#and also clearing out drafts <//3

[dooodle-bug]

hypothetical realistic olimar from july </3

[aroaceleovaldez]

very specific opinion i have:

I don’t think the Lotus Hotel & Casino should automatically acclimate its inhabitants to the modern time period, because the entire point of the hotel is that it’s trying to keep people there and they will never leave, so the ideal scenario is to prevent them from experiencing the passage of time. The best way to do that would be to keep things changing as little as possible from the guests’ perspectives, and convince them they’ve spent less time there than they thought.

Even though the guests are canonically in a sort of daze, Percy specifically notes that time felt extremely distorted in the hotel, not just in the sense of “we were here for what felt like hours but outside the hotel it was a week,” but in more of a “It only feels like we’ve been here like half an hour, but i guess it might have actually been a couple hours or so- oh, a week has passed outside.”

I like to imagine the hotel is actually pretty labyrinthine when you start getting into it, and the deeper you go the older the sections of the hotel start becoming, so you get these really eerie effects when traveling through it. Especially since the hotel would theoretically shift with the other mythological locations, so if you go back far enough the hotel probably starts getting really weird, because also it’s just kind of infinite inside. People have definitely gotten lost in the depths of the hotel forever, outside of the whole never leaving the hotel thing. The di Angelo siblings might have been slightly extra resistant to the daze effect though and so were able to travel further outside their designated era wing than they normally would and start noticing that there was Something Really Weird Going On. But it still probably would have taken them awhile.

[melien]

I present: mine and my gfs all-time favourite character

[princeofhags]

i just finished reading about iraestra so wand of twilight for her as well!

Wand of Twilight. Iraestra conjures a spirit from the land of the dead to speak to them.

FANTASY PROMPTS | @foxboyclit

Smoke floods the altar in fragrant plumes, the familiar taste of myrrh coating the back of Iraestra's throat uncomfortably. Her steps, purposefully measured and slow, sound monstrous in the cavernous wings of the ceremonial chamber. The peace is further broken by the occasional murmur of an invocation or rustling cloth. There has been no order given for silence, but the trepidation hanging heavy in the air as the incense enforces the command. They all wait in the lurch of a breathless hush, an animal instinct to a known threat. Still, so that the hunter is not enthralled by your fleeing. Anticipation before the blow.

Does their visitor scent the fear he instills in the air, like a hound? Does the chorus of thrumming hearts beckon to him like the call of war drums? Bodies, so many bodies for him to open and bleed.

Itaestra does not doubt that he often relishes it. Bhaalspawn are such curious, depraved half-beasts.

Prince of the Blood. A self-given title, perhaps, but she has heard the reverence Bhaal's faithful pour at his feet like wine libations. Their honored guest is heir to a butcher's legacy. She thinks him little more than a glorified killer draped in the dressings of grandeur.

Iraestra does not cower or draw back from him, but there is still an instinctual unease at the thought of a Bhaalspawn being familiar with her. The Dread Lord’s wicked heirs do not know friends, only warm bodies to bite with steel. The world to them is already dead, merely waiting to be torn asunder to show its truest color: the crimson of fresh spilt blood.

A hedonistic dogma. She holds her tongue due to the respect granted to Bhaal by her own unholy master.

She observes the preparations for the ritual with only half an eye, attention commanded by the ophidian silhouette haunting the edge of the room. What a disquieting picture he paints. His height causes him to loom terribly, heads and shoulders above the flock of mortal meat. He need not even draw his weapon to kill half the room should he wish it. Each finger is tipped with a talon that catches the candlelight with each of his clenching hand. When he had spoken, his teeth had stood out vividly against the stone-black gleam of his scales. The dried gore on his scales embrace him as intimately as any lover.

The wicked length of a barbed tail flickers in what may be a sign of agitation in his people, or merely a quirk of the extra limb. His attention is riveted on the altar. She half expects it to catch aflame.

She attempts not to concern herself with his growing impatience. Any fool can cast a spell to converse with the departed; a Myrkulite only does so at the behest of another and the blessings of the Bone Lord. She will not disregard the tenants of her faith even for this Prince.

"You're eager," she observes. The dragonborn has not left the corpse's side since it was brought to her. Curious. He must be thoroughly invested in the secrets it would spill. "It was good that you preserved the jaw. A wasted trip had you not," she stops by the head, only the breadth of a few steps between her and the Prince.

At that, he finally regards her. Even in his initial instructions he had been short with her. "What of a tongue?

"Is this a theoretical or practical query?" Short of the patience to wait for an answer, Iraestra snaps at one of the attendants. "Bone Talker, check the mouth."

Questing fingers find only half of the appendage still intact. If removed before death, exsanguination is as likely a cause as any.

"It will do," she decides. "I am ready to begin." Her attendants step back as one.

The body has been prepared as best they can given its mangled state. This man, who can be no older than twenty, bares the marks of a slow death. The skull, partially caved, rests unevenly on the cloth. He does not even look peaceful now, as the victims of violence rarely do.

She steps forward, hands rising from her sides. Iraestra readies herself to speak the ancient words.

"Alone," the Prince's clipped voice rings out clearly. Not a request. Demand.

Iraestra hisses her frustration. Better vexation, than dread. She knows the vestments of anger well, slips into them like a second skin. Her mouth twists, her shoulders draw tight. Her hands are half-formed claws in the air. She hears the pound of her own heart in her ears.

What is so important that it cannot be witnessed by the others? What is to be done with her, who will attend to the questioning herself?

"Mistress?" Every cowled head in the room turns to look at her. They hear the call for her death as vividly as she. One of the fools is brave enough to step towards her, as if they could truly do anything to intervene. She admires them for their stupidity.

The Prince watches her, well aware of what he asks for. Trust or faith or maybe both. Clearly, he is looking for a reaction. Will she falter, will she balk? Could he make a bouquet of the stench of her unease? He regards her with a snake's stare, eyes cold licks of fire. He does not blink.

If he thinks he can subdue her so easily, then he is sorely mistaken. She is drow. She is Oblodra. Her own mother's hands were the first to ever try to take her life. He will find no easy marks here today. Let him slake his thirsts elsewhere. There are other, weaker creatures for him to gorge himself on.

"Leave us," Iraestra does not take her eyes from the Prince. She does not speak or move again until the door clicks shut behind the last attendant. How awfully similar it sounds to the closing stone of a tomb.

She rounds on him, irritation clear. "Why did you ask for me?"

The Prince is the first to look away, back to her hands and then the body. Iraestra does not feel like she has won anything of merit. It is impossible to tell if he is pleased. "The Banite confides in you. I thought to do the same."

He does not give a name, nor does she ask for it. She wonders at what the Prince knows of her talks with the other Chosen.

"And what if his confidence is misplaced?" A theoretical. Her loyalty is not often brought into question. It is rare that she pledges it at all.

"Then I will kill you," the Prince simply states.

She laughs. That intention is only the natural conclusion of the dance. There is no greater aim for those of his depraved bent. "So you say. Did you not plan to do so already?"

His head tilts in a particularly reptilian gesture. His glittering eyes have found the pulse in her throat, her bare wrists. She cares not for his study. It feels too much like a physical caress, high beneath dress and robe. One hunger is not too different from another, and she supposes they may be frighteningly the same for him. Both indulgences of the flesh, in the end. "Do not tempt me. Your blood would spill sweetly on this floor."

Iraestra sneers. "Cast your fetid gaze elsewhere, brute. You will not find easy prey in me."

He chuckles darkly. "Of that I am sure. I would savor the challenge as much as anything else."

"I was under the impression that there were more pressing matters at hand, given your early insistence on haste."

"Time can always be afforded for pleasure, sorceress. Consider the feel of silk on the skin. The burst of fruit between teeth and the rush of the juice down your chin, the clench of a lover tight around you as they sob your name. That final, shuddering breath that flutters out of the throat at death. Do you not feel the drum of the heart in your own chest? Do you not wish to dance to it? If you are so indifferent to it, I could show you how to listen to it once more. To feel it." How reverently he speaks, as if he is at the shrine of his own father-god. His lids have nearly closed in rapture.

There's smoke in the dragonborn's mouth and anticipation in his words, thick enough to choke on. He whispers with the tongue of a snake, words dripping from the depravities he utters.

As mad as his sister, the shape-changer, Iraestra decides with disdain. The seed of Bhaal is truly cursed with madness, complete and true. It was preferable when he was barely acknowledging her presence despite demanding it in the first place.

"You have nothing that I desire." Were she younger, still a fool turned by a pretty face, she may have once allowed herself to be seduced by the offer. She ignores the answering hook of arousal low in her gut, focusing once more on the misshapen head on the pillow. Reminds herself of whose hands exactly have crushed it. There is much to do before she is ready for the grave. "Now, if you will allow me to get on with this, we may be each rid of the other before long."

“A pity that you deny yourself,” but he nods. “Perform your rites. Regretfully, I cannot linger for long.” 

Iraestra does not regret that. She is exhausted and enthralled by him in equal measure. Let this be the first and last time she suffers his company. 

She begins her prayer to the dead. 

[grocerystoreanxiety]

hh found another band that’s a very HIM-esque but to the level it’s like,,, suspiciously similar (like they have a song called ”lovekiller” vs. HIM’s ”heartkiller”, their ”The Kiss of Death” vs. HIM’s ”The Kiss of Dawn”. And in their bio, they say the fans of HIM will probs also like their stuff) so now idk if I can listen to them without being annoyed abt like ”are they trying too hard”. Like I obv like it, bc it’s a knock-off of my fave ever band but this feels like cheating ????

[triglycercule]

i want to headcanon the mtt having absolutely terrible hygiene and struggling to keep themselves clean (this MAY... just QUITE POSSIBLY.... only in the SLIGHTEST bit be projection) but i think it would be too gross and man EVEN I dont wanna think about that

also killer canonically smells good and i actually really LIKE that idea so oh shit there goes that idea out the window. horror and dust youre my only hope please let me make you smell bad for reasons you won't understand

[icewindandboringhorror]

a boye whom'st loves to attack paper balls

[bolyde]

i promise i will actually get things into the queue this week at some point

[3amsnek]

bastard boy. bastard.

reblogs >> likes!!

[wellamarke]

Tagged by @restlesshush - thank you!

Rules: share the first lines of ten of your most recent fanfics and tag ten people. If you have written fewer than ten, don’t be shy and share anyway!

1. stay with me (Endeavour)

The world spins.

2. fireworks (Cabin Pressure)

The fireworks erupted over Fitton, and Carolyn, in the rather fresh absence of a husband to watch them with, looked round for Arthur.

3. birthdays (Cabin Pressure)

“Mum, did you know—”

4. mismatch (Cabin Pressure)

Carolyn had phoned her mother afterwards, having as she did the vague notions that a) one phoned one’s mother in times of great change, and b) getting divorced from one’s husband of six years more or less constituted a time of great change.

5. the past (Cabin Pressure)

“If I’d found you sooner,” Herc began.

6. the skill, the wit (Cabin Pressure/ROTE Fusion)

Once Carolyn had grudgingly agreed that the strange little man could scrub the deck for his passage, and Arthur had shown him to what passed for a hammock, Douglas waited wearily for the storm to rain down on him.

7. five letters (Cabin Pressure)

Herc was clearly waiting for her to say something, so Carolyn had a lovely time, making herself a coffee, slow as you like - studiously not asking anything, staring pleasantly back into the questioning eyes that lifted to see her over his mug of green tea.

8. Peace Treaty (Cabin Pressure)

“I hear there’s been a peace treaty,” said Noor, eyes glittering.

9. known for it (Cabin Pressure)

“If only I could transplant it,” Martin said, mock-ruefully, contemplating the reflection of his chin in the tiniest mirror of the tiniest bathroom in the tiniest cottage in all the South Tyrol.

10. Left (Cabin Pressure)

It wasn’t that her father had died when she was dreadfully young, but what he had been was dreadfully busy – and so Theresa’s actual memories of him were fleeting, and had taken the form of either bona fide formal occasions, or domestic scenes made to seem so by the king’s sheer unfamiliarity with his children.

+Bonus because I really thought this batch would have more fandom variety 🤣

11. mutual friends (Sarah Jane Adventures)

From the moment her mother set eyes on Sanjay Ramakrishnan, across the room at Sarah Jane’s New Year’s Eve party, Rani resigned herself to her fate: not a permanent one, of course, but the temporary fate of having to have a very awkward conversation with Luke’s university roommate at some point in the near future.

Tagging: @sircarolyn, @biancaicaras, @linguini17, @merlinsearsarebeloved, @gold-from-straw, @unionjackpillow, @turnedherbrain, @rocknvaughn, @accal1a, @elvendorkinfinity

(It turns out I am very bad at remembering who writes, but I made it to 10😂)

[un-pearable]

triple whammy (assignmence bc finals weeks impending) (paralyzed by anxiety due to upcoming unavoidable change in my personal life) (guilt) (guilt) (guilt)

[captainschaos]

HI PEOPLE. idk how many folks might have noticed, but summer was wayyy more busy for me than the schoolyear before it, so I was only able to be on tumblr in a pretty limited capacity! But I'm back at school now, and though I'll have to settle in first I plan on being back here and more active :D particularly in terms of creating my own art again, since I definitely rb way more than I personally post, but I want to be able to interact in the fandoms I like and share things and have conversations and all that good stuff ! This is a pretty nothing post since it'll take me a bit to ramp up to that, but just felt like saying hi hi hello tumblr I'm back I hope to be able to have more fun :]

[sfsolstice]

huntington haul 💫

photos by me + reblog okay + don't repost/reupload

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[triglycercule]

i come up with ideas based on the most random things because wdym i just rambled on about fucking fingers and decided,,,, heh,,,,, yeah. this is a good idea. well i mean i do think it IS a good idea but also like in hindsight and out of context i do think its totally fucking stupid. angel92 ahh post 💀💀💀

anyways i was thinking about mtt and fingers and which ones they would lose as a result of being with eachother but then that also means that i'd have to give specific meanings to the fingers (ughhhh,,,,,) ok lets see. pointer finger would represent precision and clear vision because you literally use it to specifically gesture to things. middle finger is like ughh vulgarity and hatred because its the middle finger. the ring finger (heh! i already spoke about this one because of the myth that its connected to the heart and also holds wedding rings) represents love and the pinkie represent promise (PINKIE PROMISE!) and the thumb represents basic functioning and interpretations (because the thumb helps us literally hold things and also thumbs up and down shows your view on things)

i think if i just tack this idea onto the other post about ring fingers then it would be kinda unrealted + plus too long SO ITS GOING HERE. all the mtt are missing ring fingers because i said so. dust is missing an index finger because if the trio break up he's the only one that wouldnt have anywhere/one to go. also he'd struggle to smoke and i think that horror would always complain about him smoking so it'd be like horror's still kinda there warding him off from smoking even though he's not there anymore. horror would lose his middle finger because he'd probably be the most agressive against kist in mttpoly and now without them there he's kinda chilled out. but also the agression and spark isnt there and now he's stuck in plain old boring regular horrortale again which isnt all that fun,,,, even if dust an killer sucked fighting was a way to pass time. but horror would never admit that. and i think killer could lose a thumb (ill be fr im just running out of fingers to use here. next thing yk i'll start talking about TOES) and then he'd struggle to hold knives normally now. he literally can't hurt others the way he hurt horror and dust (but also that could also mean that killer just has to come up with more creative ways to main. or also his reduced actions could result in him causing less trouble and therefore having less threats. depends on if killer wants to be a bit more knife happy or just chil,,,,,, you KNOW i gotta go with the knife happy idea mtt NEVER get a break and if they do i immediately forget about it)

dude imagine them with all these missing fingers 💀💀💀 that shit would lookd SO weird

[uzurakis]

NEARLY C★UGHT IN THE ACT!

featuring: fushiguro megumi. itadori yuuji. gojo satoru. geto suguru. (characters are all aged up)

NSFW MDNI. fuck! ya almost got caught screwing . .

n. been in the drafts for way too long.. cz i needa clear my reqs but idc! i’ve been wanting to write this for the longest time. enjoy my lovelies <3

GOJO SATORU. “s-shit, how much i’ve missed this view,” gojo was sitting in his office desk, slighty pulling your hair to guide you to the rhythm he wanted. you felt yourself melting into him with his warm shaft in your mouth, ever soo big and too much for you, bobbing your head up and down.

just then, a sharp knock echoed through the room, startling you both. your heart raced as you instinctively tried to pull back from gojo. “s-satoru, we—“ his hand gripped your scalp more firmly than before, making you swallow his shaft until it hit the back of your throat. in other words, he didn’t fucking care. “just do your job, darling. and relax, they won’t come in.”

“even if they do come in, we’ll just say we were having a very hands-on discussion.”

GETO SUGURU. “i’m sorry, princess,” he whispered beside your ear as he hit you raw from behind, both pressed against each other in the dim light of a public restroom. his hands gently putting your hair to the side, “i just, ngh, need you so badly,” whilst his lips found yours again, silencing any further protest.

the sound of footsteps outside the door made you freeze, heart pounding in your chest as the door handle rattled. “someone’s out t-there,” you tried to say as you held back the moans. yet not only your heart was pounding like crazy, it seemed your boyfriend was also still pounding your walls despite the chance you two will get caught screwing in public.

“j-just a little longer,” he pleaded as the groans left his lips again. “i can’t get enough of you.”

ITADORI YUUJI. watching movies together was the original plan, until itadori’s cock twitched because you were sitting on his lap. your ass brushed against his bulge and that’s it. he couldn’t hold it any longer.

a split second later his boxers are on the floor, your panties pushed aside as he rocked your waist front and back. better than the movies, he thought, “i’m havin’ a nice view, baby.” you circled your hands on his shoulders when suddenly you heard a knock on the door. “shit,” itadori murmured as he panicked, slowing down the pace a bit. “i’ll handle this.”

“uh, 10 minutes! don’t come in!” he shouted deafeningly, you were certain that if the person still opened the door, they must have hearing problems to miss that loud shout. “see? problem solved. now, where were we?”

FUSHIGURO MEGUMI. with a frustrated groan, he hovered above you, laying your leg on one of his shoulders and pumping two digits in and out of your hole while he ran a hand through his hair. “why did you have to sneak in here? tsk,” a groan fell from his mouth, “you’re going to get us caught one of these days,” he grumbled, but his fingers playing around your pussy said otherwise.

“because i—ah,” you were the one squirming under his touch, “i-i wanted to be with you—“

“fushiguroo, are you there?” came the voice from the other side of the door. megumi sighed, his expression quickly shifting to one of annoyance. “busy!” he called out, forcing his other fingers over your throat to stop you from making any noise, and tried to keep his voice steady while fucking your insides. “idiot, just keep quiet, okay?”

@uzurakis