#and i've been thinking of all the people i used to love who aren't in my life anymore

[ceesimz]

We're All We Need Today

Hey, long time no story! I'm back with this, something I had the idea for a long time ago but it was low on my list of favourites. Then I re-jigged it and re-worked it and now it's done! Everybody's favourite trope, or mine at least, angst to fluff. It's been a while since I last posted and I find myself riddled with nerves about posting stories again now, so (and I never do this because I cringe at myself) if you do like this story, please let me know in whatever way suits you because I'm seriously struggling with writer's anxiety right now and I don't have the foggiest idea how to get out of it😅

It should have been just a normal Tuesday. A normal evening on a random day mid-week in May. Training for you both that ended just after lunchtime, before meeting up at Alexia's apartment early evening after the pair of you attended meetings or completed other pieces of work. That all went smoothly, it was perfectly fine.

Alexia shouldn't have looked at your phone without your permission though. She shouldn't have looked at your messages in the first place, nevermind doing it behind your back.

"I cannot believe you told your friends and did not tell me first!" Alexia shouted at you as soon as you walked out of the bathroom, your phone opened onto your friend groupchat in her hand.

"What? Alexia, what are you doing? Are you looking through my phone?" You cried out, marching over to snatch it back, but she holds it in the air out of your reach like a high school bully. "What the hell do you think you're doing!?"

"You told your friends without conferring with me first. You went behind my back and you know I didn't want anyone knowing!"

"You've gone behind my back too, looking through my phone! Why did you do that?" You jumped and grabbed your phone, confirming exactly what you thought.

She had gone through your phone whilst you were out the room, had clicked onto a chat with your closest friends who you trusted more than almost everyone in your life, and she had read just one message that said 'What does your weekend look like in sunny Barcelona? Any plans with A?'

"No, no. You aren't flipping this around. You swore to me-" She jabbed her finger harshly against your chest as she spoke. "-that you would not tell anyone until I said you could."

Is she for real right now? Who are you even talking to?

This is not the woman you fell in love with almost seven months ago. This is not the woman who used her captaincy as an excuse to get your number. This is not the woman who asked to be your girlfriend in such a shy and awkward manner as she stumbled over her words whilst eating dinner with you on her sofa. This definitely isn't the woman who cares for you how no one else has, nor is this the woman who loves you infinitely and shows it in ways you never could have thought possible.

This is a selfish, egotistical, self-centred, and downright cold-hearted person you do not recognise. The version of Alexia in front of you here is one you thought you'd never, ever encounter. Yet, look at the situation now.

"So, what, I have to run everything by you? I can't tell my closest friends possibly the biggest detail in my life? I can't tell them I'm in love and happier than ever?"

"No. Not now. We promised we wouldn't tell anyone, and you have betrayed me." Alexia huffed angrily, her hands on her hips as she turned away from you.

"I wanted to share this part of my li- you, with them! And, Ale, you've told Alba and Eli, why can't I tell my friends?" You moved to stand in front of her so you're facing her again, and she fixed you a disapproving glare with a jut to her jaw.

"Friends are different to family - I've never met these people! What are their intentions? I don't know, and I don't want them knowing private facts about me. That is why I'm mad." Alexia gritted her teeth as she spoke, fury swimming through her veins as her hands gripped her own hips so tightly you were sure there'd be bruises the next time she looked.

"What are you even saying? Do you hear yourself right now?" You scoffed, your anger almost tripling when the woman in front of you chuckled.

"Trust me, I hear myself. I also hear you denying everything, denying the fact you've outed our relationship, denying the fact you've broke my trust. Betrayed the one thing I asked you to promise not to do. Maybe you're the one who needs their ears checking, remember when I said 'let's wait some time to tell people.' Maybe you misheard me and thought I said 'how about we tell every fucking person in the city?' So yes, I hear myself. Very clearly, you don't have to worry about that."

You stared, glared, at her for a few moments, gobsmacked at the turn of events whilst also trying not to burst into tears. This is a situation you never thought would occur between you both, and the vile way she spoke to you paired with her foul accusations had you slipping on your shoes and leaving her apartment. And, possibly the worst part of it all? She didn't even try to stop you.

Why was it always about her, about what she wants, always on her terms?

What about your opinion? She didn't care to hear you out, and it sounds like she doesn't give two flying fucks what you've got to say. Alexia Putellas and her dense head coming into play again, only caring about herself and her legacy and what people say about her. You'd think that as someone who, to the public, seems so very secure and content in her position as the best women's player still in the game, that she wouldn't be so worrisome and out-right vile if there was a chance something wasn't going her way.

No, she wasn't like that with you at least, not at all. You hadn't been together long, but the secrecy and, what you inferred now as shame, seeped into your mind and with each step as you walked home that day, you grew more and more, not only utterly infuriated, but overwhelmingly perturbed at the prospect of just... everything.

Perhaps your whole relationship had merely been a fluke. Something Alexia didn't take serious in the slightest, and nowhere near serious enough for you to tell people about it. Maybe, at the end of the day, you were too much for her to deal with, and the only way the Catalan could cope was by keeping you behind closed doors. The theories your mind was coming up made you sick to the pit of your stomach, and it was a miracle that you made it to the bathroom of your apartment by the time you were emptying the contents of your body.

There was some kind of higher power watching over you, because this whole fiasco had occurred when there were two days off afterwards. It was coming up to the tail end of the season, and as the latter half of the month was jam-packed with tense games, you had planned to make the most of the time off. With a few social events scattered across the two days, you had been greatly looking forward to spending time with your teammates outside of the pitch, your friends, and at the time most importantly, Alexia. That all didn't seem enticing anymore, nor did it even seem possible.

For the time being though, as you stumbled your way out of the bathroom and fell into bed, the breakfast catch-ups and evening dinners were the last things on your mind. The only way you wanted to spend your time off, was wallowing in a trench of self-pity.

And that's how you found yourself in the gym of your apartment complex some fourty hours later.

Jab, jab, hook. Jab, jab, hook. Right hook, then a left uppercut, and another right hook to follow.

Punch after punch after punch after punch. There was no stopping you in this mindset. Not with the things your head was chanting, Alexia's words circling endlessly around your mind. They were what fuelled you right now, allowing you to lay into the punching bag before you with no second thought to the consequences.

And those consequences were sure to bring you a lot of pain later, in your hands that weren't wrapped up like they should, nevermind wearing gloves.

There was music playing through the earphones you had in, but for the life of you, you couldn't even register it right now. Your vision was blurred by pure rage, failing to recognise the cuts forming with every unrestrained punch and the bruises beginning to form along the bumps of each knuckle. You had tunnel vision on one thing and one thing only, and that was trying to dispel yourself of the all-consuming anger that had plagued you for almost two days now.

"Amiga! Basta, basta, hey." A soft voice broke through your trance as your earphones were delicately tugged from your ears. "Hey, you hear me?"

As your hands were gently taken ahold of by the figure to your right, you took a deep breath and leaned forward to rest your forehead against the bag. It was now that the woman beside you realised just how poor your breathing was, and she brought one of her hands to rub caringly up and down your back.

"Más despacio, relájate. Tómatelo con calma, vale? Relájate." Her voice soothed you a little, giving you the peace of mind you needed to set your breathing back to normal. "Are you with me?"

At that, you nod and take some more breaths before leaning up and taking in the person beside you. It was Mariona, who you shared the same apartment complex with, a fact you had forgotten about. In this moment, you weren't sure if you were thankful for that fact or if you resented it.

"Yes, with you." You wiped your face on the sleeve of your shirt before properly looking at her.

"Are you okay?" Mariona knew it probably wasn't the wisest thing to say, but for the moment as she collected her thoughts and did an internal assessment of the situation, it was more of a buffer than anything.

"Um, I guess there's no point lying, is there." You state flatly, the Spaniard smiling sadly at you and shaking her head. "Things aren't great... right now, so."

"Okay. That's okay." Mariona's smile was perhaps the brightest thing you'd seen, and with her looking at you the way she was, with so much care and a major lack of judgement, it was hard to reject the help she was soon to offer.

"Will you let me take care of you? I have a first aid kit in my apartment that I can use for these." She gestured down to your bruised and battered hands that were growing more painful by the second. "We can talk if you want, or you can at least let me patch you up and I can call somebody else. It's up to you."

You thought you knew what you wanted, and it wasn't this, but now that the offer is glaringly right in your face, your inner monologue urged you to fall to your knees and beg for assistance, for someone to scoop up all the negativity in your mind and lift the weight of it from your shoulders.

Isolating yourself from everyone, as you had done in the last days, wasn't healthy in the slightest, and rationally you knew the excuses you gave for doing so were completely unwarranted. Yes, you were the newest signing, and yes, Alexia was the captain and the glue of the team. However, that did not lessen your worth, you still deserved your spot on the team and you deserved to be treated with humanity. As Mariona had shown in the span of a few moments, your teammates wouldn't pick sides depending on how long you had and hadn't known people, and they certainly wouldn't treat you any less just because you had fallen out with - foregoing her team title - your girlfriend.

You were only human after all.

"I would appreciate that, thank you, Mariona."

Once more, the forward smiled politely at you and nodded, moving to wait at the door to the gym to wait for you as you collected up your things. Each movement of your hands had you grimacing in discomfort, a fact not lost on Mariona as she took the items, like your water bottle and your jumper, from you just to take the edge off a little.

You weren't too close with Mariona, you had gravitated towards the likes of Ingrid and Fridolina and Aitana when you joined (and Alexia, of course), but at the end of the day she was still your teammate and you often found yourself in a group with her in training since you were also a forward. The 28 year old was a hard-worker, yet she was also one of the most laid-back people you'd ever met, so in her presence it was hard not to allow yourself to relax even just a tiny bit. The aura that radiated off of her was oddly settling, and as you both made your way up to her apartment in relative silence, you were offered your first slice of serenity since that day not too long ago.

"Would you like a shower first? You look like you worked yourself hard in there." Mariona offered as she closed the door of her apartment behind you.

"No, it's okay, thanks." You gave her an awkward, tight-lipped smile, feeling somewhat embarrassed at having been caught in such a vulnerable moment - a moment when you were filled with such rage and negativity, that all you could do was lay into a harmless object like a woman possessed.

"Alright. Sit down at the counter, I will get all I need and be with you in a second."

With a sheepish nod, you complied and sat at the island counter in the kitchen, taking a moment to compose yourself before you knew an emotionally charged conversation was about to take place. You were tempted to take Mariona up on her offer to call somebody else, but honestly you were already exhausted and just wanted to get this whole situation off of your chest.

You'd been lugging it around for days now, encumbered by the weight of anger that, as time went on, was bleeding into exasperation and disconcertion because, in all honesty, you just wanted your girlfriend back. That was a little difficult though, because the woman in question was still being as cold as ever and for the life of you, you couldn't get a good read on her to figure out what her stand was on it all now. Whether she'd confided in Mapi or Irene or her sister or even Mariona, you had no idea, you just hoped there was still an ounce of her that cared for you in just a sliver of the way you did for her.

Though you hadn't seen or heard from her since that evening, her actions and her words were still fresh on your mind, and no matter how much time you spent mentally going through each doing of hers, it all made zero sense. In no way shape or form had Alexia portrayed such viciousness towards you, nor had she ever been so horrible and completely unfair in the time you had known her. Maybe it was a case of only knowing her for a short-ish amount of time, but her behaviour seemed so out of character that it set a feeling of uneasiness in your chest.

Hopefully, bumping into Mariona, someone who had been good friends with Alexia for a long time, would give you some insight into why the Barcelona captain had acted in such ways.

"Here we go. I'm sorry if I hurt you, but it is unfortunately a necessary evil in this case." Mariona purses her lips forgivingly as she pulls out two alcohol wipes that already have you wincing at the thought. "Are you ready?"

"Yep, just get it done with. Please."

You hold your breath as she rips open one of the packets, then you watch on as she takes hold of your left hand first and lightly runs it over and in between each knuckle. It hurts a hell of a lot, sure it does, but with the tenderness that the Spaniard treats you with, all you can focus on is trying not to burst into tears at the kindness you're faced with. Your mind has been anything but towards you, and the last proper human interaction you had that had been longer than a few brief minutes was your intense argument with Alexia. So this moment here was overwhelming, in many more ways than one.

"That's one done, your right hand looks a bit worse. Am I okay to carry on?"

Honestly, why couldn't you have fallen for someone like Mariona, instead of the ignorant, hot-headed woman you were in love with?

"Yeah, it's fine."

The silence between you both is weirdly not unsettling or awkward at all, instead it's relatively comforting and for the first time in days, your skin isn't crawling at the fact you're left alone with nothing but the sound of your endless cycle of thoughts.

The Spaniard standing beside you was correct, your right hand was indeed slightly worse off than your left, and that was only made more clear with each brush of the wipe, clearing away the blood only to show cuts in the divots of your knuckles and bruises covering the entirety of the right end of your hand.

"You have a good punch on you, ever thought about boxing instead of football?" Mariona joked, trying to uplift the heavy atmosphere in the room.

"No, wouldn't want to mess up this face." You replied, the forward laughing quietly and nodding.

"You are right, and football is much more easy to watch."

You supplied her with an agreeing smile, trying to hide your discomfort as she moved your hands around to assess the damage and make a plan of action.

"Okay, I think I will apply some antiseptic cream for your cuts and wrap them up with bandages. Then I will give you an ice pack for each hand, does that sound alright?"

"That's perfect, Mariona, thank you." You smile gratefully at her, and thought it's not a genuine smile, you hope she understands the appreciation you hold for her.

"It is not a problem. We look after each other at Barça, sabes? Anything you need, please do not be afraid of reaching out. To any of us."

And there is her segue into striking up the conversation you'd both danced around since she saw you.

You had to give it to her, she let a few moments pass by so it could come across as a bit less obvious, but nevertheless it happened just as you had expected.

"Are you comfortable talking to me about what happened in the gym?" She took note of the hesitation you greeted that question with, so she put the tube of cream down and faced you fully. "That was a bit concerning to walk in on, and I wouldn't be at peace with myself if I let you out of here without checking in on you."

"I... I guess, yeah." You sighed.

"Thank you. How would you like to start?" Mariona wondered with her ever-present smile, pairing it with a nonchalant shrug, further evidence of her care-free nature that continued to draw you in. "You can start talking about what is on your mind, or I can ask some leading questions to help. I am fine with anything, I just want you to leave here feeling a bit better."

Mariona had asked you a few moments ago if you had ever thought about boxing. Now, you wanted to ask her if she'd ever considered being a psychologist.

"I think it would help if you asked some questions, maybe." You decided, and she nodded instantly. She grabbed the tube of cream again and started applying it at the same time she uttered her first query.

"Do you normally practice on the bag without gloves on?" It was a very light one to start off with, perhaps something to be grateful for, but despite feeling a little calmer now, your mind was still in turmoil and wasn't fully recovered yet.

"No, I always wrap them up. I didn't even plan on using the bag today, it just... I was on the treadmill and then I saw it and wanted to use it. I wasn't really thinking straight, so. Yeah. This is the result of that." You took a sharp breath as the forward smoothed over a particularly bad cut with the antiseptic.

"Mhm. And, forgive me for this one, was it your intention to hurt yourself?"

That one took your breath a little.

"No, no, not at all. It wasn't even a thought in my head, I swear, I only wanted to get my anger out." You responded hastily, trying to convince her that you were relatively okay and that this was just a blip, and you didn't need some kind of intervention.

"Okay, thank you for being honest. I'm very glad to hear that, and I'll take your word for it." After finishing with your current hand, she squeezes it comfortingly and moves onto your other one. "Are you willing to tell me what's wrong? Why you needed to get some anger out?"

"Yeah... yeah, I am. I have to give you some context though, and I'd be really grateful if you kept it between us."

Mariona wasn't a gossip by any sorts, but as a result of the months of Alexia's words drilling into you of how nobody can know about you both, it was still an anxiety you had. Yet, the woman looking after you in such a heart-warming way was quite possibly the good samaritan you needed right now, her acts of kindness a reminder to not lose all hope with the world around you. You were well within your right to freak out in the way you had - not only were you in an entirely new city, learning a language you hadn't paid any mind to since school, but rather naively you had probably depended on Alexia more than you should have.

It was a lesson to be learnt, a mistake you wouldn't make again, though in the future even if you didn't recognise it yet, you'd look back on your time so far and wouldn't even regret it that much. After all, every moment of the past ten months had led you to the love of your life, and nothing was ever completely perfect. You would take a few bumps in the road if it meant you could end the season with a few medals around your neck and the greatest woman you'd ever met on your arm. Sure, you might not think the greatest of her right now, but you would mend it. You were sure you would. Hopefully.

"Of course, I won't tell a soul. You can tell me anything and no one will ever hear a word of it." Mariona reasurred you and though you hadn't really doubted her in the first place, you were still beyond grateful to hear that.

"So, um... Alexia and I have been in a relationship for a few months."

Yet again, Mariona continued to surprise you with how marvelous she was. Or maybe it was just an after effect of how much Alexia's words had got to you, because when the islander simply raised her eyebrows for a millisecond before nodding as you revealed your news, you're shocked at how much of a low-key reaction she gave. Whether she had an incredible poker-face or she just didn't care half as much as Alexia thought people would, your body sagged in relief at that minute response. As far as human beings go, this one right here wasn't too bad at all.

"And, for reasons I still don't understand, she was adamant that we keep it a secret. Like it was some kind of war tactic we had to keep safe. She made it out to be a make or break situation for us. But she told Eli and Alba less than a week after we made it all official, which I didn't think much of. I talked to her about it back then, wondering if it was just something she wanted to keep quiet while we were only in the dating stage, but she told me I still couldn't tell anyone. I guess because I was still relatively new here, with not many close friends and still with the mindset of trying to earn my place in the team, I agreed. Then as time went on I got a bit... annoyed with what Alexia wanted, but whenever I brought it up with her she would immediately shut the conversation down. I figured I could do it slyly, without telling her and without telling anyone any kind of intricate details of our relationship. So I took matters into my own hands."

You sighed and pinched the bridge of your nose at this point, knowing it was here in the story where things got quite rocky. Mariona had finished applying the antiseptic at this point and was now getting the bandages ready, prepped with the medi-tape beside her to secure her wrapping. With each new fact you unveiled, she nodded along in understanding, completely on the same page with you. She didn't understand the actions of her friend as of yet, wondering why on earth she'd be so intensely secretive about her relationship to the point of not telling a single soul, but those were thoughts she wouldn't voice yet.

Mariona herself was in a private relationship, and she was happier than ever in it. However, it wasn't a secret. Sure, she wasn't posting photos of herself and Lia all over her social media, but if you looked close enough the facts were clearly there. Plus, pretty much everyone in her personal life and Lia's knew about the pair of them, and nobody was fussed. So why Alexia was acting in this way, she didn't have a single idea.

"I told my closest, most trusted friends that I was in a relationship, and that the name of the person I was with began with 'A'. That was genuinely all I gave. I warned them not to nag me with guesses of who it was as that would break my own personal rules, because after all I didn't want to go behind Alexia's back more than I already had. Then... Alexia went through my phone. She saw that my friends were making plans in the group chat back home, and then they wondered if I had plans with 'A' over the weekend."

"She went through your phone?" Mariona questioned, in disbelief at the invasion of privacy you'd experienced.

"Yes, she did. The text flashed up on my lock screen while I went to the bathroom, and then she just went on my phone and looked through my messages. I don't know how in depth she went, but..." You shrugged, averting your gaze to your aching hands, ultimately defeated by now; by Alexia and her stubbornness, by your own mind, and lastly by the fact you had been so suddenly caught out by one of your teammates.

It was at this point that the numbness dispelled and gave way for shame, embarrassment, and a bit of anxiety. After all, you didn't know anyone from the team in depth, you were still just getting to know them, and the first thing you had done when you arrived was dive head first into a relationship with their captain. There was an endless possibility to the vast amount of opinions each person could hold for you and how they felt about your relationship (even though there was almost no way at all they could know about it), and as the silent seconds ticked by, it started eating away at you.

Though, somehow, in some magical, god-given miraculous way, Mariona saw right through you. And from now on, you were to make it your life mission to give back to this messiah in the form of an attacking footballer from the Balearic Islands of Spain.

"Hey." She tapped on the counter in front of you to get your attention, achieving that when you look up at her. "You don't have to... to get defensive with me. I can bet what you're thinking, and you don't have to worry about all those thoughts. I am neutral here, helping a friend. I will not go and tell Alexia or anyone about this, not if you don't want me to. And trust me, I am on your side. I have never heard of her acting like this, I am shocked and slightly outraged too."

That was undeniably relieving to hear, for a number of reasons. But for the most part, you were glad to hear that because for the past few days your mind had been trying its damn hardest to manipulate you into thinking this whole commotion was your fault, that you were the fault-line in the relationship that had caused this rickety earthquake.

No, that was no longer a worry, because here was possibly the human example of sunshine saying she shared your view and was just as displeased as you when it came to the Catalan's behaviour. Now, knowing you had at least one person on your side, this obstacle felt a little easier to climb over.

"I do have one thing I'm wondering." After a curious hum from you, she explained. "Is there anything you would like me to do in this situation? Like, bring it up with Ale? Because for both of your sakes, I want this to be solved in the easiest way possible."

Was it a good idea, judging off of Alexia's already toxic reaction to the point where she refused to hear you out? Most likely, but, not only did you think Mariona could teach her a thing or two when it came to human interactions, there was a small (actually fairly large) part of you that wanted to fight back against Alexia's unfairness by showing her you simply were not one to be trampled on.

There were two people in this relationship, and in this moment you realised that rank, longevity, and status in a football team were measly things to worry about.

"I think that would be a good way to start. Having someone knock some sense into her." You answered, quietly delighted when Mariona laughed momentarily at your words.

"I will try to do exactly that, for you. Promise." For the millionth time that evening, you found yourself completely under the influence of that goddamn smile.

"You're very good at communication. Unnervingly good." The hearty laugh you got in response forced the first genuine smile out of you all evening.

"Well, when you have a very emotionally intelligent girlfriend, you have to keep up."

"If you could give Alexia some lessons, I would appreciate that a lot."

"I will talk to her. Don't worry."

You left Mariona's apartment not too long after, both hands wrapped precariously and feeling significantly better than you did during that gym incident, finding solace in the fact there was now a fairly solid plan of action.

The only thing you could do now, was wait.

That was harder said than done, because for the rest of that day you didn't hear from Mariona at all. Nor did you hear from her before training the day after, and for the first time since you arrived, you were wracked with nerves as you walked into the building.

Not once during the whole session did Alexia glance towards you. Not once did she even acknowledge your existence. It drove you crazy, her acting as if you were invisible. As if she couldn't get anymore fucking immature. It took a lot of self control to not act like a petulant child towards her, desperate to piss her off in a quarter of the way she had to you, but you were better than that.

So when she rocked up outside your apartment later that day, with freshly dyed blonde hair that was styled in a frustratingly attractive way, a bouquet of chrysanthemums in one hand and a takeaway bag in the other, it took all of your strength to not slam the door in her stupidly hot face.

"What are you doing here?" You asked flatly, followed by a sigh that clearly indicated she was the last person on earth you wanted to see right now.

Well, with that haircut, maybe not the last person...

"I have a lot of explaining to do, I know that. And a lot of grovelling too. I was hoping you didn't hate me that badly to let me in." Alexia smiled sadly down at you, a slight shrug to her shoulders when she speaks.

Your mind goes back and forth for a few moments, briefly running through pros and cons of letting her in, before you decide fuck it, worst comes to worst you can show off your new boxing skills.

Eyebrows raised, you walk away from the door back towards your sofa, leaving her to wonder what to do for a moment. Ultimately, she decides to slowly follow after you once she'd softly closed the door. A quick glance around your apartment tells her you hadn't eaten yet, and she takes that as a small win before heading towards where you were seated.

"I brought your favourite takeout. Would you like to me dish it up?" She asks, a little disheartened when you shake your head.

"If you came here to talk, we're gonna talk." You state firmly, waiting expectantly for her to come sit with you.

She should have expected this really, knowing how royally she'd screwed it up with you and how disgusting she had acted. But hearing you speak so sternly was a bit unnerving, even if Alexia did recognise she more than deserved it.

A second later, she nods and places her items down on your dining table before making her way over to you. Rightfully so, she leaves some space between you both when she sits down, and you have to stifle a laugh as to not ruin your façade with how on edge she looks.

"Uh, so, me first, or..." Staying silent, you raised a daring eyebrow at her, thoroughly enjoying putting her through this slight torture. "Sí, okay, me first."

Anxiously, she wipes her clammy palms on her thighs. Then she cleared her throat, glancing at you periodically before taking a deep breath and starting her explanation.

"I am well, well aware of how bad I have acted towards you. I want to make that clear first. I acted like an idiot, to the worst degree. I was selfish, rude, I invaded your privacy, and I completely fucked it all up."

Hm, not too bad of a start.

"Congratulations, you took responsibility!" You responded sarcastically, fighting the urge to give her a round of applause too. Then you're fighting off a bubble of laughter at the nervous chuckle she gives before speaking again.

"I will regret my actions until the day I die. I promise you, I will never behave like that ever again. I've never been more ashamed of myself in my life, and knowing it's you who I acted like that towards makes it a hundred times worth. Because, you..." She shakes her head and waves her hands in the air like she's speechless. "You're you. You're the most selfless person I know. Your heart is something I do not deserve to have, because of how pure and kind and beautiful it is. You are so caring, and you love with every fibre of your being. Not only that, but you're so open, and I really admire that, because that is something I'm not. I'm... I'm ashamed to admit that even now I'm still anxious, and being secretive is how I've lived all my life. I want to be more open and care-free, I really do, it's just... hard for me."

With each word, each compliment, and each reason she gives, your hardened exterior towards her is slowly getting chipped away. You're not a grudge holder, it's not in your nature. And no matter how much you tried to fight it, it was inexplicably hard to not get wrapped up in her.

"Mariona... Mariona said you didn't even tell your friends it was me you were with. She said you only told them my name began with A, and that was it."

Alexia trusted Mariona of course, that was something that naturally occurred having known her for so long, but she wanted to get confirmation from you.

"I did. They don't know it's you I'm with." You told her, and if it was somehow possible, Alexia's heart shattered just that bit more.

"Well, I'm sorry, amor. I'm sorry for jumping to conclusions, it was really stupid and unfair of me. I really appreciate that you didn't break my trust, like I thought you had. I... that just shows how little I valued you. And I swear, that's something you'll never have to doubt again. I value you more than anyone in my life. I have a reason for why I was... more than reluctant to tell people about us. But I don't know if you want to hear it. I don't want you to think it's some flimsy excuse."

"Well, I mean, you may as well say it now." You scoffed, watching as she gulped nervously before nodding.

"My last relationship... with Jenni. That's why I'm so worried about telling people. Because even now, years after we ended our relationship that I would never ever want to go back to, people still talk about us, comment on our posts, make edits of us, and freak out about every little fucking interaction between us. It drives me crazy, even now, when I know I should not let it get under my skin, but it does and I can't stop it."

She shrugs dismissively as she talks, eyes cast down on her hands as she fidgets with the rings on her fingers. It's clearly a topic for her that's hard to discuss, and you want to reach out and take hold of one of her hands, but you don't want to distract her.

"When I was with Jenni, I was nowhere near as 'famous' as I am now. Now, I get the most vile and intrusive articles written about me, there are always cameras on me, paparazzi trying to figure out where I am at all times, and it really worries me because I don't want to involve you in that. If the media started writing things about you that were even just half as nasty as the things they've said about me, I would never be able to live with myself. It would eat me up, amor, I don't want you to go through that."

Okay, out of all the overthinking you've done in the last three days, your mind had not mustered up this point of view. This was undeniably sweet, a stark contrast to the way she'd treated you during the argument. You'd been with Alexia long enough to be more than familiar with how she acted on her anxieties in rather unhealthy ways for herself with harmful consequences for those around her as a result. Most likely, you realised, her recent behaviour was a demonstration of that very fact.

"And though those reasons shouldn't excuse my behaviour, because I should never have acted like that, I hope it gives you a tiny bit of insight into my head and allows you to recognise my actions came from a place of love, not malice. I showed it in completely the wrong way, but I swear to you from this moment on I will treat you better than I ever have, if you let me live up to that promise."

A shaky breath leaves the woman beside you, signifying the end of her ramble. And, to be honest, you'd forgiven her long before she finished speaking.

"Thank you for opening up to me. I forgive you, I do, but I won't forget how you treated me. If you ever show even a hint of that behaviour ever again, I'm out, Alexia, you must know that." You give her a clear warning, despite the fact your heart is crying out for you to just jump right back into her arms.

"I do know, I absolutely do know that." She seems to make the leap for you, as she shuffles along the sofa and gently takes ahold of both your hands. Your wounded hands. "Amor, what... what happened?"

Her voice is filled with concern, immediately overcome with nausea as a result of the worry she feels at the sight. However, that's nothing compared to the guilt she feels when you tell her what happened.

"Oh, um... an unfortunate run in with a punching bag not too long after our argument." You reveal sheepishly.

Alexia's heart drops. It drops from her chest, to the ground, through the core of the earth, and all the way down to China.

"This... this is because of me?" She whispers the question like she's terrified to utter the words. She's even more terrified of the answer.

"I guess. Yeah. I had to get my anger out some way, and I'm sure you're glad it wasn't your face." You try to joke, but it lands flatter than a pancake.

"Amor, I..." She can't find the right words within her to even attempt to apologise.

The great thing about mental health, was that 99% of the time you couldn't see it. That meant Alexia couldn't see the psychological damage she had caused you with her words.

But this, this was concrete evidence of just how much her treatment had affected you. She had done so much damage to your self-esteem, that you had no choice but to lash out to the point of injury. That, she feared, she would never get over.

"I guess Mariona failed to mention this part to you." Another pitiful attempt to lift the mood.

"She took care of you?" Alexia asked tentatively, the tiniest bit relieved when you nod.

In a split second, her arms were wound tightly around you as she tugged you into her lap. A rush of Catalan spilled from her, of which you gathered were words of apologies and sweet nothings to convey her intense regret. You didn't catch a word, not too familiar with the language despite playing for the pride of Catalunya, but you got the gist quite quickly and it didn't take you a moment longer before your arms were wrapped around her neck.

You were flooded with relief now that you were back in her hold, the embrace finally silencing the relentless voice in your head that had been going non-stop for days now. There were tears dripping onto your neck though, something that has you furrowing your brow and urging her to lift her head up.

"Ale, what's this for?" You asked, delicately wiping some of the tears that were overflowing.

"I just... I fucked it up so bad. So bad. Dios mío, you've ended up hurting yourself because of it. I'm just so sorry. I'm so so sorry."

Alexia falls apart then, breaking out into sobs that, though it's a rather a harsh thing to admit (not that you ever would, verbally) really exemplify her guilt and regret, and tie off her apology. You hate seeing her cry, hate seeing her so ruined, but all you can do now is hug her just as tight back and hope your words provide her some comfort.

"I forgive you, Ale, I do. My hands aren't your fault, it's a result of me not being sensible when letting my anger out. It's not your fault, mi corazón, not your fault at all."

You carry on spewing words of comfort for her until her cries finally subside a few minutes later. How she rubs at her eyes is something you find adorable, the way she does so reminding you of a young child. Your own hands follow her calloused ones, treating her with the same care she had complimented you on not so long ago. It warms her heart to no end, and it offers her a little reassurance of the fact you don't hate her guts.

"It's my fault a little bit." She mumbles, and there's a speckle of humour in it that you're not hesitant to jump on.

"Maybe a tiny bit." You whisper scandalously, smiling at the tearful laugh she lets out. "But I don't resent you for it. If I did, we wouldn't be in this position right now, okay?"

"Whatever you say, amor." Alexia nods, a semi-genuine smile on her face as she leans forward to rest her forehead on your shoulder.

"There's one thing I need from you for us to move past this." You state seriously a few quiet moments after.

She lifts her head up and nods vigorously, prepared to do just about anything you asked for if it meant she could love you for the rest of her life.

"I want to be able to tell people that are important to us. My family, my friends. Your family and friends. Our teammates. I'm not asking for us to go public on social media, I'm not asking for anything like that. I just want us to be more open. I want to be able to walk around Barcelona with you, like we did together when we started out dating. Because those moments with you, where you showed me your favourite restaurants and cafes and places special to you, they're some of my favourite memories with you. I just long for us to have a normal relationship, not one kept in the safety of our apartments behind closed doors. Because it's embarrassing and... and soul destroying being treated like I'm invisible. Just... treat me like a human fucking being in training, please? In public?"

It felt rather humiliating to be begging for such normal things, but that was the exact word you would use to describe this whole thing for you. Humiliating. To be treated like you had by, arguably, the sole person who shouldn't treat you like that, was something you never wished to experience again. Because, if you did? Well, there was simply no coming back.

But, you supposed, being in love was all about taking chances on people and relationships couldn't be built without a steady foundation of trust. That's all you could do now; trust in Alexia to nurture your heart like a delicate blossom where she cherishes every petal with gentle devotion.

"I will. Mi amor, I will do that and more. I will do anything you want me to, I promise that I will change my bad habits so that you never have to suffer at my hands again. I will love you like it's the last thing I'll do. You could never be invisible to me, you never were. From the first time I saw you, in your two-sizes-too-big Barça jumper on your first day, you've been everything but invisible to me."

Finally, the nail in the coffin to this whole ridiculous thing. And man, were you glad to see the back of it.

"As long as you don't embarrass me by one-upping me with your flawless free-kicks."

Despite the push to the shoulder you give her, you giggle and pull her back in for another hug. You'd been deprived of her embrace for far too long, and you planned to make up for it.

"I can't make any promises, unfortunately." You teased, grinning into the skin of her neck as her hands splayed out over your back, rubbing up and down comfortingly.

"I think I will take that." Alexia murmured, hugging you just that bit tighter before she leaned back. She moved her hands from your back to softly cradling your face, her eyes jumping from each feature to feature, trying to commit her favourite art piece in the world to her memory. Then, she met your gaze, and the sincerity and earnest present there was breathtaking. "We'll be okay?"

It was asked in such a vulnerable tone, you couldn't help but smile down at her.

"We'll be okay, Ale."

Going into training the next day, there was a spring in your step. Alexia had stayed over at yours the previous night, near enough refusing to leave. That meant she was wearing the same trousers as the day before along with one of your sweaters that, to your amusement, was evidently slightly too small for her as the cuffs ended just shy of her wrists. Call it your revenge perhaps, but as you both arrived at training together, chatting freely with content smiles on your face, it felt like a new leaf had been turned.

Alexia had made many mistakes with you, that she knew. She also knew she had no more chances, so she was going to try her absolute hardest to never act like such a fool again, even if it killed her. However, the shy smile on your face when she bounded up to you after Jona demanded the team to get into pairs for 1-on-1 practice, was enough proof for her to realise that it wouldn't be such a shame to go out of this world as a result of your love.

She almost came to regret that though when you handed her ass to her on a plate with each of your attempts to get past her. Because, quite frankly, you did embarrass her. Crossing her sides and body-checking her and out-skilling her each time was satisfying to no end, and it was exactly what you needed really. At one point, there was an ounce of worry that perhaps Alexia would be annoyed, but that dissipated immediately when she would laugh and slap her own forehead each time she was outshone.

That tiny speck of worry was completely forgotten about when, after the last attempt of the day, Alexia ran up behind you and lifted you up off the ground with her arms around your torso. Her mouth found its way to your ear as she took a few steps whilst carrying you, squeezing you tightly once.

"Never embarrass me like that again." She murmured jokingly, fighting back a grin as you laughed unabashedly in her hold. Afterwards, she put you down and moved to walk closely beside you, heading back to the main building as Jona called the end of training.

"You're the one that partnered up with me, Ale." You nudged her in the side with your elbow, gazing up at her with an adoring look that had Alexia's heart jumping in her chest.

"Maybe, but I only have one thing to say."

"What's that?" You hummed.

"Thank god for Mariona." She murmured, smiling as you giggled and nodded.

That smile was wiped off her face when an arm flung around her shoulders not a second later.

"Thank god for who?"

"I don't need your bragging right now, Mario, you're ruining a nice moment."

"I made this nice moment happen, Ale, you better thank me properly soon."

With that, the islander left just as quickly as she had arrived. When Alexia noticed the teasing grin on your face at the interaction, she shoved at your shoulder with a grumble under her breath.

"She really got through to you, then?"

"Oh yeah, absolutely. She beat my ass."

[heyftinally]

Y'all are going to like this one.

SWIFTIES DON'T TOUCH THIS POST WITH A TEN FOOT POLE, I SWEAR TO FUCKING HELL-

So my friend sent me this article, and I'm going to tell you why I think it's complete bullshit.

1) wishing us a happy Pride month is the BARE MINIMUM. As someone with her presence in the media and social influence, she could - and should - be doing SO much more than just wishing us a happy pride four days in.

2) "the singer has been an advocate for the LGBTQ+ community" not a good one. She seems to only remember us when it's convenient or benefits her in some way. Case in point:

2018 - "When it comes to feelings and when it comes to love and searching for someone to spend your whole life with. It's all just really really delicate. You know?" Taylor then performed her song "Delicate."

2023 - It’s painful for everyone, every ally, every loved one, every person in these communities.

In the first example, the intentional song reference comes off as extremely tacky. This is people's LIVES you're talking about. People are MURDERED for who they are and who they love (or don't love). This isn't an appropriate time to pull out the "oh-so-quirky" act and be cutesy.

In the second, the fact that she can't even center queer people in their own experience is so, SO telling. I promise, however painful it is for allies, it's 1000x worse for us to LIVE it. Allies don't have to wonder "am I going to get hate crimed wearing this?" before they leave the house - we frequently do. To not acknowledge that shows me that everything she says is performative at best.

3) I wouldn't call what she does "advocacy". She mentions us every now and then when it's convenient for her, profits off of us when we fit her marketing plan, and I've yet to find where she actually apologized for the homophobia in the original version of Picture to Burn. Also, she's real good friends with Travis Kelce's dad, who is a raging transphobe (and I bet his kids are, too). You don't get to call yourself an ally if you willingly allow the people around you to be violent bigots.

4) "always" is a strong word for someone who seems to show her support situationally at best. The full quote was "The way for that to happen is for us to continue to keep pushing governments to put protections in place for members of the LGBTQ community. And I promise to always advocate for that." Yet she doesn't do that.

5) what she speaks out, I've noticed that it's nearly always in the states that primarily agree with her. We don't see a whole lot of her "inspiring ally" speeches in places like Texas or Florida. But I've seen plenty of them come out of already notoriously queer-friendly places. If you aren't willing to face the heat of the difficult places along with the comfort of the easy ones, you don't get to call yourself an ally. Allyship is not easy. Anyone remember when Lady Gaga advocated for us in Russia, under threat of arrest, and her response was "arrest me, Russia! I don't give a fuck!"? Yeah, I've never seen even half that level of true commitment from Taylor.

6) STOP. MAKING. STRAIGHT GIRL SONGS. "GAY ANTHEMS"!!!! FFS it's such a slap in the fucking face of REAL, ACTUALLY QUEER ARTISTS that y'all keep calling these piss pathetic straight girl over produced crap songs "anthems". Fucking stop it. If they aren't queer, they don't qualify to be a queer anthem or icon. Start supporting ACTUAL queer artists with ⅛ this energy, for the love of FUCK. This bullshit pisses me off. Do you need a list of queer artists? I'll make you one by hand if you promise to stop trying to label Raylor Swift's straight girl shit songs as "gay anthems".

7) rainbows and gender subversion are not exclusively nor inherently queer. If that's our bar for "gay anthems", the bar is so low Lucifer himself needs a damn Webb Telescope to just barely see it from hell.

[condensed-ink]

I've been thinking a lot about #FixTF2 and I know that some might have their doubts about the movement, however, I've realized that, even if it does not succeed in getting Valve's attention, it will end up contributing towards an important development in recent years - the shift in the public perception of Valve.

If you are person who was growing up in the early 2010's then you obviously remember how Valve games were essentially the cultural zeitgeist of the time, how you would see pictures of King Gaben on every meme/YouTube thumbnail during a Steam Summer Sale. As I understand it, Valve essentially rode this wave of good will throughout the 2010's. Even when everyone was getting frustrated with the lack of sequels for games such as HL2 and L4D2, some people would just excuse it with "ah y'know Valve, not communicating and not doing anything is just their style, this is just probably part of Gaben's 5D chess - tier master plan". However, the cracks in this image have been slowly showing up for a long time:

Portal fans haven't had anything since Portal 2's release back in 2011. We have had some small VR titles but that's hardly any consolation.

Left for Dead 2 came out all the way back in 2009 with nothing afterwards. As of June of 2024, the game still has more than 10 thousand concurrent players yet it is also unplayable for a significant amount of people due to reported DDos attacks.

The suffering of Half - life fans at this point is a meme in itself. The only thing we got was HL:Alyx back in 2020 and, even though it's a very good game, it was inaccessible to a lot of people at launch due the costs and lack of VR hardware. We were left on a cliff-hanger AGAIN and four years later we have no news of any follow-up.

In my opinion, Valve to some extent could ignore these fandoms since they were smaller compared to their big earners. But it is the recent issues with these bigger titles that have started to test everyone's patience and tolerance for Valve's bullshit:

Team Fortress 2 - I mean what else is there to say: rampant cheating and idle bots, bot hosters doxxing and swatting people. The bots crisis has been destroying the game for the past 5 years. If we remember the original SaveTF2 movement, it had a more positive tone, i. e., people talking about how much they love the game and pleading Valve to fix it. Well, one shitty tweet and two years later the tone has gone from "Please fix the game" to "FIX THE FUCKING GAME YOU ASSHOLES" and rightfully so.

CS2 also has a myriad of issues. CS:GO became CS2 after the game jumped to the Source 2 engine, but the resulting game, by many accounts, is a downgrade. A lot of game modes and maps from the original game were not included and are still not present as of June of 2024. Cheaters are rampant. To what degree I cannot say but it is to an extent where a significant enough portion of the player base is affected. Also, the game hasn't had an operation (major content update) since 2021. The player count is still high, but a lot voices in the community have been chewing out Valve for this level of incompetence.

With DOTA 2 I cannot say for sure. Some people talk about neglect whilst others say the game is in a decent state considering the game still gets frequent updates and patches. At most I can say that there is a portion of players that are dissatisfied with the state of the game but most likely to a much lesser extent than in the previous cases.

HOWEVER

All of that is just one part of the double whammy, the second part is probably is much worse than the first - a lack of continuity for Valve's legacy.

I mean, let's think about it for a second here: most of us who grew with the Valve classics are probably in our mid-to late twenties at this point. Of course, I'm not saying that there aren't any younger fans but the bulk is the old guard. I'm pretty sure a lot of kids and teenagers don't even know a lot about these games and it's not their fault, they weren't old enough to experience them. The blame lies SOLELY with Valve because they have done NOTHING to boost the visibility of their older series due to the fact that they haven't bothered to make a single proper sequel for any of them.

And speaking of visibility, Valve's advertising strategy is non - existent and downright insulting . They really have this holier-than-thou perception of themselves, where they think "I am THE Valve softworks, makers of TF2 and Half-Life! How could you NOT know of us?!?!" and then expect everyone else to spread news of their games through word-of-mouth. Like, I'm sorry, Gabe, but we don't owe you shit. I'm not gonna advertise your shitty card-game and upcoming mediocre 5v5 hero shooter just because I had fun playing TF2 back in high school. Like, it's no surprise that you're not gaining any new fans when this has been your modus operandi for the past 10 years.

TO CONCLUDE

This is where we are right now: the old guard is either apathetic or straight-up hates Valve for their negligence, the younger generation barely knows about most of Valve's OG game series due to the lack of any meaningful output. At the end of the day, Valve isn't going to bankrupt, they're gonna keep taking their 30% cut from Steam and peddling gambling addictions to kids via cases. However, the era of good will is over, nobody is cutting them any slack anymore and, frankly, they deserve all the shit that's going to get thrown at them.

[writingquestionsanswered]

I think my ego is getting in the way of my writing. It's confusing, because I doubt my ideas and writing, but I still feel competitive in a way. I don't like reading about others' WIPs, I avoid reading the genre I want to write, and I automatically dislike authors who's already published a book similar to any of my WIPs. I quit the ACOTAR series because the themes were too similar, and I'm scared of Priory of the Orange Tree because the worldbuilding has intense good praise. I need an egodeath.

Case of Strong Ego or Low Self-Confidence?

If you're doubting your ideas and writing, I would question whether it's actually your ego getting in the way and maybe not just good old-fashioned low self-confidence. The reason I wonder is because your dislikes and aversions all sound fear-based to me. For example, if your ego were an issue, you probably wouldn't dislike or avoid authors who did something similar... you'd more likely scoff at their relative inferiority and boast that you did it better. You wouldn't be afraid of a book because its world building received good praise... you'd roll your eyes and say you don't know what people are going on about, because your world building is so much better.

Dislike and aversion instead seem to indicate jealousy and self-doubt. The good news, however, is that low self-confidence is actually pretty typical for writers and it's something that gets better with time.

Here are some things I hope will help boost your confidence, or at least give you hope that it will get better:

1 - Writers with big egos probably aren't as great as they think they are. In reality, storytelling is a craft no one can truly master, because reader appetites, story material, and even mechanics to a degree all evolve over time. What makes a good story is also very, very subjective. There are people who consider Jane Austen one of the best writers to ever grace the Earth, and there are people who think she's one of the worst. I think truly good writers can know that they're good without thinking everyone else is beneath them.

2 - You can't doubt your ideas and writing without understanding where you want your ideas and writing to be. In other words, you know what good ideas and good writing sound like to you, which means your taste and style are intact... you just have a little bit further to go to get your own ideas and writing where you want it to be, but that's okay. Going back to #1 a bit, writers don't hit some magical peak early on and level off at greatness. There's a lifelong upward trajectory with each book being a little bit better than the last. And sure, it's not a perfect upward trajectory. You can have periods of leveling out or even dropping off, but most writers will continue to get better over time. So, again, it's okay that your writing isn't quite where you want it to be, because it's that feeling that drives us to get better and better and better. This shows you're on the right track!

3 - Those similarities aren't the big deal you think they are... I've been at this a long time, and I'm going to tell you right now: stop worrying about "similarities" in other books. I've posted about this a lot because it's a common concern, but similarities are a dime a dozen in fiction. For every book about a high school girl who falls in love with a vampire, there are a dozen more. For every book about a woman who quits her big city job after a divorce, moves home to her small town, and falls in love with her childhood nemesis, there are at least twenty others. There are countless stories about young women getting wrapped up with fae princes, sad boys/men whose lives are invigorated by a Manic Pixie Dream Girl, murder mysteries set in quiet fishing villages, horror stories set in dilapidated old mansions someone just inherited from a long lost aunt, kids or adult who learn they've secretly been magic all along and get roped into fighting a Big Magical Bad. There are over 100 million books in existence, and that number increases by hundreds of thousands every year. You're never going to write a book that doesn't have similarities with dozens of other books, so stop worrying about it. Remember, it's not the similarities that matter... it's everything else... all the things that only you can do.

4 - Similarities are actually a good thing. The truth of the matter is, similarities are actually a good thing. That's why you can look back through cinematic history and see major trends... monsters, westerns, musicals, disasters, sci-fi, action, epic adventures, rom coms, superheroes... It's why when a book about a young woman toppling a dystopian regime becomes massively popular, dozens of other dystopian books hit the shelves the following year. It's why we gravitate toward favorite genres and tropes and comfort shows. Its why we go to the same restaurants and stores over and over again instead of going to a brand new one every time. Humans like a bit of repetition, and if your book has similar world building to Priory of the Orange Tree, that's a bunch of readers who are going to gravitate toward your book.

5 - There's only so much material to go around. I was interested in the fact that your concern about ACOTAR was that the "themes were too similar," but I promise you, those themes are in a million other stories. When it comes to tropes and themes and character arcs and magic systems and settings and... all of it... there's only so much material. Themes aren't something that are created from nothing. You can't make up an original theme that no one else has explored. Themes are inherent to human existence. They're truths about humanity that beg to be examined and explored. It's not the themes that matter so much as how they're explored and what you say about them, and even if there were similarities there, odds are there were far more differences.

I hope this resonates and helps. I hope I was right that it's more of a self-confidence issue than an ego issue. And if I was wrong, maybe something here will still resonate. You might spend some time in the "writing-related fears" section of my Motivation master list to see if anything there resonates, too. ♥

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[orca-uprising-the-musical]

So... hannibal the series has been on my mind a lot the last few days and I have some thoughts and maybe had a small epiphany lol

Sorry if this is something said/understood by everyone else. I'm always a bit late to the game

I don't remember if it's explicit in the series, but there seems to be an understood headcanon maybe, that Hannibal doesn't think of what he does as cannibalism. Further, he treats the majority of his victims flippantly and grotesquely like they are less than human. As if what he is committing is not really murder because his victims aren't fully human.

Its sociopathic/psychotic. Yeah, we get that. I get that.

Yet, we see a certain level of vulnerability in Hannibals interactions with the group of people he chooses to associate with on the regular, like Alana and sometimes Jack, but especially Will.

I've always struggled with the why of that. If Hannibal believes himself to be above humanity, at least to a certain extent, his group of friends included, then how could he be vulnerable with them. Why bother being vulnerable with your next potential meal. And even more so when he gives them an out. Like Alana. He offers her an out. To forget what she saw and turn around and even more, to live a life where she wouldn't have to live looking over her shoulder. I believe he was honest there. Mads does an incredible job of letting us know that this is a real offer. Hannibals disappointment and sadness when she refuses is visceral. But why?

Why offer at all? If Alana isn't fully human, why bother giving her an out.

And I think, hence, minor epiphany time, it's because he doesn't consider her another potential victim, at least not the way he considers the people he eats. He considers her human. Considers her an equal even. To kill her would be murder in his eyes, and it bothers him in a way his other victims don't bother him. You could even argue that at least in mizumono, he doesn't kill her. He's willing to, sure, to keep himself, to keep his found family safe, but in the end, he doesn't, at least not directly.

In comparison, he does not treat Beverly the same. He does not give her a chance to walk away. As far as we know, he doesn't say a word to her. And realistically, these two interactions are insanely similar except for how Hannibal reacts.

Both times, Hannibal has been revealed. Both times, Hannibals way of life is put in danger. Maybe even more so in mizumono because Will has betrayed him and he is literally flinging himself at a door to try and finish Jack. Yet, he gives Alana a choice that he did not make to Beverly.

It's because he considers Alana human, where Beverly is just another cut of meat. In his mind, what he does to Beverly is not murder. He would be murdering Alana and so he gives her a chance to walk away and only lashes out when she refuses.

And it's interesting too that after Mizumono, how Hannibal treats Alana is still not quite how he treats other victims. He steals the coat that offered her comfort, he reminds her every chance he gets that he will keep his promise and that she is a dead woman walking. Yet, he still listens to her. Still is willing to compromise with her when needed. She is still an equal, but he was vulnerable with her and she hurt him in response, so he hurts her in whatever way he can get away with when it's prudent and doesn't risk the life of Will.

It just... it's so... Mads is so incredible for this. The writers are so incredible for this.

I started by reading the books and watching Anthony Hopkins and my circe those things are insanely good. But Anthony Hopkins portrayal is of a man who believes himself a g-d. A boy with his Ant farm. Curious and viscous in equal measure. There is no person suit, there is no humanity in him there.

But Mads. My darling Mads. He makes Hannibal human. He forces us to remember that he is human. That Hannibal is a someone who hurts, who loves, who hates, who is petty and playful and of course is absolutely still a child with his Ant farm who at any minute can reach into his pocket and pull out a magnifying glass to set the world he enjoys watching aflame.

Thank you for sticking with me if you have, and I hope this makes some kind of lick of sense. I probably have more to say, but my break is over lol

[skyfallscotland]

@heartfeltletters-written asked me 💥 How do you feel about criticism? and it felt like something that needed its own post, so here goes: the hypocrisy of critics in modern fandoms, an essay.

Criticism. I don't like getting it or giving it when it comes to writing. I struggle to even gently give it to friends, even when they ask me what I think of their work. Writing is such a personal thing that we pour our heart and soul into and like you say, many criticisms aren't necessarily valid. By that I mean, there's a difference between "Amy you use em dashes a lot babe" (I do) and "This story would have been so much better if Remi were a virgin" (actual criticism I have received, lmao). 

Unlike traditional authors, we will never make money from this, we do it for the love of it and it's time we will never get back. For some of us, it's time we could be working on our own original manuscripts too. I don't think people who give the second type of criticism are writers, generally. They don't understand the craft and what goes into it. Whenever I post and someone says a chapter was short or they immediately ask when the next one is, and that's all they say, I die inside a little. I try not to take it personally, but it's hard.

Personally, I think fandom behaviour is getting worse and that flows over into our comment sections and tumblr asks. I have a whole other dissertation on this that we’ll call ‘the slow death of fandom as we know it: an essay’, but that’s perhaps for another post. I don’t know how welcomed that commentary would be. 

You said the word ‘entitled’ in your original ask and I think that’s spot on. People have become more entitled in general and downright rude (which is not restricted to online spaces, by the way). I write for ACOTAR, but you’ve never seen me discuss it here because no matter what you say in that regard, you can’t win. Someone will always attack you and I do mean attack. Even in regards to Fourth Wing, I don't talk about my opinions a lot outside of my own little bubble of friends and readers.

And that's the kicker to this whole conversation, really. If I were to criticise Iron Flame/RY everyone would jump down my throat (as has happened on other platforms), even though I'd never say it to her face. Do I stand by my opinions? Absolutely. But it would be rude to tell her them, unless asked. I’m not allowed to (validly) criticise certain elements of her story, a published novel, without being attacked for it, but those same people are fine criticising my work directly to me. Hypocrisy at its finest.

There’s a new influx of people to fandom spaces who are completely unwilling to integrate and completely unwilling to be kind. You mentioned those who criticised your work could have saved themselves the trouble and read the tags, but the thing is: they don’t want to. They can’t be bothered to take five seconds and figure out how they work, to curate their own experience, because that’s what half these people are like. They want an algorithm to do it for them, gods help us.

For me, personally, I'm my biggest critic. I also have raging generalised anxiety, so just posting on the internet is enough to send me spiralling (seriously, I feel sick just typing this out). It's very, very out of my comfort zone and I've been very, very lucky so far to have cultivated the readership I have, full of very like-minded people. Perhaps due to some of the darker content matter. But the second I get harshly worded comments, I get upset.

I don't say that to elicit sympathy, it's just a fact. I get upset about it the same way I would if you were standing in front of me saying it to my face, and for someone with depression and anxiety, that lingers. I'm getting better at laughing at them, but it's like when someone tells you they don't like you and your mum says "just ignore them"—not that easy, right? 

So yeah, I don't mind if you want to tell me I use a lot of em dashes, or that I've used a word incorrectly in context, but I don't need to hear how much you hate original character fic when you could just use your last remaining braincell the back button and continue on with your day. Just be kind, is all I'm saying.

[buckysteve]

art/patrick + old childhood best friends motif

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[averlym]

which is gayer? SIX or Adamandi (real)

adamandi

[sarah-sandwich-writes]

HOLD ON WAIT UP HOLD THE PHONE

I KNOW I WAS GONE FOR A FEW MONTHS THERE BUT HAS BLUE LIKE DON'T FORGET ABOUT ME ALWAYS BEEN A PART OF A SERIES OR IS THAT A NEW DEVELOPMENT???

I FEEL LIKE ITS CHRISTMAS ALL OVER AGAIN FUCK Y E A H

Okay so

I...

have been cooking

by which I mean illusions of grandeur and

schemes

And I have not been forthcoming lol Everyone kind of disappeared all at the same time so I kind of stopped talking about what I'm doing but I have been biding my time, quietly putting mechanisms into motion and plotting and occasionally cackling over my cauldron.

I finished the first draft of Blue like don't forget about me and didn't like it so I cut out all the sci-fi fantasy stuff (bye bye aliens farewell superpowers) and in November wrote a new first draft that's all contemporary romance babeee and I'm so in love with it I'm turning it into a little 3-part (possibly 4 if I can't control myself) series.

The original childhood years have been split off into a prequel novella called Red like my bleeding heart in your hand. Then Blue like don't forget about me will take place 20 years later. Nash works at Cherished Hope Nursing Home

“And what is it you do? At the nursing home, I mean.” I wipe shit off of old people. And Teddy’s a hockey player. What’s Luke, an underwear model? He shouldn’t have come.

Teddy comes back to town for a funeral and

Teddy looks at him for the first time in twenty years and every ounce of warmth leaves his expression. Message received. He should not have come.

OKAY SO AND THEN the next book will be Jo's POV and is called Violet like these delights. and MAYBE there will be a 4th from Luke's POV bc he gets to live this time by the grace of god (me) but it'll depend on how Violet goes (its current state is mostly vibes and a single overarching theme so, stand by).

Red needs a clean-up round of edits to snip out the few little threads that connected it to OG blue. And rewritten blue is basically done. I've done the major revisions and am about to start line edits and after those are done I'm sending it out to beta readers (lmk if you're interested).

There are concise actual summaries in my pinned post btw lol

WHICH REMINDS ME

The series title is Wildflowers of Deliverance. Which I'm extremely proud of. Did you notice did you notice how each title incorporates a wildflower did you did you? and the town they grew up in where Nash and Teddy first met is called Deliverance!!! It's okay I know I'm a genius.

And this brings us to the meal okay? because like I said I've been Cooking™ quietly but steadily for a few months now. ANd what have I been cooking? PLOTS and PLANS

I've decided on a pen name: Sarah B. Elisa

I've created a(nother) side blog for it that will be exclusively centered on my og writing and geared more toward readers rather than writers like this blog is: @sarahbe-writing

I'm going to create a website (as soon as I convince myself to spend money)

and a newsletter (as soon as I convince myself to spend money and do work)

I'm still waffling between trad publishing and DIY. I really like all my hats and it would be a shame to have to share them but oh my god I don't want to do all the marketing but trad pub seems hit or miss on how well they market you so I might get half of my hats taken away and still have to do the marketing bullshit UGH

anyway

OH YEAH and the OG draft I wrote for Blue? I'm going to spin it back to its OG OG roots [parkner, naturally--Return of The childhood friends to estranged almost lovers to super-powered rivals to reluctant allies to friends to lovers finally wip!!! AKA: We Were Gods (we were kids)] and that will fix all the things that went wrong and I didn't like 😌 so it's basically like double Christmas I think

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[evangelifloss]

Thinking about a certain scene in Dungeon Meshi that completely encapsulates the Autistic experience of making friends as an adult and how hard it is to try and navigate it without ending up getting hurt.

Like IDK about y'all, but this is a common problem ALOT of Autistic Adults face when trying to make friends with other people, because unlike children who aren't good at keeping their opinions to themselves, Adults ARE. In society, we're even encouraged to "keep the peace" "be polite" and etc, which commonly leads to awful scenarios as shown above when Laois finds out his buddy has come to resent who Laois is without actually telling him. All too often the friends that we love to hang out with, people that we're so happy to spend time with, don't feel the same way and in many cases, come to blame us for our social cues or lack thereof.

And when/if we do eventually find out how our friend feels, Dungeon Meshi hits us with another painful panel of how that usually ends up playing out.

It's hard for Adults with Autism to make friends, and even harder to maintain them because alot of the ways Neurotypicals tell other Neurotypicals that they don't like a certain behavior is by quietly disengaging. Whether that involves having one sentence answers, going quiet, or having a certain tone in their voice, all those things signal annoyance or disapproval, but for the Neurodivergents, those subtle cues are completely missed.

And yet when we inevitably discover we DID do something, it is natural to ask "well why didn't you tell me?" because in our minds, it should've been the next step in the equation. However for the Neurotypicals, that's NOT something to bring up. Its important to be SUBTLE about the issue at hand and rely on signals to tell the other person. Blame is placed on us for not noticing the "obvious" signs of disapproval rather than the idea of talking it out as such things are uncomfortable and harder to do. Alot of the time what ends up happening is resentment due to the idea that it was "obvious" and the fact one didn't notice indicates a deliberate ignorance rather than a complete unawareness. It ends up calling into question our quality as a person and our sincerity. We get called "fake" or "malicious" or even "stupid" for failing social cues rather than questioning the decision to be indirect and vague.

For a manga about exploring the dungeon, it seems that the artist would rather explore very real and prevalent dynamics in society with the adventuring premise as a backdrop. I felt VERY seen in these panels, and many others, because it happens so suddenly and dare I say it, plainly. There's no dramatic build-up or spectacle made and in essence, it just Happens.

I think that's what makes the scene hit even harder. It seemingly comes out of nowhere for Laois, like how it always comes out of nowhere for alot of people, and it's never a dramatic twist either. It's always mundane and hurtful. A sudden unforeseen bump in the road that ends up calling into question one's entire friendship with someone and consequent other friendships. It asks "what if other friends feel the same. What if the people that I really like actually hate me and I don't know it?" Or at least that's what I came away with after reading the chapter. I've been where Laois was and the only reason I'm not there now is because I lost the naivete I had and doubt everyone else's sincerity.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[becausegoodheroesdeservekidneys]

would love your opinion of the newest episode of DW, if you get the chance.

HAHAHAHA YES I HAVE MANY THOUGHTS

Alright okay so

I only have one complaint, which is that that wasn't a faerie ring. You could still have the shamble, no problem, but it should have been over the top of an actual faerie ring, which should be a mushroom (or, at a push, stone) circle. Not some cotton that would blow clean off the cliff edge in three minutes.

HOWEVER

This is the first time I've seen Doctor Who do a time travel story using, not Doctor Who time travel lore and rules, but Welsh faerie rules. (First time I've seen anything do it, in fact.) In Welsh myth, people who enter faerie rings or get entranced by the music become suspended in time, out of sync with the real world. They think they danced for a night, but when they return it's been 100 years, and they crumble to dust as soon as they eat/drink/step on land/etc.

In this case, this is what I think happened to Ruby. She spent that time in Annwfn, seeing what would happen if the binding on the ring was broken. When she 'dies', she returns to the spot and lasts long enough to give her younger self the warning, then crumbles to dust.

But, a time travelling Ruby is not the woman who follows her throughout the episode. That, in fact, is a gwyll.

The gwyllion were hag faeries, usually of mountain tops (though Pembrokeshire's liminal cliffs are 100% from Welsh mythology - it was said that if you found a faerie ring on one but only put one foot in, you could see the faerie islands in the sea. And that faeries used to visit the human markets in Pembrokeshire and Ceredigion. So while gwyllion are unusual there, it's not an impossible relocation.) They were malicious and sometimes vicious faeries who delighted in making people lose their way, could strike an uncontrollable and ungodly terror into travellers, and who feature in more that one myth as an old woman that someone tried to approach, but they always appeared at the same distance away, impossible to catch up.

CAN YOU SEE THE PARALLELS

And the best part!! Is that this is why she defeats UNIT!!!

Kate tells Ruby that her agents have necklaces of silver and salt to keep out the supernatural, but that's just generic fairytale shit. That doesn't work on gwyllion. Salt drawn in a line would provide a barrier, but the UNIT soldiers aren't trying to trap or block the gwyll; they're trying to capture her. What works, very specifically, is a knife. Iron or steel for preference of course, but it needs to be a knife.

But UNIT has no Welsh employees and the soldiers have guns, not knives. And so they all become entranced.

(This is also what I think the gwyll 'says' to everyone to turn them against Ruby. She doesn't say anything - she sings.)

This is also the first time I've ever encountered any mainstream media doing Welsh faeries and understanding the tone to strike, which is 'unknowable, unstoppable and fucking terrifying'. I think I've only ever read it in Catharine Fisher books, and she's a Welsh author so... yeah, obviously. But I basically vibrated with delight and excitement for the entire episode.

Oh my god, hang on, Roger ap Gwilliam! Okay, I have two theories about him.

My weaker theory and the one I don't like is the kind of boring and obvious one, which is that he is himself not human. A lot of Welsh folklore features the devil, and I get that vibe from his role in the story. But, I'm not keen, because I can't see the link to the gwyll.

But my strongest theory, and the one I have chosen to believe, is that he's a human who made a deal with the Fae for power, and then reneged. There's a Metric Fuckton of stories about humans fucking up Fae gifts in some way, and the punishment is usually something ironic but always results in the loss of the gift. It could be a faerie harp that makes everyone dance, and the Fae tell the giftee not to abuse it, but they cruelly force everyone to dance so long and so hard that the faerie returns, takes back the harp, and then takes the human's ability to ever make music again, so example (by taking fingers or eyes or tongues as well, often.)

So I think Mad Jack strikes a bargain for power - but, then tries to abuse that power (nuclear war). But part of the bargain is that the Fae cannot approach him directly ever again. In the real world, they therefore tempt him into the faerie ring and bind his soul there, problem solved - until the Doctor accidentally lets him out, and gets his own soul stuck. Ruby, therefore, becomes the instrument through which they manage to take that power away once again - and then, her final Fae gift for her service is that they use the temporal anomaly of the faerie ring to send her back, at the end of her life, and give her a second chance. This time, with Mad Jack's soul left bound in Annwfn.

The fun part is, RTD is a writer who understands the power of not explaining everything and leaving some things up to the viewer's imagination, so none of this is ever going to be explained lol. But yeah, that is a gwyll. The moment she appeared, I said out loud "Oh holy fuck, gwyllion." That was a gwyll.

As a final observation, I loved seeing Siân Phillips, and I choose to believe they filmed those scenes in a pub because they could only get Siân if they agreed to just come to her local. The woman is a queen.

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. I prefer to leave my anons open since not everyone has a tumblr, as @neil-gaiman says it’s an internet backwater, but a lovely one for those like myself who enjoy an essay about fictional characters! Still I will close my inbox to anons if I must. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.