#and it's so incredible

[romeoandjulietyouwish]

this is such a weird niche thing, but as I’ve made friends that write fic too, I’ve noticed how much we borrow from each other and it’s just the sweetest thing. like we see someone’s headcanon and adopt it, we see how someone describes a character and mirror it, we see someone’s idea and elaborate on it. and it’s just the best part about having yall.

[lesbianrecorderplayer]

One thing I truly love about Mabel is that she is completely genuine and sincere weird little girl representation. She has a morbid sense of humour. She grew up with a horrifying plush bear called Bear-O and literally everybody hated him. Her prized possession is a pig whom she won at a carnival, claiming to be a witch while doing so. Her initial design for a wax figure was a fairy princess horse fairy princess. She punched a unicorn. She draws portraits of her friends on cats and sells them for a profit. Her dream boyfriend is a Bill and Ted clone who has a masters in law. She's scared of stop motion. Her uncle didn't like colours so she hatched a plan with her friends to blind him. When her uncle offered her a free gift from his shop, she took a grappling hook without even considering any other option. One time she said the sentence "it's covered in my blood, sweat, tears, and other fluids." No one is doing it like her

[catwouthats]

THEY MAKE ME INSANE

Proof below:

Also, I’m fucking crying, I think his arm is like that bc he fell asleep holding the photo.

EDIT: more proof:

[ofswordsandpens]

idk why people get super pedantic about the movie logic in Home Alone and start and try to pick it apart, because like, its a Christmas movie about a child accidentally being left home alone, the premise isn't exactly asking us to suspend our disbelief that much, and yet nearly every single "gotcha" question I see people bring up about this film is literally answered within the first 15 minutes :/

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[stuckinapril]

Incredibly alarming that talks of “peace” in Gaza seem to extend no further than a ceasefire. How do you think they’re gonna start off where they left off themselves? Their houses are destroyed, so many have lost mothers and fathers and brothers and children, they still have no clean water and no food. Any area Israel withdraws out of is an area it already knows has been rendered inhospitable. There was even a direct quote by some IOF soldier gleefully stating how he “wasn’t sure Palestinians could go back to their homes.” So what happens when the US “succeeds at negotiating a ceasefire”? Who will be responsible for helping the Palestinians rebuild all that they’ve lost?

[irlpretear]

100 trans/genderqueer musicians

Bands

Against Me! (rock, folk punk) (x)

The Oozes (punk) (x)

The Hirs Collective (metal, grindcore) (x)

GEL (hardcore punk) (x)

Urn (hardcore punk) (x)

The Black Dresses (noise pop, hardcore hyperpop) (x)

Party Ghost (rock) (x)

Lagrimas (hardcore punk, scream punk) (x)

Doll Skin (rock) (x)

Dazey and the Scouts (rock, indie) (x)

G.L.O.S.S. (hardcore punk) (x)

Dog Park Dissidents (punk rock) (x)

She/Her/hers (rock) (x)

Deli Girls (hardcore electronic) (x)

Dream Nails (punk rock) (x)

Sarah and the Safe Word (rock, dark cabaret) (x)

Pinkie Promise (punk rock) (x)

B. Fraser (emo) (x)

Newgrounds Death Rugby (emo) (x)

Scowl (hardcore punk) (x)

Feminazgul (black metal) (x)

Sports Bra (dream pop, light rock) (x)

Club Sofa (indie pop) (x)

The Cost ov Living (grindcore, harsh noise) (x)

Kuromy (punk) (x)

The Sonder Bombs (indie, pop) (x)

Lidocaine (rock) (x)

I'm letting unseen forces take the wheel (cybergrind) (x)

Gum Disease (punk) (x)

Cam Girl (rock, trash rock) (x)

Gully Boys (grunge pop) (x)

Arcadia Grey (sparkle punk) (x)

Schmekel (folk punk) (x)

Destructo Disk (punk rock) (x)

User Unauthorized (hardcore punk) (x)

The Spook School (indie pop) (x)

Pinkshift (emo) (x)

Glass Beach (emo) (x)

Butch Baby (light rock) (x)

VIAL (indie punk) (x)

Sister Wife Sex Strike (folk punk) (x)

homewrecker. (metal, hardcore punk) (x)

Mega Mango (indie rock) (x)

Keep For Cheap (prarie rock) (x)

Steam Powered Giraffe (cabaret, steampunk) (x)

Thotcrime (grindcore, cybergrind) (x)

Whirlybird (indie pop) (x)

Kampsport (hardcore punk) (x)

Um Jennifer? (alt-rock, punk) (x)

Scarlet Demore (alt-rock) (x)

HappyHappy (folk, folk-punk) (x)

Queen Zee (punk) (x)

Grumpy Plum (slop pop) (x)

Cheap Perfume (punk) (x)

Pollyanna (power-pop, rock) (x)

Ballista (metalcore) (x)

Faetooth (fairy doom, metal) (x)

Lacerated (death metal) (x)

Fortuna Malvada (hardcore punk) (x)

Peach Rings (bedroom power-pop) (x)

Solo Artists

Laura Jane Grace (rock, folk punk) (x)

Left at London (pop) (x)

ZAND (pop, ugly pop) (x)

Ada Rook (hardcore electronic) (x)

Ms. White (pop) (x)

Rett Madison (indie, folk) (x)

Murder Person for Hire (folk) (x)

Backxwash (rap, industrial hip hop) (x)

LustSickPuppy (electronic, rap) (x)

Babylungs (electronic, rap) (x)

Human Kitten (folk punk) (x)

Harley Poe (folk punk) (x)

Ewy (emo, folk punk) (x)

Averstaskta (instrumental) (x)

Andie Schoen (indie) (x)

Elliot Lee (dark pop, electronic rock) (x)

Urias (hip hop, ballroom) (x)

Twink Obliterator* (cybergrind) (x)

Rio Romeo (cabaret punk, indie) (x)

Knife Girl (art pop, indie) (x)

Alexander James Adams (folk) (x)

Starmaxx (pop) (x)

Sofya Wang (pop, alt-R&B) (x)

Boy Jr (indie/alt pop) (x)

Medusa (revenge pop, hip-hop) (x)

Mal Blum (singer-songwriter, folk) (x)

Gina Young (riot grrrl) (x)

Petra Fiyd (indie pop) (x)

awfultune (bedroom pop) (x)

Quinn Hills (alternative pop) (x)

Femtanyl (electronic) (x)

Vivivivivi (electronic, glitchcore) (x)

Lilac Boy (glitchcore) (x)

Rosie Tucker (indie rock) (x)

Ryan Cassata (singer-songwriter) (x)

Pain Chain (noise, synth) (x)

In Love With A Ghost (electronic, lo-fi) (x)

Alice Longyu Gao (hyperpop) (x)

Prophetic Nightmares (ambient synthwave) (x)

Saint Wellesley (indie folk) (x)

[hinamie]

morning glory

[stargirl230]

you’re my hero!

bnha doomed yuri was not on my 2024 bingo card

(no reposts; reblogs appreciated)

[imliterallybeggingyou]

Elephant in the room time! I’d like to give a summary for everyone here.

I think we have all been waiting for someone to dig up something about Tim Walz, and what they found is a DUI from 1995.

Tim Walz was still a teacher at the time. He was with his friends, watching college football. He chose to drive home, and was pulled over for going 96mph in a 55. He was charged and fined.

Directly afterwards, he tried to resign from his teaching job out of guilt for his actions. He felt terrible, he felt disappointed in himself, and thought he didn’t have the right to teach or be a coach because of it. The principal pushed back immediately, asking him to stay. The principal refused to let him resign.

11 years later he became a member of Congress. 30 years later, he still hasn’t touched alcohol.

His drink of choice is Diet Mountain Dew.

Trump supporters are seemingly oblivious to the hypocrisy of their criticism of Walz. It has been 30 years since Walz was charged with his only misdemeanor. In May of this year, Trump was convicted of 34 felonies.

[cdyssey]

genuinely stunned at the fantastic choice for Percy not to pray to his absent and unknown father—like he did in the books—but to his mother.

the show is really taking us to one of riordan’s central theses straight off the bat.

parenthood isn’t about power and legacy and the recognition of shared blood.

It’s about the incredible act of showing up for your child—again and again and a-fucking-gain. That’s how you inspire respect. That’s how you become a child’s patron and beloved god.

[nipuni]

"Midnight" is one of my favourite episodes!!

A speedpaint video of this will be available at my Patreon on may 1st

[goryfluff]

Nautilus expedition live streams (+ their commentary) 2020 / 2021 / 2022

[yourangle-yuordevil]

They are smitten, I believe <3

[platoapproved]

louis + cruelty

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.