#also trying different styles and just having fun

[cyberluvzu]

HII!!! I was hoping that you could do a Ben drowned x reader (or y/n, idk which one you use) that has thick and curly hair? I know, kinda boring, but I thought it was cute (ノ∀≦。)ノ anyways, remember, don't push yourself on requests! And have a nice day/night <3

OF COURSE SMOOKIE BEAR. I don't have curly hair, but I do know people that do, so I'll use the info I get from them!!!! ALSO YOU SEEM SO SWEET OML

Ben drowned x reader

He loves it

Absolutely loves how it looks in any form

It could be in pigtails, buns, a ponytail, not styled at all, he just LOVES how it looks

He does have a lot of questions about it, since he has straight hair you'll have to explain a lot of things about it to him

Expect a LOT of questions

"What's shrinkage?" "oh so your hair is actually THAT long?" "What products do you use" "can I use your hair stuff, it makes my hair so soft?"

This man will use your hair products

Until he realizes how expensive they are, the after that he'll just sneak in a use here and there

It won't hurt if he doesn't use too much, right?

And of course, what you don't know can't hurt, so he'll use just a bit whenever he wants to pamper himself

But he isn't sneaky, you can always tell because of how soft his hair feels after

"Did you use my hair stuff?"

"HOW DID YOU KNOW?!?"

He genuinely believes that you're keeping track of how much product is in your bottles

But in actuality you just know because of the way his hair smells and the fact that it's 20x softer than normal

If you're willing to, he'd SO play with your hair

He'd play with it, scratch your scalp, even do cute little hairstyles (to the best of his ability)

He could genuinely sit there for HOURS doing that shit

He would watch YouTube videos on how to do curly/thick hair and then try to replicate it on you

"Hey babe, can I try this on you?"

"THIS IS THE FOURTH TIME THIS WEEK, BEN"

In the end you'll let him because he's a persistent little fucker

He really likes how it feels in his hands

Likes the thickness of it because it gives him more to play around with

He also loves how your hair looks when it's down

He'd be so willing to help you out when it comes to your hair

Absolutely anything that you need help with, he's DEFINITELY THERE

Partly because he's clingy, but also because he wants to touch and look at the pretty person with the pretty hair

You need him to help you with washing it? He's your man. Styling it? He's all yours. Coming up with ideas for different hairstyles? He's DEFINITELY there.

He'll look at different videogame characters with curly hair and want to try out those hairstyles on you, it's honestly the main place where he gets all kinds of ideas from

Of course, majority of them won't work

But it's always fun to see him try

------------------------------------------

A/n: I got a BIG Ben fanfic for y'all come up, keep your eyes out for that one, I'll also TRYYYY to get my ass on all these requests 🙏😓

[maybe-boys-do-love]

“Why is dialogue so emotionally exaggerated in Japanese film?” one reddit user asked.

The response HarryMcFann gave is an incredible primer to understanding Japanese performance style and the media influenced by it (I’m looking at you, BLs and Kdramas).

“Not claiming to be an expert or have a definitive answer here, but these are my two cents based off of what I know about Japan and Japanese film. This is a very general overview. It’s important to note that culture is complex and full of nuances, but this should give a general understanding as to why Japanese films are somewhat exaggerated.

As u/scytheavatar pointed out, Japanese film is influenced by Japanese theater, but that doesn't fully answer your question. For example, you may ask about Western theater as it relates to Western films, and so on (Western theater is exagerated, but films today aren’t). So let’s look at Japanese theater.

The three main forms of Japanese theater are Kabuki, Noh, and Bunraku, and each of these forms influenced Japanese films in different ways. Now what is important to note here is that back in the early years of cinema, those in France and the rest of the West saw film as a new form of photography, while the Japanese viewed film as a new form of theater. Just think about that for a second, and what the implications are. Back in the late 19th and early 20th century the big thing about photography was it’s ability to capture realism, and that realism was a huge concern for many Western filmmakers. The famous French film critic, André Bazin, wrote extensively about how he believed the essence of cinema is its ability to reproduce reality (there were, of course, Western filmmakers who rejected this notion, such as the Soviet formalists and German expressionists, but going into that would require a lot more words). In Japan this was not the case, and from its inception, the Japanese rejected the Western idea of cinematic “realism.”

How did this manifest itself in early Japanese cinema? One thing the Japanese directly took from theater was the presence of a narrator. Japanese silent films were always accompanied by someone called a Benshi (fun fact, Kurosawa’s brother was a benshi), who would narrate the film. Japanese silent films would then have few intertitles, because the benshi would be there to explain the plot, and so on. What’s more, audiences would often attend a film based off of which benshi was performing. The benshi where local celebrities in many ways, and they would try to one-up one another. So naturally, to give a good show, the benshi would have to exaggerate in order to give more life to the performance (these guys would voice characters and play all the different roles). Directors would make their films knowing that there was going to a benshi present. So popular was the benshi, that much of the resistance to transitioning into talking films was from those lamenting the loss of the benshi narrators. Japan actually finally made the transition into talking films much later than the rest of the world.

It is also important to understand that “realism” is a relative term (cue some 15-year-old calling me pretentious). Yes, Western theater is also exaggerated and not particularly realistic, but traditional Western theater really doesn’t compare to Japanese theater. In fact, the famous German playwright, Bertolt Brecht, based many of his ideas of modernism in theater on traditional Japanese theater. This is why Ozu is seen as the most “traditional” of Japanese filmmakers while also being viewed as an early “modernist.” (It’s all really confusing and requires a bunch of quotation marks). Anyway, the Japanese don’t really have the 4th wall in theater the same way we do here in the West. In Japanese theater, audience interaction is huge, and stagehands (albeit often wearing black) walk freely on stage and move props and scenery around the actors, and so on. The key difference here between Japanese theater and Western theater is that while the West try to disguise and mask the artifice of the stage, the Japanese embraced it. A quick example of the way a Japanese actor performs in theater would be the Mie. The Mie is a powerful and emotional pose struck by an actor, who then freezes for a moment. This pose is more for the audience than the drama of the play, and often times reveals important information about that character. This idea of the artificiality of the performance in theater can also be seen in Japanese film.

Finally, it is worth noting how the Japanese view nature vs how the West does. In the West, we look at the natural as being something untouched by people. Interestingly, this isn’t really the case in Japan. In Japan there’s a belief that something only becomes “natural” when it has been in some way shaped by a person. Weird, right? To quote Donald Richie:

“To most Japanese, the Western idea of “realism,” particularly in its naturalistic phase, was something truly new. All early Japanese dramatic forms had assumed the necessity of a structure created through mediation. The same was true of Japanese culture in general: the wilderness was natural only after it had been shaped and presented in a palpable form, as in the Japanese garden, or flowers were considered living (ikebana) only after having been cut and arranged for viewing. Life was thus dramatically lifelike only after having been explained and commented on. Art and entertainment alike were presentational, that is they rendered a particular reality by way of an authoritative voice (be it the noh chorus or the benshi). This approach stood in marked contrast to the representational style of the West in which one assumed the reality of what was being shown.”

I want to make it clear that not all Japanese films are like this. If you watch films by a director like Hirokazu Koreeda, you will not see the same sort of exaggeration.”

[grimdarkqueen]

WIP

[sysig]

I think the world is so wonderful... (Patreon)

[gaycrittercentral]

I LIVE BITCHEEESSSSS

here’s a goofy style comparison I did to try and get back in the swing of drawing :> only issue is I already try to draw em pretty close to the comics/show, so my closest imitation of Steve’s style ended up looking very similar to how I already draw them lmao. So to make up for it, I made a fucked up version too!

Also I’m thinking of streaming later tonight (10/18/23)! I’ll put details in another post but yeah if anyone wants to stop by I’d be delighted to have you :D

[tradingjack]

having fun with colors for once :P

thanks @creepycoffins for the awesome dtiys :D

[swordmaid]

anyway shri’iia’s epilogue outfit which is a mix of 1900s male stage costumes and also that one camp outfit mod. look at the ring hehe 🤭

[faceeeeee]

Made a TV show-Jim guide to properly establish the tiny rules and details I've noticed whilst watching the show. This is just to help me understand the shows design

[ruvviks]

"The outer reaches of space remain unexplored by humankind to this day, but its greed is relentless. We grasp and yearn and hunger for knowledge— answers to questions we cry out into the endless void expecting to understand, expecting the stars to respond. The stars will not, but one day something else will— and we will not like what it has to say." — Rome Solomon, Beyond the Exosphere (1965)

taglist (opt in/out): @shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart, @vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman, @celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister, @killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[frenchy-and-the-sea]

There is a very exquisite agony in playing a game you love so so so so so much, and realizing that one of the other players is trying to play a totally different game than you.

[astralprisms]

[☺ Skaro - The Shield of Shra'kt'alor☺]

1. [CHARACTER INFO]

OC NAME: Skaro

OC PRONOUS: He/Him

AUTHOR: Rook

2. [DIALOGUE]

1. Greeting message:

Do you have need of me?

2. Identify yourself:

I am Skaro of Shra'kt'lor, though I haven't called that place home in a long time.

3. Tell me about your Creche:

No creche, a monastery in the midst of Chaos. One of many. There isn't much to say. There we were trained, and there I learned to harness my psionic energy to better defend my mind and body, though I left to pursue a different path once that training was complete.

4. I need to know how you fight::

You may be expecting a monk, but the blade says otherwise. A fighter, then. But don't get too comfortable -- how many wizards do you know that can also swing a sword? I am a Zerth. I may prefer a blade to fists, but there is more to my fighting than meets the eye.

5. Can I ask a more personal question?

Not at the moment. I'm here on business.

3. [GRAPHICS]

4. [BONUS RESOURCES]

Skaro started life as Xa'rok's Dream Guardian, so you'll often see him in the Guardian's armor, but I got too attached to him, so he gets to exist on his own now, too.

In the AU in which he exists alongside Xa'rok as himself and not just the visage of a prisoner the Emperor once met, Skaro was born in Shra'kt'lor and became both a philosophical student of Zerthimon's and a practitioner of arcane-focused fighting, earning himself the honorary and hereditary title of Zerth. He has been around for quite some time -- age undefined but his physical body is somewhere in his 50s -- and in that time grown tired of the us against them mentality that keeps the gith people splintered instead of whole. He left Shra'kt'lor to follow this desire for unification, interplanar-traveled often, and found himself invited to and then a part of the sha'sal khou. He has been working with the organization for years and after meeting Xa'rok in his travels, brought them along into the fold. In this universe, he and Xa'rok are partnered and they continue Xa'rok's work alongside their work for the Sha'sal Khou, as some of their interests align.

@vikintor

[nomairuins]

i like overthink everything now it makes me feel so dumb. i used 2 be able to just talk 2 ppl but nowadays every single thing im like Is that actually going to make them hate me. Yes probably. and then i just dont respond which makes ppl hate me. this is how it is

[morninkim]

Rise of the Mighty Morphin Power Rangers (Non-Canon) - Madame Drakkon & The Ranger Slayer

In another timeline, the Rise of the Mighty Morphin Power Rangers was much, much less of a rise.

(Rise' World of the Coinless deets under the cut, i'm having fun)

In another timeline, Rita's attack on Grace Oliver left her severely injured and near death. This threw Tommy into a fit, which forced the shadow out of her body in an incredibly traumatic and painful manner. Desperate, she pleaded with Zordon to help her mother, but the White Light confirmed her fears. Grace was gone.

Unstable and still reeling from Rita being ripped from her body, Tommy would seek out where the shadow was hiding, tracking her down to an abandoned warehouse on the docks. She would witness the partial resurrection of Lord Zedd and barge in, demanding the Dark Spectre bring her mother back. The Spectre agreed, on the condition that the Green Ranger help him recover the other five Power Coins and reunite the Zeo Crystal.

Over the next few months, Tommy would slowly lose more and more of herself as she pursued more power and learned dark magic from a weakened Rita inhabiting the body of Dr. Finster. A final assault against the Rangers would see Jason attempt to combine the spectrum of the team's powers to become a White Ranger, only to be struck down by Tommy. She would claim the coins for herself, corrupting and forcing the coins into her own White Ranger form.

Zedd and Tommy, with their combined powers and now endless source of energy, would then conquer the Earth unopposed. But as more time went on without Zedd's promise fulfilled, the more Tommy began plotting to overthrow the Dark Spectre. She's be encouraged by Rita, now unable to leave Dr. Finster's deteriorating body and kept alive with salvaged parts from the destroyed Command Center.

As the last of Earth's defenders fell, Tommy struck down Zedd with the Black Dragon Saber, laying claim to his seventh Zeo Crystal shard and the planet and taking the name Madame Drakkon.

Years later, tired of her friends being captured or dying and at her wit's end, Kimberly Hart would decide today is the day Drakkon dies. But she would be captured, her mind taken over with a spell Drakkon had been perfecting for some time, and become her right hand with her old Power Coin as the Slayer Ranger.

Kimberly would later break the spell with the help of the Coinless Resistance, who'd been built by the combined efforts of Trini, Richie, Bulk and Skull. She'd then lead the Resistance against Madame Drakkon's regime, taking on the name Ranger Slayer as a symbol of her goal to slay the last Ranger on Earth.

[seagull-scribbles]

Some requests of the Mutant variety⚠️

Also, with this post we have hit a milestone :)

[boxwinebaddie]

an uncle nina check in <3

hi team! thanks for sticking around! i know my blog isn't always the most exciting and enriching place in the world in terms of content, but i am very /content/ to have you all here. <3333

i promise, oddly enough, i have A TON of inspiration and ideas for all my weird styles ( if you're curious about anything please lmk! i've been trying to flesh out my aus out lately ), i've just been in a major bummer depression era lately, so it's hard for me to get my asks done and i'm having a hard time committing to finishing my writing. :<

i think it's because of stress and my bipolar, but i am trying to get back on the horse! ( are we all laughing at the idea of me trying to get on a horse? i'd start crying help city girl fail moment for me ) yeehaw!

and while, unfortunately due to the instability ( fabulous legendary iconery ) of my pretty girl popstar personality, i do not know whether i will be answering almost no questions or one million, regardless of that, i just wanted to let you know, i'm still here, still kicking my feet, twirling my hair, cooking...i'm just really trying not to force myself to put out anything i don't like...and only do what makes me truly happy.

however, nothing, my dear sweet e-darlings...

makes me happier than coming home to all of you. <333

so thank you for flooding even the darkest corners of my life with bright light, supporting my phantom fics and being wonderful,

uncle nina xx

[sandboxscenes]

You've been challenged! (Pokemon AU)

A/N: This is an experimental piece that I wanted to try out because I was inspired by this Pokemon Battle featuring Delphox. This is a different take on a Genshin Impact Pokemon AU. This was done in conjunction with @xianyoon for their Extreme Bias Game. Special thanks to @floraldresvi for assisting me with the ideas for Thoma's section.

Characters: Lyney, Thoma

Genre: Mostly fluff, with hints of angst

Summary:

Pokemon and Genshin collide in this Pokemon style AU that answers the question: What would happen if the characters you encountered in Genshin Impact challenged you?

If you were challenged by them, what would be their in-game tagline when they challenged you to a battle? What would their title be on the game screen? And most importantly, what would be their character summaries?

In short, it positions the different Genshin Impact characters as in-game coded sprites.

Word Count: Lyney (277 words), Thoma (328 words)

You have been challenged by the House of Hearth's Second in Command, Lyney!

Tagline: "Let's give them a show to remember!"

Brief Summary:

Tricks, Illusions, and Magic galore! Whenever anyone takes a seat at Lyney's shows in the Court of Fontaine, they will be in for a magical time. Charming, charismatic, and talented are all words that describe the renowned magician. Lyney and his aforementioned magic shows are famous across the Fontanian landscape. But few know the man behind the spectacle.

Growing up, Lyney owes much of his present success to his upbringing in orphanage known as: The House of Hearth. His sister, Lynette, and his (adopted) brother, Freminet, also grew up there as well. While not much is known about The House of Hearth, it is full of unexpected surprises.

To Lyney, family means to the world to him. He will do anything to protect it. Second only to the "Father" of the House of Hearth, he is the one that will eventually be "Father's successor." Despite his young appearance, there is a reason that he is the second in command. Anyone who ends up underestimating him, regrets it.

For the Magician Lyney, he always wants to keep people on their toes. His Pokemon are the same way. Some of Lyney's trusted Pokemon partners include the show stopping, Delphox and Meowscarada. They also have some tricks up their sleeves as well.

Special Notes:

Lyney's interest in magic has spread to his Pokemon too. His Delphox is a bit of a magician as well - blink and things will disappear. On the other hand, his Meowscarada is ready for anything. It's able to adapt on the fly, like any good magician does.

-------

You have been challenged by the mysterious foreign fixer, Thoma!

Tagline: "Let me protect you. It's what I want to do."

Basic Summary:

Inazuma is a land of tradition.

However, Thoma himself has a very non-traditional skill set.

As someone with skills in cooking and cleaning, he enjoys using his skills to assist people whenever he can. His earnest kindness, his willingness to help, and loyalty have made him well liked among the Inazuman Citizens, despite their wariness towards foreigners.

As a foreigner, Thoma cares deeply about others. He knows what it's like to have people be wary of you due to things out of his control. As someone with a deep sense of duty and loyalty, he is not someone who forgets his debts or reneges on them.

Thoma's actions have earned him the nickname of fixer, as he is well-versed in the art of fixing problems. For someone like Thoma, resolving things peacefully is always preferable. Whether it's a small fight between children over toys to a fight between foreign and local merchants, Thoma would prefer if both sides could compromise.

But if things things escalate, don't be fooled.

When push comes to shove, Thoma's willing to do what it takes to protect himself and his family from harm. Once you have wormed your way into the heart of the foreign fixer, he will protect you until his dying breath.

For the mysterious Fixer, he is well-informed of any happenings going on in Inazuma. He has to be, due to the nature of his job.

With such a dangerous job, he needs partners he can rely on.

One of his trusted Pokemon partners is Talonflame. Talonflame soars above the skies of Inazuma, its keen eyes alerting Thoma to any potential issues that may arise within Inazuma. And for those conflicts that can't be fixed peacefully and require a 'forceful' touch, Thoma's other partner Blaziken, is there to help - both its master, its family, and the people of Inazuma.