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#and also an entire fucking fic to write
dapper-lil-arts · 4 months
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I'm not the kind of person that's like "Here let me fix the canon" usually but like holy crap gen 5 implied a lot of messed up shit about our hero Twilight Sparkle lmao
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sluttyten · 27 days
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I was working on a new fic that I was really looking forward to, but in light of recent revelations, I'm gonna be taking a step back I think
also i removed him from the member masterlist and all of his fics, excluding things like YIMA and the poly series which I'm considering re-editing to get rid of him
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littleplantfreak · 2 months
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'When', not 'if'
("I'm not a romantic" I cry and scream before dropping the most sickening thing i've written to date. Blame @stunie because i did tell her i would write the most ume thing ever and maybe this is it. The title in my docs for it is 'Fucking disgusting' but i figured i better not title it that here because I'd be seeing it in my notifs lmaoo)
SFW/no cw unless you hate fluff
When you wake up from your nap, one of your slippers is gone, and there's a blanket on you that wasn't there prior. Looking at the clock, it's been about an hour since everyone had left your apartment once your birthday party ended. The day as a whole had been chaotic, your boyfriend shoving you out the door with a note to go see Kotoha.
The note took you farther than that, though, as it seemed Umemiya created a whole scavenger hunt for your birthday that had you running into all of your friends, having dessert at your favorite cafe, and eventually ending up at your shared apartment to find that all that time spent around town was a distraction so that he could set up the space for your party. After it had ended, you were banished to the couch because princesses aren't allowed to help clean up their own birthday parties, which had you huffing and falling face down into the chicken shaped pillow affectionately called Mr.Clucky.
It was a product of your boyfriend's endless cycle of hobbies when he took up sewing. A little lopsided and overfilled with stuffing, you complained to and into Mr.Clucky with your face pressed into him. Apparently, he was soft enough to fall asleep on because before you knew it, you had been drooling on him the entire hour. Prying yourself off the couch took more effort than was almost worth it before your eyes fell on the reason you were so tired to begin with.
Hajime smiles and hums looking at your bleary eyes. "Good morning sunshine, I was just about to take you to bed," he says, folding a dish towel over a chair. You toss off the blanket and grab on the slipper that fell under the living room table before padding up to him. Dipping your hands under both of his arms to lock them together behind him, now your face is in his chest instead of the chicken, which is entirely preferred.
"Don't wanna go to bed just yet," you muffle, sinking even deeper into him when both of his arms wrap around you in support. He smells like dish soap and birthday cake, and you turn your head to hear the heartbeat in his chest.
"What do you wanna do lovey? You know I'd give you the world if you asked," you can hear the rumble of his voice in his chest with your pressed ear. He's cheesy, but half asleep, you feel just as much, if not cheesier.
"I have the world if I have you, they're one in the same. So just you is more than fine." Your eyes are closed, but you feel him shiver a little. "I wanna dance with you, though," you say, voice still soft and kinda raspy from sleep.
"Dunno if I can top what you just said even when I propose," he chokes out a laugh, or at least you think it's one. He shifts his hold a bit and starts leading you both in a lazy sway that starts near the toaster and ends next to the potted plant at the back door before starting over.
"When? Not if?" You tease him, a hand going to scratch the nape of his neck lightly.
"I'll never meet another you, so I'm pretty set on When."
"I'll say yes." Because you will. You can't imagine a life where you wouldn't.
"And I'll still cry when you do." You can tell he's crying now because it comes out shaky and his hold tightens a bit, before you lean back, stopping your impromptu waltz. Both of your hands come up to cup his face and look at his teary grey eyes before cooing at him.
"You big baby! Save those tears for When please. You'll be congested and sniffley all night if you don't stop." You start cleaning off his face with your sleeve, but he stops one of your hands and starts peppering your palm and wrist with small kisses. "I think I'm ready for bed now. Princess's orders," you say, dragging him towards your bedroom. You'll have to figure out tomorrow just how soon When is going to be, but for now you can hear the slow thumps of Hajime's steps as he follows behind you, squeezing your connected hand. It's not pressing in the least, you think, because it feels like there will be plenty of tomorrows too.
-----
When you wake up in the morning, it takes you an hour to realize Hajime had put the ring on your finger while you were asleep.
It takes you five minutes to run through town in your pajamas, barefoot to find and full on tackle him in front of the place he was about to get your breakfast in.
And it takes about two minutes of unintelligible blubbering on both your parts before anyone understands what is going on.
No one timed it, but if they did, it would've taken less than ten minutes for the whole town to find out via texts, calls, and yells down the streets and through windows that you're engaged.
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eastbluecrewed · 2 months
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things you can't get back
aka i've been waiting so patiently to see kidd get his ass beat by shanks (affectionate)
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necrotic-nephilim · 2 months
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there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.
besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.
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batman: huntress/spoiler: blunt trauma (1998)
that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.
there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.
#batcest#necrotic festerings#how do i tag ships that are almost non-existent#helena bertinelli x stephanie brown#cassandra cain x barbara gordon#as resident huntress fan my answer to the is helena w/helena b selfcest depends entirely on which version of helena wayne you're using.#pre-crisis!helena wayne/pre-flashpoint!helena bertinelli? yes i agrue is selfcest adjacent at least#because helena bertinelli was meant to be an adaptation of helena wayne#if it's jsa (2022)!helena wayne then it's *not* selfcest because they co-exist in the same universe#and according to current lore helena wayne was named after bertinelli and took the name huntress in her honor#which is a *choice* for sure but that's a different post#i still think shipping them is super fun in a “don't meet your heroes” sort of way with helena wayne time travelling#and then potentially running into bertinelli and realizing she's not what wayne thought she was and it being weird toxic shit#as for new-52 helena wayne. i do not acknowledge her and will not comment.#*god* I hate new-52 huntress.#(imo it would be selfcest tho bc they tried to make helena wayne a bertinelli clone. so. there's that.)#i'm going to write a helena/steph fic some day and none of you bitches can stop me#yeah yeah we have stephcass but y'all have sanitized the fuck out of that to convince yourselves it's not batcest and that made it boring.#and helena/babs is neat and all but i prefer helena/zinda when it comes to BoP ships#i should've included panels for cass/babs but it's been a while since i read batgirl (2000) so none immediately came to mind#i have a *lot* more helena/steph thoughts but no braincell to word them. know i will talk about them again.#they got one whole comic and now i won't let them go#also cass/helena is fun for combating morals and the complicated batgirl mantle#cass wears the batgirl suit *helena* made y'all think i can't make that romantic bc i can and will#if we have robin pile then give me batgirl pile#babs/helena/steph/cass hell throw in bette too.
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merakiui · 1 year
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we have discussed clingy, codependent boyfriend azul, but now allow me to present to you: scummy, sleazy floyd.
(nsfw + female reader)
scummy, sleazy floyd who you meet at some club deep in the shadowed corner of the city. he smells of alcohol and cigarette smoke, and he’s leering lasciviously as he leans against the bar, blocking your view of another guy who’d been attempting to strike up conversation. he doesn’t bother to hide the fact that he’s interested, and you only let him stay because he keeps you on your toes with his witty and blunt retorts. you tell him you’re not looking for a quick fuck and his lips spread in an easy grin and he answers with: “and i’m just here to hold hands and make friends.”
he buys you a drink; you gaze at the flashy silver and gold adorning his fingers when he passes the cocktail to you. some of those rings look expensive: bejeweled with the brightest gemstones and glittering with sterling silver. his sleeves are rolled up; he’s got tattoo sleeves of what looks to be various marine creatures, all predatory with their curling tentacles and sharpened maws. his ears are pierced, too, and so is his tongue. not that you’re looking at his lips, but when he smiles his entire face lights up. one moment he looks pure and sweet with his broad grins; the next he looks as if he’s just undressed you with his gaze alone. and under the dim, sensual neon lighting, something about the latter look has you rubbing your thighs together in anticipation.
you talk to him as you drink. horrifyingly enough, he’s good company. you almost wish you’d come with a friend so you could have an excuse to leave. it’s not that you’re uncomfortable. it’s just that you weren’t expecting to find someone here who’d genuinely listen to you—and not just so he can wheedle you into sex! he’s a rare specimen, or maybe you’re just too buzzed to see through the deceptively appealing haze that’s fallen over him.
“so why are you still here?”
“cuz you’re fun to talk to.”
“but don’t you want to fuck?”
“do you?” he smirks at your flustered sputtering. “don’t ask for somethin’ you don’t want.”
“huh…”
“you’re cute.” it catches you off guard, but then so does the nickname he throws out next. “like a little shrimp. think i’ll start callin’ ya shrimpy from now on.”
“please don’t.”
“too late.”
you quirk an amused smile and reach out to shove him away. he doesn’t budge. not that you put any force into it. you don’t want him to leave. not yet.
“you never gave me your name.”
“ya never asked.”
“okay, smooth talker, what’s your name?”
he smiles, gleeful mismatched eyes flicking to your fingers as they curl around the handle of your empty glass. he gazes at you next. “floyd.”
“nice to meet you, floyd. i’m (name).”
“s’pretty, but i still think shrimpy sounds better.”
you roll your eyes and angle your body so that you’re facing him entirely. you know you’ve been sitting here for quite some time now because suddenly he’s the only one you want to look at. maybe it’s the alcohol, but you feel so stupidly incoherent when you stand on unsteady legs. it takes you a moment to balance on the wedge platforms, and floyd offers a muscled arm for you to lean on. you grab it and squeeze his bicep out of drunken curiosity. he’s strong…
he’s eyeing your mini skirt and fishnet stockings with sharp eyes. you know it’s bad news; you know you shouldn’t get carried away like this, especially since you just came out of a very vanilla, very normal, very non-sexual romance. but that relationship didn’t work out; this one…is different. it’s not a relationship. it’s a hook-up. it’s temporary. it’s not permanent.
your eyes tell him all he needs to know. he giggles as he guides you through a tight hall to the bathroom. the music is a muffled hum now, bass reverberating through your rib cage as if it’s a heartbeat. impatiently, he pushes you into a stall, not bothering to lock the door. you scramble for purchase when he shoves you up against the wall. it’s been graffitied with all sorts of nonsense: magicam usernames, some circled and others crossed out, phone numbers, dirty words, incoherent scribbles of poorly drawn penises… it’s filthy and you wouldn’t fuck even your worst enemy in a place as horrid as this, but tonight it feels right.
you fumble to grab his shoulders while his hands hike your mini skirt further up your hips. it feels fast and slow all at once. is this happening? are you even alive right now? did you pass out from the alcohol? is this a dream? his voice brings you back to earth next.
“changed your mind?” he teases, pressing his thumbs into your sides to gauge just how plush your waist is. and from what he’s feeling he seems to approve, for he squeezes you playfully. the coolness of his rings settles your overheated nerves.
“s-shut up…”
“ya ever had sex before?”
it takes a long minute for you to process that, but once you do you hurry to respond. “of course i have!”
“liar.”
“’m not,” you mumble, shaking your head.
“yeah, yeah. lemme guess. you want it, but you’re too scared to take it.”
“…not true.”
he barks out a laugh. “ya serious? really? that’s it?”
you push his face away. he’s still laughing.
“that’s not true!”
“ya ever use any toys?” at your limp shrug, he throws his head back and whistles. “man. why’re you even here? what’s an inexperienced thing like you doin’ in a club?”
you stare hard at the floor, suddenly ashamed. “i… i wanted to lose it…tonight…”
or something like that.
“don’t ya have someone special who can take it? not that i ain’t special, but ya know… s’different. a partner or somethin’ like that.”
“there’s no one.”
floyd hums as if he’s considering something before promptly lowering to his knees. he doesn’t seem to mind the sticky floor, but then he’s more focused on the space between your legs. he winks when he catches your gaze, lips peeling to reveal rows of sharp, pearly teeth.
“then i’d better treat ya extra special tonight.”
you don’t object. he wasn’t expecting you to.
maybe if you were more sober and level-headed you might find the sensation unusual. but his tongue (and the cold metal of his accompanying piercing) feels so unfathomably good against your clit. he braces himself against your legs, strong hands wrapped firmly around your thighs as if they’re garters. his nose is buried in your crotch while he angles his head to lave his tongue over your slick pussy, leaving you a shuddering, gasping mess above. you grab at his hair, tugging teal strands to keep yourself afloat amidst inebriation and waves of tantalizing pleasure, each crashing into you as if you’re a poor, fragile sailboat on a vast, tumultuous sea.
he’s the best (and only) fuck you’ve ever had, so when his tongue flashes into your pussy you throw your head back against the stall and wail, your stomach untying its many knots as you come undone. you’re a mess, shuddering and panting, reduced to nothing before something so… so… great? perfect?
something so floyd.
and while you grind against his mouth he laps eagerly at your wetness, unbothered by the shower he just endured. he’s laughing when he pulls away, voice raspy and thick with good-natured mischief.
“shrimpy’s so easy…”
you scowl at him, but it falls apart the moment he licks his lips.
“you’re just too…”
“yeah?” he nods, encouraging you to continue. “too what? you can say it.”
you almost don’t want to give him that satisfaction, but then he’s pinching your clit and you’re melting against the stall. suddenly being vindictive is the least of your priorities.
“t-too good!”
“see? shrimpy knows the right words.” he rises to his feet in the cramped space, shucking his trousers as he goes. they pool at his ankles, momentarily forgotten. you stare at the outline of his half-hard cock against his boxers. “good girl.”
that... wow. okay. that’s…something new. you don’t want it to hit, but it does. and you hate that it does. you try not to let it show, but he’s so eerily perceptive despite all of the carnal lust and physical attraction. how he’s even able to focus all of his attention on you while he lazily works himself in one hand is beyond you, but then you surmise he’s likely had plenty of experience and so by now he knows the basic steps by heart. it hurts a little—that you’re not his first, that you aren’t anyone special to him, that you’re just another body he’s pinned to a dingy stall wall—but you don’t dare let your sentimental feelings spoil the mood.
you watch him roll a condom on one-handed and—god, even his dick is pierced—your anticipation couldn’t be any more palpable. he rocks himself against you, his leaking cock pressed to your stomach. he pokes at an area just above his tip.
“you think it’ll go all the way up to here?” he hums while you try (and fail) to say something coherent. “only one way to find out, yeah?”
“mhm…”
floyd laughs. “don’t go gettin’ dazed on me now, shrimpy. i haven’t even put it in yet!”
he turns you so you’re facing the wall and lifts one of your legs. the position stings for a moment, but then his dick is prodding at your pussy and if you had any doubts now they’re all washed away when he snaps his hips forwards, filling you all at once, so much that the breath is punched out of you and you crumple against the wall. you scramble to grab onto something, but he keeps you plastered to the wall, one hand curled around your waist and the other holding your leg up so that he’s fucking you at an angle. each thrust pushes you up against the stall, and you howl like a mutt in heat, no longer worried about slipping.
it’s so gross. you’re tacky with sweat and your panties are soaked through, and every time he connects his body to yours you can hear the lewd squelching of skin on skin. it’s vile and loveless, but god it’s good. everything about him is temporary; he’s not your forever. you know this, but for tonight he’s your temporary and that feels like a dreamy eternity.
he fucks you like you’re the only one left in this world, and your lashes flutter against your cheekbones, vision whiting out. you shudder through your orgasm, sobbing pleasured relief, and it takes just a few more well-aimed thrusts until he’s spilling hot, groaning lowly in your ear.
he stays pressed to you for a few seconds, rolling his hips slowly as if riding out a glorious high, and you blink rapidly as you return to yourself. he waves his hand in front of you and, stupidly, you reach out and clasp it tight. his fingers entwine with yours. temporary, you remind yourself.
it’s sweaty and sticky and so unbearably hot when he separates himself, slipping out with ease. you almost lower yourself to the ground, exhausted and in need of a bath, so he supports you with one arm while he tugs the now-filled condom off.
floyd peers at you with glazed eyes and leans in to kiss you on the cheek. it’s the cherry on top—a job well done.
“you got a friend nearby?”
“what?”
“someone to pick ya up.” he tries to clean you, balling toilet paper and using it to wipe you down. it doesn’t really work. you still feel filthy even after he’s adjusted your panties and pulled your mini skirt down. it’s the effort that counts, though. “shrimpy’s not really in the right mind.”
“i’m in the best mind, thank you and fuck you!”
“kinda did that last one already.”
he lets you tear yourself away from him. as he observes you clinging to the wall for support, he fits himself back into his boxers and yanks his trousers up.
“gimme your phone.”
“no way. you might do something weird.”
floyd rolls his eyes. “lemme call ya a ride. you need it.”
“ooh, chivalry isn’t dead…”
you pass it to him after fumbling to unlock it. floyd spends an awful long time typing, but before you know it he’s calling someone. you listen to him as he talks, his voice a playful drawl. alcohol aside, he definitely rearranged your guts and your brain. it’s a wonder you’re still conscious.
“hi, jadeee. do me a favor, yeah? will you come pick us up? we gotta drop shrimpy off at her place.” there’s silence; you strain to hear the person on the other side. “nah. s’just a little lady i met tonight. she’s cute. maybe your type if you don’t mind sloppy seconds.” there’s more silence; your skin prickles when you realize he’s talking about you to whoever this jade person is. “kay, so you’ll pick us up?”
the exchange lasts another minute before he’s hanging up and sliding your phone into your pocket. you’re relieved when he tells you he’s found you a ride home because it allows you to mumble your address before you lose yourself to exhaustion entirely. you don’t remember the ride home or how you even got into your apartment or what your roommate said when a mysterious man carried your unconscious body inside like you were a sack of flour he’d slung over his shoulder. but when you wake up the next day, hungover, sticky, sweaty, and still tired, you aren’t spared the details from your roommate. it’s a story you find hard to believe.
you, going out to a club and hooking up? as if. you can hardly fit a dildo inside without tightening up out of fright.
but before you step into the shower, you check your phone for any proof. sure enough, after scrolling through your contacts, there’s a new one. his name is floyd. you stare at the number and it all comes rushing back.
horrified, you text him: why is your number in my phone?
he responds minutes later: thought u might want it.
well i don’t want it.
then delete it :p i’m not stopping u, he writes back.
you stare at his message long enough for those three dots to return.
he sends another message: gonna take a guess and say u wanna keep me in ur phone :)
you hate that emoticon. there’s nothing to smile about.
i’m going to delete you after my shower!
we’ll see
you shut your phone off. you hate that you allowed yourself to get so swept up last night, but most of all you hate that he’s right. you do want him to stay. at least now you have a means of staying in touch. not that you’ll utilize it! but…
it never hurts to talk every now and then, right?
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some-pers0n · 12 days
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My favourite part of writing fanfiction is when I don't care about romance or relationship building and just get completely absorbed in the worldbuilding and character writing aspects of it because 97% of the time it's far more interesting to me
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cashmere-caveman · 5 months
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hello everyone :) inspired by this post by @burrowingregg, please enjoy my thoughts on "what if crozier fucking dies and little becomes captain"
if he dies before sir john
one of two outcomes. sir john either doubles down ("we have to find the nwp for francis!"/"well now that the haters are gone its time to have Real Men Solve This Like Champs") or he goes hm. maybe this is a sign and actually this is a dire situation. perhaps we should pack it in men
i dont rlly have any thoughts on this except i am rlly curious what this would do to fitzy. does he ramp up the charming pretender routine now that he's the uncontested no1 son and crozier cleary didnt know what he was talking about or would this be an early wakeup call and jumpstart the fury beach convo w blanky?
if he dies pre ep4 (tuunbaq)
the lashing would not turn out this way bc little wouldnt have hickey punished as a boy -> less men would berth on erebus
mutiny later maybe? definitely different
(is this a good moment to squeeze in some solittle bc they have to cooperate to keep all the men in check.)
definitely better communication within terror command bc the lieutenants will know little is going to hear them out i think and since little sucks at asserting authority hed have to rely on them more than crozier did
weird tension between jopson and little i think. is it sexual. is it antagonistic. actually maybe i could see jopson joining a mutiny in a crozier dead scenario hmmm…. heres how hickeyjopson can still win !!1!!!!!
if he doesnt survive the withdrawal
jopson.exe stopped working
maybe i could see jopson joining a mutiny in a crozier dead scenario hmmm…. heres how hickeyjopson can still win !!1!!!!! (1).docx
joplittle coworkers to enemies speedrun. i think jopson would grieve so fucking much but then go Ah! We compartmentalise this emotion! Nothing easier than that :) and then hed be so fucking passive agressive as the new captains steward without even realising bc WHY does little walk around alive and hale when little was the one who got crozier the alcohol that killed him how is that fair (jopson is Not at a point where he is willing to confront the fact that he himself was just as much an enabler as little, if not more so)
also sidenote but he wouldnt shave little since that actually never was in a stewards job description in the first place lol no homoerotic blade to throat interaction for you, sir!!
i do think little and fitzjames would work well together! they did a good job on coordinating the carnivale and fitzjames is not someone who lashes out a lot, which is good bc little does not deal well w getting screamed at
i think blanky would become elemental. w crozier dead and (assuming carnivale still happens) mcdonald gone hes the last brit who speaks inuktitut fluent enough to communicate w silna Plus hes one of the v few remaining high ranking arctic veterans
(what would change in a scenario like this if my good friend and upcoming romance novel love interest graham gore - who was an arctic veteran and even competent and charismatic - was still around? food for thought)
what would hickey do? the object of his obsession is out of the picture so he cant get revenge for getting whipped, he still wants to go to his tropical vacation and i think w crozier dead he would switch to survival mode 3000 (he is always already in survival mode to begin with, but i mean the point at which he switches from playing defense to offense) sooner. if the captains dead theyre fucked for real whats holding him back? hickey voice in fact what is holding anyone back? men, we need to confront the situation!
i really think this might be where thomas "shouldve been a news reporter" jopson would shine. that nosy bitch knows about Everything going on, and in a situation like this where every information must be handled in a v tactical way so as to Manage The Situation i think there would be a great deal of avenues of action open to someone in a position like his. especially, i think, bc to me a great deal, if not to say the entirety of jopsons optimism and endurance and focus is simply build on this vast foundation of trust he has in crozier and w crozier gone, what happens to all of that? there are a few ways this could play out imo
a) he instead reorients himself toward the next Authority Figure, which in this case would probably be Fitzjames. I do think it is unlikely, simply bc due to crozier dying during withdrawal the fences would not yet have mended entirely and jopson Will Hold A Grudge. it wont be little, for previously mentioned reasons, even though i dont think jopson would be able to realise that himself. he does not have a lot of interactions w the other lieutenants up until then (not counting serving dinner etc) and since iirc they had not been called into the Sobriety Meeting i dont quite know about how much he would trust them. so unless sth drastically changes during the walkout the options would be fitzjames or little and i personally vote no on both
b) he would retreat into himself and simply Wait. wait for what? u ask. well :) he would wait. and then, maybe one day he might even React. but for now, he would Wait, and Pay Attention
c) i realize this is quite a shrewder reading of jopson than what dave k has said of how he sees him but as i said earlier to me a lot of jopsons "goodness" hinges on crozier providing him w the trust he needs to unfold these qualities. and w that gone, i think that leaves him as someone v smart, in a position where he has access to a lot of information, and also in a state of absolutely crushed hopes and reopened trauma. and that certainly does put you in a state of mind doesnt it?? atp his trust in the remaining leadership might be v fragile and he would certainly wonder how any of this would go on. so hed either implode and fucking idk. wither. (which, for the record, i think he would Not do) Or! he would decide that alright. no one left to handle this but himself so time to take matters into his own hands! youve shot smaller hawks than this tommy its time to get out of here! which, again, is where i think a possible hickey alliance, maybe via billy, might take place. if jopson and hickey would team up for a mutiny they would definitely constantly be daydreaming of killing each other <3 not to be me but i would read the fuck out of a hickeyjopson mutiny vs a solittefitz alliance. give me intrigue! give me bastardry! give me some fucking losers dishing it out in the canadian arctic over the worlds worst buffet options!
this is not necessarily a full point on its own but more of an addendum: i genuinely think jopson has it in him to pull a dundy. aka i think he v much does strike me as someone who would stage a quiet not so much mutiny but a quiet usurpation of power through simple calculated ruthlessness. which! speaking of usurpation!
option d) jopson decides that hes the only competent bitch left and the only way to ensure everyones survival is to go full grima wormtongue and become the puppet master advisor to littles captain. little would actually let this happen and might even welcome it. we know this guy is genetically engineered to follow orders. dont say i never did anything for joplittle enjoyers!!!
crozier dies during the walkout at any point:
i dont really have anything big for this. it would be bad but depending on what has happened at that point (how scurvy ridden is fitzjames? is jopson a lieutenant yet? has hickey killed irving already?) it might not change too much tbh
if he gets shot during morfins suicide it would be disastrous i think but it might actually make the men come closer together again maybe? if little becomes captain then and there maybe the mutiny might get prevented or at least postponed bc little would let the marines get their armed patrol and thus they might not be as resentful/mistrusting toward command. ofc little As A Captain trusting tozer and getting fucking bamboozled by him if the mutiny still happened would be an even worse look lmfao. that is if morfin shot him. if it was however a Marine who shot crozier…… well. i think thered be an execution first thing at daybreak! and any and all weapons would be under lock and key w extra attention to the point that i think not even armitage would hand them out. plus lbr it wouldve been tozer in this scenario w the killing shot so! armitage without tozer…. does that poor lad even know how to exist when he is not in sols orbit. how would hickey exploit this….. (also extremely evil version is jopson shooting crozier which is so evil that we do not consider it. goodbye)
if crozier dies pre tuunbaq attack id be curious if the (attempted) hanging would still happen. i personally think it would, simply bc hickey would definitely try to start some shit and fitzjames would be wary enough to order a post mortem on irving plus jopson would definitely catch that rat. maybe he would actually hang, even, but that depends on whether little as his captain or fitzjames as the overall expedition commander would give the little speech beforehand. if it's fitzy, either him or hickey in his response would run out of time before the tuunbaq shows up and hickey would escape, but if it's little theres a real chance he would shortly state some dry facts let hickey speak for two sentences of last words maximum and then get it over with. and now That would be a fascinating scenario to explore. crozier gone, hickey gone, camp in ruins, dozens of men dead, fitzscurvy left in charge. would there be a second mutiny? des voeux, perhaps? or billy himself (he was also an architect of this!!! he went to burn the fucking maps!!! billy was not regular rat who marrydivorcemarried the evil rat he was evil rat no2!!! simply a less flashy (fleshy….. hah) flavour!!!) just quietly absconding w a bunch of men into the fog? what would tozer do, if he had survived and hickey hadn't?
last minute death scenarios
anything w crozier dead before hickey could capture him would not change much i think. maybe hickey would deflate some upon the news but hed still capture goodsir and still die as a wannabe new god. i think the real tragedy would be if little was left as the only captain after fitzjames' death. that man was Not made to carry such a burden and dundy would smell the blood in the water and ursurp him early i think, which ironically might lead to a scenario where there could be a sliver of hope for survival for the healthier parts of the crew
if crozier died during the capture bc hartnell didnt take the bullet hickey would fucking kill whoever fired that shot (i do not remember who it was. golding? was it golding? i fucking hate that guy i can easily belive it was golding) and i think hartnell and little and whoever else was there would either escalate the situation into a shootout to avoid the mutineers taking croziers body for food (lbr hickey would love to eat that old man) and die right then right there or maybe get themselves captured bc everything is just pointless now (unlikely outcome imo the tension would be too high) OR theyd somehow get the fuck out of there, organize a party of men to take the mutineers and have a final showdown (unless dundy intervened and ursurped ofc) which means: tuunbaq survives!!! yay :D good ending for silna :) she has not lost the tuunbaq so maybe even no exile <33
if crozier just died during the final tuunbaq fight: no changes at all
which concludes my thoughts! this turned out way longer than i expected and honestly did not focus on little v much but it was super interesting to consider all these scenarios so thank u burrowingregg for giving me the idea to begin with :) i would also be super curious to hear everyone elses thoughts on this so please do chime in!!
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konigceo · 7 months
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modern booktok romance books SUCK and i'll leave it at that
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codecicle · 3 months
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and now the important part of his photodump
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autistic-katara · 11 months
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due to the amount of fics where ppl take non-american characters and make them american for no reason other than uwu it’s the stuff i know or whatever i may have to set all my fics abt american media in scotland
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marinsawakening · 3 months
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Everyone always treats the brainwashed knights of hyrule in ALTTP with an emphasis on the horror of it and like I get that, it's all really fucked up if you think about it for longer than 0.2 seconds. However I can't stop thinking about the knights, after the game, sitting with their heads in their hands like 'I got my ass kicked by a preteen'.
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wikiangela · 1 year
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fuck it friday
tagged by @daffi-990 @hippolotamus @fortheloveofbuddie @jesuisici33 @loserdiaz @disasterbuckdiaz 💖💖
I planned to post more of the phone sex fic today but didn't manage to write anything new for it and don't wanna force it lol - this week has been so exhausting and I've been feeling less inspired, but hopefully it'll get better soon haha so for now here's more of alive shannon - this is a scene from ch2 and eddie and shannon's divorce talk that I was gonna post on tuesday but then went with the alternate universes convo bc i wasn't sure about this one but like, fuck it, right? haha
prev snippet
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“I could’ve made some better decisions, too.” Eddie admits, hand reaching up to rub the back of his neck. “Could’ve gone to your mom’s with you. I still haven’t apologized for that. I’m sorry.” he says with so much sincerity and sorrow.
“It’s-” the word okay gets stuck in her throat. Because it’s not. It never was. She had to choose between staying with her son, and a husband she did nothing but argue with, or go spend the little time she had left with her mom. It wasn’t fair, and it wasn’t okay, and she was so tired and overwhelmed, and angry, and she couldn’t fucking do it anymore. Maybe it wasn’t the best decision, but she had to go. She had to see her mother, take care of her… say goodbye. Getting to do that is the one and only thing about that decision she doesn’t regret.
“Yeah.” Eddie breathes out, and silence falls over them, for just a few seconds that feel like forever.
“I get that you needed time.” she suddenly speaks up, not able to conceal the hurt and anger in her voice, as it still lingers there, even years later. She knows her own faults, but she’s not the only one responsible here. “You had just gotten back, you wanted to be close to your family, you needed time to adjust. I get that, and I didn’t want to pressure you, but- my mom didn’t have that much time, and I needed to be with her. I know you’d do the same if it was anyone from your family.”
“That’s true.” he says quietly.
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no pressure tags: @elvensorceress @gayarthur @diazass @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @diazblunt @911onabc @eddiediaztho @housewifebuck @thewolvesof1998 @lover-of-mine @gayhoediaz @callaplums @rogerzsteven @watchyourbuck @hoodie-buck @monsterrae1 @ladydorian05 @giddyupbuck @forthewolves @honestlydarkprincess @wildlife4life @spotsandsocks @eowon @theotherbuckley
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stergeon · 3 months
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can someone please write this doropetra fashion designer/journalist modern au for me. i spent too long thinking about the devil wears prada today and now i have all the beats mapped out for this story i Do Not have enough time in the world to write.
please help. please. i'll give you everything. all of it. it's all right here. take it. mention me if you swap the names to sell the movie or streaming rights. i just want it to exist.
pitch: dorothea is a hot-nasty fashion mogul and petra is a journalist-turned-reluctant model who captures dorothea's attention (and her heart).
btw this is a Really long post so look out. also i know nothing about the fashion industry and Will Not Learn so don't tell me anything.
setting: various major cities in the USA. NYC, LA, Enbarr (you know, Enbarr, that major city somewhere between florida and texas. we've all been there).
cast
most everybody is in their mid-to-late 20s at the start.
petra: the last journalist with integrity in a world that's actively trying to eliminate journalism as a field. worked her ass off writing listicles and bullshit SEO articles for years until she caught a break and got in with a "Real Publication." she now works her ass off there. unfortunately there's rumors of her team getting laid off due to AI crap so she's stressed af trying to line up her next gig, just in case.
dorothea: hotshot young fashion mogul with a cult of personality around her. was a complete unknown barely out of college when she designed manuela casagranda's absolutely breathtaking met gala dress and her company blew up overnight. now does high-profile lines that are popular with movie star types and bougie social media influencers. notorious for being very, very friendly with her preferred models.
edelgard: petra's finance major/arts minor friend from college and her former roommate. nepo baby with Lots of connections. got petra her first big job writing PR crap for a division of the hresvelg business empire. caused a scandal by getting romantically involved with her TA (byleth) in grad school but they're still together. complains about her PA (hubert) and her lout of a stepbrother (dimitri), both of whom she's constantly texting or otherwise having to corral.
shamir: petra's boss/editor. admires petra's guts and her writing chops, as well as her ambition. somewhat of a mentor to petra, but is absolutely no-nonsense when it comes to work. she's been in this business a long time. there's no fucking around. leonie is another journo on the team. ignatz and linhardt also work with them doing layouts, formatting, and photo/video editing.
manuela: a famous singer from dorothea's hometown who basically adopted dorothea as a protégé after dorothea sent her sketches of designs she'd made. essentially responsible for dorothea's career. they have a bit of a contentious relationship these days as manuela's a bit jealous of dorothea's rising star and because dorothea's been ungrateful in recent years despite how much manuela's stuck her neck out for her. still, she's always there to give dorothea terrible advice when she needs it. her evolving relationship with dorothea is kind of a b-plot.
bernadetta: a reclusive, but well-connected social justice blogger and internet activist. one of petra's good buddies who regularly sends her scoops.
ingrid, ferdinand, sylvain, catherine, felix: models who commonly work with dorothea.
Jeritza: a nobody fashion photographer who thinks he's somebody. he's absolutely awful.
claude and hilda: paparazzi who work for tmz, buzzfeed, whoever will take em. petra thinks they are the scum of the earth. they are.
act 1
we open with petra on yet another bullshit assignment for her crappy job writing articles about things that don't matter. this one is a profile piece about a local fashion photographer, the mononymous Jeritza, who might be somebody someday and seems to think he already is. leonie was supposed to do the article but she flubbed it by offending Jeritza, who now won't give her the time of day, so shamir asks petra to please step in last-minute. petra's mad, but she gets her hustle on and goes anyway. it's not like she can be too picky with gigs in this economy.
by the time she gets to the shoot, she's late, and Jeritza is throwing a tantrum. the model isn't working out. Jeritza cannot work in these conditions. Jeritza fires the model and is about to freak the fuck out when petra walks in the door. oh, Jeritza says. i can work with you. petra did NOT sign up to be a model, has never wanted to be a model, has no interest in this whatsoever. but let's be real: it is a great angle for the piece. this could get clicks. shares, even. so she does it.
the shoot is a massive success, which is to say Jeritza is delighted with the results, but as it's just for a local streetwear company, the impact on culture is negligible. petra writes her article, which gets some attention due to the very funny portrait it paints of the histrionic artiste that is Jeritza. it's not much buzz, but it's just enough buzz to get shared around in fashion circles—enough for it to wind up in dorothea's inbox, courtesy of manuela. "Thought of you!! XD XD This is so funny!!" manuela writes. dorothea replies "lol" and is about to move on with her day when she decides to give the article a courtesy skim and scrolls down far enough to see the pictures.
oh. who is that model?
a few days later, petra's out at a bar getting drinks with edelgard and bitching about life when she gets a call from an unknown number. she figures it's probably spam, but they leave a voicemail. the transcription mentions it's from a dorothea arnault, whoever that is. edelgard almost shits a brick. DOROTHEA ARNAULT? you need to call her back. right now. petra's like okay jeez, i will. what's the big deal. edelgard facepalms. she forgot that petra doesn't follow fashion even a little bit ("isn't the gucci, like, the area between your butthole and your—?" "no petra it is not"). embarrassing for her, but there's no saving some people.
edelgard briefs her on the arnault situation. dorothea's studio is huge right now. edelgard's family business has been sponsoring some of her recent fashion shows and everybody who's anybody is trying to get an arnault outfit for their next event. while dorothea's very popular on social media, she's very tight-lipped about her private life. a profile on her could be a huge break for petra.
okay, petra thinks, what the fuck, okay. i'll call her back.
dorothea picks up on the fifth ring. uh-oh: she sounds hot.
hel-looo, miss macneary, she says, it's nice of you to pick up the phone. i saw that little article you wrote recently. you're sooooo funny. [her voice is sweet and smooth like butter. she sounds like she's twirling her hair as she talks. she doesn't say how she got petra's number. petra doesn't think to ask.] and those photos of you... my, my. you're quite the looker, aren't you? and you don't even model professionally? that's a terrible shame. you'd do well, you know. i'm in berlin right now but i'll be in enbarr's fashion district on tuesday afternoon. why don't you come by the studio? we're doing a shoot for some designs i'm releasing soon... a secret summer collection. oops, i shouldn't have told you about that, should i? well, i'm sure i can trust you to keep my secret. and maybe i could even trust you to write something nice about me? i think they'd suit you, you know, these new pieces i've got. if you have any interest in trying your hand at modeling again, i'd love to see you in them. 11 o'clock. ciao!
petra gets a handful of words in edgewise. most of them are yes. she keeps her phone held to her ear for too long after dorothea hangs up. she wishes she'd been sober for this conversation. she's not really sure what she just agreed to. she doesn't want to forget the sound of that voice.
she shoots a text to shamir. edelgard buys her a shot the instant she steps back into the bar.
tuesday comes and petra's nervous. she packed and repacked for this. checked twenty-five times that she brought her tape recorder and her good camera. arnault is gonna think that camera's a joke, but it is what it is. she's trying to play it cool, hyping herself up the whole time she's on the train. it's gonna be fine. just keep the tape rolling. write the profile. she doesn't have to model, she can just do what she does best. listen. pay attention. write honestly. move on.
sure.
if petra thought dorothea sounded hot, she's wholly unprepared for how hot she is in person. she's spellbinding. drop-dead gorgeous. positively unreal. and on top of that, she's so charming. she's graceful. smart. funny. flirty. and she keeps touching her—little touches on her hand, her arm. chaste things. friendly things. things that could be accidents.
she's exactly petra's type.
but petra is a journalist with integrity, dammit. she's going to be professional. and to her credit, she is professional. arnault makes it hard, but she manages. she blends in, listens, stays focused, stays out of the way. the model's cute—ingrid something-or-other. she can't remember but she got it on the tape recorder. told petra her instagram handle like six times, too, so she won't have any trouble finding her. the shoot is almost wrapped when dorothea asks if petra would be interested in modeling for her. she's not at all offended when petra politely declines. she poses when petra asks to take her photo for the profile. thanks her for coming out and talking to her. says goodbye with a polite handshake and that dazzling smile. she thinks about that smile and that touch throughout the whole train ride home.
skip ahead to friday. petra is working on the story and transcribing the audio recording when she gets a text from dorothea. so lovely meeting you on tuesday [heart emoji] [kiss emoji] [heart emoji] i know it's last minute, but the final pieces of the summer collection are coming in tomorrow and i think you'll like them for your profile. i'll fly you up tomorrow morning to meet me at my studio in manhattan, unless you're busy, of course~
petra is not busy tomorrow. shamir is considering opening a new style division of their publication.
the flight is the train ride but worse. keep the tape rolling, macneary. listen. pay attention. write honestly. move on.
she's resolute. committed. her resolve doesn't waver even when she gets off the plane, ready to call an uber, and there's a guy in a suit with a sign that says MACNEARY on it. it doesn't waver when the guy stops her and says no, he's not looking for another macneary, he's here for her, courtesy of ms. arnault. it doesn't waver throughout the ride—the chauffeured ride, in a fancy car, just her and the guy—from jfk through the streets of nyc, seeing the skyline she's only ever known from movies and on tv. it doesn't waver when she's escorted into a skyscraper in the garment district and guided up to the floor where ms. arnault is waiting for her.
it wavers when she sees her. when dorothea says her model couldn't make it that day and she could really, really use petra's help, it falls completely.
you can guess how the rest of that trip goes. petra barely remembers it herself. she gets back home to enbarr, trying to recover from the whirlwind week she's had by doing what she does best—working. she can scarcely believe any of it was real. she has to believe it when she gets back to her shithole apartment, sets to the task of transcribing the audio from her tape recorder, and realizes it was rolling the whole time.
the whole time.
and there's absolutely no denying any of it after dorothea sends her the photos for her review.
you look so good in these, she tells petra when she sends her the first photoset. i think you look better out of them, she says when she sends the second.
petra considers her options. considers freaking out. considers not replying. considers moving to australia. she considers and reconsiders and does none of those things.
what she does do is send dorothea the audio recording. dorothea sends her some photos of her own.
they meet up again in LA on the day the profile drops.
act 2
if that first week was a whirlwind, the summer is a hurricane. petra's being lauded for the quality of her profile on dorothea, as well as for being the only member of the press who can get close to ms. arnault. it's borderline scandalous, how she's also modeling the summer line despite not even being a real model. it's a thinly-guised affair—almost completely un-guised when their flirting gets a little too overt during a show in tokyo. who cares. petra's entranced. dorothea takes her everywhere, her personal reporter, lavishing her with gifts, showing her the world. she's keeping her busy between all this travel and all this passion. they go to show after show, shoot after shoot; petra works her ass off, keeping the tape rolling, listening, paying attention. so what if she doesn't have time to answer shamir's texts right away the way she normally would. the website's getting more traffic than it ever has, carried by petra's inside scoop on the world of dorothea arnault. shamir can cut her a break.
and she's surprised by how much she likes dorothea. how much she likes spending time with her. dorothea's all the things petra thought she was: glamorous, bubbly, charismatic. but she's also so brilliant, so hard-working, busting her ass every single day of her life. and she's sweet, too. she lavishes petra with attention, gives her all kinds of little gifts and things—nothing too expensive as to make petra uncomfortable (the jetsetting is bad enough as-is), but small, practical things she actually likes and could use. she asks petra about herself almost as often as petra asks questions about her. it's not petra's job to talk beyond getting the conversation flowing, to put more of herself into the discussion than there needs to be to get dorothea to open up. she's here to listen. to pay attention. write honestly and move on.
but she's finding she doesn't really want to move on.
one night they're hanging out in dorothea's fancy hotel room eating room service and drinking wine when dorothea makes a crack about how little petra knows about fashion. petra admits that she really didn't intend to get into it, that it just kind of happened. that what she really wants to do is investigative work, writing about events, exposing corruption, that sort of thing. no offense to dorothea! it's been fun doing this, don't get her wrong, but she's got goals, other things she wants to do—once dorothea gets tired of her, she jokes. sort of jokes. dorothea laughs. she smiles at her and asks why she wanted to be a journalist.
and petra's honest again. honest like she hasn't been before. she tells her a little about her childhood, her family life. about growing up in brigid (you know, the country on planet earth) and moving to enbarr as a teenager after her father died. seeing her super-smart, brilliant mother and grandfather go from these auspicious jobs in their home country to shitty ones that just barely pay the bills here, all in the name of long-term security. how they taught her to work hard and always act with integrity, no matter what she's doing. she tells her about the struggles of learning a new language, how it made her become a good listener, how she fell in love with writing because it gives her time to think about her words, to express herself the way she wants to. she wanted to be a journalist to speak for those who can't raise their voices loud enough on their own.
dorothea smiles at her the whole time she's talking. petra's not used to being on this side of the table, to being listened to like this. she almost doesn't know how to handle it; she's apologizing, feeling embarrassed for having said so much, but dorothea says don't be sorry. that's beautiful. she's lucky to have such wonderful people in her life who love her and support her. and she likes hearing petra talk.
things are different after that night.
act 3
the start of the Drama Arc. the summer's coming to an end. petra and dorothea are still spending so much time together, jetsetting around the world. petra's working on a piece that's a backstage look at the arnault company's leadup to milan fashion week. the stress is getting Real and the cracks are starting to show. petra's missing deadlines, blowing off shamir, blowing off edelgard, blowing off her family. she's barely in enbarr these days, jetlagged to hell, lost between time zones. her pal bernadetta reaches out and says hey, there's something Big i'm working on that i could use help digging into, can you give me a hand? petra says sure, i'll take a look. she doesn't. she forgets somewhere between london and são paolo.
things are still hot between her and dorothea, but she's starting to see the cracks in her, too. she's getting to see more of her, more of what lies beneath all that glam and bubbly personableness. you don't go from being a nobody to a mogul in your 20s by being nice, and what petra slowly discovers is that dorothea isn't just not nice, she is ruthless. she's nonstop, working her ass off, and anyone who can't keep up with her gets left behind. she hints at her past sometimes: at her shitty childhood, at growing up in poverty, at being orphaned, at having spent years in foster care. but she never opens up. she's 100% focused on the future, and it's all she wants to talk about. dorothea wants to live her dreams, yes, but more importantly, her goal is self-preservation.
petra finds this out when they're at a shoot one day. petra's off to the side, fucking with her piece of shit camera when who storms up to her but ingrid, and she's pissed as shit. she chews petra out. calls her an asshole. says she stole her job. asks what the fuck is wrong with her, doing that while posting her articles, publicly announcing to the world that she never even wanted to be a model. petra's floored. she doesn't even know what she's talking about. she asks ingrid to start over.
that "second date" of theirs in manhattan, way back when? turns out dorothea was telling the truth when she said her model couldn't make it that day. ingrid was supposed to be modeling. she was dorothea's #1 for ages. she'd just come off back-to-back-to-back shoots when she got sick, really sick. stuck-in-shanghai-and-probably-not-going-to-be-able-to-board-a-flight-to-manhattan-tomorrow sick. she told dorothea so, said she'd try her best. dorothea said not to bother and didn't call her again.
it'll happen to you, too, ingrid tells petra, once you aren't useful to her. you're giving her all this press now, but if you ever do anything else, she'll drop you like she drops everyone else.
ingrid storms off, leaving petra standing there, holding her stupid camera. she looks at dorothea, standing across the room, running the show, correcting this and that, getting everything perfect, exactly the way she wants it. petra looks at her and wonders. wonders what would happen if she wrote something dorothea didn't like. if somebody new caught her eye.
they get dinner that night and it's tense. dorothea's stressed. she's carrying on about this and that, talking about the shoot, texting and responding to emails, slamming back glass after glass of wine. petra's quiet, letting her talk. too quiet, apparently, because dorothea eventually takes her head out of her phone and asks her what's up. nothing, petra says, just thinking about everything going on, about the shoot today. dorothea rolls her eyes. i know, she says; on top of everything else, ingrid was there, and she wanted to have a whole conversation with me, like i wasn't busy and like she didn't fuck me over the last time i saw her. she texted me earlier, too. the audacity of this bitch, she gripes, going back into her phone, still mad. a little later into dinner, manuela calls and dorothea answers it; she's bubbly and sweet, all hi how are you omg it's been so long, i miss you, sorry i've just been so busy~ i've gotta go but we'll catch up soon. she hangs up and shoots petra a look. she's so needy, dorothea says, laughing. petra tries to laugh too and can't quite manage.
they're still going everywhere together in the leadup to milan fashion week, and petra's still working on the piece, but she's feeling a little gross and she's quieter than ever. she lets herself believe that maybe it's fine, maybe it's okay, maybe she's not really that cold and ruthless. but then dorothea shows her one day.
everything's been going wrong: there's equipment stuck in customs, marketing materials haven't been delivered from the printers yet, the studio they rented for pre-shoots is double-booked. then a model's late to the shoot and another one is complaining and dorothea is done, so done. she fires them on the spot, gets on the phone and calls two new ones who will get the job done and done without question. petra's quiet. listening. paying attention. keeping the tape rolling as dorothea justifies herself aloud, without prompting. don't judge me, she says. i do what i have to do, and everyone else should, too. i know no one is going to take care of me. i've got no reason to take care of anyone else.
she's a mess all night. angry. stressed. shutting herself off. petra's seen her get like this a few times, but this is the worst it's ever been. she's in her phone all night. practically snaps at petra when she asks if she can help her with anything. shrugs away from petra's touch.
they go to bed and petra barely sleeps. she just lies awake, thinking. thinking about dorothea. thinking about herself. thinking about how she's been blowing off her friends, her family, her boss. thinking about how swept up she's been in all this crazy stuff she doesn't even really care about, putting off her own career. feeling guilty about ingrid. feeling guilty about blowing off shamir and bernadetta. worrying about who she's become around this woman. wondering what happened to her integrity.
fashion week goes great. flawlessly. petra heads back to enbarr afterward. she's almost ready to publish her piece, but she's gotta make up with shamir first. she apologizes. says she's so sorry. sorry for blowing her off. sorry she missed her deadlines. shamir is pretty fucking done with her and has told her as much already, but petra's earnest, and her piece is ready, and she wants to give the girl one more shot. she tells petra alright, i'll forgive you, but i need this piece tonight or we're done. i can't keep waiting on you and your schedule.
okay, petra says, you'll have it tonight.
she's worried. nervous. there's so much on her mind. the piece is ready but it's not going to make dorothea happy. she wants to call her first. she tries and gets her voicemail. tries again. nothing. texts her instead, a few times. hey, she writes, i need to talk to you. call me when you get the chance. it's about the profile. it's important. i'm on a deadline.
nothing. the hours are ticking by. she calls her. texts her. it's really important, dorothea. i need you to talk to me. please.
nothing.
petra's left wondering. wondering what to do. whether she should hit send on this email or hold off. wondering what she wants out of this.
and what is this, anyway? a summer fling? are they dating? girlfriends? they've never put a name on anything. do they have a future? can petra even think about building a future with someone she doesn’t trust to keep her along if she ever should need help? maybe dorothea’s hot and smart and maybe she’s got incredible drive but if she doesn't share petra's values, if she’s not going to be able to live for more than herself, and be true to herself, can petra accept that? does dorothea even know herself well enough to be able to be authentic?
time runs out and petra sends her piece to shamir. dorothea leaves her on read.
the piece is published. it's a huge hit, and not just in fashion circles, because it's a perfect portrait of dorothea arnault, and who doesn't love a biography of a wunderkind. it's honest. it's real. it talks about everything: her light, her darkness, the ups and the downs of being with her. it's raw. personal. revealing. it's all her brilliance and all her evils, captured in the way only someone who really loves her could do.
when it drops, petra expects dorothea to call and rip her a new one. she doesn't expect her not to call at all. but dorothea's radio silent. a few days later, some dickhead paparazzi petra has the misfortune of knowing (hilda and claude) send her a picture of dorothea in LA, running around with some red-headed douche (ferdinand).
sorry, dorothea texts her eventually. i've been soooo busy. i've missed you, but we'll catch up soon.
sure, petra writes, knowing they won't. i'll see you soon, she writes, knowing it's goodbye.
act 4
petra goes back to her career. back to her friends. crashes on edelgard's couch for a while. spends time with her family. starts addressing the connections she fucked up, fixing things with shamir, trying to gain momentum again. despite the profile on dorothea being such a success, it takes a long time for her to get back on her feet. but it's okay, 'cause if she's busy, she doesn't have to think about her.
months go by. every couple of nights, dorothea drafts a text to petra and deletes it.
it's february now, which means new york fashion week is here, and although petra is branching into investigative stuff nowadays, shamir calls in a favor and asks her to help cover it. petra knows she might see dorothea there. knows it’s a risk. decides she’s gonna be so strong and brave, and she can’t really afford to pass it up anyway because it’s a big career opportunity, a chance to revisit fashion after her profile last year. so she goes.
and they see each other. and nothing happens. they don't even say hello.
but that night, when petra’s in her hotel room, spiraling, dorothea calls her. she's in a hotel up the street. she asks petra to come over. for all her sense, her morals, her logic, petra is no more than a lesbian, so she says yes.
they don't talk. they jump right to making out sloppy style and fucking nasty and holy shit, it’s just like it was when they first met: hot and intense and so good, so perfect. except it’s not, it’s not, because this isn’t going to work out no matter how much they want it to, and they both know it. they get into a big fight after dorothea makes a crack about the profile and petra loses it. she puts dorothea on blast for being such a piece of work, saying she can’t ever be with her no matter how much she wants to because dorothea won't ever put someone else first and she’ll never figure out how to be anything other than alone.
then petra drops another bomb. over the past few months, she's made up with bernadetta, and it turns out that the big scoop bernie uncovered is about exploitative business practices a certain scummy fashion company engages in. a certain scummy company that dorothea's company is partnered with. said company's dealings wouldn't get their business partners in legal trouble, but public perception would certainly change. she's been working on an exposé about it. she's going to release it soon. really really soon. like as soon as she gets back to enbarr.
dorothea looks like she's been hit by a truck. she begs petra not to release the story about the company. it’s going to fuck her brand. she'll be ruined. she offers petra whatever she wants. gets nasty, even, defensive. then she fucking breaks. she doesn’t fully open up, but it’s the closest she’s ever come to doing it. she says she's sorry, sorry for hurting her, sorry for shutting her out, sorry she cut and ran like she always does when she might catch feels, when she might be vulnerable for once. she says she's sorry and she asks her please, please, not to release the story.
petra doesn’t give her an answer. she just goes back to her hotel.
once she gets back, she doesn't sleep. she stews for ages, pacing, going back and forth, trying to figure out what to do. act with integrity and drop the story as-is. don’t drop the story and protect the person she cares about, in spite of herself. amend the story so maybe dorothea won’t catch heat...? no, that wouldn’t be acting with integrity either. she can’t win either way.
and dorothea’s having a think, too, which is to say she’s a fucking WRECK. realizing how bad she’s fucked up her life. realizing that petra liked her for her. wanted to get to know her for more than her name and her money and her connections. told her things about herself she didn’t even realize were true. and she hurt her at every single turn. for the first time in her life, she had a chance at something real with a good person who really loved her and she fucking blew it. there’s so much dissonance as she tries to defend her own actions to herself and can’t because petra’s wormed her way into her head, the only person who ever Really questioned her, the only person who ever made her question.
she's always figured things out alone. she's always had to figure things out alone. this time, though, dorothea's not sure she can handle it. so she does the only thing she can think to do: she goes to manuela with her tail between her legs. manuela's a little pissy at first as dorothea's been blowing her off for a while now, but she's also worried, because dorothea has never come to her like this. not once. and she's offered for her to, a lot.
when manuela hugs her, dorothea breaks. she ugly-cries into manuela's arms. tells her how bad she's fucked up. how much she hates herself. how sorry she is for being a dickhead when manuela's only ever wanted to be there for her. manuela comforts her. chastises her for being an asshole, yeah, but shores her up, too. tells her if she's really sorry, she'll figure out how to change. tells her that she's there for her, and she'll keep being there for her, so long as she tries. dorothea's blown away. she thought she'd lost her shot at having love in her life, but she was too blind to see there are other types of love she's been shutting herself away from, too.
dorothea leaves manuela's, still feeling like shit, but with plans to get lunch or at least call each week, and with the promise that she's going to do better, be better.
she makes an effort, too. she cuts ties with the skunks. changes her business practices. starts being more charitable, less ruthless, less aggressive. it’s a slog and it sucks and she’s bad at it but fuck she’s going to try. even if petra never takes her back, even if petra just thinks dorothea’s trying to cover her own ass again and protect herself from the impact of the story, it doesn’t matter. she’s going to be better. she’s going to try to do things right, because someone believed in her, someone thought she could be better. and she’d never thought so highly of herself, never thought she could be more until petra came into her life and saw the potential in her.
petra releases the story a week or so later, unrevised. she texts dorothea before she does. says she’s sorry. dorothea says it’s alright. she understands.
the story drops and it’s a clusterfuck. an absolute PR disaster. the scummy company folds overnight. a bunch of related fashion companies, including dorothea’s, are in huge hot water. dorothea’s on the press circuit, doing damage control. petra’s watching an interview with her, listening to her spouting off her PR beats. fully expecting dorothea is going to deny everything, throw everyone she can under the bus to keep her shit afloat. so she just about has a heart attack when dorothea admits she’s fucked up. admits she made the wrong decisions, did stuff she knew was scummy. takes accountability. is honest for once. honest in a way petra didn’t think was even possible for her.
dorothea outlines her plans for how she’s going to be better, the changes her company’s making, how things are going to be different. says she’s making a commitment. if it all folds, so be it. at least she’ll be able to sleep at night.
because capitalism is the way it is, the company doesn’t go under. they’re in the red for a while and the "Controversies" section of her wikipedia page is now significantly longer, but the news cycle goes on and consumers forget and a few months later, pieces from dorothea’s summer line are all the rage with the kids on tiktok. petra’s more than a little bitter about it, but mostly she doesn’t give it any thought. she did her part. wrote honestly. spoke the truth. kept her integrity. she’s become a big name since that scoop, too, with her career really taking off. she's writing books and shit, appearing on tv, what have you, doing the investigative work she's always dreamed of doing.
she’s in london one night on the final leg of a press tour, sitting in her hotel room, when she gets a call.
it’s dorothea. she’s in london too. would petra like to get brunch tomorrow?
yeah she would. bitch loves a mimosa.
they get brunch and it’s tense. they try small talk but don’t really know what to talk about. dorothea makes it more awkward by cracking a joke about petra writing an article about her after this brunch and petra only kind of laughs.
but then dorothea apologizes. earnest. honest. like she’s never been with petra. tells her she’s sorry. tells her how she changed her life and made her think about herself differently, made her think she could be a better person. made her Want to be a better person. convinced her it’d be worthwhile to try. and she has. she’s made so many steps since they last saw each other. doing better. living kinder. living true. says she doesn’t expect anything from petra at all. just wanted to say sorry, and thank you for seeing the best in me.
petra says you’re welcome.
dorothea pays for brunch and they go their separate ways. dorothea holds it together until she gets to her hotel room and then she loses it, bawling her eyes out like she has never ever done, like she’s never let herself do. but it’s okay. she loves petra, that hot journo with the cute accent and more morals than sense, but dorothea knows she doesn’t deserve her, and she’s going to be okay with that. she’s going to live better anyway, for herself, because she’s worth it.
act 5
a year and a half goes by before dorothea and petra run into each other at a formal Thing. they talk, cordial, business-like, just catching up. dorothea makes a crack about the tmz photos of petra with three or four different high-profile supposed gfs over the past year and a half, calling her a heartbreaker. petra laughs, a real laugh. says dorothea's one to talk. asks if she's been keeping up with her? how often does she google her? dorothea says she does it more often than she'd like to admit. petra blushes, laughs again, flattered.
she asks if dorothea's been breaking more hearts lately herself and dorothea says nah. she's been focusing on her business. she's got this non-profit going now too, and it's been taking off. just landed some pretty big investments that will bring arts programs to schools that don't have funding for them. she looks proud of this. she is. she's actually spending more time doing that these days than her fashion stuff, which makes her a little sad, but it's not so bad because it's given her a bit of a mystique: the designer whose work was once Everywhere, now dropping limited release lines every few seasons instead of keeping up with the fast fashion whirlwind. it's different but it's good. she likes it. she's happy.
petra says she's glad to hear that. that she's happy for her. makes a reference to the new line dorothea's rumored to be dropping this fall. dorothea's eyes almost pop out of her head. you know about that? yeah, petra says, i google you. she's known about the non-profit, about everything dorothea's been telling her about. she's a journalist. she likes knowing things. but she likes knowing about her. knowing that she's doing well. and it's really good now, knowing that she's happy. she tells dorothea she's happy for her. that she's proud of her. that she knew she could do it.
dorothea doesn't cry. just says thank you. she gets called away by somebody else, and petra does too, pulled in the opposite direction. dorothea thinks about hugging her first. almost touches her hand. elects not to. says it was good to see her. then they're both whirled elsewhere and they don't see each other again.
but that night when dorothea's in her hotel, she gets a text. it's from petra. would she like to get coffee tomorrow?
FIN
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bolithesenate · 8 months
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okay no, I got bored halfway through lining and just slapped some color on these bitches
Je'Chessa is a Temple Guard, but not from Feemor's squad (and coincidentally the owner of the foulest mouth in all of Coruscant)
Uzemgo is one of the most accomplished Mandalorian poets of his time. He is the one that coins 'Mesh'lanovaar' as the mando'a word for the Temple Guard
and the little blue blob on his shoulder is his child, Toya.
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tortoise-teapot · 30 days
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me: (is not a writer)
my brain: hey what if like, we get obsessed with the hardest to write character and we write it in the most complicated setting ever and if you don't get your little story out of your head you're going to explode?
me: 👍
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