#and instead of manually editing in each one

[cicadagaze]

heartbreaking! man wants to play clangen but he fucked it up trying to edit updates in so he wouldn't have to transfer all his mods over

[moonrosegirl]

Before vs After

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[shellem15]

One thing that kinda frustrates me about Shen Jiu fics is that they so often try to sanitize him. Make him nicer/more misunderstood than he actually is.

Like, he was definitely very misunderstood in source material, but he also was straight up a terrible person too, y'know? Both things can be true at once.

The biggest thing is his treatment of Luo Binghe, playing on the idea that it wasn't *as* bad as the characters thought it was. Now, this is just plain wrong cause we know from the extras that SJ gave Binghe the fake cultivation manual with the intent that it would literally explode him. He really wanted to murder that kid, yall. Loony toonz ass villain. Keep this man away from children

And he was definitely a total asshole to all his coworkers, even during disciple days. The other Peak Lords are under no expectation to like him nor tolerate his behavior, especially since they (except Yue Qingyuan) don't know about his backstory (very intentional on SJs part)! SJ very deliberately ostracized himself. His nasty reputation didn't just spring up out of nowhere. He has agency even in other people's opinions of him.

This is particularly notable in his interactions with Liu Qingge. It wasn't "LQG bullies poor SJ and spreads nasty rumors about him." It was a rivalry, a give and take between the both of them. They were both assholes to each other, but clearly, despite the animosity, there was some deeper feeling (SJ being so affected after LQG's murder accusations and then later death). Again, agency is key here.

He's also completely unrepentant until the very end! He will never apologize ever, so no sudden "oh god, what have I done?" heel-turns for him, buddy. If it was that easy, then he wouldn't have gotten human sticked in the first place.

SJ is tragic and sympathetic. SJ is also an awful person and a complete asshole. He's allowed to be both, and both of these sides of him are what makes him an interesting and engaging character.

Edit: holy shit stop interacting with this post everytime I open my notifications I think I’m getting reactions to my more recent shit and instead it’s just this bs. Anyways thanks for 1k notes

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man

[chubsonthemoon]

It is done! This is The Death of Translation, originally written in English by @landwriter, translated into Mandarin by @thirrith. Binding is dos-à-dos, with English version on one side and Mandarin on the other. Bookcloth was handwoven by me, on my rigid heddle loom :3

More under the cut!

Typeset: Fanbinders are Liars

Full stop, this typeset would not have been possible without Eth and all their patience, enthusiasm, and willingness to do even more translating! I reached out to them *checks watch* nearly a year ago in July 2023 (lololol), asking if I could use their translation of TDOT in a surprise bind I wanted to send along with Gloam's author copy of Flower King. They were kind enough to say yes, and even kinder to answer my questions when I reached out six months later in January, when I was finally able to start work on the typeset.

We talked about the many delicious things that are bound to come up when discussing translating not just from English to Mandarin, but also from digital space to meatspace. Some topics I had anticipated, like font questions, translating the colophon, etc. But even with the topics I thought I'd prepared for, there were still things that came up that both surprised and delighted: for example, while AO3's website allows for italics in Mandarin--

--my publishing program doesn't (or at least, it doesn't without needing to manually tilt every character by about 10 degrees). So as a workaround, Eth suggested changing these cases of italics to the font 华文楷体:

Through no one's fault but my own, this ended up being only slightly less work than manually tilting every instance of italics--I wanted to be sure that I got all of them, so I ended up doing a lot of double-checking manually anyway, instead of relying solely on the Search function. There was a lot of cross-referencing with the Word document that Eth was kind enough to provide, as well as squinting and general swearing. I also did the same for the uses of Latin script, manually styling each instance as Garamond to keep it consistent with the English edition:

The only other time I've had to do font surgery this intensive is probably for my typeset for Tell Me About the Big Bang, which I had to port over from a PDF. Folks, hell on earth. Do not recommend XD I remember squinting at my monitor as I had to visually confirm every instance of italics, thinking I will never do this again. Welp, four years later, here were are: fanbinders are liars, LMAO. At the very least, using Eth's Word document at least allowed me to search by styles, so it was a little easier on my eyes. 🙏

Is there a script that I might've been able to use if I was more code-savvy? Probably. But I figured going at it sledgehammer style would be the least hair-pulling way to get the job done, weirdly enough. Still, despite my best efforts, there are a few instances of PMingLiU to Garamond and PMingLiU to 华文楷体 that I know I missed, and I know I missed them because I caught them after I'd printed/cut/folded/sewn/glued (cue more swearing), so Gloam and Eth, my apologies >.< please consider them artifacts of a uniquely handmade object ajslkdjfs

In addition to the fonts, there were also some other fun things Eth and I discussed, like how to translate the notes I usually provide on the colophons! In addition to information on fonts, I also usually include some variation of:

This private, limited edition published by chubsthehamster (Moonham Press, imprint of Renegade Publishing) in 2024. This is chubsthehamster's personal copy. Out of three existing copies, this is the first.

The thing that came up with this, which still tickles my brain to this day, was how Eth chose how to translate "Moonham Press, imprint of Renegade Publishing." To get a better sense of what word to use for "imprint," they asked what the relationship was between Moonham Press and Renegade Publishing, which got me thinking about the relationship between my lil imprint and the wonderful @renegadeguild:

What's all very funny about all of this is that we are now, in fact, going by the name "Renegade Bookbinding Guild," per our most recently updated Code of Conduct. While this renders the wording I asked for out of date (and thus, the wording that made it into the book out of date :'D), I think it's also a testament to how cool the work @renegadeguild is doing--like any artform, fanbinding is alive, with its own evolving language, communities, and ideas about the craft. And I love it, I love it so much. (Was this also a plug for our new-ish website? Perhaps).

There's more I could say here, but this post is already going to be long enough, so I'll move on for now! If you get anything from this section, it's that @thirrith is amazing and very patient and kind, and I'm so grateful that we got to talk shop together. Thank you so much for all your invaluable help with this, Eth! I hope the typeset, though undoubtedly flawed, does your hard work justice!

Binding: Or, SO Much Math. Like, So Much, Guys. (It was worth it, though!)

Whoo, boy! So math was never my strong suit in school, but when I set out to do this bind last year, that wasn't an issue. At first. The dos-à-dos binding, if anything, just requires a little bit of finagling on the usual case-bound format--a bit more math if you want to do an all-cloth cover, like I planned on doing, but nothing I couldn't work out with some trial and error. (My prototype below!)

Then came February, when I took a weaving class with my friend, and then everything kinda exploded.

My original idea was to use some green Duo bookcloth I had on hand (this color, actually)--for those of you not initiated into the Duo cult, Duo is a Rayon bookcloth with a very devoted fan following in Renegade. It's very pretty; the Rayon weave is one color, and the paper backing is usually complementary color, so it has this cool two-toned effect. Duo is in high demand in Renegade circles because sadly, the company that manufactures it went out of business last year. (Although I've heard rumors recently that there's another company making something similar, but the cloth has a really high purchase requirement and is, like, for businesses only I think).

Anyway, I also wanted to have a gold line around the whole book as a kind of bellyband/obi to further connect the two versions of the story (another reason why I chose the dos-à-dos format to begin with heh), as you can see from my scribbled notes here--

But alas! I knew going in that adhering things to Duo is often Problematic, thanks to one very painful experience trying to get some iron-on foil on another bind (the textured surface of Duo just makes it kinda hard to stick or paint stuff on it). So if I wanted a clean, continuous line, the remaining options were to either paint it on a strip of paper that I'd somehow...adhere to the cloth? Or maybe cut different slices of bookcloth and glue them on. I wasn't satisfied with either of those options, though.

Then--the weaving class. I made a scarf, and I love it and I loved making it. But the whole time, I'll not lie, my thoughts were elsewhere.

In short, my decision to weave my own bookcloth kinda came from a few different factors:

The desire to attempt to recreate Duo, that elusive beauty, the one that got away, etc. (I have several yards in my stash, but still). Others have also attempted to recreate it, and I thought I'd throw my hat in the ring.

My current spiral into the deep hole that is fiber arts (it started with crochet, then knitting, then sewing, then weaving, then spinning, and now I'm eyeing quilting! Please help me).

The gold line. It kept bugging me. And when I found weaving, I just thought there was something very neat about the process of actually making the cloth for a dos-à-dos binding from scratch, and especially for this binding. I wanted to bind a story about translation (or rather, the death of it, and yet still the necessity of it--how we must try to communicate, despite of, or perhaps precisely because of, everything that gets lost in the spaces between people, and the tragedy of that loss, and the beauty of what makes it through, and the love always present in the effort regardless), and also, the translation of that story. Weaving is a very meditative process, and with every pass of the shuttle, back and forth, building slowly but surely the fabric that would hold the story that Gloam had written and that Eth had translated, I thought a lot about translation, and the gaps between people, and how we choose our words not just when translating, but when we speak at all. From a design perspective, I used the same colors I would've used had I chosen the Duo bookcloth--green and gold--so the design wasn't too altered in terms of color scheme. But I think the choice to weave the bookcloth--the thing that bound it all together--made the project take on a completely new meaning for me, both in process and in scope, one that hadn't been there when I started. I saw the warp, perhaps, as the original story, laying the groundwork for the weft, the translation; or maybe it was the other way around, with the translation providing the scaffolding for its own, new meaning, choices that Eth had to make with this word or phrase or another building something new, something translated, and the original a live, moving thing that wove over and under each word turned phrase turned story; or maybe it was both. Maybe it didn't matter which was which, in the end. And as I wove, the thing that connected them, that gold line that had started all of this, slowly formed.

All that to say: Good God, was there a lot of math. So much math. That prototype pictured above was actually made specifically so I could calculate exactly how much I needed to weave, lol, because while I certainly had enough thread, I didn't want to have to warp more than once. I'd learned the basics in my class, but the training wheels came off here. I wanted to make my own custom fabric, which meant calculating things like ends per inch, picks per inch, loom waste, shrinkage after washing, the width of that damn gold line, how much I'd need for the hinge, the turn-ins, the boards--the whole nine yards (I didn't actually weave nine yards tho heh). It was all absolutely worth it in the end--so challenging and so, so rewarding!

(And my final reason for weaving the bookcloth? Not gonna lie, It was because I just wanted to see if I could do it LOL. I love trying at least one new thing with each of my binds, and this was it for this project. While I've been bookbinding for a few years now, I'm still very much a beginner weaver, and I'm so excited to continue to learn and experiment! Also, here's a video of me unwinding the cloth from the loom, heh. I used 10/2 Perle cotton in gold and green colors :3)

Also, turns out, you can back handmade cloth the same way you can any other cloth! I backed it using my usual heat-n-bond method, and with some Unryu Tissue in the color Forest. Since the cloth itself is a bit transparent, there are a bunch of really fun fibers you can see when it's held up to the light, but which aren't visible when the cloth is glued down to the boards. Still, knowing they're there still makes me happy :D

Finally, capping all this off, is one final, small detail I really liked: ginkgo leaf endpapers :3 this one's for me and Eth and Gloam specifically <3

Aaaand that's all from me for today, folks! Thus ends (several months late XD) my last Binderary project for the year. This was probably my most ambitious bind to date, and gosh it was so, so much fun.

And, of course, thank you so much to Gloam for sharing your story, and Eth for translating it. I can't wait for y'all to receive your copies soon!

All my love! <3

[goatsandgangsters]

Posh Fancy People Name Generator (Debrett's Peerage 1903)

Do you spend a lot of time coming up with silly names for your Jeeves and Wooster fanfic? Do you and your friends get together on weekends to LARP as Oscar Wilde characters? Do you just want to feel grateful that your parents didn't name you Allnutt?

Then have I got the random name generators for you! 

Introducing two Debrett’s Peerage (1903) Name Generators, by yours truly! 

It will give you a first name, TWO middle names (so posh), and a surname, all taken from actual once-living human beings whose names were recorded in the 1903 edition of Debrett’s Peerage 

There’s a posh man version and a fancy lady version

(I also included an optional tick-box to add a title/peerage rank and/or some silly bonus info from me, but you can keep it name-only if you prefer) 

here are some of my fave Actual Names that I found. now imagine how much sillier we can make this by putting it all in a blender

please note: lettice is her middle name. her surname is gore. miss lettice gore, you are an icon.

A few notes on logistics:

Names are not weighted and were entered into each category only once, regardless of how common or uncommon they were in 1903. This means you’re as likely to be named Wyndham as you are to be John, because frankly it wouldn’t be fun if every man you generated was named John 

However! First name and middle names are separate lists, so your first name could be the same as one of your middle names; alternatively, both of your middle names could be the same because middle names are pulling from the same list. This should enhance the absurdity 

The name ‘Napier’ appears in Debrett’s Peerage as a first name, as a middle name, AND as a surname. While it’s statistically unlikely, it is technically possible to generate the name Napier Napier Napier Napier for yourself 

Spelling variations (eg, Ann vs Anne) were included as separate names

The generator is continuously being updated with more names, because there’s a whoooole lot of names recorded in Debrett’s Peerage (yes, I am manually reading and entering names from a 2,000+ page document. what of it.)

For the bonus tick-box: the titles are all real, but they may be paired with a different peerage rank than they were in actuality (e.g., if you generate Lord So-and-So, the So-and-So is a real title, but the generator might tack it onto a Earl instead of a Marquess, etc). I didn’t include any royalty, just aristocracy 

For the bonus tick-box: most are a straightforward “you are a Countess” but some are me being a bit silly and having fun 

[jojaxcola]

how i make expressions (no audio) (flashing/fast movement/fast zooming in and out warning)

(from no. 15)

When it comes to making different faces in my work, I tend to go the lazy route as much as possible instead of drawing a brand new face. I do it to save time and keep frames more consistent (and to better emulate the feeling of a minimally-moving talking head).

Before this, I make a complete render of the face and shoulders. Things that need to move independently (usually bangs or anything else directly covering the face) stay on their own layer, but everything is merged onto one layer as much as possible. This makes everything a lot easier to manipulate later.

I like to make a copy of this layer group for every frame (in the video, these groups are labeled 1, 2, 3, etc. in the bottom right corner). The end of the video shows me going through each of them (note that there is quite a bit of flashing there)

Typically what I do to make changes is:

I use the liquify tool to push around the shoulders, eyebrows, and the corners of the mouth, this tends to make the affected areas look blurry so I also manually clean the changes up with my regular brush/eraser if it's too obvious

I also use the liquify tool to open/close the jaw a bit depending on how open the mouth is

I use the lasso tool to grab and tilt the head, and then clean up the neck with the brush and eraser

I manually redraw different iris positions, different eyelid levels, and different mouths using my regular brush

(For those who haven't used the liquify tool, in photo editing it puts an invisible mesh on top of the current layer, you can then push/pull that mesh to apply the same transformations to the underlying image)

[toadifylackoffantasy]

Nucrest Cocoa Hoodie V2 4to3 conversion

My Castable version of the Cocoa Hoodie (version 2) by @nucrests.

I made 4 castable versions: Fullzip, Fullzip ombre, Halfzip, and halfzip ombre, each with 4 channels (see below). They're presets of one item.

Sorta-collab with my friend @geminipixels, who preferred converting the original overlays instead. I didn't plan to have this released so soon, but I got sucked into it :P I have a headache now... (I started on this ~2 days ago)

Everyday, athletic and outerwear (with accessory turtlenecks)

Young adult & adult male

Polycount: 4543 HLOD, 2852 MLOD, 1073 LLOD

All morphs, manually edited with Geom tools

4 Recolorable presets

Custom Made specular map to give the zipper justice

Custom thumbnails

Disabled for random

I had fun with the pre-made presets which I made with my sims in mind. Of course, the point of these is that they're *very* castable so I don't expect people to actually use these hyperspecific presets!

Download SFS / Mediafire

^I apparently had halfzip not-ombre selected/lightened up in CASt, but you can still see the channels: red - yellow - pink - white

Issues:

As you can see, their is a slightly weird fold at the armhole at the highest weight

Might have waistseam issues with some CC bottoms. In the pictures cc bottoms from 4 different creators are being worn. (Virtual-Hugs, MeochiCC, Peacemaker-IC and Nectar-Cellar)

Any other issues, please let me know ASAP!

Edit: i forgot to compress and the file is somehow 13 MB ... I merge & compress everything myself, but I will update with a compressed version tomorrow.

Made with:

Blender 4.2 and 3.6

Meshtoolkit

Smugtomato's Geom tools

TSRW

S3PE

S4CAStools

S4PE

Affinity Photo

With big thanks to @thornowl for helping me with the colorchannels (having 4 channels work in TSRW requires and extra step, apparently) and @geminipixels @simlicious and @elvgreen and more for general encouragement :)

@xto3conversionsfinds @eternalccfinds @pis3update @matchsim @simfluencer-network

EDIT 24/05

Pregmorph added

[ssspringroll]

DL (sfs, no ads)

The originals have been revamped. All meshes have been completely redone from scratch. I have fixed some chunkiness, wobbliness, and other strange issues that have been present in the originals since 2019. I also went ahead and made at least 1 new shape for each family while I was at it (plus a bonus shape for Classic that I made as a personal edit, years ago, and forgot about until now)

You may notice a folder labelled 'OLD VERSION' when you click on the download link. These are the original 2019 files, and they are still available if you prefer or need them for any reason whatsoever. You can have both editions in your game at the same time. Any sims wearing the old version will have to manually update to the new ones once you install them.

They are available on the following slots:

Acne

Brow Scar (Occult Brow)

Face Birthmark (NEW!)

Forehead Crease

Hat

Right Brow Ring

You can have any combination of the slots installed in your game, or all of them at once (there is an all slots merged package for your convenience, in this case). If you have multiple slots installed, you can mix and match different antennae on different slots to make your own unique combos!

So what's new?

All the meshes have been remade to look a little smoother, while still staying as close as humanly possible to the shape of the originals.

They have all LODs now!

The placement of the UV maps has changed as well, and as you may be able to see from the Irked images, they can pick up some patterns from your sims' faces now in addition to just colors! (They can all do it, but on my models, Irked is the only shape that really demonstrates this. Play around with antenna/skin overlay combos and see what you get!)

There are also better weights now! The longer antennae especially, as seen below the cut, needed improved weighting. They bend with the body now, instead of clipping through it so much. But, there will still be come clipping issues on larger sims and in some animations. There's only so much I can do

And, perhaps the biggest quality of life improvement, they only take up 1 thumbnail spot in CAS. Simply change the swatches as though you were changing colors to access all of the unique shapes!

Some before/afters and additional previews of longer shapes below the cut

[usergif]

Hello! I got an ask [x] for a tutorial for one of my recent gifsets for tgcf [x], so here it is, split into three parts:

Drawing a Curve

Template - optional: if you want the curve to flow throughout your entire gifset

Colouring - optional: specific to that particular gifset I did

Progressions

PART 1: DRAWING A CURVE

Trying this out as a screen recording for the first time since it's easier to show 🤡

PART 2: TEMPLATE

This part is optional and only applies if you want your curve to flow throughout all the gifs in your gifset. Of course, you can do your curves individually per gif, but it's generally better to have a template for how the entire curve will flow first so that the joining lines between each gif flow smoothly.

Create a new document for your template. For the height, calculate the height of the entire gifset, including the buffer areas between each gif (4px). E.g. for a gifset of 4 gifs, each of which are 540px in height, the total height would be 540px x4 gifs + 4px x3 buffers = 2172px

In your new document, go to View > Guide > New Guide Layout and change the number of rows to the number of gifs. Make sure Gutter is 4px.

In my case, for this gifset, I skipped step 2 and manually created the template for each gif instead, since every other gif has a different height.

Put in a single frame of each scene in your template (see image below).

5. Club the layers according to which gif they will be in, apply the corresponding layer masks for each gif, and draw your curve that will flow through all 5 gifs (see image below). The reason for doing this (having the previews of the scenes in at this stage) is so that as you're drawing your curve, you have a better idea of where it will flow.

6. Duplicate the curve such that each group (i.e. gif of your gifset) has one such curve layer.

7. When you're ready to edit your actual gif, import your scene into Photoshop and duplicate the layers for that particular gif to your imported document. You may need to shift your duplicated layers or crop your file to the right size.

PART 3: COLOURING

The colouring for this gifset is pretty straightforward since everything is in black and white.

1. Import all your scenes and position them accordingly. Add a mask on your curve layer so that you can mask out the parts of the curve you want to be "hidden under" your scene - so that your curve looks like it's interacting with your scenes.

2. These are the usual adjustment layers I use for black and white colouring, but it's up to you to use what you prefer or are familiar with. Play around with the numbers for each adjustment layer to see what works best for the particular scene.

3. Slap on a crumpled paper texture for an added grunge effect.

4. Colour the remaining scenes and done!

PART 4: OTHER GIFS THAT ALSO WORK THIS WAY

Progression 1: curves flowing to organic shapes

set: [x]

Using the same Curvature Pen Tool, but this time with the fill on, to create shapes first. Then, link up the shapes with lines.

Progression 2: flickering curves and organic shapes

set: [x]

On top of Progression 1, draw 2-3 variations of your curves and shapes and lay them out chronologically on timeline so that you get this flickering effect.

[ofmermaidstories]

SUMMARY: The call to be a Pro Hero has never been a question—not for Katsuki Bakugou, explosive and guarded, nor for Izuku Midoriya, protective and determined, and certainly not for Shouto Todoroki, who’s family legacy hangs over him like a shadow. Years after the War that upended Hero Society, these three men have helped rebuild a path to Pro Heroism for the next generation, tentatively heralding a new era of hope. But there’s danger lurking in this rebuilt world, danger that has the power to rekindle old fears and usher in new resentments, and as the trio branch out to find and end these threats, they each encounter a new challenge along the way—colliding with someone unexpected, and falling in love.

(A Pro Hero x Reader Trilogy; in which falling in love is a random chance all at once chaotic and exhilarating and incredible, for each of the Big Three)

The premise is simple: three heroes, three fics, and three different lives to live. Named for the Katy Perry song, The One That Got Away, the In Another Life trilogy was originally intended to be a series of five stand-alone fics that evolved, fairly quickly, into what we have today: three interconnected stories that let our Reader-inserts move throughout the My Hero Academia world, and eventually find where—and who with—they belong.

Started in 2020 when the manga was still on-going, the fics have diverged from the canon Horikoshi’s given us both in small and large ways. Despite where they separate (and where the fics have to stay faithful to their own canon, now), it’s always been my hope that they read like the love letters they are—to My Hero, to the boys, and to x reader fic at large.

i’m running to your side—flying my white flag

1. surrender (whenever you’re ready) [Explicit] — ao3

93k+

Bakugou Katsuki x Reader

COMPLETED ✔️

SUMMARY: You first meet Ground Zero when he's thrown, unceremoniously, through the glass window of your florist shop.

(In which Bakugou cannot stand flowers but finds himself coming back, anyway)

i’ve been reading books of old—the legends and the myths

2. something (just like this) [Explicit] — ao3

203k+

Izuku Midoriya x Reader

COMPLETED ✔️

SUMMARY: It probably says a lot about you that your first thought on meeting Deku, international Symbol of Peace, isn't something like "Oh, wow," or, "Oh he's so nice," but is instead the un-Plus Ultra thought of, "I definitely would've bullied him, in high school."

At least until those muscles came in.

(In which Midoriya is an absolute nerd for the release of his own hero-inspired comic book series—and the artist responsible for it)

all your flaws and scars are mine

3. still (falling for you) [Explicit] — ao3

TDB

Shouto Todoroki x Reader

WIP 🕙

SUMMARY: The first time you and Shouto cross paths, he nearly drowns you.

(In which Todoroki meets a jeweller by the sea, and learns the difference between the value of the lessons he's been given—and the precious things he chooses to keep)

🚧 UNDER CONSTRUCTION 🚧

i am actively adding to and editing this section, still. if you think something is missing, or you have something you’d like included, please let me know!!! i am going through all the posts and links i do have, manually, so i may still miss something and would love a gentle reminder. 🌷

🚧 🏗️ 🧱🔨🔧🪛 🚧

[ASK/DRABBLE 📖] [SWYR] do u think bakugou ever gets so angry his mouth misses [Readers] when they’re making out?

Katsuki’s home for once, sleeping off the last few days in the darkness of his room, cocooned.

[ASK/DRABBLE 📖] [SWYR] what type of jewellery would Bakugou gift [Reader], if any at all?

The first gift Katsuki gives you after Christmas is a pocket knife.

[ASK/DRABBLE 📖] [SWYR] merms, what are bakugou and weeds up to this christmas? :)

Katsuki wakes up before his alarm, before the sun rises—the city spread out beyond his bedroom windows like a carpet of stars.

[ASK/DRABBLE 📖] [SWYR] i miss weeds and katsuki so much 😭😭

It will be proper twilight, when they leave together; Weed's hand in the crook of his arm.

[ASK/DRABBLE 📖] [SWYR] how are weeds and katsuki?

It’s a Wednesday, a normal day, and they are figuring it out.

[ASK/DRABBLE 📖] [SWYR] petition for you to write [Reader sending] bakugou horny tweets

light it up like an ELECTRIC STRIKE ⚡️: please please PLEASE Kacchan has blocked me and muted the groupchat PLEASE, I need him to see this, please just send him this ONE THING, PLEASE!!!!!

[ASK/DRABBLE 📖] [SWYR] would [it] be important to bakugou for [his parents and weeds] to meet?

Masaru will just scratch the side of his nose under his glasses and think about a younger Mitsuki, who literally would not take no for an answer from him—and a younger Katsuki, who had the same laser-focus when it came to the things he wanted in his life.

[ASK/DRABBLE 📖] [SWYR] i am asking for royal au + florist au for [weeds/bakugou]

In his armour still, his forest-green cape, Ser Bakugou is dressed for war—solid and imposing as he stands on your threshold.

[ASK/DRABBLE 📖] [SJLT] what does [Reader] post [to instagram]? + [SWYR] things weeds would post

The one consistent has been art, good, bad and middling.

[ASK/DRABBLE 📖] [IAL] it’s so cute that SWYR’s reader is a fan of SJLT’s comic

Kacchan has never asked for anything from Izuku—beyond that he doesn’t look down on him (beyond that Izuku live).

[DRABBLE 📖] [SWYR] katsuki keeps a pot of strawberries for you in his kitchen;

When they finally fruit he’s disgruntled.

[DRABBLE 📖] [SWYR] katsuki’s quieter than usual

So you wait. You let him have his silence, and you fill the space around it with your own presence.

[DRABBLE 📖] [SWYR] he tells me he’s gentle when he wants to be—

The bed dipping under Katsuki’s weight wakes you.

[DRABBLE 📖] [SWYR] you and bakugou walk home in the rain

“Y’re meant to go home, dipshit,” he says, disapproving

[DRABBLE 📖] [SJLT] bad touch (you and me)

Minoru’s skeleton nearly fists itself out of his asshole when a voice behind him says, “That was a kindness you just did, for Midoriya.”

[ASK ❔] [SWYR] if you were to write surrender today, do you think anything would change?

[ASK ❔] [SWYR] what would have been the moment bakugou knew he had it bad for surrender's reader?

[ASK ❔] [SWYR] what do weeds and bakugou fight about? and how do they apologise?

[ASK ❔] [SWYR] do you think bakugou ever feels like weeds would be better off without him? :(

[ASK ❔] [SWYR] have you ever written/imagined Kirishima’s POV [throughout the fic]?

[ASK ❔] [SWYR] how does bakugou and haru’s relationship progress?

[ASK ❔] [SWYR] idk if you meant her to come off in this way, but [Reader] strikes me as [lonely]

[ASK ❔] [SWYR] i’m literally going to throw up from excitement if you actually make a bakuweeds oneshot collection

[ASK ❔] [SWYR] i am vibrating in my boots with excitement about the [SWYR] one-shot series!

[ASK ❔] [SJLT] did you have any inspiration for the kimono Reader is wearing in SJLT?

[ASK ❔] [SJLT] looking forward to our [gala] wear

[ASK ❔] [SJLT] could we have visuals of Reader’s outfits during the gala?

[ASK ❔] [IAL] double dates

[ASK ❔] [IAL] what city/prefecture does [the series] take place in?

[ASK ❔] [IAL] how [would] the Y/Ns react to fanfic about their heroes?

[PODFIC 🎙️] [SWYR] surrender (whenever you’re ready) — narrated by Chthonianqueen

[PLAYLIST 🎧] [SWYR] surrender (whenever you’re ready) [plays on spotify]

[PLAYLIST 🎧] [SWYR] and i’d give up forever to touch you: a suggested-songs playlist [plays on spotify]

[PLAYLIST 🎧] [SJLT] something (just like this) [plays on spotify]

[PLAYLIST 🎧] [SJLT] like lightning: a suggested-songs playlist [plays on spotify]

[ART ✏️] [IAL] bakugou & weeds, deku and & scribbles & bakugou/weeds, deku/scribbles, monoma/reader — by @groshia

[ART ✏️] [SJLT] you get to witness, in real time, as [Deku] leaps from the now open door — by @getstarried

[ART ✏️] [SJLT] izuku, just izuku. just as he is — by @handlethegbread

[ART ✏️] [SWYR] when you’re bakugou katsuki, — by @okeydokiescribbles

[ART ✏️] [SWYR] haru + the flower shop signs

[MOODBOARD 🖼️] [SJLT] the moodboard trend inspired me to make this little thing

[MOODBOARD 🖼️] [SJLT] SJLT is my all-time favourite fanfic,

[MOODBOARD 🖼️] [SJLT] this is just […] a collection of things that reminded me of this story

[BINDING 📚] surrender & the widening sky — @ladybirdk

[BINDING 📚] surrender (whenever you’re ready) — @/captain-liar

[PODCAST 🎙️] Canonically Incorrect, episode 75, season 2: Surrender (Whenever You’re Ready) — 10 December, 2022

[ spotify | apple ]

[PERMISSION STATEMENT:] You are more than welcome to print out any of the fics and bind yourself a copy for personal use, or otherwise record a [non-AI] reading of them, or translate into another language—as long as my ao3 username, OfMermaids, is credited somewhere as having written it. 🥹📚 I also love, love seeing and hearing about the work that goes into the pieces you create for yourselves, so if you’re comfortable with it, I’d love to see a picture of (or get a link to!) your efforts!!

final note:

This series is the result of several years worth of love and work, and most importantly, encouragement from the people who have come along and read the stories in it. Whether this is your first time discovering the trilogy, or you’re otherwise revisiting the boys, this is a note to say thank-you for being here. Thank-you for reading, and for being apart of something that has been so much fun to create. Fandom and fanfiction has always been about sharing the excitement with other people—so thank-you for letting me share mine with you. 🌷📖

[physalian]

You don’t have to pay for that fancy worldbuilding program

As mentioned in this post about writing with executive dysfunction, if one of your reasons to keep procrastinating on starting your book is not being able to afford something like World Anvil or Campfire, I’m here to tell you those programs are a luxury, not a necessity: Enter Google Suite (not sponsored but gosh I wish).

MS Office offers more processing power and more fine-tuning, but Office is expensive and only autosaves to OneDrive, and I have a perfectly healthy grudge against OneDrive for failing to sync and losing 19k words of a WIP that I never got back.

Google’s sync has never failed me, and the Google apps (at least for iPhone) aren’t nearly as buggy and clunky as Microsoft’s. So today I’m outlining the system I used for my upcoming fantasy novel with all the helpful pictures and diagrams. Maybe this won’t work for you, maybe you have something else, and that’s okay! I refuse to pay for what I can get legally for free and sometimes Google’s simplicity is to its benefit.

The biggest downside is that you have to manually input and update your data, but as someone who loves organizing and made all these willingly and for fun, I don’t mind.

So. Let’s start with Google Sheets.

The Character Cheat Sheet:

I organized it this way for several reasons:

I can easily see which characters belong to which factions and how many I have named and have to keep up with for each faction

All names are in alphabetical order so when I have to come up with a new name, I can look at my list and pick a letter or a string of sounds I haven’t used as often (and then ignore it and start 8 names with A).

The strikethrough feature lets me keep track of which characters I kill off (yes, I changed it, so this remains spoiler-free)

It’s an easy place to go instead of scrolling up and down an entire manuscript for names I’ve forgotten, with every named character, however minor their role, all in one spot

Also on this page are spare names I’ll see randomly in other media (commercials, movie end credits, etc) and can add easily from my phone before I forget

Also on this page are my summary, my elevator pitch, and important character beats I could otherwise easily mess up, it helps stay consistent

*I also have on here not pictured an age timeline for all my vampires so I keep track of who’s older than who and how well I’ve staggered their ages relative to important events, but it’s made in Photoshop and too much of a pain to censor and add here

On other tabs, I keep track of location names, deities, made-up vocabulary and definitions, and my chapter word count.

The Word Count Guide:

*3/30 Edit to update this chart to its full glory. Column 3 is a cumulative count. Most of what I write breaks 100k and it's fun watching the word count rise until it boils over.

This is the most frustrating to update manually, especially if you don’t have separate docs for each chapter, but it really helps me stay consistent with chapter lengths and the formula for calculating the average and rising totals is super basic.

Not that all your chapters have to be uniform, but if you care about that, this little chart is a fantastic visualizer.

If you have multiple narrators, and this book does, you can also keep track of how many POVs each narrator has, and how spread out they are. I didn’t do that for this book since it’s not an ensemble team and matters less, but I did for my sci-fi WIP, pictured below.

As I was writing that one, I had “scripted” the chapters before going back and writing out all the glorious narrative, and updated the symbols from “scripted” to “finished” accordingly.

I also have a pie chart that I had to make manually on a convoluted iPhone app to color coordinate specifically the way I wanted to easily tell who narrates the most out of the cast, and who needs more representation.

—

Google Docs

Can’t show you much here unfortunately but I’d like to take an aside to talk about my “scene bits” docs.

It’s what it says on the tin, an entire doc all labeled with different heading styles with blurbs for each scene I want to include at some point in the book so I can hop around easily. Whether they make it into the manuscript or not, all practice is good practice and I like to keep old ideas because they might be useful in unsuspecting ways later.

Separate from that, I keep most of my deleted scenes and scene chunks for, again, possible use later in a “deleted scenes” doc, all labeled accordingly.

When I designed my alien language for the sci-fi series, I created a Word doc dictionary and my own "translation" matrix, for easy look-up or word generation whenever I needed it (do y'all want a breakdown for creating foreign languages? It's so fun).

Normally, as with my sci-fi series, I have an entire doc filled with character sheets and important details, I just… didn’t do that for this book. But the point is—you can still make those for free on any word processing software, you don’t need fancy gadgets.

—

I hope this helps anyone struggling! It doesn’t have to be fancy. It doesn’t have to be expensive. Everything I made here, minus the aforementioned timeline and pie chart, was done with basic excel skills and the paint bucket tool. I imagine this can be applicable to games, comics, what have you, it knows no bounds!

Now you have one less excuse to sit down and start writing.

[dustytufts]

Leafkit and Squirrelkit make "travelling herbs" for Sandstorm before she goes for a walk. They're delicious, she assures the kits, through tears in her eyes. They run away proudly, she rushes out of camp for the nearest creek to wash her mouth in. Nasty, she mouths, but she'll eat whatever they make. The kits' smiles make it worth a wet face.

~~~

Had a ton of fun with this one but don't wanna bog down the main post. A lot of unrelated-to-wc process talk below the cut!

So this was a bit of experimentation with a new brush which turned into exploration into gradient maps.

The original idea was simply to modify csp's mechanical pencil brush into something that felt a bit more natural. It started with simply turning on a bit of tilt-controlled thickness and setting my colour to about 80% grey, rather than black. It didn't quite feel right, but setting the brush to blend with the subcolour on each tip, setting the subcolour to the 80% grey and the main colour to the canvas' colour, then setting the brush's blend mode to darken gave me a brush that felt like it had FAR finer line control.

The lines themselves look like this (on a more saturated bg to show how the values layer/fade in and out with pressure and tilt):

(edit to pic: completely unnoticeable when on the intended base colour*)

This is where the gradient maps come in. The way I usually change my linearts' colours is to make a new layer, mask over it, and manually paint. It gives a lot of control to your end result, but it's time consuming and often takes many adjustments to make it feel like it has enough contrast to make the drawing actually *readable.* If I wanted to add a gradient map to the lineart, it would be unable to read the transparency and would pick from the single value that the lineart is (usually black), then the transparency would take over. This gives me a dull result.

With the "transparency" being an actual colour, that gives it an actual value for the gradient map to read. So instead of having your lines fade from black to the colour behind it (often desaturating as it goes), it'll go from something like dark blue -> reddish-grey -> orange -> yellow. It adds a little something i think, and while I absolutely don't have this down pat, it could be something interesting to explore!

I also wanted to go further with this piece, namely painting it rather than a shading layer set on overlay with the aforementioned gradient maps all over it but ... it wasnt happening. The art skills clocked out for the day. That said, I definitely want to explore how this would look if I coloured everything for realsies rather than doing the fallback method. Could be where they really shine!

[hammerhead-jpg]

They're so everything to me

(click for better quality jeezus)

I stole both of the poses from a drawing the user tacodemuerte on Instagram did (they drew it better than me tho)

Speedpaint under the cut (WARNING: flashing imagery)

If you by chance noticed that I posted like one speedpaint besides a drawing I did and never did it again, it's because making speedpaints in firealpaca is A PAIN IN THE ASS. Unlike with other apps like ibis paint or procreate it's not something that it just does automatically for you. No instead you have to manually start a speedpaint and save it as a file on your computer. But of course it isn't just as simple as that no no, you have to manually end the recording as well and export it as a gif, and if you don't the speedpaint isn't going to be able to be opened. That means that if you plan to close the program you need to end the recording and start a new one the next time you start up again, and you better hope your program doesn't crash because the actual drawing might be auto saved but the recording sure as hell won't!

And believe it or not I don't really finish full render drawings in one sitting. But the thing is that even if I did I still wouldn't be able to have only one recording because if you keep it recording for too long the file will crash when you try to end it and your speedpaint will be lost forever, so you have no other choice but to have multiple short parts of it

And an important piece of information to keep in mind is that there is an option for how long you want the gif to be, but I set it as the no specific length option because I don't the different gifs with be different levels of sped up (since in theory if I set every gif to let's say 60 seconds, a recording that is 2h and one that is 20 minutes is going to be the same length which obviously means different levels of getting sped up) which resulted in some of the gifs being up to 3 minutes long. So because I don't want to post like 16 separate 20second to 3 minute gifs here I put it in an editing program where I can put them all together and then speed up the final video which means I have to send them from my computer to my phone via email.

This is where the pain really starts.

The 6th gif doesn't want to load so I send it again. It doesn't want to load again. I connect my charger to the computer so I can transfer it manually. It isn't working. Oh wait nvm I accidentally sent over the png version (because did I fail to mention that it also saves a png for some reason?). Send over the gif version, it doesn't send. Try it like ten more times. It still doesn't send. I try downloading it through email again. Nvm it downloaded

Then all of a sudden the editing app is telling me I don't have enough space to insert the gif in. So I have to clear up some storage in my phone.

When I tell you. Every other time I had to either import the gif or even download it I had to clear up space on my phone. And there were like, 17 gifs. I deleted hundreds of pictures and videos. I deleted apps. I deleted things I cannot get back. For a FUCKING SPEEDPAINT. My phone literally crashed as I was doing this. NEVER IN THE 6 YEARS I HAD THIS FUCKING PHONE DID IT EVER CRASH?!? I cannot begin to describe the awfully repetitive and soul sucking loop that I had to go through. Because of the nature of the program I can't put a gif in and then delete it from my gallery because it would just delete it in the project too

And even once I downloaded and combined all of them I still wasn't done

Because despite all of them being speed paints they were around 26 MINUTES COMBINED.

I mentioned that I speed up the finished result because of this yeah? Well I would usually do this by exporting the unsped combined video and then speeding it up in another project so that I don't have to set each video in the program to a specific speed only to realize "hey I actually want it faster/slower" and go redo all of it. Well today I had to do exactly that considering that if downloading 3 minute gifs was enough to break my phone I didn't want to even think about what would happen if I attempted to download a 26 MINUTE video so yippie

I know a lot of this was my fault considering my storage has been almost full for some time now, but still it's safe to say I won't be making speedpaints for some time

Thank god I don't post on TikTok because if I had to receive a "can I see the speedpaint?" comment on every single drawing I ever made I would have to start putting people's ips in my bio

[scuderiasundays]

the one where the stars aligned

summary: 3 am flashbacks to packed pizzerias, comfortable silences, and post-race kisses + a little insta au at the end 💌

words: 871

a/n: writing fics is my form of self care. i’m seeing a lot of lando love so i thought i’d whip something up! tagging @vamossainz55, @sainzcaleruega , @monzabee, @ssainzz, @holllandtrash, and @diorleclerc just because. feedback appreciated as always. hugs and kisses 🫶🏼

"Come on, put down the melatonin gummies and lend a hand," Lando's voice beckoned, as he motioned for you to join him. It was Lando's brilliant idea to start building shelves for his prized helmet collection at the ungodly hour of 3 AM. Despite feeling drained from a full day of traveling, jet lag refused to let either of you rest. As you took in the sights of Monaco in the dark, your mind couldn't help but picture everyone sound asleep in their beds—a stark contrast to the state you and Lando were in, blasting Burna Boy and diving headfirst into a DIY date night.

You plopped down beside him, and he handed over some screws and posts. To be honest, you had no clue what you were doing, so you just sat there, watching your boyfriend hum along and niftily arrange the pieces. There was a particular air about Lando when he was focused: his slightly creased forehead, furrowed eyebrow, and bitten lip. He caught you midthought and playfully said, "Less staring, more doing," as he handed you the instruction manual.

Maybe it was the sleep deprivation or the fact that your two-year anniversary was coming up, but you found your mind aimlessly wandering. Lando had entered your life at a time when you least expected it. It all began on an evening out in London, which your friends now playfully referred to as "The One Where the Stars Aligned."

You had found yourselves scrambling for a last-minute table at a quaint pizzeria one of you had discovered on TikTok. The restaurant, a charming hole-in-the-wall, was filled to the brim with lively conversation and the aroma of freshly baked pizza. Your waiter hastily directed you to a 10-person table at the heart of the bustling scene, disappearing before any of you could say a word. The long table was already occupied by a few guys who looked to be your age. Reluctant but ravenous, you found yourself settling beside one of them. Throughout the night, you and your mystery man talked nonstop, effortlessly volleying back and forth. The rest, as they say, was history.

There were countless reasons you loved your boyfriend, but a few things really stood out. Lando's attentiveness was unmatched. If a conversation made you uneasy, he would pick up on it and hurry to your side, ready to rescue you from any situation. If he noticed a Netflix show had you on the verge of tears, he would edge closer to you on the couch and quietly slide over a box of tissues. If you were lost for words to congratulate him on an impressive drive, he would kiss you simply to shut you up.

Even though Lando's job required him to exude confidence and poise in public, behind closed doors, he was just as much of an introvert as you. Whether sitting side by side in his driver's room, with him editing photos and you buried in a book, there was an ease to the silence that never felt uncomfortable. It was your way of recharging your social batteries, soaking up each other's presence without the need for constant conversation.

You had also grown to love the people Lando surrounded himself with. He was big on quality time and always sought to spend as much of it with you as possible. Initially unsure if his friends would appreciate your constantly hanging around, you were pleasantly surprised when they warmly embraced you into their circle. "I'm just glad he's found someone else to bother instead of P and me," Max jokingly said during a double date at the driving range.

Your bond with Flo had also grown stronger, as you joined her for one-on-one horse-riding lessons at the stables. She would share stories about little Lando, granting you intimate glimpses into his past that, without him knowing, made you love him even more.

Lando went above and beyond to introduce you to the other drivers too. You often third-wheeled on Carlando outings, intervening when they bickered like an old couple. On some nights, he’d arrange actual double dates with Carmen and George, the three of you trying but always failing to convince Lando to try some sushi.

You were the first person he FaceTimed when Daniel had confided he’d be back on the grid sooner than expected. “If this leaks, I’ll know who to hunt down,” he giggled while munching a chicken quinoa wrap, his staple pre-race meal.

Lost in reverie, you hadn’t even realized you’d zoned out until Lando waved his hands frantically in front of you, snapping you back to reality. The shelves were now magically built, showcasing the colorful helmets he’d raced in and swapped over the years.

“What were you thinking about, babe?” He asked as he stepped back to double check that the shelves were even.

“Just how much I love you,” you replied as you gave him a peck on the cheek.

If you could be anywhere in the world, you’d still choose to be right there with him, watching the sunrise paint your apartment the warmest shade of orange. You closed your eyes and silently prayed that you and Lando would always be this close, forever and ever.

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liked by ciscanorris1, alex_albon, and 41,113 others

landonorris: a few of my favorite thingssss

yourusername: not even pressed danny ranks higher than me! he’s back like he never left 🙌🏼

danielricciardo: bisous

landonorris: nobody compares to you, baby!!

flonorris1: don’t have too much fun without me, lovebirds 🧡

heidiberger_: what a flight! let @yourusername and i know if anyone wants to join our “my boyfriend has a distinctive laugh” club

yourusername: more like the “i couldn’t get any sleep because my boyfriend kept cackling” club 🫠

fan2: the wags are spilling tea and i ADORE them

barbiethemovie: she’s everything. he’s just ken.

mclaren: in lando we trust 🫡