You know... I really thought I was crazy about how ROP's costumes look so shitty until I came across pic below of this character and saw she's actually wearing a long-sleeved shirt underneath her chestplate with the exact same gold scale design printed on.
Remember folks, the budget of this show is half a billion dollars compared to Peter's Jackson Lord of the Rings 250 million budget released twenty years ago and still looking beautiful.
10K notes
·
View notes
honestly some of the wish hate i'm seeing is valid and some of it is the most insane opinions you've ever seen in your life. once again i am saying to ppl like "this is the worst disney movie" go watch beauty and the beast 3: belle's magical world and come back to me on that ok. watch the live-action mulan. if you didn't like the plot of wish at least it looked fucking spectacular. have you seen hunchback of notre dame 2?? you cannot tell me that wish is irredeemable garbage until you have watched hunchback of notre dame 2. "well that wasn't made for theatres–" chicken little. ralph breaks the internet. pocahontas has been spitting on the memory of a dead indigenous girl since 1995. it's okay if you went in expecting something as good as encanto and didn't get it but the absolutely insane takes of "the entire thing was just bad references" "magnifico was right and asha and amaya were the villains" "it was ugly and disrespectful" like shut UP and sit through mulan 2.
670 notes
·
View notes
can't stop thinking about how the "good" future still nearly resulted in Leo dying.
sure, this future is better, objectively. they saved the world. but... that doesn't necessarily mean it's good
ironic how Leo lived the longest in the bad future, yet in this better world, he was the only one who faced death head-on
There's kinda a Part Two now :D
1K notes
·
View notes
Transcript:
I'm genderless.
I'm full of gender.
I'm a malewife.
I'm a biblically accurate angel.
I'm a pop idol.
I'm the fourth incarnation of God.
I'm a convicted criminal.
I can never die.
End Transcript
Audio Source
433 notes
·
View notes
A special kind of intimacy between characters
[Not restricted to romantic dynamics!]
- I tear bread into smaller pieces to feed them to you, as if I am Jesus, or a mother bird. You may view me as a savior but I would kill for you
- Being there for the other person when they're sick - In a gross, disgusting way. Holding them unwaveringly through the wretched and repulsive, unflinchingly. Don't apologise, just survive. I'd do it again.
- You're scary, but I'm scarier. You don't know that yet, but I hope you won't fear me when you do.
- You're scary, and thank God for that. I'm more than happy to close my eyes when you use it on others. I am a coward.
- One character knowing exactly what the other one would really like to ask for, but is too self conscious or selfless to. Thus, they do it and provide, without the other person needing to outright request it. The self conscious character always makes sure the other one knows it's not obligated and they're always free to decline, and the other one nods firmly, knowing that, and still doing it.
- Sitting next to each other at the end of the world. Because it won't be okay. But they've accepted that
- "You destroyed the thing I love and I can't forgive you for it." "I can't forgive myself either." "I still can't hate you despite that." "I can."
- "Please hate me" "No."
- One character understanding when the other is in too low of a state to act like a decent person currently, and so they don't step over those lines that they'd normally tolerate. The first character holds the other one responsible for things later nonetheless, when they're able to actually carry it
- Two characters sharing the negative perceptions and opinions they've had of each other over the years. This can either lead to a realization that, respectfully, out of deep understanding of each other, they decide to not stay in touch with each other again from now on. Or, it can lead to a realization that thanks to this understanding they now have, they're more ready to become closer and have managed to clear the air with this conversation
- Characters of notably different ages talk and reflect on time that has passed between them. They feel a connection over how different their circumstances were. The younger one audibly wishes they could've done or changed something significant, to which the older character pointedly and gently tells them it wasn't their place to. Let us old crooks handle the tough things. (It wasn't your fault you spent formative years like this. I'm sorry you had to)
694 notes
·
View notes