#and didn't rewatch it before this season started coming out

[weirdprophetess]

No new yellowjackets episode for lesbian visibility week. 250k dead, more injured,

[welcometogrouchland]

Sick in the head for the toh crew to have the b plot in elsewhere and elsewhen be clawthorne centric with new lore about them introduced when we didn't even know yet that it thematically connected with the wittebane centric a plot of that episode. Sick in the head

[saintobio]

LUCIFER.

his fall was not from grace, yet in his descent, he found freedom—a kingdom of his own making, where he rules not with light, but with the shadows it casts. and you, unfortunate soul, are the sin that fuels his eternal reign.

♱ genre. gothic, dark romance, smut, angels/demons au, 18+

♱ pairings. sylus, fem!reader

♱ tags. 5.2k wc. this fic will contain dark and twisted themes. please heed the warnings and proceed with proper discretion. demon!sylus, sylus is ooc, not set in lads universe, profanity, heavy sacrilege/blasphemy, catcalling, sadistic undertones, noncon/dubcon, toxic relationships, corruption, sex in church, dacryphilia, mentions of obsession, allusions to stockholm syndrome, yandere, fingering, unprotected sex, explicit smut.

♱ notes. this is an old rewritten/reimagined fic of mine bcos i saw a theory abt sylus being a demon. and coincidentally, rewatching a season of lucifer only made my brain rot tenfold D; so if you've seen me post this fic before with another character, pretend you didn't >:D

Thunder grumbled as a flash of lighting struck through the dark blanket of twilight skies. The rumbling sound angrily resonated through the stretch of clouds as if the heavens were to wash away human sins that have long been plaguing this era of the 21st century. A shower of rain soon followed that started in huge droplets and later cascaded from the slate gray clouds like waterfall. 

Checking your old leather watch, it was only 6PM. It had been two hours since the power outage doomed the whole neighborhood because the utility poles were severely damaged after the hurricane ravaged the city yesterday. 

The thick soles of your boots landed heavily on the tessellated sidewalk with every step, holding your umbrella closer to seal you from the heavy rainfall. Your eyes followed the beads of rain that bounced off the cold cement as your mind wandered further than where your body could take you to. 

You had left Sylus sleeping in bed back in your shared apartment so you could walk around the city and drop by the church. It wasn’t like you sneaked out, but was only reluctant to let him know of your whereabouts because you didn’t want him to follow you around, especially to such a scared place like church. Before you left, however, you did ensure that his silver cross was still enclosed around his collar just for your sanity. 

It had been a while since you last visited the church. With the power out and nothing else to do, you decided it was the perfect time to visit the cathedral where you always made your most solemn prayers.

The streets were still in shambles, though. Road signages were sprawled on the sidewalk, branches were barely hanging off the trees—the city had vestiges of wreckage from the hurricane that emptied a usually busy metropolitan area today. Most people were still at the leisure of their homes as work and classes have been suspended until further notice, for everyone’s safety and to allow the government to clean the roads. 

You could already imagine Sylus shaking his head at your resistance to just stay indoors and simply be with him. The only reason you were confident to leave his side today was because it had been awhile since the last incident. You could live with the thought of coming back home to Sylus and his usual self. Sylus, who was always thoughtful and tenderhearted albeit his dominant exterior. Never did you think that you could land a man of such warmth—a year in two days—but how you met was a story made for another day. 

Amidst the already dismal atmosphere outside, stepping by the narthex inside the baroque church greeted you with an even more caliginous surrounding. Darkness enshrouded the interiors of your chosen place of worship with only as much as three paschal torches by the apse to light up the altar. Still, with God’s presence, your feet carried you in slow footsteps along the velvet red aisle as you made your way towards the nave. 

You were alone in the eerie cathedral, but fear did not consume as you were in attendance to the crucifix above the high altar. This was your favorite cathedral among all the others in the city simply because of its gothic Victorian architecture.

Fixed with the cathedral’s grandeur and bedight with ornate decorations, you became more comfortable at situating yourself by the pew—genuflecting on the elevated wood behind the stretch of oak benches as soon as you found your usual spot. 

“In the name of the Father, the Son, and the Holy Spirit,” you whispered in sotto voce, performing a sign of the cross with your eyes glued to the crucifix that represented Jesus Christ. You had your elbows propped atop the bench as you silently prayed. 

Loving and gracious God, with all love and mercy, we thank you for blessing us with another day and protecting us in times of natural disaster. 

You wanted to ignore the unusual cold air that slithered on your skin in horripilation. Your prayer resumed despite the Stygian gloom that darkened the cathedral’s interior or the sound of the harsh wind slamming through the towering doors by the vestibule. The storm is coming again, you mentally noted. 

With your grace and kindness, Lord, I pray that you will continue to guide us—

The manly fleer echoing through the vacantness of the church made you halt from your recital. “I knew my cute church girl would be here.” 

You knew that devilish voice all too well that it had you shutting your eyes, petrified. No wonder the air felt sinister. But if your gut-feeling about him was right, then there was no need to be frightened. “Sylus, I’m in the middle of a prayer,” you hushed, although before you could turn around to face his silhouette, he had already transported to your side with a wicked smile plastered on his pallid face. 

“I’m not him,” he spoke in an orotund voice, stepping closer and closer. His ash blond hair did not hide his incarnadine eyes. “Stop looking for that runt when you’re with me.” 

You stepped out of the pew with a rapid heartbeat, standing by the aisle as the tall man towered over you. “S-Sylus, where’s your—” you searched for his silver cross and found it still hanging around his neck, “did you break it?” 

He glowered at your accusation. “You know I would if I could, sweetie.” 

You exhaled a deep sigh. This was not Sylus, this was the malevolent demon inside of him. You ought to be cautious of yourself. “Okay, well... Leave me alone. I’m praying.”

“Ordering me around?” Each step that he took reverberated across the cathedral. He stretched his head from side-to-side in a manner that showed his ennui. “Don’t you miss me, kitten?” 

There was no stopping to the loud thumping of your heart as you stood along the aisle with Sylus backing you off further to the center. “Sylus, I said not now,” you begged, but he refused to listen and only wiped his lower lip with his thumb. 

“I hate it when you make me wait,” he muttered, stepping forward until your lower back hit the credence table at the altar. You found yourself trapped in a decreasing distance between yourself and the sadistic devil in front of you. “Don’t look so scared. We do this every time.” 

“I’m not scared, but...” Your voice was getting softer, yet filled with fret. You pressed a hand on his chest as he locked your body with both arms around the table. “Please, not here.”

You had to be firm, you just had to be but you couldn’t muster the courage to fight back in Sylus’s presence. He was the embodiment of power and you were the representation of weakness. 

He was a demon that thrived on sin, and he drew strength from indulging in the seven deadly sins. Vainglory, greed, lust, envy, gluttony, wrath, sloth—all of those fueled his existence. Today, however, it was the third sin that consumed him, the one that ignited his darkest sexual desires. 

“I’ll be quick,” he bargained, undoing the upper buttons of your dress despite your failed attempts at pushing him away. Doing it at such a place! You sent him a glare but he only returned a sly smile. “How about we show your God what you’re really like underneath that maidenly exterior, hm? Show him how dirty you really are?”

God, help me. You desperately shook your head, now overthinking if someone could see what he was about to do to you in this holy sanctuary. Long before you could cover your chest, he already pinned your wrist on the side as he lowered the fabric to show your collar. “Sylus—!”

“Don’t be shy, kitten,” the whisper he sent through the shell of your ear caused shivers to your spine. With his heightened senses, he placed his mouth on your ear, “No one’s here to watch us except for your God. Be a good girl now.”

You tried to push him once more to no avail as he sucked on the flesh above your shoulder. There was no warning to prepare you from the sudden harsh suction. “I-It hurts!” 

Your nails dug into your palms to leave crescent marks on your flesh while you were squirming out of his strict hold. 

“It hurts? Good.” He continued to leave marks all over your flesh as he caged your waist around his arm. The feeling of his teeth pricking your skin had you whimpering in pain, and his eyes had grown rutilant when he momentarily pulled away to look at you. “You’ll hurt even more,” and then he erupted into a deep chuckle as if you were a meal that he was seasoning with a sprinkle of fear, “I should really just keep you for myself.” 

Your desire to breathe grew exponentially. “I’m not yours.” 

A low sneer and a dissatisfied ego had you pressed against the oak table in surprise. “Yes, you are,” he reiterated as though he was enforcing the idea in your head. “Your soul, your heart, your body—you are mine.” 

“I’m not! I wasn’t born in this world to be your property,” you protested, pulling away from his grip only to be slammed harsher on the table. You knew you should never anger a demon but his possessive nature irked you. Aside from your already shameful situation, you wanted nothing but to get away from him. “You’re evil.” 

“What makes you so brave? Your beliefs?” he gritted, reaching for an object near your head that turned out to be the Bible. “This?” he quickly opened the sacred handbook and ripped the pages in front of your very eyes with a distasteful smile. How easily he ripped it, how easily he also tossed it. “Whatever, then. There’s no God. You humans are complete idiots for worshiping a nonexistent being. Weren’t you the ones saying that I’d burn as soon as I stepped into a church?” 

“He is your father!” You sat back up, revolted by his blasphemy. He had no right to mock God like this. “Don’t taint my beliefs with yours. My faith in Him is stronger than you think.” 

“You should know what it’s like to be in hell before you say that shit,” he retorted, placing his lips back on your ear, “I’ll take you there with me.” 

This is not the time and place! What a shameful situation he was putting you through, so unbelievably shameful and obscene that you couldn’t look at him in the eyes. “Sylus, I swear. I’m going home if you’re gonna keep on—”

He huffed, showing boredom by dismissing you with a wave of his hand. “Ah, fine. You’re boring. Continue the prayer, then.”

For one of two things; first, Sylus would never let you off easily. Every act of defiance would garner you a punishment. Second, he was a time bomb. You never knew when his most cruel intentions would come to show. He was a malefic being that wouldn’t give two shits about where he was as long as he was having fun at torturing your soul. 

You should have known that when you chose to finish your prayer back at the pew. Sylus would simply not last long enough to just sit by your side in his apathy. 

“Holy Father, please forgive us for our sins—”

He snorted in ill-humor. “Pitiful.” 

And while you sat there looking up at the crucifix, Sylus’s hand was already sneaking its way under your skirt. His icy fingers traced your inner thighs until he reached your center, and that was when you finally grabbed his wrist to stop him with wide, scandalized eyes. Was anyone on the qui vive to see you right now? 

“Sylus, for heaven’s sake,” you hissed, pulling his wrist away but his slender fingers were already coordinating motions against your clothed core. You had to look around in panic lest there be any unknown audience peeking from the shadows. Despite your refusal to submit, the contact was eliciting suppressed moans out of your parted lips. “Y-You’re insane. This isn’t the place.” 

His smile was full of triumph and excitement, his right eye glowing ominously he spoke. “What makes it different?” he asked, raising your skirt and inserting his fingers inside your underwear. You had to press your lips together as soon as he started rubbing his fingers on your clit. “See, you enjoy the fuck out of it. I can see through your deepest desires, kitten. It’s telling me… ‘don’t stop’.” 

Your palm was pressed on his chest while his other hand tried to spread your legs open. The very position you were in—leaned on the wooden bench, legs spread apart, and being fingered in the presence of God—you were certainly going to hell. This was going against your belief, having your chastity corrupted in arrant disgrace by a man who was the devil himself. 

How exactly did you find yourself in this predicament? You came here to offer a quick prayer, not to be pressed on the bench by a man who was now unbuckling his belt in haste. You could only think of how Sylus, who was an angel beyond his demons, was perhaps trying to come out of being trapped in the dungeon where Satan had him caged.

“This is so wrong,” your lips quivered as you spoke, both of the curling of your toes and of the shameless sacrilegious act. You knew you couldn’t stop this no matter how hard you tried because Sylus would remain tenacious until he got what he wanted. 

With that, you fully submitted yourself to him and let the back of your head rest on the wooden surface while you stared at the stained glass that roofed the cathedral in different hues. 

Sylus was fast to display a smirk while positioning his hardened length on your entrance. The bands of your underwear were now resting mid-thigh as he pressed himself down on you with one knee supporting the angle of his hips. He was running his throbbing tip between your plump folds to lubricate himself with your slick. No screams could be released because you restrained your own whimpers, but your tears brimmed on the corner of your eyes from the initial penetration. 

“Ngh!” Your nails dug deep on his forearms. “S-Sylus!” 

“Are you crying?” His carmine eyes glinted of sadistic humor, running his gelid thumb across your lower lip only to sink it deep inside your mouth. “How does it feel knowing that the God you worship can’t save you?” 

A tear slid down from your eyes to your temple as Sylus started moving his hips in an achingly slow rhythm, each thrust going deeper than the last. You almost bit his thumb before he released your mouth by gripping your wrist. “Sylus—someone could see—!”

To your irony, the crucifix stared down at you and enkindled your conscience from this sinful act. Father, forgive me. You could only whisper those words in your head because your mouth was too occupied in crying out Sylus’s name.

“So warm.” It was hard not to think of how attracted he looked when he raked his fingers through his hair, later meeting your eyes with overpowering lust. He didn’t hold back at burying his cock into your cavern, allowing your walls to fit his girth like tight gloves—the feeling garnering his raspy grunt. “You’re mine, sweetie. All mine.” 

Sylus. You blinked your tears away as you closed your eyes. Sylus’s lips were now on your neck as he increased the pace of his member sliding in and out of your cunt with squelching noises that shamelessly echoed across the cathedral. “Sylus,” your lips were on his ear, “we’re in—aah—church.”

Unlike you, he was nonchalant about the sacredness of the house of God. He was mocking the supreme being that you held faith to as an act of engraving his existence into your mortal soul. While you restrained your moans as he slammed his pelvis against your hole, there was fulfillment rattling in his bones when he pressed your face to the side before diving in to suck on your sweet flesh.

“Cry more. Did you know your walls get warmer when you’re aroused?”

It was hard to describe the feeling. The median between pain and pleasure was the closest example you could liken it to. The grazing of his fangs added to the burning sensation that you had all over your body as if fire was ignited to light up all your nerves. 

Your hand latched onto his shirt before his body collapsed on top of you. With your legs spread wide, his head hung low on your neck—still and unmoving, strangely like he had fallen asleep. 

“Sylus.” You tapped his arm through the heavy rise and fall of your chest.

And before you could move away, he shot straight up and looked at you with those foxy incarnadine eyes that were now in the shade of deep crimson. Eyes that were wide and full of horror as he looked around the cathedral before he slowly realized what he had just done. 

“Y/N,” he said your name regretfully, pulling your dress down to cover your exposed parts, “I’m so sorry. I’m sorry, I did this—? I don’t—” 

Long dried were the tears on your cheek. As you two scrambled to fix your clothes, you pulled him into a hug while he murmured endless sorry’s to your ear. At least, for now he was back. That was the most important thing with all the sanity you had left. 

“Just get me out of here, Sy,” you said, back into the arms of your human lover. 

~~

You’ve always wondered why Sylus often slept during the day. Or why his normal heartbeat was at the pace of someone who was having a heart attack. Or why he could get serious wounds but managed to heal himself fast. Sometimes he would disappear from your sight and transport himself into another. Sometimes he would see and hear things a thousand times clearer than any other person could. 

For almost a year of dating, these questions only came up to you without much of an answer. You thought that you were simply theorizing over things that you shouldn’t. Why does Sylus always wear that cross around his neck? At the back of your head, you were always intrigued. 

You didn’t find out about the real reason until two months ago when you finally met ‘Lucifer’ out of nowhere. If Sylus was Jekyll, Lucifer was his Hyde. It was his way to allow you to form a dissociation between the two beings in one body. 

You never believed in devils until Sylus showed his demonic face to you one night while you were supposedly peacefully sleeping. You recalled the screams that you released when you found out that Sylus was the fallen angel all along. That the rosary around his neck was meant to seal his dark side, the side that you still didn’t know much of. Up until this day, he didn’t provide a concrete answer as to why he needed to seal himself. He was taciturn about the topic of his other self despite you bringing it up every now and then. 

But because you loved him, trusted him, and believed him when he said that he didn’t plan to hurt you—you stayed. You knew his human side better than the monster within him, so you told yourself that you could stay for him. You just needed to learn more about him. 

There were still moments where you felt cautious around him, but when you looked to see his softened expression, you were comfortable at seeing the Sylus that you knew. 

“Y/N,” he broke the silence that lingered between you two as you walked around the city, “I’m sorry.” 

You tugged at his hand in reassurance. “It’s okay, I just...” As flashbacks of the earlier events returned to your head, you felt ashamed at having done such dirty deeds at a holy place. “He always gets what he wants.” 

Because you let him. 

“I can’t do anything when I’m trapped,” Sylus mumbled, keeping up with your footsteps as you strode along the street. 

Your curiosity bubbled from his statement. “What happens when he’s taking over?” 

This time, Sylus didn’t shy away from giving an answer while he interlaced his hand with yours. “I can hear everything, but I can’t feel or see. It’s all black, like I’m in a dark void.” 

“Like comatose?” 

“You could say that.”

How could a rosary seal his other self? How come he had two versions of him? 

“He’s obsessed with you,” he admitted, frowning at the thought as you passed rows and rows of boutiques and restaurants. “Your soul, your scent, your body. That’s probably why he always has the urge to come out.” 

The thought of it permeated heat on your cheeks even when it shouldn’t. Sylus had always been sweet and loving with his intimacy with you, but his other side was rough and sadistic. He liked tormenting your innocence with his immorality. 

“You said the rosary was meant to seal him, but how come he keeps on—”

“It doesn’t work these days. Only my father can help, but I don’t wanna go that far just to tell him about this.” 

Father. It was the first time he had ever spoken about his father in your twelve months together. Or did he mean father as in God? “Where’s your father, Sylus? Or the rest of your family? Are the other archangels roaming on Earth, too?” 

You could see it in his saintly face that he was about to give an answer and you anticipated it, not until the nearby catcalling distracted you two. 

“Nice legs, gorgeous,” whistled the man who was leaning by the street railings with a cigarette in his hand. The man was probably in his mid-40’s with disheveled hair and unshaved face. You sent him a glare but a crude wink was returned. 

“It’s a bit rude to ogle at my woman in front of me, don’t you think?” was Sylus’s warning, the tendrils of his black-red mist extending to surround the man.

You could hear the man hooting again, unaware of what would become of him. “Ha ha! You punk. I’d spread those legs in a heartbeat.” 

While Sylus’s eyes were deepening into a darker hue, you knew you couldn’t risk seeing him release his demonic side again. It was a dangerous gamble. And the city could become a bloodbath. So, in your insistence, you told your lover to just leave it be.

“Sylus, let it go,” you gently asked, tugging at his arm softly. You wanted to avoid confrontation and just continue walking with you until you could reach your destination. “It’s okay.”

~~

“Happy anniversary to my favorite couple!” 

The clinking of glasses was followed by cheers on the booth where your boyfriend and your friends sat together. It was Avery’s idea to celebrate the special day two days prior as an excuse to hang out and drink. Luke and Kieran, being Sylus’s minions, were very much willing to join. 

“It’s not until Wednesday,” Sylus corrected with a smile, sipping on his pint before putting an arm around you. He gestured towards Avery and Luke with a knowing look. “Now you two should date each other.” 

You giggled at the thought. “Yeah, I totally support that.” 

Instead, the two of them reacted heavily against it—faking a gag, making a face, name it all. They were adamant on showing how disgusted they were at the thought of dating each other and it was quite a hilarious sight to watch. 

“Boss, come on,” Luke replied in outward distaste. 

Avery, on one hand, was rolling her eyes. “You wish I was interested. I’d rather do Kieran than you.” 

Kieran was Luke’s twin, the less obnoxious and more empathic one. But when those two were combined, their level of mischief wasn’t really any different from each other. 

“Picking Kieran is the most insulting thing you can say to me,” huffed Luke, earning yours and Avery’s chuckle. 

After an exchange of playful banter and teasing remarks, the conversation was redirected back to you and Sylus as Avery curiously brought up how you first met your boyfriend. It was only a year ago and the memory was still vivid in your head. 

“Oh my God. I remember how Y/N first saw you at this auction,” she gushed towards your boyfriend while you blushed, gripping his arm closer, “and she’s acting like she just saw her soulmate.” 

Kieran decided to chime in, “Boss was looking at her too, though. He may look tough, but he’s a hopeless romantic deep down—”

“Enough,” Sylus warned before sipping on his glass. 

You rested your head on his shoulder and relaxed against him. “Next thing you guys know, we’re living together.” 

Frankly, everything was normal until Sylus showed up. 

“What do you like most about her, Sylus?” Avery egged on with a grin spreading on her face. 

Your boyfriend didn’t even take a second to answer, “She’s cute like a cat,” he said, caressing your hand with his thumb from under the table, “and smart, and caring. Can get spicy, too. It won’t end.” 

Sylus was the same, if not better. You didn’t have much experience when it came to dating, but you were surely on top of the luck department for being blessed with a man like him. He was the most protective person you knew, the most affectionate, the most thoughtful. Sylus was the moon that illuminated your dark nights. You could even remember how he would wait outside of your workplace to pick you up in his motorcycle—those were the little things that lasted for a lifetime in someone’s memory. 

“She’s also a nun.” 

The sudden panic in your eyes came simultaneous to the fast beating of your heart. You swiftly whipped your head to look at Sylus who was now displaying a deriding smirk across his pale face. Oh, were you doomed. The ruby eyes and the stony face was clear confirmation that the demon had taken over him. Twice in the same day. 

Even Avery was surprised by his word of choice, but nonetheless found it amusing as it was rare for them to see Sylus acting bold. You were grateful for her obliviousness because you didn’t know how else you could explain the situation at hand.

“She’s a what, boss-man?” Luke jeered, chugging on his pint and looking at his boss in his newfound entertainment. He was among the very few people that knew Sylus’s true nature. Because the twins were demons like him.

“A nun,” Sylus answered, sending a look of mischief your way. You were deeply panicking that you had to squeeze his hand in hopes of stopping him from showing his true colors. “What? Don’t be shy, kitten. Didn’t we have fun in that church?”

You quickly shook your head and denied it in front of your friends. “We didn’t. Don’t believe him.”

Avery was unbelievably taken aback. “Wow,” she held back a chuckle, “I didn’t know Sylus has a vulgar mouth.” 

~~

The night carried on while the downpour engulfed the streets heavily. Your desperation to leave the dinner earlier than intended was solely because you weren’t comfortable at having Sylus around other people. The man was clearly enjoying the embarrassment that he was putting you through. And you, you were only being cautious. Who knew what things he could do to Avery while in his other form? 

You didn’t want things to end up where Sylus would be ostracized by the people who knew him just because they couldn’t understand that he was completely harmless in his benevolent self. 

It took a lot of effort to finally make an excuse of getting home early while the skies have temporarily calmed down. However, as you two strolled across the street, Sylus wouldn’t stop blabbering on and on about how you should have stayed more to talk about how prudish you were. 

“I’m not in the mood right now,” you spoke in a detached voice, moving away from him as you walked together. Because you ruined it, you wanted to add. The cold breeze kissed your face through the dark. 

Sylus only moved closer to you. “You shouldn’t be so uptight,” he countered, “Is that how kittens should act? Or do I punish you back at home?”

Punishments. You didn’t wish to go through another round of his ‘punishments’ because you weren’t certain at how creative he could be at delivering them. There was no doubt that a man who traversed the ages would have seen enough torture devices used during the earlier times. Perhaps he could get inspiration from those. 

“I just wanna go home,” you muttered, almost inaudibly had his heightened hearing senses not worked. 

“Good, then I can have fun with y—” Sylus halted from his words as his face froze at the sight in front of him. His body had completely gone stiff and his jaws were clenched. You would have thought that he was angry until that evil upturn of his lips came to show. 

“Sylus...”

Following his sight, he was all eyes on a man from a distance before he dashed towards the stranger, leaving you utterly stupefied from where you stood. What’s he on about? You rushed as your heels landed in lightweight steps across the sidewalk while you watched in terror how Sylus mercilessly throttled the man by the neck and dragged him into a dark alleyway. 

“Sylus, stop!” 

As you reached him with a panting breath, you realized that the man he was holding high up against the wall was the same person that catcalled you earlier. The man was wriggling away from Sylus’s tight grip, only to be asphyxiated harsher than before. 

“Wh-What’s your problem?” The man struggled to breathe due to the strangulation and you were pulling Sylus’s other arm to stop him. 

At the sight of Sylus’s crimson eyes and vicious stance, you knew there was nothing much you could do to prevent harm. He was determined to do what he wanted without paying attention to his surroundings. 

“You’re fantasizing her, huh?” Sylus taunted with a sinister undertone in his words. “You wanna spread ‘em open?” 

Recalling the very words he spoke, the man saw you with frantic eyes as his face was reddening from the lack of oxygen. With a rushed shake of the head and a face that was begging for sympathy, he tried to break free. “N-No, no. She’s—haaa! She’s all yours.” 

“Sylus, stop it.” You grabbed his arms and attempted your best to pull him away despite the trepidation that caused you goosebumps. “Please stop, you’re gonna kill him.” 

Every time you saw this demonic creature, you were learning new things about him and most of those things were of the worst kind. Not only was he possessive—he was diabolical, potentially obsessive, and a cutthroat sadist who wouldn’t even blink before ending someone’s life. This was the true nature of a demon, not some silly fantasy that today’s pop-culture portrayed them to be. 

He was a body without a soul.

Unfortunately, you should have thought twice before choosing to get involved with him. 

“That’s my plan, sweetie.” 

[purplealmonds]

My entry for the banner art contest for the Technoblade Discord server, inspired by a parenting story Technodad shared on Reddit.

More ramblings about process below the cut!

I didn't have time to document much of my process, so I'll be dropping bits of trivia as they come to me.

The contest announcement dropped 08/08, and for a few days I thought I was gonna skip out on it because I couldn't think of a decent idea. But then inspiration struck when I rewatched Tonko House's The Dam Keeper short. I also recalled Technodad's sweet parenting story, so I decided to mash the two ideas together for my entry.

Most of the time spent on this piece was on the 3D modeling in SketchUp! I started modeling on 08/11, and had several false starts before settling on the final build on 08/18. Technodad mentioned in his story that his family lived in a condo in San Francisco, so I referenced the more iconic architecture of the location's residential areas. He probably lives in more modern housing, but I'm a sucker for the old-fashioned aesthetic. Artistic-liberty!

The theme of the banner art contest was "autumn", so I roughly blocked in the location of two trees which I would paint in autumnal colors. The street lamps were recycled from another banner contest I entered around 2020 for the CrankGameplays server themed after "spring" - I think it's fitting that it's reused in another seasonal-themed contest. Everything else was modeled from scratch!

I wish I documented more of my painting process, but all of the painting was done in a span of 1.5 days while I was recovering from a bug. Normally I'd take at least a week to finesse things, but I was in a rush. I needed to submit my entry before the deadline so there was ample time for upvotes, and I also had a commission I needed to wrap up before next month. I get restless when I have more than one project on my plate, especially when both are time-sensitive!

[confused-pyramid]

Coming Up For Air | s1

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 10.4k

warnings: canon!typical violence, mentions of abuse, death of a spouse, slow slow slow burn, specific episodes mentioned in this part are 1x01, 1x06, 1x07, 1x08, 1x15, 1x16, and 1x22

a/n: I started rewatching Criminal Minds from the beginning, and this is what came out of it heh. This is the first part in a little series I'm starting that follows Hotch and his childhood best friend in the BAU, beginning with the pilot. If all goes well, this will continue through the rest of the show, with ~1 part per season :) Title is from Coming up for air by Signals in Smoke

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You haven't used your oven in over a year. It's not that you don't like cooking - because you do - you just haven't had the time. If you could, you would blame it on the extra hours you have had to put in after starting at the BAU, but that wouldn't be fair. Your transfer to the unit was the only thing that got you through his death at all.

After your husband was shot and killed in action while tailing a kingpin of one of the New York mobs, you couldn't bear to be in this house at all. You had gone back home to stay with your father for a couple of months, but eventually you had to get back to your real life. With a month remaining on your bureau-mandated leave, you returned to the home you had shared, before one of the lower-level mob soldiers misfired -

You didn't let yourself think about it for almost a year, but time heals all wounds. The poets were right. At least you hope they are.

Even back at home, you still couldn't bear to be there alone, other than when you were sleeping. That's why your peloton was gathering dust and your kitchen went untouched, until just now.

So, of course, the call from the office comes when you're making dinner. It takes five minutes to change into slacks and a button-up, and two more to toss your half-cooked vegetables in the trash, before driving down to headquarters.

A fourth girl has been taken in Seattle, and the local PD only now decided to invite your team. You know the BAU isn't well-liked by the other departments, but that doesn't mean you aren't effective.

When you enter the building, you rush through the I.D. check and jog over to the lecture hall, where Morgan and Reid are standing outside of a neighboring office like children waiting for their father to come and get them.

Shooting them both a thin-lipped smile, you step inside just as they finish discussing the unsub's pattern.

"They want you back in the saddle," Hotch says to the man beside him after greeting you with a nod.

Your eyes are so immediately drawn to Hotch that it takes you a moment to realize that you recognize the man standing next to him. You haven't seen him since the day you were assigned to the BAU, mostly because you were technically transferred to this unit because of his extended leave.

What was supposed to be one month became six, before Hotch informed you that your temporary placement would be permanent, if you were willing to stay in Virginia.

It was a no-brainer.

You turn your gaze to Jason Gideon as everyone in the room stares at him expectantly. He looks self-assured, but you're sure the confidence is a front. "They sure they want me?"

"The order came from the director," Hotch says simply.

"Well," Gideon states, "we'd better get started, then."

Hotch glances over at you as everyone files out of the room and you raise your eyebrows momentarily, a quick check-in between the two of you. He nods imperceptibly and it's enough for now. He didn't tell you Gideon was coming back today, but now isn't the time to give him hell for that.

***

Hotch is the last to board the plane, and he takes his usual seat beside you, this time in the aisle, a few rows away from the rest of the team.

"I was going to tell you," he says as soon as you close the case file in your hands. "The section chief wants me to evaluate him to see if he's ready to return to the team."

"That's a lot of pressure." They have to know that Gideon will be able to smell him out within the day. "You sure it won't get in the way?"

Hotch makes that face you hate, the one that says he knows you're deflecting. "I was going to tell you."

It doesn't take much for you to forgive him. It helps that you trust him completely, especially after everything he has done for you.

"Still," you smile, bumping his shoulder with yours, "it would have been nice to know about the sudden change to my job security."

You're mostly joking, but his frown is genuine. "Don't be silly. You'll always have a place on this team."

He takes everything so seriously these days. You suppose it's only fair, given the files he has to sort through on a daily basis. Picking which case deserves the team's attention the most.

But he wasn't always like this. You're the newest member of the team, but you've known Hotch longer than any of them.

You still remember the first time you met him, at eight years old. He was your first real friend at school, and you became inseparable easily. Your shared love for The Beatles and Law and Order made you fast friends, and as you grew older, your interests shifted in tandem.

Sometimes when you look at him, you still see that little boy who knew too much, but still managed to always make you laugh.

***

The team disperses soon after you land in Seattle. You've never had to come up with a profile in one afternoon, but it's also been a long time since your ticking clock to find the victim was just over a day.

When Gideon and Morgan head to the latest crime scene, you join Hotch and Reid to interview the victim's brother. The moment the three of you step into his house, his dog, Sandy, starts barking up a storm.

"It's what we call the Reid effect," Hotch smiles, walking over to pet her. "Happens with children, too."

You can't help but smile as well, peering over at Spencer, who looks about as uncomfortable as he usually does.

It doesn't escape your notice that the brother looks looser now. Hotch has a way with people that traces back to his childhood self. He was always wiser than his years, something you chalk up to his need to grow up faster than he should have, but his paternal instinct comes from practically raising his brother, Sean, after his dad's untimely death.

The casual interview reveals enough about the victimology that when you head back to the station, Gideon calls the officers in to explain the profile.

You can feel Morgan's agitation wafting off of him as he watches Gideon state his assumptions with startling clarity and confidence. Hotch, on the other hand, looks contemplative, which reminds you that he's been tasked with the returning agent's evaluation.

He can see your furtive glances in his direction, even as you try to remain secretive about your interest in his demeanor. He presses his lips together to keep from smiling as he thinks about how lucky you are that you went into profiling and not covert operations.

You have never been especially good at keeping your own thoughts or intentions to yourself around him. While some would call that a weakness in this field, he sees it as your greatest strength, because it clearly shows how much he can trust you.

As a kid, you were outspoken about every idea you had, and you used your strength and willpower to look out for him when he needed it. It took him a long time to admit how much he used to need you (maybe too long), but you always knew.

***

Gideon's profile leads to the arrest of Richard Slessman and Tim Vogel, and Elle manages to save the last girl while she's still alive. You catch your breath for the first time in 36 hours as you stand with Hotch in the shipyard, watching the paramedics and local police clear the scene.

"What are you going to tell them?" you ask under your breath as his gaze turns to Gideon, who is getting patched up in the back of an ambulance.

He had goaded the unsub into shooting him instead of the girl, but your mind can't seem to focus on the silver lining.

Hotch sighs, crossing his arms over his chest, as though to hold his coat closed against the breeze. "They want to know if he's fit to be a field agent again."

Normally, you would give him shit for using that tactic. Avoiding a question by providing more information. This time, you know he's just thinking out loud.

"What would you say?" Hotch asks as Morgan walks over and sits on a barrel next to you.

"Gideon saved her life," Derek shrugs, his eyes flashing to you for a moment. "That's good enough for me."

Hotch seems to ponder this for a second. "Do you know what Gideon means in Hebrew?"

"Mighty warrior," Reid interjects, popping in to the conversation with the subtlety of a tiger.

You're confused at first, but then you remember the baby names book that was sitting in Hotch's living room the last time you visited him. "You cannot let Haley name your child Gideon."

Hotch laughs suddenly, and you can tell you surprised it out of him. Your chest warms comfortably as he smiles, his cheeks flushing softly in the chill air.

He looks over at Gideon again, deciding in real time that he's going to recommend him to come back to the team. He would never admit it to you or anyone, but he knows that if your position on the team was in jeopardy from Gideon's return, he wouldn't have been able to complete his evaluation fairly.

It was Hotch who recommended you for the open position after he was promoted into Gideon's role as unit chief. You deserved the spot, of course, but Jeff's death had still been fresh and he knew better than most how much the job can take one's mind off of the other aspects of their life.

While Hotch watches Gideon, you watch him. You can tell from the look on his face that it's a done deal. Jason's coming back to the team. It will be a change of pace for everyone, but that doesn't mean it won't be good.

Having joined the team right after the bombing, you saw exactly how Gideon changed after getting the profile wrong, but so did everyone else. What people didn't talk about was how Aaron changed too. Rising into the rank. Growing to fill the hole that Gideon left in the unit, but somehow also shrinking into himself at the same time, because that's what this job does to you...it takes and it takes and it takes until you have nothing left to give.

But sometimes that's what you need: to give something up so you know you aren't losing everything.

***

Gideon settles into the team faster than you anticipated, and soon it's almost like he never left. Even though you can see the vein on Morgan's neck pulsate every time he hijacks a profile, you can't help but appreciate the support he gives to Spencer and Elle, both of whom are becoming incredible profilers before your very eyes.

That's also why you find yourself a little worried when Hotch tells you that Reid failed his weapons recertification.

"I thought you said you were helping him practice," you say as the two of you walk past security and toward the bullpen.

"I was," he emphasizes, before correcting himself, "I did. I'm sure he was just nervous."

You nod, pushing open the doors and spotting Reid sitting quietly at his desk. "He can test again in two weeks. He'll be fine."

When Morgan hands him a whistle with a quippy joke, you sigh into your coffee tumbler, but don't bother stepping in. He's being childish, but if you try to intervene, it'll just embarrass Spencer more.

"Okay," JJ starts, "Franklin Park, Des Plaines. Yesterday afternoon."

She dives into the case, but you have already read the file (and you know Reid has too) so you scoot your chair over to his desk and lean forward so only he can hear you. "I failed my first weapons certification at the bureau too."

Spencer looks up immediately, his face colored with surprise. "Really? You're one of the best shots I know."

You smile with a shrug. "The tests aren't real life. When it comes down to it, I get the job done. Just like you will."

He doesn't say anything for a moment, but then his lips curve up into a small smile. You both turn your attention back to the front just as JJ finishes explaining the case details.

"Wheels up in 30."

The flight to Illinois is filled with heated discussions about the bureau's fruitless history of trying to profile long distance serial killers.

"L. D. S. K.s are so rare, we haven't been able to build a standard profile," Hotch explains as the jet reaches cruising altitude.

Gideon chimes in immediately. "Here's what we do know: they're always male, and they frequently have law enforcement or military experience, and they always contact the police or the media."

Elle looks confused and you echo her sentiment as you lean your hip against her armrest. "To take credit or relive the experience?"

"Both," he says simply. "All serial killers attempt to relive the ecstasy they get from their killings. Some use souvenirs taken from the victims, and others return to the dump site to interact with the body. Both modes require contact with the victim, contact which, by definition, long distance serial killers don't have."

"Our unsub hasn't contacted anybody," you point out. "What do we do until then?"

"Sometimes it's not what the unsub does that reveals the profile. Sometimes it is what they do not do."

Reid glances up from the file in his lap, and you notice that he looks at Gideon first. "He doesn't kill his victims."

"Underkill's a unique signature," Hotch ponders, standing up and walking along the cabin. He only paces when he's deep in thought. "The question is, does he shoot them in the stomach intentionally just to wound them, or is he just aiming at the biggest part of the target?"

The team is silent as you take in this new analysis. You're not surprised when Gideon is the first to speak up. "Specifically, does the unsub lack the skill to make the head shot, or simply the will to take it?"

When the plane lands, you check out the last crime scene before spending the day talking to the local police and the victims' surgeons at the nearby hospital.

That night, when you check into your hotel room, the click of the door lock closing behind you is a welcome relief from the tension of the day. Many of the Des Plaines police officers were unhappy with the team's initial assessment, because it heavily implied that the unsub may have been a law enforcement official himself.

You wash your face and change into a tee shirt and a comfortable pair of sweatpants, before climbing into bed and opening the case file back up again. The rest of the team has also gone to their own rooms, but you can't help but wish you had another set of eyes looking at this with you.

As though reading your mind, a knock thuds on your door and you stand up quickly, in case it's an emergency. When you check the peephole, you see Hotch standing way too close to the door.

Unlocking it slowly so you don't startle him, you open the door to find him in still in a full suit.

"Is there a problem?" you ask immediately. "Do I need to get dressed?"

He shakes his head, glancing around the hallway so quickly that you almost miss it. "I was just looking over the profile and I wanted your opinion on some thoughts I had."

The corner of your mouth twitches and you open the door further to let him in. He doesn't miss a beat as he takes a seat on the armchair in front of your bed and flips open his notepad.

"I was thinking about the bullet we recovered on the scene," he says slowly, like he's thinking through every word he's saying.

You nod, sitting on top of the bed covers and crossing your legs under you. "Garcia called after you left the station. The bullet was a .223 fired from the M-4 variant of the M-16."

"That means he's military," Hotch says, reaching his hand out without taking his eyes off his notepad. You close the case file you had laid out and hand it to him. "M-4 is a shorter barrel than the M-16, so it's less accurate and a lot harder to fire, especially at these distances."

"This level of skill indicates specialized training. That means..."

"It means the underkill was on purpose," Hotch says, finishing your thought. "What is he trying to prove?"

You purse your lips as he sits up in the chair to give himself room to remove his jacket. His pinstriped button-down is slightly crinkled under his arms, but you can tell it was freshly ironed this morning.

"Maybe he's in a fast-paced occupation," you suggest, "which would fit with the profile that he has a big ego."

"Then we're back to law enforcement."

You lean forward, your eyes following his hands as they fidget with his cuffs and undo the buttons, one at a time. You've always been attune to every one of his movements, but maybe it's just because you've spent so much time around him.

"Hotch," you whisper-yell, snagging his attention from your case file, which he tosses back to you.

He hums and you take that as an invitation to continue speaking. "Be careful tomorrow, when you're giving the profile."

One of his eyebrows lifts and you can tell he's holding back a smile. "It's just in front of the Des Planes PD. You'll be there too."

"It's not that," you sigh, shaking your head. "Everything about this profile points to the shooter being either current or former law enforcement. I'd be surprised if they didn't take it personally."

His eyes flit up to yours, his brow furrowing. "I can handle myself."

"I'm sure you can, Hotch," you say with a breathy laugh. "Doesn't mean I don't still look out for you."

He pauses and it's like his whole body takes a beat. "I know."

***

You're talking to Dr. Landman with Derek, Elle, and Jason the next day when a gunshot rings out through the hospital. Last you checked, Hotch and Reid were in the E.R., but you haven't heard from them since you arrived.

"It's Phillip Dowd," a nurse informs you when you meet with local police outside the closed E.R. door.

After a quick call to Penelope, the profile becomes clear.

"He joined the army at 18," Gideon recites, pacing around the room in a vaguely reminiscent manner, "went to ranger school, did 6 years before being dishonorably discharged in '95 for conduct unbecoming. Obviously lied about it, joined the Arlington P. D."

"You were right," the police captain sighs. "He was a cop."

His hopeless tone is disheartening, and you find yourself upset for not the first time that your team was correct in their assessment.

After the initial commotion, the E.R. is silent except for a few muffled voices. You can't hear what's being said, but the lack of gunshots or loud noises is all that's keeping you from falling apart.

"It'll be okay," you hear whispered from next to you. You turn to see Derek, who presses his shoulder to yours briefly. "Hotch will know what to do."

You know there's nothing you can do from out here, especially with how precarious the situation inside is, but doing nothing has never been your strong suit.

"I know," you tell him, echoing your thoughts. "I just wish we could help."

Derek cocks his head at the S.W.A.T. team readying themselves to break the door down. "We can help. We need to give Hotch and the kid time to wear Dowd down."

His tone is light and you feel yourself laugh, ignoring the thickness that swells in your throat. "That shouldn't take long."

Derek bumps your arm again in a silent extension of comfort, and you mouth a silent thank you.

You can feel Gideon losing patience as he reasons with the captain, but he eventually buys them three minutes to do what they can. When the final five second countdown starts, you unconsciously hold your breath, only to be released when Hotch's voice calls through the door.

"Hold your fire!"

Your breath comes out like a gasp and you squeeze Derek's arm before rushing forward. Hotch stumbles past you with a murmur that sounds obscurely like "help Reid", so you push your way through the throng of civilians moving to escape until you see him.

"Spencer," you gasp, crouching down to help him into a standing position. You would never admit it to him, but ever since he joined the team, he's been something of a little brother to you. "What happened in here? Are you okay?"

"You were right," he says with a surprising steadiness to his voice. "I got the job done."

You don't ask what he means, knowing that Hotch will fill you in when the time is right. Instead, you decide not to fight the vaguely maternal urge rising within you and you pull him into a tight hug. It's more of a quick squeeze, because you don't want to push past his physical boundaries, but he doesn't complain, instead looking over at you with a small smile that's more than enough for now.

***

You find Hotch where the departed ambulance that patched Reid up was parked. All of the hustle and bustle of the paramedics and local police officers and bureau agents comes to a standstill as you walk over to where he's sitting on the edge of the curb.

"I heard what happened," you say as a way to announce your presence. "Can I sit?"

He nods without looking up, and you crouch down next to him, settling on the curb with your shoulder pressed to his. You can feel the tension in his muscles as he grips the sidewalk, his palms digging into the concrete like he could break through if he pressed hard enough. "Reid.."

"..is fine," you whisper, nudging him so he looks up to where Spencer and Jason are chattering excitedly. "He's more proud than anything."

He doesn't say anything, so you bump your knee against his. "I guess all of the physical training classes you made him take at the academy paid off."

He knows you know exactly what is running through his mind, so he doesn't bother trying to articulate it. Instead, he lets out the breath he didn't realize he was holding, and looks over at you. "Do you remember that self-defense class we took before law school?"

You're not expecting this question, and you almost laugh. "You mean the singular self-defense class you dragged me to before dawn in the summer before we started at Georgetown?"

He levels you with a look that you would think is serious if you didn't know him so well. "You don't regret it, though."

"No," you smile, your eyes blurring with emotion. That's where you met Jeff. "I don't."

He was your instructor that day. He only taught that class twice a week, between lectures at Georgetown Law, and it doesn't escape your mind that you so easily could've missed him. One day earlier or later and you never would've met him, never would've been his girlfriend, or his wife, or his widow.

Hotch remembers meeting him that day too. He had to literally come to your apartment and drag you out of bed to make the seven AM class that he had signed you both up for, and you had been grumpy the whole drive over.

There wasn't much, other than coffee, that could get you alert before eight in the morning, but the moment you walked into that gym, it was like you were wide awake. He spent the rest of the class trying not to look as the man he would later come to know as Agent Adler kept coming over to give you extra pointers, and he pretended that the coil of ice slithering up his spine was there just because he was watching out for you.

When he found out the two of you had started dating, he continued to pretend the nausea rising in his stomach was from the day-old sandwich he had had for lunch, because it wasn't fair. Especially since he was with Haley, and he was happier than he had ever been, even if the new law school course load was making it harder to see her as often as he wanted to.

But eventually, your happiness with him overpowered every protective urge he felt, and he realized that even if there was a feeling in his gut that he didn't recognize when he saw you two together, Jeff was perfectly suited for you.

***

"He's so gorgeous!" JJ coos, her hands twitching at her sides like she's trying not to reach forward and take the baby out of Haley's hands.

She brought Jack, their newborn son, in to work today to show the team, and Hotch looks prouder than you've ever seen him. "Thank you."

"If you find baldness and wrinkles attractive."

"Reid!" you chastise, swatting at him. He dodges your hands without even looking.

"Look at his widdy biddy nose," Garcia squeals, before turning to Morgan with an inquisitive look. "Don't you want one of these?"

He just laughs as he rests his chin on her shoulder. "Mm, I'll stick to practicing."

"Congratulations," Elle chimes in before returning to Gideon's side to continue discussing the new case that came in. She's always on top of things, and it's something you respect greatly about her.

"Thanks," Hotch smiles, his gaze returning to Jack after looking away for only a moment. Jack is like a siren, the way each of his little sounds or movements holds Hotch's attention so steadily. He's the most focused of all of you, but you've still never seen him this enamored. "She's amazing. I'm a little terrified."

"You're glowing," you tell Haley as the rest of the team heads to the briefing room. "How is it that you had a baby just a few weeks ago?"

"You're sweet," she smiles, before tilting her head forward. "Do you want to hold him? You're practically his aunt."

You gasp quietly, so as not to wake little Jack. "That is a title I will carry proudly. And yes, I would love to hold him."

Haley hands him to you slowly, and you make sure to support his head carefully as you cup your arms around him. He looks so much like Haley that you almost make a joke about Hotch's genes not even putting up a fight, but that nose...that nose has Hotch written all over it.

When you glance back to where the team left from, you see him turn back at the same moment and offer you an encouraging smile.

"How are you holding up?" you ask Haley, barely able to focus on your surroundings with a newborn in your arms. Maybe there is something to the siren thing.

"Jack's been incredible. He barely cries, it's kind of a godsend...but I do wish Aaron could take time off with me."

You give her what you hope is your most comforting smile. "We've been super swamped with cases here, but in all my years working with him, I have never seen him so eager to leave every night."

She laughs, a pretty sound you remember from your youth. "I know. I feel so unfair when I complain about these things, but I appreciate you humoring me."

"Not at all," you assure her, glancing back down at Jack, who is mid-yawn. "I understand completely. If I had one of these little guys, I wouldn't be able to think about anything else."

You hear her breath catch and you open your mouth to reassure her that it's fine, but she is already reaching forward to squeeze your arm. "You and Jeff would have made amazing parents."

When you both joined the bureau, you were so busy with work that kids weren't on your mind at all. It wasn't until you got settled at the BAU, and Jeff found his place with organized crime, that you even started talking about it.

You want kids, don't you?

Only a few. Maybe four or five. Yeah, five's a good number.

"I should get back to the team," you say softly, blinking away the memories.

Haley sees your face and she smiles sadly as she takes Jack back from your arms. "I'll see you soon. Tell him I'm heading home, will you?"

You nod and watch the elevator doors close in front of her, before joining the team.

***

"I can't believe you went bar hopping without me," Derek shakes his head, feigning offense as he leans so far back in his chair you're afraid it may tip over.

"I think hopping is kind of a strong word," you say, glancing over at Elle, who is perched on the edge of your desk. "We only had one bar in mind, but it closed earlier than we thought, so we went somewhere else after."

"This was a much needed girl's night," Elle grins, patting Morgan on the shoulder as he continues to pout. "We'll invite you next time."

"How was your weekend, Dr. Reid?" you ask, turning around to face him.

Spencer doesn't look up from his crossword.

You say his name again, recalling the attention of Derek and Elle, who had started talking about some trip they've been planning for what feels like months.

When he still doesn't look up, you pick up one of the BAU-provided pens on your desk and chuck it at him, just hard enough to bridge the gap between your desks, but not so hard that it hurts on impact.

"Ow!" Spencer yelps anyway, glancing up with a look that's somewhere between confusion and indignation. He picks the pen up off the ground and turns it over to see the tiny insignia on the cap. "This is FBI property."

"How was your weekend, Spencer?" you ask again, ignoring him. "Didn't you say you had some fun stuff planned?"

"I did," he lights up, instantly forgetting about the pen incident. "My local movie theater was showing reruns of the first season of the original Star Trek, so I got to experience it on the big screen."

Derek laughs and walks back over to his desk next to yours. "We have very different definitions of fun weekend plans, kid."

You're about to tell Derek that no one wants to hear what his idea of fun is when the office door upstairs flies open and Hotch and Gideon walk out.

Reid hands you back your pen, and Derek sits up in his chair so fast it's almost comical.

"We have another case," Hotch announces before coming to a stop.

Gideon takes it away. "Our unsub is male, intelligent, organized and methodical. He has the confidence of a man who's been killing for a long time."

"Only victim removed from the scene is Freddy Condore indicating some tie to him."

Hotch turns to you. "You, Elle, and Reid stay on Condore's background with Garcia. The rest of us will head to the crime scene."

You nod before standing up. "Let's go, kids."

Penelope's lair is just as eccentric as you remember it.

"Take a seat," she instructs before logging into her computer and opening up her criminal history database. "Just don't get too comfortable."

Your lips quirk up as Elle flashes her eyes at you, and you nod your head at the empty chair on Garcia's opposite side. Reid is already sitting on a desk chair by the back, spinning in aimless circles as he rattles off a list of markers to search for.

After a minute, Penelope stops typing. "Credit card receipts show Freddy loved crab cakes, preferred light beer and used to spend his Thursday nights with a woman in Fells Point."

You pick up a stress toy shaped like a tomato from one of her shelves and bounce it in your palm, just for something to occupy your hands.

"What about his associates?" Elle asks, grabbing a pen with a pom-pom on the end and poking it at Spencer's knee.

"Most of them have criminal records."

Elle glances up. "That much I guessed."

Penelope frowns, and looks pointedly at the pen in her hand.

"She's holding the tomato!" Elle complains, throwing a finger at you.

You lift up your hands in surrender, dropping the stress toy. "Thanks a lot, Greenaway."

"Anyway," Reid interrupts, to everyone's surprise, "One of these guys is particularly interesting. Pull up James Baker's rap sheet."

Penelope turns back to her computer as Spencer reads over her shoulder. "He spent time in juvenile detention for attempted murder, was released at age 21, and then subsequently arrested for, and this is in order, armed robbery, petty theft, burglary, narcotics sales, and rapе."

"What's so interesting about that?"

"When it comes to psychological behavior, anything is possible but this criminal history? It just isn't probable."

Elle nods in agreement. "I mean, as a minor, he began with attempted murder and then devolved into pettier crimes?"

"It's the criminal history of a fractured schizophrenic with multiple personality disorder," you sigh. "It just does not make sense."

***

Hotch calls you into his office when he and Morgan return from Baker's address. You can tell something is off before you even step through the door, so you shut it behind you and take a seat in front of his desk.

"What's going on?" you ask, your eyes glancing over his face to see if his micro-expressions can give you a hint. "What's wrong?"

He looks up with a sigh, his hands clasped on his desk. "Baker's place was an artificial dwelling, and the weapon we recovered on the scene was standard law enforcement issue."

It takes you a few seconds to comprehend what he's trying to say - a few seconds longer than usual - and your breath stutters in your throat. "He was undercover?"

"That's what it looks like," Hotch agrees. "I wanted to inform you before telling the rest of the team."

You nod, pressing your eyes closed for a beat.

He missed his pick-up, Mrs. Adler.

We'll call you as soon as we know more.

The memories start to flood back in and you squeeze your eyes shut tighter before opening them. Hotch looks blurry for a moment until your eyes adjust to the light again.

"Does organized crime know where he is?" you ask, desperately needing to fill the silence.

He looks down at the case file. "We assume so, but it's not like they would tell us. They weren't too happy that we were taking on this case at all, and now we know why."

"Maybe they'll talk to me," you suggest, even though the idea of talking to Josh Cramer makes you taste bile. You haven't seen him since a month after the funeral. It's not for his lack of trying, you just couldn't stomach looking at any of them after what happened. One missed call turned to ten and eventually they stopped trying.

There's a piercing pain behind your eyes and you squeeze them shut for a momentary relief. "It was only supposed to be three months."

Hotch's brow furrows and you don't look up at him just yet. You can already picture his expression, the anguish you know he feels for you whenever you bring up Jeff.

"It was a three month operation," you continue, knowing you won't be able to discuss it later if you stop talking now. "That's all we signed up for. Three months away from me and then he was on leave for the rest of the year, so that we could focus on us again. Maybe even start a family."

Your voice cracks on the last word and you tilt your head down to hide your face. He hates it when you cry, but that's not fair. He knows how important it is to get your emotions out, so they don't pile up inside of you, but if he had his way, you would never have had a reason to cry in the first place.

"I hadn't seen him in over a month when he was..."

He can hear the tightness in your voice and he resists the overwhelming urge to reach his hand out and take yours. You're sitting a foot back from the desk, and it's not he could reach you from here anyway, but his fingers still ache.

"I don't want to blame them, Aaron," you sigh. Your words sound watery, and he pulls a handkerchief out of his inside jacket pocket and hands it to you. He's almost surprised when you accept the gesture, pressing the cloth square under your eyes to catch the tears leaking out. You were so self-reliant as a kid, never wanting or needing anyone else's help. "I don't want to blame them, but I do. I can't help it, I just do."

Someone else would have consoled you. They would have assured you that feeling this way was natural, and that no one could blame you for feeling what you do, but that isn't who you two are. "Jeff wouldn't."

His name is like a dagger to your heart. You practically wince as Hotch digs further. "That team was his family, just like we are yours. He wouldn't blame them, not for this. Not for something he chose."

Something he chose. This is why you don't let yourself remember that day. This is why you kept that day - the day you got that horrible call - locked up inside your brain, where not even you could reach it. Because if you let yourself think about it and remember, then you will remember that it wasn't really Cramer or his unit or the bureau that you blamed. It was him.

For choosing to miss his pick-up. For choosing to go undercover. For choosing to join organized crime.

You take a deep breath and re-adjust yourself in the uncomfortable chair Hotch refuses to replace, even though it's literally splitting at the seams. Something about your tax dollars hard at work. "What are you going to do about Baker?"

He lets you change the subject. "We have to contact Agent Cramer before-

"What the hell is wrong with you people?"

Speak of the devil and he shall appear.

"Sorry?" Hotch frowns, both of you standing up immediately.

Cramer doesn't take his eyes off Hotch as he seethes with anger. "I told you, this is my case! You ran my agent through IBIS?"

"Because I wanted to know who he worked for and now that I do, I'd like to talk to him."

"You don't have him?"

You can hear your heartbeat in your skull.

Hotch looks at you then, and finally Cramer notices your presence. "Y/N...it's been a while."

Your lips press into a thin line. "Almost two years." The anger you've been trying to avoid seeps into your voice against your will and you sigh, returning to the investigation. "How long has Baker been missing?"

"About 12 hours."

"You think he ran?" you ask, watching Cramer closely as his jaw ticks.

"No, Jimmy's too experienced to run without contact."

He realizes his misstep immediately and his shoulders fall. To his credit, he doesn't break eye contact, even as his expression softens. "That's not what I meant. All I'm saying is that I think someone's keeping Jimmy from calling in."

You can feel Aaron looking at you, but you avoid his line of sight. If you're going to have to interact with organized crime, you might as well make yourself useful. "We all want the same thing, Cramer: to get Baker back to his family."

You wait outside as he explains the situation in more detail to Hotch and Gideon, and you're surprised when he's the first to leave. "Can we talk?"

Hotch comes out behind him and raises his eyebrow for a fraction of a second, a check-in. Swallowing thickly, you nod your head and follow him down the hall to the top of the stairs.

"I'm sorry I haven't reached out recently," he says as soon as you're out of earshot of the others. "You know Jeff was one of our top guys."

Your eyes shut at his name, as though someone clapped their hands too close to your face. It's almost laughable how sure you were that you were past your grief. You passed the bureau's psych evaluation after your six month leave with flying colors (because your team practically wrote the answers yourselves), and as each new day passed and you weren't so debilitated by just the thought of him, you thought it meant you were fine. Because time heals all wounds. At least it's supposed to.

"I know," you whisper scratchily, before clearing your throat. "I know that. And it's okay. We've all been busy." You look down at the bustling bullpen where his agents are interacting with your team. "Clearly."

Then you remember you're job here in the first place. "We really are just trying to help. It wouldn't hurt to keep us involved."

Cramer sighs and you know he won't refuse. "We'll loop you in."

***

James Baker is found and Vincent Perotta gets taken into custody, but you can still hear the end of the interrogation ringing in your ears.

"You were just responding to what you learned, Vincent.

When you grow up in an environment like that, an extremely abusive and violent household... it's not surprising that some people grow up to become killers.

And some people grow up to catch them."

You can't pinpoint exactly what you're feeling, but if you had to guess, it would be sorrow. Sorrow for that little boy who got dealt the worst hand you can imagine, and still turned into the best version of who he could've been.

Hotch can't get the interrogation out of his mind either. He had grabbed his briefcase and headed out to the elevators as soon as Perotta was taken away, in the hopes of avoiding everybody. He's about to let out his breath when a hand reaches between the doors and sends them flying open again.

Normally your appearance is a welcome sight, but tonight, he's had enough talking. Perotta took everything he had to give, and then some, and he doesn't know if he has the strength to go through the proceedings again with you.

"I just want to get home," he says as you stand next to him without a word and face the doors. To my family.

You don't say anything as the little fluorescent floor number ticks down - has it always been this slow - and he feels his nerves tighten with agitation. You're never silent, especially not about something like this.

Just before the elevator reaches the second floor, you reach forward and pull the emergency stop button. He whispers your name, half irritated half relieved, and you step in front of him, focusing your eyes on his. It's a classic profiler technique, both to mentally establish trust and to physically block him from the keypad.

"You're a great father, Aaron."

His mind flashes back 25 years, but he squeezes the hand in his pocket into a fist to keep himself from succumbing to the memories. "I'm trying."

He knows what you're doing, and he would normally be open to a healthy exchange between two adults, but tonight he just can't. It's too fresh.

You seem to understand at least a fraction of what he's trying to convey. Your next words are gentle. "That already makes you a thousand times better than him."

That almost makes him smile. "You can say his name, you know."

You shrug, looking at him with a glint in your eye. "Honestly, I don't think I can. I'm afraid I'll turn into a pile of ash, with the fury your father instills in me."

That's what gets him. He coughs out a laugh that echoes around the elevator, and you return to his side, giving him a moment to breathe on his own.

This time, when his mind spirals back to his childhood, he's not as equipped to block it. The memories come in flashes, a blackening bruise on his abdomen, a split lip explained away through roughhousing in the backyard, the thin scars on his hands and elbows as he finally started to fight back. He would've taken it all forever if he had to, if it meant that he could keep the horrors away from the people he loved. "I really should go."

"Yeah." You push the emergency stop back into place and the elevator hits the ground floor in no time. "I'll see you tomorrow, Hotch."

He steps out, half expecting you to follow him. Instead, the doors close and he's by himself again, and he suddenly can't remember why he wanted to be alone in the first place.

***

When the Keystone Killer is finally caught after 18 years of inactivity, he finds himself expecting for there to be some sort of celebration, either in the form of a commendation, or a much-needed break. Instead, what he gets is a mountain of paperwork.

He usually doesn't mind the paperwork that comes after a long case. It's a helpful way for him to sort through his thoughts on what went down, and to learn from mistakes that were made along the way, whether in the profile or in the capture of the unsub.

Lately, paperwork has felt like an added torture to the long hours he already spends at work. It's not that he wasn't excited about going home before, but ever since Jack was born, he hasn't been able to get out of the office fast enough. But being the unit chief of the BAU has its responsibilities, and this is one of them.

He's drowning in consultation files and case reports when you knock on his door, two coffees in hand.

"Thought that was you," he says, finishing the sentence he was writing.

You frown, setting one steaming cup down on his desk. He hasn't even looked up yet. "How'd you know? Or do you just say that to everyone who walks in here?"

His lip twitches and he puts his pen down. "I could smell the coffee. It always smells the same when you make it."

"Oh?" You weren't aware you had a method. "And how's that?"

"Burnt."

You take the lid off your cup and chuck it at him with surprising accuracy. It would have thwacked him in the forehead if he hadn't swatted it aside with his stupid catlike reflexes.

"What are you working on?" you ask after taking a scalding sip of perfectly brewed coffee.

He looks up for a beat before diving back into the file he was skimming. "Paperwork for the Keystone Killer case."

"But we just finished that," you point out before reaching forward and taking the file out from under his nose.

He huffs. "I was...looking at that."

"This is a report on what happened a couple of hours ago," you say, ignoring his remark. "You can easily do this tomorrow, or later this week."

"It's fresh in my mind now. I don't want to forget any details."

You shrug in a motion that says 'fair enough'. "Or, you could actually go home before midnight for once."

You slide another file off the top of his pile and flip it open, reading over the notes Hotch has scribbled in the margins. He's so meticulous about his job that you almost forget he was promoted just a little over a year ago. He became unit chief at the same time that you joined the team, so you didn't get to see him in his early days, but looking at him now, you almost can't imagine it. It's like he's built for this, for taking responsibility and leading people with kindness and respect.

"Elle said something on the plane today," he says suddenly, jerking you from your thoughts.

You close the file and look up as he runs a hand over his head, pushing his thick hair back just for it to bounce forward again. "She said that she's scared she's going to look up and see that her life has passed her by while she was chasing monsters."

Something cold runs through your veins and you sit up straighter in your chair. "And what did you say?"

"I told her the truth."

You smile in an effort to keep your eyes from shining. "What, that we're all doomed?"

He looks at you candidly. "That this job will eat you up if you let it." Your smile falls and he continues. "You just can't let it."

"I'm sure Elle loved hearing that."

He shrugs. "She was surprisingly receptive."

That gets a laugh out of you, even if the good humor doesn't last long. "I don't know how you do it."

"Do what?"

"This job, while also being a husband, and a father." You sigh, and you can almost feel the weight of the air as it leaves your body. "When I go home, I don't have to be anything to anyone. Most of the time it feels awful, but sometimes, after an especially bad case, I'm almost relieved when I can go home and just check out."

You aren't talking about him anymore, and he can tell. He doesn't mind, if this is what it will take for you to work through your emotions.

"We were gonna start trying for a baby."

That surprises him. Not that you wanted to be a mother - he knows that - but that he didn't know you were already thinking about it, especially because of how you grew up. You don't talk about it often, but after losing your mother to a drunk driver when you were ten, you almost transformed into her, becoming the emotional support for your family when there was no one else to fill that role.

You press your lips into a thin line and take a deep breath, your coffee cold and forgotten on the desk in front of you. "We had been talking about it for years, but with the paths our careers were taking, there just wasn't enough time before then." Your eyes look far away, and you don't seem to notice that your lips have unconsciously curved up into a reminiscent smile. "Jeff wanted five kids. Five. God, can you imagine?"

He can, but he doesn't say anything, because he knows you aren't looking for a response. Just for someone to listen.

"I'm an only child," you say with a laugh. "I don't even know what it's like to have one sibling, let alone four." But Jeff had come from a huge family, and he had wanted you to experience that. He loved how full his home always felt growing up, never without someone to talk to. Now you won't ever get to experience that. "I guess I just wish sometimes that we had tried earlier."

"You'll have it someday," Hotch says simply, practically reading your mind. "If that's what you want, you'll have it."

"I waited so long," you whisper, closing your eyes for a long moment. "I was just so afraid that I wouldn't do it right, because I didn't have my mother anymore to help me."

"You would've been a great mother," he assures you, his voice confident. "One day, you will be."

Your breath comes out like a gasp and you clear your throat to keep the tears at bay. "How do you know?"

"I just know."

***

When you push through the doors to the bullpen the next morning, you are greeted by a familiar head of blonde hair.

"Sean?"

He turns around slowly, clearly recognizing your voice, and pulls his lips up into a smile that you return. "Hey, Y/N, how's it going?"

You weren't close to him as a kid, mostly because of the age gap between him and Hotch. You had tried to make more of an effort after graduating college, but Sean was fierce in his convictions, and there were a lot of things he didn't understand about his childhood that you certainly weren't going to explain to him now.

"Good, good," you say, leading him away from the throng of staring women. You shoot them a look that makes them disperse. "You here for your brother? He's upstairs."

He nods, glancing up at the closed office door. You start to lead him to the stairwell when he stops in his tracks and turns to you. "What mood's he in?"

"Why?" you ask, your brow furrowing. "You got bad news? Nothing I need to worry about, I hope."

Sean shakes his head, glancing up at the closed door again. "Nothing like that. I'll just go up."

You let him walk up on his own, knowing he doesn't want you getting involved in whatever he's thinking about. Before you have a moment to catch your breath, the three women return to your side.

"That's Hotch's brother?" Penelope asks, standing so close you can feel her breath on your ear.

"Maybe Hotch is adopted."

"What do you mean?" you ask, unconsciously glancing up the stairs. "They're honestly pretty similar." You're only half joking. They don't look anything alike, but that Hotchner brand of righteousness runs deep.

JJ frowns. "I don't see it."

"Yeah, he looks...like that," Penelope murmurs, before looking at you. "Did you know him when you were younger? Was he hot then too?"

You choke on your own spit. "He was nine years old when I left for college, so...no."

Her eyes widen and she lifts her hands in surrender.

"Ooh, here he comes."

You look up to see Sean storming down the stairs, Hotch hot on his heels.

"Sean, listen to me."

He turns so fast, you're afraid they're going to crash into each other. "Don't profile me, Aaron."

Sean stomps out of the bullpen while Hotch watches him leave, and you can't get the striking feeling of deja vu out of your head. Two boys, 15 years younger than they are now, standing in the same positions, with the same looks on their faces.

You imagine that you and Hotch probably act the same way around each other as when you first met, at eight years old.

The memory comes easily, even with more than two decades of time standing in the way. The little boy with dark hair who had sat next to you on the school bus, just because there were no other empty seats available that day.

You hadn't said anything for the first few stops, just watched him out of the corner of your eye as he nodded his head unconsciously to the music coming out of his large headphones. Eventually, curiosity got the better of you and you tapped on his shoulder. "What are you listening to?"

He had taken his headphones off quickly, as though caught in the act. "What?"

You repeated your question before leveling him with a pointed stare that meant 'there is a correct answer'. You were a feisty kid, and you weren't always the best at making first impressions, so his steady response impressed you. "Beatles. Revolver album."

"I love that one!" you had gushed, leaning in closer without a warning to press your ear to one of the speakers on his headphones. "Is this Yellow Submarine?"

He had nodded, the confusion in his eyes slowly transforming into delight. "You know their stuff?"

"Of course. My favorite's Eleanor Rigby."

He had frowned then. "That one's too sad."

You weren't surprised by his opinion. You had yet to find a boy your age who could appreciate serious music, but liking The Beatles was a start, at least.

"I'm Y/N," you had said, extending your hand like you were starting a business meeting.

He shook your hand furtively. "Aaron."

"Maybe I'll see you around."

The school bus had stopped at your street then, and you had gotten up without another word to this boy, who would one day become your best friend in the world.

Luckily, the next day, Aaron chose to sit next to you again, this time with a second pair of headphones to attach to his compact cassette deck. Two days turned to three, and before long, you had a new friend.

***

"I can't imagine what two weeks away from this place is gonna feel like," you sigh, packing some essentials into your bag and snapping it shut. "I might actually miss you guys."

"Not me," Morgan grins, before pressing a kiss to your cheek as he zips around you. "Two weeks of pure heaven with nothing but young, beautiful adults looking to make vacation memories."

"Your friend's resort better be as nice as you say it is," Elle says sternly as she wiggles her finger at Derek, who is busy inviting Reid to join their vacation.

"Thanks, but I'm going home," he says quickly, without looking at any of you. "Have a good one, guys."

"I'll head out too," you announce, grabbing your things and following him to the elevators. "Wait up, Spence."

He doesn't seem to hear you, but you slip through the doors just before they close. "You okay?"

"Huh?" he says, finally looking up. "Oh, yeah. I'm just not looking forward to the Nevada heat."

You can tell he's lying, but you don't want to press him right before the long break. "You can always call me if you need anything. Seriously."

"Yeah," he nods. "I know."

You wave goodbye to him in the parking lot, and you're back in the silence of your home by the end of the hour.

The rest of your day is spent lazing around the house, and you're asleep when you hear a knock at your door. After Jeff's death, you started keeping your gun in your nightstand, more out of a general sense of security than any specific acute fear, but its proximity during late night calls has given you the peace of mind you needed to finally sleep through the night.

Lifting it from the drawer, you hold it behind your back as you tiptoe to your front door and look through the peephole. When you don't see anyone, you carefully pull the door open, only to find a small packet sitting on your welcome mat with your name scrawled on the top.

After bringing it inside the house and locking the door again, you pry open the seal and extract a large piece of paper covered in a series of numbers and dots.

That's when the phone rings.

***

"How's it going?" you ask Reid and Morgan as you enter the conference room where all of the Fisher King's clues have been laid out. Neither of them have taken their eyes off the paper you brought in since you tacked it up on the board.

As expected, Reid doesn't look up. "The answer to what book we need has to be in here."

"Yeah," Derek sighs, glancing over at you, "but we sure as hell can't see it."

"Yet."

You look at the numbers again, hoping that your short walk to the coffee station and back would have been enough to unlock something new in your brain. Nothing. "The answer has to be based on specific details of each person's clue." A small sound turns your attention to the couch, where Elle is lying on her side. "Is Elle asleep?"

"I'm awake!" she starts, sitting up lethargically.

At the outburst, Hotch walks into the room and points at her bags. "I'm sending you home. You need to get some rest."

"No-"

"We won't do anything without you, I promise."

"Elle, seriously, we're not any closer than we were."

She nods, her lack of sleep seeming to dawn on her as she yawns again.

"Anderson," Hotch calls out, before you stop him. "What is it?"

"I can take her home," you suggest, looking over your shoulder as she lugs her bags down the hall with bleary eyes. He looks like he wants to protest, so you speak up before he has the chance. "She barely knows Anderson. I'll make sure she's settled, and then you can send him to watch her house, so I can come back here."

"I don't know if that's a good idea," he sighs, his eyes still trained on Elle's silhouette lingering by the elevator. "We may need you here."

You cock your head at Reid and Morgan, who have been sitting in the same positions for so long, you're surprised their necks haven't locked. "It's like they said. We haven't made any progress in over an hour. I'm not helping here."

He still looks unsure, but you know it's just worry. He'll always worry about you. "Okay, go. Call me in an hour to check-in."

You dip your head in a nod and jog through the bullpen to catch Elle as she's heading out.

"So you're my bodyguard, huh?"

You laugh, pressing the button for the ground floor. "Something like that."

"Good," Elle says, trying and failing to stifle a yawn, "you're much more fun than Anderson."

"Prettier, too."

The car ride to her house starts off silent, but eventually you break your internal promise to let her come to you. "How are you feeling after last night?"

She just shrugs. "It was more annoying than anything. I'm just glad I got to enjoy at least some of my vacation."

"I heard there was blood all over your room," you point out lightly, trying to broach the subject in a delicate manner. "That can't have been fun to wake up to."

"It was all on the outside. That's part of why they weren't able to hold me. That, and Hotch's lawyer chops."

You raise an eyebrow, glancing over at her as you pull over to the sidewalk. "His lawyer chops?" You know he used to be a prosecutor before joining the bureau, but you never got to see his skills in action.

"Yeah," Elle gushes, her face brightening considerably, "you should have seen the way he walked in there. Those beat cops had no idea what hit 'em. He was in full prosecutor mode, went all rainmaker on them until they released me."

You can imagine it. If any of you were in trouble, he wouldn't let anything get between him and your safety. "I wish I could've seen that."

When you put the car in park, you help Elle with her bags and walk her up to her door, where she insists that she'll be fine on her own.

"I promised I would wait with you until another agent could come and relieve me," you emphasize, instinctively scanning the vicinity around her home as she walks inside and drops her things on the floor.

"In about thirty seconds, I'll be passed out on this couch right here," she points at the window seat behind her, "so you'll just be watching me sleep for an hour."

You open your mouth to argue but she cuts you off. "Y/N, I'll be fine."

If there's one word to describe Elle, it's stubborn, so you let her shut the door behind her and you walk back to your car. Even if she won't let you sit with her inside, you still can't bring yourself to start the ignition, so you lean your seat back halfway and close your eyes, just for a few moments.

You haven't gotten much sleep either, and you're about to doze off when you hear a loud thud from outside the car. Jerking up, you undo the clasp of your holster and push open the car door. The world is silent, except for the rustling of leaves in the wind, but you start making your way up the drive, just to be sure. There's another thud, quieter this time, and you reach for your sidearm as you ascend her porch steps. Then comes a gunshot.

You start running.

[blackbleedingrose]

Long Lost Morningstar - Part Three

Fandom: Hazbin Hotel

Pairing(s): Charlie x reader (platonic), Vaggie x reader (platonic), Emily x reader (platonic), Sera x reader (platonic), Charlie x Vaggie

Genre: Fluff/Angst/Betrayal

Warning(s): Cursing, lies, betrayal

Notes: This is the third installment of LLM. This part will be shorter than part 2 and will finally go over the trial and (Y/N)'s reaction the extermination. I'm going to be honest, I'm dropping my other hazbin mini series. This is only until I can find the time and motivation to write it. I'm really busy with school and work, and lately my obsession with Hazbin has started to die down. I still love the series and fandom, but that's just something that happens to me from time to time when I watch a new series or get into a fandom. It comes and it goes, and I've been reading a lot of hazbin stuff but now it's starting to feel like an obligation I've set for myself and it makes reading less fun and more like a chore. I have no doubt my obsession will come back when the 2nd season comes out. This happens will all the fandoms I am apart of - like right now, I'm obsessing over Avatar the last airbender again after rewatching the series (not the live action). Don't worry, I'll continue this series as I don't want this to end up unfinished. I have the outline pretty much written, but it will take time to finish - so, please, bare with me.

Singing Colors: Adam, Lute, Charlie, Emily, Sera, (Y/N).

Words: 1631

"If Hell is forever, than Heaven must be a lie!".

As the time of the trial drew closer, there seemed to be a few hiccups on Heaven's side of things.

The angel who was supposed to be the trial's stenographer got a nasty cold and all the replacements had their own responsibilities to attend to. The only angel available just so happened to be (Y/N) herself.

When one of the court angels asked (Y/N) if she could do it, she didn't hesitate to accept.

Now she had the perfect excuse to watch Charlie's trial without having to sneak in!

Imagine Sera's surprise and horror when she saw (Y/N) sitting at the stenographer's desk.

"(Y/n)? What are you doing here? Where's Angela?" Sera asked. She was a bit panicked, but did her best to hide it. (Y/N) smiled politely at the higher seraphim, clearly oblivious to Sera's rigid demeanor. "She got a pretty bad cold last minute and all of the other replacements were busy today; and since I was the only one who was available - here I am!".

Sera gave her an uneasy smile, "I see. Thank you for your help today, it's much appreciated". This was the last thing she wanted. The resemblance between (Y/N) and the Princess of Hell was very difficult to ignore and could raise questions if it wasn't for the stardust story Heaven fed everyone.

Sera had wanted to keep (Y/N) away from the trial in hopes of avoiding any contact between her and Charlie. She didn't want (Y/N) to accidently discover the truth about her lineage.

Sera loved (Y/N) like a daughter.

When (Y/N) was younger Michael would sometimes have Sera babysit while he attended to his more serious duties.

She practically helped raise her and she refused to let some misguided demon princess and her partner ruin that.

Unfortunately, the court needed a stenographer.

With no one else available, she was left with no other option.

Sera thanked (Y/N) for her hard work and for stepping in.

She gave the girl a gentle forehead kiss before leaving her to prepare for the trial.

It was only for today and once this pointless trial was over everything would go back to the way it was.

And (Y/N) would be none the wiser and away from that misguided influence.

However, things weren't as perfect as Sera had hoped for.

The moment Charlie and Vaggie entered the courtroom and saw (Y/N) sitting at the stenographer's desk, the two cousins eagerly waved at each other.

Sera's eyes widened in horror. No. This wasn't supposed to happen - it was the worse case scenario.

When did those two meet?!

She sighed in frustration already knowing that (Y/N) must have sought the girl out herself.

Dammit Emily.

(Y/N)'s curiosity was her biggest flaw and was going to end up getting her into serious trouble if not handled properly.

Sera quickly composed herself. No point in losing herself and catching any unnecessary attention.

She still had a trial to run and then she'll have a talk with (Y/N) later.

Now, (Y/N) was nice to just about everyone. She could get along with just about anyone she's ever met. But there was one person, or rather two, she just couldn't stand.

Adam and his little crony Lute.

These two irritated her to no ends with how high and mighty they acted. How either of them managed to stay in Heaven was beyond her.

Her father just told her to bare it, despite him also disliking the two of them - especially that narcissistic douchebag Adam.

(Y/N) did her best to hide her grimace whenever Adam spoke during the trial.

As the trial went on (Y/N) felt a little nervous when Charlie was shut down from making anymore definition references. She could see how nervous her poor cousin was getting.

When Charlie looked over at her, (Y/N) made sure to give her a small smile and mouthed, "You've got this".

This managed to help calm Charlie's nerves enough for her to regain her composure. Charlie got a little more confident when presenting Angel Dust, the hotel's first patron.

(Y/N) rolled her eyes when Adam spoke up again trying to discredit her cousin.

"Well if you know so much, what do you think it takes to get into Heaven?".

Charlie's question stumped more than just Adam. (Y/N) had to take a moment to think - how does someone get into Heaven?

Being Heaven-born (Y/N)'s never had to be on the other end with humans who had to earn their place in paradise. And if someone as crude and vile as Adam can get into Heaven then what did it take for others, especially the damned who didn't deserve Hell - like children, for example.

Adam quickly wrote on a piece of paper before giving it to Vaggie to read aloud.

"'Act selfless, don't steal, stick it to the man?' - are you fucking serious?".

"Uh, yeah. Sure got me here, didn't it? Right, Sera?".

(Y/N) raised a brow. That's all it took to get someone into Heaven?

Charlie tried to argue Angel was doing all of those things, to which the court decided to observe Angel through the courtroom's orb. At first, things weren't looking good for Charlie when Angel gave into peer pressure.

(Y/N) bit her lip, silently hoping this would somehow take a turn for the better. She really wanted Charlie to show her hotel worked and for Adam to eat his words.

Luckily, things did start looking up when Angel took care of his friend, Nifty, and defended her from that awful moth demon.

"Then why isn't he here, huh?".

(Y/N) paused her typing - why isn't he here?

This started a whole argument at the unfairness of it all. How even those in Hell could be redeemed if only given the chance. (Y/N) and Emily saw the change in Angel and how he did everything on Adam's list.

"A man only lives once, we'll see you in one month".

. . . Wait what?

(Y/N) furrowed her brows in confusion. One month? What was he talking about?

"Gotta say I can't wait to-"

"Adam".

(Y/N) looked up at Sera, did she know what he was talking about? What the hell was going on?!

"Come down and exterminate you".

. . . WHAT?!

(Y/N) and Emily looked horrified at the shocking news.

"Wait!".

"Shit!".

(Y/N) and Emily fly over to Charlie, Vaggie, Adam, and Lute looking sadly at the orb showing the residents in Hell being mercilessly killed by the exorcists.

"What are you saying?"

"Let me get this straight".

"You go down there and kill those poor souls?".

"You didn't know?".

Charlie was shocked to hear that not all of Heaven knew about the exterminations. She was relieved to hear that her cousin didn't know and that she seemed to be against it.

"Whoops!".

"Guess the cat's outta the bag!".

"What's the big deal?".

(Y/N) and Emily turned and looked up at Sera.

"Sera tell us that you didn't know".

"I thought since I'm older, it's my load to shoulder".

"No".

"You have to listen, it was such a hard decision".

Sera flew down from her seat.

"I wanted to save you".

She took (Y/N) and Emily's hand in her own.

"The anguish it takes to, do what was required".

The hellfire reflecting in Sera's eyes unnerved (Y/N) and Emily - almost like she enjoyed the suffering and senseless murder of the sinners in Hell.

The two glared at Sera.

"To think that we admired you".

They tore their hands from hers and flew back away from her.

"Well, we don't need your condescension! We're not children to protect! Was talk of virtue just pretention? Were we too naive to expect you, to head the morals you're purveying?".

The two flew back down in front of the orb.

"That's what the fuck I've been saying!".

Charlie walked over to the two angel's grabbing their hands.

(Y/N), Charlie, and Emily moved up and stood on top of the orb showing the exorcists killing sinners.

"If Hell is forever, than Heaven must be a lie!".

"Emily! (Y/N)!".

"If angels can do whatever and remain in the sky!".

The three jumped down and stood before Sera.

"The rules are shades of gray when you don't do as you say! When you make the wretched suffer just to kill them again!".

Things only continued getting worse with Charlie finding out Vaggie was an angel and an ex-exorcist, Sera's final ruling of no evidence of sinners being able to be redeemed, and Adam's threat of coming to their hotel first.

"Charlie, it will be okay! I'll find a way to help you - I promise!" (Y/N) called out before Charlie and Vaggie were forced to back to Hell.

After Sera had finished talking to Emily, she went after (Y/N) who had already left the courtroom.

"(Y/N)! Wait, please!" Sera begged grabbing (Y/N) by her wrist. "Please, let me explain!".

(Y/N) turned her head and glared at Sera with such intensity it sent shivers down the High Seraphim's spine. She's never seen (Y/N) look at her like that before.

It broke her heart to see the girl she's helped raise and thought of as a surrogate daughter look at her with such anger and disgust.

"Explain what, Sera?! That you've been here playing God and allowing the murder of sinners! They're already in Hell, what more could you possibly want?! They don't deserve this!" (Y/N) yanked her wrist from Sera's hold and flew away.

She couldn't believe this had been going on and she never even knew! Tears filled her eyes as she thought about her poor cousin. She knew needed to do something to help Charlie.

But first, she needed to see whether or not her father and the other archangels knew about this all along.

Taglist:

@soobryu @kyo-kyo1 @miyako-night20 @charliecharlie65 @unknow-sama @myluckymoon @lbcreations-blog @moonchaos18 @sirenetheblogger @jagharamira @el-hajj @azharyy @glowymxxn @itsmonicabc

[razzledazzlebeach]

Daryl Dixon took awhile to age mentally

As I read more and more analysis about Daryl and rewatch some of the earlier seasons, I wonder if it was intended for his character to have some kind of age regression issue. (I didn't do, like, extensive research, I just looked into some CPTSD and age regression signs on a few different sites, so this is just an idea I'm tossing out in hopes of hearing some other perspectives!)

The first situation that really catches my attention is his reaction to Merle being left in Atlanta. Now, obviously, this would be an incredibly emotional time for anyone and it's not entirely out of place to just say he was very distraught over the news and anyone could have reacted the same way he did. I just think that the specific way he did might have some signs. If you think about a grown man, especially one who was raised in a very macho household, you would assume that their reaction might be to storm out or yell at someone. Although Daryl did yell, he also started crying and pacing. It seemed almost as if he was having a full-on meltdown. Some signs of age regression are meltdowns (Ranting, shouting, insulting others, threatening others, whining, angry tears, or getting physically violent) that ring any bells?

I couldn't find a gifs of that exact moment :(

It probably didn't help that the entirety of the camp was staring at him as all of this happened. Temper tantrums can happen because someone is scared/ashamed and can't regulate themselves. (Like sensory overload.)

Another thing that I want to kind of address is the way Rick responds to Daryl when he's having these sorts of meltdowns. Throughout the series, and in the third episode, we see Rick bending down almost horizontally just so he can make eye contact with Daryl. He speaks to him like he's a child, and instead of feeling insulted, Daryl actually takes comfort in it and calms down!

"I'd like to have a calm discussion on this topic, do you think we can manage that?"

What is age regression?

We all know that Daryl was abused as a child, and trauma like that can sort of freeze the brain. This is a quote I really like that explains it: “It doesn’t necessarily make you stuck at a certain age, but instead, [you are] acting out the emotional wounding that happened at that age,” Lapides adds." People may start to regress because they are triggered or feel threatened, and an apocalypse seems like it would cause a constant trigger. Daryl might be reverting back to childlike behaviors as a trauma response. (honorable mention being the nail biting, but that's a bit of a reach) Shane being the way that he was could have also been a trigger for him.

One of the symptoms of age regression is overly clingy behavior. And you are probably thinking, "well, if there's anything Daryl has, it's not clingy behavior. He's a loner." I disregarded this too for awhile before I really thought about it. He is highly independent when he's doing things he's comfortable in, like being in the woods or going for runs. But when it comes to making decisions or being social, Daryl immediately clings to someone who he knows will do it for him. Most of his life he had Mere to hide behind. The most outgoing and shameless person alive. I don't think Merle ever asked Daryl his opinion on anything. He would decide, and Daryl would follow, and I think Daryl took a lot of comfort in that. So when Merle was gone, he latched onto Rick because he was the best choice. He knew Rick was a very righteous man who had plenty of leadership qualities. He knew Rick would make decisions for him, and give him directions.

Carol and Rick's mothering

Circling back to the way Rick would react to Daryl's outbursts, carol sometimes did the same thing. I know some people ship them, but honestly, at least in the earlier seaons, I got major mother/son vibes from the two of them. Especially when Beth died and she was trying to teach him how to grieve. The forehead kisses, the pookie nickname, all of it seemed to point in that direction. There was also another time Rick pulled the "Can we manage that?" move, and it was during Aiden and Glenn's fight in S5. He made sure to get low enough to make eye contact, and block his pacing. He kept telling Daryl that "We can't do this now." It all just looks a lot like he and carol are parenting Daryl, if only in moments where he is feeling intense stress and that trauma triggers.

Anyways, this was just a few ideas I was tossing around, and very clearly this in my first analysis lol, any thoughts?

[aleksiej]

does rottmnt donnie dislike touch?

i have rewatched all of rottmnt and am ending this debacle once and for all (at least for me lol)

based on the two seasons, the movie and the comics (tho the comics don't really bring anything to this conversation) i think i have the answer to one of the more controversial topics in this fandom

(no, it's not the yuichi vs usagi debate, usagi obviously wins that no sweat)

so, does donnie dislike touch?

in the series, he is shown being fairly touchy with his siblings throughout the series, with some exceptions i will try to list now, tho not with proper episode names as i am not looking them up, sorry not sorry:

pilot episode, captured by draxum in a cacoon with mikey he's visibly uncomfortable and tries to get away

mikey's solo mission, he doesn't look at any of the and in response to a hug he pats mikey's head with a metal arm from his battle shell.

glued together, he's showing visible discomfort at being forced into close (touching) proximity of his brothers, tho that discomfort is somewhat elevated when they do a second go-round after the sticky foam ball got crushed

that time splinter caught everyone in a trap hanging in the lair (i think it's the forest survival episode?), he's, again, uncomfortable and the first to find a solution to their entrapment, be it on his phone

there's probably more, but that's what i remember from the series and spread out on about 60 episodes it's noticeable, but not a deciding factor, especially since donnie's also seen being fine with touch. now, the movie offers us even more of a look into donnie's relationship with touch. this list will include every instance presented i can think of, in no particular order.

during leo and raph's fight after they lost the key, donnie jumps on raph's back in an attempt to stop him from advancing in the fight, as mikey tries to shield leo. it's a very quick decision and doesn't seem to particularly trouble donnie.

after the kraang come through the portal and the turtles escape-pod out, mikey's panicking and grabbing cj, also causing him distress. donnie grabs mikey under his arms like a plushie and is shown to carry him until leo gets back with a panic attack and news of raph, upon which leo starts at cj with a fight in mind and donnie and mikey keep him away. again, no distress is coming off of donnie, no more than the regular situation call for (although he gets more logic-minded and quiet as the movie goes on with only small donnie moments breaking it up, which seems to be how he reacts to stress, but that'll be in another fever post)

he's touching mikey sometimes during the subway battle, but it's most likely he either didn't notice or didn't care, considering everything else happening in that fight (ps the kraang train is my favorite villainous entity in the franchise, give me more of the kraang train and i will give you my soul)

he's shown very visibly having sensory issues (very relatable) throughout the whole movie because of the kraang. not necessarily to do with touch, oh except for the part when he had to get EATEN BY THE TECHNODROME THROUGH HIS BARELY TOUCHED AT ALL SOFT SHELL which is shown to be a sensory nightmare and awful to touch and yes, i had night terrors if that, thank you very much.

at the very end, they all hug with no visible problems except for the fact that they are on staten island. that is to say, there's one important scene still, it happens before the end, but i wanted to have space to gush about it so here we go.

the famous scene of raph grabbing donnie and mikey flying through the air, yelling "don't worry donnie, it's not a hug, it's a rescue". probably the most important thing said in accordance to donnie's relationship with touch.

in my personal opinion, donnie doesn't mask (i mean look at his behavior) or if he does, he does it, rarely in public and even rarer with just his brothers. so every one of the hamato clan knows at least the most important of donnie's boundaries, especially related to the autism, as it's handled well within their family structure (both donnie's and mikey's autism is) . so, if raph calls out to him to warn about the hug he's giving donnie and treats it like a potential bad thing, there are really only two conclusions we can get to.

one, donnie doesn't like/hates physical contact. disputed by just about everything else in the show, except for the listed above exceptions.

two, donnie being open to touch or not is conditional. and considering the mentioned exceptions and raph's rescue from the movie, there's one similarity we can notice between them.

the touch affecting donnie is happening without his consent and without a form of escape.

(except for when donnie's hugged by mikey in his solo mission episode, but considering he's already kind of detached, i'm assuming he's just not up to it and so he uses his robotic extra arms to give comfort instead of ignoring his little brother which aww)

that's the uncomfortable part, the unpredictability and lack of a way to detach himself. aka, donnie's just like me for real. lmao.

donnie probably doesn't mind touch and welcomes it, but needs to be in control of the process and be able to leave if he gets overwhelmed. and his family knows that, hence raph's words in the movie that led so many people astray...

this might just be another evidence of how well donnie is written as an autistic character, both with his low empathy not being demonized and not preventing him from creating bonds (tho sometimes making it difficult) and the fact that the most common opinion of autistic people (that they hate touch, which is something a psychiatrist brought up as evidence of me not being autistic) doesn't apply to everyone.

as a summary, rottmnt donnie is probably the best version of donnie right now and he doesn't hate touching, he just has to touch on his own terms. extremely valid, extremely relatable.

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[wenellyb]

How I feel about Buddie...

You guys have been warned, this is a long post.

I've always liked 911 and was a casual viewer but never got involved in the fandom or anything. Of course I knew about Buddie, but I personally never saw it. Buck and Eddie have always acted like best friends and do stuff best friends do. I have never seen any scene that could be interpreted as romantic, except maybe for the "you want to go for the title" scene. But to me it wasn't enough to ship them, especially since it was the only scenes in their hundreds of scenes together that could be seen as romantic.

That being said, I've always thought the ship was cute, and I understand it because who doesn't like a good friends to lovers storyline?

I just never got involved in the fandom because their behavior reminded me of the Stucky and Destiel fandom, which were chaotic experiences for me. Some people just don't know how to handle non canon ships and act entitled, complain to the showrunners and harrass the cast. I've always tried to avoid fandoms like that, but wasn't against the idea of Buddie as a ship.

The 911 Lone Star crossover episode for me was the confirmation that Buck was into men. To me, it was obvious they confirmed he was into men but hadn't set up a storyline yet. So naturally I thought... if they set up a storyline it will be with Eddie. There was no doubt it my mind.

So fast forward, a few years, I wasn't really watching season 7 and then I see all the fuss from Buddie shippers I follow, and it makes me watch the sneak peek video from 7x04 and I'm like....For sure Buck is being jealous right? (it was the scene where Eddie interrupted Tommy giving Buck a tour)

So I decided to watch the episode convinced this was going to be the episode where they confirmed Buddie, but I was also very cautious because Buddie shippers had cried wolf too many times before.

So I was careful, but I was also convinced that this was it: "Buck was going to get jealous of Eddie hanging out with Tommy and then confess his feelings or the other way around".

And that's actually what was happening until the end of the episode, we saw Buck get jealous, and most of us assumed he was being jealous about Eddie.

We didn't figure out until the end of the episode that it was all about Tommy.

And that's the beauty of that episode because you think you're watching something when in fact you're watching something else and when you rewatch some scenes you understand it, and that plot twist was written so beautifully.

So we have Buck and Tommy have a heart to heart in Buck's kitchen and they kiss. And what a kiss... the kiss itself was Nice but the look Buck gave Tommy after the kiss was breathtaking.

From that moment on, I was rooting for them.

But I still had Buddie at the back of my mind because I was thinking, what if this is all temporary and they're planning to break them up to set up a buddie storyline? So I shipped it but didn't want to get my hopes up.

This feeling got bigger when I started watching 7x05 and I saw the way their first date ended. I thought... this is it, we might not see Tommy again, what a shame. But then Buck talked to Maddie about his date and confessed it was with Tommy. And Maddie asked: "so tell me about the hot pilot", and I thought this isn't how they'd talk about a character we never see again. But I didn't know for sure.

Maybe they were setting up a Buck x Eddie storyline....

I changed my mind when I saw Buck's coming out scene to Eddie, the scene was beautiful and at that point I still was thinking Buddie was a possibility. But one line made me think that Buddie wasn't happening: "I can't stop thinking about him".

No writer would put a line like that and have Oliver say it like that with that look, if they were thinking Buck and Eddie would have a romantic scene in the future. And if you do write that, you would get a jealous reaction from the other character, not a "You should call Tommy".

And then I was conforted in my feelings when the writers doubled down and had Buck invite Tommy to Maddie's wedding. Buck could have just apologized and asked Tommy on antoher date, but no, he invited him to his sister's wedding.

There has been absolutely no hint of a romantic relationship between Buck and Eddie throughout the season. There has never been a sign of jealousy from Buck or Eddie's side when they were dating Tommy, Marisol. If they had been setting up that storyline, the writers would put some hints here and there. Instead, they shared meaningful scenes like best friends do.

I never had anything againdt Buddie as a ship, I was even open to it, but all the times I thought Buddie was going to happen, it was because of the fandom, not because of something I saw in the saw...To me Buddie is and will stay a fanon ship.

TL:DR: I don't hate the ship, I find it cute but the behavior of some shippers has made me want to stay away from the fandom. And when I thought Buddie might be happening, the writers showed us they had long term plans for Bucktommy.

[meatballlady]

It's time for the fandom to start Looking Where the Furniture Isn't

For a bit of background, one of my irl professional responsibilities is to identify and avoid making undue assumptions. There are a LOT of things that we humans assume. We assume that terminology means the same to other people as it does to us. We assume everyone has the same context of a situation we do. We assume that we aren't missing any information.

We operate on the information we have.

There was an ask before season 2 aired asking whether many of the plot points had been revealed by the clips (which almost all took place during the first half of the first episode). Neil's response was something like "oh you sweet summer children you know nothing yet." And boy was he right.

Neil Gaiman is a master of controlling assumptions. Just look at his Tumblr askbox replies.

Here's a few s2 examples of assumptions we all made (as I'm starting a rewatch):

Why did Crowley do the (very fun and distracting) apology dance? You might say it was because he walked out on Jim, but he never specified, did he? And Aziraphale was surprised that he proposed they would hide him "together"

How did Shax get a rumor about something going down in the Up (presumably) before Gabriel even went downstairs?

Did Jim need to bring Aziraphale something other than the box? He never actually specifies; Aziraphale just assumes it's the box.

Why did Aziraphale assume Maggie could feel [Michael, Uriel, Saraquael] arriving?

Why does Aziraphale say Heaven would notice even a small miracle? Crowley is seen doing a miracle before their large miracle (traffic light), and later Aziraphale makes the guy leave the table at the pub

To go deeper:

Are we assuming that characters are telling the truth? Example: "Miracles don't work like that," "[Extreme sanctions] was just something we said to frighten the cherubs" etc.

Are we assuming that nothing of note happened between apocalypse v1 and s2? (ex. the claims that Crowley didn't tell Aziraphale about the trial in heaven despite him referencing it in s2s1) What if we the audience are just jumping in near the end of this story?

Are these assumptions correct? Or are we just working with the information that we have?

Now that I'm looking for it, there's also SO many corrections of assumptions (usually for the sake of a joke, but still) (these are just the ones that happen while I type them out while watching e2):

"Can I be a blue one?" "You haven't annoyed me yet" "But can I be?"

"You recognized [Michael, Uriel, Saraquael] those people who were in the shop just now?" "Of course, they were in the shop, just now!"

"oh my god!" "blasphemy, angel, that's not like you", "no, oh, my god"

Many of the themes were about hiding things in plain sight: the kids (and kids), Jim, "aim for my mouth but shoot past my ear." Clue (1985) was heavily referenced in the lead-up. The whole point of that film was looking at what was going on elsewhere. Looking where the furniture isn't, you might say.

The more I watch s2, the less certain I am that any of it makes sense on its own.

I'm currently combing through it to see if there are any discrepancies with where people are (easiest example is when Crowley just disappears from the bookshop while they're reviewing the Job story). It'll be a lot of data and might not lead anywhere, but I'll definitely share once I finish looking into it.

I will also honestly admit that these things are all circumstantial, and I could be going insane. But they just keep cropping up all over the place. I've got a lot of time before S3 comes up and I intend to investigate the furniture. And try to not make assumptions.

[ashtheketchum]

A new family {Daryl Dixon X Reader} Part 1

A/N: In this chapter, the reader already has a child! I came up with this idea while rewatching the first season and I liked it :3 Have fun!

(D/N) = Daughter name

Warnings: fem.Reader, Reader already has a child, Merle is an asshole, mentions of abuse, insults (slut, bitch, etc.)

Picture is from Pinterest!

Masterlist!

____________________________________________________

PoV (Y/N):

My daughter (D/N) and I were brought to camp by Glenn and Andrea while they were looking for something to eat. We were very lucky, our supplies were running out and we couldn't defend ourselves. Their leader, Shane, accepted us, but only after Lori and Dale talked him into it. (D/N) and I settled in well, we were given a tent, some food and tasks to do during the day.

I was supposed to take care of the laundry and the kids while (D/N) had to do study work and keep watch with Dale. Actually, they were just watching birds, but they still enjoyed it. But there were also two people who didn't play well with us. The Dixon brothers, Merle and Daryl. Merle was Daryl's big brother and they were more alone. It wouldn't actually bother me if Merle didn't constantly make comments and Daryl looked after him like his lap dog. Once Merle whistled at me because I was wearing shorts.

When I tried to contradict him, Daryl immediately jumped between us and drove me away. "Go awa´, ya damn bitch!" He screamed the whole time. However, I didn't leave because Daryl scared me, but because (D/N) was coming towards us. After that day, I had avoided the Dixon brothers and I forbade (D/N) to be near them.

One day (D/N) made a necklace with a small stone hanging on it. The stone looked almost like a heart and she had it attached to one of her shoelaces. "She looks great, darling." I said proudly. (D/N) grinned widely at me before looking around. Apparently she was looking for someone, but I couldn't figure out who she was looking for. "Mom, where is Daryl?" Her question stole all color and emotion from me.

I looked around uncertainly before kneeling down next to her. "Honey, we talked about it… you're not going to them, not even to Daryl." I said, a little more sternly. (D/N) just pouted before putting the necklace away and sitting next to a tree. I felt bad about giving her so little choice, but there was no other option. At least she could still play with Carl and Sophia while I started doing the laundry.

PoV Daryl:

I sat by a tree and cleaned my arrows from my crossbow. Merle had gone deeper into the woods to take a piss, so I waited for him, but at a safe distance. "Daryl!" I suddenly heard someone scream. I immediately looked in the direction from which I was being called.

It was that stupid bitch's daughter. She looked at me brightly as she ran toward me. You'd think she wouldn't understand the current situation, the way she sometimes ran around and laughed. I stood up and sighed in annoyance. "Wha´ do ya wan´?" I asked harshly.

(D/N), that was her name, stopped in front of me and held out a necklace. It was a shoelace with a strangely shaped stone attached to it. I briefly looked at the necklace in confusion, then at the little girl. "Wha´?" I didn't understand what she wanted. "I did that! For you!” she then said. I knelt down so that I was eye level with her. Then I snatched the necklace from her hand and I looked at the necklace.

,, Wha´ is tha´? An a-…” I stopped when I realized she was only 8 years old. I cleared my throat briefly before speaking up again. "… A-an apple…?" I then corrected myself. (D/N) laughed briefly before shaking her head and tracing the outline with her finger. "That's a heart! Mom and I found it!” she explained. "Ah…" I said before putting the necklace in my pocket. "I won´t wear tha… it'll break while I'm huntin´…" I just lied.

Merle would just laugh at me if he saw the necklace and I wasn't in the mood for that. But (D/N) nodded in understanding and opened her mouth again to say something, but a more aggressive voice made her stop. "Daryl, what are ya doing? Leave tha´ kid alone!” Merle shouted. I immediately turned around to Merle. (D/N) looked scared and she hid slightly, behind me. Merle walked up to her and grabbed her arm roughly. "He, little one… my brotha is too old for ya!" Merle said. (D/N) whimpered loudly and tears gathered in her eyes. I stayed silent for a while before I spoke up. "Merle, tha's enough… I was just ´bout to send her awa´." I said. "Oh yeh? Then why is tha´ stupid brat still here? Go to yar slutty motha.” Merle then shouted loudly.

(D/N) cried loudly before he let go of her and she ran away. Grinning, Merle stood up again before looking at me. I looked after the little girl before I could no longer see her. "Wha´?" I suddenly heard Merle's voice. "Nothin´…" is all I said before we retreated into the forest.

PoV (Y/N):

I chatted with Carol while we hung out the laundry together. Her husband, Ed, stared at us the whole time. When Carol and I were alone, I told her what my husband had done to me and my daughter. Carol was in the same situation I was in, except I killed my husband. So I understood her. “Mom!” I suddenly heard (D/N) scream loudly. I immediately threw the clothes on the floor and ran to my daughter, who was crying and sobbing. I hugged her tightly and tried to calm her down.

"Honey, what happened!? Why are you crying!?" I asked her as I checked her for injuries. But I didn't find any, luckily. "I-I…! D-daryl-! Merle…!” She stuttered around random words. But I understood enough to let my anger rise. Even though I told her to stay away from the Dixon brothers, I didn't want to yell at her right now. Apparently the brothers had already done it. "Everything is fine…! I will talk to them…” I promised her. But (D/N) immediately shook her head and clutched my shirt tightly. "M-merle called you a slut…! He’s just like daddy!” she cried loudly. My eyes filled with anger and I carried (D/N) to Lori, who was cutting Carl's hair.

She immediately looked at me confused while (D/N) was still breathing heavily. "What happened?" Lori asked. Carl also looked at (D/N) while I sat her down next to him. "Dixon happened." I said simply before turning around and running towards the brothers. They could hear something from me.

Next Chaper!

[thankyouforthememoriesworld]

Games PB5 and AF35 played together in but also their injuries to really put in perspective how little they have truly played.

I bolded the games I thought were their best together and realized they never have played their best together truly. Like the one time Azzi was healthy and going off, Paige was recovering from knee injuries. Between the two of them, they probably had one healthy leg in those 17 games.

For rewatch purposes: https://www.youtube.com/@mjl2434

2021-2022

Paige coming back from right ankle surgery after being NPOY as a freshman.

Azzi came in with a foot injury from the World Cup after winning her third gold medal and it never really healed the entire season. She said later it was all about pain management but she was never really free. It really affected her movement and shooting.

11/14/2021 Arkansas: PB scored 34 at 78.9% and AF scored 7 at 42.9%

11/20/2021 Minnesota: PB scored 8 at 42.9% and AF scored 5 at 33.3%

11/21/2021 South Florida: PB scored 21 at 50% and AF scored 18 at 60% (the presser after is iconic haha)

11/22/2021 South Carolina: PB scored 19 at 42.1%. AF only played 10 minutes and didn't score.

12/1/21 - Azzi suffered a foot injury forced her out of the lineup for 11 games.

12/7/21 - Paige injured her left knee - tibial plateau fracture against Notre Dame and it kept her out of 19 games.

During that time while PB was on the bench (and all her fun reactions), Azzi played three games that I absolutely love rewatching and rank in her top 10: 2/6/22 Tennessee (her first start); 2/9/22 Villanova (note that UConn ended up losing this but I honestly rank this one of her best performances ever); 2/13/22 Marquette.

2/25/2022 St. John's (NY): PB scored 8 at 80% and AF scored 19 at 77.8% (there was so much joy because PB was back and this has a great presser afterwards)

2/27/2022 Providence: PB scored 2 FT but still made a big impact in limited time and AF scored 14 at 62.5%

3/5/2022 Georgetown: PB scored 16 at 66.7% and AF scored 11 at 30.8%

3/6/2022 Marquette: PB scored 2 at 25% and AF scored 4 at 11.1%

3/7/2022 Villanova: PB scored 2 at 25% but didn't play much in this game and AF scored 9 at 80%

3/19/2022 Mercer: PB scored 12 at 71.4% and AF scored 9 at 75%. Statistically great game for both but also early round of March Madness where they play like 20 minutes. So I suppose you can watch it for feels.

3/21/2022 UCF: PB scored 9 at 44.4% and AF scored 16 at 30.8%

3/26/2022 Indiana: PB scored 15 at 41.2% and AF scored 13 at 27.3%

3/28/2022 NC State: PB scored 27 at 66.7% and AF scored 19 at 43.8% --- AF helped get it to OT before PB finally took off. Probably their best game together but I don't know if their best overlapped completely during that game.

4/1/2022 Stanford: PB scored 14 at 53.8% and AF scored 8 at 25%. This game was not fun from what I can remember. I don't think I enjoyed it at all.

4/3/2022 South Carolina: PB scored 14 at 46.2% and AF scored 3 and 33.3% ---- Azzi had the stomach flu and only played 16 minutes. Between this and Dorka getting injured against NC State, I don't think this team really recovered.

2022-2023

Paige tore her left knee ACL on August 1, 2022.

After having a NPOY level November 2022, Azzi injured her knee on December 4, 2022 against Notre Dame  and was out of 9 games. She made her return in January 2023, only to reinjure the same knee on Jan. 15 and miss an additional 13 games. She never really recovered that level she had during November 2022.

I highly recommend watching the games in that month of November 2022 if you want to see Azzi Fudd play lights out basketball. And truthfully, I don't even think that was half her full potential. She was warming up to it in the first month of basketball.

2023-2024

11/8/2023 Dayton: PB scored 8 at 33.3% and AF scored 13 at 33.3%

11/12/2023 NC State: PB scored 27 at 61.1% and AF scored 9 at 30.8%

Azzi tore her ACL and meniscal tear in her right knee - second ACL tear for her. I actually think Azzi never really recovered her knee from the previous season and in the same way Paige came back too soon, Azzi did as well.

So now as we approach 2024-25, may the basketball gods bless us with potentially the best backcourt duo in the nation, because truthfully, we have never actually seen it at the college level. One thing I know is Azzi is a second half assassin (like statistically speaking). Looking forward to that the most. - 🔎

It was really interesting and a great read, but depressing af 💔.

We deserve to see them play for a full season, and more importantly, THEY deserve to play together for a complete season.

[jennilah]

a very dumb deep dive

gather round, i saw a few people say they want to crawl into the head of someone who had trouble telling Hoffman and Strahm apart upon first viewing. I offer mine for the picking because i think ive identified, at least in MY personal experience, the various elements that came together that formed the ultimate confusion

if this is not relatable nor informative, i hope it is at least a little silly. this is all in good fun and obviously the difference between them is clear as day to me now

this will be longer than it should be.

PRECURSOR POINT NUMBER ONE...

I do not remember character names. Not until they are recurring, or I've rewatched a film a few times. Sometimes it will take me an entire 12-21 episode season length for me to know characters by name in a show. I've seen some Saw films more than 6 times now and I still don't know everyone in the traps 🤷‍♀️

PRECURSOR POINT NUMBER TWO..

at the time of watching Saw IV for the first time, the madness has not yet set in for Hoffman and Strahm for me. In fact, I didn't like either of them. I wasn't looking at them with my deranged eyes yet.

Without my crazy brain activated, sometimes I'll get face blindness between people who have similar enough hair and stuff. I'll use clothes as an identifier if I can

Meaning, I didn't notice anything like face details, mannerisms, body shapes- to me, it was one dark haired white guy in a suit and another dark haired white guy in a suit who both worked in law enforcement.

uh oh

PRECURSOR POINT NUMBER THREE..

in a very elaborate plot like this with many interwoven stories being told, especially with police procedure, has a lot of details that get lost on me upon first watch because I simply easily misunderstand what is happening. I zone out on stuff like legal talk because I don't know that world at all, and the more general plot information to absorb, the more I forget.

"But [character] SAYS..!" oh, I'm aware! If you pay attention and can remember character names, everything is pretty clear in this movie!

so between all three points, you see where I'm starting to go with this.

THAT BRINGS US TO..

Saw IV. let me describe to you what I believe my thought process was to the best of my memory.

This guy shows up. as far as I knew, this was the first time I've met this character. I forgot he was in Saw III because he was only in it for a second and I definitely don't remember him among the sea of other characters.

ok. sure. new detective because the others are dead. got it 👌

next time we see him is a few minutes later, now in this lighting. I don't have his features memorized yet. I'm pretty sure I put it together that it was the same guy as before, and I see he's in a new outfit.

keep in mind he is not at all referred to with a NAME yet, until Perez shows up and introduces all three of them at the same time

here comes "Strahm," as he was quickly introduced in practically the same breath, from the FBI. and he looks like this.

I mentally go "ok FBI guy in the suit" because my occasional bout of face blindness is activating rn. The problems are on the horizon for me

I survived that scene, but the scene right after? I'm doomed.

Major Confusion #1:

this treacherous interrogation footage, ft Hoffman's ass and slutty, slutty suspenders (but I did NOT give him even a second glance here yet. genuinely.)

I'm 100% sure I just didn't know who I was looking at in this footage at all just because of the outfit change

and then the boys are back in town. and they're BOTH WEARING THIS...

This was mean. this was fucked. I was doomed. My brain is already churning trying to keep up with what the footage was, now there's two dark haired white men in dark suits. Who was who again? I think the guy who just turned off the TV was the new detective. The guy who was talking to the Swat guy before. Yeah....

Major Confusion #2:

Next time we see them, Strahm and Perez are watching the interrogation footage. They quickly start talking Jigsaw stuff and my mind is already working overtime figuring out what information is and isn't important to hold on to.

Hoffman says hello for like 1 minute and then fucks off.

My brain is going "ok.. that footage was an old interrogation... mhm..."

this is the information my brain has decided to retain from that scene for later.

Major Confusion #3

this dark haired white guy in a suit got kidnapped idfk. the shots are all very short and he's enshrouded in shadow or SUPER close-up, and I don't know to recognize him by his lips yet. clearly Im more focused on his hair color and suit, so this could be fuckin anyone

Perez said something about officers being in danger earlier, I think I thought maybe it was irony and the cocky FBI guy was the one who got kidnapped instead? i dont know.

then after the first test of Rigg's game, you see Perez and Strahm again for a SECOND. I def didn't pay them much attention. My mind is elsewhere- the insanity of the previous scene

Major Confusion #4:

then FINALLY... we see Hoffman again in the slut chair

and what have we learned about me so far?

let me sum up my logic for you

Now, if only I was certain on their names..

I'm not going to go over every single scene, but I guarantee you, the confusion was fully set in by this point. That detective from the beginning either really just went home, or he was working with Perez. Or maybe it's the FBI guy and someone else is in the chair? No idea.

My brain retained that one slightly misguided bit of information from the interrogation footage and thought This Guy, Whoever This Guy Is, was interrogating Jill a second time. (Wrong.)

there was no memory of the guy's big ass in that footage or anything. that was also way the fuck in the intro and there was a LOT more that happened between then and now in the movie to remember now. and people really don't say each other's names that often.

Yeah there's also that flashback footage showing The Guy In the Chair and Rigg back in the day, but I was too far gone. That was simply the story of how That Guy and Art Blanc knew each other.

and boy does Chair Guy not do much for the rest of the movie, so there was not much more info about his identity that I could try to work out. Maybe he was just some new random guy meant to die in someone else's game because he is kind of a dirty cop?

Pretty sure I was resigned to the fact that I was watching completely utterly confused by the third act.

then fucking JEFF DENLON shows up and i remember either mentally or physically throwing my hands up like "ok now i REALLY dont know whats going on"

I remember I was still excited by the thrill of it, just completely lost as to who was who and what the fuck was going on.

as Eric Matthews was yelling "WHO'S COMING THROUGH THAT DOOR?" i remember going "I DONT KNOW, MAN!!!!!!"

The Grand Clear-up:

THE REVEAL.

Through the power of the Hello Zepp reveal montage, I finally understood "OHHHH YOU'RE THE DETECTIVE FROM THE BEGINNING!!!"

i had other confusions that i eventually worked out, but I went into Saw V much more clear on who was who. There was Hoffman the evil detective, and Strahm the jerk FBI guy (who I then softened up to throughout V, no longer thinking he was a jerk)

and, if I couldn't physically tell who was on screen because I still struggled a little bit with that... I looked for Strahm's bandage :)

and thats my story lmao...

anyway finding out just how many other people mixed them up or confused them or couldn't tell them apart makes me feel so validated thank u. i understand u

[gayofthefae]

They've said they want their show rewatchable. As someone who wasn't like SUPER invested in the ships/show before, the most rewatchable thing they can do is Mike's queerness.

I would not have rewatched it until season 5 came out. Maybe once before then if I got bored, but definitely not as much as I have without it. And the plots for Will have been too supernatural focused (also a good rewatch point after season 5 comes out, I'm sure) to be worth rewatching for his queer personal plot for two seasons before we even really get to it too much.

But Mike? Everything Mike does is impacted by his queerness. Will? Obviously. El? Most DEFINITELY. The Supernatural? You mean the thing that only ever affects Will and El? Yup.

Do you know my first thought, as someone not yet obsessed, when it started to become more clear that Mike was queer? "Oh, that's more interesting"

The average person isn't gonna drop the show because their ship broke up amicably. But they are going to if they get bored.

Mike having been queer the entire time, who cares if planned, as long as it isn't contradicted by anything prior (which is not possible because queerness is not disprovable) just gives a whole new view to everything he's ever done, making it less straightforward than you thought it was, changing your original view of the events, making you want to rewatch just to see how each moment is impact.

Making it more INTERESTING.

It's simple, honestly. Speaking as someone who passively thought the couples were cute and generally wanted the characters to be happy but wasn't deeply attached or fixating on any part of the show, Mike being queer is just more interesting than him being straight. That's all the people really want.

They've already gotten lots more residuals from this. And I'm sure they know that at least half of it isn't just because of the vol 2 lore drop. And it isn't because of what we think is gonna happen for Will in season 5 either, why watch seasons where it also hasn't happened yet. It's because of something else, much like the lore, that affects every facet of an entire plotline from the first episode. Not even the lore actually does that, it's just interesting to know, but that one's easier to connect back in your memory, but isn't as deeply rooted that you need to think through every singular behavior of the mind flayer. But with Mike, we know it affects it, but we immediately had to know how.

I probably would have rewatched it once by now. Maybe one more time a year from now to prepare for the season 5 release, but maybe not. I didn't do my rewatch before season 4's release, so I might not have. But instead, because of Mike and Mike only, I'm currently on my third watch since 2022. Maybe fourth, I'm not sure. Not just because of a ship I wanna see again because they're cute. Because I'm LEARNING something new every time I see his face on my screen. Not because I ship it, not even because I personally want it to be true for any character's sake.

But because Mike being queer is just. more. interesting.

[rapha-reads]

IWTV rewatch

(now that I've read the books and know the entire canon, let's see how it changes things or don't)

Season 1 episode 1 [In Throes of Increasing Wonder...] - part 1/2

- oh man, Daniel looks so old and tired and resigned at the very beginning. Comparing him with the Danny boy of season 2 who's so fired up and sassy... He's an adrenaline junkie.

- [Daniel] "I told my editor I was meeting with the most dangerous man in the world. Gave him two choices: Bezos. Putin." - moment of silence for 2022. It was shit but we didn't realise that it could get even worse.

- [Louis] "You've grown old, Daniel" - oi, manners, Louis! Where are your manners.

- [Louis] "I wasn't sure you'd remember me" - funny. Because none of you remembers shit actually. Memory as the core theme of the whole ride. Memory and subjective narrative. From the very first line.

- Oh maaaaaan, Armand lurking in the background from the very first scene. Armand babe, I've grown to be fond of your psychopathic tendencies, but this is seriously creepy, dude.

Also. Also. The way he's keeping such a tight leash on Louis. The surveillance. The eyes recording.

- [Daniel] "'That's the sun out there. Where's your coffin?' [Louis] 'You're standing in it'" - first of all, departure from canon lore, the sun doesn't make vampires slip into the death sleep automatically. They can resist it no matter their age. Secondly, morbid, Louis dear. Very morbid.

- Oooh, Armand letting the sun come in and staying sitting right next to the beam. Taking roleplay to the extreme. And Louis showing off his self-destructive tendencies. Amazing how we're having all the elements (most of the elements) already.

- [Louis] "Truth and reconciliation" - 123 dead, 84 injuries, a whole city levelled up. Nobody's ready. Let's get into it.

- Oooh, Armand coming into play. "No third party" - why, afraid you'll slip even easier? And then full on roleplay, Louis giving orders, and the blast of patronising aimed at "the boy". Brilliant writing. So very subtle when you don't know where to look, so in your face and crucial when you're in the know. Delightful.

- Interview date: June 14th 2022. Start of Louis' story: 1910, fall. Canon change. De Pointe du Lac's lineage: Creole. Canon change. Although I feel like the collapsing of timeline takes away some of the weight of the unholy family's life (not even 40 years versus 70 years in the books), I greatly like the change of personal history. So much richer.

- Can we take a moment to appreciate, nay, worship, Jacob Anderson's vocal skills? The change from his unaccented Dubai English to the Creole New Orleans English drawling... I am in absolute awe.

- [Louis] "Go on home, else I bleed you like a cochon, bruv"

Oh hello Lestat. Welcome to the narrative.

Paul needs to retreat to some monastery. 'Get thee to a nunnery'.

- [Priest] "I haven't seen you in confession in a while, Louis" and then that little scoff - oh, hello there, religious trauma. How much are you going to poison the narrative? Entirely? Well, carry on then.

- [Louis] "My business and my raised religion were at odds, and the, uh... ha, latencies within me, well, I beat those back with a lie I told myself about myself - that I was a red-blooded son of the South, seeking ass before absolution." - first of all, the fuck does that mean, Lou. Secondly, can someone get him to therapy.

- Delightful social commentary on segregated Southern states at the beginning of the 20th century, but I'm being told in my earpiece that a certain blond demigod (or monster, depending on the perspective) is about to make his entrance, so let's drop the sociology for now.

- [Lestat] "Seul l'impossible peut faire l'impossible" (only the impossible can do the impossible) - okay Lestat, ominous and nonsensical, lovin' it. A+ for the French accent, Sam, by the way.

- Never mind, Lestat's continuing the social commentary for me, thanks boo. "I mean that as a compliment, a man of your race to have privileges here". Ouch. Great first introduction there.

- [Lestat] "You're the man who made me buy a townhouse in the Quarter" - wooow there, wow! Slow your rolls, Ariel, you haven't even met the guy properly! Maybe take him on a date before making commitments like that?

- [Louis] "I know sometimes, men of my race, we all look alike to you people, but I ain't been selling you no townhouse" - *wheeze* yeah that's my boy.

- [Lestat] "I disembarked for the music, but then, there was the food" - yeah, I think they're called people?

- [Louis] "I wanted to take the end of my cane and slit his throat with it." - CAN I GET A WARNING before y'all gonna foreshadow like that?? Damn. Can't escape fate, or something like that, I guess.

- Hello and welcome to 'oh no I am more turned on than I have ever been in my whole life' : [Louis] "I couldn't move. My body was seized with weakness. His gaze tied a string around my lungs, and I found myself immobilized." Or maybe it's survival instinct telling homeboy "danger! Dangeeeeeer!".

- Lestat playing Mind games on Louis while he can still.

- Excuse me, the exchange between Lestat, Miss Lily and Louis is fucking hilarious, I'm wheezing: [Lestat] "Only it turns out the saint is not a city but a handsome man with a most agreeable disposition." - agreeable what, the only phrases y'all have been exchanging are a commentary on racism, and then you went on to start fucking with his mind. Lestat, stop being impulsive or draw 25. [Miss Lily] "You're his destiny, Louis." - you know, talk about destiny outloud too often, the universe hears and plays a trick.

- [Louis] "Emasculation and admiration in equal measure. I wanted to murder the man, and I wanted to be the man." - and you wanted the man. Don't forget the third part of the rhyme.

- Lestat already using the Fire Gift. Canon change. Well, in book canon he's still under 30 human age when he meets Louis and Fire Gift only develops later in vampiric age. But here he's already a bit more than a century old. Logical change.

- [Lestat] "We both wanted the last bouquet of lillies" - *wheeze* You fucker.

- That poker scene is another social commentary with thinly veiled - or like actually not even that veiled - racism. Oh, and Lestat's here to continue the criticism. And play mind games. Though, hey, freezing time. Another vampiric power that usually appears late. Absolutely adore that Louis just rolls with the fuckery and switches his cards. 'Dude's stopping time in front of me and talking in my head? Whatever, cards await nothing'. Love a guy who's decided that everything goes and he ain't gonna press too much for the answers. Now if only he'd press a little bit more, but hey, no story if he does.

- [Louis] "Let the tale seduce you. Just as I was seduced." - you know what, as someone who just read 12 or 13 books in the span of three weeks because they couldn't stop, I'm right here with Louis. Let yourself be hypnotised. You'll lose sleep and attention span and the ability to care about anything else but these whiny blood suckers, but hey, totally worth it. If you survive till the end.

- [Louis] "Money would arrive, wired from France" - another departure from book canon, where Lestat lives off of Louis. Then again, book!Lestat is barely 30, mustn't have had time to set his network of attorneys, while show!Lestat already has a century of existence. Which brings me to a point that I haven't raised before, but what was Lestat doing between leaving Paris at the time of the Révolution (if memory serves) and arriving in New Orleans in 1910? Having tea with Marius? Sleeping beneath the sand? That's a full ass century Rolin Jones and Cie have to explain, here.

- Louis' conversation with his sister. [Louis] "'He ain't white, he French' [Grace] 'Oh, that a different kind of white? French white?'" - listen sis, as a half white French half brown Moroccan, yeah, trust me, white French's pernicious. [Louis] "Paul crawled into my bed last night" - who wanna bet Paul's talking to our book canon friends the spirits? And these ain't good spirits either. Ah, but Louis loves his family. Ready for the grief? No? Me either.

- [Lestat] "My mother, she gave me every advantage in life" - Gabriiiiiiellllllle. Cannot wait to see her in s3.

- Someone needs to shut Paul up. "the birds asked me to ask you" - okay Paul. Sure.

Wait, "Monsieur Freniere", ain't that the other plantation guy Louis wants to protect and becomes obsessed with his sister, Babette? Or am I already mixing up my canon.

- Oh hello, Lestat's backstory in the monastery, plus Sam Reid showing off for the first time his acting. Or should I say, his possession. An award for Sam. All the awards for Sam.

- [Louis] "Don't everybody need to know what I do" - preach, bro.

- [Louis] "Nothing but broken souls around me, and the ones that ain't broken, greedy" - ah, then, which one are you, Louis chéri ? Broken ? Greedy? Both? Only one for the moment, both as the years go on? And Lestat? Greedy, yes? But isn't he also so deeply broken?

- [Lestat] "The Earth's a Savage Garden" - begging Rolin Jones to give us Lestat soliloquising about the Savage Garden please and thank you.

- [Lestat] "'Shall we have a nightcap?' [Louis] 'Probably had enough for the night.'" - and yet you're helplessly following him, drawn in like a magnet, like an impossible to resist planetary orbit. Also look at that little gay panic. Awards for Jacob please.

- Ah, the gift. That's how Lestat will ensnare you. Gifts and gifts and precious things and then a child. Run, Louis, run.

- Oh, Nicki mention! [Lestat] "a boy of infinite beauty and sensitivity" - yeah he kinda was insane too, but that's your point of view I guess.

- [Lestat] "What kind of a man wastes this beautiful waist with words?" - first of all, damn, nice alliteration here. Secondly, a gay man, Les, you know that, we know that, Lily knows that.

- The erotic tension of this scene is off the charts, blimey. And Louis keeps repressing. He's about to blow off. In every meaning of the term. Yep, there it is. Excuse me while I go look. Respectfully. Also. Hands. They have something for each other's hands. And the first bite. And levitating. And that's just episode 1 and we're only halfway through episode 1. Nobody does it like this show, I swear.

part 2 | episode 2 | episode 3 | episode 4 | episode 5 | episode 6 | episode 7

Season 2 rewatch (coming soon)