#and i love them so much my heart hurts

[uhbasicallyjustmilex]

🙏 a moment of silence for all the journalists who’ve had to interview these two together 🙏

[poorly-drawn-mdzs]

Council of lovefools.

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[jknox11]

they love each other so much. i feel so sick. guys they love each other SO much what the hell

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[ladykeyleth]

[sanvees]

If you love me, why did you do this?

[phobiacoms]

I just... love them a lot.

[mrsfitzgerald]

Happy Birthday, Christoph Schneider 💓🎈 video: naraism ♥︎

[hansmannette]

kiss for you, kiss for me!!! 💋

[mymitochondriaforpresident]

The racism my beloved Simon had to face….my baby. 🥺💔

Although painful to watch, it felt incredibly validating. It was so annoying watching some people say this show was “only about class” while dismissing the BS that Simon had to go through. The abuse was ten fold because he’s POC and S3 finally exposed that.

That being said, and on a more positive note, it was so incredibly sexy when Simon sang happy birthday to Wille in Spanish (he feels safe with him!) and when Wille admitted to fantasizing about stroking those beautiful curlssss (and then actually did it). 🥹❤️‍🩹

Wilmon forever. 🤎🤍

[arkiwii]

Diamond shards in the chest

Plants watered by tears

[caitlynmeow]

I always assumed lady Dimitrescu sat at the head of the table because. But look at this she’s sitting right across from her daughters like this is so much closer and she wants to look at all three of them and give them her undivided attention.

I’m sorry but this is the sort of mom who’d sit at the dinner table and have her kids talk none stop about their day with her nodding and giving appropriate remarks of praise and approval like no wonder those girls adore their mother like this she truly loves them and it shows

[seagull-scribbles]

I want you to tell ‘em that you love the way that they don’t stick out like sore middle fingers

[Continuation of this]

[jackshiccup]

whatever you do, do not think about the layers behind jack saying, “we’re good friends, the wind and i.” the implication that jack and hiccup were meant to cross paths, to find one another at all points in their lifetime even if they weren’t aware of who they were to each other yet. that their first and second lives are inextricably linked— hiccup, as a spirit, drawn to jack when he was still human while jack, as jack frost thrown back in time, drawn to hiccup in his present. that their love and friendship is a circle, in a way that they’ll keep meeting in the middle over and over and over again. in a way that it’s infinite and transcends time as long as there’s proof of memory. in a way that there is no telling where their story really begins or ends, only that it exists, that it's continuous. in a way that it’s inevitable, fated, like every moment that passes, whether they spend it together or apart, are all puzzle pieces that connect. that their love is constant, always in motion, in a way that’s tried and true.

whatever you do, do not think about how they both waited 300 years (and some more) until they could experience what it was like to have a companion again. i repeat, do not think about, “you were always there. weren’t you? you’re the wind.”

[nexadarling]

GOD he looks at ww so SOFTLY

[yazmati]

no one understands how important the zato/millia/venom toxic queer love triangle is to my psyche