pushed to the brink of suicide after being relentlessly abused and isolated in his exile. He was horrified when he thought he was responsible for drowning Fundy. After making an objectively good decision to stand by his old friends and change for the better, his country was obliterated by the man he once idolized, his father-figure, and his abuser.

He was left scattered and without purpose for many days. Then he fights against Dream and loses, while also reliving his trauma. He watches Tubbo almost die at the hands of someone he once thought was his friend. He doesn’t tell a single person about what happened to him in exile. The day he tries to sever his connection to Dream and heal, he’s trapped with him for a week, surrounded by everything that terrifies him.

He threatens to kill himself, speaking about his own life as if it were an object—something to hold over Dream’s head. He blames himself for everything bad that’s ever happened to L’Manburg and his friends—internalizing a mentality as a scapegoat for everyone around him. He is forced into the role of ‘hero’ despite the title being unfair and distressing to him.

As if that weren’t enough, he’s then beaten to death by his abuser and spends what feels like two months in an afterlife that is worse than hell. When he returns, his senses are excessively heightened. Dream can cause him excruciating pain, just by pinching him. He can send Tommy into an instant panic attack, just by raising his voice.

The punishment Tommy’s character receives is a thousand times worse than everyone he has ever met, or ever will meet. And it shows no signs of stopping, as Dream now has control over Tommy’s very mortality. Tommy now fears the slightest damage and feels as if he’s losing his best friend all over again. He is also forced into a position where he has to kill Dream out of necessity, to protect everyone he cares about.

Characters need fitting punishments in relation to their actions. Not always, but in order to be satisfying? Yes, they do. It is preferred that a main character deal with unfair situations and difficult conflicts, but this is borderline torture p*rn. Putting Tommy in these distressing and abusive situations on repeat and punishing him for doing objectively moral or healthy things is exhausting to watch.

To quickly add, I find the general insinuation of Tommy going to hell distasteful, especially considering the contents of his storyline. I know this may be hard to believe, but Tommy is one of the most moral characters in the plot, besides Puffy and Ghostbur. He’s also the only character, followed by Ranboo, to recognize that they can be wrong and make mistakes. He changed himself in order to heal and be a better person. He was in the process of paying people back for the things he’d stolen.

He’s learned to be hard-working and less violent through the guidance of Sam. He has apologized to everyone he’s ever hurt (with the exception of Jack Manifold, because that man is allergic to communication.) He puts himself in harm's way to protect others. He doesn’t set out to purposely hurt anyone. He goes out of his way to make connections with people and maintain them, even if others don’t reciprocate.

He’s hopelessly optimistic, despite his outwardly bitter façade. He loved so much and put meaning into the smallest things. The thought that a person like him—a suicide and abuse survivor—would go to hell after being beaten to death by the man who took everything from him; it makes me sick to my stomach.

The only thing more morbid than Tommy’s afterlife being different than everyone else’s, is the concept that everyone will end up in this same eternal torture, no matter what they do. Take your pick: Tommy is sentenced to anguish until the end of time for no reason, or everyone will receive the same disturbing ending, regardless of their actions.

The narrative weight of Ranboo’s character is potentially out the window.

For the past few months, I’ve watched all of Ranboo’s lore streams faithfully, curious to see what role he would play in the future. His ‘hallucinations’ of Dream seemed to be sowing the seeds for a plot that has Ranboo taking the fall for every single insidious thing Dream has done. It would also be a tragic parallel to Tommy’s trial.

Ranboo being convinced he was the one who blew up the community house, when Dream himself admitted to doing it, was one of the bigger indicators for me. This is just one of many other unexplained occurrences. Dream seemed to be making an effort to trigger and control Ranboo, especially after Sapnap’s prison visit. It appeared, from the way he went about this, that Dream had some grand use for Ranboo as part of his plan to be freed from Pandora’s Vault.

However, after Tommy’s stream, the way Dream explains himself makes it seem like there was no plan besides seeing if the book worked on people. And if he didn’t after all, then what was Ranboo for? Was Ranboo unimportant? Was Ranboo just some weirdo who happened to phase out when seeing smiley faces and imagined conversations that may or may not have happened?

I bring this up more as a worry, and much less so as an active problem in the narrative. They haven’t actually thrown Ranboo to the way-side or written themselves into a corner yet. In future streams, this could very easily be explained away or developed as more information is revealed.

Only time will tell.

The potential for Wilbur’s future development and importance to the plot is unfeasible.

I feel as if I am the only person on earth who doesn’t want Wilbur Soot or Schlatt revived. There are many reasons for this, but one of them is not a dislike for these characters. I especially adore Wilbur, as he’s one of my all-time favorites. I don’t want either of them resurrected because their stories have already been told. They each had a fitting conclusion that ended their involvement perfectly.

Bringing Wilbur back would especially cheapen the impact of the War of the 16th. It’s the end of a man who was brought to the absolute edge and out of desperation, shame, and self-hatred, he destroyed himself alongside his creation. Bringing him back would leave the climax of the previous story hollow. My biggest issue, however, is that a lack of story importance would likely follow his return.

The only real impact I’d like to see is through a healing arc with Tommy, an apology to Fundy, or a confrontation with Phil/Niki. But that’s really all the potential I can realistically see. While I don’t doubt Wilbur as an agent of chaos, able to create plot out of thin air; what is he going to do now? His country is gone, his friends and family are scattered about, and his mission from the 16th is already accomplished.

What is a well-educated, charismatic politician supposed to do in a world already broken and without nations? Read poetry to himself and cry evilly? However, this is working off the assumption that Wilbur would be returning as his old self.

If Wilbur is resurrected as a ‘villain’ of sorts, then what? He’s not good at fighting in the slightest. He would have no materials. There are no real allies he can make, other than the arctic group. On top of that, there are already more than enough villains to last a lifetime.

We don’t need any more, I promise. Quackity seems to already be shaping up as another antagonist, alongside Sam’s slip into darker and darker shades of moral ambiguity. We also have Philza and Techno, which are already overkill. But then we have Dream who, despite being in a prison, has the ability of selective revival. This is mercilessly overpowered, especially if he makes many allies. The dude could just bring his dead friends back so they can keep fighting forever.

Then there’s Jack Manifold and the Crimson followers; Antfrost, Bad, and Punz. That’s not even including characters who are refusing to get involved. How are Tommy, Tubbo, and Puffy expected to do literally anything to fight back?

Dream’s experiment on Tommy implies he had no backup plan to begin with. This makes his character seem both short-sighted and foolish.

When Tommy woke up after being brought back to life, Dream sounded surprised that the revival worked at all. This instantly shatters the perception that Dream was highly intelligent and thought ahead. With just a few lines of dialogue, it’s implied that Dream killed Tommy, unsure of if the resurrection would even be possible on humans.

Which, to risk something that important, seems unbelievably stupid. Dream needs Tommy, from his perspective. Tommy is his ‘toy,’ the one who makes everything fun. If he lost him and couldn’t get him back, what then? Oh well, everything Dream was doing was all for nothing, I guess.

Why not attempt this experiment on literally anyone else first? Like Sapnap or Bad or, hell, even Ranboo. I suppose it could be that, as soon as Dream got the book, he experimented with it after the 16th. This appears to be insinuated with Friend and Hendry’s revival, although this is uncertain. But even then, he was still unsure of the book’s effect on a human being.

Also, this means, hypothetically, Dream’s entire plan of escape hinged on the experiment working, to begin with, and also on bringing back Wilbur if it somehow did. I find this even more ridiculous. Why Wilbur? That man couldn’t find his way out of a paper bag, let alone get through the traps in Pandora’s Vault. Even if he is intelligent after years* in the afterlife, that’s also a strange assumption.

How do people learn things in the void? Where do they even get this knowledge? I’d honestly argue Techno is a far more competent choice than Wilbur. And even if Dream did bring him back and tell him he owed him his life, what’s to stop Wilbur from just killing him permanently? Or killing himself, continuously?

No way would Wilbur want to be controlled by anyone, ever. The dude would sooner fuck off into the mountains and become a nomad than help a neon green bodysuit cosplay as Light Yagami.

Dream’s discussion about Sam implies that he wasn't playing any part in Dream’s plan, making Sam appear entirely incompetent and neglectful of Tommy.

Dream talked about Sam in a way that seems detached and unaffiliated. He also mentioned him being broken up about Tommy’s fate and not being aware he’s still alive. Dream not being partnered with, or not using Sam in his plan leaves many plot holes. I’ll go through each one. The initial incident was an explosion, coming from the roof of Pandora’s Vault. This did not affect the Redstone mechanism for the doors or dispensers.

Meaning, Sam could’ve had Tommy leave the way that was expected for visitors after he investigated and found no issues. This likely couldn’t have been done in less than a day, but it would be better than an entire week. If Tommy was required to stay for longer, due to protocol, he could’ve gotten Tommy out and then placed him in one of the minor cells for the remainder of the time.

Also, no one else lost a canon life for leaving via the splash potion of harming and returning outside the maximum-security cell; why would Tommy? To add, Sam being uninvolved means that the explosion could have only been caused by Ranboo or Foolish. That, or it was placed long before and timed for the moment Tommy entered the main cell. (I’m going to ignore how ludicrous it is that someone would know the exact time Tommy would’ve entered the room with Dream.)

If Ranboo was the person behind the detonation, this implies he was necessary for Dream to kill Tommy to test the book. But that makes it even stranger. If this was Dream’s goal all along, why not kill Tommy the instant he was trapped with him? It makes no sense for him to wait so long.

Sam is also directly at fault for not letting Tommy out, even after the week was up. There was no reason not to. He already knew there were no issues with the prison at that point. Although, to be fair to Sam, his character may have been paranoid and checking everything more than necessary, just in case. But this still isn’t a good excuse for him ignoring protocol in this one instance, and yet, not in any of the others.

All of these plot holes or inconsistencies would be removed if it was revealed that Dream was blackmailing Sam in some way, or Sam had been working with him since the get-go. That Sam was the person who set off the explosion in the first place to trap Tommy inside. It would also explain Sam’s refusal to let Tommy out and by keeping him in there for longer than necessary.

This can also coexist with Sam’s attachment and care for Tommy. He probably wasn’t told about Dream’s plan to test the book and genuinely believed Dream wouldn’t hurt him. On top of that, Dream is known to be a pathological liar, so his statements about Ranboo and Sam could be entire fabrications.

Who knows?

The Book of Revival invalidates death entirely. The narrative now lacks both tension and consequence.

Another way the Dream SMP differs from other storytelling media is in the way it goes about its character deaths. In a TV show, for example, there will be characters who die just because, or when it’s important to the plot. However, it seems as if the Dream SMP is hesitant to commit to killing its characters. And there are many reasons for that.

The most important one being, killing someone’s character excludes them from the story and some of their livelihoods depend on them regularly streaming on the server. There is also the issue of the cast becoming extremely sparse if characters keep dying. Typically, in stories, when you kill a character, you should introduce another.

This keeps the cast from dwindling as the storyline goes on. This means the writers would have to find new streamers to join, who will develop their own characters and relationships with the plot’s continued momentum. This can be stressful and daunting to those who may be newly added in the future.

Keeping this in mind, the Book of Revival is annoying from a writer’s perspective. When death is no longer an issue for a story hinged on its characters’ mortality, then what do you have as a consequence anymore? We’ve explored every kind under the sun; from abuse, to betrayal, to loss, to destruction.

In stories, traditionally, death is a finality. It’s a conclusion. Whether it’s good or not depends on the character’s actions, its build-up, and the event’s execution. Without this lingering sense of danger, tension evaporates from the story.

Why should I care if Tommy loses in a fight to someone, if he’ll just come back a day later? Why should I care about what happened to Wilbur, if he just returns as if nothing happened? The answer is simple: I won’t. I will no longer care if Tubbo or Ranboo or Sam die in the story, because the idea of revival even being a possible outcome leaves me unenthused and uncaring.

The Dream SMP likes to flirt with death. It teases the demise of its main characters many, many times. More so Tommy’s than anyone else’s. Wilbur’s failed resurrection, which had unforeseen and unfortunate outcomes, is now strange in comparison to Tommy’s, which happened without a hitch.

To be fair, we actually don’t see how many attempts it took. But here’s the problem; Dream could do it without the book being physically present. He’s trapped in a prison with nothing on him, meaning he doesn’t need any materials either. It’s also implied he could do this as many times as he feels, for anyone he wants. This would be exceedingly overpowered, if not for one thing—Dream himself is mortal (at least, I fucking hope he’s mortal.)

If someone kills him one last time, that knowledge is gone forever. And I’m glad they’ve established at least some way for Tommy to win. Because at this point, I was losing faith.

There is also the bare minimum establishment that Dream can refuse to bring back those he doesn’t care for. He can also use it as a shield, holding this power over other people. If Dream is gone, death is permanent. But isn’t that how death is supposed to be, anyway?

What a bleak premise—the afterlife is pure eternal torture while life is cheapened by a lack of consequences.

Conclusion

All this to say, I am cautiously optimistic for the future. I hope dearly that every single one of these can be disproven or developed in the coming livestreams. Obviously, there’s not enough information to really determine what the end result will be, or how everything will fall into place.

Every time I have theorized about the story, it has done something completely different and pleasantly surprised me. I want this trend to continue.

Surprise me again—I’ll be here to see where it goes.

#answered asks #long post #tommyinnit #dream smp meta #dream smp #dsmp #dsmp analysis #this is slightly outdated still but whatever #hope this was helpful anon #tw abuse #tw suicide

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sknewmuse · 3 years

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K-POP WEEKLY WRAP UP: GAON Album Charts

[August 20, 2021] 2021년 33주차

#1- 6TH MINI ALBUM [THRILL-ING]

This weeks hot topic boy group The Boyz take the lead in chart toppers! They impressively ruled over Gaon Charts taking #1 in not just Album charts but also took top spot in the Download & BGM charts. This is the first time since The Boyz debut that they’ve sold over a whopping 500,000 albums.

“There are so many emotions related to that word. Whether it be nervousness, the nerves you feel before getting on a ride, the fear that you feel when you’re about to go on a drop, and the joy that you feel at the end of it, with those different elements we made an album that relates to those emotions, so you’ll find that as you listen to the entire album, start to finish, you’ll feel the emotions that you feel as if you were on an actual roller coaster.” -Kevin

#2- SUMMER POPUP ALBUM [POPPING]

One of the hottest up and coming boy bands to hit the K-Pop scene is ONF. The group topped the music charts with their new summer album. ONF has now broken into one of the top 10 places on the Gaon Albums chart with all of their projects, bringing them to now landing eight placements in the important region. Seems we have new summer music kings on the scene.

“I hope more fans in America will listen to us and love our songs. I hope that ONF can enter the Billboard chart as well. Someday, I want to appear on a TV show to perform in front of many people!” -J-US

#3- 공감 - The 1st Mini Album

Do Kyungsoo, member and main vocalist of acclaimed boy group EXO known by stage name ‘D.O.’ made his long anticipated debut for his solo music career, and as expected it was an instant #1 chart topper a few weeks back and still remains in the top 5 this week.

“After deciding the theme of the album would be ’empathy,’ one of the things I thought of was love, an emotion that anyone could feel, and I felt that it would be nice if my songs could comfort others like my previous song ‘That’s Okay’, so I tried to write the lyrics myself.” -D.O.

#4- My Collection

Park Jihoon, former member of Wanna One and actor continues to prove years later he will always be a solo successor. The singer and actor alone has now charted five top 10 albums in South Korea. Easy to say Jihoon is still collecting hearts of many fans.

“Park Ji Hoon is gazing at multiple art pieces while calling himself one and boasting about all his features that make him a desirable being. Another one of our top moments is when the video shows him within the skies asking for fans to ‘sit in a special seat’ dressed in a sharp blue suit. A hint of skin can be seen when he moves on the increasing tempo of the song, now joined by dancers in a flickering room inside the gallery.” -Ayushi Agrawal from pinkvilla.com

#5- 1/6

Lee Sunmi, one of Korea’s hottest solo artists and heartthrobber of the K-Pop scene. Former member of girl group Wonder Girls under JYP Entertainment, continues to break the barriers of the K-Pop industry’s expectations for solo artists.

NME’s Angela Patricia Suacillo praised Sunmi on her work, “ability to take the lively, upbeat elements of synth- and dance pop and use them to confront her anxieties.”

#6- Select Shop

Another former Wanna One member takes the top of the charts! Ha Sungwoon, also former of the boy group HOTSHOT, this set serves as a reissued version of his recent EP Sneakers, and coincidentally, they both peaked at No. 6. Select Shop is Ha Sungwoon’s sixth solo placement inside the top 10.

“Strawberry Gum,” the album’s title track featuring Don Mills, is a retro funk genre song composed by Flow Blow, Christian Fast, and Maria Marcus. The lyrics written by really6(153/Joombas), Jo Yoon Kyung, and Don Mills compare someone’s growing feelings of love to blowing a pink strawberry-flavored bubble gum. Fans will be able to get a taste of Ha Sung Woon’s youthful side as well as his sexier, more mature side.” -D. KIM of Soompi

#7- SWITCH ON

Summer concept kings and icons ASTRO after taking number 1 spot last week, the group still remains in the top 10 with latest release Switch On.

“I would recommend “Don’t Worry”. Everyone has been working hard at such a time recently, and may not be in a good mood. The lyrics “I got u back don’t worry” convey positive power.” -Cha Eunwoo

#8- SIREN : DAWN

The ace group of K-Pop. Bringing in at #8 is aesthetic and concept pleasing talent A.C.E. Siren : Dawn which holds more than 70 spaces to return to the top 10. The set rose all the way to the runner-up spot this past June when it had first released.

“This album, SIREN:DAWN is full of thrilling and deadly love stories. Our title ‘Higher’ is a love story of a mermaid dreaming a fatal dream, which is reinterpreted through A.C.E’s eyes. We are back with a love story that contains more of a mature and sexy visual. Please show lots of love to ‘Higher.’ -Chan

#9- TURN OVER

The charisma and personality driven boy group SF9, one month ago in counting, ‘Turn Over’ made it to the second place rung on the Gaon Albums chart. The EP shoots to No. 9, becoming one of two previously-released efforts to re-earn their top 10 title.

“When we worked on “Believer” and “Tear Drop,” I remember it was so hard that we recorded a few different options and chose the final lyrics from there. And “Hey Hi Bye” is memorable because it took a longer time to work on compared to the other songs.” -Youngbin

#10- BUTTER

The boys everyone knows and loves, global legends BTS. BTS close out this weeks #10 spot. Known for their ranging of concepts and new leap into English titled tracks that was long awaited by ARMY’s everywhere, they continue to make K-Pop history on chart topping globally as their fanbase count rises everyday.

“Of course, the moment when we reveal our song and music video — nothing can match that momentary satisfaction, it doesn't last long, but that flashing moment really hits us. Surprise!” -RM

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ftstorm · 4 years

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My take on 5x10

Welp, that was a big one!

You know, before going into this episode I reminded myself this was the first episode of a new era, the first episode completely made by the new team.

So with that in mind my expectations were "Okay, let's see what they've got."

And oh boy did they surprise me.

DISCLAIMER: this text post is long af, not kidding.

1. THE INTRO SCENE.

You guys have no idea how glad I am that we got Mac doing a usual MacGyvering in his house. It's been ages since they implemented this format of showing his dynamics outside Phoenix and around his house.

I wasn't worried about the proposal thing at all. Guys, you have to accept that MacRiley was always going to happen after that 4x04 episode.

There was also the fact that this was the intro scene (usually the most important plot issues happen in the outro scene), Bozer's weird reaction and the melancholic audio cue.

If that proposal was happening, they would've made it more uplifting.

(I gotta say that watching Monica Marcer and the official MacGyver account making damage control in Twitter 3mins into the episode was a funny experience)

So my initial questions about Mac wanting to propose were: "what are his motivations?" and "how is this not going to work out by the end of the episode?"

The second question we got the answer later on. The first question remains unanswered. If we take on Mac's words, he says:

Mac: Unexpected, I know, I know. But that's why I like about it. You know ever since I lost my dad and Jack I've been thinking about the bigger picture. A commitment to make things work it's exactly what Desi and I need. A grand romantic gesture. *cue melancholic music*

Here we're presented with a bunch of things worth analysing, in my opinion.

He's trying to see the "bigger picture" which, for me, it means he's trying to tackle down different issues from his life with one specific, efficient action [the proposal]. Those issues being:

> his current romantic relationship: make is aware they have an inconsistent relationship > his performance at work: he needs balance between his personal affairs and his work, which is based on saving the world in a daily basis and for that he needs to be focused. > dealing with his past losses: to my understanding, saying "ever isn I lost my dad and Jac I've been thinking about the bigger picture" means that he doesn't want hopelessness to take over him, he wants to keep on moving and being proactive about his life.

So... you have to understand that in some sort of way, this proposal thing is a signal that Mac is healing. In some sort of way, if you were in Mac's shoes you would see that it was a positive thing for him. A step forward.

The thing is, we [the audience] have an extended understanding of the situation and we know that an engagement would be an incredibly rushed decision.

As well as it is that Mac's trying to move forward, he obviously hasn't been able to pinpoint the true issue behind his relationship with Desi. He isn't wrong about them lacking in the commitment department, but forcing the relationship to scalate isn't the right move. He should be asking himself: "Why are we avoiding commitment?"

And that's when he'd find out that they have very deep and important trust and communication issues.

~~~~

2. Moving on. MURDOC.

Russ: I can process it more efficiently by having it all spread out ahead me, you know. I reckon see the bigger picture at once.

This is when I realized that the episode was centered on this whole "bigger picture" idea. Russ struggles to see the full picture until the very end and Mac finds out that he hasn't been seeing the full picture of his life at all by the end of the episode.

Fast forward, the team's in Mexico, Riley knows about the ring already and she has already had the talk with Bozer in which she refers to her feelings for Mac in a past tense.

Then Murdoc appears.

And as if the episode wasn't already a rollercoaster after Mac's reveal, now Murdoc shows up to put everything upside down.

First I gotta say, man Dastmalchian is SUCH A GOOD MURDOC. Excellent actor. The way he delivers his lines, his facial expressions, all of it make an original and very entertaining Murdoc.

He always gives me such a Andrew Scott's Moriarty vibes and I love it.

Secondly, his dynamic with Andrews: *cheff kiss*

I loved how Andrews was so over Murdoc's theatrics, to the point his facial expression screamed "Why did I even reclute this guy" LOL.

Back to the story.

This is something I was hoping it wouldn't happen but at the same time I don't see another way it could've happened which is the explanation behind Murdoc's escape and how Phoenix didn't know about it.

Because what they told us is that the FBI didn't let them in on Murdoc's escape, right? Does that imply that the FBI has a corrupt agent in charge? Does it imply that the order of not letting Phoenix in came from above? Maybe someone with higher clearence than Matty? A politician? Governement conspiracy?

It smells like plot hole, tbh. I feel like the Murdoc's escape is a classic "it is what it is". We'll see if they come back to this in later episodes.

~~~~

3. BIG SECRET REVEAL 1.

By now we're at the point of the rollercoaster where you're going up and up and up. Your tension building more and more as you're getting close to the drop.

Bozer and Riley's audio was the drop.

You know, during this scene I jumped from my seat, closed my eyes, cringed, squealed, my heart accelarated, forgot how to breathe...

As a person who is a little bit bipolar when it comes to romance (I can be very shy about it or very outspoken about it) that scene made me SO UNCOMFORTABLE.

Imagine having your feelings exposed not only to the person you have feelings for but also his girlfriend who happens to be your friend, your boss and the criminal that's threatening to kill hundreds of people.

I was like: "Not like this!!"

And Mac's reaction didn't help because of the lack of it. I don't know what I expected but his slightly monotone reaction broke my heart.

Thankfully, I've recovered since then and I don't mind that it happened that way.

Still, imagine how suffocating it must've been for Riley. That idea was what made me so uncomfortable and I think that's what they were going for. They wanted to make it as straightforward and awkward as possible.

But it doesn't end there. It's followed by Mac revealing the ring to Desi (and Riley). Mac's in "fuck it" mood and Desi kinda panics.

Little side note here, using GUM and a DIAMOND to break a bullet proof glass... BIG YES. That's an intrinsic MacGyverism.

~~~~

4. BIG SECRET REVEAL 2.

Then we get a breather from this drama by introducing another drama, Leanna's death.

Bozer's reaction to the news was heartbreaking for my already heartbroken heart.

I have my suspicions as to why they decided to kill her... The other episode completely made by the new team was the Quarantine one (5x06). During that episode Mac and Bozer bond over Bozer's pain. After learning about Bozer's mom, Mac chooses to share a piece of his own pain with him.

So, hear me out, I think they writers are planning to help Mac process his own grief THROUGH Bozer's grief. Keep in mind that we still have a Bozer centered episode coming up.

This is just a theory. I may be wrong, but I think it may be right too.

Back to the episode.

Once again we see a three dimensional Russ. He does something accordingly to his own judgement thinking it's the right decision [hiding Leanna's death], he realizes he screwed up, he gives Bozer a very heartfelt apology about it.

Henry's acting talent shone with this narrative. Actually, most of the actors had the chance to shine THANKS to the NARRATIVE. Murdoc, Andrews, Desi, Mac, Russ and Bozer... they all had their highlight moments (I'll talk about Riley later).

Parenthesis here... THE NARRATIVE HAS RETURNED THEIR SOULS TO OUR DEAR CHARACTERS!

WOW, they aren't brooding, angry, sad or whiny ALL THE EFFIN TIME. ABOUT TIME!

~~~~

5. LAST ACT.

For the third or fouth time in this episode my heart broke again when Mac was friendly towards Riley, after she explained herself. It really felt like he was friendzoning her.

But here's something to point out. Riley visibly relaxed when he reacted that way. What does that tell us?

> She had been so tense up until that point. Imo, she's on the defensive now. You can even see it in her wardrobe, make up and hairstyle choices. They're very contrasting to Riley's most vulnerable moments in this show (like when Audrey broke up with her).

Riley has had a year to sort out her feelings. We see in this episode that she spoke about them in a past tense. Whether she achieved it or not is unknown. We just know that she has at least tried to move on.

> She was mostly afraid of ruining her close relationship with Mac (who's her only family, along with Bozer) and her friendship (?) with Desi. We've seen it over and over again: Riley DID NOT WANT to get in the middle of them.

Keep that in mind as we go in the last scene.

It took me a while to figure out a possible thread of thought inside Mac's mind. Why did he look at the ring and decided to go to Riley's house? It really didn't make sense to me.

One moment he was thinking about his proposal and somehow that lead to him having the necessity to know if Riley still had feelings for him? Why??

My theory is that he went to her apartment for permission.

His question was a way of asking Riley for permission to propose to Desi. It was a way of reassuring himself that proposing was still the right decision.

In a way, he could also be fishing for an excuse to not do it [the proposal].

Because now he has doubts. He's confused, unsure.

Mac asks:

Mac: Hiding your emotions and letting it pass. Did it go away?

What could her answer have been? Here I wanna go back again to Riley being emotionally defensive, added her strong desire of not wanting to be in the middle of Mac and Desi's relationship.

I think she would've said "Yes, it worked."

Because it also lines up with my idea that the love triangle has changed from "Riley's a better match for Mac" to "Mac needs to win Riley's heart".

Riley's done her job. She worked out her feelings. Now it's time for Mac to sort out his humongously messed up internal self and reignite her spark. That's what I think.

Also, if anyone has any idea on how the song that played in that scene relates with the moment please share it with me because I don't really understand the song choice lol.

~~~~

6. ADDITIONAL COMMENTS

Desi. I'm not sure what's going on in her mind. She seemed stressed out by the ring, very serious about Riley, lenient with Mac... I'm really not sure.

My guess would be that she doesn't want that type of commitment but she wants to be with Mac yet she can't ignore Riley so does that mean she has to end it with Mac? That's the thought process she may have had? Idk...

I'm glad they let her be mature about it, with no overreactions, no whining, no blaming, nothing of that style that we're used to see in her.

I'm also glad about that moment when she defeats Murdoc and Andrews. THAT'S HOW YOU WRITE A TOUGH DESI. It was filmed with such a gracefulness and elegance. I liked it.

From a MacDesi point of view, she's probably being open minded and giving him space and waiting for him to come back to her... but somehow I got the vibe that she's actually... running away?

Lastly but no less important.

THE HISPANIC REPRESANTION OMG. RUSS SPEAKING SPANISH AND THAT CUMBIA MUSIC FILLED MY HEART WITH SO MUCH PRIDE!!! :')

#MacGyver #review #long post #finally finished it #macgyver meta #my meta

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twh-news · 3 years

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[Article contains spoilers to 'Loki' S01E05]

Crunch time

After the relatively seismic events of episode four, this week’s episode was always going to have its work cut out. And with just the finale to go, it’s fair to say we’re not much nearer to finding out the truth about the TVA than we were.

Of course, we now know it’s not just the Loki variants that end up in the Void, but all pruned people and material from reset timelines. If that is the case, given the sheer vastness of what that would entail, I do wonder how all those Lokis, Mobius and Sylvie managed to find each other so easily. But let’s not split hairs.

We know Mobius is still around, though didn’t have a lot to do. Here’s hoping he gets his jetski trip next week after a revealing face off with Ravonna Renslayer back at the TVA.

I feel like the dialogue between Loki and Sylvie wasn’t as effective as when they were talking on the train in episode three. It didn’t drive the plot forward, and they only clumsily addressed the fact that falling in love is classed as a nexus event. And, Loki, if you have the ability to conjure a blanket for the shivering person sitting next to you, that you happen to love, don’t wait to be asked. What do they teach you in Asgardian finishing school?

Withnail & Lok-i (hat tip to MrSpigget for that one)

Richard E Grant was a joy as Classic Loki, teaching Tom Hiddleston a thing or two about hamming it up. “Sounds terrifying,” he snapped, hilariously, when Loki asked if anyone had met a female variant. I enjoyed the recollection of how he escaped Thanos, while hissing “You bastard” was pure Withnail.

Crucially, his character offers further proof to Loki that he can change, and stay that way. Lokis don’t always have to resort to cheating, murdering and “the game within the game”. “We’re broken. Every version of us. Forever,” he said, escaping the lair, before going on to show, with his dying actions, that that is not the case. How beautiful that he conjured a full-sized Asgard for his final stand.

The end of time

What next for the TVA? As the episode began, we saw the aftermath of Sylvie’s actions, turning the organisation upside down (as emphasised by the rotating camera work). But who or what is now in charge since the Time Keepers’ demise? It no long matters those puppets aren’t functioning if a higher power is actually pulling the strings, but how long can Renslayer keep that a secret?

The judge did do a good job of convincing Sylvie – and me, to be honest – that she was going to help her visit the void, but even if she is not to be trusted, I still believe she has no idea what’s going on and who her paymasters might be. Whether she leans in to villainy or sees the light is still to be seen, but I wouldn’t bet on her turning her back on the TVA, whatever it might be.

Further minutes

There were many, many Easter eggs here. We had Mjolnir buried in the ground above the Lokis’ bunker. We saw a rusting version of Thanos’s helicopter, first seen in #39 of the 1979 comic Spidey Super Stories and, best of all, Throg, a frog version of Thor, captured in a jar. Was there also a pair of downed Chitauri Leviathans on the ground when Loki and the gang assembled on the hill before facing Alioth? Did you see anything else?

The episode’s title, Journey Into Mystery, was a nod to the comic book series of the same name in which Thor and later Loki made their debut in 1962.

The sword Kid Loki gave Loki before the battle was a callback to his analogy on the train about “love being a dagger”.

I was pleased to see Hunter B-15 still with us, trapped in a glittery cell at the TVA. It can’t be long until she is freed, and wielding that pruning stick in the name of justice.

The battleship that appeared and fired on Alioth was, I think, based on the numbering on its side, the USS Eldridge, the vessel at the centre of the Philadelphia Experiment.

One I missed from last week – Cailey Fleming, the actor who played Sylvie as an eight-year-old on Asgard also played Rey as an infant in The Force Awakens and The Rise of Skywalker.

You may also recognise Kid Loki actor Jack Veal from playing Little James in Channel 4’s The End of the F***ing World.

Why was President Loki played by Tom Hiddleston when almost all of the other variants are played by someone else? Keep your eyes peeled in the MCU for a familiar looking Loki missing a hand. It reminded me of Thor, in Loki’s illusion, having his right hand cut off in Thor: The Dark World.

#loki #loki series #recap #richard e grant #tom hiddleston #loki spoilers #loki series spoilers #spoilers #the guardian

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gillian-greenwood · 3 years

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My Episode 7 Predictions!

Mother of God! How have these weeks passed by so fast?! I've decided to share what I think will be answered tomorrow night and some of the fates of our beloved characters! The series has gotten off to an even bigger success than it's predecessor and EVERYONE'S talking about it! Without further ado, let's see what I'm predicting!

Who's H/fourth man (or woman) and will we find out?

The question that's on the nation's minds. That has been boggling us since 2017... My personal prediction still stands as CC Philip Osborne, however... I think he's purely sitting on his arse and pulling the strings, whilst others are doing his dirty work. Those people are Patricia Carmichael: who in all honesty I'm manifesting isn't actually bent but is so career driven and a bit of a lick arse that she's just taking orders and not questioning anything, plus she doesn't think much of Ted either... I have joked that she's been shagging Osborne on the side which would be quite funny. I also believe Buckells has been Osborne's true scape goat for years. Someone as laid-back and unpassionate as Buckells is easily manipulated - I mean how the hell has he become a super? As Steve rightfully says, he couldn't order a piss up in a brewery. Seeing the connections go well back into the early noughties whilst Buckells was part of an oasis tribute band, it's an easy conclusion to make. Lastly I will mention Thurwell, now I think Thurwell may have been more involved on his own doing anyway but I think he'd still been pretty busy doing things on behalf of Osborne up until his alleged death in sunny Spain (Belfast but shh). I know a lot of people still think Buckells, some reckon pas-agg Pat is the top woman... and a few still think our beloved Kate is 'H'.

Now the other part of my point is actually finding out... I think us as viewers will certainly know the identity of this mysterious individual. But, I think we'll find out in the very last few seconds and poor AC12 won't be any the wiser which will open up the foundations for a possible series 7. I think a lot of things will be answered for us viewers but not everything for the characters. I know that if they had a series 7 there would be an other primary focus but I just think it would be clever. Just like how we found out as viewers at the end of series 1 that Dot was a wrong'un.

Is Thurwell really dead?

I'm still very amazed by the whole induction of Jimmy Nesbitt as a series of photos. I know we were supposed to have a secretive guest actor appearance and I believe it was Robert Carlyle's name floating about which would have been insane! But that moment we saw Jimmy, I yelled at the screen. So, this answers the question of seeing a character that had only been mentioned previously - which has been very much hiding in plain sight. Even with a rewatch, I had forgotten about Thurwell and therefore hadn't even considered him. But, I did mention the list from series 3 which did loosely tie in. Anyway, when we learned that Thurwell and his Mrs were now dead and clearly had been for a while - it was cleverly shot so we didn't see who it was, only the Spanish Police's word. You know, I think if we were to get a series 7, Thurwell could appear and he's in fact not dead. It's very rare you get a very well known actor in for something so small without it leading to bigger things. Although, they got Andi Osho, a very much loved comedian in purely for archival photos and videos... I do feel that Thurwell could have easily been on the other end of the fake MSN, and doing Osborne's dirty work - especially with the Spanish connection. In a BTS photo we have seen a clue to a piece of paperwork regarding a time share (Spain mentioned) in front of Kate which will likely have a connection to Thurwell and Spain. I think he's possibly still alive but we'll see...

Joanne Davidson

Kelly Macdonald has been welcomed with a very warm reception. Wow, her connection to Tommy Hunter (albeit disturbing, homozygous DNA... nasty business) was not something I ever expected although I guessed very much so when we learned of the DNA match with a nominal. Would I define her as bent? I mean in layman's terms, yes she is. However each guest star has had a very complicated relationship with the definition - all have done dodgy things and usually for good reason... But I do sympathise with her because of her background, born into trouble, it was very hard to escape - even if her mum took her to Scotland for a life away from it all. From the very start of her career she was doing the OCG's bidding and it transpires she was in the police on Tommy's orders - so very much another caddy. I do feel Jo had always wanted to be a good person and do right and in some ways she did - however she's in too deep. Next I'll mention her relationship with Kate and it's something I'd never have predicted. A lot of suggestive and sapphic behaviour from the off. Now, I do think Jo cares deeply for Kate and has developed strong feelings - and I think Kate deep down has also but I don't think anything will happen sadly. And that's more for the fact that they had run out of track before they could even get going as so much has happened. Kate's gonna save Jo when her transport gets ambushed, that's a given... but I don't think we'll see anything happen that we want to happen. I hope I'm very wrong and we get something but with the hour we've got I don't think it'll be the case. And as for her fate? I think she'll survive. Guest leads usually die, eventually... with the exception of Roz who's serving time with one arm in Brentiss. Giving how unfortunate her life has been from her conception, I think it'll do her justice to escape with her life. Witness protection? Hmm perhaps... Although I think she's done enough dodgy stuff to warrant a prison stretch. Will she be instrumental in revealing who the fourth dot is? Well yeah actually, I think she grew up thinking Thurwell was her dad... and of course having connections to both Osborne and Buckells. Jo joined the force just before the turn of the millennium so would have been a copper when the Lawrence Christopher case occurred in 2003. Even though not directly working with them, I'm sure she knew what was going on and would have come across Osborne and Buckells at that time. I have a strong inkling that she knows exactly who she's been talking to and has been under their wing since the start. If she dies I will be gutted.

Kate

Where are we going with Kate? Well she's just killed Ryan (lawfully) and has gotten away with it. But Carmichael isn't thick... and nor is Steve and Ted. They all know but I think that'll be that for now. For ages I thought she was gonna D word but I think she's gonna be alright now. I hope that somehow she gets back into anti-corruption permanently because that's where she's best suited. I'm shocked that she hasn't had a glass box spectacular - my predictions for her to be accused of being bent and all that were way off the mark... and not a single mention of the two dying declarations... With only an hour tomorrow and so much to deal with, I guess that's not going to be mentioned. And Kate ain't gonna be sanctioned either. But, there's always opportunity with a series 7... She'll definitely be back in AC12, interviewing... I can't see all the BTS photos being Jed Herrings. But we'll see tomorrow!

Steve

Poor Steve eh? He's not had an easy time of it. Addicted to painkillers as I rightfully predicted, unable to trust his gaffer, torn on a transfer and a up and down friendship with his 'mate'. Oh and the car, actually let's not talk about the Mazda... Anyhow I believe that Steve will talk about his back and recent struggles with meds after a lot of emails from occupational health. Will he get pulled off the job at the last second because he didn't book an appointment... yeah I think that might happen and Kate takes his place or something. But there is a counsellor or something credited so I'm pretty certain on that. Will he lose his long overdue promotion? It's possible! I don't think the test was going to come back as a fail but more of a cause for concern - just that the levels of codeine etc in his system was higher than it should and it would be best advised to talk to someone. We haven't seen much pill taking going on since the drugs test so has Steve been going cold turkey? Or have they just veered away from that part of the story? In all fairness he's appeared fine with his back since the Windermere convoy - he ran across an industrial estate... I mean. I hope Steve gets a glimmer of hope and happiness because he rightfully deserves it. Ever since the start he's had his fair sharing of aggro and he deserves a break. I do think however he may be partly responsible for nailing the final nails into Ted's coffin - especially after he discovered the 50K up Merseyside and the truth from Lee Banks. I think he could be potentially happy with Steph, it would be nice for something to happen with them but we'll see. Steve needs a big hug.

Ted

This is going to pain me saying it. But, I don't think Ted is going to make it to the end. His retirement is inevitable. I can see the argument of the retirement being rescinded if they unmask the fourth dot etc and solve stuff but realistically, he's past retirement age. He's so focused on getting to the end of this marathon that I don't think he will see it through and know who it is - because he'll... yeah I don't need to say it. How? I've been saying his heart is gonna pack in. He's going to be in deep trouble over that 50k because Steve and Kate know the truth. But why would the likes of Carmichael find out... Well we've seen a clue of 'definate' on some paperwork - I reckon Ted by coincidence also makes this spelling mistake often as it is one of the most commonly misspelt words and therefore will be in the 'H' running again - he wont be 'H' as I reckon Osborne makes the same mistake... He alleges he misspelt it cos he studied the texts carefully but I think he spelt it how he usually would. They'll all go down the wrong path and accuse him which will lead to his ultimate downfall. Another little teaser is Steve appearing to listen to Ted's 2019 glass box spectacular however notably Carmichael says AC12 interview and not AC3... so mixing two different interviews to tease us? Maybe Ted might feel he has no choice but to sacrifice his career for the truth. However it all gets too much. Lies cost lives... I can't see Ted going on from beyond here and Ted was always supposed to be a minor character until he was very well received by the audience and he was made a main character. Realistically, his story is told and he's at his endgame. I hope he survives, by god I do... He's one of the most loved fictional characters at present. But I have a really bad feeling and I'm worried! It seems a total Jed thing to do for Ted to meet his end without ever finding the truth... seeing that's what his heart has been set on for about four years... I'm sorry to even be going there but it's what I think will happen. And I want to be wrong.

Miscellaneous Predictions

I want to round this all off with other little points. Carmichael won't be bent, maybe still involved with anti-corruption, you love to hate her, there's so much more they could do with her character. I don't think Steph's dodgy at all, she's just a widow whose been helped out by Ted in an unlawful way. I think her and Steve would be well suited. I hope Chloe will get to the end and continue on in anti-corruption, she's got a lot of potential. If Osborne isn't sussed, I reckon he'll still be CC. DCC Wise isn't bent either, just getting on with her job. But if Osborne does get caught and I'm wrong, there will be a lot of chaos for both him and Wise. Farida gets out of jail and starts afresh. Buckells I reckon will get out but won't be apart of the police force anymore. Lomax isn't bent, just a regular cop trying to get the work done. The rest of Jackie's remains will be found under the workshop floor, maybe with someone else? God knows who. Or maybe with some evidence that helps lead AC12 on the right track. Steve will still be an officer and Kate will be back where she belongs. There's probably more but my head hurts.

Will there be a series 7?

Yes.

Thank you all for reading my jumbled thoughts all packed into a text post. I'm nervous but excited for tomorrow night's finale. Let's see if I get anything right... probably not...

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thinkingaboutrwby · 4 years

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Slave to the Quill: Salem, Authorship, Control, and the Fallacy of Happy Endings

This post is part one in a four part series on Ozma and Salem called Greater Scale Forces, so expect more from me on the subject in the weeks to come. WARNING - in addition to RWBY, there are small references for the following series: Crazy Ex-Girlfriend, Bojack Horseman, and Community.

Once upon a time there stood a lonely tower that sheltered a lonely girl named Salem. She was freed by the legendary hero Ozma, who succeeded where warriors before him had failed. Salem wasn’t just rescued by the Ozma by chance. As Fairy Tales of Remnant reveals, Salem wrote her way out of her prison through story and narrative inspired by the fairy tales she had read in her adolescence. She tossed fliers out her window with her story and plight etched in ink to gain a hero’s sympathy. In this way, Salem not only asserted her agency but set up expectations for herself that motivated her grasp for control, inadvertently caused an apocalypse, and more importantly placed “story” and “myth” at the center of Remnant’s development as a fictional setting.

Salem was reared off fairy tales, a result of being trapped in her tower for her formative years. Her socialization was limited to inconsistent visits from her emotionally distant father and her kindly nanny, with no playmates her age. Fairy Tales of Remnant pulls no punches in elaborating on how this affected Salem’s aspirations for life. To quote: “[Salem] lived hundreds of lives through other people’s stories, and [dreamed] of venturing beyond the tower one day, finding true love, and becoming a kind and generous queen with her own castle and daughters” (106). Salem’s dream is a textbook fairytale happy endings, and she wants her life to play out just like the stories she’s read. When her dreams are confirmed in her rescue by Ozma, is it any surprise that his death shattered her in such a way to defy gods? Not only was Ozma her only living emotional connection due to her upbringing, but her rescue had all but confirmed that she deserved a happy ending, that she played a role in which freedom and true love were deserved as per story structure and narrative.

Salem’s actions all arguably move to appeal to fairy tale narrative archetypes in some way. In “The Girl in the Tower” she plays the damsel in distress, nudging her narrative onwards with her fliers but waiting patiently until the day she is rescued. When dealing with the gods, she at first plays the humble acolyte, praising both brothers to get what she wants as one would in a myth. When they curse her instead of raising Ozma, she picks up a different mantle of righteous leader and inspirer. Then after the earth’s destruction she becomes a wanderer, then a witch, and then a goddess. While she vies for freedom, a goal nurtured from her initial entrapment, it is ironic that Salem in some ways traps herself in the confines of the story itself, allowing story structure to trap her into roles that dissuade her from personal growth unique and separate from media archetypes.

In addition to being motivated by fairy tales and trapped in its narrative, Salem also uses narrative and media as a weapon in RWBY. This is addressed in Ozpin’s end notes of “The Girl in the Tower” in Fairy Tales of Remnant when he points out that Salem’s use of fliers to free herself from her tower as a technical form of “propaganda.” While used for a generally tame purpose in this case, Salem’s approach to media and fairy tale as a form of control, as a form of propaganda, only appears to evolve as her experience continues. Her method of influencing fellow humans to rise up against the gods is by storytelling. As we can recall from “The Lost Fable,” Salem lied and weaved a tale in which she stole immortality from the gods to convince other humans against the Brothers Grimm. As a goddess-queen with Ozma 2.0, it is likely she also acted through fairy tale narrative as well. She has statues built up of her and her husband. She depicts them as hero-ruler-gods. During the Fall of Beacon, she has Cinder hijack and take down Remnant’s communications’ systems so the media and narrative is controlled by her agenda. While Salem is ultimately harmed from her reliance on story and narrative, it is interesting that she also finds agency through authorship and through embarrassing narrative (albeit in a toxic way).

Salem’s personal entanglement with the structure of fairy tales is arguably further represented through the use of Remnant as RWBY’s setting. Remnant is a literal reflection of fairy tales with an added dose of realism. While its characters and culture call back to ancient tales, they live more mundane, less magical lives than those we know from the Grimm fairy tales. Being a hero is an occupation. Magic is commodified and sold as dust. In this way, Remnant reflects Salem’s dilemma well. Remnant forces her to further confront a world with wonder that lacks a “fair” narrative with a happy ending. I don’t know what came first, Salem’s backstory or Remnant’s concept as a fairy tale call back itself (likely Remnant?). However, I will make the point that Salem’s backstory fits well into the world of RWBY through her interaction with the medium of fairy tales. I commend CRWBY on this achievement.

I make note that the pattern of a character’s engrossment in story narrative is a recurring flaw in figures in serialized television. I can think of a few examples of this. Rebecca Bunch from Crazy Ex-Girlfriend, for example, is an anti-hero influenced by musical convention and genre, drawing her expectations for romantic relationships from pop culture: musicals, boy-bands, and rom-coms. Her delusion with cultural media is shown through the show's musical numbers, meant to play out in Rebecca’s head. Bojack from Bojack Horseman similarly engages with celebrity, film, and Hollywood culture in a similar way, engaging with the media as a literal actor while coincidentally obsessing over celebrity as a child through his obsession with race-horse Secretariat. Abed Nadir from Community also bases his social interactions on the US pop culture he absorbed as a child. I think it’s interesting that all these characters who take their cues from the media of their childhood also had traumatic and abusive upbringings (I won’t spoil though). In this way, media takes adjacent blame with these characters’ guardians for misbehavior, ranging from awkward to harmful to world-ending. How these characters evolve through these shows and their changing relationship with the media they rely on provide meta commentary on our individual relationship with culture and story. Rebecca Bunch learns to use pop music as a way to counter romantic expectations for women rather than embrace them as pop music is usually used, a positive message about our relationship with story and media. Bojack’s ending is left ambiguous, but Hollywood’s sway on him is definitely a toxic presence, leading us to believe we should consider rejecting this institution. Abed learns to combine his pop culture obsession with real relationships and become appreciated as a person and better interact with others (also a more hopeful message about media and story).

Like all these character’s before, what does Salem’s story tell us? What will it tell us as more seasons of RWBY come out? Certainly, RWBY doesn’t have a toxic view of fairy tales. Our principal protagonists are positively inspired by them. Ruby wants to be a hero like in all the stories she’s read. Ozpin collects a book of stories from multiple locations from multiple stories. I think where we see the difference is how our protagonists interact with fairytales and how our antagonists (or specifically those under Salem’s mentality) do. Ruby, Ozpin, and our heroes follow fairy tales as a moral standard. The aspire to have good triumph and act to a higher standard through effort and sacrifice. Salem uses fairy tales as a form of wish-fulfilment and totalitarian control. I think the inherent message of RWBY is that we need to respect the lessons learned through story but abandon the structure and endings stories give us. Act like a hero, but live a real life. And, at the same time, be wary of the narratives that surround you. Don’t just copy a narrative, understand the narratives produced and adhere to the best and wisest ones. Think through a text, don’t just take it at face value. That’s the lesson we should learn from Salem’s mistakes.

Let me know your thoughts and if you think I missed anything. Expect Part 2 - The Circle: Oz, Identity, Myth, and The Hero’s Journey, within a week.

#rwby #rwby salem #ozpin #ruby rose #salem

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