#and being in a het drama....

[crossdressingdeath]

I left the DA fandom for too long. Forgot just how much all those stupid "Hahaha Dorian wouldn't care about Stupid Het Drama and would tell a female Quiz to get over it because her Het Drama is stupid and annoying heeheehee" posts make me want to commit incredible acts of violence the likes of which you can only get in cartoons. Stop Gay Best Friend(tm)-ing Dorian, anyone who thinks he wouldn't care about his best and only friend's heartbreak and general romantic woes clearly doesn't understand him at all, and that's me being extremely charitable.

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[rabbitcrimes]

Went on a wangxian ao3 dive bc my cropland was very barren and can only say nice things about a harmony between qin and se which is in many ways a vague Luoyang AU arranged marriage historical romance but really is just such an enjoyable court drama period piece written by someone who is clearly a sommelier of the genre, ymmv on the grounds that wwx has been genderswapped and lwj has not so it is effectively het

[tododeku-or-bust]

Boy it it's one thing these bl novel writers can't do, it's write a good ending. I sign myself up for this though.

[angorwhosebabyisthis]

one thing i was not prepared for when i started this rewatch of sdmi has been for it to finally sink in how absolutely heartbreaking daphne's whole deal is. this poor kid, man

[pleuvoire]

actually while i'm at it. it was especially annoying when kijino entered his yandere era and then we had to deal with a deafening chorus of "lol people hate this guy because they can't handle a COMPLEX FUCKED-UP CHARACTER 😂 lol people are saying kijino sucks because he's fucked up and possessive BRO THAT'S WHY HE'S AWESOME 😂 lol people just don't GET THE VISION 😂" man shut the fuck up!!!!!!!!!!!!!!! you are all so annoying!!!!!!!!!! and so is he!!!!!!!!!!!

[chubs-deuce]

Recently I've looked at my ship preferences and momentarily wondered why they all somehow have a similar vibe in my head but couldn't actually be more different on so many levels?

I think the only overlapping factor I could pin any of them down on would be "interesting dynamic", maybe.

Sometimes I like the main pairings or background ships of a story, other times I'm more drawn to the non-canon or even counter-canon ones, just because they conceptually interest me more.

There are pairings where I wish they'd been canon, others where I would never want them canon, yet again others where I wished canon had handled them differently.

I used to think that canonicity and canon compliance were the core factor that mattered to me, but as of late I'm realizing that I actually just prefer writing that makes sense and explores concepts that pique my interest!

[anghraine]

I really enjoy GW2 as a game, obviously, but I'm not sure anything gives a purer enjoyment than this specific brand of player whining:

Oh no, not everything revolving around your personal preferences at all times!!!

Anyway, just a few minutes later, I passed this:

:D

(Note: Delaqua & Meade = Marjory Delaqua and Kasmeer Meade = the canon f/f couple among the main cast who kissed onscreen. Cry more, lol)

[hylasregilla]

In reference to the last RB: Split attraction and bisexuality with strong gender preferences are both real and cishet passing people don't invalidate you or your community. LBGT-ness is a spectrum in all of it's aspects and we have to learn to be okay with the existence of people on the borders.

[unproduciblesmackdown]

remembering a fun marble hornets trans wrights element throwback where i managed to show up for one of their first convention features & while this was ofc already [serious "hmm...Not Cis: me??"] occasions i wasn't yet out or anything like well time to suffer being known & perceived thusly....while i Was out by the same occasion the next year like well here i am again, different name, binder, no plans to give anyone any rundown about this thing, hope it goes smoothly anyways and/or i'm effectively giving a reintroduction anyhow even though i May have been up to more memorable things that last time....no conversations needed to be had, i think i had the impression i was recalled as the same person but it was an entirely chill time, just this as like an early and pretty unique Occasion of like, here's people who know me from In Person (and ig Kind of online, i also don't recall ever like distinctly linking said in person appearance to onlineness lol. it just may also have not been an unsolveable mystery or a mystery at all. but mostly in person, and that's the element i was focusing on anyways) and my showing up transly in person with a whole other name this time as the major difference really lol. like well hope this goes swimmingly....And It Did. and at some point not eons later ya boy tim with some cringe comp sincerety like oh let me make this post somewhere about how an epic element of being a known internet creator is meeting new & various people including explicitly the [mh fans are like exclusively The Gays. and then some unfiction posters] factor & i'm like lol well you're welcome. just doing my part. but fr that was neat like i'm glad to get chill indirect & direct trans validation from internet horror series contributors in that immediate period of coming out & having to sweat it like damn wasn't at this point last time around

[spicypussywave]

i wonder how they plan on airing perfect10 liners

[taisorato]

the biggest crime was putting fah, sammie and ciize as side characters in a BL meant to promote a boy group

the second biggest was not giving tu any women to act alongside. this girl loves girls, pleeeeease stop making her look like a pick me (i'm sure there will be more women in the series but not in the main cast? evil.)

[menalez]

I wasn't speaking solely about your post. You're not the only one "coincidentally" making posts or reblogging applicable ones about how we should be focusing on women rather than hating on men and women's connections to them. I'm just really tired of het-partnered radfems focusing on the rare few who think celibacy is mandatory to deflect from rational points made about how het-partnered women are so much more likely to live a gender-conforming patriarchal life (not solely due to their relationship but oftentimes connected) only to log onto tumblr, reblog a few radfem-esque posts, and claim to be a radical feminist. I agree with some tenets of Buddhism but I'm not prepared to live my life Buddhist so I'm not one. It wouldn't be bad of an actual Buddhist to get annoyed with me identifying as one without making any changes in my life that align with it.

did u look at the date of the post…

[loguine-linguine]

Ok hear me out!!!

Steve is a musician who sings pop music and posts on TikTok. He’s kind of a C-ish list celebrity (definitely a bit of a nepo baby) and his music is poppy and catchy. It’s the kinda stuff that you can immediately tell is coming from someone who is actively holding things back/ isn’t writing from any truth. Mall music at its purest form. Then one day with no announcement Steve drops a double sided album that is like GOOD GOOD pop music. It’s also noted very quickly that the pronouns in all the songs have definitely switched to he/him. People freak out and he starts charting for the first time in his career. Kinda Chappell Roan-esque situation where he skyrockets to being a queer pop icon very very quickly.

He starts doing interviews. He shows up to these interviews in outfits aren’t dramatically changed from what he usually wore (polos, jeans, bomber jackets, 80s jock vibes) but it’s all just much more camp. The cropped shirts are shorter, the jeans are tighter, and the colors are all suddenly pastel. He has also started wearing makeup (not heavy makeup but it’s definitely a lipgloss, eyeliner, mascara, highlight/blush on the tip of his nose type situation). He shares that he dropped his old producer (who he had been set up with by his father) and that he’s now working with his best friend Robin. He comes out as gay, talks about his struggle with comp-het, and proudly shares that he is super excited to contribute to the growing movement of music that is being written by queer people, for queer people. His TikTok also blows up.

This is when Tommy Hagan first starts showing up. Tommy is an actor who is pretty well known for doing teen drama TV shows (like Riverdale type deals). He introduces himself to Steve at some sort of industry event right after Steve gets big and pretty quickly starts showing up in his TikTok videos. It comes out that the two are dating pretty quickly after that. They date off and on for about a year and a half. Tommy is a shitty enough boyfriend that even Steve’s fans don’t like him. He stands him up for dates, embarrasses him at events, says rude and dismissive things about his music, etc. Robin (who is also kinda famous by proxy/writes her own music now similar to Billie Eilish and Finneas) absolutely hates his guts. Publicly. They finally break up officially after Tommy cheats on Steve with an actress named Carol who is on a show with him. It gets exposed by the tabloids and Steve finds out by seeing a photo of them making out on one of those celebrity drama TikTok accounts.

Eddie is also getting famous around this same time. He’s the lead for Corroded Coffin and also starts acting occasionally in horror films. He doesn’t really pay much attention to other celebrities or the drama that goes on. He was never into that kind of thing before the band took off so he doesn’t see why he should now. Eddie and the rest of the band are at an awards show of some sort and the others make fun of him the whole time. He can’t stop staring at this absolutely beautiful man sitting at a table near them. “The guy is wearing a slutty little lace shirt, the tightest pants in existence, and has skin that looks like honey and caramel had a child Gareth you really can’t blame me honestly.” Steve and Eddie don’t officially meet until the after party where they immediately hit it off.

A few months later Steve announces a new album and releases a single. It’s just Please Please Please by Sabrina Carpenter but gay and clearly about Tommy.

The music video comes out and people loose their minds. It’s the same sort of video as what Sabrina Carpenter just released for Please Please Please with the stunning outfits and the whole bad boy thing. Steve spends the whole video in dresses and skirts. There’s even a corset at one point. The bigger freak out is the fact that the Barry Keoghan equivalent is Eddie and its a hard launch of their relationship that fans had absolutely zero clue was even a possibility because why would horror/metal man Eddie Munson even know Steve Harrington???? Robin and the Corroded Coffin guys think the whole thing is hilarious. Eddie and Steve are so so happy :)

[verosikastrikerstellaexcuser]

So I am honestly stupidly heated at this whole pride thing.

I don't like that 2 of the only het characters are Striker and Stella all because they are mean to the wrong main character (Stolas). Like, its so transparent. Mammon despite abusing Fizz gets to be there. Chaz is a dead villain but gets to be there. Wally doesn't appear to be LGBT from what I can see?? But, yk, as a pet fave he gets to be there still even if straight.

"[Do you think Stella] would come anywhere near a pride parade" Well, yeah because her pointless misogynist fuckass brothers gay and from what we've seen she still works with him quite willingly? Like huh? And don't even get me started on Striker, I made a separate post ranting but how in the hell was this scene heterosexual in any way. Striker specifically is the one to initiate this scene as well.

Andrealphus is also here too. Instead of us getting say Lesbian Stella, bi Stella, aro Stella, no, we get him. It feels more and more like an excuse to replace and erase Stella's place in the story; Viv didn't like that people liked Stella too much because Stella is one of her non favorites and supposed to be a mean-to-Stolas Stolitz drama plot device, so she made a totally cooler better gay male bird instead. He's gay and cunty~ so hes better because female homosexuality is so less interesting and fun. Andrealphus gay male bird is still a piece of shit morally but he gets to be there and be LGBT. He also gets to be the brains behind the whole operation to fuck Stolas over, hes the actual fun antagonist being evil with style and swagger. While Stella went from in S1 being a ruthless hyper aggressive woman pushed to her breaking point working to kill her husband to now in S2 a tool controlled by Andrealphus while being demeaned and told her only use is her looks. And ykw else? I saw someone twitter point out something interesting.

The HB store has sold an awful lot of sexualized merch of Stella, all the pinups etc. And... man. Yeah, it begins to paint a horrible picture. I know they do a lot of sexualized merch of other characters, but those characters have also gotten to be characters and not just plot devices for men. While Stella has been sidelined for another male attracted male character instead of explored. All the men in her life have used her for her body, her looks, her being female, as a baby factory and a wife, shes been unpersoned by them. And then, the merch fucking reinforces this by heavily sexualizing her. They'll sell sexualized merch to Stella fans. But they won't flesh out her character, they won't make her lesbian or ace fans happy by making her rep, nah, none of that.

I'm sorry but this is just not how you write a victim of an arranged marriage made to have a baby with a man who couldn't stand to look at her as she did it by her parents and brother!? And before anyone comes at me, again, if Mammon and Andrelphus get to be a celebrated LGBT character why the fuck does Stella not? If Wally gets to be here despite not being LGBT why doesn't Stella? Why did Stella never get to have her childhood and past explored, her relationship with Octavia explored, anything? Why is her interest in others/sexuality never really shown outside of not being into Stolas? Why do we never even get maybe a fun arc in which she realizes shes so angry because shes aro and romance repulsed? Or shes a lesbian and craves a relationship with a woman? Or loves another man but didn't cheat then Stolas did so she lost it? Something? Anything? Anything at fucking all? Oh. Right. No. Shes just a token straight woman who exists to be a body to be used and drama for Stolas and Stolitz's story. Why would they give her an LGBT identity? Those only exist to be tacked onto nice or cool female characters that bully characters its ok to bully like Blitz and Moxxie - all of these pan female characters consistently only ever really show male attraction anyway, to boot. Because gay is only fun and cool when its male!!!!111

[tryslora]

On Writing Combat and Sex Scenes

Today I want to talk about writing sex and combat (and no, I do not mean combative sex). This post is inspired by a few recent events:

Once, a long time ago, I read a blog post that said “if you can write a combat scene, you can write a sex scene” and that was mind-blowing for me because while I was well-versed in writing erotica, I couldn’t write combat to save my life.

More recently, at Boskone, I participated on a panel about writing combat, and the research involved there-in.

Even more recently, I had someone look at me say, “You’re not a gay guy. How do you write gay sex scenes?”

So. Let’s begin.

I get it—sex and combat aren’t interchangeable. But at their core, they have some strong similarities which can be leveraged while writing. Both are intense, high drama, and can involve a lot of anxiety and quick thought. Both tend to narrow focus down to the moment and the current feeling and action. Both are heightened emotion and physical reaction. Both can involve actions that lie outside the author’s personal experience.

I started writing erotica when I was a freshman in college. I posted it online (does anyone remember rec.arts.erotica?) and was surprised (and pleased) by the compliments I received. Turned out my readers were not expecting the idea of emotion being entangled in their erotica. They were invested emotionally in how the stories went, and how my characters felt. Since I was writing from the point of view that made sense to me at the time, they were het stories from a female perspective, and they were very focused on the emotional connections and how the physical events heightened those emotions.

Male readers were surprised by the intensity of the feelings that these stories gave them (as opposed to pure arousal). It got me thinking about how I wrote, and why I wrote, and I tried to talk about it some at the time. I was eighteen. I was still a new writer. The internet itself was new. I wasn’t entirely certain how to frame it, but I remember getting one comment where a guy was surprised at how struck he’d been by the moment in the scene where everything shuddered to a halt due to an event in the story that interrupted the action, and I replied that that was because I wasn’t writing about the sex. I was writing about the character’s reaction to the sex.

Which has always been how I write. At the time, that was my only tool: put myself in the character’s mind, and write what they feel. If that’s affection and attraction and physical reaction, write that. Tangle it up, and hope the reader feels that entanglement.

Now, fast forward several years, and take a little side trip onto a tangent wherein I learned something very important about writing craft.

I was reading Syne Mitchell’s End in Fire, I think it was, and I kept having panic attacks. Now, I did most of my reading late, often when I woke in the middle of the night due to stress, or just because my brain refused to rest. I was in a rough place in life in general, with a lot of external work stuff going on and very small children. I wasn’t sleeping well. And it took me some time to figure out why I was struggling to read a book which I actually loved (and when I read it later in life, I enjoyed it greatly).

It was the sentence structure.

In order to induce the emotion of the scene, the sentences were short. Sharp. Quick. There was no time for the reader to breathe, much like there was no time for the heroine to do anything but act. The reader was caught up in the rising tension, to the point where my anxious, sleep-deprived brain, caught a panic attack from it.

The technique was brilliant.

Now back to our original timeline, wherein I read a post about how if you can write combat, you can write sex scenes. This post assumed that more people felt comfortable writing violence than sex. I was the reverse. I’d been writing about sex for over a decade when I saw this post, and it made a light bulb go off in my brain.

If writing sex was like writing combat… was the reverse also true? Could I improve my skills at writing battles by analyzing what worked when I wrote erotica?

So I tried doing just that. Back then, I found combat overwhelming. There was so much going on, and I was trying so hard to write good description that I lost all of the intensity. I was focusing on everything that was going on at the same time.

Thinking about how sex scenes were all intense emotion and narrowed focus, I applied that to my combat scenes. I wrote only what the point of view character experienced, and tied everything to their actions and reactions. I thought about how they breathed, how they moved, how they thought. I used those short, sharp sentences as they processed the scene. 

That doesn’t mean I forgot about everything else going on in the scene. That’s impossible. After all, in any story the things the character doesn’t pay attention to might be as important as the things they do focus on. Stuff still happens, and there is still fallout. I needed to know what else was happening so that if the character moved from one place to another, or did something that put them in the path of a different part of the action, I could have them start processing it.

But it also meant that on the page, out of sight was out of mind. Everything narrowed down to the now. The immediacy. Suddenly my combat scenes snapped into focus.

During the panel at Boskone, all of the panelists had experience with different fighting styles (fencing, street combat, and of course, me with taekwondo). I spoke about how for me, that narrow focus is very real when I spar. I know there are some people who naturally see a move or two ahead while fighting; I don’t. I am stuck in act and react mode. Can I kick them now? Can I attempt a head shot? Oh, no, circle back and away or they’re going to hit me… that’s how my brain works during a sparring match.

It’s not like a total blackout—there should be a vague awareness of things around the character. Sounds in particular, or sometimes flashes of movement. Something distracting can catch the attention of the fighter, but the personal fight will always pull the character back.

Combat feels easy when I’m writing like that.

Of course, there’s still the question of writing about something if I’ve never experienced it. As someone did point out to me: I am not a gay man, so how does that affect writing sex scenes? I’ve also never fought with a sword. Brawled. Fought from horseback. I have, however, held a blade, shot a gun, shot an arrow, rode a horse. I have a vague idea of how these things work, much like I have a working knowledge of sex in general.

So yes, research gets involved. Sometimes research is observational, sometimes it’s reading (there’s so much good stuff out there). I highly recommend video for combat scenes—find things that have the feel that you’re going for, then put yourself in the place of the character you want to write about. Practice. Work through the ideas of how things fit together, and what your character will (and will not!) know during the fight.

If you need to, stand up and block the scene by thinking about how you would experience it. What can you see, and what is out of sight? If someone is coming at you with a blade, what are your options? How do height differences affect you? Yes, I have asked friends and husband to help me block scenes. 

“Stand right there and show me what it looks like if you punch me. Okay, so if I do this then…” Yeah. It’s a thing. But it works.

When doing your research, remember that movie fighting (and hell, movie sex scenes) isn’t realistic. It’s meant to look good. For combat, if you can find re-enactments, or sparring videos, I highly recommend taking a look at those. 

Anyway, the point is: I don’t have to have shot someone, and I don’t have to have had gay sex in order to write about them. What I do need to know is how it feels emotionally to do those things, and I can extrapolate that from what I do know. I need to know enough about the details so I can get it right, and that’s where research will help me. Also, use language to create emotion. Because emotions are where we grab the reader, and how we pull them into the scene.

Combat and sex aren’t so different when it comes to writing, and the personal experience. Now, go forth and write!