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#and ODIN is the player
thedawner · 1 month
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Combined 2 current interests: Skyrim and Too Human.
Here's Heimdall's (mis)adventures in another viking-themed world. Considering how Too Human's cyberspace/virtual reality lore works, this might as well be canon.
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katkeyboardmastah · 7 months
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And here it is! My Kingdom Hearts Dark Road character infographs! All relevant information on this game's cast summarized across 17 slides.
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As I had mentioned it previously, these are part of a larger KHDR summary project that I have been working on! A preview of which can be viewed HERE
Twittah dot com version of this post can be found HERE
Huge shoutout to @monoshiki for being a pal and proofreading these 👍
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starlightwayfinder · 8 months
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Happy first anniversary Dark Road!
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snakesinsocks2005 · 11 days
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I feel like if Odin was mortal he'd be one of those dads thats addicted to candy crush and plays it on full volume
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recusant-s-sigil · 8 months
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The day I met the man in the robe, my world was turned upside down.
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mossymandibles · 1 year
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I’ve started gow ragnarok and I’m trying to be very normal about Thor but I want to sleep on him like Totoro tbh. In the first game it’s all “wow Thor is such an asshole amiright fellas?” And now I’m 😳
doodles because I enjoy big fella.
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Hey heads up to FFVII Rebirth players you need to know about the Odin summon fight. Its designed to ignore difficulty and just steaight up pynishes you for playing bad at all. It straight up has an MMO style raid wipe mechanic that Odin loves to be trigger happy about.
Also certain playstyles lose bad like the classic Barrett super tank eating all damage (legit lost the fight in under a minute because of that).
No matter what you do this fight is gonna have a difficulty akin to a Souls end boss, Kingdom Hearts on Crit level 1, or for FFXIV players his Savage fight in XIV I feel like would be easier and unless you really want Odins summon for whatever reason. IT IS NOT WORTH IT.
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grraveryl · 1 year
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Oswald and the Merchant
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taupewolfy · 9 months
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all these clips of people """"air comboing""" dummy enemies in a training room goin 'oooh look at this sick as gameplay.....combat so fire' etc etc WHATEVER!!! You've all got nothing on endless air combos in odin sphere
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dmdarius · 1 month
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Conrack's looking a little more demony than usual and I'm stuck in a chamber with Loki himself. That's not the worst of what's happening though. No, the worst of it is that the GAME itself doesn't want me to finish it. BUT I WILL! FOR MIDGARD!! #rune #retro #viking #norse #pc
youtube
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lmdoodleshack · 1 year
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I like thinking of potential arcs and threats, since while I can't script a whole lot, I can think of prospective enemies. Sometimes things change and threats change, though. I probably won't get to them all, or they might get repurposed to other places, but I like to give myself options and ideas during idle periods between sessions. They're not in any sort of order right now.
But I liked slapping together logos just to give Loose Ideas. Hints, maybe.
Season 1: Drawn Together by Fate's Strings - Apocryphal Dreams
Our heroes gather together, and uncover a new world hidden by the Mists of Apocrypha City.
Season 2: The Wise God's Desperate Stand - Wisdom's Penance
The Wise God Odin pushes to gain authority and change Apocrypha City for better or worse, once and for all.
Season ?: Beauteous Kingdom of Liberation - Midsummer Fantasy
The price of freedom.
Season ?: The Light of the End Times - Ad Meliora
Mors mihi lucrum.
Season ?: The Shadow of the Apocryphal City - Mirrored Sun
Look beyond the smoking mirror.
Season ?: Perfection Living Imperfectly - Trial of the Heavens
Ashes to ashes, dust to dust.
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probablybadrpgideas · 3 months
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Loki gives birth to twin foals while in the guise of a mare: Sleipnir, the more famous eight-legged stallion of Odin, and his less-iconic twin Flopnir, the legless horse who can only flop around like a seal on land.
*the players immediately adopt flopnir*
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theresattrpgforthat · 5 months
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Do you have any recommendations for games in the western genre? Or western fantasy/sci-fi? Absolutely can’t get enough of the combination of cowboys and six shooters, steampunk, and magic fantasy. I’m considering writing my own setting for DnD5E that combines these elements.
Theme: Fantastic Westerns
Friend, I think I've collected a real tight bunch of winners here, so I'm confident you'll find something that really scratches that itch you've got!
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Wicked West, by Finch Edmund.
Wicked West is a PbtA game by Finch Edmund (they/them) about paranormal cowboys. It combines classic monsters with the backdrop of the old west and is meant to be played with at least two players with one player taking the role of Game Master. Wicked West is made to tell stories similar to the westerns of the 1940s-1960s about small towns and the struggles of life with a horror twist.
If you like combining monsters with your westerns, this is the game for you. It looks like you combine a couple of different options to make your character playbook, which is something I’m personally pretty jazzed about when it comes to creating characters. One interesting thing about Wicked West is the relationship your cowboy has with their horse: a vampire might feed off of their steed, while a witch can cast spells on their horse to run faster. If you don't mind a bit of a horror flavor to your Western, this might be the game for you.
Wizards of the Wild West, by ckellyrpg.
Wizards of the Wild West is an action-oriented TTRPG that combines fantasy magic with classic Wild West themes. It is powered by the LUMEN system, and takes heavy inspiration from looter-shooter games such as Destiny.
LUMEN is still a game that I’m excited to try out, so seeing it tagged onto a western game about wizards made me take a second look. This is a game for a raucous good time; you’ll be pulling off sweet character combos, with easy-to-understand breakdowns of each character class. Right now the game is still in development, but it’s still considered playable, so if you get it now it might have more content for you down the road!
We Deal in Lead, by Odin’s Beard.
You look to those closest to you, fellow gunslingers of the Order of the King. The arduous trek across the bleached desert is over and now you stand before a slip door. Though tested, the fellowship of your Order stands true.
You grasp the worn sandalwood grip of your artefact gun and twist open the door. You gasp as the sharp sea air hits your lungs. Gulls caw and the foam sprays your face like a baptism. You step through to another reality.
After all, there are other worlds than these.
We Deal In Lead comes highly recommended to me by folks who like the OSR scene. It’s based off of Cairn, a well-beloved fantasy system, and if you got the TTRPGs for Trans Rights in Florida bundle, you already have a copy!
The setting is meant to be somewhat post-apocalyptic, but the barriers between your world and others are thin, causing threats (and allies) from other dimension to have a chance to enter your world. The game focuses on combat, exploration and survival, and it’s almost completely compatible with anything released for Cairn.
If you like what you see so far with this game, you might also want to check out Omega City, a weird west city setting, still in ashcan form.
Vampire Cowboys, by Maddy Searle.
You are a gang of outlaws in the Wild West. You have a lot to contend with: enemy gangs, law enforcement, wild animals, and… did I mention? You’re also vampires. You must figure out how to survive in this harsh land, where “justice” is often swift and violent. Will you blend in with the crowd, and hide your vampiric side in an attempt to live as a gun-toting cowboy? Or will you give in to your monstrous urges and use your supernatural powers, making yourself known as a vampire? It’s entirely up to you. 
This game premise is simple and easy to describe: you are vampires who are also cowboys. You live in a world where everything wants you dead, and you’re constantly fighting the parts of you that make you monstrous. The mechanics are very familiar if you’ve every come across a Lasers & Feelings game: a couple pages to read and you’re off to the races, ready to play.
Reboot Hill, by Groovy Dad Games.
REBOOT HILL is a sci-fi Western TTRPG set in the "Future West" of the far flung Hill-Ceballos System. When a war back on Earth results in a cyber-attack that frees all of the bots in the Hill-Ceballos, things go bad for the humans right quick. In the aftermath, bots have got to rely on their shooting irons and their processors to make their way in this new, post-human frontier. 
REBOOT HILL is a card-driven tabletop role-playing game in which players portray "Aces"--bots with advanced AI that find themselves on the right or wrong side of the law. 
Finally, a space western! Here’s a card-based game with a plethora of character options, including mechanical upgrades, as well as weapons and vehicles. You’re mainly going to be bounty hunters, chasing after varmints and villains so that you can scrape together a living. If you want a game whose game mechanics make you feel liked you’re sitting at a poker table, you should check out Reboot Hill.
Clink, by Technical Grimoire.
Clink is a tabletop RPG about drifters, the creeds that bring them together, and the history that drives them apart. This game uses coins to tell a story inspired by spaghetti westerns, ronin tales, and shows like Firefly or Supernatural.
Characters begin as rough sketches of the shifty sort you’d see in an old Western or Noir film. They all start as blank slates, their histories unknown. Tell stories about their past and create your character as you play.
I’m a big fan of Technical Grimoire, especially their expertly-designed Troika setting, Bones Deep. Clink isn’t Troika - it uses coins as a storytelling mechanic - but it’s very setting-flexible, as seen in the variety of the starting scenarios provided.
The game is also non-linear: throughout play your characters will experience flashbacks, which will help flesh out who they are as you play, and tell us something about who they used to be. You’ll start the game with two coins, which you can spend to gain a flashback, but you can also flip them to try and succeed at various tasks. As you play, you’ll also gain coins using a mechanic called a Trigger - bad habits that get them into trouble.
If you want a fresh set of rules to play around with in a flexible setting that stays true to the woes of outlaws and other Western tropes, I heavily recommend Clink.
Boondock Cartomancy, by Hookline & Sinker.
The consequences of westward expansion rear their head. Desolate, inhospitable, and unpredictable - the Outbacks are a ravaged desert, a wild tundra, an ancient tomb. Host to a plethora of unknown variables and formed from the corpses of failure, it’s a hotbed for the lawless, the corrupt, and the lost. Conditions for growing a corporate empire couldn’t be more ideal.
BOONDOCK CARTOMANCY is a tabletop roleplaying game about personal growth in a cruel and inhospitable wasteland, backlit with Western cowboys wielding powerful and unpredictable magic. It’s a game about reflecting upon the world and systems of exploitation we live in, and using ancient spells to blow up a caravan of criminals in a climactic shootout. It’s a game about interfacing with the human condition, and feeling cool as shit while doing it.
This game looks so cool! You are brokers, going on dangerous jobs in a hostile frontier, giving your characters objectives to complete while also exploring the way colonialism forces so many folks to act as simply cogs in a larger, uncaring machine. The game also gives you a fantasy to explore, by granting your characters card-based magic skills, and replacing their hit points with a luck meter. The game itself also has a really clever layout, presenting itself like an old-fashioned newspaper, with pieces of advertisements sprinkled throughout to give you bits of lore about the world. All in all, definitely worth checking out.
Former Rec Posts to Check Out
Rootin’, Tootin’ and Shootin.
Space Westerns.
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whyareyouhere66 · 8 months
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Omg cool I have an angsty request 😈(if you’re comfortable writing it<3)
Kind of Tom!Peter Parker x Male!Stark!reader x Tony Stark(platonic obviously) ??
Reader has a rocky relationship with his dad Tony, just wants his attention, to be seen by Tony etc. but once Peter joins and takes Tonys full attention reader just automatically hates him for ‘stealing his dad from him’. As time goes on reader just gets more hateful and jealous of Peter, maybe getting into fights with Peter on purpose. Suddenly there’s a new villain/anti-hero (??) that’s been interfering with there plans or just wrecking havoc to go after Peter. Plot twist when they finally catch them/they’re too hurt to keep fighting, it’s revealed as reader. You can make it as angsty as u want!
(A.K.A. Reader is Loki, Peter is Thor and Tony is Odin lol)
 AHH THIS
I love this trope-
So glad you requested this, (and thank you for checking stuff first) and enjoy
Also note that I’m not too fresh on the marvel timeline, if you notice anything that doesn’t exactly align with the movie than I’m sorry just brush past it- this also might be the longest fic I’ve ever written so 
Implied to be set around the start of Peter’s Spider-Man stuff. 
x
Look What You Made Me Do
Male Stark Reader x Avengers
“If I loved you, was a promise….
Would you break it, if you’re honest?” 
[idontwannabeyouanymore, Billie Eillish, 2017]
Cw: violence/fighting, Tony being a bad dad, slightest mentions of drinking, angst Kind of jumping straight into it too- 
I’ll fix a few things later I’m tired I want this one to be out and about
Named after a Taylor song, starting with a Billie lyric 💪💪 
If you were to ask anyone about the wealthiest men in modern day New York, it’s inevitable for Tony Stark to appear somewhere on that list.
He’s rich, handsome, a superhero. New  York’s knight in shining armor. 
Most believe his life is a dream, somehow oblivious to the fact that maybe a superhero doesn’t live life in the dream house. But when he’s made his brand through money, fancy houses, big parties, and shiny military weapons it’s easy for people to see no further than surface level.
That isn’t the case for his son, though. 
From a wealth aspect of it- the young Stark knows how grateful he is, how grateful he should be, for his father.
If it wasn’t for him, he wouldn’t be currently sitting in this large bedroom, with a view most would pay a couple grand for, wouldn’t be surrounded by the various expensive objects linked to his little interests. It doesn’t even matter how much Y/n would insist on paying- he never seems to think much of it. Maybe it’s his way of showing affection.
That’s what Y/n hopes, at least. 
Because if not- there’s not much there. Tony Stark has never been much of an affectionate person, some may blame it on his own father. Others would blame it on the business- no time for distractions on a long days work.
But neither of those reasons matter- for all his son ever wanted is for Tony to love him the way he wants him to.
-
Static crackles through Y/n’s small speaker, and quickly the boy perks up. A short glance  over and he finds the old Queen record spinning aimlessly, with the tone arm at the end of its songs.
Pushing himself off the bed, he walks over to the stand where Tony’s old record player sits. Taking the arm off- he flips the record over to side b, before returning it to its place. 
The intro of Queen’s “Hammer to Fall” begins ringing from the speaker, and a small, satisfied smile grows on Y/n’s face.
He hums the beat, nodding his head with it while turning back to his bed- but something catches his eye.
Outside, there’s two figures standing out front. One eyebrow raises, Y/n slowly steps closer to the window. 
“Who-?”
Recognizing his dad, dressed in his best suit, Y/n leans closer. The other figure isn’t quite as tall as Tony, and looks quite obviously nervous. 
Y/n furrows his eyebrows. 
….That’s Peter Parker.
What the hell is he doing at Stark’s house?
***
The sound of a backpack falling to the ground echoes through the foyer- and immediately it’s a sigh of relief. The sweet, sweet air conditioning here is heavenly in contrast to the one at school.
Y/n faintly feels a vibration in his pocket- grabbing it only to see multiple notifications coming from a group chat. 
‘What are they on…’ he wonders, scrolling through countless messages worth of nonsense. He goes to reply, when-
“Y/n!”
His head snaps up at the voice, echoing out from the couch.
‘didn’t realize he was home…’ he looks back at the window, finding his father’s car parked in the driveway. 
“Oh.” 
Deciding the group chat can wait, the teen wanders to where his father sits. 
“What’s up?” Immediately Y/n sees the  scattered papers piling on top of one another on the coffee table, the short crystal glass filled halfway with rum. You’d think he’d wait until at least five, but that’s not the Stark way.
“I found a uh, form on the coffee table,” his voice sounds bored, tired, “something about textbooks for school?”
Y/n notices the forms sitting at the edge farthest from Tony, as if they’d been pushed away as far as they could go. 
“Oh, uh, yeah.” He says awkwardly, looking at the dirty laces of his shoes, “it’s fine, I got it.” 
“Well I can pay for them, if that’s what you’d like.” The eldest Stark shrugs, finally looking at his son from over the rim of his glasses.
Y/n almost feels embarrassed- when had he asked for that? He shakes his head, though it doesn’t hide the surprised look on his face.
“No, no you don’t have to-“
“Oh please, I got it, education is our future or something, right?” Tony shrugs, taking off his glasses and beginning to stand up from his chair, headed for the black leather wallet he’d left on the dining table. 
Y/n isn’t quite sure why he’s now rushing to step in front of his dad- there isn’t much harm in the gesture after all. Maybe he just doesn’t want the weight of depending on his father for everything to lay on his shoulders. Either way, excuses are already falling from his mouth.
“You really don’t have to, dad-“
“You’re acting like I’m handing you the presidents treasury,” Tony deadpans, “besides, you don’t have a job.”
Y/n pauses. 
“Wha- yes, I do-“ does his dad really not know about his job?
“Look, it doesn’t matter, I can get them used anyways-“
Before he can take one step closer, a nervous voice quips up from the doorway and ends the race for the wallet.
“Um, Mr. Stark?”
Curiously, Y/n and his dad snap their heads to see who has just joined them.
“Peter-?”
Peter Parker stands in the large door way, curled into himself with his backpack strap folded between his fist. His eyes are wide and questioning, looking between his classmate and his idol as if he had walked into the wrong room. 
Suddenly, Tony’s shoulders drop- and he’s no longer interested in any textbook or wallet. 
“Ah, Parker, didn’t think you’d make it.” He says bluntly, strutting away from his son and towards the obviously nervous boy. 
“Here, sit down kid.”
With the man’s hand pressed into his shoulder blade, Peter has no choice but to follow him towards the various seats lining the dining table. And from the side- Y/n watches, absolutely lost.
After he had seen his father and Peter talking, he kept it to himself. Knowing the boy, he had simply assumed Peter was asking for an autograph or a picture, just like half of the city. 
But now, he is in his house. At his table. 
What the hell is this?
“Um,” Y/n’s voice sounds blunt, almost too similar to his father- who’s already sitting down across from Peter with his arms crossed and his eyebrows raised, as if this was a press conference. 
Peter looks at him first, while his father throws a glance over his shoulder. 
“What’s this?” Y/n asks, pointing to the strange teenage boy sitting down in his seat. Tony tiredly leans back in the chair, twisting to the side just slightly so he could look at Y/n head on. 
“Y/n, this is Peter, Peter, this is Y/n.” 
“Uh, yeah, we know each other.” Peter pipes up, giving Y/n the shortest, most awkward smile it seems he could muster. Y/n’s face stays blank.
“Yeah, I meant what is he doing here?”
Tony doesn’t seem at all phased by the rude undertones of Y/n’s question.
“Peter is gonna work as my intern for a little while, I’m training him.”
Y/n’s eyebrows furrow. 
“For what-“
“Hey, quit interrupting, will you?” Tony dismisses him with the wave of his hand, turning around so he’s fully facing Peter. And Y/n lingers there, processing. He doesn’t like feeling like a shadow, not in his own home especially, but that’s the feeling that begins to overtake him.
Intern…? 
He tries understanding what that means- there’s many possibilities. Assistant, maybe. But when he looks between his dad and his classmate one last time, seeing that he’s been nearly forgotten in the room (aside from the short glances from Peter’s end) he turns around to retreat, fists clenched. 
His dad has had interns before, Peter likely won’t be much different. Possibly.
***
It’s been 5 weeks.
And multiple times, for each of those weeks, Peter has been somewhere mixed into the tangle of Tony Stark’s extensive schedule, far more entangled than Y/n has been for the past few years.
He shows up to dinner, trains at the Avenger’s tower. He comes knocking on the door randomly asking for life advice, or something- he’s everywhere.
It wasn’t even until week 4 that Y/n discovered the truth behind his sudden presence, when he saw the suit for the first time.
He has his own suit, god can you believe it?
Y/n watches on as Tony seems to easily bring Peter under his wing- hating how he has to avoid the burning green envy that burns his ears. How has Tony managed to take on the father figure role to Peter, when he barely manages that role with his own son?
‘It shouldn’t hurt this bad,’ y/n will think to himself, ‘you’re independent, relying on him will only make it harder in the long run.’
But he couldn’t help the hardened glare that arose every time he saw his dad, his own dad, bonding with someone else the way he had been wanting for what- 16 years?
Even now, sitting at the table, while the teen stares into the bowl of cereal in front of him, it’s just so irking to think about. 
His spoon scrapes the edges of the bowl, gathering the now soggy cheerios into a cluster in its silver dip. Then, they get lost in his mouth. Rinse and repeat- he does it over and over while staring a blazing hole into the wall. 
What is Peter doing that he can’t?
“Mr. Stark-“ 
Speak of the devil. 
Y/n’s grip on the spoon tightens.
Peter comes stumbling into the room, out of breathe as if he sprinted all the way here. He doesn’t even knock anymore, Y/n thinks, he’s made himself at home.
“Kid? What’re you doing here?” 
The nickname sends a shivering twitch through Y/n’s already sore muscles, tugging his face so he can’t control the annoyed look that comes through. 
They’re talking to each other now, Peter trying to tell a story far too quickly for either of them to follow. Y/n blocks their voices out.
His chair scrapes against the floor, and he grabs his bag to leave. 
“I’m going to school.” He says loudly, cutting off their conversation. 
“Oh, I guess I gotta go too-“ 
“No,” Peter freezes, looking at Y/n curiously, “no, no stay here longer why don’t you? Practically your house.” Venom leaks from his words, the sarcasm so loud it makes Peter flinch. 
“Y/n,” Tony groans, rubbing the bridge of his nose tiredly. Y/n’s stare only hardens.
“What?” He snaps, now looking at his father. 
“Really?” Is all that Tony manages, before Y/n is rolling his eyes and spinning on his heel.
“(F/n) is waiting for me.” He grumbles, snatching his phone and stomping out of the room. 
How does his dad not get it? Is he so blind he can’t even see his own blatant favoritism? 
The look of exhaustion displayed on his face would make you think hes working day and night having to put up with Y/n’s attitude- yet he’s unaware he’s exactly what’s causing it. 
Y/n doesn’t want to blame Peter, in the back of his mind he knows that it’s his dad’s fault. But it feels like his father is being stolen.
But can it really be theft if there wasn’t much of him in the first place?
Y/n knows that he’s picking all the fights, starting all the arguments just so that twisted part of his head gets some satisfaction. 
It shouldn’t be working so well.
The young Stark doesn’t return home until it’s just about dark outside, his backpack hanging loosely off his shoulders. 
He walks the long halls of his home, past the doors that could either be a guest bathroom or a weapon closet. Even if there’s more entryways than doors, his father opting for large empty frames, he walks the length of it with no specific destination in mind. 
He isn’t too sure where he’s headed anyways, considering he’s passed the way to his bedroom already.
Through half lidded eyes he guides himself through this maze of a house, bitter jealousy bubbling in his lungs. It’s such a haunting thought, a looming presence, and he wishes he could push it down the drain but it seems that he can’t. 
“Stupid, stupid Peter…” he mumbles, hand grazing the wall beside him. 
Ned’s voice still rings in his ears, breathy from how he had been exercising for most of the class.
“You don’t know what he looks like- what if he’s like seriously burnt?”
“I wouldn’t care, I would still love him for the person he is on the inside.”
Of course it caught their attention- Peter’s little crush on Liz wasn’t hard for most to notice. 
“Peter knows Spider-Man!”
How horrible. 
Across the room, Y/n’s head snapped to where the pair was on the gym floor- Peter’s jaw slacked. It didn’t matter how much he tried to quickly say otherwise- Flash already had slid down the climbing rope with another remark slick on the edge of his tongue.
And Y/n watched on, eye twitching, feeling how his  friends slapped his arm in amusement. 
“I can’t tell if he’s for real or not-“ F/n mumbled from next to him. Y/n’s eyes never tore away from the scene playing out ahead, tongue poking the inside of his cheek.
“Yeah,” and his eyes squeezed shut, “me neither.”
Y/n’s fists curl together, knuckles scraping the wall for a moment before he’s pulling away.
It’s so frustrating. 
He’s walking further down the corridor, eyes sliding open just in time to catch a door left slightly ajar- and he pauses.
He’s passed the door many times, no doubt, but this time it’s different. There’s something pulling him inside, an unknown source that’s too intriguing to walk past.
Slowly, he pushes open the door. And there it is.
Old bins and cabinets with junk gadgets shoved inside- worn blueprints from his fathers old work. One eyebrow raises, cogs turning and grinding in his head.
There’s some things still in tact, some that have been broken apart and scattered about. Y/n kneels down to observe closer. 
He feels the smooth surface of a metal clasp against his fingertips, grazing the jumbled objects. 
This is his answer.
The backpack slides off his shoulders, thumping on the ground beside him. This room is one that his father doesn’t visit much anymore, now much more caught up in other things such as the Avengers, Peter, the scattered piles of paperwork that seem to constantly consume him.
And in the corner, there’s a bend in the wall partially hidden by a cabinet- if you were to tuck something inside, no one could see from the door frame.
Y/n already feels his mind blooming with ideas as he skims over the various parts and pieces in front of him.
If he can’t live up to his fathers standards, his fathers name, 
then he’ll make his own.
***
Multiple nights pass, weeks go by and Y/n finds himself spending the time after dinner until midnight cooped up in Tony’s old gear room. 
He likes to think it’s a family trait, something tying him to the Stark name, also known as his skill for parts. He can take a few glances at both his own notes as well as the old blueprints and suddenly have the necessary concept for a retractable weapon, built to strike out of an arm piece. And when he’s done, he simply drags it all into his tucked in corner- hidden until night falls again the next day. 
Time not spent at school, occasionally in his room, or in his new lab- is now spent taking full advantage of the gym on the higher floors. 
The Avengers don’t question it, barely even using it at the same time as him anyways. He’s planned it so no one is around to see the training he does, the work put in to not only muscle- but also skill.
He doesn’t have a vigilante name just yet- but perhaps that’s the fun in it. He’s totally anonymous.
And as the firm punching bag jerks beneath his incoming fist, he feels the creeping joy of power.
Y/n puts lots of thought into the first strike against the city- building an elaborate yet somewhat reckless attack plan, a formula. 
No citizen will get hurt- it’s only the churning, growing need for revenge he wants so badly to be satisfied. Among the jumbled emotions, and new discoveries, he knows what he wants, and he knows just who he wants to be.
Y/n Stark may never be the millionaire superhero his father is- but he will be something. Something that no one will ever expect.
***
“A new vigilante seems to be on the loose, unidentified. They’ve struck many times already, but police have noticed that, interestingly enough, among the pattern of crime scenes none of the main public areas or citizens have been hit. Could this be the work of an Anti-hero, perhaps? Down at the Avengers Tow-“ 
The anchorman’s voice is cut off, mid sentence, and Tony holds the remote firmly. 
Around him, on the expensive couches sit the Avengers themselves, but their faces are dulled by distress, their knuckles tense from a firm grip. 
“We gotta find this guy,” Bruce sighs, taking off his glasses and pinching the bridge of his nose tightly. Beside him, Natasha agrees.
“If we don’t catch them soon, people will start doubting us.” She says it like it’s so simple, lips pressed into a thin line. Steve groans.
“They aren’t gonna start doubting us-“ he tries, but no one seems to believe him. 
“Oh really? Sounds like you’ve got some superstar solution then, huh?” Tony, always packed full of sarcasm, looks absolutely exasperated. He’s been looking tirelessly for this new ‘vigilante’ of the sorts - they don’t even seem to have a name. They work quickly and precisely, yet go at it with a powerful vengeance. Their skill- it’s almost something he wants to respect. 
The group begins to speak again, switching between civil turn taking and overlapping words. They don’t even notice the figure standing by the door. 
Y/n peaks his head around the door frame, watching these strong, powerful superheroes stressing over him. Oh, they just have no clue.
As they’re still talking, planning unknowingly within earshot of their own enemy- Y/n takes his notes. He listens, until finally he slips past the door and walks quietly down the hall as the sick, strong feeling of triumph sinks into his stomach. 
He’s got them.
***
The rumbling fill of chaos echoes from all around- machines jittering, codes breaking, and a light flickers down the hall.
Y/n stands at the center of the room, looking around at one of his father’s many warehouses from all around- this one being stationed north of his own home state- Maine, USA.
His dad brought him here only a few times as a kid, once or twice perhaps. He always hated it- still does, actually, hence the small bombs scattered across the place. 
It would be funny, to think that not even the Avengers have caught on to his pattern- but that may be jinxing it. Plus, he knows the common traits of each area he’s hit so far, the places holding the unjust power. This stop, though, he’s been waiting to finally hit.
“Stark Enterprises” - a sign once strung together in big letters, now laying at Y/n’s feet broken into pieces. The boy crouches down, picking up a chunk from the “E” and crushes it in his hands. 
Under his mask, he grins. 
His suit, not quite as advanced as those made by his father, fits him well. The sleeves are tighter, snugly wrapped around his biceps with streaks of purple running through the black material. Padding, like thin layers of armor, protect his torso and the pants are the most loose- cargo, with big pockets.
A mask is what pulls the whole thing together, though, concealing the entirety of his head underneath its black and purple coloring. 
Littering his hands, and even weaved into the material all across, are the gadgets he’s spent so many hours on. Rings sealed into the gloves have enough sharp metal twisted together inside that when activated, spread into blades. In the pocket around his waist band- is a button, the button, that with one push turns this warehouse into a cloud of orange and yellow. 
Y/n is still watching the crumbling sign fall from his palm, like grains of sand, when the door caves in behind him. 
“Put your hands up, tough guy, we caught you.”
Captain America, confident as ever, bursts in at the front of the group with his shield held high. Behind him, Tony, Peter, Natasha and even Bruce waltz right in after him. For a second- a glimmer of pride washes through Y/n’s body, they brought 5 to a fight against 1- he must be special.
“Yeah, times up buddy.”
Seeing his father, dressed in the famous Ironman suit, reminds Y/n of the whole reason this started- and another twisted feeling knots itself in his stomach.
The moment he’s been waiting for.
They can’t see him as he smirks underneath the mask, deciding to toy with them just a bit. He doesn’t speak- no one’s heard his voice when spoken through the filtered material yet. It seems they’ll be the first.
Y/n’s head cocks to the side, and raises an eyebrow- something the Avengers can see through the imprint of his mask. A challenge. 
Bruce’s battle cry cuts through the air- and suddenly the Hulk is charging. It startles Y/n for a moment, but quickly he steps to the side and lets the green giant crush the ground beside him. As Hulk gets back up, snarling and growling, Y/n is already grabbing a long beam, bent from where it fell with the rest of the Stark Enterprise’s sign, and strikes Hulk right in the gut.
The giant man stumbles slightly, yet still stomps forward. But Y/n isn’t in front of him.
“Hulk!” Natasha yells out, watching from across the room as Y/n comes from behind, mid air, wielding the same beam from before. Hulk is barely able to tilt his head an inch before the metal is crashing down into the area just below his head, and bruising his neck. 
He’s out within a few seconds, stumbling around clumsily while black dots tease his vision. Then, he falls to the floor.
“Well shit.” Steve mutters, bending his knees like a bull preparing to charge. He should’ve known sending in Hulk with no preparations would be a bad an idea.
“Sending the big one in first, huh?” Y/n looks at them cockily, “do you see me as a threat, Ironman?”
Tony raises an eyebrow, “oh look at that, he can talk.”  He doesn’t even skip a beat as his suit begins to whir, the arm unfolding so a mini blaster pokes out from the forearm. 
The vigilante barely has time to react as strings of energy are thrown his way, jumping and dodging each of them narrowly. Tony doesn’t wait for him to regain his footing though, flying straight towards his figure.
Steve eyes Natasha, gesturing for her to move. The woman obliges, creeping around the fight so Y/n’s back is in front of her. 
Ironman grabs Y/n by the shoulders, pushing down with such strong force that the latter is forced back a few steps. He holds the metal sleeves with a firm grip, and at first Tony doesn’t notice as the boy’s rings begin to scrape against the surface. Sparks fly like the touch of a welding torch, grazing the edges of Tony’s mask just in time for him to realize mini blades are beginning to prod at his suit. Y/n doesn’t hesitate to take the opportunity and shove the man away from him. 
Natasha watches closely, seeing how Y/n stumbles from the impact. She jumps at him.
Y/n extends his arm in her direction, not even turning all the way around, and his rings grow from small blades to a sharp spiral of metal pointing right at Black Widow’s chest.
She freezes, he smirks.
Of course, it’s not his intention for someone to die. That’s not what he does. This, well, is simply defense.
“How about we get right to the point.” He says, slipping his free hand into one of the pouches around his waist band. Out with it comes a cylinder- black and sleek with some sort of dial built in, a bright red button on top. 
Steve feels his stomach drop. 
“Pick a number.”
Tony, seemingly unaware of the detonator to have just been introduced, rolls his eyes, he’s growing impatient. 
“Alright, fine, 5- you wanna quit it with the games now?”
Big mistake.
Without skipping a step, Y/n is scrolling through digits on the small screen built into the detonator. It’s almost too quick for any of the Avengers to realize what he’s doing- and it’s far too late by the time they do. 
“Alright, then.” Y/n presses the button.
Steve goes to lunge forward, tries to make a grab for the device, but he waited too long. The whole room rattles, and the section just to the left of them suddenly bursts. Bombs. 
Y/n watches with a special glint in his covered eyes as everyone stumbles, yet his feet stay firmly planted in the ground. They’re startled, bits of the wall flying around and clattering against the floor. Peter snaps his head towards Y/n in shock.
“Who’s next?”
“Oh my god.” Peter mumbles, wide eyed. It’s the sound of his voice, his first time saying a word, that catches Y/n’s attention right away.
His teeth grind together, thumb smoothing over the button’s smooth surface. His mind mumbles, Do it again.
Staring into the large white panels of Peter’s mask, his guard is left fallen for just a moment too long. Tony sends one more blast his way. 
A jolt of pain seers through Y/n’s thigh. The energy was strong enough to surpass the material of his pants, leaving a heavy ache in the area. Y/n glares.
“You asshole,” he grunts, spinning the dial with his thumb before slamming down the button.
Above them, part of the ceiling crumbles.
Bits of concrete come tumbling down, Peter and Natasha diving for cover. But Y/n is no where near finished.
“How many bombs are there-“ Peter asks to no one in particular. His question is soon to be answered.
“Let’s not wait to find out,” Steve grunts, sprinting to where his opponent stands at the opposite side of the room. Y/n feels the previous feeling of confidence, the smooth and cocky facade, slipping away. He wants to win.
Each of Captain America’s hits clang against metal couplets clasped to Y/n’s wrist- chaos ensues around them. Tony firing shots, Peter surrounding the fight, Natasha running for a hit at close combat- and hulk just starting to stir from his little nap. 
But Y/n doesn’t let up- not until it’s too late.
A fiery blaze heads straight for him, straight for his face. It’s beginning to sizzle against his ears, he can feel it coming. But he doesn’t react in time, trying to defend himself from too many things at once. 
The blast, coming from his own father’s hand, hits him.
His mask begins to spark, edges curling into themselves as slowly, Y/n feels the right side of his face being revealed. 
His hand meets the wall, holding him up as he recovers from the impact. They haven’t seen him yet. 
He hears Steve’s heavy breathing from behind him, something so familiar it almost tricks his mind. Then, Tony’s voice.
“It only takes a few hits, huh? If I knew that’s all it took I wouldn’t have wasted so much time.”
More sarcasm, Y/n almost laughs.
“Who are you.” Natasha doesn’t even make it sound like a question, her voice strong and firm. 
Silence ensues, just for a moment, Y/n’s head is swimming. 
Yet, over all the thoughts and noise, one thing screams loudest over the rest. 
“Do. It.”
“Don’t you recognize me?” Y/n’s voice, no longer protected by a filter, is raspy and hoarse. He slowly turns around, head peaking out of the shadows.
“You know me already…”
.
.
Holy shit.
A loud clang echoes through the now dead silent room, the red white and silver shield rolling across the floor. 
“…Y/n?” 
Tony’s helmet folds into itself, revealing a sweaty face with wide eyes and a slack jaw. 
A bitter smile is what he receives.
“Dad.”
Tony looks around, dumbfounded. 
“I-“ he stutters, nearly speechless, “what- what the hell are you doing?”
“What does it look like?” Y/n steps forward, voice dry yet dripping with venom. 
Tony chokes, “being an absolute moron, that’s what-“
Y/n barks out a rough, quick laugh. “Ooh, rough.” He rasps. Steve steps forward, putting a hand onto Tony’s shoulder and pulling him back. It’s like a warning, silent communication because next, he’s the one to step forward.
“Y/n…” the words die on the tip of his tongue, throat running dry, but he still tries, “what- I mean, why?”
Y/n has begun to pace slightly, taking slow steps around the shocked group. He peels the mask away from his face.
“Yknow, most people tend to turn to the worst of their options when in a dark time,” he says smoothly, feeling each and every set of eyes watching while he walks. Hulk watches through blurred vision, completely disoriented. 
“I mean, hate to give you the classic origin story and everything, but…” 
“Hold on,” the thoughts are almost visible, loud and heavy in Tony’s head, “is this about something I did?”
So he’s finally getting it.
“What could Tony have possibly done?” Asks Natasha, and Y/n looks at his father directly.
“You don’t care, ok, that’s what-“ his voice is breathy, and he scowls, “You can’t even talk to your own kid, Stark. It’s like you don’t realize what I am, to you- what you are to me!” Anger rises with each word that shoots like poison from Y/n’s mouth. 
Tony gets defensive, shaking his head and squeezing his eyes shut. “That’s not true, I know damn well you’re my kid-“
“Oh really? Cause you seem to have it a bit mixed up.” Y/n’s eyes flicker to Peter’s frame, and everyone tenses.
“Is…is this about Peter?”
At the mention of his name, Peter tears off his mask, a concerned, heavy look on his face. 
“I, Y/n it’s not like that-“ he tries, only to be interrupted.
“Yknow,” Y/n’s voice sounds so pained, “I always thought maybe you aren’t too upfront with your affection. For years, ok, I would wake up, go to school, come back, and go to bed all without saying more than a few words to you. Years, dad.” A lump is forming in his throat, but it’s too late to turn back now. “But then, out of nowhere, someone else comes into the picture and suddenly you’re taking him to lunch, you’re picking him up from school, basically spending way more time with him, than with me.”
Bold, bitter, and wavering- Y/n doesn’t stop. Even as his father, his classmate, the people he’d grown up with thinking were like family, just watch with feeling burning in their eyes. 
“Y/n,”
“You made it look so easy with him.”
“Hey, kid, c’mon-“
“Are you serious?!” Y/n yells in disbelief. “Are you gonna tell me I’m wrong? Is that it? I’m just exaggerating, or what-“
Tony straightens his posture, swallowing hard. 
Y/n’s face almost crumbles from the way his fathers face wavers. But he just doesn’t stop. 
“You can be the greatest hero in the world,” Y/n breathes, sweat sparkling around the frame of his face, “you can put on a face for the interviews, and train Peter to perfection,” a step closer, “but don’t forget that I’ve always been here too.” 
Y/n’s voice sounds so dark, unfamiliar and breaking, it’s gone raspy from the pounding drum of his heart beat. 
Ringing silence once more. 6 melting souls standing in the waste of their own troubles. 
Y/n feels budding tears threatening to spill.
“And now look what we’ve done.” 
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ravenloop · 3 months
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I LOVE the piece you did with god of war freyr! could I request headcanons on how he'd try woo the reader? especially if they keep accidentally friend zoning him!
>Oblivious reader is officially one of my favourite things to write lol
>Pairings: Freyr x reader
>WARNINGS!: None
𓅨
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Headcannons: Freyr trying to win your affection
<><><><><><><><><><><><><><><><><><><>
— Freyr is absolutely the biggest player known and you cannot tell me otherwise. He's definitely been with countless of partners, and who could blame them?! He's Freyr.
— That being said, despite him being a player, he definitely falls for you. And he falls hard. I don't mean that metaphorically either, when he first met you he stared so hard he tripped face-first into the mud.
— You're the most beautiful being he's ever laid his eyes on, perfect in every way, like you were made from the very roots of Yggdrasil. And he's not shy, he tells you that straight to your face with the stupidest expression ever—he thinks he looks handsome.
— But that stupid smirk is wiped right off his face when, instead of flirting back like you were obviously supposed to do, you just tell him "Thank you!" with that gorgeous smile and walk away.
— Really? He just called you one of the most poetic things he could think of and you're going to just say thank you?! Whatever, he brushes it off and decides that he wasn't trying hard enough.
— He continues with using sweet words and compliments, buttering you up nicely with "You're looking extra radiant today" or "I love your voice", simple things. When you once again just thank him before walking away, he can feel his eye twitching. Nevermind. Perhaps it's time to take things a step further.
— If he had Ingrid at the time, he'd definitely try and gift it to you, only to be ultimately halted by Freya with a smack. He's definitely tried it with other woman in the past (and Odin).
— He starts bringing you things back from when he goes on missions every so often. They'd range from beaded necklaces to flowers he placed in your hair to jewels he found in some hidden chest. It buffs up his ego when he sees you wearing it most of the time.
— You're also the first person he talks to when he returns to camp, first person to hear the details about what he saw while out. Majority of his time in camp he spends with you. If you're ever sent out on missions, he'd try to come with you, and if he can't then he'll just send someone trusted with you.
— By now it's painfully obvious he's fawning over you like a young mortal man. Everyone in the camp can see it, everyone but the one person he wants to see it: you. As dreadful as it was to witness, everyone in camp found it too funny to really step in and help either side out.
— Up to this point he really tried to make his hints obvious, and he's sure there's no way they could be more out in the open than they already are. Eventually he gets fed up when you turned down another advance of his and just straight out yells his feelings.
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"I LOVE YOU, DAMMIT!" "Oh. As a friend or...?"
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starlightwayfinder · 7 days
Text
I got the sudden urge to share about an AU, and I actually think it’s one I’ve never talked about here before?
Anyway, it’s just for fun, but a while ago I decided to make a Pixie Hollow AU. I liked the first couple Tinker Bell movies a lot as a kid, so it’s fun for me to revisit that world now. (The AU takes place in Pixie Hollow/Neverland, but the characters themselves are all from KH. Most of them would be KHUX-style keykids, but they’re not exclusively from any one point on the KH timeline)
As far as world building goes, it’s mostly the same as the movie. The fairies are born from dandelion seeds + children’s laughter (perfect, right?) and end up in Pixie Hollow. There, they choose their talent and work to prepare for the change of the seasons. There’s a minister who oversees each season, in addition to a ruler over all of the fairies. (I think in the later movies they made it so the winter fairies are separate from the rest, but I’m choosing to ignore that since… it wasn’t really a thing back when I was watching them.)
They do still have Keys, but they’re lost keys that become magical when they appear in Neverland. They can all open any lock, but additional abilities will depend on the wielder’s talent.
So now to the fun part—assigning talents! 
First, the seasons: 
Ava is the Minister of Spring, Gula is Minister of Summer, Invi is Minister of Winter, and Aced is Minister of Autumn. Similar to his role in Back Cover, Ira is the king in charge of overseeing them. (And yes, Aced would still prefer to have Ira’s role as leader!) 
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I made concept designs for them when I first came up with the AU, but now I’d probably change the masks to make them simpler. Dust-keepers:
Sora
Skuld
Player
Vor
The Dust-keepers store/distribute rations of pixie dust. It’s a somewhat mundane job, but all of the other talents depend on them to keep things running. Sora of course is happy to have a role supporting his friends, and Player and Skuld are known for being dependable helpers as well. Vor is the most unsatisfied with her talent, and will often get in trouble for flying off to do fun things with the others. 
Garden talents:
Kairi
Lauriam
Strelitzia 
Sigrun
These four are chosen for fairly obvious reasons, haha. They help to plant and grow flowers on the ‘mainland’. Lauriam and Strelitzia are still siblings, in the sense that they’re seeds from the same dandelion that were enchanted by the laughter of two human siblings. 
Water talents:
Aqua
Hermod
Xion
Roxas
Water talents are in charge of rain, morning dew, ponds, etc. Xion spends her free time with Roxas looking for seashells around mermaid lagoon.
Frost talents:
Xehanort
Urd
Baldr
Heimdall
Frost talents are in charge of making snowflakes and ice. They’re great at what they do, but have a bit of a rivalry with the garden fairies after an incident of freezing their flowers... Baldr and Hoder are ‘siblings’ like Lauriam and Strelitzia. Hoder chose her talent first, and Baldr almost picked the same to stay with her. However, he ultimately felt more called to be a Frost talent.
Light talents:
Eraqus
Hoder
Vidar
Elrena
Odin 
Light talents are in charge of storing light, making rainbows, guiding sunbeams, and looking after fireflies. They’re also the ones who melt snow when it’s time for spring to arrive—so there’s a bit of irony in Eraqus and Xehanort’s friendship. Hoder probably would’ve preferred her brother becoming a light fairy, but they still spend plenty of time together outside of their roles. Elrena is something of an odd one out, as she creates lightning and works with the water fairies to make storms. Odin is primarily a ‘supervisor’ figure for them.
Fast-flying talents:
Ventus
Vanitas
Vali
Vala 
The Fast-flying talents use wind to transport seeds and pollen. They make deliveries and send messages thanks to their incredible speed. They also guide newcomers to Pixie Hollow. 
Vala and Vali are close friends, but Vanitas and Ventus don’t get along well. Vanitas is competitive, while Ven is much more easygoing. Sora was a fairy Ven guided, so he got to see him choose his talent.
Tinker talents:
Ephemer
Brain
Naminé
Remus
Tinkers are in charge of everything that needs to be made or designed. Ephemer and Brain are always working together on a new gadget to help the other talents. Naminé is more of an artist, so she’s interested in finding and restoring lost things. She often helps people to remember something they’ve forgotten by returning their lost item. (I put Remus here even though we don’t know much about him, because he seems to have an interest in ‘lost things’ as well.)
Scout talents:
Riku
Terra
Helgi
Bragi
Last but not least—the scouts! They’re in charge of keeping an eye out for hawks, pirates, and any other potential threats. It’s the most dangerous talent by far, but they’re determined to protect their friends. (Bragi in this AU is not ‘Luxu’, he’s just himself!)
Starlight. Where are the animal talent fairies?
So, they exist, but they’re mostly just the generic keykids I mentioned before. I’m honestly not sure who out of the main characters would fit as an animal talent…
Regarding other characters: I’ve limited the fairies to just the Keyblade wielders, excluding Lea. The others exist in the AU, but they’re either mainland humans or pirates, haha. Roxas and Xion would eventually befriend the (human) Lea and Isa, but that’s a story for another time.
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