#and at this point I'm questioning myself why I still post my shitty art

[mercair]

Goodbye Mercair

On January 7th of 2017, i posted my first song ever. It was a shitty self-insert megalo that never got any likes and barely got listened to. But i didn't really make it to get popular, i knew at the time that that would never happen and i was okay with it, because i didn't make that song for that. That first song was my way of thanking this community for helping me so much during a grim part of my life, to thank YOU, Undertale/Deltarune fan just for being there, creating stuff, and making people happy... I wanted to pay back the happiness this community gave me, and it has been like that ever since.

But now i realize, after 7 years, that... I'm not needed here. Whether i'm here or not, people would still be happy. People would have banger songs to listen to and characters to obsese over, without me. And that's wonderful! I enjoy seeing people happy more than i enjoy seeing myself. Just like in real life too, i'm the kind of person that can disappear from earth, and almost nobody would notice. But it's not like i can blame them, in the last 7 years i've been here i barely talked to anybody, i barely interacted and i barely got any friends.

And also, i'll just never be able to pay my debts with this community. I owe you guys so much, but nothing of what i do will ever be enough, not for me at least. And now i just have nothing to offer. I have no new ideas, i'll have no way of composing in what seems like months at this point, and i just lost my motivation. I've ran out of excuses to justify my presence in this place.

But also, in all honesty... After 7 years of creating stuff, even though i told myself that i never did it for popularity... I just thought i would stop feeling like a nobody, and that i'd stop feeling jealous of everyone else's success on this community. Is that ungrateful of me? Am i being greedy and not appreciative enough of what i got? Honestly, that's another reason of why i decided to leave; i'm just so secretly jealous of every other famous person in this fandom, i just think it'd be unfair for you guys to have a person like me around here. Ungrateful, greedy, jealous.

So i decided it's just time. To give up. To leave.

Once i'm done writing this letter, it'll be over. I'll stop being a musician, and i'll stop being an artist too. But please don't be sad about that. I don't want you to be sad. I want you to keep being happy, living in this fandom, like always. Keep making banger tracks, keep making cool art whether it's of your favorite characters or your own awesome ocs, keep talking to your friends and the people who love you, and overall, just forget about me. Forget about all of this. All my creations, all my characters, songs and concepts, they're not worthy of your praise. But everyone else's stuff is. So please, don't remember me or else i won't be able to leave this place in peace.

And now, i guess the question people are more interested in right now is "What will happen to all your stuff then?" Well, as some may have noticed, i've already taken down all of my original tracks from my soundcloud account, except for the covers/songs i made for other people and collabs, which are still up, since they're either not my characters, or i just wasn't the only one that worked on it, and it would be unfair to delete it. The soundcloud account will soon go unnamed, and i'll erase any connection to me it has, so people will be able to listen to those songs, without my name in it. As for my Tumblr and Twitter account... I'm now debating on whether or not to delete them, or just do the same and erase my name from both of them. I also gotta point out the possibility of me regreting this decision, but even if i do, i'm most likely not coming back.

So that's it. But before i go, i want to apologize. For everything.

I'm sorry i wasn't the best at what i did.

I'm sorry if my music wasn't good enough to make you smile or bang your head to it.

I'm sorry if my artistic abilities never catched your eye.

I'm sorry that i was never able to make a character you could obsess over.

I'm sorry if i was just too awkward and unfunny when talking to you.

I'm sorry if i was never able to become your friend and be someone you could talk to on the daily.

And most of all, i'm sorry for thinking that i could be like you. That i could be one of you.

All of you are so talented... SO incredibly talented and such good people... You're all legitimatlly amazing, and don't let people tell you otherwise. You're all gonna do great stuff in the future with the skills you have now, i guarantee it.

Well, i have to go now.

Thank you. For everything, and for what you did for me so many years ago. Thanks to you, i managed to be happy for the last 7 years of my life.

Goodbye UTDR.

[samtheflamingomain]

25.21%

I've been sober for 3 months today. 92 days. 25.21% of 2021.

I could've posted more updates, more milestones (it took a LOT not to post on Day 69) but I wanted to kind of save it up for a Big Day. It was also a decent way to continue to incentivize my continued sobriety: a full pass to do a shameless, hardcore bragging sesh.

Anyway, this post comes in 2 parts: the TL;DR for those who only want the gist, then more in depth on my ability to stay sober, the lasting effects of rehab, etc.

I tried my damnedest to pare this absolute novel down, but it's long, so feel free to dip out if you just get bored. Onward!

TL;DR: I went to rehab the beginning of July for 3 weeks and haven't had a drop of alcohol since. I've lost weight, I'm more healthy, my daily anxiety level went from 8 to 2, I haven't had an anxiety attack in 3 months, and everything generally just seems... easier. My memory and concentration have improved. I've been productive and I've been meditating every day. I'm saving money, and while I sometimes fantasize about getting drunk, that's usually all it is.

Honestly, it's been much easier than I expected, but I think a lot of that is because for the first 3 weeks, the time in which I would usually break down and start drinking again when trying to get sober myself, was spent behind a locked door. So far I haven't had any days where I was close to giving in. I haven't had many days where I've been depressed about it, missing it or really tempted. Maybe 3-4. I've basically just gotten on with my life as if alcohol doesn't exist.

To wrap up the short version for those ready to peace out, I'll leave it with a bit of advice.

I don't feel qualified to give any specific advice, because my story feels very unique to me, and I honestly don't think what worked for me will work for MOST people. Sometimes people spend a year in rehab and still drive straight to the liquor store on their way home.

That said, there's one thing that I've found pretty universally true: you have to really want it. For a while, I floated about without much of a "reason" to stay sober. I don't have a spouse, kids or a job I've been fired from, so I didn't see the point.

It's taken me a while, but after not being "convinced" by a few superficial "reasons" like weight loss and saving money, I thought I needed something more... permanent? Consequential? I now realize that my "reason" for getting sober at a young age after only a few years of alcoholism is that I don't want it to get to a point where I'm hurting other people, drinking myself into multiple lasting health problems... I don't want it to become permanent or consequential.

Anyway, that's my two cents. If you do have something like kids or trouble keeping a job, definitely use that as your reason. But for anyone who's a pretty "functional" alcoholic like I was, "not letting it go on long enough to become disfunctional" is a good enough reason.

This is going to get stupid long, so feel free to walk away now, just glad you read this much and it really does mean the world when people listen to what I have to say.

Now some more things in depth. I'll go in chronological order: what made me get sober, what I took from rehab (and what I left), and how it's been the past few months.

I started drinking when I got kicked out, manic out of my mind and homeless unable to sleep. It took a while until I was able to sleep without alcohol, but by then the addict brain had taken over. I'd tried a few times to get sober myself, but I never made it more than a week without, and always got back to daily drinking after a few months maximum.

Some people need a "wake up call", a "last straw" or a "rock bottom". Something external to make them realize they can't go on as they are. For me, the catalyst was my health, which is more of an internal reason I suppose. I didn't have a heart attack or liver failure, but my anxiety was getting uncontrollable and I knew it was directly tied to my drinking.

My life had been starting to feel tolerable, and I was more financially secure than ever before. Things were looking up... except for the alcoholism. This is a weird analogy but the only one that makes sense to express why, if I was doing so well on paper, I decided to go to rehab: you have to sweep before you mop. If I hadn't been in the place I was, I don't think I would've been successful at rehab. I had to sweep up the cat turds from the floor of my life before I was able to mop up the shit stains with sobriety. I know, I'm a true wordsmith.

When I finally called the hotline that hooked me up with a bunch of different rehabs, I knew I was in for a wait. It was about 5 months from that call to checking in, which isn't too bad considering I've been on the waitlist for a neuropsychiatrist in ALL OF CANADA for 4 years.

That brings us to July 12th, Rehab Day One. I've gone in depth in multiple other posts but to touch on it briefly, if I had to describe my experience in a sentence I'd say "the place I went to got very lucky with me".

What this means is that, of the 5 people in my group, I think this exact program was only ever going to help me. At the same time, I didn't even know what I would need, but this exact program was 90% of it. I didn't think 3 weeks would be long enough, but for me it was. The hours-long, repetitive, basic-ass CBT groups held 5 times a day 7 days a week was absolute torture for everyone but myself. While it was a drag to spend an hour on defining what a cognitive distortion is, the routine and repetition, something I've never gotten out of any outpatient program, helped me to really absorb the information and let it rewire my brain.

I've always said that I'm someone who should be spending an hour a day with a therapist for the rest of my life, and while that's not even remotely feasible, this was as close as it's ever gotten, and it proved me right, because it worked. I've done biweekly therapy for a short time but even that didn't come close to the way my brain changed in those 3 short weeks.

This program required absolute commitment and open-mindedness. This isn't because it was hard work or difficult concepts, but quite the opposite. While I hate the entire concept of art therapy being used as a cure-all for mental illness, I willingly got out of my bed, went downstairs and tried doing a dot mandala for an hour because I'm willing to try anything to get better. A lot of people might think they are, but really aren't. To use the mandala as an example, one guy was really into it, I wasn't, but we both finished. The other 3 tried, messed up a few times, and then scrolled through their phones. When I say this program necessitates complete engagement, that's not a compliment. It shouldn't be a chore to engage with the program. It shouldn't take me actively saying "I know I've known this basic concept since 4th grade, but maybe hearing it again will help" to get something out of a rehab program. So again, in every way, I got lucky, and so did they.

Before I finish with the rehab section, having had a few months to reflect on the whole thing, I now have an endless list of things wrong with it. I arrived, greeted by the most jaded and disillusioned of staff, and quickly became disturbed and at points concerned with just how negligent the staff are.

Maybe it's because I've been on the psych ward where they won't even let you have shoelaces and shine a flashlight on your face every half hour through the night, but it could've been so incredibly easy to sneak in alcohol. I brought 2 full water bottles, fully expecting to have to dump them out upon arrival, but they said "nah it's fine". Is it though?

Then there were actual counsellors there who were... okay. I recall one, the one I thought was the smartest, reading a handout aloud and coming across the word "delve" as in "let's delve into..." and stumbled, then said she doesn't know that word. The room was silent. As she pulled up Google on the screen I said, "it means to dive into it". She Googled it anyway. Synonyms include "dive in". If that was the only example I wouldn't mention it, but this was the first of at least 10 words she had do Google, none past a 10th grade level, from HER OWN MATERIAL. From that point on it became clear that they had no fucking idea what they were doing.

We had one last one-on-one counselling session before we left and the counsellor just filled in boxes to questions on her computer, rephrasing everything I said to fit into the buzzwords and "lessons" we'd "learned". Example. Me: I do think I'm better able to catch myself thinking 'oh I can just have one drink' and say 'no I can't'." Her: "Okay, so would you say that you can recognize negative cognitive distortions like permission-giving thoughts and counter them with a more rational and less emotional mind?" Like girl, blink twice if your boss is holding your family hostage. She gave me some papers, detailing all the online courses they were signing me up for and options for more treatment they'd be sending me, a phone number to call and a phone appointment for the next Monday. I never got that call, the phone number is a hotline, I never got a single email from them, and given how shitty they really are at their jobs, I didn't feel the inclination to try and get those resources. If they even exist in the first place.

In summation, it was a place where it was physically impossible to get alcohol. That's really all I can say in its favor. Oh, and they let you have your cell phone.

Now on our timeline I'm back home. I want to kind of analyze why it's been easy for me.

I often said that my main goal of going to rehab was to lock me away from alcohol long enough for it to reset my brain. Most people thought that was naïve, but that's exactly what happened. But I'm well aware that my experience of "instantly became sober and literally hasn't had a single hard day in 3 months" is absurdly unusual.

I put this down to a few things. Firstly, I'm on seven different meds for my mental health. Almost all of them have their effects dulled or even eliminated when you drink. So when I noticed my mood, fatigue, memory, concentration etc all getting better at once - right about as I left rehab, I don't think it would be a stretch to say that all those meds started working properly.

Secondly, I've been keeping myself busy, but that's something I've always been good at. Now I specifically choose to undertake projects that will eat up a lot my time and put me in a state of flow. I recently made an entire card game from scratch, and let me tell you, I didn't think of alcohol for a week.

Thirdly, my other goals now get in the way of alcohol. I'm getting old and my body is deteriorating. But I've always wanted to do just one last season of gymnastics. Well, I need to lose weight for that to happen. I've already lost 35 pounds, and after another 20 I'll be ready to go. Also, I used to spend more on alcohol per month than rent. Even though I've done a few shopping sprees lately, I haven't come remotely close to how much I was spending before.

I want it more than anything. I want to be sober more than I want one night of "fun" that will more likely than not lead me back to where I was a year ago. I never want to need anything as much as I needed alcohol.

Lastly, just a few more random thoughts.

A lot of people, myself included, worried about the fact that I work at a bar as a cook, but honestly the entire time I'm there I'm thinking about food, not alcohol. If I'm hanging out with some regulars before/after, I can watch them drink and be perfectly fine with my coffee, because the coffee is $2, and I used to spend $20 after every work shift.

I also decided in rehab to start taking better care of myself as best I could. This started with getting my second vax which I'd been putting off, then an eye appointment, then new glasses, then a dentist appointment where I was informed I need to do $3000 worth of work on my implant that's erroding my bone matter, so that sucks, but I caught it early. I've also been meditating every day. In just 3 months, I've made pretty big improvements to my self-care and my daily routine.

One of my fears about sobriety was "missing out" on "having fun". A few days ago, all my housemates got together to play Mario Party, and it was kind of my first night doing something social while sober. It was a breath of fresh air - I wasn't constantly running to piss, I didn't worry about running out of alcohol, I didn't get sloppy and obnoxious as I can sometimes do. I even came very very close to winning my first game of MP. When I reflected on the night, I realized that, if I'd been getting drunk the whole time, I would've sucked at the minigames, been a hindrance to anyone unfortunate enough to be teamed with me, and likely would've stopped caring about the game itself after the first few turns.

Yesterday I was making my 4th pot of coffee of the day when I realized there was a full glass of wine just sitting on the counter. I had absolutely no idea where the hell it came from - nobody in my house drinks wine. I shrugged and poured that sweet sweet bean juice. It was only when I sat down and took a sip of coffee did I find myself thinking automatically, "this tastes so much better than wine". I only realized then that it had been rose wine, the only kind I've ever been able to tolerate. It was the ultimate moment of possible temptation, and the thought of just chugging that glass - as I may've done in the past - didn't even cross my mind.

I'm so glad to be where I am. I'm about to undergo some serious financial changes - i.e. going absolutely broke - but drinking isn't gonna help that, so I'm cautiously optimistic.

Stay Greater, Flamingos.

[struwwelzeter]

So I read your reply to Nyarisu's comment on Lionheart and I'm really intrigued by your comments about how people understand punk compared to what it was initially. Could I possibly ask you to expand on this? Pretty please?

Yes you could! This is a very (very?) personal point of view and I know a lot of people will disagree, but here goes nothing, I guess. If you disagree with me (and somebody will), that’s fine, but I will not engage with anything that’s not a constructively put argument. I’ve spend too much time thinking about this for a “I don’t like what you’re saying and that’s why you’re wrong” anon to change my mind. Just putting that out there - with love 💜.

The thing is, especially on tumblr but I think just in generally aswell, the idea of punk is presented as this ... Robin Hood kind of thing. Beat the system, stand up to bullies, live your own truth, all of that, but it always is presented as something that is supposed to come from a ... dare I say, nice place? Like those pictures of people in studded and sprayed leather jackets rescuing puppies. All of that, you know? And I don’t want to say that is wrong, because it isn’t, and I love the idea of that, it’s just not the entire truth.

Especially in the early to mid 70s, when arguably punk started, there was a lot of fatigue between an old and stuffy establishment and the lovey, dovey peace and love “let’s all be happy” movement of the hippie scene. I was at Force Attack in 2006, which is a punk festival (and possibly dirtiest place in the world) that got established in the early 90s and went on til 2008 (?), and even then some of the “death to hippies” sentiments ran pretty deep. And I know the counter argument to that will be a well meaning “well, that’s not real punk,” the problem is that I think it actually partly is. (Please keep the partly in mind for the rest of this argument.)

The problem with having the exact choice between “get a good job, built a nice house, think of what the neighbours will say, and don’t ask me about what I did in the war” and “we’re all a big part of one human family, and isn’t nature beautiful, lets all make peace, and btw we would have never done what our parents did” is that both models aren’t a sustainable life style for everyone. That’s why you get alot of people saying this is all fake bullshit, and they start being purposely offensive. This is why you get alot of Swastikas around the sex pistols, you get all these artists singing about suicide and incest and rape. It’s not that uncommon for some of those early acts to play with Nazi imagery, or claim that homosexuality is disgusting (despite the scene always being full of LGBTQ+ people), or idk, thinking it’s fun to piss on someone while they’re asleep. It’s alot of outcry, of saying life actually is this shitty and disgusting and I am gonna be that because in a way you will hate me either way. And it’s not always nice. Disdain and hate and petty selfishness are common human emotions and many of them are low and unhealthy, and honestly not nice or helpful or inclusive, but they are there, and I think alot of that early spirit was just about stopping to pretend that they don’t exist.

I think a reason for why we don’t think of the scene that way anymore is that many people very quickly outgrew that, and said “actually, we’re better than that, that’s not who we actually are. I sadly can’t find that interview right now, but Die Ärzte are actually a good exemple of that and they even admit it themselves, that there was a sense of “enough with the happy hippie bullshit, let’s disgust them” and then later going “uhmm - maybe that went a bit far.” I mean offensive or not, but ultimately a scene that is centered around artistic expression always ends with that question of creation, maybe like “if the world isn’t like what we want it to be, how do we make one we like?” - and then you end up with having to come up with answers that are more than just destruction. And then it turns into something else - something that I think is alot more like what tumblr seems to think punk is. And that’s a wonderful thing. Still - a side of punk, whatever that is, has always been what people like GG Allin (please read the wiki for context) have taken and pushed to the limits, and it just - isn’t nice. And here is where things get a bit tricky.

Because against that backdrop, things like John Lydon (Johnny Rotten) suddenly being a dirty old Trump supporter aren’t that surprising anymore. And then you get these 20 year olds “cancelling” the Sex Pistols, and I think there is just a bit of ... missing the point going on. I’ve read a comment on here recently, that basically said something like Richard should stop supporting the Sex Pistols (because he has that album in the back of the studio), and it’s just ... asking for a history to be erased that has rightfully been made obsolete but has still happened and was necessary at the time. You can take any of these early bands and pick their lyrics apart and find something that from our perspective now is disgusting, mean, exclusive, or outright racist. Songs about Fucking? Part of that record is a mysogynisy shitshow, something they were very aware of even at the time, and they still did it anyway because being disgusting was part of the point. The thing is though, the Sex Pistols were hugely influential, and alot of the positive things that grew out of that wouldn’t have been possible if kids like young Richard, or any of the bands you love that were influenced by them, wouldn’t have gotten that moment of “finally a place where I can put all of my petty hate”. It matters, and just because that moment is overcome, it doesn’t mean it should be forgotten, or stops existing in the people that lived through it.

I understand that the question of how much we should justify things with “it was the time” and how we deal with the result is an ever ongoing debate and their are many good arguments for why maybe we shouldn’t try to defend the wrongs of the past that way, and I want to point out that while I rarely agree on that in the first place (because I understand history as a natural learning curve where people aren’t perfect at the first try and it’s doing a disservice to humans just doing their best, but I digress and that’s a bit of another duscussion), I want to point out that I don’t want to defend anyone, rather I want to say “actually, being that horrible was often calculated, part of the point, and if you don’t like it, just leave it, fight it or debate it, but don’t pretend like it was a “missstep” or just a few black sheep of a scene that was never as nice or perfect as you want it to be.” You don’t get to erase half of a movement simply because you wish it wouldn’t exist the way it does - or well. I guess in this case mostly did - past tense.

The ugliness is part of the story to me, and it’s actually the bigger part of why I love this scene. I don’t need “punk” to define my politics, I need it to soothe my soul, and so did many, I think. The Sex Pistols breaking happened 20 years before my time, but I still feel connected to that world, and in particular the ugly parts of it. I often feel like I look at the world, and there are people that seem honestly shocked by the idea that maybe sometimes I find doing the right thing really hard, that I want petty, self serving revenge, that I don’t find it easy to not be selfish and unkind or sometimes want to hurt people because I am hurting myself and see an opportunity to do that. Obviously those aren’t nice things and I don’t want to be that way, but are you honestly telling me you don’t feel that? I find that hard to believe, and it leaves me with an ongoing question of if I am just worse than most people or if most people are just more fake. Both scenarios are equally shit. The ugly side of punk provides - not an answer to that - but maybe a partial solution, at least for me.

Another discussion we have all the time is about how what we consume or allow in artistic expression is influencing how we act as people in real life and how we want the world to be. Where do we draw the line? What is still ok? If I put me entertaining ideas about murder on a canvas, is that still good? what if it’s racism? What if it’s rape? We argue alot about how providing a safe space in art for those feelings is actually preventing us from acting on it in real life, how it’s an outlet of something we would never actually want or do, but then where is the limit to that? I am putting this intentionally controversial, but if we admit that most of us grow up with internalized racism and mysogyny, by that logic, why can’t I paint something that is blatantly hateful if I have those feelings? Maybe that is my way of fighting it, you don’t have to look at it? Not saying that’s what I am doing or would want to do, but what if? For some people Rammstein singing about not wanting to be Angels is crossing that line, for some of us that line is drawn alot later. Who is right? Isn’t that just personal sensitivity? Can you honestly rationalise that? Isn’t it just processing our different levels of petty hate in different ways? I don’t have the answers to any of that, it’s just questions I often have and that I think have to do with this, because alot of the nasty bits in punk will justify it exactly that way, as artistic expression. Alot of it isn’t as political as this scene is made out to be, it’s simply asking those things. I personally relate to that alot, as someone who arguably would draw the line of “we should stop doing this” in art very, very, very late - and certainly later than my own personal comfort zone.

I’m not sure if any of this makes any sense at all. I hope it does - and if it doesn’t it’s probably because I don’t know either, or because I don’t want to fully blow this up into an essay (sorry, too late?) or because I suck at making a point, or maybe because we simply disagree. All I know is that I sometimes see these posts of “what is punk and what isn’t” and it leaves me with this taste of “you’re describing a utopia and it’s cute and I want that too, but it’s not everything punk as I know it is, and it feels like you don’t want to see something that mattered too - even if it was brutal and disgusting.” And everytime I see it I feel alien, like something that mattered to me so much as a teenager and young adult gets taken away from me and made into something so sleek and pretty it becomes something unattainable to be that I simply don’t manage to live up to in the way I would like. I guess that is a petty, selfish way of looking at it too.

«It's a repressive society where you can't be horrible, I'm not horrible, they made me horrible, I'm just honest.»

- John Lydon

[tuz-on-ao3]

Hey, I was reading your fic (I really like it by the way! Sasuke's, my favorite character, and I think you wrote him really well :D), and I was wondering, what's your writing process? I know everyone has something different that works for them, but how do you plan out your chapters, or get ideas, or things like that (very vague, I know, I'm sorry)?

Hiiiiiiiiiiii!!!!!!!!!! Thank you sugar plum for reading Maybe I’m Paying for the Things I’ve Done and liking my characterization of Sasuke, it’s very heartwarming and I appreciate it. 

As for my writing process, oof. As you know everyone’s writing process is really different and it has been a joy to learn more about other people’s process to help figure out what works for me. This is something you can absolutely cherry pick with and try things out for the first time. 

Timing: some people write better at certain points during the day, some people can start writing at 5am or write till 3am in the morning with a late start. I am a mix of both. I can start writing around 9am because that’s when my internal ticker is like “Let’s go to work now!” It’s just how my school and internship schedule line up. I also just write when I am bored(while in class sometimes) and late at night if I really have the momentum. Which happened for some of the chapters I have written for Maybe I’m Paying for the Things I’ve Done. So figure out what works for you. Also, timing myself sometimes helps, I use Pomodoro as a way to keep track of my work, I don’t necessarily take my short breaks. 

Initial phase of writing: I draft first and I backwards outline as I go along and then I hit a wall. The idea circulates in the back of my mind and I either get a sense of a scene or a situation that I want the characters to go into and I start writing. Writing the story informs me where it’s going to go, it comes to me during the process. However, I will hit a wall. The fics I write are rarely short(shoutout to the people who can do short and sweet, your sense of pacing is unreal and I bow to your greatness) so there is a lot of worldbuilding, plot, and character development that needs to happen. Important thing to note, just because you are writing fanfiction doesn’t mean you can skip worldbuilding. It is very important!!!!!! It doesn’t need to be the crazy amount that I do but you need to set your reader up in a place and time so give some context. 

Timeline: Things happen at certain places and times, and my characters will be a certain age when it happens, so I need to keep track. One of the walls I’ve hit is that for my current posted fic Sasuke spends time in jail, but how much time was not made clear in my non existent early planning and that changes the way things happen. And how old he is, and how much time should I spend on that prison sentence. If it was a long time then I need to talk about it as a life event that will have consequences throughout the entire fic, or if he was just detained until his lawyers came that changes Sasuke’s character. It also is a good way to talk about the criminal justice system of Konoha that I am making up. So I keep track of everyone’s ages, and birthdays, and sometimes I change them. I mean it is really hard for me to write baby ninja that go out into the battlefield when they are four years old and not make the entire fic about a shitty world like that. I don’t want to do that, it’s too fucking hard, and fluff feeds my soul. Also, seasons!!! That changes the way you set up your environment as well, from what I can tell Fire Country should have a monsoon season since they are so forested and are located near the equator of their world. So when that happens, if I decide to include that, is important for pacing of the story. I mean how long should this go on? Also, romance in the rain *hitn hint wink wink* who knows. 

Outlining: I didn’t use to be an outline and to some extent I still am not. I have done a previous post explaining a little bit of it but I backwards outline to keep track of what is happening because it’s a lot of detail and I don’t want to make mistakes. However, spreadsheets are my jam. I didn’t use to be this way but my internship has changed me and now I like spreadsheets as a way to be organized. Huzzah *throws confetti in the air* to being a boring adult person! There are a couple of way to do this but first actual writing notes: 

5 commandments of story 

Inciting incident 

Progressive complications 

Crisis 

Climax 

Resolution 

This is something that helped me a lot when it came to structure, because sometimes my plot points are all happening at the same time and I’m like this makes no goddamn sense, what is happening. Story Grid is a podcast, and a book, and a website that can help you talk about structure. They can also talk to you about the Hero's journey. Take or leave whatever works for you because a lot of their stuff doesn’t work for me. But in doing their spreadsheets and exercises I learned what doesn’t work in a story. It’s how I realized pacing was a problem in my writing, and that I needed to take time away. 

So they have sample spreadsheets that break down books into scenes, turning points, characters on stage, etc. Take what works and leave what doesn’t. 

Back to spreadsheets, I have a story grid one for Maybe I’m Paying for the Things I’ve Done which I will backwards outline for the chapters I have already posted and a weird visual index card thing with the five commandments on my computer to help me figure out what is happening in my story. 

It looks kind of like five boxes side by side with the five commandments written on each one. 

Sometimes there is more than one box for progressive complication and that is fine, it is also fine if every scene you write doesn’t have a resolution, because by the end of the fic you will have one. I split this up by chapter, expected word count, POV. 

Word count: Some people care about this, some people don’t. I don’t write stuff for ‘Maybe’ that is less than 10000 each chapter, there is way too much going on in the fic to do short chapters. For my other works in progress I find that I will be writing shorter, which is both easier and harder because it needs me to be concise and clear. Anyway, I do take notes from Story Grid in this because 50% of my words have to be for my middle build, while 25% each go to the opening hook and to the ending payoff. A scene is about 1200-2000 words. 

Wiggle Room: Shit happens, you don’t do as much one day and you do a lot another. It’s okay, your story will evolve at certain points, it will tell you what to do. Don’t worry about it that much. 

Struggle/villainy: Protagonists are often defined by their antagonists, and if that is the type of story you are writing make sure you spend just as much time on the villain of your story as you do the hero. They are major actors and deserve the attention. When I talk about the Akatsuki I am thinking that they are an international terrorist organization hellbent on kidnapping people that are systematically treated as weapons. There are a lot of moving parts for this. Also the characters themselves, Pein and Konana are radicalized in my story from peaceful revolutionaries to violent ones because they watched the leader of an institution murder their best friend, that will cause personal and political damage. It informs the way I write them or will. 

Sasuke's struggle isn’t necessarily against a person, it is against himself. He wants a home because when he was little the one place where he felt safe was violated by his own brother, that is a hell of a trauma. Then he left his former home to go to Oto. Place has a huge part to play in Sasuke’s characterization and I tag homemaking in my fic because I want to show the process of creating a home for yourself as a process of revival and change and hope and vulnerability. It is a huge emotional labor of love and will be a focal point in the fic. That’s why I spend so much time talking about these goddamn renovations and art deco, it matters. This is a boy who has traveled all over the world and is now trying to put all the pieces of himself into one place, how he does it will be incredibly revealing of his characters. 

Character: Emotional arcs are important for everyone. Try to figure out what your character is going to go through. It helps so much. Victoria Schwab asks her characters three questions:

What do they fear? 

What do they want? 

What are they willing to do to get what they want? 

See if this helps. Also, understand that you got to develop your side characters as well, they act as a foil for the main character and add richness to the story, you will notice if they are flat. Understand the dynamics they bring to the story and to the world. Are they a woman in a field that is more socially acceptable for men? How does that affect them? What does gender look like in this world and how does this affect your characterization? Have they gone through physical/emotional trauma? Because that shit will keep coming up in a story, healing takes time. Also this is a fanfic, do whatever you want honey bear. 

Vocab: the lovely @slexenskee told me to have a running doc of vocabulary and I am trying to do that. 

I also have a running doc for a fic/character where I put all my brainstorming, little scenes, lines, vibes, questions into. And a doc for the synopsis of any new fic ideas I get. 

Inspiration: Read, a lot. I read fics, I read fiction and fantasy books, I read non fiction and I read about other people’s writing process. I read the news, I read twitter threads, I read random quotes on Pinterest. I watch tv shows and take note of how they do characterization or pacing or plot. I listen to music, I couldn’t live without it. I am on Pinterest looking for vibes or aesthetics for my fics. When I first started writing, since my fic was inspired by another fic, I was worried it would be too similar, that worry is fading because I am doing more writing, and more reading as well. But you must consume culture in order to produce it. Also take breaks, sometimes you figure stuff out if you leave it alone or talk to friends about it. If you reach out to me about it, I will do my best to help so feel free. 

IMPORTANT: DO NOT BE A RACIST/HOMOPHOBIS/TRANSPHOBIC/MISOGYNIST. UNDERSTAND THAT WHEN YOU WRITE A FANFICTION THE CHARACTERS ARE CODED IN A CERTAIN WAY. DON’T GO AROUND MAKING PEOPLE OF COLOR WHITE OR MORE LIGHT SKINNED THAN THEY ARE. WOMEN AND NON BINARY PEOPLE EXIST ALWAYS, IF YOU ARE NOT WRITING THEM INTO YOUR WORLD THAT MEANS YOU ARE MARGINALIZING THEM IN YOUR WORLD AND IN YOUR MIND. IF YOU ARE CISGENDERED BE DAMN CAREFUL ABOUT WRITING TRANS NARRATIVES, PROBABLY DON’T. WHEN I DECIDED TO INCLUDE MY OWN CULTURE INTO SASUKE’S CHARACTER AND PAST I DIDN’T MEAN TO MAKE HIM LESS EAST ASIAN BUT TO ADD PARTS OF MYSELF TO THE WORLD. ACCEPT AND ADAPT TO CRITICISM COMING YOUR WAY IN THIS SENSE. I AM SURE YOU WILL BE FINE, THIS IS JUST A STANDARD DISCLAIMER. 

This was really long, and I hope you won't mind. Thanks again for this question, and let me know how your writing goes. Also listen to Deadline City the podcast.

#answers #fic writing #process #naruto 

[cs-discourse]

here we go

https://cs-discourse.tumblr.com/post/179953845684/uuuuwuu-every1-whos-concerned-abt-biased-judging

ok this attitude has been pissing me off long enough that it's time for one of my Big Ole Posts (tm) about how shitty this is! thanks. 

uuuuwuu every1 whos concerned abt biased judging in comps is just soooow entitled !!!1 i cant bewieve ppl wouldnt want some1 whos literally explicitly stating at this point that they trust their friends more to "demonstrate dedication to the character" they assign to a design to b an influence in judging comps !!!!!11 bc artists Never weigh in on other artist's comps, so obviously thes ppl just want fwee merc designs !!!1!!1 also my last braincell just died pleas h

so here's the og post in question for quick reference

i honestly have no idea why people keep bringing up this idea of bias in judging competitions because, while i do think there is a type of bias that certainly exists, i think a lot of so-called "bias" that people have is ... not whatsoever like what people think it is lol. artists are people and there's always going to be SOME kind of bias no matter what you do, because it's literally fuckin impossible to NOT be biased. by that i mean:

your taste in plots/types of characters/medias influence your judging

quality of writing or art can influence your judging

the person who's applying for the adopt you may have previous judgement about

even if you say you aren't biased, you STILL have preferences and tastes in things that you prefer more than others, which in of itself is a kind of bias

people who know you (friends for example) will naturally know what your taste is. 

a competition is judged based on what form the artist thinks is best, right? 

NEWSFLASH EVERYONE'S IDEA OF "WHAT'S BEST" IS DIFFERENT FROM PERSON TO PERSON ..... "BEST" is literally the most subjective thing there is, and while i agree that there are certain aspects of art and writing that you can use as objective measurements of tangible skill, it's... still subjective. what people think is "best" will vary from person to person because we all have different tastes. so, essentially, this boils down to the idea that the winner of an adopt competition will ALWAYS be the form the artist liked best, because that is what the artist perceives as best. so like. when people appear biased in adopt competitions towards friends or certain circles, it's probably because they're literally friends because they have similar tastes in things, and therefore the form the artist likes best is naturally going to be from someone who shares similar tastes. 

so whenever i hear about """bias""" in competitions i just kind of roll my eyes tbqh because it's usually followed by complaints of "BUT I PUT IN SO MUCH EFFORT" or "I WROTE SO MUCH MORE THAN THE WINNER" uhhhh. if adopt contests were won by effort alone it wouldn't be a contest, it'd be an endurance test lol. literally just "who has the most time to waste writing out 60000k words of absolute meaningless fluff"... because, i hate to break it to you, but ANYONE can write 5000 words of mindless drivel that has literally no substance to it. 

now in caps for emphasis. takes a deep breath

THERE IS NO SKILL NEEDED TO BLOAT YOUR WORD COUNT. 

YOU DO NOT NEED TO KNOW HOW TO WRITE WELL TO WRITE 5000 WORDS.

YOU JUST NEED TO KNOW HOW TO TYPE AND PUT SENTENCES TOGETHER.

quality > quantity, always. like, i'm sorry you put in so many hours of effort but, those people who win with MUCH smaller wordcounts... did they not work to get as good as they did with writing? you put in 5 hours into one tryout. but others, take me for example: i have been writing for over 10 bloody years. i've worked hard to improve my writing, so you can't tell me i "didn't put in as much effort" as you because i did. i put in YEARS of work to get better so doing simple things would take me LESS time now. inb4 IT'S UNFAIR! dude, the literal definition of a contest is for the best to win. it wouldn't be a contest if it wasn't like that lol. it'd just be charity. what you should be doing instead of complaining about it is ASKING FOR CRIT and WORKING TO IMPROVE like a good sport? i get that it's discouraging but you should be prepared to lose when you join a contest. it's valid to be upset about but the moment you say you deserve it more than others JUST because of your effort, then i have a problem. 

and you know, there's gonna be times where i think a comp winner is objectively less skilled than other tryouts. honestly i just kind of shrug that off on account of different taste lol. sometimes that's just how it be, bc of those predetermined biases i mentioned before, and maybe a judge and i are just in completely stages of life so what i call quality might not appeal to the judge. that's also fine. anyway this really got off on a tangent but i'm leaving it in bc i think it needs saying. back to the og post

 > i cant bewieve ppl wouldnt want some1 whos literally explicitly stating at this point that they trust their friends more to "demonstrate dedication to the character" they assign to a design to b an influence in judging comps !!!!!11

wtf didn't i address this in a different post

here let me link it for you

https://cs-discourse.tumblr.com/post/179841459154/post179838988303-the-difference-is-that-you-have

which was replying to this: https://cs-discourse.tumblr.com/post/179838988303/179837734509-idk-anon-i-kinda-agree-with-the

i said it once but i'll say it again: artist entries aren't main adopts lol. people don't work for artist entries. all you fucking do is post on one like "can i have this pls" .. there is... no effort put into that lol. main adopts you WORK for. it's a CONTEST. claiming an artist entry is NOT a contest. if a bunch of little nasty gremlins come running up to me like a hungry horde trying to be the first one to claim my design, i think giving friends first pick is COMPLETELY FINE, BECAUSE WHAT DID ANYONE ELSE DO TO "DESERVE" THAT DESIGN? nothing. you did. nothing. you're literally coming here with this attitude that NOT GIVING THINGS AWAY TO STRANGERS FOR FREE SOMEHOW EQUALS BIAS? i literally do not understand your logic whatsoever. like. i'm trying really fucking hard. at least with main adopts the "payment" is the effort you put in trying to answer the artist's prompt. i know i sound super dumb repeating myself but i don't know how much simpler i can make this concept tbh

and this is EXACTLY why i say ya'll are fucking entitled because merc and any of the kal artists could be making REAL $$$$ selling their own designs and adoptables and art and NOT deal with all the bs ya'll throw at them. they're literally here because the ENJOY MAKING ((( FREE ))) CONTENT for you, and they're not obligated to do this. they can stop whenever they want. if you had to pay per hour for the length of time collectively worked by ANY species artist staff, the lot of you would be fucking broke. i'm actually constantly shocked that species artists work like, 8 hours or more on some of these gorgeous designs just to give them away for free in a contest. 

so, yeah, as someone who hasn't spent my entire life on CS (i've only been here for a year and a half), ya'll seem pretty fucking entitled to me lol. the world outside CS rarely gives out such gorgeous designs in write-to-adopt contests so i'm honestly baffled at the amount of bloody entitlement i see

>bc artists Never weigh in on other artist's comps, so obviously thes ppl just want fwee merc designs !!!1!!1 

this part i don't actually understand what you mean. do you mean they... help judge other comps? or like, enter them? i don't get what you mean by "weigh in" but listen, lol. just because something DOES happen doesn't mean it gives you a good reason to assume the worst. i mean... of course it happens. it's statistically impossible for skewed contests and bias to NOT happen, because there's always going to be cases of it happening. but like, what proof do you have that merc will be biased lol? like, real proof? because your main point i've basically debunked and don't believe in at all. do better than "i cant bewieve ppl wouldnt want some1 whos literally explicitly stating at this point that they trust their friends more to "demonstrate dedication to the character" they assign to a design to b an influence in judging comps !!!!!11" because this doesn't make any sense to me for the reasons i already listed above lmao. if artist entries were supposed to be contests they'd be contests. what the hell makes you important enough to get first dibs on a stranger's work. ARTIST ENTRIES AREN'T EVEN MADE TO BE GIVEN AWAY, THEY'RE MADE AS ARTIST ENTRIES.... LIKE.... JESUS i struggle to understand ya'll

anyway im done here, if you wanna actually talk and debate this hmu on discord at lysander#9229 bc if you actually talk to me instead of spew this hot mess on the blog i might actually listen to you and change my mind and be nice about it instead of being a condescending bitch. 

wait one more thing

>also my last braincell just died pleas h

yea clearly

p.s., why do you ppl keep going to the blog to give critique on merc's designs when on literally every other design merc makes there's this:

https://www.chickensmoothie.com/Forum/viewtopic.php?f=38&t=3950980

here i even linked it for you. idk why it's so hard for yall to give constructive crit like decent human beings

[bluering8]

for the dnd meme, i'm gonna send you the same prompt someone else sent me: prime numbers!

2. Your favouritecharacter that someone else has played.

My favourite character was probably Pax! Her player is nolonger around because Reasons, but I still love Pax. She was hilarious and anabsolute delight, top-quality belligerent homeless drunkard with more arms (four)than brain cells.

Favourite character who is still active is maybe… Glitz??That’s a really hard choice because I particularly love the entire Navarenegroup, the Glitz-Levin-Aradi trio is super fun for me to watch interacting becausetheir personalities bounce off each other in really entertaining ways.

3. Your favouriteside quest.

I don’t think we really… do side quests… Numenera iskind of like Side Quests: the RPG, the whole point of it is that you’resupposed to explore and get distracted by random shit and race off in twentydifferent directions at once.

5. Favourite NPC.

Ssenofyn Srelthyn Syntysus! Ssen’s hilarious to me because he’sso consistently deadpan in the face of wacky shenanigans and questionablesocial skills. He cares only for science and it’s delightful. It also means he’sreally good at the job of Being A Party NPC: all he wants is for the party tokeep running around and exploring, so he’s content to stand in the backgroundand only help out when asked. He lets the PCs do all the Fun Stuff, and it makes sense for his character that he’d act that way.

7. Your favouritedowntime activity.

We don’t really… do downtime either… I mean, we could do downtime, but I’m a veryimpatient man and want lots of things to be happening at all times. Okay, wejust jumped out of a plane after encountering/rescuing a new PC and there’snothing immediately important happening, this would be a really good time torelax and take stock and have some RP where we get to know our new teammateright? Well, we could do that, or wecould investigate this weird space lego in a nearby pond let’s do thatinstead!!

11. How often do youplay and how often would you ideally like to play?

We play pretty irregularly? Mostly as a side-effect of wowthere are so many different time zones and conflicting schedules at play here.We’ve switched to play-by-post rather than having actual sessions, which has helpeda lot with the scheduling issues, but we still don’t play very often. I’m like68% sure we’re maybe on hiatus until the new books come out?

13. Introduce yourcurrent party.

There are three!

Draolis party: Tom Sideways (Charming Jack who Works theBack Alleys), useless layabout on a quest to locate a gun which fires weird timebullets and also an occasional pawn in his crime lord brother’s scheming; Aeli(Clever Glint who Crafts Illusions), a con artist who got herself involved inOracle’s political shenanigans; Styx (Ultraterrestrial Glaive who IntegratesWeaponry), a boisterous adventurer from the Timelands who found herselfstranded in the Ninth World by accident and is seeking to repair her worldlineshifter; Oracle (NPC), an overdramatic “””terrorist””” who likes to yell aboutpolitics a lot.

Navarene party: Enodyne (Perceptive Nano who Abides inCrystal), an imperious supervillain with a mysterious backstory; Levin (WeirdNano who Rides the Lightning), Aeon Priest, mom friend, and also an avidknitter; Glitz (Manipulative Jack who Possesses a Shard of the Sun), a fancyboy who wears impractical shoes and is super Extra at all times; Aradi (GuardedSeeker who Manipulates Force), a Gaian who is just here to explore ancientruins and doesn’t know why these strange people keep talking to her like shetolerates them.

Techhunter party: Mote (Mystical Jack who Fuses Mind andMachine), a space ape from space on a quest to find her lost god; Flux Dynamo(Mercurial Glaive who Employs Magnetism), who is ADHD as hell and loves spaceso much you guys so much; Ssenofyn(NPC), who is just here to do science.

17. What are somehouse rules that your group has?

Anyone who draws an art gets an experience point, AKA therule which lets Hap advance at approximately the ten times the rate of everyoneelse put together (I’m not deliberately spamming art specifically for the purposeof XP gain, I’m just Like This). The GM insists this is fine.

The new books are gonna be introducing Player Intrusionsalso, which presumably is gonna mean players get to spend an XP to make goodthings happen to themselves. The GM’s said that if there’s no mechanism to letplayers make bad things happen tothemselves they’ll houserule it in just for me, which on the one hand I feelkind of offended but on the other hand shit yes time to shoot myself repeatedlyin the foot!! I promise to use this power responsibly and only cause disastersfor myself so I don’t ruin the game for other people. On the gripping hand thisshould go some way to correcting the ridiculous amount of XP I’ve accidentallyaccumulated with my constant fanart, so it all balances out in the end I guess.

19. Do you or yourparty have any dice superstitions?

Nope! Except that back when we were using physical diceinstead of a dicebot Jack’s dice hated them, which was less superstition andmore objective fact because one time we had a session while they were visitingme and they borrowed a set of my dice and suddenly they could make non-shittyrolls.

23. Do you usepremade modules or original campaigns?

Mostly original stuff I think? Don’t look at me, I only haveaccess to the character-creation books, I don’t know how much of what goes on is canon and how much the GM makes up on the spot. Fortunately all my characters areeither foreigners or complete idiots so my relative ignorance of the NinthWorld doesn’t matter super much.

29. Do you prefer RPheavy sessions or combat sessions?

As a GM? RP sessions, mostly because the game I’m GMing usesa ridiculously ruleslite system so there’s not really anything interesting youcan do with combat. This might change if I ever get organised enough to runsomething with more than a single page of rules. But also, when the players are RPing and treating their PCs like characters instead of sticks to solve problems with, that’s super super pleasing for me because it feels like they’re enjoying themselves and getting engaged with what’s going on.

31. What is yourfavourite class? Favourite race?

My favourite type is jack! They seem to be, like… the bestset up for interacting with the world in the way I want to interact with it. Ilike having the variety in what I can do and I’m not super bothered by the lackof high-powered/specialised skills. It looks like the new book’s going to bemaking jacks their own Thing instead of just being a nonspecialised mishmash ofall the other character types so iunno, we’ll see how that one shakes out.

Numenera doesn’t really doraces the way DND does races. You get races, but they’re in place ofdescriptors rather than a separate trait. I ain’t give a shit about function orbuilding a mechanically-optimised character, if you tell me I can either pick aspecies trait or a character trait I’ll pick the character trait. So I guess Iprefer the default “race” (which is… not necessarily human, Mote’s a spaceape but she still counts as the default mechanically) because then I can picksomething else interesting to have going on. I did super enjoy playing an ArtificiallyIntelligent character one time, but the GM let me pick two descriptors so I wasAI/Mad and honestly if I could’ve only picked one, Mad all the way.

[kane-and-griffin]

I'm really sad about something I don't understand and was hoping you could explain. Why do people block without giving a reason to? I don't why it first seems like it's all going so well then the next you're blocked and you don't know why or what you did or said wrong? It's happened twice now and to say it hurts is an understatement.

Oh, my precious Kabby babies.  Circle up, it’s time for some firm butgentle life advice from Mom. 

First of all, unless I personally am the person who blocked you (whichI’m obviously not since we’re having this conversation!), in a very real sensethe short answer to this question is that you know I can’t actually answer thisquestion.  You’re asking me to tell youwhy a person I don’t know did a thing for which I have no context, and forwhich there could be a thousand reasons. So in a concrete, specific sense, my answer is: I do not know.

However.

(You knew there was going to be a however.)

Social media is a deeply personal avenue for self-expression and it’s also aworld where many of us spend a great deal of our time, which means that we havethe full and free right to customize it into exactly what we want it tobe.  The things that you post are personal reflections of you, which is  why it bums you out when someone mutes or blocks or doesn’t followback; it feels on some level like a personalrejection.  But the space you curate is also a personal reflection of you.  You have the rightto post anything you want and other people have the right to choose not to seeit.  Both of those rights are equal, eventhough you’re only on one side so naturally the other one feels like it’s insome way “wrong.”  

I’m speaking with zero context for what your preexisting relationship withthese people was beforehand (like obviously if it was a close friend and theyblocked you out of nowhere, you’re going to have to sort that out with themdirectly, I can’t advise you there), but it’s important to remember that theremay be no “right” and wrong” in this scenario.  It’s fully possible forboth of these things to peacefully coexist at the same time:

1) your absolute right to feel a little bit rejected and hurt that astranger on the internet made the choice that they didn’t want your socialmedia sphere to overlap with their social media sphere,

and

2) that other person’s absolute right to say “if something or someone makesme feel even the tiniest bit ‘nope’ I am purging it out of this space so it isexactly what I want and need it to be.” 

They don’t need to have a reason.  That sucks, when you’re on the receiving end of it, which all of us have been - it truly and genuinely sucks - but it’s also reality.  One of the hard truths that incidents like this make us sometimes have toface - and we don’t want to face these things, because they can feel reallyicky and vulnerable and ping all the little gremlins in our brain  - is this:

nobody on the internet owes you their time or attention foranything you do or say.

This sounds mean and brutal, and I don’t mean it to be, because you know mom loves you, but it’s incrediblyimportant, so I’m going to say it again to make sure that if nothing else, thisgets through:

nobody on the internet owes you their time or attention foranything you do or say.

The celebs you stan don’t owe you a response to your tweet, justbecause you want one.  The people you tag in meta don’t owe you rebloggingit to continue having that conversation with you forever, just because you wantto prove you’re right.  The fans of the fic you write for your mostpopular ship don’t owe you crossing over to give you hits on yourrare-pair fic if they don’t feel like it.  Nobody owes you a certainnumber of followers, nobody owes you a response to every anon you send them,nobody owes you finishing that fic you like in time for them to read it whenthey feel like reading it.  We owe each other one thing and one thingonly: basic human decency.  That’s it.  Everything else is freelyoffered to the world, and freely taken by the people who want it.  It’snot a transactional exchange.  If you make art or write fic and you put itout there into the world, you’ve done a cool thing, and whether it gets tenhits or thousands it was still worth doing.  There will be people whoaren’t interested, but if you get hung up on feeling rejected by that, it willparalyze you.

Social media is personal. That’s unavoidable.  It’s an extension of ourselves.  When someone is cruel to you or to one ofyour friends on the internet, even if it’s an anonymous stranger, it feelsshitty.  When you express an opinionabout something and a ton of people reblog it and the tags are full of “OMG YESTHISSSSS”, it feels great.  We all experiencethat in different ways.  Society has always selected arbitrary measures for young girls and women tolive up to in order to feel like they’re popular or they’re approved by thecool kids, and right now it’s things like “how many followers do you have” and “didyou get an RT from a celebrity” and “how many likes on your posts”.  So ona primal level, maybe having someone you thought was a friend block you on Twitter or Tumblr hits you in the same deep coreplace as having the cool kids not come to your birthday party.  That feeling is super real!  It brings upalllllll that deep stuff we try to hide and pretend that we’re aboveexperiencing, but we all have those squishy vulnerable inner selves that justneed the cool kids to like us and we feel bad when they don’t.  

I had this exact conversation with my therapist a few weeks ago when she wasgiving me a hard time because my book has 60 reviews on Amazon, of which likethe majority are 5 stars with two negative ones, and I have both the negativeones like memorized.  And she was like “CLAIRE.  WHAT THE HELL.  WHY DO YOU DO THIS?  58 POSITIVE AND YOU CANNOT QUOTE A SINGLEONE.  TWO SHITTY ONES AND YOU KNOW THEMVERBATIM.  THAT IS NOT HEALTHY BEHAVIOR.”  And I was like “… . okay fine when youput it that way, yes I do sound like a crazy person.”  So like my advice to you – advice which I havejust proven I am absolute garbage at taking myself, so like I may have justeroded my own credibility in my efforts to help – is to remember that you probablyhave a lot more than two followers so honestly this is probably not a badcollective ratio, and there may be lots of people who are very interested inwhat you have to say but you’ve focused a lot of your energy on these two people andit’s worth giving some thought as to why that is.

My question for you is this: what is the net negative impact of having thesetwo people block you on social media? Like in an actual, concrete way, separate from those sort of core gut “Ifeel unloved in this moment” feelings, what is the effect on your life?  You might be surprised.  It might be zero.  In which case, let yourself feel thosefeelings, experience them as valid, and then breathe through them and move onand keep on doin’ you. 

I’m pushing backon you a little bit here very gently because it feels, reading this anon, likeyou’ve made a determination of hurtful intent on the part of the person whoblocked you, or at the very least a certainty that this choice that made wasabout you and not about them.  That the fact that things seemed to be going fine and then they blocked you means you were somehow intentionally misled or mistreated.  Be really, really, really carefulabout deciding the cool girl didn’t come to your birthday party because she’s abitch who wanted to make you feel terrible and is sitting somewhere cackling atthe thought of your sad lil’ face waiting by the front door; maybe she didn’tcome to your birthday party because she has depression and it’s hard for her toleave the house sometimes and she knew your party would be loud and wild and crazyand too much for her brain to handle right now. Be careful about presuming negative intent with no proof it exists.  The internet makes this so easy, the internetconditions us for this, and itconditions us to respond in kind. The worst thing you could do here is to, like,make a callout post or subtweet in the hopes that it will get back to them andthey’ll feel bad, or to sic your other followers onto them, because that turnsthis into a situation that really doeshave a right and wrong; and since you don’t know if they were trying to makeyou feel shitty, or just went on a big block/mute purge to whittle their listdown for mental health reasons that are totally their own, once things escalateyou can’t put the horse back in the barn. It’s too late.  Now it’s A Thing,when maybe it never really needed to be A Thing.  And in almost all situations for almost allpeople in almost all ways, Kabby Mom’s advice is going to be, “please thinkcarefully before you make this A Thing.”

This got long, I’ve been having a lot of thoughts lately about theconversations I’m always having with fandom folks the way we let social mediapermeate and shape our sense of self, in good ways and bad, so I apologize formy verbosity but also not really because that’s how things roll over in KabbyMom’s Advice Corner.  But I will sum upin bullet points for those of you who have been skimming, to bring you up tospeed:

Everyone has the right to curate their own social media spacehowever they see fit, and they don’t have to explain their reasons.

They aren’t obligated to include you in that space even if you want themto.

None of that is an objective measure of your worth as a person or a signthat you should stop being you on the internet.

Your feelings of rejection come from a real place and you get to feelthem, as long as

You are striving to move through them without permitting them to paralyzeyou, and finally

You never use someone else’s choice to curate their social media sphere as ajustification for treating them like crap.

Focus on your positive interactions instead of negative ones – your friends,creating stuff and putting it out into the universe – whether it be art, fic,opinions, a podcast, gifsets, crackposts, whatever – and your social mediaworld will be a better place.

In the immortal words of the great Michael J. Fox, “What other people thinkof me is none of my business.”

[real-faker]

Ack sorry about sending another pitch question (I know you said something about people sending those) but you mentioned you pitched a show twice, and since I'm a creeper, I read the tags and you said the pitch wasn't how we'd think they'd be; how were they, then, out of curiosity? If I ever pitch a show, in your position, what should I expect? What exactly happened? Sorry for asking all these questions; you've been my inspiration for a while and I hope I can pitch my own show someday!! Thank you

Oh no, that’s fine!  I don’t mind telling my experience with it, and I’ve even given pitching tips before, but this post is about the extent of my knowledge.  (You can also just search my blog for “pitch”, ‘cause I’ve reblogged stuff from other people that actually KNOW what they’re talking about, haha)  I just don’t want people under the impression that I’m super experienced with it, or that I’ve ever pitched to a big deal network or producer.  I absolutely haven’t.  I have exactly 2 pitching experiences.  The first one was a few years ago at an event in Nashville called “Film-Com”, which is an annual trade show/expo event for financing and distributing filmmaking projects.  Basically you get a booth, and you set up in this convention center with all these other aspiring creators (filmmakers, documentary people, a few video game/new media folks, all sorts), and they’ve invited a WHOLE SWATH of producers and industry professionals to come mull around the show floor with you so you can make connections and get your product out there EAT FREE MEALS and then idk, maybe fuckin’ walk around a bit and look at your dumb shitty projects if they fuckin’ feel like it but they probably wont, so what ends up happening is all the creators just walk around and look at each others’ shit, which for me—being the only animator there—means that a bunch of other jack-knobs who have some vague idea for a shitty cartoon end up giving me THEIR card so that maybe in the future I can work on THEIR dumbfuck ideas.ANYWAY, to get to the point, they selected certain projects and scheduled them to actually go up and pitch in front of a whole room full of producers.  This happened over the course of the whole day, so I suspect the reason none of the producers were walking around interacting with people is ‘cause they were stuck in a room all day hearing 30 different suck-ass pitches and when it was all said and done they were probably exhausted.  I was scheduled as the last pitch of the day.  I enter the room and wait patiently; the person before me is running about 10 minutes over their allotted time.  I scan the room… everyone is MISERABLE.  They’re anxious, they’re uninterested, they’re sighing… the main guy who’s sort of monitoring the whole thing is pinching his brow and trying his best to keep up the pretense of politeness in telling the current pitcher to wrap it up.  NONE of these people want to be here anymore.  It seems like everyone’s spent the whole day “warming ‘em up” for me, but now they’re all sweaty and miserable, so I can either go up there and give another mediocre pitch, OR I can go up there and try my goddamn hardest to make them laugh. 

I go up on stage, just IMMEDIATELY force myself to get over any fears I have, and I pitch W2H.  I screen a short mock trailer I made (no way I’d force them to sit through that whole fucking thing), and it’s sort of like a fever dream, because I can see all of the life returning to their faces, they’re WAY into it, I’m doing fucking GREAT somehow, despite literally zero experience… and when it was all said and done, it became abundantly clear that even though they all LOVED it, not a single one of them could help me.  None of them were animation producers.  None of them KNEW animation producers.  One guy suggested I go into comics, because “comics get turned into film and tv shows all the time”.  I just had the PERFECT fucking pitch, and I pitched to people who couldn’t fucking help me.  As I was leaving, many of them came up to me and actually thanked me for sending them off for the day on a good note.  There was a big dinner at like, the fucking Governers’ mansion or something that night, and again, some of them were coming up to me and thanking me, wishing me the best and all that.  I guess if nothing else, I learned what I’m capable of.

The second pitch was an ACTUAL disaster.  When I’d first graduated I thought I could pitch W2H to Frederator, ‘cause it seemed like a good fit.  They told me (understandably) that they couldn’t reverse-engineer a show from something I’d already produced, and also that it was inappropriate (despite having a show at the time called “SuperFuckers”, but whatever; language and subject matter are different things).  Later on I got an email from them, saying that someone in their office was familiar with my work, and they invited me to come pitch them something that wasn’t W2H.  They also said that I was free to swing by their office any time, even “just to hang out”, and that if I had any questions “whether it be pitching or where to get the best burgers in Burbank”, to hit them up.  How friendly!  How perfect!  I was JUST about to move out to L.A., so I started working on this idea tentatively called “Gayliens”.  I swung by their office once, you know, just to pop in, like they said; thought I’d make myself known or whatever.  They looked at me like I was nuts.  They still invited me in and we chatted for a bit about the history of early Disney studios, but when they asked why I was there, and I reminded them about the email they’d sent, they seemed to have no idea what I was talking about.  I told them I was working on a pitch for them and that I’d be in touch so we could schedule something.  When I finally finished putting my pitch together, I went in for a meeting with them.  It was just 2 folks, we were in like a board meeting-type room (which I imagine is probably standard).  They made some small talk with me first, which I’m sure was an attempt to loosen us all up a bit and set the mood, but all of their questions really caught me off guard.  (I guess they asked where I was working, and when I told them I didn’t have a studio job, they asked how I was making money, and I’m sure it wasn’t meant to put me in an awkward position, but people asking me how I make money literally ALWAYS puts me in an awkward position, because my income sources are scattered and weird.  Try explaining how youtube ad revenue works to your social services worker, it’s a blast.) SO okay, I let myself get tripped up a bit.  I go on with the pitch; they don’t really want me to pitch the concept, they just have me show them my storyboards and read through the whole thing.  They’re DEAD silent the whole time.  I can’t get a read on them at all.  When it’s over, they ask me some more questions that trip me up.  Some of them are 100% my fault; they asked for a title, and I wasn’t ready to say “Oh, it’s tentatively called GAYLIENS,” out loud to people who I couldn’t get a read from.  

It’s all kind of a blur, but the few topics of discussion I remember them bringing up were that “the storyboards look almost TOO good”, like it was TOO polished or well-developed (which is sort of a backhanded compliment I guess???), because see, “when they made Adventure Time… blah blah blah it just started off as this loose idea, and once they were a season or so into it, they started expanding on the universe and developing the characters a little bit more…” — AS IF ANYONE doesn’t understand why AT got so popular???  You don’t have to TELL ME, I WAS WATCHING IT, I FUCKING KNOW.  No one gave a shit about AT until they got Rebecca Sugar and all these talented writers working on it a couple seasons in, and doing all this character-heavy shit.  I tried to present them with something that had all that character shit baked into it already, ‘cause I knew they were gonna’ use AT as an example.  But it seemed like they’re not looking for something that’s already developed with it’s own voice or sensibility, they’re looking for a vague idea that they can mold into something as they go.  

They also told me–and I still can’t get over this–that they’re looking for “”””””characters that people will want to cosplay as””””””, which is funny to me for a plethora of reasons; namely that they have no way of knowing that PEOPLE DO COSPLAY AS MY CHARACTERS, but also that I spent half of my time in college working on ridiculous magical girl Adventure Time crossover group cosplays (don’t fuckin’ laugh) like trust me I’m ALARMINGLY familiar with cosplay, and ALSO, that looking for a new property with the guidelines that it should be “the next big thing that some fucking nerds will dress up as at comic con” just seems like such an out-of-touch-but-trying-to-be-hip, capitalize-on your-fandom-doing-all-the-legwork-for-you, fucking executive thing to say.  I know I sound like a whiny art school kid saying that but my animation instructor was so anti-establishment, and I carry a lot of that with me still, and something about that statement–insignificant as it may be–kind of epitomizes how I feel about the industry?  It’s a hard thing to explain. I walked out of that pitch with my mind feeling like TV static.  My friends were waiting for me next door at a bakery and they were super excited, asking me how it went, and I was just like “I mean… BAD, for sure, but I don’t know where to even start.”  Hahaha.  I don’t know.  It just seems like everyone wants to play gatekeeper I guess.  They want This Thing™, but it can’t be too This Thing™.  They want the thing to have A Fandom™, but they don’t really understand fandom ‘cause they don’t participate in fandom.  They want Your Idea™ but they want to make it Their Idea™.  I don’t know.  I’m just angry and bitter and that’s my experience with pitching.  Admittedly some of what went wrong in these pitches was my fault, or there were circumstances beyond my control, and regardless of how that pitch went, I don’t actually dislike Frederator (I’m on their youtube network), and Fred Seibert has actually done a ton of iconic shit.I don’t think I’ve ever AIRED MY GRIEVANCES in such great detail before, but there you have it.  If you want some tips on pitching, you can check out the links I provided at the beginning of the post; there’s tons of people out there who actually know their shit too, and they’d probably give more proactive advice.  I don’t know if this helps at all, but hopefully you can glean something from it!  That’s just my limited experience with it.  Haha.  Good luck!